Turnpike Quotes

We've searched our database for all the quotes and captions related to Turnpike. Here they are! All 81 of them:

turnpike itself. Garraty
Richard Bachman (The Bachman Books)
Home can be the Pennsylvania Turnpike Indiana's early morning dew High up in the hills of California Home is just another word for you
Billy Joel
Think of this as an adventure, Diesel said. I’m from Jersey. I get my adventure on the Turnpike.
Janet Evanovich (Plum Spooky (Stephanie Plum, #14.5))
Let me close with a word of caution: when you’re on the turnpikes and freeways of America, watch out for those Winnebagos and Bounders. You never know who might be inside. Or what.
Stephen King (Doctor Sleep (The Shining, #2))
The brain within its groove Runs evenly and true; But let a splinter swerve, ’T were easier for you To put the water back When floods have slit the hills, And scooped a turnpike for themselves, And blotted out the mills!
Emily Dickinson (The Collected Poems of Emily Dickinson)
How I snuffed that Tartar air!--how I spurned that turnpike earth!--that common highway all over dented with the marks of slavish heels and hoofs; and turned me to admire the magnanimity of the sea which will permit no records.
Herman Melville (Moby-Dick or, The Whale)
Prologue Summer, 1962 MARSH MCKITTRICK’S BUICK WAS passed through the gates of the vast Government complex outside Langley. He eased onto the turnpike, then sped toward Washington, touching his briefcase nervously and looking into the rearview mirror. Two cars filled with heavily armed guards followed closely. Sanderson Hooper beside him and Michael Nordstrom in the rear seat remained speechless.
Leon Uris (Topaz)
As Gary understands it, the greatest portion of grief is the one you dish out for yourself, and he and Sally have both served themselves from the same table tonight, the only difference being that he knows what he's missing, and she has no idea what is causing her to cry as she drives down the Turnpike.
Alice Hoffman (Practical Magic (Practical Magic, #1))
If you're from New Jersey,” Nathan had said, “and you write thirty books, and you win the Nobel Prize, and you live to be white-haired and ninety-five, it's highly unlikely but not impossible that after your death they'll decide to name a rest stop for you on the Jersey Turnpike. And so, long after you're gone, you may indeed be remembered, but mostly by small children, in the backs of cars, when they lean forward and tell their parents, 'Stop, please, stop at Zuckerman—I have to make a pee.' For a New Jersey novelist that's as much immortality as it's realistic to hope for.
Philip Roth (The Counterlife)
It sounded like the wheel on Wheel of Fortune, do you want to spin or do you want to solve the puzzle? Remember that if you try to solve the puzzle and fail, you will be put out into the snow beside the Connecticut Turnpike and the wolves will eat you.
Stephen King (Everything's Eventual: 14 Dark Tales)
Bib Block was sure that in any part of the country at all, whenever the name of this road was mentioned, people's hearts pivoted like Moslems to the east and flopped over. Sooner of later, he believed, at one stage of the journey or another, all roads led to the New Jersey Turnpike.
Kathryn Kramer (A Handbook for Visitors from Outer Space: Novel)
Lured by smooth roads onto a new turnpike, he read with surprise the rules he was handed, don't stop, don't turn around, pay when you get there; he made his escape at the first exit he saw, for fiftyfive cents, and now he was on the old road buzzing the staid turnpike by turns over and under, teasing it crazy.
Douglas Woolf (Wall to Wall (American Literature))
On the New Jersey turnpike, nobody signals when changing lanes, and it seems everyone drives twenty miles over the speed limit.
Miranda Kenneally (Jesse's Girl (Hundred Oaks))
I miss those days, those midnight hours on the turnpike with nothing on the road but trucks and me, and nothing on my mind but the act and how I could make it funnier.
Billy Crystal
New Jersey always surprises him, a state known for its turnpikes that should be known for its coastlines and bayside hamlets.
Dominic Smith (The Last Painting of Sara de Vos)
TUNNEL, TURNPIKE, parkway—the shore! Sixty-five minutes south and there it was!
Philip Roth (Sabbath's Theater)
What I can say is that I’ve always felt that each one of us—from the kings and princes of the realm to the guys who wash dishes at Waffle House and the gals who change beds in turnpike motels—contains the whole world.
Stephen King (If It Bleeds)
His name was Gerry Adamson. He stood half a foot taller than stocky Travis. “The highways are jammed. I was able to get a text to my cousin and he’s been stuck for two hours on the Turnpike. But now I can’t get anything else, the Internet connection keeps going out. We were about to get the car and take the Tappan Zee.” “The West side piers,” Travis said. “I ran into someone coming up here, he told me the only option left is by sea. They’re evacuating from the West side.” “By sea?” Corrina said. “How can we escape a tsunami by sea?
David Sachs (The Flood)
Nonetheless, death images came to him: dead frog plastered to the turnpike like a grisly stamp; Daddy’s broken watch lying on top of a box of junk to be thrown out; gravestones with a dead person under every one; dead jay by the telephone pole; the cold junk Mommy scraped off the plates and down the dark maw of the garbage disposal.
Stephen King (The Shining (The Shining, #1))
Only once did I perceive a human being, and that was at the intersection of our crossroad with the wide, white turnpike which cuts each cultivated district longitudinally at its exact center. The fellow must have been sleeping beside the road, for, as I came abreast of him, he raised upon one elbow and after a single glance at the approaching caravan leaped shrieking to his feet and fled madly down the road, scaling a nearby wall with the agility of a scared cat. The Tharks paid him not the slightest attention; they were not out upon the warpath, and the only sign that I had that they had seen him was a quickening of the pace of the caravan as we hastened toward the bordering desert which marked our entrance into the realm of Tal Hajus.
Edgar Rice Burroughs (A Princess of Mars (Barsoom, #1))
They reached the Elizabeth exit, which is what New Jersey is really known for, industrial wastes on both sides of the turn-pike. He had started holding his breath against those horrible fumes when Ana let loose
Junot Díaz (The Brief Wondrous Life of Oscar Wao)
Buddy had spent a great deal of time at the children’s ward at the hospital over on the Turnpike. Every Saturday, during Ben’s magic act, he was pulled out of a hat that was old and smelled of alfalfa and sweat. Buddy was used to bright lights and people crying, and he was always well behaved. He had never once bitten a child, not even when he’d been poked or teased. Now, he rose onto his back legs and balanced carefully, just as he’d been taught.
Alice Hoffman (Practical Magic (Practical Magic, #1))
The Everglades are on fire on my final drive down to the Keys. On the curve of the turnpike where the pineapple groves end and marshland begins, I watch the green horizon burn with helicopters bobbing overhead, fighting the flames. It's too late in the season to be a wildfire. The radio says some thrill-torcher is responsible. I don't believe in omens. I believe we choose our own signs, so I take this one as my own: with this blaze, I leave my old life up here on the mainland in ashes.
Patricia Engel (The Veins of the Ocean)
Stellar Plains, New Jersey, was a town that got mentioned whenever there was an article called “The Fifty Most Livable Suburbs in America.” Unlike most suburbs, this one was considered progressive. Though the turnpike that ran through it was punctuated by carpet-remnant outlets and tire wholesalers, and even an unsettling, windowless store no one had ever been to, advertising DVDS AND CHINESE SPECIALTY ITEMS, Main Street was quaint and New Englandy, with a cosmopolitan slant. There was an excellent bookstore, Chapter and Verse, at a moment when bookstores around the country were making way for cell-phone stores.
Meg Wolitzer (The Uncoupling: A Novel)
O enchanted land of my childhood, a cultural petri dish from which regularly issues forth greatness. New Jersey, in case you didn't know it, has got beaches. And they're not all crawling with roid-raging trolls with reality shows. I grew up summering on those beaches and they are awesome. Jersey's got farmland, beautiful bedroom communities where that woman from "Real Housewives" who looks like Dr. Zaius does not live nor anyone like her. Even the refineries, the endless cloverleaves of turnpikes and expressway twisting and unknowable patterns over the wetlands that are to me somehow beautiful. To know Jersey is to love her.
Anthony Bourdain
Five days later, I'm on the same journey, edging down the turnpike with the scrim of sunset lowering in the west, passing through Florida City, strip malls and car dealerships, melting into swampland and fishing tackle shops, past Manatee Bay onto the Overseas Highway. It's drifter territory, where people go to forget and to be forgotten. I've come to think of this land as a second home. The prison motel; the familiar faces though few of us have exchanged names. Each of us serving our sentence, waiting, waiting, because prison has made us more patient than we ever knew we could be, until we get the call that it's time; the end of the sentence, or just the end.
Patricia Engel (The Veins of the Ocean)
You’re too goddamned fat,” he said. I took a defiant drag on my cigarette and willed myself not to cry. The remark made me dizzy. For the past four years, Ma and Grandma had played by the rule: never to mention my weight. Now my jeans and sweatshirt were folded in a helpless pile beside me and there was only a thin sheet of paper between my rolls of dimply flesh and this detestable old man. My heart raced with fear and nicotine and Pepsi. My whole body shook, dripped sweat. “Any trouble with your period?” he asked. “No.” “What?” “No trouble,” I managed, louder. He nodded in the direction of his stand-up scale. The backs of my legs made little sucking sounds as they unglued themselves from the plastic upholstery. He brought the sliding metal bar down tight against my scalp and fiddled with the cylinder in front of my face. “Five-five and a half,” he said. “Two hundred . . . fifty-seven.” The tears leaking from my eyes made stains on the paper gown. I nodded or shook my head abruptly at each of his questions, coughed on command for his stethoscope, and took his pamphlets on diet, smoking, heart murmur. He signed the form. At the door, his hand on the knob, he turned back and waited until I met his eye. “Let me tell you something,” he said. “My wife died four Tuesdays ago. Cancer of the colon. We were married forty-one years. Now you stop feeling sorry for yourself and lose some of that pork of yours. Pretty girl like you—you don’t want to do this to yourself.” “Eat shit,” I said. He paused for a moment, as if considering my comment. Then he opened the door to the waiting room and announced to my mother and someone else who’d arrived that at the rate I was going, I could expect to die before I was forty years old. “She’s too fat and she smokes,” I heard him say just before the hall rang out with the sound of my slamming his office door. I was wheezing wildly by the time I reached the final landing. On the turnpike on the way home, Ma said, “I could stand to cut down, too, you know. It wouldn’t hurt me one bit. We could go on a diet together? Do they still sell that Metrecal stuff?” “I’ve been humiliated enough for one fucking decade,” I said. “You say one more thing to me and I’ll jump out of this car and smash my head under someone’s wheels.
Wally Lamb (She's Come Undone)
Primer of Love [Lesson 7] "He disrespected the Bing." ~ Tony Soprano, Episode 34 Lesson 7)Don't diss'em or let'em diss you. We're back on Brooklyn's streets (or Newark) on this one. It's all about respect - show none and you get whacked. None of that 'alpha' shit flies here - you're equals and command equal respect. She watches the kids, you cart the garbage. The kids wear her down all day; the cops break your chops about a missing WalMart tractor trailer with 100,000 pair of Levi jeans 'somebody' jacked on the Jersey Turnpike. You twos gotta' to vent your daily shit to each other.Let it all out, but be careful not to anything you may regret or prepare to sleep with a Glock under your pillow for the rest of your live. Insist you be totally naked when having sex to make sure nobody's wearing a wire. Capisce!
Beryl Dov
As I walked in the front door, with the glare of early morning sun still in my eyes, I had the illusion that I saw someone I recognized. She was sitting in a chair near the door, reading a magazine, and she looked for all the world like-- But it couldn't really be her, of course. She would have had to talk her protective father into giving her permission. She would have had to drive all night from Baltimore, taking the freeways and turnpikes north through New Jersey and New York and New England. That was the only way she could be here now, putting down her magazine and rising and coming toward me with a smile on her face. If I could have looked down the years then and seen everything from beginning to end--the good times, the best times, the bad times, the bad decisions, the indecision, and the finally the divorce--I still would not have traded anything for that moment.
Kenn Kaufman (Kingbird Highway: The Biggest Year in the Life of an Extreme Birder)
For being so early in the season, the tables on either side of the street were heavily laden with produce. I could see English peas, asparagus, arugula, several varieties of chard, kale, rhubarb, radishes... My mouth tingled as I walked slowly from booth to booth, drinking in the knowledge that the food I was checking out had not been trucked over the Jersey Turnpike or from a far-flung spot upstate, but from somewhere nearby, where people still felt dirt in their hands and not just in their nostrils after a day of walking in the city. I paused at the end of a block, and my gaze zeroed in on a mountain of gorgeous strawberries a few stands down. Cutting in and out of the throng, I reached the stand and stood under a banner that read FORSYTHIA FARMS. I crouched to be eye level with the berries, narrowing my eyes at their color, shape, and size. The red was deep, but still bright. Shape: irregular, as they should be, and still shooting delightful stems that poked out the tops like tiny berets. The berries weren't too small, and best of all, not too large. No Costco mutants, I was pleased to note.
Kimberly Stuart (Sugar)
Open All Night" (originally by Bruce Springsteen) I had the carburetor cleaned and checked With her line blown out, she's hummin' like a turbojet Propped her up in the backyard on concrete blocks For a new clutch plate and a new set of shocks Took her down to the carwash, check the plugs and points I'm goin' out tonight, I'm gonna rock that joint Early north Jersey industrial skyline I'm a all-set cobra jet creepin' through the nighttime Gotta find a gas station, gotta find a payphone This turnpike sure is spooky at night when you're all alone Gotta hit the gas, baby, I'm runnin' late This New Jersey in the mornin' like a lunar landscape The boss don't dig me, so he put me on the nightshift It takes me two hours to get back to where my baby lives In the wee wee hours, your mind gets hazy Radio relay towers, won't you lead me to my baby? Underneath the overpass, trooper hits his party light switch Goodnight, good luck, one two powershift I met Wanda when she was employed Behind the counter at the Route 60 Bob's Big Boy Fried chicken on the front seat, she's sittin' in my lap We're wipin' our fingers on a Texaco roadmap I remember Wanda up on scrap metal hill With them big brown eyes that make your heart stand still 5 A.M., oil pressure's sinkin' fast I make a pit stop, wipe the windshield, check the gas Gotta call my baby on the telephone Let her know that her daddy's comin' on home Sit tight, little mama, I'm comin' round I got three more hours, but I'm coverin' ground Your eyes get itchy in the wee wee hours Sun's just a red ball risin' over them refinery towers Radio's jammed up with gospel stations Lost souls callin' long distance salvation Hey Mr. DJ, won't you hear my last prayer? Hey ho rock 'n' roll, deliver me from nowhere Ryan Adams, Nebraska (2022)
Ryan Adams
Generally speaking a view of the available economic systems that have been tested historically must acknowledge the immense power of capitalism to generate living standards food housing education the amenities to a degree unprecedented in human civilization. The benefits of such a system while occasionally random and unpredictable with periods of undeniable stress and misery depression starvation and degradation are inevitably distributed to a greater and greater percentage of the population. The periods of economic stability also ensure a greater degree of popular political freedom and among the industrial Western democracies today despite occasional suppression of free speech quashing of dissent corruption of public officials and despite the tendency of legislation to serve the interests of the ruling business oligarchy the poisoning of the air water the chemical adulteration of food the obscene development of hideous weaponry the increased costs of simple survival the waste of human resources the ruin of cities the servitude of backward foreign populations the standards of life under capitalism by any criterion are far greater than under state socialism in whatever forms it is found British Swedish Cuban Soviet or Chinese. Thus the good that fierce advocacy of personal wealth accomplishes in the historical run of things outweighs the bad. And while we may not admire always the personal motives of our business leaders we can appreciate the inevitable percolation of the good life as it comes down through our native American soil. You cannot observe the bounteous beauty of our county nor take pleasure in its most ordinary institutions in peace and safety without acknowledging the extraordinary achievement of American civilization. There are no Japanese bandits lying in wait on the Tokaidoways after all. Drive down the turnpike past the pretty painted pipes of the oil refineries and no one will hurt you.
E.L. Doctorow
Blessed Man” is a tribute to Updike’s tenacious maternal grandmother, Katherine Hoyer, who died in 1955. Inspired by an heirloom, a silver thimble engraved with her initials, a keepsake Katherine gave to John and Mary as a wedding present (their best present, he told his mother), the story is an explicit attempt to bring her back to life (“O Lord, bless these poor paragraphs, that would do in their vile ignorance Your work of resurrection”), and a meditation on the extent to which it’s possible to recapture experience and preserve it through writing. The death of his grandparents diminished his family by two fifths and deprived him of a treasured part of his past, the sheltered years of his youth and childhood. Could he make his grandmother live again on the page? It’s certainly one of his finest prose portraits, tender, clear-eyed, wonderfully vivid. At one point the narrator remembers how, as a high-spirited teenager, he would scoop up his tiny grandmother, “lift her like a child, crooking one arm under her knees and cupping the other behind her back. Exultant in my height, my strength, I would lift that frail brittle body weighing perhaps a hundred pounds and twirl with it in my arms while the rest of the family watched with startled smiles of alarm.” When he adds, “I was giving my past a dance,” we hear the voice of John Updike exulting in his strength. Katherine takes center stage only after an account of the dramatic day of her husband’s death. John Hoyer died a few months after John and Mary were married, on the day both the newlyweds and Mary’s parents were due to arrive in Plowville. From this unfortunate coincidence, the Updike family managed to spin a pair of short stories. Six months before he wrote “Blessed Man,” Updike’s mother had her first story accepted by The New Yorker. For years her son had been doing his filial best to help get her work published—with no success. In college he sent out the manuscript of her novel about Ponce de León to the major Boston publishers, and when he landed at The New Yorker he made sure her stories were read by editors instead of languishing in the slush pile. These efforts finally bore fruit when an editor at the magazine named Rachel MacKenzie championed “Translation,” a portentous family saga featuring Linda’s version of her father’s demise. Maxwell assured Updike that his colleagues all thought his mother “immensely gifted”; if that sounds like tactful exaggeration, Maxwell’s idea that he could detect “the same quality of mind running through” mother and son is curious to say the least. Published in The New Yorker on March 11, 1961, “Translation” was signed Linda Grace Hoyer and narrated by a character named Linda—but it wasn’t likely to be mistaken for a memoir. The story is overstuffed with biblical allusion, psychodrama, and magical thinking, most of it Linda’s. She believes that her ninety-year-old father plans to be translated directly to heaven, ascending like Elijah in a whirlwind, with chariots of fire, and to pass his mantle to a new generation, again like Elijah. It’s not clear whether this grand design is his obsession, as she claims, or hers. As it happens, the whirlwind is only a tussle with his wife that lands the old folks on the floor beside the bed. Linda finds them there and says, “Of all things. . . . What are you two doing?” Her father answers, his voice “matter-of-fact and conversational”: “We are sitting on the floor.” Having spoken these words, he dies. Linda’s son Eric (a writer, of course) arrives on the scene almost immediately. When she tells him, “Grampy died,” he replies, “I know, Mother, I know. It happened as we turned off the turnpike. I felt
Adam Begley (Updike)
We’d get through this little arrangement of ours better if you didn’t lie to me, Nash.” “Christ, Dani. I needed to get out of town for a few hours today, okay? Quinn’s got me running so many chores in her mom-wagon, I can feel my balls shrinking in daily increments. So I went to get a little girlie-action. So what? That was never verboten in our agreement. Unless you want to amend your anti-sex-with-me stance?” I glared at him, not appreciating his suggestion, or the fact that he used Mick as an excuse for girlie-action-getting. “Fine!” He held up his hands in surrender. “I went with Sindy, if you must know.” “To pick up girls in Atlantic City?” “No.” He hung his head in shame. “It was a little pony-action. She likes the horse races, okay? It’s just a little embarrassing to say I drove an old lady down there.” I planted my hands on my hips. “Okay, so she drove! I hate the traffic on the turnpike.
Jessica Topper (Courtship of the Cake (Much "I Do" About Nothing, #2))
Once, just west of Framingham on the Worcester Turnpike or Route 9 in Massachusetts, I caught a ride in a truck that had worn brakes. The driver, a jolly red-nosed individual with a white beard who could have passed as Santa Claus, suggested that I might want to get out considering the situation regarding the truck’s brakes. Not wanting to turn down a ride in the middle of the night, I rode it out with the driver. Going uphill was all right, but coming down was decidedly hairy. The driver knew what he was doing and used his engine to slow himself down, but he had to depend on his emergency brake if he wanted to, or had to, stop. At one traffic light, which was on a downhill slope, he couldn’t bring his rig to a stop and just blew through the intersection, horn blowing, weaving past the cross traffic. I hung on enjoying the excitement as the driver narrated his moves, as if he was telling a story. I watched and listened to him, too caught up in this wild ride to get concerned about the danger. There were a number of downgrades where he totally lost control of our speed, but fortunately the upgrade would slow us down again. He relied on his loud air horn, which sounded even louder in the dark of night. Fun was fun and eventually we got to Worcester, where I was glad to get off in one piece. I hope that he got his load to where it was going, but I knew that the farther west on Route 9 he went, the more mountainous the terrain would become and I didn’t want any part of that. Besides, this was where I needed to get off. My next leg would take me through Sturbridge and then on to Connecticut. .
Hank Bracker
Dead soldiers along the turnpike at Antietam. Antietam was the first battle in which war dead were photographed and made publicly available, stunning Americans. The
Charles River Editors (The Stonewall Brigade: The History of the Most Famous Confederate Combat Unit of the Civil War)
Turnpikes at night were like girl talk: not interesting.
Caroline B. Cooney (The Voice on the Radio (Janie Johnson, #3))
I am curious as to why people who have never had to solve a problem more pressing than which cravat pin to wear are in charge of everything from the poor laws to treaties to turnpikes. By breeding and experience, such men are not our most thrifty or ingenious thinkers, and yet, we expect them to handle the nation’s exchequer and its most pressing difficulties. If Britain’s government were in the hands of widows, you can bet the children would be fed and a great deal less would have been spent on making war.
Grace Burrowes (Never a Duke (Rogues to Riches, #7))
Tuhan bukanlah kunci mobil yang hilang atau pintu keluar di New Jersey Turnpike. Dia bukanlah tujuan. Dia lebih dekat daripada urat leher kita, seperti dikatakan Muslim. Dalam pengertian tersebut, semua pencarian spiritual bisa dikatakan perjalanan pulang-pergi. Kita berpergian untuk menyadari bahwa sebenarnya tidak ada tempat yang dituju. Kita berputar, seperti darwis, untuk kembali ke titik awal. Titiknya tetap sama, namun diri kita telah berubah. Tujuan berputar--begitu pula berdoa, bermeditasi, berpuasa, merenung, dan setiap teknik spiritual lain yang ada--adalah menghasilkan perubahan kecil dalam orientasi kita.
Eric Weiner (Man Seeks God: My Flirtations with the Divine)
Law is not in the law books. Books are one of the first things that come to mind when we think about law: fat texts almost too heavy to lift; dust-covered, leather-bound tomes of precedents; law libraries filled with rows and rows of statutes and judicial opinions. While books tell us a lot about the law, they are not the law. Instead, law lives in conduct, not on the printed page; it exists in the interactions of judges, lawyers, and ordinary citizens. Think, for example, about one of the laws we most commonly encounter: the speed limit. What is the legal speed limit on most interstate highways? Someone who looked only in the law books might think the answer is 65 mph, but we know better. If you drive at 65 mph on the New Jersey Turnpike, be prepared to have a truck bearing down on you, flashing its lights to get you to pull into the slow lane. The speed limit according to drivers’ conduct is considerably higher than 65. And legal officials act the same way. The police allow drivers a cushion and never give a speeding ticket to someone who is going 66. If they did, the judges would laugh them out of traffic court. As a practical matter, the court doesn’t want to waste its time with someone who violated the speed limit by 1 mph, and as a matter of law, the police radar may not be accurate enough to draw that fine a line anyway. So what is the law on how fast you can drive? Something different than the books say.
Jay M. Feinman (Law 101: Everything You Need to Know About American Law)
the following ad appeared in Thrasher magazine. CHISELED SPAM is what you will see in the mirror if you surf on a weak plank with dumb, fixed wheels and interface with a muffler, retread, snow turd, road kill, driveshaft, railroad tie, or unconscious pedestrian. If you think this is unlikely, you’ve been surfing too many ghost malls. All of these obstacles and more were recently observed on a one-mile stretch of the New Jersey Turnpike. Any surfer who tried to groove that ’vard on a stock plank would have been sneezing brains. Don’t listen to so-called purists who claim any obstacle can be jumped. Professional Kouriers know: If you have pooned a vehicle moving fast enough for fun and profit, your reaction time is cut to tenths of a second—even less if you are way spooled. Buy a set of RadiKS Mark II Smartwheels—it’s cheaper than a total face retread and a lot more fun. Smartwheels use sonar, laser rangefinding, and millimeter-wave radar to identify mufflers and other debris before you even get honed about them. Don’t get Midasized—upgrade today!
Neal Stephenson (Snow Crash)
The dead have highways. They run, unerring lines of ghost trains, of dream-carriages, across the wasteland behind our lives, bearing an endless traffic of departed souls. Their thrum and throb can be heard in the broken places of the world, through cracks made by acts of cruelty, violence and depravity. Their freight, the wandering dead, can be glimpsed when the heart is close to bursting, and sights that should be hidden come plainly into view. They have signposts, these highways, and bridges and lay-bys. They have turnpikes and intersections. It is at these intersections, where the crowds of dead mingle and cross, that this forbidden highway is most likely to spill through into our world.
Clive Barker
On the turnpike there were almost no cars in sight. Grass was coming up through the concrete next to the road. We passed a sign that said Speed Limit 75 MPH. As I gazed out of my window I saw the top of a tree whose leaves were orangey-red, and yellow leaves that were changing along the way, and one little bright red tree among all the trees lining the road. The grass by the side of the road was sort of bleached of color; it was very August-looking in the lack of rich green. Beyond it were tall trees. —
Elizabeth Strout (Oh William!)
In New Jersey, the data showed that only 15 percent of all drivers on the New Jersey Turnpike were racial minorities, yet 42 percent of all stops and 73 percent of all arrests were of black motorists—despite the fact that blacks and whites violated traffic laws at almost exactly the same rate.
Michelle Alexander (The New Jim Crow: Mass Incarceration in the Age of Colorblindness)
No one grows up, they just get tired. Or few indeed. No stopping for dead animals on the turnpike. Too dangerous.
Jim Harrison (Julip)
I’m Captain Florida, the state history pimp Gatherin’ more data than a DEA blimp West Palm, Tampa Bay, Miami-Dade Cruisin’ the coasts till Johnny Vegas gets laid Developer ho’s, and the politician bitches Smackin’ ’em down, while I’m takin’ lots of pictures Hurricanes, sinkholes, natural disaster ’Scuse me while I kick back, with my View-Master (S:) I’m Captain Florida, obscure facts are all legit (C:) I’m Coleman, the sidekick, with a big bong hit (S:) I’m Captain Florida, staying literate (C:) Coleman sees a book and says, “Fuck that shit” Ain’t never been caught, slippin’ nooses down the Keys Got more buoyancy than Elián González Knockin’ off the parasites, and takin’ all their moola Recruiting my apostles for the Church of Don Shula I’m an old-school gangster with a psycho ex-wife Molly Packin’ Glocks, a shotgun and my 7-Eleven coffee Trippin’ the theme parks, the malls, the time-shares Bustin’ my rhymes through all the red-tide scares (S:) I’m the surge in the storms, don’t believe the hype (C:) I’m his stoned number two, where’d I put my hash pipe? (S:) Florida, no appointments and a tank of gas (C:) Tequila, no employment and a bag of grass Think you’ve seen it all? I beg to differ Mosquitoes like bats and a peg-leg stripper The scammers, the schemers, the real estate liars Birthday-party clowns in a meth-lab fire But dig us, don’t diss us, pay a visit, don’t be late And statistics always lie, so ignore the murder rate Beaches, palm trees and golfing is our curse Our residents won’t bite, but a few will shoot first Everglades, orange groves, alligators, Buffett Scarface, Hemingway, an Andrew Jackson to suck it Solarcaine, Rogaine, eight balls of cocaine See the hall of fame for the criminally insane Artifacts, folklore, roadside attractions Crackers, Haitians, Cuban-exile factions The early-bird specials, drivin’ like molasses Condo-meeting fistfights in cataract glasses (S:) I’m the native tourist, with the rants that can’t be beat (C:) Serge, I think I put my shoes on the wrong feet (S:) A stack of old postcards in another dingy room (C:) A cold Bud forty and a magic mushroom Can’t stop, turnpike, keep ridin’ like the wind Gotta make a detour for a souvenir pin But if you like to litter, you’re just liable to get hurt Do ya like the MAC-10 under my tropical shirt? I just keep meeting jerks, I’m a human land-filler But it’s totally unfair, this term “serial killer” The police never rest, always breakin’ in my pad But sunshine is my bling, and I’m hangin’ like a chad (S:) Serge has got to roll and drop the mike on this rap . . . (C:) Coleman’s climbin’ in the tub, to take a little nap . . . (S:) . . . Disappearin’ in the swamp—and goin’ tangent, tangent, tangent . . . (C:) He’s goin’ tangent, tangent . . . (Fade-out) (S:) I’m goin’ tangent, tangent . . . (C:) Fuck goin’ platinum, he’s goin’ tangent, tangent . . . (S:) . . . Wikipedia all up and down your ass . . . (C:) Wikity-Wikity-Wikity . . .
Tim Dorsey (Electric Barracuda (Serge Storms #13))
Chanters, second-edition sellers, boardwalkers, strawers, mountebanks, clowns, jugglers, conjurors, grease removers, nostrum vendors, fortune-tellers, French polishers, turnpike sailors, various classes of lurkers and peepers, stenographic-card sellers, racetrack-card sellers.
Stephen Hunter (I, Ripper: A Novel)
Increasing values again brought increasing values. As with the canals and turnpikes, it was transportation, this time the railroads, that was the focus of the speculation. Here the horizons seemed truly without limit. Who could lose on what was so obviously needed?
John Kenneth Galbraith (A Short History of Financial Euphoria (Business))
I loathe safe sex. Safe sex is to erotic communion what the Salisbury steak in a restaurant on the New Jersey Turnpike is to food. I do it because it's what there is, but I don't want to think about it any more that I have to.
Richard Stevenson
her family than himself. No wonder her brother trusted Luke. He pulled into traffic and headed back up Route 676. On the Schuylkill Expressway, bumper-to-bumper traffic slowed their trip home, but once they hit the Northeast Extension of the Pennsylvania Turnpike, the traffic thinned. Brooke’s stomach rumbled as the car exited the
Melinda Leigh (She Can Scream (She Can #3))
If there is a need and people are free, the market will generally find a way. Without much notice, hundreds of private companies started building turnpikes in early America. By the end of the Madison administration, New England and Pennsylvania each had several thousand miles of privately built roads. New York alone would soon top 4,000 miles.
Mark David Ledbetter (America's Forgotten History, Part One: Foundations)
They recited detail after detail from newspapers and TV. “Where were you hiding that night on the turnpike?” i wanted to scream at them. “I didn’t see you!
Assata Shakur (Assata: An Autobiography)
Newbury Street was the tony promenade listed in every Boston guidebook, beginning downtown at the Public Garden and riding out in orderly alphabetical blocks, Arlington to Berkeley to Clarendon, all the way to Hereford before skipping impatiently to M, the broad Massachusetts Avenue that formed the unofficial western border of the Back Bay. Newbury Street continued beyond that dividing line, but with its spirit broken, forced to run alongside the ugly turnpike more or less as a back alley for Commonwealth Avenue, its humiliation ending at the suicide bridge.
Chuck Hogan (Prince of Thieves)
In a more dubious honor, he alone—out of all five of the signers from New Jersey—is honored with a rest stop on the New Jersey Turnpike.
Denise Kiernan (Signing Their Lives Away: The Fame and Misfortune of the Men Who Signed the Declaration of Independence)
His diary recorded a mixture of moods: October 17: Out to Mount Vernon. . . . Bracing cool air; cloudless sky; warm autumn sunshine. Shapeless, droopy people—stuffy from Sunday morning waffles and funny papers, tired from not walking—staggered out of shiny automobiles and dragged themselves around the grounds of the old mansion.... Grasshoppers flicked themselves around before us. An occasional late bird sang from the hard, many-colored foliage. The corn was stacked in the fields.... It was very nice and encouraging, but in the distance the roar of the Sunday traffic on the big turnpike was never lost, and it was never clearer that man is a skin-disease of the earth.
John Lewis Gaddis (George F. Kennan: An American Life)
New Jersey Turnpike
Lisa Scottoline (Lady Killer (Rosato & Associates #10))
was back in my preferred chinos and a shirt I got from a guy who used to work in a turnpike tollbooth. It was covered with signs for all the tollways in the Sunshine State.
A.J. Stewart (Past the Post)
New Jersey Turnpike
Jeffrey Archer (Honor Among Thieves)
Joe held the speedometer needle at the maximum speed allowed, and the countryside flashed by. When they hit the turnpike, Frank spelled his brother at the wheeL Now, with greater speed, the miles melted past. “She purrs like a kitten,” Frank said. “A great car, Joe.” “Good thing we had the motor tuned up,” Frank remarked as the wind whipped through his hair. After a quick stop for lunch, Joe drove away from the roadside restaurant. “Want to listen to the news?” “Okay. What country’s having a war today?” “Maybe someone has landed on the moon,” Frank said as he clicked on the high-powered transistor.
Franklin W. Dixon (The Secret of the Caves (Hardy Boys, #7))
two turnpike commissioners in Pennsylvania. Even the jury found those boys guilty of conspiracy.
Richard S. Prather (Shell Scott PI Mystery Series, Volume Three)
I have mentioned earlier how easy it is for me to become frightened, and as we drove up this turnpike with barely another car in sight I thought: Oh I wish I had not come! I am afraid of things that are not familiar.
Elizabeth Strout (Oh William!)
I assure you that British readers face the same challenges with a novel written in American. (What are crawdads, and why do they sing? What’s the difference between a highway, a freeway, and a turnpike—are they all the same thing? Do Americans really spend their time in fields of rye, catching small children?)
Alice Oseman (Nick and Charlie)
The British people were noted throughout Europe for their turbulence, and the people of London astonished foreign visitors by their lack of deference. The eighteenth and early nineteenth century are punctuated by riot, occasioned by bread prices, turnpikes and tolls, excise, ‘rescue’, strikes, new machinery, enclosures, press-gangs and a score of other grievances.
E.P. Thompson (The Making of the English Working Class (Modern Classics))
She wishes that she could go out and pay soccer with Gideon and not feel other people's pain. She wishes that she were twelve years old again, and that men didn't shout out their car windows whenever she walks along the Turnpike about how much they'd like to fuck her. She wishes she had a sister who acted like a human being, and an aunt who didn't cry herself to sleep so often that her pillow has to be wrung out each morning.
Alice Hoffman (Practical Magic (Practical Magic, #1))
Probably, it’s like driving the turnpike,” Connie said. “Probably, you get used to it. The way I see it, living in New Jersey is a challenge, what with the toxic waste and the eighteen-wheelers and the armed schizophrenics. I mean, what’s one more lunatic shooting at you?
Janet Evanovich (One for the Money (Stephanie Plum, #1))
Stonewall Jackon's flank attack at Chancellorsville: All across the nearly two-mile width of Jackson's front, the woods and fields resounded with the rebel yell as the screaming attackers bore down on the startled Federals, who had just risen to whoop at the frightened deer and driven rabbits. Now it was their turn to be frightened — and driven, too. For the Union regiments facing west gave way in a rush before the onslaught, and as they fled the two guns they had abandoned were turned against them, hastening their departure and increasing the confusion among the troops facing south behind the now useless breastworks they had constructed with such care. These last took their cue from them and began to pull out too, in rapid succession from right to left down the long line of intrenchments, swelling the throng rushing eastward along the road. Within 20 minutes of the opening shows, Howard's flank division had gone out of military existence, converted that quickly from organization to mob. The adjoining division was sudden to follow the example set. Not even the sight of the corps commander himself, on horseback near Wilderness Church, breasting the surge of retreaters up the turnpike and clamping a stand of abandoned colors under the stump of his amputated arm while attempting to control the skittish horse with the other, served to end or even to slow the rout. Bareheaded and with tears in his eyes, Howard was pleading with them to halt and form, halt and form, but they paid him no mind, evidently convinced that his distress, whether for the fate of his country or his career or both, took no precedence over their own distress for their very lives. (p. 296).
Shelby Foote (The Civil War, Vol. 2: Fredericksburg to Meridian)
the turnpike.
Susan Russo Anderson (Too Quiet In Brooklyn (Fina Fitzgibbons, #1))
Sometimes I scream in the car, driving along lost in the roar of turnpike driving, screaming, letting it out, making the windows vibrate. I need it, it helps me to have a soft belly. It makes me think life is a process of expansion and contraction. It pulsates. There are good things and bad things, but it is always shifting and changing, pulsating. Freedom, an elusive sensation, comes only in sudden spontaneous bursts like the wind that afternoon on the dock, when I was caught between sky and water. It came up suddenly, out of the west when the sun was behind the trees pouring huge sunbeams all over the land.
Peter Reich (A Book of Dreams)
It is not very much more than a century since he lived, and all his wonderful journeys and romantic discoveries have been explored in their length and breadth, by turnpike commissioners, if not by railway surveyors, and the mysteries have been subdued by statistics, till one knows where every road leads, and we are allowed to entertain no doubt about the turnings of the longest lane; every foot of ground is known, and there is no hope left of being able to lose oneself;—and that, as every body must have felt, is a dreadful drawback on the pleasure and excitement of finding oneself in a wild romantic looking country.
Geraldine Jewsbury (The Half Sisters)
America" “Let us be lovers, we’ll marry our fortunes together I’ve got some real estate here in my bag” So we bought a pack of cigarettes and Mrs. Wagner’s pies And walked off to look for America “Kathy,” I said, as we boarded a Greyhound in Pittsburgh “Michigan seems like a dream to me now It took me four days to hitch-hike from Saginaw I’ve come to look for America” Laughing on the bus Playing games with the faces She said the man in the gabardine suit was a spy I said, “Be careful, his bow tie is really a camera” “Toss me a cigarette, I think there’s one in my raincoat” “We smoked the last one an hour ago” So I looked at the scenery, she read her magazine And the moon rose over an open field “Kathy, I’m lost,” I said, thought I knew she was sleeping. “I’m empty and aching and I don’t know why” Counting the cars on the New Jersey Turnpike They’ve all come to look for America All come to look for America All come to look for America Bookends (1968)
Paul Simon
The whole West Woods erupted in a volcano of gunfire so heavy that the color-bearer of the 34th New York was hit five times in rapid succession before he toppled to the ground. The attack of Sedgwick’s division had turned into a crimson nightmare. Men were falling everywhere.75 As the gap widened between Greene’s Twelfth Corps brigades and Sedgwick’s left, the situation became critical. Early’s and Anderson’s Confederate brigades, along with Barksdale’s Mississippians, surged around the church, up the Hagerstown Turnpike and into the fields in the rear of Sedgwick’s hapless division.76
Kent Masterson Brown (Cushing of Gettysburg: The Story of a Union Artillery Commander)
I was beginning to sense that -even though my life still looked like a multi-vehicle accident on the New Jersey Turnpike during holiday traffic-I was tottering on the brink of becoming a self-governing individual
Elizabeth Gilbert (Eat, Pray, Love)
Under the state’s simple blue flag are gathered today some of the most flamboyant cranks, conspiracists, and calamity howlers the Republic has ever seen. The Kansas school board draws the guffaws of the world for purging state science standards of references to evolution. Cities large and small across the state still hold out against water fluoridation, while one tiny hamlet takes the additional step of requiring firearms in every home. A prominent female politician expresses public doubts about the wisdom of women’s suffrage, while another pol proposes that the state sell off the Kansas Turnpike in order to solve its budget crisis.
Thomas Frank (What's the Matter With Kansas?: How Conservatives Won the Heart of America)
People driving down the New Jersey Turnpike through the flat, gray wetlands just south of New York City would never notice the unmarked semi-tractor trailers pulling onto the turnpike at exit 16W, coming from the operations center just down the street. But the East Rutherford Operations Center is hiding riches beyond imagining. Deep inside the complex sits a gargantuan vault, measuring 1 million cubic feet. It is filled with U.S. currency, capable of holding as much as $60 billion. And those trucks driving onto the turnpike are loaded with secret cargo—cash.
James Risen (Pay Any Price: Greed, Power, and Endless War)
Yea, though I drive through the turnpike of the shadow of death, I will fear no evil, for Thou art with me.
Hannah K. Grieser (The Clouds Ye So Much Dread: Hard Times and the Kindness of God)
The death fat is that fat tire inside, the IAF. Why? In 1970, a Big Food scientist at a company under the New Jersey Turnpike found the ‘bliss point’ for humans, the perfect combo of refined sugar, salt, and fat that was optimally addictive to humans—junk food. The reason you die from eating at the bliss point is that the inside fat tire grows and grows and provokes inflammation in the body, and that sounds the alarm for the immune system to rush at it all the time, but it keeps on growing and growing until at a critical moment it outgrows the blood supply and the bloodless fat cells die—really quickly die—and this attracts the macrophages, which migrate to the abdominal fat and eat up the dead cells and kind of circle the wagons.
Samuel Shem (Man's 4th Best Hospital)
Finding that turnpike mileage tripled in England between 1750 and 1770, Sidney and Beatrice Webb quote “an able and quite trustworthy writer” in 1767 declaring the development “an astonishing revolution. . . . The carriage of grain, coals, merchandise, etc., is in general conducted with little more than half the number of horses with which it formerly was. Journeys of business are performed with more than double expedition, . . . Everything wears the face of dispatch . . . and the hinge which has guided all these movements and upon which they turn is the reformation which has been made in our public roads.
Richard Rhodes (Energy: A Human History)
Unlike the Stockton & Darlington, which had won through the parliamentary authorization process with little difficulty, the Liverpool & Manchester encountered fierce resistance from canal owners, stagecoach operators, turnpike trusts, and innkeepers who had come to understand that railway competition was likely to be fatal to their businesses and investments. Nor did the landed gentry whose wayleave the new railway needed to acquire want any part of so noisy and smoky a fire hazard.
Richard Rhodes (Energy: A Human History)
Robert Moses never made the journey to Pennsylvania to celebrate the turnpike’s opening. From his office at the Triborough Bridge, he sent a letter to the Turnpike Commission belittling the achievement: “Jones says that he felt that he was at a disadvantage in building the Pa. Turnpike because no one else in this country had ever built a superhighway…. He goes on to say that he went to Germany to get his ideas. This is sheer rubbish.” The parkways and arterial roads in New York were evidence enough for Moses that he alone had led the way to high-speed superhighways.
Tom Lewis (Divided Highways: Building the Interstate Highways, Transforming American Life)
this was looking like her final hour. They’d not seen a Zaphead for two days, ever since leaving the highway and taking the Old Turnpike Road, a winding dotted line on the map that promised few houses and even fewer murderous mutants. The bite wound on Rachel’s left calf had gotten steadily worse, passing from
Scott Nicholson (Milepost 291 (After, #3))
Someone Knocks on a Door in the State Where I Was Born Take me back where hag moths feed on sweet gums, threshers crushing wild grapes. Where fields curb the slaughterhouse, tractors weighted with wheat. Take me where cars feed turnpikes, and bones break down in their graves. Where roads pass smokestacks; steel pipes scored on the lathe. Apricots sleep inside branches as the hunters slip deep into spring. And a hog drowns in the culvert. And the muskrat gives over its skin. Where dirt calls to the ash roots, the screech owl calling to rain. Where a boy leans on a headstone, pretending not to hear his name.
Bruce Snider (Paradise, Indiana)