Turtle Friendship Quotes

It’s a weird phrase in English, in love, like it’s a sea you drown in or a town you live in. You don’t get to be in anything else—in friendship or in anger or in hope. All you can be in is love.

Slowly the conversation sputtered. We started talking like people who used to be close, catching each other up on our lives rather than living them together. By the time he payed the bill, I knew that whatever we had been, we weren’t anymore.

I thought about him asking me if I'd ever been in love. It's a weird phrase in English, in love, like it's a sea you drown in or a town you live in. You don't get to be in anything else—in friendship or in anger or in hope. All you can be is in love. And I wanted to tell him that even though I'd never been in love, I knew what it was like to be in a feeling, to be not just surrounded by it but also be permeated by it, the way my grandmother talked about God being everywhere. When my thoughts spiraled, I was in the spiral, and of it. And I wanted to tell him that the idea of being in a feeling gave language to something i couldn't describe before, created a form for it, but I couldn't figure out how to say any of that out loud.

You don't get to be in anything else-in friendship or in anger or in hope. All you can be in is love.

It’s a weird phrase in English, in love, like it’s a sea you drown in or a town you live in. You don’t get to be in anything else—in friendship or in anger or in hope. All you can be in is love.

I thought about him asking me if I’d ever been in love. It’s a weird phrase in English, in love, like it’s a sea you drown in or a town you live in. You don’t get to be in anything else—in friendship or in anger or in hope. All you can be in is love. And I wanted to tell him that even though I’d never been in love, I knew what it was like to be in a feeling, to be not just surrounded by it but also permeated by it, the way my grandmother talked about God being everywhere.

You don’t get to be in anything else—in friendship or in anger or in hope. All you can be in is love.

Romantic love is really important for a lot of people, but it's not the only kind of love that matters. When I was in high school, it was the love of my friends that got me through.

It's a weird phrase in English, in love, like it's a sea you drown in or a town you live in. You don't get to be in anything else - in friendship or in anger or in hope. All you can be is in love.

I thought about him asking me if I'd ever been in love. It's a weird phrase in English, in love, like it's a sea you drown in or a town you live in. You don't get to be in anything else — in friendship or in anger or in hope. All you can be in is love. And I wanted to tell him that even though I'd never been in love, I knew what it was like to be in a feeling, to be not just surrounded by it but also permeated by it, the way my grandmother talked about God.

If I'd been the author, I would've stopped thinking about my microbiome. I would've told Daisy how much I liked her idea for Mychal's art project, and I would've told her that I did remember Davis Pickett, that I remembered being eleven and carrying a vague but constant fear. I would've told her that I remembered once at camp lying next to Davis on the edge of a dock, our legs dangling over, our backs against the rough-hewn planks of wood, staring together up at a cloudless summer sky. I wouldv'e told her that Davis and I never talked much, or even looked at each other, but it didn't mater, because we were looking at the same sky together, which is maybe more intimate than eye contact anyway. Anybody can look at you. It's quite rare to find someone who sees the same world you see.

It's a weird phrase in English, in love, like it's a sea you drown in or a town you live in. You don't get to be in anything else - in friendship or in anger or in hope. All you can be in is love. And I wanted to tell him that even though I'd never been in love, I knew what it was like to be in a feeling, to be not just surrounding by it but also permeated by it.

It’s a weird phrase in English, in love, like it’s a sea you drown in or a town you live in. You don’t ‎get to be in anything else—in friendship or in anger or in hope. All you can be in is love. And I ‎wanted to tell him that even though I’d never been in love, I knew what it was like to be in a ‎feeling, to be not just surrounded by it but also permeated by it, the way my grandmother ‎talked about God being everywhere

It is super beautiful and romantic,” I said. “We just can’t see it.” I thought about him asking me if I’d ever been in love. It’s a weird phrase in English, in love, like it’s a sea you drown in or a town you live in. You don’t get to be in anything else—in friendship or in anger or in hope. All you can be in is love. And I wanted to tell him that even though I’d never been in love, I knew what it was like to be in a feeling, to be not just surrounded by it but also permeated by it, the way my grandmother talked about God being everywhere. When my thoughts spiraled, I was in the spiral, and of it. And I wanted to tell him that the idea of being in a feeling gave language to something I couldn’t describe before, created a form for it, but I couldn’t figure out how to say any of that out loud. “I can’t tell if this is a regular silence or an awkward silence,

It’s a weird phrase in English, in love, like it’s a sea you drown in or a town you live in. You don’t get to be in anything else—in friendship or in anger or in hope. All you can be in is love. And I wanted to tell him that even though I’d never been in love, I knew what it was like to be in a feeling, to be not just surrounded by it but also permeated by it, the way my grandmother talked about God being everywhere. When my thoughts spiraled, I was in the spiral, and of it. And I wanted to tell him that the idea of being in a feeling gave language to something I couldn’t describe before, created a form for it, but I couldn’t figure out how to say any of that out loud.

John was one of Australia’s award-winning documentary filmmakers. He and Steve had met in the late 1980s, when Steve would help John shoot commercials that required a zoo animal like a lizard or a turtle. But their friendship did not really take off until 1990, when an Australian beer company hired John to film a tricky shot involving a crocodile. He called Steve. “They want a bloke to toss a coldie to another bloke, but a croc comes out of the water and snatches at it. The guy grabs the beer right in front of the croc’s jaws. You think that’s doable?” “Sure, mate, no problem at all,” Steve said with his usual confidence. “Only one thing, it has to be my hand in front of the croc.

I thought about him asking me if I’d ever been in love. It’s a weird phrase in English, in love, like it’s a sea you drown in or a town you live in. You don’t get to be in anything else—in friendship or in anger or in hope. All you can be in is love. And I wanted to tell him that even though I’d never been in love, I knew what it was like to be in a feeling, to be not just surrounded by it but also permeated by it, the way my grandmother talked about God being everywhere. When my thoughts spiraled, I was in the spiral, and of it. And I wanted to tell him that the idea of being in a feeling gave language to something I couldn’t describe before, created a form for it, but I couldn’t figure out how to say any of that out loud.

You have heard the good Talks which our Brother (George Morgan) Weepemachukthe [The White Deer] has delivered to us from the Great Council at Philadelphia representing all our white Brethern who have grown out of this same Ground with ourselves for this Big [Turtle] Island being our common Mother, we and they are like one Flesh and Blood." -Chief Cornstalk to Mingo representatives at a conference at Fort Pitt [Pittsburgh], Friday, June 21st, 1776 [response] "We are sprung from one common Mother, we were all born in this big Island; we earnestly wish to repose under the same Tree of Peace with you; we request to live in Friendship with all the Indians in the Woods...We call God to Witness, that we desire nothing more ardently than that the white and red Inhabitants of this big Island should cultivate the most Brotherly affection, and be united in the firmest bands of Love and friendship." -Morgan Letterbrook, "American Commissioners for Indian Affairs to Delawares, Senecas, Munsees, and Mingos" Pittsburgh, 1776

Then, just as we were to leave on a whirlwind honeymoon in the beautiful Pacific Northwest, a call came from Australia. Steve’s friend John Stainton had word that a big croc had been frequenting areas too close to civilization, and someone had been taking potshots at him. “It’s a big one, Stevo, maybe fourteen or fifteen feet,” John said over the phone. “I hate to catch you right at this moment, but they’re going to kill him unless he gets relocated.” John was one of Australia’s award-winning documentary filmmakers. He and Steve had met in the late 1980s, when Steve would help John shoot commercials that required a zoo animal like a lizard or a turtle. But their friendship did not really take off until 1990, when an Australian beer company hired John to film a tricky shot involving a crocodile. He called Steve. “They want a bloke to toss a coldie to another bloke, but a croc comes out of the water and snatches at it. The guy grabs the beer right in front of the croc’s jaws. You think that’s doable?” “Sure, mate, no problem at all,” Steve said with his usual confidence. “Only one thing, it has to be my hand in front of the croc.” John agreed. He journeyed up to the zoo to film the commercial. It was the first time he had seen Steve on his own turf, and he was impressed. He was even more impressed when the croc shoot went off flawlessly. Monty, the saltwater crocodile, lay partially submerged in his pool. An actor fetched a coldie from the esky and tossed it toward Steve. As Steve’s hand went above Monty’s head, the crocodile lunged upward in a food response. On film it looked like the croc was about to snatch the can--which Steve caught right in front of his jaws. John was extremely impressed. As he left the zoo after completing the commercial shoot, Steve gave him a collection of VHS tapes. Steve had shot the videotapes himself. The raw footage came from Steve simply propping his camera in a tree, or jamming it into the mud, and filming himself single-handedly catching crocs. John watched the tapes when he got home to Brisbane. He told me later that what he saw was unbelievable. “It was three hours of captivating film and I watched it straight through, twice,” John recalled to me. “It was Steve. The camera loved him.” He rang up his contacts in television and explained that he had a hot property. The programmers couldn’t use Steve’s original VHS footage, but one of them had a better idea. He gave John the green light to shoot his own documentary of Steve. That led to John Stainton’s call to Oregon on the eve of our honeymoon. “I know it’s not the best timing, mate,” John said, “but we could take a crew and film a documentary of you rescuing this crocodile.” Steve turned to me. Honeymoon or crocodile? For him, it wasn’t much of a quandary. But what about me?” “Let’s go,” I replied.

Best thing about friends: they know you inside and out. Worst thing about friends: They know you inside and out. My turtle shell is useless.

retreated into my fears like a turtle retreating into his carapace. Love has not been in my life in any degree. I never learned how to maintain strong self-worth when it came to two people getting down, literally clinging to each other. Yet, I have found love in little interludes of innocence or wonderful, life-enhancing bonds, and friendships that grew out of respect, affection, and admiration. I have had many emotional highs and definite lows when it comes to love and romance, and yet I am alone.

It's a weird phrase in English, in love, like it's a sea you drown in or a town you live in. You don't get to be in anything else - in friendship or in anger or in hope. All you can be in is love.

It is challenging to fly with eagles when you have been walking with turtles.

If you cant look deep inside someone to see the butterfly building within then you deserve to watch the moth transform and fly away

It is good to bounce things off a trusted friend.

The little boy touched his dust-streaked hand to Loretta’s hair and made a breathless “ooh” sound. He smelled like any little boy who had been hard at play, a bit sweaty yet somehow sweet, with the definite odor of dog and horse clinging to him. Blackbird concentrated on Loretta’s blue eyes, staring into them with unflinching intensity. The younger girl ran reverent fingertips over the flounces on Loretta’s bloomers, saying, “Tosi wannup,” over and over again. Loretta couldn’t help but smile. She was as strange to them as they were to her. She longed to gather them close and never let go. Friendly faces and human warmth. Their giggles made her long for home. With a throat that responded none too well to the messages from her brain, Loretta murmured, “Hello.” The sound of her own voice seemed unreal--an echo from the past. “Hi, hites.” Blackbird linked her chubby forefingers in an unmistakable sign of friendship. “Hah-ich-ka sooe ein conic?” Loretta had no idea what the child had asked until Blackbird steepled her fingers. “Oh--my house?” Loretta cupped a hand over her brow as if she were squinting into the distance. “Very far away.” Blackbird’s eyes sparkled with delight, and she burst into a long chain of gibberish, chortling and waving her hands. Loretta watched her, fascinated by the glow of happiness in her eyes, the innocence in her small face. She had always imagined Comanches, young and old, with blood dripping from their fingers. A deep voice came from behind her. “She asks how long you will eat and keep warm with us.” Startled, Loretta glanced over her shoulder to find Hunter reclining on a pallet of furs. Because he lay so low to the floor, she hadn’t seen him the first time she’d looked. Propping himself up on one elbow, he listened to his niece chatter for a moment. His eyes caught the light coming through the lodge door, glistening, fathomless. “You will tell her, ‘Pihet tabbe.’” Trust didn’t come easily to Loretta. “What does that mean?” A smile teased the corners of his mouth. “Pihet, three. Tabbe, the sun. Three suns. It was our bargain.” Relieved that she hadn’t dreamed his promise to take her home, Loretta repeated “pihet tabbe” to Blackbird. The little girl looked crestfallen and took Loretta’s hand. “Ka,” she cried. “Ein mea mon-ach.” “Ka, no. You are going a long way,” Hunter translated, pushing to his feet as he spoke. “I think she likes you.” He came to the bed and, with an indulgent smile, shooed the children away as Aunt Rachel shooed chickens. “Poke Wy-ar-pee-cha, Pony Girl,” he said as he scooped the unintimidated toddler off the furs and set her on the floor. His hand lingered a moment on her hair, a loving gesture that struck Loretta as totally out of character for a Comanche warrior. The fragile child, his rugged strength. The two formed a fascinating contrast. “She is from my sister who is dead.” Nodding toward the boy, he added, “Wakare-ee, Turtle, from Warrior.” Loretta didn’t want the children to leave her alone with their uncle. She gazed after them as they ran out the lodge door.

He steps closer, dangling a delicate, gold chain from his fingers. “Happy birthday,” he says, dropping it in my outstretched palm. I glance down and run my finger across the cool metal of the attached charm—golden birds nestled, side by side. “I love it.” “They’re turtle doves. My mom used to tell me the story of the two turtle doves when I was a kid.” He reaches in and separates the charm, holding one of the doves in his hand. “Legend says, they’re a symbol of friendship. As long as you have one, and I have the other, then we’ll be friends forever. No matter what your father does.

True friendship is a rare and valuable gift not a commodity

People know that you have to exhibit C.A.R. Curiosity, Appreciation and Respect, in order to be gifted with my friendship as otherwise you are wasting my valuable time and yours