Turnstile Quotes

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Anyone who has ridden the subway twice a day to earn their bread knows how it goes: When you board, you exhibit the same persona you use with your colleagues and acquaintances. You've carried it through the turnstile and past the sliding doors, so that your fellow passengers can tell who you are - cocky or cautious, amorous or indifferent, loaded or on the dole. But you find yourself a seat and the train gets under way; it comes to one station and then another; people get off and others get on. And under the influence of the cradlelike rocking of the train, your carefully crafted persona begins to slip away. The super-ego dissolves as your mind begins to wander aimlessly over your cares and your dreams; or better yet, it drifts into ambient hypnosis, where even cares and dreams recede and the peaceful silence of the cosmos pervades.
Amor Towles (Rules of Civility)
The people did not cross the turnstiles of customs at Ellis Island. They were already citizens. But where they came from, they were not treated as such.
Isabel Wilkerson (The Warmth of Other Suns: The Epic Story of America's Great Migration)
We believe in the wrong things. That's what frustrates me the most. Not the lack of belief, but the belief in the wrong things. You want meaning? Well, the meanings are out there. We're just so damn good at reading them wrong. I don't think meaning is something that can be explained. You have to understand it on your own. It's like when you're starting to read. First, you learn the letters. Then, once you know what sounds the letters make, you use them to sound out words. You know that c-a-t leads to cat and d-o-g leads to dog. But then you have to make that extra leap, to understand that the word, the sound, the "cat" is connected to an actual cat , and that "dog" is connected to an actual dog. It's that leap, that understanding, that leads to meaning. And a lot of the time in life, we're still just sounding things out. We know the sentences and how to say them. We know the ideas and how to present them. We know the prayers and which words to say in what order. But that's only spelling" It's much harder to lie to someone's face. But. It is also much harder to tell the truth to someone's face. The indefatigable pursuit of an unattainable perfection, even though it consist in nothing more than in the pounding of an old piano, is what alone gives a meaning to our life on this unavailing star. (Logan Pearsall Smith) Being alone has nothing to do with how many people are around. (J.R. Moehringer) You could be standing a few feet away...I could have sat next to you on the subway, or brushed beside you as we went through the turnstiles. But whether or not you are here, you are here- because these words are for you, and they wouldn't exist is you weren't here in some way. At last I had it--the Christmas present I'd wanted all along, but hadn't realized. His words. The dream was obviously a sign: he was too enticing to resist. Wow. You must have a lot of faith in me. Which I appreciate. Even if I'm not sure I share it. I could do this on my own, and not freak out that I had no idea what waited for me on the other side of this night. Hope and belief. I'd always wanted hope, but never believed that I could have such an adventure on my own. That I could own it. And love it. But it happened. Because I'm So uncool and so afraid. If there was a clue, that meant the mystery was still intact I fear you may have outmatched me, because not I find these words have nowhere to go. It's hard to answer a question you haven't been asked. It's hard to show that you tried unless you end up succeeding. This was not a haystack. We were people, and people had ways of finding eachother. It was one of those moments when you feel the future so much that is humbles the present. Don't worry. It's your embarrassment at not having the thought that counts. You think fairy tales are only for girls? Here's ahint- ask yourself who wrote them. I assure you, it wasn't just the women. It's the great male fantasy- all it takes is one dance to know that she's the one. All it takes is the sound of her song from the tower, or a look at her sleeping face. And right away you know--this is the girl in your head, sleeping or dancing or singing in front of you. Yes, girls want their princes, but boys want their princesses just as much. And they don't want a very long courtship. They want to know immediately. Be careful what you;re doing, because no one is ever who you want them to be. And the less you really know them, the more likely you are to confuse them with the girl or boy in your head You should never wish for wishful thinking
Rachel Cohn (Dash & Lily's Book of Dares (Dash & Lily, #1))
So before we end and then begin We'll drink a toast to how it's been A few more hours to be complete A few more nights on satin sheets A few more times that I can say I've loved these days
Billy Joel (Billy Joel - Turnstiles)
I ripped the pages out of the book. I reversed the order, so the last one was first, and the first was last. When I flipped through them, it looked like the man was floating up through the sky. And if I'd had more pictures, he would've flown through a window, back into the building, and the smoke would've poured into the hole that the plane was about to come out of. Dad would've left his messages backward, until the machine was empty, and the plane would've flown backward away from him, all the way to Boston. He would've taken the elevator to the street and pressed the button for the top floor. He would've walked backward to the subway, and the subway would've gone backward through the tunnel, back to our stop. Dad would've gone backward through the turnstile, then swiped his Metrocard backward, then walked home backward as he read the New York Times from right to left. He would've spit coffee into his mug, unbrushed his teeth, and put hair on his face with a razor. He would've gotten back into bed, the alarm would've rung backward, he would've dreamt backward. Then he would've gotten up again at the end of the night before the worst day. He would've walked backward to my room, whistling 'I Am the Walrus' backward. He would've gotten into bed with me. We would've looked at the stars on my ceiling, which would've pulled back their light from our eyes. I'd have said 'Nothing' backward. He'd have said 'Yeah, buddy?' backward. I'd have said 'Dad?' backward, which would have sounded the same as 'Dad' forward. He would have told me the story of the Sixth Borough, from the voice in the can at the end to the beginning, from 'I love you' to 'Once upon a time.' We would have been safe.
Jonathan Safran Foer (Extremely Loud & Incredibly Close)
You know I saw yet another Leia figurine recently at one of those comic book conventions—which yes, I go to when I’m lonely. Anyway, this doll was on a turnstile. And when it got to a particular place on the turnstile, you could see up my dress, to my anatomically correct—though shaved—galaxy snatch. Well, as you can imagine, because this probably happens to you all the time, I was a bit taken aback by this, so I called George and I said, “You know what, man? Owning my likeness does not include owning my lagoon of mystery.
Carrie Fisher (Wishful Drinking)
I have as much style as a turnstile. Thrust your hips into me.
Jarod Kintz (Seriously delirious, but not at all serious)
Then I told her what I didn’t see. Namely, that I didn’t see her. You could be standing a few feet away—Clara’s dance partner, or across the street taking a picture of Rudolph before he takes �ight. I could have sat next to you on the subway, or brushed beside you as we went through the turnstiles. But whether or not you are here, you are here—because these words are for you, and they wouldn’t exist if you weren’t here in some way. This notebook is a strange instrument—the player doesn’t know the music until it’s being played.
David Levithan (Dash & Lily's Book of Dares (Dash & Lily, #1))
For all our mutual experience Our separate conclusions are the same Now we are forced to recognize our inhumanity Our reason coexists with our insanity But we choose between reality and madness It's either sadness or euphoria
Billy Joel (Billy Joel - Turnstiles)
Daily, she went over the story, ramming it through the turnstile in her mind, making sure she hadn’t missed anything major. She did not want to be caught off guard if she was ever questioned. She had to have thought of everything. And what of those things she could not anticipate? She’d simply answer, “I don’t know. I have no knowledge of that. Someone else might be able to tell you.
Jonathan Epps (Until Morning Comes (The American Wrath Trilogy))
When the boat had gone a few oar-strokes away from land they were still standing on the beach, gazing after the boy whom an unknown woman had left naked in their arms. They were holding hands, and other people gave way before them, and I could see no one except them. Or were they perhaps so extraordinary that other people melted away and vanished into thin air around them? When I had clambered up with my bag onto the deck of the mail-boat North Star, I saw them walking back together on their way home: on the way to our turnstile-gate; home to Brekkukot, our house which was to be razed to the ground tomorrow. They were walking hand in hand, like children.
Halldór Laxness (The Fish Can Sing)
Improbable as it may be, the day still has a few indignities left. The day waters down indignity with frustration to make it last longer. Abomination, thy name is Subway. He cannot enter. They flood through turnstiles, hips banging rods, and will not let him enter. He must get home, but it's all he can do to get halfway in before another one charges at him. A fish out of school. Everybody knows how it works except for him. All of them from every floor are crammed into this one subway car: the makers of memos, the routers of memos, the indexers filers and shredders of memos, the always-at-their-desks and the never-around. How do they all fit. Squabbling like pigeons over stale crumbs of seats. Everyone thinks they are more deserving, everyone thinks their day has been harder than everyone else's, and everyone is correct.
Colson Whitehead (The Colossus of New York)
Deciphering the code that might identify a criminal like the EAR is the turnstile click in the roller-coaster line for a detective. Synapses crackle.
Michelle McNamara (I'll Be Gone in the Dark: One Woman's Obsessive Search for the Golden State Killer)
The dreamtime of creative work is a turnstile to eternity. (from Workbok)
Steven Heighton
Treat your heart like a turnstile. Open it to only those who got valid tickets.
Stef Harder
She directed to him the face that was like an illuminated garden, turnstile and all, for the frequentation of which he had his season-ticket; then she looked again at Sir Claude.
Henry James (What Maisie Knew)
Then Deborah stood at the wicket gate, the boundary, and there was a woman with outstretched hand, demanding tickets. "Pass through," she said when Deborah reached her. "We saw you coming." The wicket gate became a turnstile. Deborah pushed against it and there was no resistance, she was through. "What is it?" she asked. "Am I really here at last? Is this the bottom of the pool?" "It could be," smiled the woman. "There are so many ways. You just happened to choose this one." Other people were pressing to come through. They had no faces, they were only shadows. Deborah stood aside to let them by, and in a moment they had gone, all phantoms. "Why only now, tonight?" asked Deborah. "Why not in the afternoon, when I came to the pool?" "It's a trick," said the woman. "You seize on the moment in time. We were here this afternoon. We're always here. Our life goes on around you, but nobody knows it. The trick's easier by night, that's all." "Am I dreaming, then?" asked Deborah. "No," said the woman, "this isn't a dream. And it isn't death, either. It's the secret world." The secret world... It was something Deborah had always known, and now the pattern was complete. The memory of it, and the relief, were so tremendous that something seemed to burst inside her heart. "Of course..." she said, "of course..." and everything that had ever been fell into place. There was no disharmony. The joy was indescribable, and the surge of feeling, like wings about her in the air, lifted her away from the turnstile and the woman, and she had all knowledge. That was it - the invasion of knowledge. ("The Pool")
Daphne du Maurier (Echoes from the Macabre: Selected Stories)
But it's too late. She could live another fifty years, love and leave a hundred cities, press her fingertips into a thousand turnstiles and plane tickets, and Jane would still be there at the bottom of her heart.
Casey McQuiston (One Last Stop)
How I would love to be a British pound. A pound is free to travel to safety, and we are free to watch it go. This is the human triumph. This is called, globalisation. A girl like me gets stopped at immigration, but a pound can leap the turnstiles, and dodge the tackles of those big men with their uniform caps, and jump straight into a waiting airport taxi. Where to, sir? Western Civilisation, my good man, and make it snappy.
Chris Cleave (Little Bee)
Six express tracks and twelve locals pass through Palimpsest. The six Greater Lines are: Stylus, Sgraffito, Decretal, Foolscap, Bookhand, and Missal. Collectively, in the prayers of those gathered prostrate in the brass turnstiles of its hidden, voluptuous shrines, these are referred to as the Marginalia Line. They do not run on time: rather, the commuters of Palimpsest have learned their habits, the times of day and night when they prefer to eat and drink, their mating seasons, their gathering places. In days of old, great safaris were held to catch the great trains in their inexorable passage from place to place, and women grappled with them with hooks and tridents in order to arrive punctually at a desk in the depth, of the city. As if to impress a distracted parent on their birthday, the folk of Palimpsest built great edifices where the trains liked to congregate to drink oil from the earth and exchange gossip. They laid black track along the carriages’ migratory patterns. Trains are creatures of routine, though they are also peevish and curmudgeonly. Thus the transit system of Palimpsest was raised up around the huffing behemoths that traversed its heart, and the trains have not yet expressed displeasure. To ride them is still an exercise in hunterly passion and exactitude, for they are unpredictable, and must be observed for many weeks before patterns can be discerned. The sport of commuting is attempted by only the bravest and the wildest of Palimpsest. Many have achieved such a level of aptitude that they are able to catch a train more mornings than they do not. The wise arrive early with a neat coil of hooked rope at their waist, so that if a train is in a very great hurry, they may catch it still, and ride behind on the pauper’s terrace with the rest of those who were not favored, or fast enough, or precise in their calculations. Woe betide them in the infrequent mating seasons! No train may be asked to make its regular stops when she is in heat! A man was once caught on board when an express caught the scent of a local. The poor banker was released to a platform only eight months later, when the two white leviathans had relinquished each other with regret and tears.
Catherynne M. Valente (Palimpsest)
The jery, impeded walk of a man stuck in a turnstile, admitted, and stuck in a turnstile, admitted, and stuck in a turnstile. He said it was rheumatoid arthritis. It looked as likely to be cancer of the prostrate metastatising to his hips.
Craig Raine (Heartbreak)
She could live another fifty years, love and leave a hundred cities, press her fingerprints into a thousand turnstiles and plane tickets, and Jane would still be there at the bottom of her heart. This girl from Brooklyn she just can't shake.
Casey McQuiston (One Last Stop)
—A pleased bottom. The turnstile. Is that? . . . Blueribboned hat . . . Idly writing . . . What? Looked? . . . The curving balustrade: smoothsliding Mincius. Puck Mulligan, panamahelmeted, went step by step, iambing, trolling: John Eglinton, my jo, John. Why won't you wed a wife?
James Joyce (Ulysses)
The city’s most visible feature was its amazing variety of checkpoints—some of them were just soldiers lingering around, others massive gates with metal turnstiles. As we approached one, I watched two Palestinian schoolchildren being stopped by a soldier and directed back down the street from which they had come.
Ta-Nehisi Coates (The Message)
KIMURA Tokyo Station is packed. It’s been a while since Yuichi Kimura was here last, so he isn’t sure if it’s always this crowded. He’d believe it if someone told him there was a special event going on. The throngs of people coming and going press in on him, reminding him of the TV show he and Wataru had watched together, the one about penguins, all jammed in tight together. At least the penguins have an excuse, thinks Kimura. It’s freezing where they live. He waits for an opening in the stream of people, cuts between the souvenir shops and kiosks, quickening his pace. Up a short flight of stairs to the turnstile for the Shinkansen high-speed bullet train. As he passes through the automated ticketing gate
Kōtarō Isaka (Bullet Train (Assassins #2))
I don't see Peter," Own said, coming out of the turnstile behind me. But I van was there, reading a paperback novel. The book looked so small in his hands, almost unstable, like it might crumble to dust. He had a tan and looked at once different from my memory and unmistakably himself. I was so happy that the first thing I said to him instead of hello was "Thank you.
Elif Batuman (The Idiot)
The most compelling new idea that Bratton brought to life stemmed from the broken window theory, which was conceived by the criminologists James Q. Wilson and George Kelling. The broken window theory argues that minor nuisances, if left unchecked, turn into major nuisances: that is, if someone breaks a window and sees it isn’t fixed immediately, he gets the signal that it’s all right to break the rest of the windows and maybe set the building afire too. So with murder raging all around, Bill Bratton’s cops began to police the sort of deeds that used to go unpoliced: jumping a subway turnstile, panhandling too aggressively, urinating in the streets, swabbing a filthy squeegee across a car’s windshield unless the driver made an appropriate “donation.” Most New Yorkers loved this crackdown on its own merit. But they particularly loved the idea, as stoutly preached by Bratton and Giuliani, that choking off these small crimes was like choking off the criminal element’s oxygen supply. Today’s turnstile jumper might easily be wanted for yesterday’s murder. That junkie peeing in an alley might have been on his way to a robbery.
Steven D. Levitt (Freakonomics: A Rogue Economist Explores the Hidden Side of Everything)
Children" Years back here we were children and at the stage of running in gangs about the meadows-- here to this one, there to that one. Where we picked up violets on lucky days, you can now see cattle gadding about. I still remember hunching ankle deep in violets, squabbling over which bunches were fairest. Our childishness was obvious-- we ran dancing rounds, we wore new green wreaths. So time passes. Here we ran swilling strawberries from oak to pine through hedges, through turnstiles-- as long as day was burning down. Once a gardener rushed from an arbor: "O.K. now, children, run home." We came out in spots those yesterdays, when we stuffed on strawberries; it was just a childish game to us. Often we heard the herdsman hooing and warning us: "Children, the woods are alive with snakes." And one of the children breaking through the sharp grass, grew white and shouted, "Children, a snake ran in there. He got our pony. She'll never get well. I wish that snake would go to hell!" "Well then, get out of the woods! If you don't hurry away quickly, I'll tell you what will happen-- if you don't leave the forest behind you by daylight, you'll lose yourselves; your pleasure will end in bawling." Do you know how five virgins dawdled in the meadow, till the king slammed his dining-room door? Their shouting and shame were outrageous: their jailor tore everything off them, down to their skins they stood like milk cows without any clothes.
Robert Lowell
That's how it goes these days, huh? Moving forward at the sounds of horns on highways, at the cue of traffic signals, turnstiles, tollbooths, ushered and rushed to the next stop on the itinerary, and there are days on the commuter train in the winter when it's got dark early and you can't see out because of the reflection and you might put down your paper or put aside your book and really look at yourself, because amid the noise and the smoke and the strangers and what's become of your life: there you are.
Wilton Barnhardt (Emma Who Saved My Life)
Many, as they passed through the turnstile, found themselves wondering how a girl could preserve her color, living in such a cellar. A student of lively imagination, going that way to cross to the Quartier-Latin, would compare this obscure and vegetative life to that of the ivy that clung to these chill walls, to that of the peasants born to labor, who are born, toil, and die unknown to the world they have helped to feed. A house-owner, after studying the house with the eye of a valuer, would have said, “What will become of those two women if embroidery should go out of fashion?
Honoré de Balzac (Works of Honore de Balzac)
What must always be remembered is that myth is a double system; there occurs in it a sort of ubiquity: its point of departure is constituted by the arrival of a meaning. […] the signification of the myth is constituted by a sort of constantly moving turnstile which presents alternately the meaning of the signifier and its form, a language-object and a metalanguage, a purely signifying and a purely imagining consciousness. This alternation is, so to speak, gathered up in the concept, which uses it like an ambiguous signifier, at once intellective and imaginary, arbitrary and natural.
Roland Barthes (Mythologies)
What about frozen planes, which could be safe from heat-seeking missiles? What about subway turnstiles that were also radiation detectors? What about incredibly long ambulances that connected every building to a hospital? What about parachutes in fanny packs? What about guns with sensors in the handles that could detect if you were angry, and if you were, they wouldn't fire, even if you were a police officer? What about Kevlar overalls? What about skyscrapers made with moving parts, so they could rearrange themselves when they had to, and even open holes in their middles for planes to fly through?
Jonathan Safran Foer (Extremely Loud and Incredibly Close)
Someone stop them!” I yell. No one does. I think about Porter surrounded by people that horrible day on the beach years ago, when no one would help him save his dad from the shark. If strangers won’t help when someone is dying, they’re definitely not going to stop two kids from running out of a museum. Pulse swishing in my temples, I race around the information booth, pumping my arms, and watch them split up again. Polo is heading for the easy way out: the main exit, where there’s (1) only a set of doors to go through, and (2) Hector, the laziest employee on staff. But Backpack is headed for the ticketing booth and the connecting turnstiles. Freddy should be there, but no one’s entering the museum, so he’s instead chatting it up with Hector. The turnstiles are unmanned. Like a pro hustler who’s never paid a subway fare, Backpack hurdles over the turnstiles in one leap. Impressive. Or it would have been, had his backpack not slipped off his shoulder and the strap not caught on one of the turnstile arms. While he struggles to free it, I take the easier route and make for the wheelchair access gate. I unhitch the latch. He frees the strap. I slip through the gate, and just as he’s turning to run, I lurch forward and— I jump on his back. We hit the ground together. The air whooshes out of my lungs and my knee slams into tile. He cries out. I don’t. I freaking got him.
Jenn Bennett (Alex, Approximately)
On the plane, I wondered if there was an exact point when we were no longer in one country and inside another, or if there was ever a moment when I occupied no country. If ever that was possible, it was possible up in the air. There was no clear correlation between what was happening down below and up above. I had heard that at the official port of entry there were turnstiles, just like the subway, ushering the travelers forward. If such turnstiles existed, you could map the precise moment when half of your body was here and the other half was there. I could measure; all I wanted was that little gold stamp that said I clicked past onto the other side, I entered, I returned, I was measured, counted for, recorded. Would a sudden coldness come over us when our bodies moved over the actual line of the border? Wasn’t that how loneliness began, with the coldness of our bodies?
Marcelo Hernández Castillo (Children of the Land)
Cotter thinks he sees a path to the turnstile on the right. He drains himself of everything he does not need to make the jump. Some are still jumping, some are thinking about it, some need a haircut, some have girlfriends in woolly sweaters and the rest have landed in the ruck and are trying to get up and scatter. A couple of stadium cops are rumbling down the ramp. Cotter sheds these elements as they appear, sheds a thousand waves of information hitting on his skin. His gaze is trained on the iron bars projected from the post. He picks up speed and seems to lose his gangliness, the slouchy funk of hormones and unbelonging and all the stammering things that seal his adolescence. He is just a running boy, a half-seen figure from the streets, but the way running reveals some clue to being, the way a runner bares himself to consciousness, this is how the dark-skinned kid seems to open to the world, how the bloodrush of a dozen strides brings him into eloquence.
Don DeLillo (Underworld)
This is the main advantage of ether: it makes you behave like the village drunkard in some early Irish novel … total loss of all basic motor skills: blurred vision, no balance, numb tongue—severance of all connection between the body and the brain. Which is interesting, because the brain continues to function more or less normally … you can actually watch yourself behaving in this terrible way, but you can’t control it. You approach the turnstiles leading into the Circus-Circus and you know that when you get there, you have to give the man two dollars or he won’t let you inside … but when you get there, everything goes wrong: you misjudge the distance to the turnstile and slam against it, bounce off and grab hold of an old woman to keep from falling, some angry Rotarian shoves you and you think: What’s happening here? What’s going on? Then you hear yourself mumbling: “Dogs fucked the Pope, no fault of mine. Watch out! … Why money? My name is Brinks; I was born … born? Get sheep over side … women and children to armored car … orders from Captain Zeep.
Hunter S. Thompson (Fear and Loathing in Las Vegas)
He shared his place with a Dr. Tubeside, whose practice consisted largely of injecting people with "vitamin B12", a euphemism for the physician's own blend of amphetamines. Today, early as it was, Doc still had to edge his way past a line of "B12"- deficient housewives of a certain melancholy index, actors with casting calls to show up at, deeply tanned geezers looking ahead to an active day of schmoozing in the sun, stewardii just off in some high-stress red-eye, even a few legit cases of pernicious anemia or vegetarian pregnancy, all shuffling along half asleep, chain-smoking, talking to themselves, sliding one by one into the lobby of the little cinder-block building through a turnstile, next to which, holding a clipboard and checking them in, stood Petunia Leeway, a stunner in a starched cap and micro-length medical outfit, not so much an actual nurse uniform as a lascivious commentary on one, which Dr. Tubeside claimed to've bought a truckload of from Fredericks's of Hollywood, in a variety of fashion pastels, today's being aqua, at close to wholesale.
Thomas Pynchon (Inherent Vice)
Trying to retain his enthusiasm, he led her toward the opening in the overgrown boxwood hedge where a pair of musk rose bushes formed a thorny turnstile, marking the exit from the garden to the fallow fields and woods beyond. They stopped to take deep, lung-filling inhalations of the musk roses' delicious, honeylike perfume. Exclaiming with unaffected joy at the roses' late-blooming beauty, Alice cupped one of the creamy white blossoms gracefully in her gloved hand. He picked one, pulled off the thorns, and offered it to her. She took it in silence, searching his face warily, then turned away and walked on. Lucien just stood there watching her, praying he wouldn't do anything wrong.
Gaelen Foley (Lord of Fire (Knight Miscellany, #2))
On the far side of the turnstile, he could see the unmistakable figure of Mrs B.
D.A. Holdsworth (How to Buy a Planet)
And so we entered the country of Saint Vincent and the Grenadines on the tiny island of Bequia with entry stamps given as if twisting through a turnstile to enter an amusement park.
Laurie Perez (The Power of Amie Martine (The Amie Series, #2))
The people did not cross the turnstiles of customs at Ellis Island. They were already citizens. But where they came from, they were not treated as such. Their every step was controlled by the meticulous laws of Jim Crow, a nineteenth-century minstrel figure that would become shorthand for the violently enforced codes of the southern caste system. The Jim Crow regime persisted from the 1880s to the 1960s, some eighty years, the average life span of a fairly healthy man. It afflicted the
Isabel Wilkerson (The Warmth of Other Suns: The Epic Story of America's Great Migration)
Oh my God, maybe we will need the Jaws of Life! It had to be my pocket or something that kept me sandwiched between the two iron rods of Hell. The turnstile had to be stuck on my pocket. Who the frig puts turnstiles in All-You-Can-Eat buffets, anyway?
Christine Zolendz (#TripleX)
we’re way past the turnstiles at that theme park.
Tim Dorsey (Nuclear Jellyfish (Serge Storms, #11))
We’re a pretty good team.” Levi looked up at Nick, then licked his cone. “Aren’t we?” “I’d say so.” “Forever and ever.” “I’m working on that.” Nick ruffled Levi’s hair as they passed through the turnstile. Glancing
Lorna Seilstad (The Ride of Her Life)
Two women sat behind a large reception desk opposite the three massive turnstile doors and across an expansive lobby. They were probably mild-mannered receptionists, but they appeared more akin to someone you’d meet in the dead of night with a large knife.
Steve McHugh (Crimes Against Magic (Hellequin Chronicles, #1))
That’s one of the key challenges of remote work: keeping everyone’s outlook healthy and happy. That task is insurmountable if you’ve stacked your team with personalities who tend to let their inner asshole loose every now and again. Even for people with the best intentions, relations can go astray if the work gets stressful (and what work doesn’t occasionally?). The best ballast you can have is as many folks in your boat as possible with a thoroughly optimistic outlook. We’re talking about people who go out of their way to make sure everyone is having a good time. Remember: sentiments are infectious, whether good or bad. That’s also why it’s as important to continuously monitor the work atmosphere as to hire for it. It’s never a good idea to let poisonous people stick around to spoil it for everyone else, but in a remote-work setup it’s deadly. When you’re a manager and your employees are far flung, it’s impossible to see the dread in their eyes, and that can be fatal. With respect to drama, it therefore makes sense to follow the “No Broken Windows” theory of enforcement. What are we talking about? Well, in the same way that New York cracked down in the ’90s on even innocuous offenses like throwing rocks through windows or jumping the turnstile, a manager of remote workers needs to make an example of even the small stuff—things like snippy comments or passive-aggressive responses. While this responsibility naturally falls to those in charge, it works even better if policed by everyone in the company.
Jason Fried (Remote: Office Not Required)
I was more of a follower, doing what I could to fit in, and the kids with swagger were like magnets to me. I got into trouble for little things like truancy and jumping turnstiles, smoking weed on the train. I wanted to be liked more than I didn’t want to do things, so I just went along.
Michael K. Williams (Scenes from My Life: A Memoir)
Customers would enter single file, pick up a basket, shuffle through a turnstile, and then head down a winding one-way route that would guide them past every item in the store, anticipating the hell of today’s Ikea by about fifty years.
Benjamin Lorr (The Secret Life of Groceries: The Dark Miracle of the American Supermarket)
From here there is never not a day without Master’s shadow across my life—a solid bar, a locked turnstile that brings me up short, trapped on the other side of where I thought I was going, the place I once imagined I would be.
Kate Walbert (His Favorites: A Novel)
Back at the hotel, the turmoil was only getting started. The Americans and the Brazilians, who were staying at the same hotel, ran into each other in the lobby. The Americans cried as the Brazilians danced. “That was one of the most excruciating postgame hotel moments I can remember,” Heather O’Reilly says. “We were with family and friends, sobbing, and they’re trying to console us, and the Brazilians show up and are just relentless in their celebrations. I’ll confidently use the word obnoxious, because it was. It was pretty over-the-top and absurd. I remember them in the turnstile of the door, just going around and around.” *
Caitlin Murray (The National Team: The Inside Story of the Women who Changed Soccer)
There was a time when the [National baseball]League stood for integrity and fair dealing. Today it stands for dollars and cents. Once it looked to the elevation of the game and an honest exhibition of the sport. Today its eyes are on the turnstile. Men have come into the business for no other motive than to exploit it for every dollar in sight. Brotherhood Manifesto, November 1889
Mike Sowell (July 2, 1903: The Mysterious Death of Hall-Of-Famer Big Ed Delahanty)
walked through a small park and up the steps of the stern gray building of US Customs and Border Protection. I strolled down the ramp and pushed through a turnstile, no one looking at my passport. Glancing through the chain-link fence on the Mexican side of the building, I saw a line of people—a long line, stretching down the stairs and through a foyer and along a passageway, hundreds, perhaps a thousand people waiting to enter the United States.
Paul Theroux (On The Plain Of Snakes: A Mexican Journey)
They will call the police, who will arrest this person, and for a night or two they will have a place to sleep in a jail cell. The police cannot solve poverty, joblessness, and the housing crisis—the actual culprits in the lives of the homeless. But if we’ve deemed the homeless, not poverty, the problem, then what the police can do is make them disappear. The major tools the police carry are handcuffs and guns; they can arrest or kill. The police can go forth and round up the homeless, then place them in cages. And to grant them the authority, local governments can criminalize the existence of the homeless: they can criminalize sleeping outside, or criminalize panhandling, which begins to look a lot like the criminalization of vagrancy as part of the Black Codes in the era that ended Reconstruction. And then, our local governments can fund a separate police force for the subway system to punish turnstile jumpers, arrest women selling churros, and clear out more homeless people, while neighborhood associations ensure no new homeless shelters get built near or in affluent neighborhoods. The streets remain the only place for them to call home.
Mychal Denzel Smith (Stakes Is High: Life After the American Dream)
I passed through the security turnstiles and took the elevator up to the twentieth floor. When I exited the car, I spotted Megumi—the receptionist—at her desk. She buzzed me through the glass security doors and stood as I approached.
Sylvia Day (Entwined with You (Crossfire, #3))
Each drink had become a wearisome turnstile through which he had to pass to reach the next.
Patrick McGinley (Bogmail)
Paying close attention to WTP throughout the customer journey allows you to see opportunities for increasing customer delight in a myriad of ways. Motivating consumers to purchase a product and facilitating its sale (by placing vending machines before the turnstiles) is a far narrower concern than the ambition to create a great customer experience. Recognizing
Felix Oberholzer-Gee (Better, Simpler Strategy: A Value-Based Guide to Exceptional Performance)
Imprisonment gives off an unpleasant smell. Remnants of macerating evil thoughts, the effluvia of dirty ideas that have been hanging around too long, the bitter whiff of old regrets. Fresh air, by definition, never enters here. We breathe in our own breath in this bell jar, we share the atmosphere shot through with shards off brown chicken and dark intentions. Our clothes, our sheets and our skin end up saturated with these fumes, and there is no getting used to them. When we return from the exercise yard, and the outside air is halted at the turnstiles, the transition is always sudden, and the vague nausea is there to remind us that we live and breathe in a belly pushing us along in its laborious digestion, and then, when the time comes, it will expel us to free itself, not to give us back our freedom.
Jean-Paul Dubois (Not Everybody Lives the Same Way)