Turning Sixty Quotes

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If you can keep your head when all about you Are losing theirs and blaming it on you, If you can trust yourself when all men doubt you, But make allowance for their doubting too; If you can wait and not be tired by waiting, Or being lied about, don't deal in lies, Or being hated, don't give way to hating, And yet don't look too good, nor talk too wise If you can dream - and not make dreams your master; If you can think - and not make thoughts your aim; If you can meet with Triumph and Disaster And treat those two impostors just the same; If you can bear to hear the truth you've spoken Twisted by knaves to make a trap for fools, Or watch the things you gave your life to, broken, And stoop and build 'em up with worn-out tools If you can make one heap of all your winnings And risk it on one turn of pitch-and-toss, And lose, and start again at your beginnings And never breathe a word about your loss; If you can force your heart and nerve and sinew To serve your turn long after they are gone, And so hold on when there is nothing in you Except the will which says to them: 'Hold on!' If you can talk with crowds and keep your virtue, Or walk with Kings - nor lose the common touch, If neither foes nor loving friends can hurt you, If all men count with you, but none too much; If you can fill the unforgiving minute With sixty seconds' worth of distance run, Yours is the Earth and everything that's in it, And - which is more - you'll be a Man, my son!
Rudyard Kipling (If: A Father's Advice to His Son)
Of course, maybe I'd end up like one of those crazy old people with, like, sixty cats. And one day, the neighbors would complain about the smell, and it would turn out I'd died and the cats had eaten me. Still, it might be nice to have a cat.
Alex Flinn
Strange memories on this nervous night in Las Vegas. Five years later? Six? It seems like a lifetime, or at least a Main Era—the kind of peak that never comes again. San Francisco in the middle sixties was a very special time and place to be a part of. Maybe it meant something. Maybe not, in the long run . . . but no explanation, no mix of words or music or memories can touch that sense of knowing that you were there and alive in that corner of time and the world. Whatever it meant. . . . History is hard to know, because of all the hired bullshit, but even without being sure of “history” it seems entirely reasonable to think that every now and then the energy of a whole generation comes to a head in a long fine flash, for reasons that nobody really understands at the time—and which never explain, in retrospect, what actually happened. My central memory of that time seems to hang on one or five or maybe forty nights—or very early mornings—when I left the Fillmore half-crazy and, instead of going home, aimed the big 650 Lightning across the Bay Bridge at a hundred miles an hour wearing L. L. Bean shorts and a Butte sheepherder's jacket . . . booming through the Treasure Island tunnel at the lights of Oakland and Berkeley and Richmond, not quite sure which turn-off to take when I got to the other end (always stalling at the toll-gate, too twisted to find neutral while I fumbled for change) . . . but being absolutely certain that no matter which way I went I would come to a place where people were just as high and wild as I was: No doubt at all about that. . . . There was madness in any direction, at any hour. If not across the Bay, then up the Golden Gate or down 101 to Los Altos or La Honda. . . . You could strike sparks anywhere. There was a fantastic universal sense that whatever we were doing was right, that we were winning. . . . And that, I think, was the handle—that sense of inevitable victory over the forces of Old and Evil. Not in any mean or military sense; we didn’t need that. Our energy would simply prevail. There was no point in fighting—on our side or theirs. We had all the momentum; we were riding the crest of a high and beautiful wave. . . . So now, less than five years later, you can go up on a steep hill in Las Vegas and look West, and with the right kind of eyes you can almost see the high-water mark—that place where the wave finally broke and rolled back.
Hunter S. Thompson (Fear and Loathing in Las Vegas)
You love me?” I whispered. He turned slowly to me and the muscle in his jaw kept ticking until his eyes locked on mine. “You lost that guy, respect, you found the strength to carry on. Know this, Tabby, I lost you, it would be sixty years of goin’ through the motions. I know that in my dick. I know it in my gut. I know it in my heart. I know it deep down in my goddamned soul.
Kristen Ashley (Own the Wind (Chaos, #1))
I am going to a conference tomorrow," she said. "In Portland. Dr. Melissa Sanchez will speak. She says you think your way to a sexier you. Hormones are powerful drugs. Unless we tell them what we want, they backfire. They work against us." Dorothea turned, pointing the Ajax can at me for emphasis. "Now I wake in the morning and take red lipstick to my mirror. 'I am sexy,' I write. 'Men want me. Sixty-five is the new twenty-five.
Becca Fitzpatrick (Hush, Hush (Hush, Hush, #1))
Yet there's something ominous about turning sixty-five. Suddenly old age is not a phenomenon which will occur; it has occurred.
Colleen McCullough (The Thorn Birds)
Long story short – the sixty-nine position doesn’t work. You both get too turned on to keep going. It’s a beautiful failure.
Karina Halle (Ashes to Ashes (Experiment in Terror, #8))
We are not members, . . . we are commodities. . . . When our men have used us up so that we look sixty when we’re thirty and our wombs have literally dropped out of our bodies onto our spotless kitchen floors, finished, they turn to our daughters.
Miriam Toews (Women Talking)
....Master Li turned bright red while he scorched the air with the Sixty Sequential Sacrileges with which he had won the all-China Freestyle Blasphemy Competition in Hangchow three years in a row.
Barry Hughart (Bridge of Birds (The Chronicles of Master Li and Number Ten Ox, #1))
If I could turn you on, if I could drive you out of your wretched mind, if I could tell you I would let you know.
R.D. Laing (The Politics of Experience/The Bird of Paradise)
Even the snap of a finger, he says, provides us with sixty-five opportunities to wake up and to choose actions that will produce beneficial karma and turn our lives around.
Ruth Ozeki (A Tale for the Time Being)
Nothing happens. Then, suddenly...still nothing happens. Five more minutes pass. More nothing. The minutes turn into an hour. Funny how that happens when you put sixty of them together.
Rick Riordan (Daughter of the Deep)
From the cab stepped a tall old man. Black raincoat and hat and a battered valise. He paid the driver, then turned and stood motionless, staring at the house. The cab pulled away and rounded the corner of Thirty-sixty Street. Kinderman quickly pulled out to follow. As he turned the corner, he noticed that the tall old man hadn't moved but was standing under the streetlight glow, in mist, like a melancholy traveler frozen in time.
William Peter Blatty (The Exorcist)
2-1-10: A languid Sunday, afternoon turned into evening, evening into night, night into morning. 'I just want to enjoy your nextness and nearness,' O says. He puts his ear to my chest and listens to my heart and counts the beats. 'Sixty-two,' he says with a satisfied smile, and I can't imagine anything more intimate.
Bill Hayes (Insomniac City: New York, Oliver, and Me)
I[John/Four] scratched Bernie Kosar's head. I don't think I could get used to calling him Hadley, but maybe I could get used to calling Six Maren Elizabeth. "I think you should take on a human name," I say. "If not Maren Elizabeth, then something else. I mean, at least for when we're in front of strangers." Everyone grows silent, and I reach behind me into the Chest for the velvet bag holding the Lorien's solar system. I set the six planets and the sun in my palm and watch them hover and glow to life. As the planets begin to orbit their sun, I find that I am able to dim their brightness with my mind. I intentionally lose myself in them, successfully forgetting just for a few moments that I might ba seeing Sarah soon. Six turns to look at the faint solar system that floats in front of my chest, and then she finally says. "I don't know; I still like the name Six. Maren Elizabeth was when I was a different person, and right now Six just feels right. It can be short for something if Someone asks." Sam looks over. "For what? Sixty?
Pittacus Lore (The Power of Six (Lorien Legacies, #2))
He’s retired, he’s just turned sixty, you know. And on the actual day of his retirement it turned out he wasn’t a radiologist at heart at all, he didn’t want to spend another day of his life on medicine. He’d always wanted to be a beekeeper, and now bees are the only thing he’ll take an interest in. How do these things happen, do you think? If you’re really a beekeeper, how is it that you waste the best years of your life doing something else?
Aleksandr Solzhenitsyn (Cancer Ward: A Novel (FSG Classics))
Once upon a time there was a king, and the king commissioned his favorite wizard to create a magic mirror. This mirror didn’t show you your reflection. It showed you your soul—it showed you who you really were. The wizard couldn’t look at it without turning away. The king couldn’t look at it. The courtiers couldn’t look at it. A chestful of treasure was offered to anyone who could look at it for sixty seconds without turning away. And no one could.
Martin Amis
You shine on, boy. Harder than anyone I ever met in my life. And I’m sixty years old this January.” “Huh?” “You got a knack,” Hallorann said, turning to him. “Me, I’ve always called it shining. That’s what my grandmother called it, too. She had it. We used to sit in the kitchen when I was a boy no older than you and have long talks without even openin our mouths.
Stephen King (The Shining (The Shining, #1))
-A Word On Statistics- Out of every hundred people, those who always know better: fifty-two. Unsure of every step: almost all the rest. Ready to help, if it doesn't take long: forty-nine. Always good, because they cannot be otherwise: fourwell, maybe five. Able to admire without envy: eighteen. Led to error by youth (which passes): sixty, plus or minus. Those not to be messed with: four-and-forty. Living in constant fear of someone or something: seventy-seven. Capable of happiness: twenty-some-odd at most. Harmless alone, turning savage in crowds: more than half, for sure. Cruel when forced by circumstances: it's better not to know, not even approximately. Wise in hindsight: not many more than wise in foresight. Getting nothing out of life except things: thirty (though I would like to be wrong). Balled up in pain and without a flashlight in the dark: eighty-three, sooner or later. Those who are just: quite a few, thirty-five. But if it takes effort to understand: three. Worthy of empathy: ninety-nine. Mortal: one hundred out of one hundred a figure that has never varied yet.
Wisława Szymborska
To be sure I was!' Humpty Dumpty said gaily, as she turned it round for him. 'I thought it looked a little queer. As I was saying, that SEEMS to be done right--though I haven't time to look it over thoroughly just now--and that shows that there are three hundred and sixty-four days when you might get un-birthday presents--' Certainly,' said Alice. And only ONE for birthday presents, you know. There's glory for you!' I don't know what you mean by "glory,"' Alice said. Humpty Dumpty smiled contemptuously. 'Of course you don't--till I tell you. I meant "there's a nice knock-down argument for you!"' But "glory" doesn't mean "a nice knock-down argument,"' Alice objected. When _I_ use a word,' Humpty Dumpty said in rather a scornful tone, 'it means just what I choose it to mean--neither more nor less.' The question is,' said Alice, 'whether you CAN make words mean so many different things.' The question is,' said Humpty Dumpty, 'which is to be master--that's all.
Lewis Carroll
I hang up, and Ben turns to me. “So who’s the lucky sixty-nine-year-old?” I roll my eyes. “Your dad.” He smirks. “My dad is dead.” “That,” I reply, “would explain why he’s been so pleasantly quiet in bed.
Elizabeth O'Roark (The Devil You Know (The Devils, #3))
When I was a teenager, I looked at over-fifties with pity and unease: they walked too slow, they talked too slow, they watched TV instead of going out to movies and concerts, their idea of a great party was hotpot with the neighbors and tucked into bed after the eleven o’clock news. But—like most other fifty-, sixty-, and seventysomethings who are in relative good health—I didn’t mind it so much when my turn came. Because the brain doesn’t age, although its ideas about the world may harden and there’s a greater tendency to run off at the mouth about how things were in the good old days.
Stephen King (Revival)
There's your problem," Leo announced. Jason scratched his head. "Uh.... what are we looking at?" Leo thought it was pretty obvious, but Piper looked confused too. "Okay," Leo sighed, " you want the full explanation or the short explanation?" "Short," Piper and Jason said in unison. Leo gestured to the empty core. "The syncopator goes here. It's a multi-access gyro-valve to regulate flow. The doxen glass tubes on the outside? Those are filled with powerful,dangerous stuff. That glowing red one is Lemnos fire from my dad's forges. This murky stuff here? That's water from the River Styx. The stuff in the tubes is going to power the ship, right? Like radioactive rods in a nuclear reactor. But the mix ratio has to be controlled, and the timer is already operational.... That means without the syncopator, this stuff is all going to vent into the chamber at the same time, in sixty-five minutes. At that point, we'll get a very nasty reaction." Jason and Piper stared at him. Leo wondered if he'd been speaking English. Sometimes when he was agitated he slipped into Spanish, like his mom used to do in her workshop. But he was pretty sure he'd used English. "Um..." Piper cleared her throat." Could you make the short explanation shorter?" Leo palm-smacked his forehead. "Fine. One hour. Fluids mix. Bunker goes ka-boom. One square mile of forest tuns into a smoking crater." "Oh," Piper said in a small voice. "Can't you just..... turn it off?" "Gee, I didn't think of that!" Leo said. "Let me just hit this switch and - No, Piper. I can't turn it off.
Rick Riordan (The Demigod Diaries (The Heroes of Olympus))
Luc scored forty and slapped the darts in her palm. “The light sucks in here.” “No.” She smiles and took great pleasure in announcing, “You suck.” His gaze narrowed. Weeks of anger and hurt poured out of her and she said, louder than she’d intended, “And worse – you’re a whiner.” A collective intake of breath caught their attention and she and Luc turned and looked at the guys watching a few feet away. “Lucky’s gonna kill Sharky,” Sutter predicted from the sidelines. By taut agreement they both went to their respective corners. Jane shot and scored sixty-five. Luc scored thirty-four. “Now remind me. Why do they call you Lucky?” she asked as she reached for the darts. He pulled them back out of her reach as a slow, purely licentious smile curved his mouth. A smile that told her he was remembering her on her knees kissing his tattoo. “I’m sure if you think long and hard, you’ll remember the answer to that.” “No.” She shook her head. “Some things just aren’t that memorable.
Rachel Gibson (See Jane Score (Chinooks Hockey Team #2))
There will come a time--perhaps even by the time you read this--that people will no longer be on Facebook. There will come a time when the stars of your favorite teen TV show will be sixty. There will come a time when you will have the same unalienable rights as your straightest friend. (Probably before any of the stars of your favorite teen TV show turn sixty.) There will come a time when the gay prom won't have to be separate. There will come a time when you look at someone younger than your and feel that he or she will know more than you ever did. There will come a time when you will worry about being forgotten. There will come a time when the gospel will be rewritten. If you play your cards right, the next generation will have so much more than you did.
David Levithan (Two Boys Kissing)
The most common theory points to the fact that men are stronger than women and that they have used their greater physical power to force women into submission. A more subtle version of this claim argues that their strength allows men to monopolize tasks that demand hard manual labor, such as plowing and harvesting. This gives them control of food production, which in turn translates into political clout. There are two problems with this emphasis on muscle power. First, the statement that men are stronger is true only on average and only with regard to certain types of strength. Women are generally more resistant to hunger, disease, and fatigue than men. There are also many women who can run faster and lift heavier weights than many men. Furthermore, and most problematically for this theory, women have, throughout history, mainly been excluded from jobs that required little physical effort, such as the priesthood, law, and politics, while engaging in hard manual labor in the fields....and in the household. If social power were divided in direct relation to physical strength or stamina, women should have got far more of it. Even more importantly, there simply is no direct relation between physical strength and social power among humans. People in their sixties usually exercise power over people in their twenties, even though twenty-somethings are much stronger than their elders. ...Boxing matches were not used to select Egyptian pharaohs or Catholic popes. In forager societies, political dominance generally resides with the person possessing the best social skills rather than the most developed musculature. In fact, human history shows that there is often an inverse relation between physical prowess and social power. In most societies, it’s the lower classes who do the manual labor. Another theory explains that masculine dominance results not from strength but from aggression. Millions of years of evolution have made men far more violent than women. Women can match men as far as hatred, greed, and abuse are concern, but when push comes to shove…men are more willing to engage in raw physical violence. This is why, throughout history, warfare has been a masculine prerogative. In times of war, men’s control of the armed forces has made them the masters of civilian society too. They then use their control of civilian society to fight more and more wars. …Recent studies of the hormonal and cognitive systems of men and women strengthen the assumption that men indeed have more aggressive and violent tendencies and are…on average, better suited to serve as common soldiers. Yet, granted that the common soldiers are all men, does it follow that the ones managing the war and enjoying its fruits must also be men? That makes no sense. It’s like assuming that because all the slaves cultivating cotton fields are all Black, plantation owners will be Black as well. Just as an all-Black workforce might be controlled by an all-White management, why couldn’t an all-male soldiery be controlled by an all-female government?
Yuval Noah Harari (Sapiens: A Brief History of Humankind)
Memory has a way of slipping a few gears after sixty-five, when people round the third turn start down the home stretch. He
Stephen King (End of Watch (Bill Hodges Trilogy, #3))
I'm going to turn my life around. Make a complete three sixty." "Don't you mean one eighty?" he corrected. "If you do that, you'll end up right back where you started." "Maybe. But at least I'll have a chance of coming out of it a different person - a better version of me.
Megan Duke (Three Sixty: A Companion to Small Circles)
The battle of Iwo Jima would quickly turn into a primitive contest of gladiators: Japanese gladiators fighting from caves and tunnels like the catacombs of the Colosseum, and American gladiators aboveground, exposed on all sides, using liquid gasoline to burn their opponents out of their lethal hiding places. All of this on an island five and a half miles long and two miles wide. An area smaller than Doc Bradley's hometown of Antigo, but bearing ten times the humanity. A car driving sixty miles an hour could cover its length in five and a half minutes. For the slogging, dying Marines, it would take more than a month.
James D. Bradley (Flags of Our Fathers)
Within sixty-minute limits or one-hundred-yard limits or the limits of a game board, we can look for perfect moments or perfect structures. In my fiction I think this search sometimes turns out to be a cruel delusion. No optimism, no pessimism. No homesickness for lost values or for the way fiction used to be written. Everybody seems to know everything. Subjects surface and are totally exhausted in a matter of days or weeks, totally played out by the publishing industry and the broadcast industry. Nothing is too arcane to escape the treatment, the process. Making things difficult for the reader is less an attack on the reader than it is on the age and its facile knowledge-market. The writer is the person who stands outside society, independent of affiliation and independent of influence. The writer is the man or woman who automatically takes a stance against his or her government. There are so many temptations for American writers to become part of the system and part of the structure that now, more than ever, we have to resist. American writers ought to stand and live in the margins, and be more dangerous. Writers in repressive societies are considered dangerous. That’s why so many of them are in jail. Some people prefer to believe in conspiracy because they are made anxious by random acts. Believing in conspiracy is almost comforting because, in a sense, a conspiracy is a story we tell each other to ward off the dread of chaotic and random acts. Conspiracy offers coherence. I see contemporary violence as a kind of sardonic response to the promise of consumer fulfillment in America... I see this desperation against the backdrop of brightly colored packages and products and consumer happiness and every promise that American life makes day by day and minute by minute everywhere we go. Discarded pages mark the physical dimensions of a writer’s labor. Film allows us to examine ourselves in ways earlier societies could not—examine ourselves, imitate ourselves, extend ourselves, reshape our reality. It permeates our lives, this double vision, and also detaches us, turns some of us into actors doing walk-throughs. Every new novel stretches the term of the contract—let me live long enough to do one more book. You become a serious novelist by living long enough.
Don DeLillo
Living the artist’s life, it turns out, is full of surprises. Yes, it is about being sensitive to beauty, about creating exquisite objects and developing a critical eye and drawing inspiration from the rich tapestry of the surrounding world. In some intriguing and evocative way, it is also about delving into the very depths of human perception, into the wellspring of consciousness itself, and living to tell about it. And for John and me, it has also always been about the planning, preparation, and enjoyment of good food. Sixty years later, we’re still following that path.
Mallory M. O'Connor
Hell, at twenty, he’d been ready to junk everything and start over too. But now, at sixty, he was less willing to throw things away that could be patched together and kept running for a few more months. He wanted to keep going forward, not stop and turn around and analyze the validity of decisions made and courses charted long ago.
Richard Russo (Nobody's Fool (Sully #1))
When the book was published, I had just turned sixty-one. I am writing this at a moment when, according to my doctors, I cannot be certain of celebrating another birthday.
Christopher Hitchens (Hitch 22)
There’s nothing to be scared of.” Instead of taking Charlie’s pulse – there was really no point – he took one of the old man’s hands in his. He saw Charlie’s wife pulling down a shade in the bedroom, wearing nothing but the slip of Belgian lace he’d bought her for their first anniversary; saw how the ponytail swung over one shoulder when she turned to look at him, her face lit in a smile that was all yes. He saw a Farmall tractor with a striped umbrella raised over the seat. He smelled bacon and heard Frank Sinatra singing ‘Come Fly with Me’ from a cracked Motorola radio sitting on a worktable littered with tools. He saw a hubcap full of rain reflecting a red barn. He tasted blueberries and gutted a deer and fished in some distant lake whose surface was dappled by steady autumn rain. He was sixty, dancing with his wife in the American Legion hall. He was thirty, splitting wood. He was five, wearing shorts and pulling a red wagon. Then the pictures blurred together, the way cards do when they’re shuffled in the hands of an expert, and the wind was blowing big snow down from the mountains, and in here was the silence and Azzie’s solemn watching eyes.
Stephen King (Doctor Sleep (The Shining, #2))
I do not find that I grow any older. Being arrived at seventy, and considering that by traveling further in the same road I should probably be led to the grave, I stopped short, turned about, and walked back again; which having done these four years, you may now call me sixty-six. Advise those old friends of ours to follow my example; keep up your spirits, and that will keep up your bodies.
Benjamin Franklin
Are we or are we not on an invisible spinning top, whipped by a thread of sunlight, on a grain of crazed sand which turns and turns without ever knowing why, without ever reaching a destination, as if it enjoyed turning like that, to make us feel a little colder or warmer, and make us die (often feeling that we have merely carried out a series of meaningless gestures) after fifty or sixty years?
Luigi Pirandello (The Late Mattia Pascal)
Claire: One of the hallmarks of a mother-daughter relationship is what I call the Zero to Sixty Factor. We can get instantly irritated at each other and just as instantly move on… Men don’t get this. Paul will say, “Girls, stop fussing,” and we’ll immediately turn and say in unison, “We’re not arguing.
Mia Fontaine (Have Mother, Will Travel: A Mother and Daughter Discover Themselves, Each Other, and the World)
I loathed being sixty-four, and I will hate being sixty-five. I don’t let on about such things in person; in person, I am cheerful and Pollyannaish. But the honest truth is that it’s sad to be over sixty. The long shadows are everywhere—friends dying and battling illness. A miasma of melancholy hangs there, forcing you to deal with the fact that your life, however happy and successful, has been full of disappointments and mistakes, little ones and big ones. There are dreams that are never quite going to come true, ambitions that will never quite be realized. There are, in short, regrets. Edith Piaf was famous for singing a song called “Non, je ne regrette rien.” It’s a good song. I know what she meant. I can get into it; I can make a case that I regret nothing. After all, most of my mistakes turned out to be things I survived, or turned into funny stories, or, on occasion, even made money from. But
Nora Ephron (I Feel Bad About My Neck)
He crossed his arms on his chest. “You do know with this shit you’re pullin’ that no way in fuck I’m ever gonna stop and help a woman change her tire again.” “That’s fifty cents.” He stared at me. Then he turned on his boot and stalked to the door, muttering, “Fuck me.” “Sixty cents!” I yelled at his back.
Kristen Ashley (Ride Steady (Chaos, #3))
Write poorly. Suck Write awful Terribly Frightfully Don't care Turn off the inner editor Let yourself write Let it flow Let yourself fail Do something crazy Write fifty thousand words in the month of November. I did it. It was fun , it was insane , it was one thousand six hundred and sixty-seven words a day. It was possible. But you have to turn off your inner critic. Off completely. Just write. Quickly. In bursts. With joy. If you can't write, run away for a few. Come back. Write again. Writing is like anything else. You won't get good at it immediately. It's a craft, you have to keep getting better. You don't get to Juilliard unless you practice. If you want to get to Carnegie Hall, practice, practice, practice. ...Or give them a lot of money. Like anything else, it takes ten thousand hours to master. Just like Malcolm Gladwell says. So write. Fail. Get your thoughts down. Let it rest. Let it marinate. Then edit. But don't edit as you type, that just slows the brain down. Find a daily practice, for me it's blogging every day. And it's fun. The more you write, the easier it gets. The more it is a flow, the less a worry. It's not for school, it's not for a grade, it's just to get your thoughts out there. You know they want to come out. So keep at it. Make it a practice. And write poorly, write awfully, write with abandon and it may end up being really really good.
Colleen Hoover (Point of Retreat (Slammed, #2))
Ms. Terwilliger didn’t have a chance to respond to my geological ramblings because someone knocked on the door. I slipped the rocks into my pocket and tried to look studious as she called an entry. I figured Zoe had tracked me down, but surprisingly, Angeline walked in. "Did you know," she said, "that it’s a lot harder to put organs back in the body than it is to get them out?" I closed my eyes and silently counted to five before opening them again. “Please tell me you haven’t eviscerated someone.” She shook her head. “No, no. I left my biology homework in Miss Wentworth’s room, but when I went back to get it, she’d already left and locked the door. But it’s due tomorrow, and I’m already in trouble in there, so I had to get it. So, I went around outside, and her window lock wasn’t that hard to open, and I—” "Wait," I interrupted. "You broke into a classroom?" "Yeah, but that’s not the problem." Behind me, I heard a choking laugh from Ms. Terwilliger’s desk. "Go on," I said wearily. "Well, when I climbed through, I didn’t realize there was a bunch of stuff in the way, and I crashed into those plastic models of the human body she has. You know, the life size ones with all the parts inside? And bam!" Angeline held up her arms for effect. "Organs everywhere." She paused and looked at me expectantly. "So what are we going to do? I can’t get in trouble with her." "We?" I exclaimed. "Here," said Ms. Terwilliger. I turned around, and she tossed me a set of keys. From the look on her face, it was taking every ounce of self-control not to burst out laughing. "That square one’s a master. I know for a fact she has yoga and won’t be back for the rest of the day. I imagine you can repair the damage—and retrieve the homework—before anyone’s the wiser.” I knew that the “you” in “you can repair” meant me. With a sigh, I stood up and packed up my things. “Thanks,” I said. As Angeline and I walked down to the science wing, I told her, “You know, the next time you’ve got a problem, maybe come to me before it becomes an even bigger problem.” "Oh no," she said nobly. "I didn’t want to be an inconvenience." Her description of the scene was pretty accurate: organs everywhere. Miss Wentworth had two models, male and female, with carved out torsos that cleverly held removable parts of the body that could be examined in greater detail. Wisely, she had purchased models that were only waist-high. That was still more than enough of a mess for us, especially since it was hard to tell which model the various organs belonged to. I had a pretty good sense of anatomy but still opened up a textbook for reference as I began sorting. Angeline, realizing her uselessness here, perched on a far counter and swing her legs as she watched me. I’d started reassembling the male when I heard a voice behind me. "Melbourne, I always knew you’d need to learn about this kind of thing. I’d just kind of hoped you’d learn it on a real guy." I glanced back at Trey, as he leaned in the doorway with a smug expression. “Ha, ha. If you were a real friend, you’d come help me.” I pointed to the female model. “Let’s see some of your alleged expertise in action.” "Alleged?" He sounded indignant but strolled in anyways. I hadn’t really thought much about asking him for help. Mostly I was thinking this was taking much longer than it should, and I had more important things to do with my time. It was only when he came to a sudden halt that I realized my mistake. "Oh," he said, seeing Angeline. "Hi." Her swinging feet stopped, and her eyes were as wide as his. “Um, hi.” The tension ramped up from zero to sixty in a matter of seconds, and everyone seemed at a loss for words. Angeline jerked her head toward the models and blurted out. “I had an accident.” That seemed to snap Trey from his daze, and a smile curved his lips. Whereas Angeline’s antics made me want to pull out my hair sometimes, he found them endearing.
Richelle Mead (The Fiery Heart (Bloodlines, #4))
I'd seen old Yardley Slickers- the makeup now just a waxy crumble- sell for almost one hundred dollars on the internet. So grown women could smell it again, that chemical, flowery fug. That's how badly people wanted it- to know that their lives had happened, that the person they once had been, still existed inside of them. There were so many things that returned me. The tang of soy, the smoke in someone's hair, the grassy hills turning blond in June. An arrangement of oaks and boulders could, seen out of the corner of my eye, crack open something in my chest, palms going suddenly slick with adrenaline.
Emma Cline (The Girls)
But he didn’t seem surprised to see her. ‘Hey.’ ‘Hey, yourself.’ Okay, that was stupid. Her grandmother used to say Hey, yourself. Great, she was turning into her grandmother at the most inopportune time. She didn’t want to sound like a well-adjusted sixty-year-old.
Suzanne Brockmann (Infamous)
She was pulling a rope out of the water and knew it was coming to the end when the barnacles started to appear and they became more think and clustered. Then it was strangely peaceful and the sound was turned off. She stood at the bow of a ship. If only she could have stood this way above the water and really breathed and let the waves go by like pages being turned and watched everything more closely and chosen things more carefully then she might have been able to read the spirit within herself and would not have spent her life as if she were only halfway in it. For a moment she felt an astonishing brilliance and heat and light and all of herself flared up and the vibration after sixty-five years was not weakened by time but more dense then suddenly it was as if the flame had caught the flimsiest piece of paper for it flickered up and flew into the air then quickly sank down withered into a thin cinder of ash which blew off, inconsequential. Her life had not been long enough for her to know the whole of herself, it had not been long enough or wide.
Susan Minot (Evening)
He turns to me, serious, grabs my wrist tight. “What am I now? A Catholic priest you got to confess all of your sins to? If you start down that road, I got to reciprocate, and I ain’t so sure you can handle that. You want to know where this conversation will lead, my friend? A dead end, that’s where. “Listen to me good, Barry. I have known you since 1947 when we was nippers. That’s sixty-four years, yuh hear? You and me has finally got a future to look forward to together, so let we not go digging up our past misdemeanors, right? Just sit back comfy and easy and listen to the one and only Miss Shirley Bassey and let we just enjoy the vibes, man, enjoy the vibes.
Bernardine Evaristo (Mr Loverman)
Wainwright prayed to the graven image of Lafayette, since neither the president nor Congress seemed to be listening. “We, the women of the United States,” she told the bronze Lafayette, “denied the liberty which you helped to gain, and for which we have asked in vain for sixty years, turn to you to plead for us. Speak, Lafayette, dead these hundred years but still living in the hearts of the American people.
Sarah Vowell (Lafayette in the Somewhat United States)
Grant knew that people could not imagine geological time. Human life was lived on another scale of time entirely. An apple turned brown in a few minutes. Silverware turned black in a few days. A compost heap decayed in a season. A child grew up in a decade. None of these everyday human experiences prepared people to be able to imagine the meaning of eighty million years—the length of time that had passed since this little animal had died. In the classroom, Grant had tried different comparisons. If you imagined the human lifespan of sixty years was compressed to a day, then eighty million years would still be 3,652 years—older than the pyramids. The velociraptor had been dead a long time.
Michael Crichton (Jurassic Park (Jurassic Park, #1))
...Americans didn’t stick to cities, which makes us different from the people in other industrialized countries. We no sooner arrived in town, turning those towns into great mid-century metropolises, than we decided to take off for the green world beyond, so that by the 1970 Census, we had become the first suburban nation in the history of the world. And Detroit led the way, with a population curve up and down just like everywhere else, but with its urban decline a lot steeper over the past sixty years—so typical a place that it only looks like an exception.
Jerry Herron
The following year the house was substantially remodeled, and the conservatory removed. As the walls of the now crumbling wall were being torn down, one of the workmen chanced upon a small leatherbound book that had apparently been concealed behind a loose brick or in a crevice in the wall. By this time Emily Dickinson was a household name in Amherst. It happened that this carpenter was a lover of poetry- and hers in particular- and when he opened the little book and realized that that he had found her diary, he was “seized with a violent trembling,” as he later told his grandson. Both electrified and terrified by the discovery, he hid the book in his lunch bucket until the workday ended and then took it home. He told himself that after he had read and savored every page, he would turn the diary over to someone who would know how to best share it with the public. But as he read, he fell more and more deeply under the poet’s spell and began to imagine that he was her confidant. He convinced himself that in his new role he was no longer obliged to give up the diary. Finally, having brushed away the light taps of conscience, he hid the book at the back of an oak chest in his bedroom, from which he would draw it out periodically over the course of the next sixty-four years until he had virtually memorized its contents. Even his family never knew of its existence. Shortly before his death in 1980 at the age of eighty-nine, the old man finally showed his most prized possession to his grandson (his only son having preceded him in death), confessing that his delight in it had always been tempered by a nagging guilt and asking that the young man now attempt to atone for his grandfather’s sin. The grandson, however, having inherited both the old man’s passion for poetry and his tendency towards paralysis of conscience, and he readily succumbed to the temptation to hold onto the diary indefinitely while trying to decide what ought to be done with it.
Jamie Fuller (The Diary of Emily Dickinson)
When I speak in casual conversation, I try to start a mental clock in my head. I actually learned this from Marty Nemko, a San Francisco career coach. He told me, “For the first thirty seconds after you start talking, imagine a green light in your head. After thirty seconds the light turns yellow. At sixty seconds, it’s red.” That’s a good piece of advice for most any conversational situation. It takes some mental energy to monitor myself, but it works.
John Elder Robison (Be Different: Adventures of a Free-Range Aspergian with Practical Advice for Aspergians, Misfits, Families & Teachers)
(Referring to an obsession with Tolkien's Middle Earth): I meet a beautiful American heiress, I like her, she likes me . . . and then she turns out to be a fundamentalist with a more literal interpretation of scripture than I feel comfortable with. Only our bible was written by an Oxford don about sixty years ago.
S.M. Stirling (The Protector's War (Emberverse, #2))
At the first ever Girl Scout training event Hesselbein attended, she heard another new troop leader complain that she was getting nothing from the session. Hesselbein mentioned it to a dress-factory worker who was also volunteering, and the woman told her, “You have to carry a big basket to bring something home.” She repeats that phrase today, to mean that a mind kept wide open will take something from every new experience. It is a natural philosophy for someone who was sixty when she attempted to turn down an interview for the job that became her calling. She had no long-term plan, only a plan to do what was interesting or needed at the moment. “I never envisioned” is her most popular preamble. Hesselbein’s professional career, which started in her midfifties, was extraordinary. The meandering path, however, was not.
David Epstein (Range: Why Generalists Triumph in a Specialized World)
The average person is in the habit of saying, “The older I get;”’ and he thereby calls the attention of his mind to the idea that he is getting older. In brief, he compels his mind to believe that he is getting older and older, and thereby directs the mind to produce more and more age. The true expression in this connection is, “The longer I live.” This expression calls the mind’s attention to the length of life, which will, in turn, tend to increase the power of that process in you that can prolong life. When people reach the age of sixty or seventy, they usually speak of “the rest of my days,” thus implying the idea that there are only a few more days remaining. The mind is thereby directed to finish life in a short period of time, and accordingly, all the forces of the mind will proceed to work for the speedy termination of personal existence. The correct expression is “from now on,” as, that leads thought into the future indefinitely without impressing the mind with any end whatever.
Christian D. Larson
Ippolit Matveevich turned even redder, pulled out a tiny notebook, and wrote in a calligraphic hand: 25/4/1927 — rubles issued to Comrade Bender — 8. Ostap took a look inside the little book. 'Oh-ho! If you've gone ahead and opened a personal account for me, then the least you could do is tally it right. Start up a debit column, start up a credit column. Don't forget to enter the sixty thousand rubles you owe me in the debits, and the vest can go in the credits. The balance is in my favor: 59,992 rubles.
Ilya Ilf (The Twelve Chairs)
One general theory for the origin of AIDS goes that, during the late nineteen-sixties, a new and lucrative business grew up in Africa, the export of primates to industrialized countries for use in medical research. Uganda was one of the biggest sources of these animals. As the monkey trade was established throughout central Africa, the native workers in the system, the monkey trappers and handlers, were exposed to large numbers of wild monkeys, some of which were carrying unusual viruses. These animals, in turn, were being jammed together in cages, exposed to one another, passing viruses back and forth. Furthermore, different species of monkeys were mixed together. It was a perfect setup for an outbreak of a virus that could jump species. It was also a natural laboratory for rapid virus evolution, and possibly it led to the creation of HIV. Did HIV crash into the human race as a result of the monkey trade?
Richard Preston (The Hot Zone)
I took the thin magazine from the pouch in front of me and began to thumb through it. I felt self-conscious, as if I shouldn't be there. My mind began to wander, as I knew it would, back to the boonies. I was on patrol again. Monaco was on point. Peewee and Walowick followed him. Lobel and Brunner were next, then Johnson, the sixty cradled in his arm as if it were a child. We were walking the boonies, past rice paddies, toward yet another hill. I was in the rear, and for some reason I turned back. Behind me, trailing the platoon, were the others. Brew, Jenkins, Sergeant Dongan, Turner, and Lewis, the new guys, and Lieutenant Carroll. I knew I was mixing my prayers, but it didn't matter. I just wanted God to care for them, to keep them whole. I knew they were thinking about me and Peewee.
Walter Dean Myers
Antarctica is the highest, driest, coldest, and windiest place on the planet. The South Pole averages sixty below zero, has hurricane-strength winds, and sits at an altitude of ten thousand feet. In other words, those original explorers didn’t have to just get there, but had to climb serious mountains to do so. (Side note: Down here, you’re either an Amundsen guy, a Shackleton guy, or a Scott guy. Amundsen was the first to reach the Pole, but he did it by feeding dogs to dogs, which makes Amundsen the Michael Vick of polar explorers: you can like him, but keep it to yourself, or you’ll end up getting into arguments with a bunch of fanatics. Shackleton is the Charles Barkley of the bunch: he’s a legend, all-star personality, but there’s the asterisk that he never reached the Pole, i.e., won a championship. How this turned into a sports analogy, I don’t know. Finally, there’s Captain Scott, canonized for his failure, and to this day never fully embraced because he was terrible with people. He has my vote, you understand.)
Maria Semple (Where'd You Go, Bernadette)
But Onar turned out to be a poor lover, certainly the worst of Yoke’s few partners thus far. Onar stinted on the foreplay, made a long messy fuss of his prophylactic preparations, and was up for at most sixty seconds of actual coitus. As a final turn-off, Onar said something British when he came, something like “Cor blimey,” or “Top drawer,” or “Bit of all right”— Yoke’s outraged brain disdained to retain the phrase.
Rudy Rucker (Realware (Ware #4))
Mr Bankes expected her to answer. And she was about to say something criticizing Mrs Ramsay, how she was alarming, too, in her way, high-handed, or words to that effect, when Mr Bankes made it entirely unnecessary for her to speak by his rapture. For such it was considering his age, turned sixty, and his cleanliness and his impersonality, and the white scientific coat which seemed to clothe him. For him to gaze as Lily saw him gazing at Mrs Ramsay was a rapture, equivalent, Lily felt, to the loves of dozens of young men (and perhaps Mrs Ramsay had never excited the loves of dozens of young men). It was love, she thought, pretending to move her canvas, distilled and filtered; love that never attempted to clutch its object; but, like the love which mathematicians bear their symbols, or poets their phrases, was meant to be spread over the world and become part of the human gain. So it was indeed. The world by all means should have shared it, could Mr Bankes have said why that woman pleased him so; why the sight of her reading a fairy tale to her boy had upon him precisely the same effect as the solution of a scientific problem, so that he rested in contemplation of it, and felt, as he felt when he had proved something absolute about the digestive system of plants, that barbarity was tamed, the reign of chaos subdued.
Virginia Woolf (To the Lighthouse)
The Dordogne in 1984 was the nadir. Diarrhea, moths like flying hamsters, the blowtorch heat. Awake at three in the morning on a damp and lumpy mattress. Then the storm. Like someone hammering sheets of tin. Lightning so bright it came through the pillow. In the morning sixty, seventy dead frogs turning slowly in the pool. And at the far end something larger and furrier, a cat perhaps, or the Franzetti's dog, which Katie was poking with a snorkel.
Mark Haddon (A Spot of Bother)
A major part of sustainability is social justice, here and everywhere. Think of it this way: justice is a technology. It’s like a software program that we use to cope with the world and get along with each other, and one of the most effective we have ever invented, because we are all in this together. When you realize that acting with justice and generosity turns out to be the most effective technology for dealing with other people, that’s a good thing.
Kim Stanley Robinson (Sixty Days and Counting (Science in the Capital Book 3))
On what may be the last page he wrote in his notebooks, Leonardo drew four right triangles with bases of differing lengths (fig. 143). Inside of each he fit a rectangle, and then he shaded the remaining areas of the triangle. In the center of the page he made a chart with boxes labeled with the letter of each rectangle, and below it he described what he was trying to accomplish. As he had done obsessively over the years, he was using the visualization of geometry to help him understand the transformation of shapes. Specifically, he was trying to understand the formula for keeping the area of a right triangle the same while varying the lengths of its two legs. He had fussed with this problem, explored by Euclid, repeatedly over the years. It was a puzzle that, by this point in his life, as he turned sixty-seven and his health faded, might seem unnecessary to solve. To anyone other than Leonardo, it may have been.
Walter Isaacson (Leonardo Da Vinci)
If, in recommending that Americans avoid meat, cheese, milk, cream, butter, eggs, and the rest, it turns out that nutrition experts made a mistake, it will have been a monumental one. Measured just by death and disease, and not including the millions of lives derailed by excess weight and obesity, it’s very possible that the course of nutrition advice over the past sixty years has taken an unparalleled toll on human history. It now appears that since 1961, the entire American population has, indeed, been subjected to a mass experiment, and the results have clearly been a failure. Every reliable indicator of good health is worsened by a low-fat diet. Whereas diets high in fat have been shown, again and again, in a large body of clinical trials, to lead to improved measures for heart disease, blood pressure, and diabetes, and are better for weight loss. Moreover, it’s clear that the original case against saturated fats was based on faulty evidence and has, over the last decade, fallen apart. Despite more than two billion dollars in public money spent trying to prove that lowering saturated fat will prevent heart attacks, the diet-heart hypothesis has not held up.
Nina Teicholz (The Big Fat Surprise: Why Butter, Meat and Cheese Belong in a Healthy Diet)
The girls of the sixties had mothers who predicted, insisted, argued that those girls would be hurt; but they would not say how or why. In the main, the mothers appeared to be sexual conservatives: they upheld the marriage system as a social ideal and were silent about the sex in it. Sex was a duty inside marriage; a wife’s attitude toward it was irrelevant unless she made trouble, went crazy, fucked around. Mothers had to teach their daughters to like men as a class—be responsive to men as men, warm to men as men—and at the same time to not have sex. Since males mostly wanted the girls for sex, it was hard for the girls to understand how to like boys and men without also liking the sex boys and men wanted. The girls were told nice things about human sexuality and also told that it would cost them their lives—one way or another. The mothers walked a tough line: give the girls a good attitude, but discourage them. The cruelty of the ambivalence communicated itself, but the kindness in the intention did not: mothers tried to protect their daughters from many men by directing them toward one; mothers tried to protect their daughters by getting them to do what was necessary inside the male system without ever explaining why. They had no vocabulary for the why—why sex inside marriage was good but outside marriage was bad, why more than one man turned a girl from a loving woman into a whore, why leprosy or paralysis were states preferable to pregnancy outside marriage. They had epithets to hurl, but no other discourse. Silence about sex in marriage was also the only way to avoid revelations bound to terrify—revelations about the quality of the mothers’ own lives.
Andrea Dworkin (Right-Wing Women)
THE DATE WAS APRIL 14, 1912, a sinister day in maritime history, but of course the man in suite 63–65, shelter deck C, did not yet know it. What he did know was that his foot hurt badly, more than he had expected. He was sixty-five years old and had become a large man. His hair had turned gray, his mustache nearly white, but his eyes were as blue as ever, bluer at this instant by proximity to the sea. His foot had forced him to delay the voyage, and now it kept him anchored in his suite while the other first-class passengers, his wife among them, did what he would have loved to do, which was to explore the ship’s more exotic precincts. The man loved the opulence of the ship, just as he loved Pullman Palace cars and giant fireplaces, but his foot problem tempered his enjoyment.
Erik Larson (The Devil in the White City)
Strange memories on this nervous night in Las Vegas. Five years later? Six? It seems like a lifetime, or at least a Main Era—the kind of peak that never comes again. San Francisco in the middle sixties was a very special time and place to be a part of. Maybe it meant something. Maybe not, in the long run… but no explanation, no mix of words or music or memories can touch that sense of knowing that you were there and alive in that corner of time and the world. Whatever it meant.… History is hard to know, because of all the hired bullshit, but even without being sure of "history" it seems entirely reasonable to think that every now and then the energy of a whole generation comes to a head in a long fine flash, for reasons that nobody really understands at the time—and which never explain, in retrospect, what actually happened. My central memory of that time seems to hang on one or five or maybe forty nights—or very early mornings—when I left the Fillmore half-crazy and, instead of going home, aimed the big 650 Lightning across the Bay Bridge at a hundred miles an hour wearing L. L. Bean shorts and a Butte sheepherder's jacket… booming through the Treasure Island tunnel at the lights of Oakland and Berkeley and Richmond, not quite sure which turn-off to take when I got to the other end (always stalling at the toll-gate, too twisted to find neutral while I fumbled for change)... but being absolutely certain that no matter which way I went I would come to a place where people were just as high and wild as I was: No doubt at all about that… There was madness in any direction, at any hour. If not across the Bay, then up the Golden Gate or down 101 to Los Altos or La Honda.… You could strike sparks anywhere. There was a fantastic universal sense that whatever we were doing was right, that we were winning.… And that, I think, was the handle—that sense of inevitable victory over the forces of Old and Evil. Not in any mean or military sense; we didn't need that. Our energy would simply prevail. There was no point in fighting—on our side or theirs. We had all the momentum; we were riding the crest of a high and beautiful wave.… So now, less than five years later, you can go up on a steep hill in Las Vegas and look West, and with the right kind of eyes you can almost see the high-water mark—that place where the wave finally broke and rolled back.
Hunter S. Thompson (Fear and Loathing in Las Vegas)
But in my grandmother’s generation, this changed. In the sixties, men and women began to divorce, and women who’d grown up with the expectation that they’d have partners to help them raise their children found themselves with none. They worked like men then, and raised their children the best they could, while their former husbands had relationships with other women and married them and then left them also, perhaps searching for a sense of freedom or a sense of power that being a Black man in the South denied them. If they were not called “sir” in public, at least they could be respected and feared and wanted by the women and children who loved them. They were devalued everywhere except in the home, and this is the place where they turned the paradigm on its head and devalued those in their thrall.
Jesmyn Ward (Men We Reaped: A Memoir)
When Congress approved the decision to retire the SR-71, the Smithsonian Institution requested that a Blackbird be delivered for eventual display in the Air and Space Museum in Washington and that we set a new transcontinental speed record delivering it from California to Dulles. I had the honor of piloting that final flight on March 6, 1990, for its final 2,300-mile flight between L.A. and D.C. I took off with my backseat navigator, Lt. Col. Joe Vida, at 4:30 in the morning from Palmdale, just outside L.A., and despite the early hour, a huge crowd cheered us off. We hit a tanker over the Pacific then turned and dashed east, accelerating to 2.6 Mach and about sixty thousand feet. Below stretched hundreds of miles of California coastline in the early morning light. In the east and above, the hint of a red sunrise and the bright twinkling lights from Venus, Mars, and Saturn. A moment later we were directly over central California, with the Blackbird’s continual sonic boom serving as an early wake-up call to the millions sleeping below on this special day. I pushed out to Mach 3.3.
Ben R. Rich (Skunk Works: A Personal Memoir of My Years of Lockheed)
Sometimes the bad guys win and what does one do when the world one believes in turns out to be a paper moon and a dark planet rises and says, No, I am the world. How does one live amongst one’s fellow countrymen and countrywomen when you don’t know which of them is numbered amongst the sixty-million-plus who brought the horror to power, when you can’t tell who should be counted among the ninety-million-plus who shrugged and stayed home, or when your fellow Americans tell you that knowing things is elitist and they hate elites, and all you have ever had is your mind and you were brought up to believe in the loveliness of knowledge, not that knowledge-is-power nonsense but knowledge is beauty, and then all of that, education, art, music, film, becomes a reason for being loathed, and the creature out of Spiritus Mundi rises up and slouches toward Washington, D.C., to be born.
Salman Rushdie (The Golden House)
You might not believe you have anything in common with this fruit, but you do. DNA. Up to sixty percent. Now turn and look at the person next to you. Does she look familiar? She may or may not. Still, you and she share even more: ninety-nine point nine percent of your DNA—as you each do with every other human on earth.” She set the tomato down and held up a photograph of Rosa Parks. “That’s why I stand with our leaders of the civil rights movement, including the very brave Rosa Parks. Discrimination based on skin color is not only scientifically ludicrous, it’s also a sign of profound ignorance.
Bonnie Garmus (Lessons in Chemistry)
That’s not even the best part!” “There’s a ‘best part’?” the Crown Prince said, face caught between a wince and a smile. Chaol glared at her before speaking. “There’s no hope of escaping from Endovier. Your father made sure that each of Endovier’s sentries could shoot a squirrel from two hundred paces away. To attempt to flee is suicide.” “But you’re alive,” the prince said to her. Celaena’s smile faded as the memory struck her. “Yes.” “What happened?” Dorian asked. Her eyes turned cold and hard. “I snapped.” “That’s all you have to offer as an explanation for what you did?” Captain Westfall demanded. “She killed her overseer and twenty-three sentries before they caught her. She was a finger’s tip from the wall before the guards knocked her unconscious.” “So?” Dorian said. Celaena seethed. “So? Do you know how far the wall is from the mines?” He gave her a blank look. She closed her eyes and sighed dramatically. “From my shaft, it was three hundred sixty-three feet. I had someone measure.” “So?” Dorian repeated. “Captain Westfall, how far do slaves make it from the mines when they try to escape?” “Three feet,” he muttered. “Endovier sentries usually shoot a man down before he’s moved three feet.
Sarah J. Maas
We know of ESB's potential for mind control largely through the work of Jose Delgado. One signal provoked a cat to lick its fur, then continue compulsively licking the floor and bars of its cage. A signal designed to stimulate a portion of a monkey's thalamus, a major midbrain center for integrating muscle movements, triggered a complex action: The monkey walked to one side of the cage, then the other, then climbed to the rear ceiling, then back down. The animal performed this same activity as many times as it was stimulated with the signal, up to sixty times an hour, but not blindly— the creature still was able to avoid obstacles and threats from the dominant male while carrying out the electrical imperative. Another type of signal has made monkeys turn their heads, or smile, no matter what else they were doing, up to twenty thousand times in two weeks. As Delgado concluded, "The animals looked like electronic toys." 
Even instincts and emotions can be changed: In one test a mother giving continuous care to her baby suddenly pushed the infant away whenever the signal was given. Approach-avoidance conditioning can be achieved for any action simply by stimulating the pleasure and pain centers in an animal's or person's limbic system. 
Eventual monitoring of evoked potentials from the EEG, combined with radio-frequency and microwave broadcasts designed to produce specific thoughts or moods, such as compliance and complacency, promises a method of mind control that poses immense danger to all societies —tyranny without terror.
Robert O. Becker (The Body Electric: Electromagnetism and the Foundation of Life)
Despite his new fame and fortune, he still fancied himself a child of the counterculture. On a visit to a Stanford class, he took off his Wilkes Bashford blazer and his shoes, perched on top of a table, and crossed his legs into a lotus position. The students asked questions, such as when Apple’s stock price would rise, which Jobs brushed off. Instead he spoke of his passion for future products, such as someday making a computer as small as a book. When the business questions tapered off, Jobs turned the tables on the well-groomed students. “How many of you are virgins?” he asked. There were nervous giggles. “How many of you have taken LSD?” More nervous laughter, and only one or two hands went up. Later Jobs would complain about the new generation of kids, who seemed to him more materialistic and careerist than his own. “When I went to school, it was right after the sixties and before this general wave of practical purposefulness had set in,” he said. “Now students aren’t even thinking in idealistic terms, or at least nowhere near as much.” His generation, he said, was different. “The idealistic wind of the sixties is still at our backs, though, and most of the people I know who are my age have that ingrained in them forever.
Walter Isaacson (Steve Jobs)
So where—?" asked Robin. "I'm taking you to the Ritz for champagne," said Strike. "Are you serious?" "Yeah. It's why I'm wearing you a suit." For a moment Robin simply looked at him, then she reached up and hugged him tightly. Surrounded by banked flowers, both remembered the hug they'd shared at the top of the stairs on her wedding day, but this time, Robin turned her face and kissed Strike deliberately on the cheek, lips to stubble. "Thanks, Strike. This really means a lot." And that, thought her partner, as the two of them headed away toward the Ritz in the golden glow of the early evening, really was well worth sixty quid and a bit of an effort . . . Out of his subconscious rose the names Mazankov and Krupov, and it was a second or two before he remembered where he'd heard them, why they sounded Cornish, and why he thought of them now. The corners of his mouth twitched, but as Robin didn't see him smiling, he felt no compulsion to explain.
Robert Galbraith (Troubled Blood (Cormoran Strike, #5))
In 2012, I turned fifty-six. Hugh and his longtime girlfriend took me out to dinner. On the way home I remembered a bit of old folklore—probably you’ve heard it—about how to boil a frog. You put it in cold water, then start turning up the heat. If you do it gradually, the frog is too stupid to jump out. I don’t know if it’s true or not, but I decided it was an excellent metaphor for growing old. When I was a teenager, I looked at over-fifties with pity and unease: they walked too slow, they talked too slow, they watched TV instead of going out to movies and concerts, their idea of a great party was hotpot with the neighbors and tucked into bed after the eleven o’clock news. But—like most other fifty-, sixty-, and seventysomethings who are in relative good health—I didn’t mind it so much when my turn came. Because the brain doesn’t age, although its ideas about the world may harden and there’s a greater tendency to run off at the mouth about how things were in the good old days. (I was spared that, at least, because most of my so-called good old days had been spent as a full-bore, straight-on-for-Texas drug addict.) I think for most people, life’s deceptive deliriums begin to fall away after fifty. The days speed up, the aches multiply, and your gait slows down, but there are compensations. In calmness comes appreciation, and—in my case—a determination to be as much of a do-right-daddy as possible in the time I had left. That meant ladling out soup once a week at a homeless shelter in Boulder, and working for three or four political candidates with the radical idea that Colorado should not be paved over.
Stephen King (Revival)
There are children on the island who go barefoot all summer and wear feathers in their hair, the Volkswagen vans in which their parents arrived in the ’70s turning to rust in the forest. Every year there are approximately two hundred days of rain. There’s a village of sorts by the ferry terminal: a general store with one gas pump, a health-food store, a real-estate office, an elementary school with sixty students, a community hall with two massive carved mermaids holding hands to form an archway over the front door and a tiny library attached. The rest of the island is mostly rock and forest, narrow roads with dirt driveways disappearing into the trees.
Emily St. John Mandel (Station Eleven)
There’s an old saying,” retired NYPD cop turned author Steve Osborne once told me, “that in police work, a cop ` s mouth is his greatest weapon. To go into a chaotic situation where everybody is yelling and screaming, sometimes there ` s alcohol, there ` s drugs involved—to be able to talk everybody down. When you see a real experienced cop do that, it’s a magical thing.” But as true as that is, the fact is that most cops are going to encounter these scenarios with little more training than I did—and I talk for a living! The typical cadet training involves sixty hours on how to use a gun and fifty-one hours on defensive tactics, but just eight hours on how to calm situations without force.
Christopher L. Hayes (A Colony in a Nation)
Figure it out, Luna. I don’t wanna be sixty when you decide.” I pressed my lips together. Don’t do it, Luna. Everything is not fine and dandy. Don’t do it. Don’t— Let it go. Let it— I didn’t. “So I have… two years… before then?” I whispered, grimacing at the joke that I shouldn’t have made so that we could focus on the serious topic of our conversation. So I could hold on to the distance I was supposed to put between us because he was my boss. What I got was silence. Freaking silence. The sigh that came out of him reminded me of what I figured a hot air balloon would sound like if it deflated. “I should’ve fired you the other day.” I sucked in a breath, and my entire upper body turned to him. He was smirking. He thought he was being funny. He was… joking. These mocking, laughing eyes I had never seen before slid over to me, and the second they spotted my expression, they changed. My name came out a grumble. “I was playing.” Sure, he’d been. His mouth went so tight, it was edged in white. “I was messing with you,” he insisted, seriously. He was messing with me. Those long fingers flexed again. “You that mad at me?” he asked. “I’m not mad at you.” “Upset with me?” I didn’t look at him as I said, “No.” I wasn’t. I wasn’t. “I just…” What could I say? “You don’t ever joke around with me. I’m just surprised.” I started to crack my knuckles but stopped. “Okay, maybe I am a little upset with you, but I’m almost over it.” Out of the corner of my eye, I watched him glance at me again, and I could barely hear his voice when he spoke again. “I joke around outside of work,” he said softly. I wasn’t going to overthink it. Did that come out defensively, or was it my imagination? “That’s good.” I was such a sucker. I really was.
Mariana Zapata (Luna and the Lie)
Though widely used in the 1892 Columbus Day ceremonies, Bellamy’s pledge did not officially become the pledge until after the Second World War. Indeed, at the turn of the century, a number of different pledges competed for the loyalty of American schoolchildren. In New York State, schools that held flag ceremonies had a choice of five pledges, none of which made any reference to a deity. In San Francisco, the sixty different public schools followed their own preferences, resulting in a considerable range of pledges. Only after the First World War was there any real effort to select a single pledge for the entire nation, a movement that peaked with a pair of National Flag Conferences in 1923 and 1924.
Kevin M. Kruse (One Nation Under God: How Corporate America Invented Christian America)
If you can keep your head when all about you Are losing theirs and blaming it on you; If you can trust yourself when all men doubt you, But make allowance for their doubting, too; If you can dream—and not make dreams your master; If you can think—and not make thoughts your aim, If you can meet with Triumph and Disaster And treat those two impostors just the same; … If you can force your heart and nerve and sinew To serve your turn long after they are gone; And so hold on when there is nothing in you Except the Will which says to them “hold on!” If you can fill the unforgiving minute With sixty seconds’ worth of distance run, Yours is the Earth and everything that’s in it, And—which is more—you’ll be a Man, my son! Wow! Kipling would have been a hell of a coach.
Bob Knight (The Power of Negative Thinking: An Unconventional Approach to Achieving Positive Results)
Imagine going to a sporting event with sixty thousand seats around the stadium. You arrive early with your grandmother, and the two of you take the first seats. Next to your grandmother sits her grandmother, your great-great-grandmother. Next to her is your great-great-great-great-grandmother. The stadium fills with the ghosts of preceding grandmothers. An hour later the seat next to you is occupied by the last to sit down, the ancestor of you all. She nudges your elbow, and you turn to find a strange nonhuman face. Beneath a low forehead and big brow-ridge, bright dark eyes surmount a massive jaw. Her long, muscular arms and short legs intimate her gymnastic climbing ability. She is your ancestor and an australopithecine, hardly a companion your grandmother can be expected to enjoy.
Richard W. Wrangham (Catching Fire: How Cooking Made Us Human)
Sergeant Pepper was dead. G.I. Joe lived on. George Bush was president, movies stars were dying from AIDS, kids were smoking crack in the ghettos and the suburbs, Muslims were blowing airliners from the skies, rap music ruled, and nobody cared much about the Movement anymore. It was a dry and dusty thing, like the air in the graves of Hendrix, Joplin, and God. She was letting her thoughts take her into treacherous territory, and the thoughts threatened her smiley face. She stopped thinking about the dead heroes, the burning breed who made the bombs full of roofing nails and planted them in corporate boardrooms and National Guard Armories. She stopped thinking before the awful sadness crushed her. The sixties were dead. The survivors limped on, growing suits and neckties and potbellies, going bald and telling their children not to listen to that satanic heavy metal. The clock of the Age of Aquarius had turned, hippies and yippies had become preppies and yuppies. The Chicago Seven were old men. The Black Panthers had turned gray. The Grateful Dead were on MTV, and the Airplane had become a Top-40 Starship. Mary Terror closed her eyes, and thought she heard the noise of wind whistling through the ruins.
Robert McCammon (Mine)
How long to see results?” Diomedes asked. “I can’t answer that,” I said. “You know that as well as I do. It takes as long as it takes. Six months. A year. Probably longer—it could be years.” “You have six weeks.” Stephanie drew herself up and crossed her arms. “I am the manager of this unit, and I simply cannot allow—” “I am clinical director of the Grove. This is my decision, not yours. I take full responsibility for any injuries incurred upon our long-suffering therapist here,” Diomedes said, winking at me. Stephanie didn’t say anything further. She glared at Diomedes, then at me. She turned and walked out. “Oh, dear,” Diomedes said. “You appear to have made an enemy of Stephanie. How unfortunate.” He shared a smile with Indira, then gave me a serious look. “Six weeks. Under my supervision. Understand?” I agreed—I had no choice but to agree. “Six weeks.” “Good.” Christian stood up, visibly annoyed. “Alicia won’t talk in six weeks, or sixty years. You’re wasting your time.” He walked out. I wondered why Christian was so positive I would fail. But it made me even more determined to succeed. CHAPTER SIX I ARRIVED HOME, FEELING EXHAUSTED. Force of habit made me flick on the light in the hallway, even though the bulb had gone.
Alex Michaelides (The Silent Patient)
Will suddenly remembered that a boy at his old school had had a mum like Fiona - not exactly like her, because it seemed to Will that Fiona was a peculiarly contemporary creation, with her seventies albums, her eighties politics and her nineties foot lotion, but certainly a sixties equivalent of Fiona. Stephen Fullick's mother had a thing about TV, that it turned people into androids, so they didn't have a set in the house. 'Did you see Thund...' Will would say every Monday morning and then remember and blush, as if the TV were a parent who had just died. And what good had that done Stephen Fullick? He was not, as far as Will was aware, a visionary poet, or a primitive painter; he was probably stuck in some provincial solicitor's office, like everyone else from school. He had endured years of pity for no discernible purpose.
Nick Hornby (About a Boy)
She sniffs and shakes off her tears, then turns to me with an eager look. “So what’s the deal with him? How did you meet? You just tricked me to the worst snot-fest in the history of me. I demand this as repayment.” She has a point. I fiddle with my phone. “It started out as a wrong number, actually. Like you know those Buzzfeed articles where people text the wrong number while going into labor and then these randos show up with diapers and baby formula and they become besties?” “No, but I’ll take your word that it happened.” “Yeah, so, it’s kind of like that. He just texted the wrong number—I think he was looking for my dad because I inherited his phone. But then we just…I don’t know, we just kept talking and—” “So you legit don’t know him,” she interrupts. “I do know him.” “Have you talked, though?” I hold up my brick phone. “How do you think we’re communicating? Smoke signals?” She waves away my sarcasm. “No, I mean actually talked. Like,” she holds her hand up like a phone, “here’s my number, call me maybe talked.” I squirm. “Not exactly.” Sage rolls her eyes. “Elle! He could be a sixty-year-old with a collection of American Girl Dolls in his basement for all you know.” “He isn’t!” I cry. “He’s our age. And besides, I like texting him. It feels more, I don’t know, You’ve Got Mail-y.
Ashley Poston (Geekerella (Once Upon a Con, #1))
The formula was the same formula we see in every election: Republicans demonize government, sixties-style activism, and foreigners. Democrats demonize corporations, greed, and the right-wing rabble. Both candidates were selling the public a storyline that had nothing to do with the truth. Gas prices were going up for reasons completely unconnected to the causes these candidates were talking about. What really happened was that Wall Street had opened a new table in its casino. The new gaming table was called commodity index investing. And when it became the hottest new game in town, America suddenly got a very painful lesson in the glorious possibilities of taxation without representation. Wall Street turned gas prices into a gaming table, and when they hit a hot streak we ended up making exorbitant involuntary payments for a commodity that one simply cannot live without. Wall Street gambled, you paid the big number, and what they ended up doing with some of that money you lost is the most amazing thing of all. They got America—you, me, Priscilla Carillo, Robert Lukens—to pawn itself to pay for the gas they forced us to buy in the first place. Pawn its bridges, highways, and airports. Literally sell our sovereign territory. It was a scam of almost breathtaking beauty, if you’re inclined to appreciate that sort of thing.
Matt Taibbi (Griftopia: Bubble Machines, Vampire Squids, and the Long Con That Is Breaking America)
The bow of the Carpathians as they curve around northwestward begins to define the northern border of Czechoslovakia. Long before it can complete that service the bow bends down toward the Austrian Alps, but a border region of mountainous uplift, the Sudetes, continues across Czechoslovakia. Some sixty miles beyond Prague it turns southwest to form a low range between Czechoslovakia and Germany that is called, in German, the Erzgebirge: the Ore Mountains. The Erzgebirge began to be mined for iron in medieval days. In 1516 a rich silver lode was discovered in Joachimsthal (St. Joachim’s dale), in the territory of the Count von Schlick, who immediately appropriated the mine. In 1519 coins were first struck from its silver at his command. Joachimsthaler, the name for the new coins, shortened to thaler, became “dollar” in English before 1600. Thereby the U.S. dollar descends from the silver of Joachimsthal.
Richard Rhodes (The Making of the Atomic Bomb: 25th Anniversary Edition)
Flocks of magpies have descended on our yard. I cannot sleep for all their raucous behavior. Perched on weathered fences, their green-black tales, long as rulers, wave up and down, reprimanding me for all I have not done. I have done nothing for weeks. I have no work. I don't want to see anyone much less talk. All I want to do is sleep. Monday, I hit rock-bottom, different from bedrock, which is solid, expansive, full of light and originality. Rock-bottom is the bottom of the rock, the underbelly that rarely gets turned over; but when it does, I am the spider that scurries from daylight to find another place to hide. Today I feel stronger, learning to live with the natural cycles of a day and to not expect so much from myself. As women, we hold the moon in our bellies. It is too much to ask to operate on full-moon energy three hundred and sixty-five days a year. I am in a crescent phase. And the energy we expend emotionally belongs to the hidden side of the moon....
Terry Tempest Williams (Refuge: An Unnatural History of Family and Place)
I always liked your piety, Jack.” “I’m a lot cuter than the women of your generation,” Betsy said, playing up to Capers and Mike. “Wrong, junior Leaguer.” I could feel myself turning mean. The cognac was doing its work and I felt the thrilling disquiet that had come into the room. I took Betsy’s measure, and went for her throat. “The women of my generation were the smartest, sexiest, most fascinating women ever to grow up in America. They started the women’s liberation movement, took to the streets in the sixties to stop the unbearably stupid Vietnam War. They fought their asses off for equal rights in the workplace, went to law school, became doctors, fought the corporate fight, and managed to raise children in a much nicer way than our mothers did.” “Chill out, Jack,” Mike said. “Betsy’s a kid.” “She’s a dimwit,” I said. I turned to Betsy. “The women of my generation make men like me and Mike and your chicken-hearted husband look puny and uninteresting by comparison. Don’t talk about those women, Betsy, unless you’re on your fucking knees genuflecting out of admiration
Pat Conroy (Beach Music)
A lot of her songs were to do with Blake, which did not escape Mark’s attention. She told Mark that writing songs about him was cathartic and that ‘Back to Black’ summed up what had happened when their relationship had ended: Blake had gone back to his ex and Amy to black, or drinking and hard times. It was some of her most inspired writing because, for better or worse, she’d lived it. Mark and Amy inspired each other musically, each bringing out fresh ideas in the other. One day they decided to take a quick stroll around the neighbourhood because Amy wanted to buy Alex Clare a present. On the way back Amy began telling Mark about being with Blake, then not being with Blake and being with Alex instead. She told him about the time at my house after she’d been in hospital when everyone had been going on at her about her drinking. ‘You know they tried to make me go to rehab, and I told them, no, no, no.’ ‘That’s quite gimmicky,’ Mark replied. ‘It sounds hooky. You should go back to the studio and we should turn that into a song.’ Of course, Amy had written that line in one of her books ages ago. She’d told me before she was planning to write a song about what had happened that day, but that was the moment ‘Rehab’ came to life. Amy had also been working on a tune for the ‘hook’, but when she played it to Mark later that day it started out as a slow blues shuffle – it was like a twelve-bar blues progression. Mark suggested that she should think about doing a sixties girl-group sound, as she liked them so much. He also thought it would be fun to put in the Beatles-style E minor and A minor chords, which would give it a jangly feel. Amy was unaccustomed to this style – most of the songs she was writing were based around jazz chords – but it worked and that day she wrote ‘Rehab’ in just three hours. If you had sat Amy down with a pen and paper every day, she wouldn’t have written a song. But every now and then, something or someone turned the light on in her head and she wrote something brilliant. During that time it happened over and over again. The sessions in the studio became very intense and tiring, especially for Mark, who would sometimes work a double shift and then fall asleep. He would wake up with his head in Amy’s lap and she would be stroking his hair, as if he was a four-year-old. Mark was a few years older than Amy, but he told me he found her very motherly and kind.
Mitch Winehouse
Some centuries ago they had Raphael and Michael Angelo; now we have Mr. Paul Delaroche, and all because we are progressing. You brag of your Opera houses; ten Opera houses the size of yours could dance a saraband in a Roman amphitheatre. Even Mr. Martin, with his lame tiger and his poor gouty lion, as drowsy as a subscriber to the Gazette, cuts a pretty small figure by the side of a gladiator from antiquity. What are your benefit performances, lasting till two in the morning, compared with those games which lasted a hundred days, with those performances in which real ships fought real battles on a real sea; when thousands of men earnestly carved each other -- turn pale, O heroic Franconi! -- when, the sea having withdrawn, the desert appeared, with its raging tigers and lions, fearful supernumeraries that played but once; when the leading part was played by some robust Dacian or Pannonian athlete, whom it would often have been might difficult to recall at the close of the performance, whose leading lady was some splendid and hungry lioness of Numidia starved for three days? Do you not consider the clown elephant superior to Mlle. Georges? Do you believe Taglioni dances better than did Arbuscula, and Perrot better than Bathyllus? Admirable as is Bocage, I am convinced Roscius could have given him points. Galeria Coppiola played young girls' parts, when over one hundred years old; it is true that the oldest of our leading ladies is scarcely more than sixty, and that Mlle. Mars has not even progressed in that direction. The ancients had three or four thousand gods in whom they believed, and we have but one, in whom we scarcely believe. That is a strange sort of progress. Is not Jupiter worth a good deal more than Don Juan, and is he not a much greater seducer? By my faith, I know not what we have invented, or even wherein we have improved.
Théophile Gautier (Mademoiselle de Maupin)
Growing up where she did, Beatrix had developed a romantic and adventurous nature, and she had no outlet for it any more. The happiest times I can remember spending with them were when we drove out - twice, I think - to the Long Mynd for a picnic. Roger had long since traded in his motorbike and scraped together enough money to buy a second-hand Morris Minor. Somehow we all squeezed into this (I seem to recall sitting in the front passenger seat, Beatrix sitting behind me with the baby on her lap) and drove out for the afternoon to those wonderful Shropshire hills. I wonder if you have ever walked on them yourself, Imogen. They are part of your story, you know. So many things have changed, changed beyond recognition, in the almost sixty years since the time I'm now recalling, but the Long Mynd is not one of them. In the last few months I have been too ill to walk there, but I did manage to visit in the last spring, to offer what I already sensed would be my final farewells. Places like this are important to me - to all of us - because they exist outside the normal timespan. You can stand on the backbone of the Long Mynd and not know if you are in the 1940s, the 2000s, the tenth or eleventh century... It is all immaterial, all irrelevant. The gorse and the purple heather are unchanging, and so are the sheeptracks which cut through them and criss-cross them, the twisted rocky outcrops which surprise you at every turn, the warm browns of the bracken, the distant greys of the conifer plantations, tucked far away down in secretive valleys. You cannot put a price on the sense of freedom and timelessness that is granted to you there, as you stand on the high ridge beneath a flawless sky of April blue and look across at the tame beauties of the English countryside, to the east, and to the west a hint of something stranger - the beginnings of the Welsh mountains
Jonathan Coe (The Rain Before it Falls)
Married to a naval commander who happened to be Benjamin Franklin’s great-great-grandson, Wainwright prayed to the graven image of Lafayette, since neither the president nor Congress seemed to be listening. “We, the women of the United States,” she told the bronze Lafayette, “denied the liberty which you helped to gain, and for which we have asked in vain for sixty years, turn to you to plead for us. Speak, Lafayette, dead these hundred years but still living in the hearts of the American people.” She beseeched the inanimate Frenchman, “Let that outstretched hand of yours pointing to the White House recall to him”—President Wilson—“his words and promises, his trumpet call for all of us, to see that the world is made safe for democracy. As our army now in France spoke to you there, saying here we are to help your country fight for liberty, will you not speak here and now for us, a little band with no army, no power but justice and right, no strength but in our Constitution and in the Declaration of Independence; and win a great victory again in this country by giving us the opportunity we ask—to be heard through the Susan B. Anthony amendment.” She then echoed the words uttered by the American officer in Paris on July 4, 1917. “Lafayette,” she said, “we are here!
Sarah Vowell (Lafayette in the Somewhat United States)
The last man crossed the deck: the clinking ship’s company was dismissed, and Jack said to the signal-midshipman, ‘To Dryad: Captain repair aboard at once.’ He then turned to Rowan and said, ‘You may part company as soon as I hear from Captain Babbington whether the transports are in Cephalonia or not; then you will not lose a moment of this beautiful leading breeze. Here he is. Captain Babbington, good day to you. Are the transports in Cephalonia? Is all well?’ ‘Yes, sir.’ ‘Mr Rowan, report to the Commander-in-Chief, with my duty, that the transports are in Cephalonia, and that all is well. You need not mention the fact that you saw one of the squadron crammed with women from head to stern; you need not report this open and I may say shameless violation of the Articles of War, for that disagreeable task falls to your superiors; nor need you make any observations about floating brothels or the relaxation of discipline in the warmer eastern waters, for these observations will naturally occur to the Commander-in-Chief without your help. Now pray go aboard our prize and proceed to Malta without the loss of a minute: not all of us can spare the time to dally with the sex.’ ‘Oh sir,’ cried Babbington, as Rowan darted over the side, ‘I really must be allowed to protest – to deny – ’ ‘You will not deny that they are women, surely? I can tell the difference between Adam and Eve as quick as the next man, even if you cannot; just as I can tell the difference between an active zealous officer and a lubber that lies in port indulging his whims. It is of no use trying to impose upon me.’ ‘No, sir. But these are all respectable women.’ ‘Then why are they leering over the side like that, and making gestures?’ ‘It is only their way, sir. They are all Lesbians – ’ ‘And no doubt they are all parsons’ daughters, your cousins in the third degree, like that wench in Ceylon.’ ‘– and Lesbians always join their hands like that, to show respect.’ ‘You are becoming an authority on the motions of Greek women, it appears.’ ‘Oh sir,’ cried Babbington, his voice growing shriller still. ‘I know you do not like women aboard – ’ ‘I believe I have had occasion to mention it to you some fifty or sixty times in the last ten years.’ ‘But if you will allow me to explain – ’ ‘It would be interesting to hear how the presence of thirty-seven, no, thirty-eight young women in one of His Majesty’s sloops can be explained; but since I like some decency to be preserved on my quarterdeck, perhaps the explanation had better take place in the cabin.’ And in the cabin he said, ‘Upon my word, William, this is coming it pretty high. Thirty-eight wenches at a time is coming it pretty high.
Patrick O'Brian (The Ionian Mission (Aubrey/Maturin, #8))
Darwin’s Bestiary PROLOGUE Animals tame and animals feral prowled the Dark Ages in search of a moral: the canine was Loyal, the lion was Virile, rabbits were Potent and gryphons were Sterile. Sloth, Envy, Gluttony, Pride—every peril was fleshed into something phantasmic and rural, while Courage, Devotion, Thrift—every bright laurel crowned a creature in some mythological mural. Scientists think there is something immoral in singular brutes having meat that is plural: beasts are mere beasts, just as flowers are floral. Yet between the lines there’s an implicit demurral; the habit stays with us, albeit it’s puerile: when Darwin saw squirrels, he saw more than Squirrel. 1. THE ANT The ant, Darwin reminded us, defies all simple-mindedness: Take nothing (says the ant) on faith, and never trust a simple truth. The PR men of bestiaries eulogized for centuries this busy little paragon, nature’s proletarian— but look here, Darwin said: some ants make slaves of smaller ants, and end exploiting in their peonages the sweating brows of their tiny drudges. Thus the ant speaks out of both sides of its mealy little mouth: its example is extolled to the workers of the world, but its habits also preach the virtues of the idle rich. 2. THE WORM Eyeless in Gaza, earless in Britain, lower than a rattlesnake’s belly-button, deaf as a judge and dumb as an audit: nobody gave the worm much credit till Darwin looked a little closer at this spaghetti-torsoed loser. Look, he said, a worm can feel and taste and touch and learn and smell; and ounce for ounce, they’re tough as wrestlers, and love can turn them into hustlers, and as to work, their labors are mythic, small devotees of the Protestant Ethic: they’ll go anywhere, to mountains or grassland, south to the rain forests, north to Iceland, fifty thousand to every acre guzzling earth like a drunk on liquor, churning the soil and making it fertile, earning the thanks of every mortal: proud Homo sapiens, with legs and arms— his whole existence depends on worms. So, History, no longer let the worm’s be an ignoble lot unwept, unhonored, and unsung. Moral: even a worm can turn. 3. THE RABBIT a. Except in distress, the rabbit is silent, but social as teacups: no hare is an island. (Moral: silence is golden—or anyway harmless; rabbits may run, but never for Congress.) b. When a rabbit gets miffed, he bounds in an orbit, kicking and scratching like—well, like a rabbit. (Moral: to thine own self be true—or as true as you can; a wolf in sheep’s clothing fleeces his skin.) c. He populates prairies and mountains and moors, but in Sweden the rabbit can’t live out of doors. (Moral: to know your own strength, take a tug at your shackles; to understand purity, ponder your freckles.) d. Survival developed these small furry tutors; the morals of rabbits outnumber their litters. (Conclusion: you needn’t be brainy, benign, or bizarre to be thought a great prophet. Endure. Just endure.) 4. THE GOSSAMER Sixty miles from land the gentle trades that silk the Yankee clippers to Cathay sift a million gossamers, like tides of fluff above the menace of the sea. These tiny spiders spin their bits of webbing and ride the air as schooners ride the ocean; the Beagle trapped a thousand in its rigging, small aeronauts on some elusive mission. The Megatherium, done to extinction by its own bigness, makes a counterpoint to gossamers, who breathe us this small lesson: for survival, it’s the little things that count.
Philip Appleman
I can’t get two words out of her, and here you are, turning down what she’s offering for free,” he lamented flatly. “What did you do, anyway? Save her cat?” “No. That was Jess,” Duane mumbled. That made me laugh. “Jess was eight, Duane. Eight. All I did was climb a tree and get her cat.” And she’s yours now in any case. “That’s right!” Hank snapped his fingers then pointed at Duane. “I forgot about that. Didn’t Jess have a thing for Beau before you two hooked up?” “We didn’t hookup, Hank,” Duane bit back. Hank lifted a hand, palm out, as though he surrendered. “Fine. Before you twopledged your troth. Is that better?” Duane grumbled something I didn’t catch, then shrugged. “Yeah. So what? The past is in the past.” My brother glowered at me as he said this. “Oh good Lord, Duane. What was I supposed to do? Not get the damn cat? You didn’t even like her then. You used to call her freckles, remember that?” “I still call her freckles.” “No you don’t, you call her princess,” I said, not about to lose an opportunity to correct my brother about his recent domestication, mostly because I was envious of it. Hank pointed at me with his beer. “So, let me get this straight. You saved Jess’s cat when she was eight, and she had a thing for you after that?” Before I could decide how to answer, he turned to Duane. “And you’re okay with that?” “Hank, let me tell you something.” Duane’s voice took on an instructional air that cracked me up, likely because it sounded like an imitation of our brother Cletus. “If you’re looking to pledge your troth to a woman within sixty miles of Green Valley, you might as well assume she’s had a thing for my brother at some point in her life.” Duane tapped the neck of his beer against Hank’s. “Welcome to the club.” “I’m the founding member of the club, Duane.” Hank’s tone was dry and sour. “And what club would this be?” I tapped my bottle against both of theirs just to be obnoxious. “The Beau gets all the girls club. 
Penny Reid (Beard in Mind (Winston Brothers, #4))
One could understand feminism generally as an attack on woman as she was under “patriarchy” (that concept is a social construction of feminism). The feminine mystique was her ideal; in regard to sex, it consisted of women’s modesty and in the double standard of sexual conduct that comes with it, which treated women’s misbehavior as more serious than men’s. Instead of trying to establish a single standard by bringing men up to the higher standard of women, as with earlier feminism, today’s feminism decided to demand that women be entitled to sink to the level of men. It bought into the sexual revolution of the late sixties and required that women be rewarded with the privileges of male conquest rather than, say, continue serving as camp followers of rock bands. The result has been the turn for the worse. ... What was there in feminine modesty that the feminists left behind? In return for women’s holding to a higher standard of sexual behavior, feminine modesty gave them protection while they considered whether they wanted to consent. It gave them time: Not so fast! Not the first date! I’m not ready for that! It gave them the pleasure of being courted along with the advantage of looking before you leap. To win over a woman, men had to strive to express their finer feelings, if they had any. Women could judge their character and choose accordingly. In sum, women had the right of choice, if I may borrow that slogan. All this and more was social construction, to be sure, but on the basis of the bent toward modesty that was held to be in the nature of women. That inclination, it was thought, cooperated with the aggressive drive in the nature of men that could be beneficially constructed into the male duty to take the initiative. There was no guarantee of perfection in this arrangement, but at least each sex would have a legitimate expectation of possible success in seeking marital happiness. They could live together, have children, and take care of them. Without feminine modesty, however, women must imitate men, and in matters of sex, the most predatory men, as we have seen. The consequence is the hook-up culture now prevalent on college campuses, and off-campus too (even more, it is said). The purpose of hooking up is to replace the human complexity of courtship with “good sex,” a kind of animal simplicity, eliminating all the preliminaries to sex as well as the aftermath. “Good sex,” by the way, is in good part a social construction of the alliance between feminists and male predators that we see today. It narrows and distorts the human potentiality for something nobler and more satisfying than the bare minimum. The hook-up culture denounced by conservatives is the very same rape culture denounced by feminists. Who wants it? Most college women do not; they ignore hookups and lament the loss of dating. Many men will not turn down the offer of an available woman, but what they really want is a girlfriend. The predatory males are a small minority among men who are the main beneficiaries of the feminist norm. It’s not the fault of men that women want to join them in excess rather than calm them down, for men too are victims of the rape culture. Nor is it the fault of women. Women are so far from wanting hook-ups that they must drink themselves into drunken consent — in order to overcome their natural modesty, one might suggest. Not having a sociable drink but getting blind drunk is today’s preliminary to sex. Beautifully romantic, isn’t it?
Harvey C. Mansfield
MT: But you are. You are justifying it. RG: I'm trying to show that there's meaning at precisely the point where the nihilistic temptation is strongest today. I'm saying: there's a Revelation, and people are free to do with it what they will. But it too will keep reemerging. It's stronger than them. And, as we have seen, it's even capable of putting mimetic phenomena to work on its behalf, since today everyone is competing to see who is the most “victimized.” Revelation is dangerous. It's the spiritual equivalent of nuclear power. What's most pathetic is the insipidly modernized brand of Christianity that bows down before everything that's most ephemeral in contemporary thought. Christians don't see that they have at their disposal an instrument that is incomparably superior to the whole mishmash of psychoanalysis and sociology that they conscientiously feed themselves. It's the old story of Esau sacrificing his inheritance for a plate of lentils. All the modes of thought that once served to demolish Christianity are being discredited in turn by more “radical” versions of the same critique. There's no need to refute modern thought because, as each new trend one-ups its predecessors, it's liquidating itself at high speed. The students are becoming more and more skeptical, but, and above all in America, the people in power, the department chairs, the “chairpersons,” as they say, are fervent believers. They're often former sixties' radicals who've made the transition to administrative jobs in academia, the media, and the church. For a long time, Christians were protected from this insane downward spiral, and, when they finally dive in, you can recognize them by their naïve modernist faith. They're always one lap behind. They always choose the ships that the rats are in the midst of abandoning. They're hoping to tap into the hordes of people who have deserted their churches. They don't understand that the last thing that can attract the masses is a Christian version of the demagogic laxity in which they're already immersed. Today, it's thought that playing the social game, whether on the individual or the group level, is more indispensable than thinking…it's thought that there are truths that shouldn't be spoken. In America, it's become impossible to be unapologetically Christian, white, or European without running the risk of being accused of “ethnocentrism.” To which I reply that the eulogists of “multiculturalism” place themselves, to the contrary, in the purest of Western traditions. The West is the only civilization ever to have directed such criticisms against itself. The capital of the Incas had a name that I believe meant “the navel of the world.
René Girard (When These Things Begin: Conversations with Michel Treguer (Studies in Violence, Mimesis & Culture))
Why do we despise, ostracize and punish the drug addict when as a social collective we share the same blindness and engage in the same rationalizations? To pose that question is to answer it. We despise, ostracize and punish the addict because we don’t wish to see how much we resemble him. In his dark mirror our own features are unmistakable. We shudder at the recognition. This mirror is not for us, we say to the addict. You are different, and you don’t belong with us. Like the hardcore addict’s pursuit of drugs, much of our economic and cultural life caters to people’s craving to escape mental and emotional distress. In an apt phrase, Lewis Lapham, long-time publisher of Harper’s Magazine, derides “consumer markets selling promises of instant relief from the pain of thought, loneliness, doubt, experience, envy, and old age.” According to a Statistics Canada study, 31 per cent of working adults aged nineteen to sixty-four consider themselves workaholics, who attach excessive importance to their work and are “overdedicated and perhaps overwhelmed by their jobs.” “They have trouble sleeping, are more likely to be stressed out and unhealthy, and feel they don’t spend enough time with their families,” reports the Globe and Mail. Work doesn’t necessarily give them greater satisfaction, suggested Vishwanath Baba, a professor of Human Resources and Management at McMaster University. “These people turn to work to occupy their time and energy” — as compensation for what is lacking in their lives, much as the drug addict employs substances. At the core of every addiction is an emptiness based in abject fear. The addict dreads and abhors the present moment; she bends feverishly only towards the next time, the moment when her brain, infused with her drug of choice, will briefly experience itself as liberated from the burden of the past and the fear of the future — the two elements that make the present intolerable. Many of us resemble the drug addict in our ineffectual efforts to fill in the spiritual black hole, the void at the centre, where we have lost touch with our souls, our spirit, with those sources of meaning and value that are not contingent or fleeting. Our consumerist, acquisition-, action- and image-mad culture only serves to deepen the hole, leaving us emptier than before. The constant, intrusive and meaningless mind-whirl that characterizes the way so many of us experience our silent moments is, itself, a form of addiction— and it serves the same purpose. “One of the main tasks of the mind is to fight or remove the emotional pain, which is one of the reasons for its incessant activity, but all it can ever achieve is to cover it up temporarily. In fact, the harder the mind struggles to get rid of the pain, the greater the pain.” So writes Eckhart Tolle. Even our 24/7 self-exposure to noise, emails, cell phones, TV, Internet chats, media outlets, music downloads, videogames and non-stop internal and external chatter cannot succeed in drowning out the fearful voices within.
Gabor Maté (In the Realm of Hungry Ghosts: Close Encounters with Addiction)
Except then a local high school journalism class decided to investigate the story. Not having attended Columbia Journalism School, the young scribes were unaware of the prohibition on committing journalism that reflects poorly on Third World immigrants. Thanks to the teenagers’ reporting, it was discovered that Reddy had become a multimillionaire by using H-1B visas to bring in slave labor from his native India. Dozens of Indian slaves were working in his buildings and at his restaurant. Apparently, some of those “brainy” high-tech workers America so desperately needs include busboys and janitors. And concubines. The pubescent girls Reddy brought in on H-1B visas were not his nieces: They were his concubines, purchased from their parents in India when they were twelve years old. The sixty-four-year-old Reddy flew the girls to America so he could have sex with them—often several of them at once. (We can only hope this is not why Mark Zuckerberg is so keen on H-1B visas.) The third roommate—the crying girl—had escaped the carbon monoxide poisoning only because she had been at Reddy’s house having sex with him, which, judging by the looks of him, might be worse than death. As soon as a translator other than Reddy was found, she admitted that “the primary purpose for her to enter the U.S. was to continue to have sex with Reddy.” The day her roommates arrived from India, she was forced to watch as the old, balding immigrant had sex with both underage girls at once.3 She also said her dead roommate had been pregnant with Reddy’s child. That could not be confirmed by the court because Reddy had already cremated the girl, in the Hindu tradition—even though her parents were Christian. In all, Reddy had brought seven underage girls to the United States for sex—smuggled in by his brother and sister-in-law, who lied to immigration authorities by posing as the girls’ parents.4 Reddy’s “high-tech” workers were just doing the slavery Americans won’t do. No really—we’ve tried getting American slaves! We’ve advertised for slaves at all the local high schools and didn’t get a single taker. We even posted flyers at the grade schools, asking for prepubescent girls to have sex with Reddy. Nothing. Not even on Craigslist. Reddy’s slaves and concubines were considered “untouchables” in India, treated as “subhuman”—“so low that they are not even considered part of Hinduism’s caste system,” as the Los Angeles Times explained. To put it in layman’s terms, in India they’re considered lower than a Kardashian. According to the Indian American magazine India Currents: “Modern slavery is on display every day in India: children forced to beg, young girls recruited into brothels, and men in debt bondage toiling away in agricultural fields.” More than half of the estimated 20.9 million slaves worldwide live in Asia.5 Thanks to American immigration policies, slavery is making a comeback in the United States! A San Francisco couple “active in the Indian community” bought a slave from a New Delhi recruiter to clean house for them, took away her passport when she arrived, and refused to let her call her family or leave their home.6 In New York, Indian immigrants Varsha and Mahender Sabhnani were convicted in 2006 of bringing in two Indonesian illegal aliens as slaves to be domestics in their Long Island, New York, home.7 In addition to helping reintroduce slavery to America, Reddy sends millions of dollars out of the country in order to build monuments to himself in India. “The more money Reddy made in the States,” the Los Angeles Times chirped, “the more good he seemed to do in his hometown.” That’s great for India, but what is America getting out of this model immigrant? Slavery: Check. Sickening caste system: Check. Purchasing twelve-year-old girls for sex: Check. Draining millions of dollars from the American economy: Check. Smuggling half-dead sex slaves out of his slums in rolled-up carpets right under the nose of the Berkeley police: Priceless.
Ann Coulter (¡Adios, America!: The Left's Plan to Turn Our Country into a Third World Hellhole)