Trapped In Love Quotes

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We are not trapped or locked up in these bones. No, no. We are free to change. And love changes us. And if we can love one another, we can break open the sky.
Walter Mosley (Blue Light)
People fall so in love with their pain, they can’t leave it behind. The same as the stories they tell. We trap ourselves.
Chuck Palahniuk (Haunted)
I want to be the friend you fall hopelessly in love with. The one you take into your arms and into your bed and into the private world you keep trapped in your head. I want to be that kind of friend. The one who will memorize the things you say as well as the shape of your lips when you say them. I want to know every curve, every freckle, every shiver of your body. I want to know where to touch you, I want to know how to touch you. I want to know convince you to design a smile just for me. Yes, I do want to be your friend. I want to be your best friend in the entire world.
Tahereh Mafi (Unravel Me (Shatter Me, #2))
I’m here not because I am supposed to be here, or because I’m trapped here, but because I’d rather be with you than anywhere else in the world.
Richard Bach (The Bridge Across Forever: A True Love Story)
Love is a trap. When it appears, we see only its light, not its shadows.
Paulo Coelho (By the River Piedra I Sat Down and Wept)
The Court of Dreams. The people who knew that there was a price, and one worth paying, for that dream. The bastard- born warriors, the Illyrian half breed, the monster trapped in a beautiful body, the dreamer born into a court of nightmares...And the huntress with an artist's soul.
Sarah J. Maas (A Court of Mist and Fury (A Court of Thorns and Roses, #2))
You buy furniture. You tell yourself, this is the last sofa I will ever need in my life. Buy the sofa, then for a couple years you're satisfied that no matter what goes wrong, at least you've got your sofa issue handled. Then the right set of dishes. Then the perfect bed. The drapes. The rug. Then you're trapped in your lovely nest, and the things you used to own, now they own you.
Chuck Palahniuk (Fight Club)
I've been burdened with blame trapped in the past for too long, I'm moving on
Rascal Flatts
If you can keep your head when all about you Are losing theirs and blaming it on you, If you can trust yourself when all men doubt you, But make allowance for their doubting too; If you can wait and not be tired by waiting, Or being lied about, don't deal in lies, Or being hated, don't give way to hating, And yet don't look too good, nor talk too wise If you can dream - and not make dreams your master; If you can think - and not make thoughts your aim; If you can meet with Triumph and Disaster And treat those two impostors just the same; If you can bear to hear the truth you've spoken Twisted by knaves to make a trap for fools, Or watch the things you gave your life to, broken, And stoop and build 'em up with worn-out tools If you can make one heap of all your winnings And risk it on one turn of pitch-and-toss, And lose, and start again at your beginnings And never breathe a word about your loss; If you can force your heart and nerve and sinew To serve your turn long after they are gone, And so hold on when there is nothing in you Except the will which says to them: 'Hold on!' If you can talk with crowds and keep your virtue, Or walk with Kings - nor lose the common touch, If neither foes nor loving friends can hurt you, If all men count with you, but none too much; If you can fill the unforgiving minute With sixty seconds' worth of distance run, Yours is the Earth and everything that's in it, And - which is more - you'll be a Man, my son!
Rudyard Kipling (If: A Father's Advice to His Son)
To be so lovely and so lost. To be all answerful with all that knowing trapped inside. To be beautiful and broken.
Patrick Rothfuss (The Slow Regard of Silent Things (The Kingkiller Chronicle, #2.5))
Inside the snow globe on my father's desk, there was a penguin wearing a red-and-white-striped scarf. When I was little my father would pull me into his lap and reach for the snow globe. He would turn it over, letting all the snow collect on the top, then quickly invert it. The two of us watched the snow fall gently around the penguin. The penguin was alone in there, I thought, and I worried for him. When I told my father this, he said, "Don't worry, Susie; he has a nice life. He's trapped in a perfect world.
Alice Sebold (The Lovely Bones)
Was there ever a trap to match the trap of love?
Stephen King (The Gunslinger (The Dark Tower, #1))
Love fills everything. It cannot be desired because it is an end in itself. It cannot betray because it has nothing to do with possession. It cannot be held prisoner because it is a river and will overflow its banks. Anyone who tries to imprison love will cut off the spring that feeds it, and the trapped water will grow stagnant.
Paulo Coelho (The Witch of Portobello)
alone with everybody the flesh covers the bone and they put a mind in there and sometimes a soul, and the women break vases against the walls and them men drink too much and nobody finds the one but they keep looking crawling in and out of beds. flesh covers the bone and the flesh searches for more than flesh. there's no chance at all: we are all trapped by a singular fate. nobody ever finds the one. the city dumps fill the junkyards fill the madhouses fill the hospitals fill the graveyards fill nothing else fills.
Charles Bukowski (Love Is a Dog from Hell)
Love is an excuse to put up with the shit that you shouldn't. That's how it gets you. It throws off the scales so that things that should weigh heavily don't seem to. It's a crock. A trap.
Sarah Dessen (This Lullaby)
there's no chance at all: we are all trapped by a singular fate.
Charles Bukowski (Love Is a Dog from Hell)
I love your silences, they are like mine. You are the only being before whom I am not distressed by my own silences. You have a vehement silence, one feels it is charged with essences, it is a strangely alive silence, like a trap open over a well, from which one can hear the secret murmur of the earth itself.
Anaïs Nin (Under a Glass Bell)
I found it ironic that I should be blessed with wings and yet feel so constrained, so trapped. It was because of my condition, I believe, that I noticed life's ironies a bit more often than the average person. I collected them: how love arrived when you least expected it, how someone who said he didn't want to hurt you eventually would.
Leslye Walton (The Strange and Beautiful Sorrows of Ava Lavender)
I'm here to tell you, though, ladies that the term "gold digger" is one of the traps we men set to keep you off our money trail; we created that term for you so that we can have all our money and still get everything we want from you without you asking for or expecting this very basic, instincual responsibility that men all over the world are obligated to assume and embrace. ... KNOW THIS: It is your right to expect that a man will pay for your dinner, your movie ticket, your club entry fee, or whatever else he has to pay for in exhange for your time.
Steve Harvey (Act Like a Lady, Think Like a Man: What Men Really Think About Love, Relationships, Intimacy, and Commitment)
Perhaps the biggest tragedy of our lives is that freedom is possible, yet we can pass our years trapped in the same old patterns...We may want to love other people without holding back, to feel authentic, to breathe in the beauty around us, to dance and sing. Yet each day we listen to inner voices that keep our life small.
Tara Brach (Radical Acceptance: Embracing Your Life With the Heart of a Buddha)
your loved ones have been used to lure you into Kronos's traps. Your fatal flaw is personal loyalty Percy. You do not know when it is time to cut your losses. To save a friend you would sacrifice the world.
Rick Riordan (The Titan's Curse (Percy Jackson and the Olympians, #3))
For so many years, I couldn’t understand why every time I thought that someone finally loved me, like… for real, they would eventually turn to vapor. Every person whom I’ve ever loved is trapped inside of my chest. I’ve breathed all of them in so deeply that I’ve nearly choked and died on every soul that I’ve ever given myself to.
Jennifer Elisabeth (Born Ready: Unleash Your Inner Dream Girl)
When you drop a glass or a plate to the ground it makes a loud crashing sound. When a window shatters a table leg breaks or when a picture falls off the wall it makes a noise. But as for your heart when that breaks it s completely silent. You would think as it s so important it would make the loudest noise in the whole world or even have some ... Read Moresort of ceremonious sound like the gong of a cymbal or the ringing of a bell. But it s silent and you almost wish there was a noise to distract you from the pain. If there is a noise it s internal. It screams and no one can hear it but you. It screams so loud your ears ring and your head aches. It trashes around in your chest like a great white shark caught in the sea it roars like a mother bear whose cub has been taken. That s what it looks like and that s what it sounds like a trashing panicking trapped great big beast roaring like a prisoner to its own emotions. But that s the thing about love no one is untouchable.
Cecelia Ahern (If You Could See Me Now)
Trapped don't undress my love you might find a mannequin: don't undress the mannequin you might find my love. she's long ago forgotten me. she's trying on a new hat and looks more the coquette than ever. she is a child and a mannequin and death. I can't hate that. she didn't do anything unusual. I only wanted her to.
Charles Bukowski (Love Is a Dog from Hell)
I want to be the friend you fall hopelessly in love with. The one you take into your arms and into your bed and into the private world you keep trapped in your head. I want to be that kind of friend," he says. "The one who will memorise the things you say as well as the shape of your lips when you say them. I want to know every curve, every freckle, every shiver of your body, Juliette-
Tahereh Mafi (Unravel Me (Shatter Me, #2))
Relationships never provide you with everything. They provide you with some things. You take all the things you want from a person -- sexual chemistry, let's say, or good conversation, or financial support, or intellectual compatibility, or niceness, or loyalty -- and you get to pick three of those things. The rest you have to look for elsewhere. It's only in the movies that you find someone who gives you all those things. But this isn't the movies. In the real world, you have to identify which three qualities you want to spend the rest of your life with, and then you look for those qualities in another person. That's real life. Don't you see it's a trap? If you keep trying to find everything, you'll wind up with nothing.
Hanya Yanagihara (A Little Life)
This was the price you paid for sleeping together. This was the end of the trap. This was what people got for loving each other.
Ernest Hemingway (A Farewell to Arms)
He knew Alec enough by now to know the conflicting impulses that warred in him. He was conscientious, the kind of person who believed that the others around him were so much more important than he was, who already believed he was letting everybody down. And he was honest, the kind of person that was naturally open about all he felt and wanted. Alec's virtues had made a trap for him; these two good qualities had collided painfully. He felt he could not be honest without disappointing everyone he loved. It was a hideous conundrum for him. It was as if the world had been designed to make him unhappy.
Cassandra Clare (What to Buy the Shadowhunter Who Has Everything (The Bane Chronicles, #8))
I look at the blanked-out faces of the other passengers--hoisting their briefcases, their backpacks, shuffling to disembark--and I think of what Hobie said: beauty alters the grain of reality. And I keep thinking too of the more conventional wisdom: namely, that the pursuit of pure beauty is a trap, a fast track to bitterness and sorrow, that beauty has to be wedded to something more meaningful. Only what is that thing? Why am I made the way I am? Why do I care about all the wrong things, and nothing at all for the right ones? Or, to tip it another way: how can I see so clearly that everything I love or care about is illusion, and yet--for me, anyway--all that's worth living for lies in that charm? A great sorrow, and one that I am only beginning to understand: we don't get to choose our own hearts. We can't make ourselves want what's good for us or what's good for other people. We don't get to choose the people we are. Because--isn't it drilled into us constantly, from childhood on, an unquestioned platitude in the culture--? From William Blake to Lady Gaga, from Rousseau to Rumi to Tosca to Mister Rogers, it's a curiously uniform message, accepted from high to low: when in doubt, what to do? How do we know what's right for us? Every shrink, every career counselor, every Disney princess knows the answer: "Be yourself." "Follow your heart." Only here's what I really, really want someone to explain to me. What if one happens to be possessed of a heart that can't be trusted--? What if the heart, for its own unfathomable reasons, leads one willfully and in a cloud of unspeakable radiance away from health, domesticity, civic responsibility and strong social connections and all the blandly-held common virtues and instead straight toward a beautiful flare of ruin, self-immolation, disaster?...If your deepest self is singing and coaxing you straight toward the bonfire, is it better to turn away? Stop your ears with wax? Ignore all the perverse glory your heart is screaming at you? Set yourself on the course that will lead you dutifully towards the norm, reasonable hours and regular medical check-ups, stable relationships and steady career advancement the New York Times and brunch on Sunday, all with the promise of being somehow a better person? Or...is it better to throw yourself head first and laughing into the holy rage calling your name?
Donna Tartt (The Goldfinch)
I want to be the friend you fall hopelessly in love with. The one you take into your arms and into your bed and into the private world you keep trapped in your head. I want to be that kind of friend," he says, " the one who will memorize the things you say as well as the shape of your lips when you say them. I want to know every curve, every freckle, and every shiver of your body, ...." ........ " I want to know where to touch you," he says, " i want to know how to touch you. I want to know how to convince you design a smile just for me." ...... " Yes, " he says, " i do want to be your bestfriend". He says, " I want to be your bestfriend in the entire world". --- Aaron Warner
Tahareh Mafi
Love is a trap. Don't ever get caught.
Dia Reeves (Bleeding Violet)
You destroy me." "Juliette," he says and he mouths the name, barely speaking at all, and he's pouring molten lava into my limbs and I never even knew I could melt straight to death. "I want you," he says. He says "I want all of you. I want you inside and out and catching your breath and aching for me like I ache for you." He says it like it's a lit cigarette lodged in his throat, like he wants to dip me in warm honey and he says "It's never been a secret. I've never tried to hide that from you. I've never pretended I wanted anything less." "You-you said you wanted f-friendship-" "Yes," he says, he swallows, "I did. I do. I do want to be your friend. He nods and I register the slight movement in the air between us. "I want to be the friend you fall hopelessly in love with. The one you take into your arms and into your bed and into the private world you keep trapped in your head. I want to be that kind of friend," he says. "The one who will memorize the things you say as well as the shape of your lips when you say them. I want to know every curve, every freckle, every shiver of your body, Juliette-" "No," I gasp. "Don't-don't s-say that-" "I want to know where to touch you," he says. "I want to know how to touch you. I want to know how to convince you to design a smile just for me." I feel his chest rising, falling, up and down and up and down and "Yes," he says. "I do want to be your friend." He says "I want to be your best friend in the entire world." "I want so many things," he whispers. "I want your mind. Your strength. I want to be worth your time." His fingers graze the hem of my top and he says "I want this up." He tugs on the waist of my pants and says "I want these down." He touches the tips of his fingers to the sides of my body and says, "I want to feel your skin on fire. I want to feel your heart racing next to mine and I want to know it's racing because of me, because you want me. Because you never," he says, he breathes, "never want me to stop. I want every second. Every inch of you. I want all of it." And I drop dead, all over the floor. "Juliette." I can't understand why I can still hear him speaking because I'm dead, I'm already dead, I've died over and over and over again. He swallows, hard, his chest heaving, his words a breathless, shaky whisper when he says "I'm so-I'm so desperately in love with you-
Tahereh Mafi (Unravel Me (Shatter Me, #2))
Love, he found, was a jail. It trapped, and it clipped wings. It dragged you down, forced you to places you didn’t want to go
Helen Hoang (The Kiss Quotient (The Kiss Quotient, #1))
Above all, I didn't want to fall into the trap that Buddhists call idiot compassion - an apt phrase, given John's worldview. In idiot compassion, you avoid rocking the boat to spare people's feelings, even though the boat needs rocking and your compassion ends up being more harmful than your honesty. People do this with teenagers, spouses, addicts, even themselves. Its opposite is wise compassion, which means caring about the person but also giving him or her a loving truth bomb when needed.
Lori Gottlieb (Maybe You Should Talk to Someone)
Dependency may appear to be love because it is a force that causes people to fiercely attach themselves to one another. But in actuality it is not love; it is a form of antilove. It has its genesis in a parental failure to love and it perpetuates the failure. It seeks to receive rather than to give. It nourishes infantilism rather than growth. It works to trap and constrict rather than to liberate. Ultimately it destroys rather than builds relationships, and it destroys rather than builds people.
M. Scott Peck (The Road Less Traveled: A New Psychology of Love, Traditional Values and Spiritual Growth)
Some people are trapped by the belief that love comes in finite quantities, and that our kind of love exhausts the supply upon which they need to draw. I do not accept competitive models of love, only additive ones.
Andrew Solomon (Far from the Tree: Parents, Children, and the Search for Identity)
We easily become trapped in the 'someday' mentality. Someday I'll have all the money I need to enjoy life. Someday I'll be able to spent more time with my family. Someday I'll have time to relax and do what i love doing.
Nick Vujicic (Life Without Limits)
She was one of those people who was born for the greatness of a single love, for exaggerated hatred, for apocalyptic vengance, and for the most sublime forms of heroism but she was unable to shape her fate to the dimensions of her amorous vocation, so it was lived out as something flat and gray trapped between her mother's sickroom walls, wretched tenements, and the tortured confessions with which this large, opulent, hot-blooded woman made for maternity, abundance, action, and ardor- was consuming herself.
Isabel Allende (The House of the Spirits)
I knew I was having a panic attack. I hadn't had one in a while, though, and I'd forgotton how they made everything like it- and I- was going to fall apart. How they reminded me of how trapped I was.
Elizabeth Scott (Love You Hate You Miss You)
I became aware that our love was doomed; love had turned into a love affair with a beginning and an end. I could name the very moment when it had begun, and one day I knew I should be able to name the final hour. When she left the house I couldn't settle to work. I would reconstruct what we had said to each other; I would fan myself into anger or remorse. And all the time I knew I was forcing the pace. I was pushing, pushing the only thing I loved out of my life. As long as I could make believe that love lasted I was happy; I think I was even good to live with, and so love did last. But if love had to die, I wanted it to die quickly. It was as though our love were a small creature caught in a trap and bleeding to death; I had to shut my eyes and wring its neck.
Graham Greene (The End of the Affair)
Those who fail to exhibit positive attitudes, no matter the external reality, are seen as maladjusted and in need of assistance. Their attitudes need correction. Once we adopt an upbeat vision of reality, positive things will happen. This belief encourages us to flee from reality when reality does not elicit positive feelings. These specialists in "happiness" have formulated something they call the "Law of Attraction." It argues that we attract those things in life, whether it is money, relationships or employment, which we focus on. Suddenly, abused and battered wives or children, the unemployed, the depressed and mentally ill, the illiterate, the lonely, those grieving for lost loved ones, those crushed by poverty, the terminally ill, those fighting with addictions, those suffering from trauma, those trapped in menial and poorly paid jobs, those whose homes are in foreclosure or who are filing for bankruptcy because they cannot pay their medical bills, are to blame for their negativity. The ideology justifies the cruelty of unfettered capitalism, shifting the blame from the power elite to those they oppress. And many of us have internalized this pernicious message, which in times of difficulty leads to personal despair, passivity and disillusionment.
Chris Hedges
Oh girl, we have known littlebit love. That littlebit of honey left in an empty jar that traps the sweetness in your mouth long enough to mask your hunger. We have run tongues over teeth to savor that last littlebit as long as we could, and in all our living, nothing has starved us more.
Brit Bennett (The Mothers)
I stared at her closely, studying her face, her eyes, everything. This was the angel that tamed a demon; the soul that trapped him and held him with a power he'd never felt before. Love.
Dan Wells
Love him,’ said Jacques, with vehemence, ‘love him and let him love you. Do you think anything else under heaven really matters? And how long, at the best, can it last, since you are both men and still have everywhere to go? Only five minutes, I assure you, only five minutes, and most of that, helas! in the dark. And if you think of them as dirty, then they will be dirty— they will be dirty because you will be giving nothing, you will be despising your flesh and his. But you can make your time together anything but dirty, you can give each other something which will make both of you better—forever—if you will not be ashamed, if you will only not play it safe.’ He paused, watching me, and then looked down to his cognac. ‘You play it safe long enough,’ he said, in a different tone, ‘and you’ll end up trapped in your own dirty body, forever and forever and forever—like me.
James Baldwin (Giovanni's Room)
In the vaults of our hearts and brains, danger waits. All the chambers are not lovely, light and high. There are holes in the floor of the mind, like those in a medieval dungeon floor - the stinking oubliettes, named for forgetting, bottle-shaped cells in solid rock with the trapdoor in the top. Nothing escapes from them quietly to ease us. A quake, some betrayal by our safeguards, and sparks of memory fire the noxious gases - things trapped for years fly free, ready to explode in pain and drive us to dangerous behavior...
Thomas Harris (Hannibal (Hannibal Lecter, #3))
Once you are defiled, you can't get back your purity by any means, instead, you will only look for ways to be defiled over and over again.
Michael Bassey Johnson
Only yesterday a young woman came to me wanting a trap set for a man with a sweet smile and lithe arms. She was a fool, not for wanting him, but for wanting more of him than that.
Patricia A. McKillip
Carter started down the stairs, but I grabbed his arm. “Hang on. What about traps?” He frowned. “Traps?” “Didn’t Egyptian tombs have traps?” “Well…sometimes. But this isn’t a tomb. Besides, more often they had curses, like the burning curse, the donkey curse—” “Oh, lovely. That sounds so much better.
Rick Riordan (The Red Pyramid (The Kane Chronicles, #1))
As I stared into his shining gaze, there was something raw in the way his eyes trapped mine. It had become a wordless conversation that only my soul understood.
J.J. Sorel (A Taste of Peace)
My Maggie, mia amore, I love you. I want to live with you, grow old, and have bambinos with you. You wrecked me. Completely … You belong with me.
Jennifer Probst (The Marriage Trap (Marriage to a Billionaire, #2))
What you’re seeing now is what I see every day. No matter how far I run, how hard I try to escape you—you’re everywhere I go. You’re everything I see. Loving you is like being trapped in a house of mirrors, little mouse. And I’ve never felt so at home while being so lost inside you.
H.D. Carlton (Haunting Adeline (Cat and Mouse, #1))
It was as though our love were a small creature caught in a trap and bleeding to death: I had to shut my eyes and wring its neck.
Graham Greene (The End of the Affair)
There is no reason for you to try to become like white people and there is no basis whatever for their impertinent assumption that they must accept you. The terrible thing, old buddy, is that you must accept them. And I mean that very seriously. You must accept them and accept them with love. For these innocent people have no other hope. They are, in effect, still trapped in a history which they do not understand; and until they understand it, they cannot be released from it. They have had to believe for many years, and for innumerable reasons, that black men are inferior to white men. Many of them, indeed, know better, but, as you will discover, people find it very difficult to act on what they know.
James Baldwin (The Fire Next Time)
Love transforms, Love heals. But sometimes it lays deadly traps and ends up destroying the person who decided to surrender himself completely.
Paulo Coelho (Manuscript Found in Accra)
Do you see, Harry? Do you see the flaw in my brilliant plan now? I had fallen into the trap I had foreseen, that I had told myself I could avoid, that I must avoid.” “I don’t —” “I cared about you too much,” said Dumbledore simply. “I cared more for your happiness than your knowing the truth, more for your peace of mind than my plan, more for your life than the lives that might be lost if the plan failed. In other words, I acted exactly as Voldemort expects we fools who love to act. “Is there a defense? I defy anyone who has watched you as I have — and I have watched you more closely than you can have imagined — not to want to save you more pain than you had already suffered. What did I care if numbers of nameless and faceless people and creatures were slaughtered in the vague future, if in the here and now you were alive, and well, and happy? I never dreamed that I would have such a person on my hands.
J.K. Rowling (Harry Potter and the Order of the Phoenix (Harry Potter, #5))
I shrug, trapped. I don’t want to lose him. In spite of all his demands, his need to control, his scary vices. I have never felt as alive as I do now. It’s a thrill to be sitting here beside him. He’s so unpredictable, sexy, smart, and funny. But his moods… oh – and he wants to hurt me. He says he’ll think about my reservations, but it still scares me. I close my eyes. What can I say? Deep down I would just like more, more affection, more playful Christian, more… love.
E.L. James (Fifty Shades of Grey (Fifty Shades, #1))
To be so lovely and so lost. To be all answerful with all that knowing trapped inside. To be beautiful and broken.
Patrick Rothfuss (The Slow Regard of Silent Things (The Kingkiller Chronicle, #2.5))
Life is a beautiful journey, full of joy and pain You never know when it will end, don’t let a moment pass in vain… In the whole ruckus of life, nothing had I gained, I just wanted freedom, no more did I wanted to be chained…
Mehek Bassi (Chained: Can you escape fate?)
The problem about cutting out the best of your heart and giving it to people, is that 1. It hurts to do that; and 2. You never know if they are going to throw it away or not. But then you should still do it. Because any other way is cowardice. At the end of the day, it's about being brave and we are only haunted by the ghosts that we trap within ourselves; we are not haunted by the ghosts that we let out. We are haunted by the ghosts that we cover and hide. So you let those ghosts out in that best piece of your heart that you give to someone. And if the other person throws it away? Or doesn't want it to begin with? Someone else will come along one day, cut out from his/her heart that exact same jagged shape that you cut out of your own heart, and make their piece of heart fit into the rest of yours. Wait for that person. And you can fill their missing piece with your soul.
C. JoyBell C.
What do you want? You can't want to be happy, because that's too easy and too boring. You can't want only to love, because that's impossible. What do you want? You want to justify your life, to live it as intensely as possible. That is at once a trap and a source of ecstasy. Try to be alert to that danger and experience the joy and the adventure of being that woman who is beyond the image reflected in the mirror.
Paulo Coelho (The Witch of Portobello)
She had thought she'd already reached her capacity for pain and had no room inside her for more. But she remembered having told Archer once that you could not measure love on a scale of degrees, and now she understood that it was the same with pain. Pain might escalate upwards, and, just when you'd thought you'd reached your limit, begin to spread sideways, and spill out, and touch other people, and mix with their pain. And grow larger, but somehow less oppressive. She had thought herself trapped in a place outside the ordinary feeling lives of other people; she had not noticed how many other people were trapped in that place with her.
Kristin Cashore (Fire (Graceling Realm, #2))
He often heard that wisdom comes with age, and he waited, trusting that this wisdom would bring him what he most wanted; that ability to guide his memories and not fall into the traps that they often set for him.
Luis Sepúlveda (The Old Man Who Read Love Stories)
but I think of Cardan lying beside me on the floor of the royal rooms. I think of his quicksilver smile. I think of how he would hate to be trapped like this. How unfair it would be for me to keep him this way and call it love. You already know how to end the curse. “I do love you,” I whisper. “I will always love you.
Holly Black (The Queen of Nothing (The Folk of the Air, #3))
So many people are so terrified to be alone that they settle for a loveless relationship or stay trapped in a miserable one for months and even years on end. But as it turns out, alone means unique, unequaled, and unexcelled. Or in other words: Unparalleled. Unrepeatable. Unable to be imitated or duplicated. Brave. FABULOUSLY ORIGINAL.
Mandy Hale (The Single Woman: Life, Love, and a Dash of Sass)
She is a mortal danger to all men. She is beautiful without knowing it, and possesses charms that she's not even aware of. She is like a trap set by nature - a sweet perfumed rose in whose petals Cupid lurks in ambush! Anyone who has seen her smile has known perfection. She instills grace in every common thing and divinity in every careless gesture. Venus in her shell was never so lovely, and Diana in the forest never so graceful as you.
Cyrano de Bergerac
His eyes trapped mine and although I could have stared at that face all night, I had to look away in order to breathe. I wondered whether I preferred the slick tuxedoed hunk, or the rugged version that looked like he’d just wrestled a bear. Both.
J.J. Sorel (A Taste of Peace)
Love transforms and love cures;but,sometimes,love builds deadly traps and can end up destroying a person who had resolved to give him or herself completely.What is this complex feeling which,deep down,is the only reason we continue to live,struggle and improve?
Paulo Coelho (Like the Flowing River)
Love is a curious mixture of opposites, a blend of extreme selfishness and total devotion. A paradox! Besides which, love, everybody is always talking about love, love, but love isn't something you choose, you catch it like a disease, you get trapped in it, like a disaster.
Amos Oz (A Tale of Love and Darkness)
Love casts out fear; but conversely fear casts out love. And not only love. Fear also casts out intelligence, casts out goodness, casts out all thought of beauty and truth. What remains in the bum or studiedly jocular desperation of one who is aware of the obscene Presence in the corner of the room and knows that the door is locked, that there aren’t any windows. And now the thing bears down on him. He feels a hand on his sleeve, smells a stinking breath, as the executioner’s assistant leans almost amorously toward him. “Your turn next, brother. Kindly step this way.” And in an instant his quiet terror is transmuted into a frenzy as violent as it is futile. There is no longer a man among his fellow men, no longer a rational being speaking articulately to other rational beings; there is only a lacerated animal, screaming and struggling in the trap. For in the end fear casts out even a man’s humanity. And fear, my good friends, fear is the very basis and foundation of modern life. Fear of the much touted technology which, while it raises out standard of living, increases the probability of our violently dying. Fear of the science which takes away the one hand even more than what it so profusely gives with the other. Fear of the demonstrably fatal institutions for while, in our suicidal loyalty, we are ready to kill and die. Fear of the Great Men whom we have raised, and by popular acclaim, to a power which they use, inevitably, to murder and enslave us. Fear of the war we don’t want yet do everything we can to bring about.
Aldous Huxley (Ape and Essence)
My litter sister looks up at me. Mom was right. Her eyes are the same as they've always been. Brown eyes fringed with long lashes and steeped with the memory of sweetness and light, laughter and joy - trapped in this mangled corpse-like face. "It's all right, baby girl," I whisper into her hair as I hug her. "I'm here. I came for you." Her face crumples and her eyes shine. "You came for me." I stroke her hair. It's as silky as ever.
Susan Ee (World After (Penryn & the End of Days, #2))
fuck she pulled her dress off over her head and I saw the panties indented somewhat into the crotch. it's only human. now we've got to do it. I've got to do it after all that bluff. it's like a party-- two trapped idiots. under the sheets after I have snapped off the light her panties are still on. she expects an opening performance. I can't blame her. but wonder why she's here with me? where are the other guys? how can you be lucky? having someone the others have abandoned? we didn't have to do it yet we had to do it. it was something like establishing new credibility with the income tax man. I get the panties off. I decide not to tongue her. even then I'm thinking about after it's over. we'll sleep together tonight trying to fit ourselves inside the wallpaper. I try, fail, notice the hair on her head mostly notice the hair on her head and a glimpse of nostrils piglike I try it again.
Charles Bukowski (Love Is a Dog from Hell)
I hate you for all the years I 'll have to live without you. How can a heart hurt this much and still go on beating? How can I feel this bad without dying from it? I 've bruised my knees with praying to have you back. None of my prayers have been answered. I tried to send them up to heaven but they 're trapped here on earth, like bobwhites beneath the snow. I try to sleep and it's like I 'm suffocating. Where have you gone? Once you said that if I wasn't with you, it wouldn't be heaven. I can't let go of you. Come back and haunt me. Come back.
Lisa Kleypas (Dream Lake (Friday Harbor, #3))
Tella claimed she didn’t want love—she liked to say love trapped and controlled and ripped hearts apart. But the truth was she also knew love healed and held people together, and deep down she wanted it more than anything. She enjoyed the kisses, but a part of her always wished that whenever she walked away from a boy he’d run after her, beg her to stay, and then promise he’d never leave.
Stephanie Garber (Legendary (Caraval, #2))
But will I always love her? Does my love for her reside in my head or my heart? The scientist in her believed that emotion resulted from complex limbic brain circuitry that was for her, at this very moment, trapped in the trenches of a battle in which there would be no survivors. The mother in her believed that the love she hadd for her daughter was safe from the mayhem in her mind, because it lived in her heart.
Lisa Genova (Still Alice)
I have come to believe that it is our life's work to tear down this order, to keep tugging at it, trying to unravel it, to set free the organisms trapped underneath. That it is our life's work work to mistrust our measures. Especially those about moral and mental standing. To remember that behind every ruler there is a Ruler. To remember that a category is at best a proxy; at worst, a shackle.
Lulu Miller (Why Fish Don't Exist: A Story of Loss, Love, and the Hidden Order of Life)
For a moment she turned in a circle, staring at her hands, which she held high and useless, close to her breast. She bobbed and shambled like an ape doing a trick, and her face was the silly, bewildered face of a joker's victim. And yet she could make no move that was not beautiful. Her trapped terror was more lovely than any joy that Molly had ever seen, and that was the most terrible thing about it.
Peter S. Beagle (The Last Unicorn (The Last Unicorn, #1))
Survivors often develop an exaggerated need for control in their adult relationships. It’s the only way they feel safe. They also struggle with commitment—saying yes in a relationship means being trapped in yet another family situation where abuse might take place. So the survivor panics as her relationship gets closer, certain that something terrible is going to happen. She pulls away, rejects, or tests her partner all the time.
Laura Davis (Allies in Healing: When the Person You Love Was Sexually Abused as a Child)
You’ve got to find what you love. And that is as true for your work as it is for your lovers. Your work is going to fill a large part of your life, and the only way to be truly satisfied is to do what you believe is great work. And the only way to do great work is to love what you do. If you haven’t found it yet, keep looking. Don’t settle. As with all matters of the heart, you’ll know when you find it. And, like any great relationship, it just gets better and better as the years roll on. So keep looking until you find it. Don’t settle… Your time is limited, so don’t waste it living someone else’s life. Don’t be trapped by dogma — which is living with the results of other people’s thinking. Don’t let the noise of others’ opinions drown out your own inner voice. And most important, have the courage to follow your heart and intuition. They somehow already know what you truly want to become. Everything else is secondary.
Steve Jobs
Most parents try really hard to give their kids the best possible life. They give them the best food and clothes they can afford, take their own kind of take on training kids to be honest and polite. But what they don't realize is no matter how much they try, their kids will get out there. Out to this complicated little world. If they are lucky they will survive, through backstabbers, broken hearts, failures and all the kinds of invisible insane pressures out there. But most kids get lost in them. They will get caught up in all kinds of bubbles. Trouble bubbles. Bubbles that continuously tell them that they are not good enough. Bubbles that get them carried away with what they think is love, give them broken hearts. Bubbles that will blur the rest of the world to them, make them feel like that is it, that they've reached the end. Sometimes, even the really smart kids, make stupid decisions. They lose control. Parents need to realize that the world is getting complicated every second of every day. With new problems, new diseases, new habits. They have to realize the vast probability of their kids being victims of this age, this complicated era. Your kids could be exposed to problems that no kind of therapy can help. Your kids could be brainwashed by themselves to believe in insane theories that drive them crazy. Most kids will go through this stage. The lucky ones will understand. They will grow out of them. The unlucky ones will live in these problems. Grow in them and never move forward. They will cut themselves, overdose on drugs, take up excessive drinking and smoking, for the slightest problems in their lives. You can't blame these kids for not being thankful or satisfied with what they have. Their mentality eludes them from the reality.
Thisuri Wanniarachchi (COLOMBO STREETS)
I think I fell in love with you,” Rhys murmured, stroking a finger down my arm, “the moment I realized you were cleaving those bones to make a trap for the Middengard Wyrm. Or maybe the moment you flipped me off for mocking you. It reminded me so much of Cassian. For the first time in decades, I wanted to laugh.” “You fell in love with me,” I said flatly, “because I reminded you of your friend?” He flicked my nose. “I fell in love with you, smartass, because you were one of us—because you weren’t afraid of me, and you decided to end your spectacular victory by throwing that piece of bone at Amarantha like a javelin. I felt Cassian’s spirit beside me in that moment, and could have sworn I heard him say, ‘If you don’t marry her, you stupid prick, I will.’ ” I huffed a laugh, sliding my paint-covered hand over his tattooed chest. Paint—right. We were both covered in it. So was the bed.
Sarah J. Maas (A Court of Mist and Fury (A Court of Thorns and Roses, #2))
There are two types of empathy: the positive empathy and the negative empathy. When we are fully carried away by the unaware activities of the mirror neurons, we are under the trap of negative empathy. The negative empathy generates attachments. Out of these attachments suffering follows. Negative empathy is a kind of reaction to a situation, whereas positive empathy is internal response of peace love and tranquility.... In positive empathy, your deep tranquility, joy and peace activates the mirror neurons of the others, whereas in negative empathy your mirror neurons are activated by the disturbance of others.
Amit Ray (Yoga and Vipassana: An Integrated Life Style)
A friend took me to the most amazing place the other day. It's called the Augusteum. Octavian Augustus built it to house his remains. When the barbarians came they trashed it a long with everything else. The great Augustus, Rome's first true great emperor. How could he have imagined that Rome, the whole world as far as he was concerned, would be in ruins. It's one of the quietest, loneliest places in Rome. The city has grown up around it over the centuries. It feels like a precious wound, a heartbreak you won't let go of because it hurts too good. We all want things to stay the same. Settle for living in misery because we're afraid of change, of things crumbling to ruins. Then I looked at around to this place, at the chaos it has endured - the way it has been adapted, burned, pillaged and found a way to build itself back up again. And I was reassured, maybe my life hasn't been so chaotic, it's just the world that is, and the real trap is getting attached to any of it. Ruin is a gift. Ruin is the road to transformation.
Elizabeth Gilbert (Eat, Pray, Love)
Did I ever tell you about the man who taught his asshole to talk? His whole abdomen would move up and down, you dig, farting out the words. It was unlike anything I ever heard. Bubbly, thick, stagnant sound. A sound you could smell. This man worked for the carnival,you dig? And to start with it was like a novelty ventriloquist act. After a while, the ass started talking on its own. He would go in without anything prepared... and his ass would ad-lib and toss the gags back at him every time. Then it developed sort of teethlike... little raspy incurving hooks and started eating. He thought this was cute at first and built an act around it... but the asshole would eat its way through his pants and start talking on the street... shouting out it wanted equal rights. It would get drunk, too, and have crying jags. Nobody loved it. And it wanted to be kissed, same as any other mouth. Finally, it talked all the time, day and night. You could hear him for blocks, screaming at it to shut up... beating at it with his fists... and sticking candles up it, but... nothing did any good, and the asshole said to him... "It is you who will shut up in the end, not me... "because we don't need you around here anymore. I can talk and eat and shit." After that, he began waking up in the morning with transparentjelly... like a tadpole's tail all over his mouth. He would tear it off his mouth and the pieces would stick to his hands... like burning gasoline jelly and grow there. So, finally, his mouth sealed over... and the whole head... would have amputated spontaneously except for the eyes, you dig? That's the one thing that the asshole couldn't do was see. It needed the eyes. Nerve connections were blocked... and infiltrated and atrophied. So, the brain couldn't give orders anymore. It was trapped inside the skull... sealed off. For a while, you could see... the silent, helpless suffering of the brain behind the eyes. And then finally the brain must have died... because the eyes went out... and there was no more feeling in them than a crab's eye at the end of a stalk.
William S. Burroughs (Naked Lunch)
(Ragnar just came back from the war.) Then Keita the Viper spun around and ran into his arms, hugging him tight. "This is all your fault!" she accused. "What is?" "How much I missed you! And I was shockingly worried about you. I actually cared if you were hurt or had been damaged in some way. She leaned back, squinted up at him. "You weren't, were you? Damaged?" "Not so that I won't heal." "Good." She rested her head on his chest. "Believe it or not, I don't know what I'd have done if something happened to you." Keita abruptly pulled back from him and punched him in the chest. "What have you done to me, foreigner? Well, let me make it plain that you'll not trap me in your evil web of amazing sex and unconditional love! I'm stronger than that!" And Ragnar sighed...loudly.
G.A. Aiken (The Dragon Who Loved Me (Dragon Kin, #5))
My brother gave me some good advice. He said, "What do you want to do? Do that because there are no rules when it comes to love. There are absolutely no rules. Do what you want to do." I think that was the most liberating piece of advice, because love really is unpredictable. There's trap doors, all kinds of scary stuff, caves and bears... You never know what's going to happen so you just have to do what you feel is right in the end.
Taylor Swift
You trap yourself sometimes, by thinking desire and need is love. Love is something far more precious, but something far more fragile. As fragile as one of our tiniest, most intricate, most delicately crafted toys. Hold on to it too tightly, and it will crumble on your fingers, but hold on to it loosely, and the wind might blow it away and shatter it on the cold ground. Listen to the voice comes from your heart, but be absolutely sure the voice comes from your heart.
V.C. Andrews
I want to breathe, I hate this night I want to wake up, I hate this dream I’m trapped inside of myself and I’m dead Don’t wanna be lonely Just wanna be yours Why is it so dark where you’re not here It’s dangerous how wrecked I am Save me because I can’t get a grip on myself Listen to my heartbeat It calls you whenever it wants to Because within this pitch black darkness You are shining so brightly Give me your hand save me save me I need your love before I fall, fall Give me your hand save me save me I need your love before I fall, fall Give me your hand save me save me Give me your hand save me save me Save me, save me Today the moon shines brighter on the blank spot in my memories It swallowed me, this lunatic, please save me tonight (Please save me tonight, please save me tonight) Within this childish madness you will save me tonight I knew that your salvation Is a part of my life and the only helping hand that will embrase my pain The best of me, you’re the only thing I have Please raise your voice so that I can laugh again Play on Listen to my heartbeat, it calls you whenever it wants to Because within this pitch black darkness, you are shining so brightly Give me your hand save me save me I need your love before I fall, fall Give me your hand save me save me I need your love before I fall, fall Give me your hand save me save me Give me your hand save me save me Thank you for letting me be me For helping me fly For giving me wings For straightening me out For waking me from being suffocated For waking me from a dream which was all I was living in When I think of you the sun comes out So I gave my sadness to the dog (Thank you. For being ‘us’) Give me your hand save me save me I need your love before I fall, fall Give me your hand save me save me I need your love before I fall, fall
BTS
I don’t know if I’ve learned anything yet! I did learn how to have a happy home, but I consider myself fortunate in that regard because I could’ve rolled right by it. Everybody has a superficial side and a deep side, but this culture doesn’t place much value on depth — we don’t have shamans or soothsayers, and depth isn’t encouraged or understood. Surrounded by this shallow, glossy society we develop a shallow side, too, and we become attracted to fluff. That’s reflected in the fact that this culture sets up an addiction to romance based on insecurity — the uncertainty of whether or not you’re truly united with the object of your obsession is the rush people get hooked on. I’ve seen this pattern so much in myself and my friends and some people never get off that line. But along with developing my superficial side, I always nurtured a deeper longing, so even when I was falling into the trap of that other kind of love, I was hip to what I was doing. I recently read an article in Esquire magazine called ‘The End of Sex,’ that said something that struck me as very true. It said: “If you want endless repetition, see a lot of different people. If you want infinite variety, stay with one.” What happens when you date is you run all your best moves and tell all your best stories — and in a way, that routine is a method for falling in love with yourself over and over. You can’t do that with a longtime mate because he knows all that old material. With a long relationship, things die then are rekindled, and that shared process of rebirth deepens the love. It’s hard work, though, and a lot of people run at the first sign of trouble. You’re with this person, and suddenly you look like an asshole to them or they look like an asshole to you — it’s unpleasant, but if you can get through it you get closer and you learn a way of loving that’s different from the neurotic love enshrined in movies. It’s warmer and has more padding to it.
Joni Mitchell
But the truth is it’s hard for me to know what I really think about any of the stuff I’ve written. It’s always tempting to sit back and make finger-steeples and invent impressive sounding theoretical justifications for what one does, but in my case most of it’d be horseshit. As time passes I get less and less nuts about anything I’ve published, and it gets harder to know for sure when its antagonistic elements are in there because they serve a useful purpose and when their just covert manifestations of this "look-at-me-please-love-me-I-hate you" syndrome I still sometimes catch myself falling into. Anyway, but what I think I meant by "antagonize" or "aggravate" has to do with the stuff in the TV essay about the younger writer trying to struggle against the cultural hegemony of TV. One thing TV does is help us deny that we’re lonely. With televised images, we can have the facsimile of a relationship without the work of a real relationship. It’s an anesthesia of "form." The interesting thing is why we’re so desperate for this anesthetic against loneliness. You don’t have to think very hard to realize that our dread of both relationships and loneliness, both of which are like sub-dreads of our dread of being trapped inside a self (a psychic self, not just a physical self), has to do with angst about death, the recognition that I’m going to die, and die very much alone, and the rest of the world is going to go merrily on without me. I’m not sure I could give you a steeple-fingered theoretical justification, but I strongly suspect a big part of real art fiction’s job is to aggravate this sense of entrapment and loneliness and death in people, to move people to countenance it, since any possible human redemption requires us first to face what’s dreadful, what we want to deny.
David Foster Wallace
Narcissus does not fall in love with his reflection because it is beautiful but because it is his. If it were his beauty that enthralled him, he would be set free in a few years by its fading. "After all," sighed Narcissus the hunchback, "on me it looks good. The contemplation of his reflection does not turn Narcissus into Priapus: the spell in which he is trapped is not a desire for himself but the satisfaction of not desiring the nymphs. "I prefer my pistol to my p…," said Narcissus; "it cannot take aim without my permission" – and took a pot shot at Echo.
W.H. Auden (The Dyer's Hand and Other Essays)
And she imagined how things could be later. It was stupid, but the picture just appeared in her mind. Abel and Magnus shoveling snow together... in twenty years, in thirty. Magnus had grown old, his broad back still strong but bent from time, his hair nearly white at the temples. And Abel... Abel was a different Abel, an adult one, one who was absolutely self-confident and didn't let his eyes dart around the room at lunch, as if he were caught in trap. "Nonsense," she whispered. "Thirty years? You don't stay with the person you meet at seventeen... what kind of fairy tale are you living in, Anna Leemann?" And still the picture seemed right.
Antonia Michaelis (The Storyteller)
What can it profit a man to gain the whole world and to come to his property with a gastric ulcer, a blown prostate and bifocals?Mack and the boys avoid the trap, walk around the poison, step over the noose while a generation of trapped,, poisoned, and trussed-up men scream at them and call them no-goods, come to bad ends, blot-on-the town-thieves, rascals, bums. Our Father who art in nature, who has given the gift of survival to the coyote, the common brown rat, the English sparrow, the house fly and the moth, must have a great and overwhelming love for no-goods and blots-on-the town and bums,, and Mack and the boys. Virtues and graces and laziness and zest. Our Father who art in nature.
John Steinbeck (Cannery Row (Cannery Row, #1))
In the struggle to remain a complete person and to love from her fullness instead of her inadequacy a woman may appear hard. She may feel her early conditioning tugging her in the direction of surrender, but she ought to remember that she was originally loved for herself; she ought to hang on to herself and not find herself nagging, helpless, irritable and trapped. Perhaps I am not old enough yet to promise that the self-reliant woman is always loved, but she cannot be lonely as long as there are people in the world who need her joy and her strength, but certainly in my experience it has always been so. Lovers who are free to go when they are restless always come back; lovers who are free to change remain interesting. The bitter animosity and obscenity of divorce is unknown where individuals have not become Siamese twins. A lover who comes to your bed of his own accord is more likely to sleep with his arms around you all night than a lover who has nowhere else to sleep.
Germaine Greer (The Female Eunuch)
She is sixteen and her skin is the darkness before the black, the plum of the day’s light, her breasts like sunsets trapped beneath her skin, but for all her youth and beauty she has a sour distrusting expression that only dissolves under the weight of immense pleasure. Her dreams are spare, lack the propulsion of a mission, her ambition is without traction. Her fiercest hope? That she will find a man. What she doesn’t yet know: the cold, the backbreaking drudgery of the factorias, the loneliness of Diaspora, that she will never again live in Santo Domingo, her own heart. What else she doesn’t know: that the man next to her would end up being her husband and the father of her two children, that after two years together he would leave her, her third and final heartbreak, and she would never love again.
Junot Díaz (The Brief Wondrous Life of Oscar Wao)
Of course, even when you see the world as a trap and posit a fundamental separation between liberation of self and transformation of society, you can still feel a compassionate impulse to help its suffering beings. In that case you tend to view the personal and the political in a sequential fashion. "I'll get enlightened first, and then I'll engage in social action." Those who are not engaged in spiritual pursuits put it differently: "I'll get my head straight first, I'll get psychoanalyzed, I'll overcome my inhibitions or neuroses or my hang-ups (whatever description you give to samsara) and then I'll wade into the fray." Presupposing that world and self are essentially separate, they imagine they can heal one before healing the other. This stance conveys the impression that human consciousness inhabits some haven, or locker-room, independent of the collective situation -- and then trots onto the playing field when it is geared up and ready. It is my experience that the world itself has a role to play in our liberation. Its very pressures, pains, and risks can wake us up -- release us from the bonds of ego and guide us home to our vast, true nature. For some of us, our love of the world is so passionate that we cannot ask it to wait until we are enlightened.
Joanna Macy (World as Lover, World as Self)
We stared at each other for a long moment. His hand smoldered against my skin. In my face, I knew there was nothing but wistful sadness―I didn't want to have to say goodbye now, no matter for how short a time. At first his face reflected mine, but then, as neither of us looked away, his expression changed. He released me, lifting his other hand to brush his fingertips along my cheek, trailing them down to my jaw. I could feel his fingers tremble―not with anger this time. He pressed his palm against my cheek, so that my face was trapped between his burning hands. "Bella," he whispered. I was frozen. No! I hadn't made this decision yet. I didn't know if I could do this, and now I was out of time to think. But I would have been a fool if I thought rejecting him now would have no consequences. I stared back at him. He was not my Jacob, but he could be. His face was familiar and beloved. in so many real ways, I did love him. He was my comfort, my safe harbor. Right now, I could choose to have him belong to me. Alice was back for the moment, but that changed nothing. True love was forever lost. The prince was never coming back to kiss me awake from my enchanted sleep. I was not a princess, after all. So what was the fairy-tale protocol for other kisses? The mundane kind that didn't break any spells? Maybe it would be easy―like holding his hand or having his arms around me. Maybe it would feel nice. Maybe it wouldn't feel like betrayal. Besides, who was I betraying, anyway? Just myself. Keeping his eyes on mine, Jacob began to bend his face toward me. And I was still absolutely undecided.
Stephenie Meyer (New Moon (The Twilight Saga, #2))
Tell the world what scares you the most” says Brandy. She gives us each an Aubergine Dreams eyebrow pencil and says “Save the world with some advice from the future” Seth writes on the back of a card and hands the card to Brandy for her to read. On game shows, Brandy reads, some people will take the trip to France, but most people will take the washer dryer pair.” Brandy puts a big Plumbago kiss in the little square for the stamp and lets the wind lift and card and sail it off toward the towers of downtown Seattle. Seth hands her another, and Brandy reads: Game shows are designed to make us feel better about the random useless facts that are all we have left from our education” A kiss and the card’s on it’s way toward Lake Washington. From Seth: When did the future switch from being a promise to being a threat?” A kiss and it’s off on the wind toward Ballard. Only when we eat up this planet will God give us another. We’ll be remembered more for what we destroy than what we create.” Interstate 5 snakes by in the distance. From high atop the Space Needle, the southbound lanes are red chase lights, and the northbound lanes are white chase lights. I take a card and write: I love Seth Thomas so much I have to destroy him. I overcompensate by worshipping the queen supreme. Seth will never love me. No one will ever love me ever again. Beandy is waiting to rake the card and read it out loud. Brandy’s waiting to read my worst fears to the world, but I don’t give her the card. I kiss it myself with the lips I don’t have and let the wind take it out of my hand. The card flies up, up, up to the stars and then falls down to land in the suicide net. While I watch my future trapped in the suicide net Brandy reads another card from Seth. We are all self-composting” I write another card from the future and Brandy reads it: When we don’t know who to hate, we hate ourselves” An updraft lifts up my worst fears from the suicide net and lifts them away. Seth writes and Brandy reads. You have to keep recycling yourself”. I write and Brandy reads. Nothing of me is original. I am the combined effort of everybody I’ve ever known.” I write and Brandy reads. The one you love and the one who loves you are never ever the same person.
Chuck Palahniuk (Invisible Monsters)
Once upon a time, there was a bird. He was adorned with two perfect wings and with glossy, colorful, marvelous feathers. One day, a woman saw this bird and fell in love with him. She invited the bird to fly with her, and the two travelled across the sky in perfect harmony. She admired and venerated and celebrated that bird. But then she thought: He might want to visit far-off mountains! And she was afraid, afraid that she would never feel the same way about any other bird. And she thought: “I’m going to set a trap. The next time the bird appears, he will never leave again.” The bird, who was also in love, returned the following day, fell into the trap and was put in a cage. She looked at the bird every day. There he was, the object of her passion, and she showed him to her friends, who said: “Now you have everything you could possibly want.” However, a strange transformation began to take place: now that she had the bird and no longer needed to woo him, she began to lose interest. The bird, unable to fly and express the true meaning of his life, began to waste away and his feathers to lose their gloss; he grew ugly; and the woman no longer paid him any attention, except by feeding him and cleaning out his cage. One day, the bird died. The woman felt terribly sad and spent all her time thinking about him. But she did not remember the cage, she thought only of the day when she had seen him for the first time, flying contentedly amongst the clouds. If she had looked more deeply into herself, she would have realized that what had thrilled her about the bird was his freedom, the energy of his wings in motion, not his physical body. Without the bird, her life too lost all meaning, and Death came knocking at her door. “Why have you come?” she asked Death. “So that you can fly once more with him across the sky,” Death replied. “If you had allowed him to come and go, you would have loved and admired him ever more; alas, you now need me in order to find him again.
Paulo Coelho (Eleven Minutes)
How we hate to admit that we would like nothing better than to be the slave! Slave and master at the same time! For even in love the slave is always the master in disguise. The man who must conquer the woman, subjugate her, bend her to his will, form her according to his desires—is he not the slave of his slave? How easy it is, in this relationship, for the woman to upset the balance of power! The mere threat of self-dependence, on the woman’s part, and the gallant despot is seized with vertigo. But if they are able to throw themselves at one another recklessly, concealing nothing, surrendering all, if they admit to one another their interdependence, do they not enjoy a great and unsuspected freedom? The man who admits to himself that he is a coward has made a step towards conquering his fear; but the man who frankly admits it to every one, who asks that you recognize it in him and make allowance for it in dealing with him, is on the way to becoming a hero. Such a man is often surprised, when the crucial test comes, to find that he knows no fear. Having lost the fear of regarding himself as a coward he is one no longer: only the demonstration is needed to prove the metamorphosis. It is the same in love. The man who admits not only to himself but to his fellowmen, and even to the woman he adores, that he can be twisted around a woman’s finger, that he is helpless where the other sex is concerned, usually discovers that he is the more powerful of the two. Nothing breaks a woman down more quickly than complete surrender. A woman is prepared to resist, to be laid siege to: she has been trained to behave that way. When she meets no resistance she falls headlong into the trap. To be able to give oneself wholly and completely is the greatest luxury that life affords. Real love only begins at this point of dissolution. The personal life is altogether based on dependence, mutual dependence. Society is the aggregate of persons all interdependent. There is another richer life beyond the pale of society, beyond the personal, but there is no knowing it, no attainment possible, without firs traveling the heights and depths of the personal jungle. To become the great lover, the magnetiser and catalyzer, the blinding focus and inspiration of the world, one has to first experience the profound wisdom of being an utter fool. The man whose greatness of heart leads him to folly and ruin is to a woman irresistible. To the woman who loves, that is to say. As to those who ask merely to be loved, who seek only their own reflection in the mirror, no love however great, will ever satisfy them. In a world so hungry for love it is no wonder that men and women are blinded by the glamour and glitter of their own reflected egos. No wonder that the revolver shot is the last summons. No wonder that the grinding wheels of the subway express, though they cut the body to pieces, fail to precipitate the elixir of love. In the egocentric prism the helpless victim is walled in by the very light which he refracts. The ego dies in its own glass cage…
Henry Miller (Sexus (The Rosy Crucifixion, #1))
Dear Madam Vorsoisson, I am sorry. This is the eleventh draft of this letter. They’ve all started with those three words, even the horrible version in rhyme, so I guess they stay. You once asked me never to lie to you. All right, so. I’ll tell you the truth now even if it isn’t the best or cleverest thing, and not abject enough either. I tried to be the thief of you, to ambush and take prisoner what I thought I could never earn or be given. You were not a ship to be hijacked, but I couldn’t think of any other plan but subterfuge and surprise. Though not as much of a surprise as what happened at dinner. The revolution started prematurely because the idiot conspirator blew up his secret ammo dump and lit the sky with his intentions. Sometimes these accidents end in new nations, but more often they end badly, in hangings and beheadings. And people running into the night. I can’t be sorry that I asked you to marry me, because that was the one true part in all the smoke and rubble, but I’m sick as hell that I asked you so badly. Even though I’d kept my counsel from you, I should have at least had the courtesy to keep it from others as well, till you’d had the year of grace and rest you’d asked for. But I became terrified that you’d choose another first. So I used the garden as a ploy to get near you. I deliberately and consciously shaped your heart’s desire into a trap. For this I am more than sorry, I am ashamed. You’d earned every chance to grow. I’d like to pretend I didn’t see it would be a conflict of interest for me to be the one to give you some of those chances, but that would be another lie. But it made me crazy to watch you constrained to tiny steps, when you could be outrunning time. There is only a brief moment of apogee to do that, in most lives. I love you. But I lust after and covet so much more than your body. I wanted to possess the power of your eyes, the way they see form and beauty that isn’t even there yet and draw it up out of nothing into the solid world. I wanted to own the honor of your heart, unbowed in the vilest horrors of Komarr. I wanted your courage and your will, your caution and your serenity. I wanted, I suppose, your soul, and that was too much to want. I wanted to give you a victory. But by their essential nature triumphs can’t be given. They must be taken, and the worse the odds and the fiercer the resistance, the greater the honor. Victories can’t be gifts. But gifts can be victories, can’t they. It’s what you said. The garden could have been your gift, a dowry of talent, skill, and vision. I know it’s too late now, but I just wanted to say, it would have been a victory most worthy of our House. Yours to command, Miles Vorkosigan
Lois McMaster Bujold (A Civil Campaign (Vorkosigan Saga, #12))