Turning Quotes

We've searched our database for all the quotes and captions related to Turning. Here they are! All 200 of them:

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I find television very educating. Every time somebody turns on the set, I go into the other room and read a book.
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Groucho Marx
β€œ
Dumbledore watched her fly away, and as her silvery glow faded he turned back to Snape, and his eyes were full of tears. "After all this time?" "Always," said Snape.
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J.K. Rowling (Harry Potter and the Deathly Hallows (Harry Potter, #7))
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Have you fallen in love with the wrong person yet?' Jace said, "Unfortunately, Lady of the Haven, my one true love remains myself." ..."At least," she said, "you don't have to worry about rejection, Jace Wayland." "Not necessarily. I turn myself down occasionally, just to keep it interesting.
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Cassandra Clare (City of Bones (The Mortal Instruments, #1))
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I must not fear. Fear is the mind-killer. Fear is the little-death that brings total obliteration. I will face my fear. I will permit it to pass over me and through me. And when it has gone past I will turn the inner eye to see its path. Where the fear has gone there will be nothing. Only I will remain.
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Frank Patrick Herbert (Dune (Dune #1))
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If all else perished, and he remained, I should still continue to be; and if all else remained, and he were annihilated, the universe would turn to a mighty stranger.
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Emily BrontΓ« (Wuthering Heights)
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Turn your wounds into wisdom.
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Oprah Winfrey
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She is too fond of books, and it has turned her brain.
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Louisa May Alcott (Work: A Story of Experience)
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Angry, and half in love with her, and tremendously sorry, I turned away.
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F. Scott Fitzgerald (The Great Gatsby)
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I can feel Peeta press his forehead into my temple and he asks, 'So now that you've got me, what are you going to do with me?' I turn into him. 'Put you somewhere you can't get hurt.
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Suzanne Collins (The Hunger Games (The Hunger Games, #1))
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We are not necessarily doubting that God will do the best for us; we are wondering how painful the best will turn out to be.
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C.S. Lewis
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Start writing, no matter what. The water does not flow until the faucet is turned on.
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Louis L'Amour
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You smell good, too,” said Patch It’s called a shower.” I was staring straight ahead. When he didn’t answer, I turned sideways. β€œSoap. Shampoo. Hot water.” Naked. I know the drill.
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Becca Fitzpatrick (Hush, Hush (Hush, Hush, #1))
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Trees are poems the earth writes upon the sky, We fell them down and turn them into paper, That we may record our emptiness.
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Kahlil Gibran
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Once you have tasted flight, you will forever walk the earth with your eyes turned skyward, for there you have been, and there you will always long to return.
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Leonardo da Vinci
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Only once in your life, I truly believe, you find someone who can completely turn your world around. You tell them things that you’ve never shared with another soul and they absorb everything you say and actually want to hear more. You share hopes for the future, dreams that will never come true, goals that were never achieved and the many disappointments life has thrown at you. When something wonderful happens, you can’t wait to tell them about it, knowing they will share in your excitement. They are not embarrassed to cry with you when you are hurting or laugh with you when you make a fool of yourself. Never do they hurt your feelings or make you feel like you are not good enough, but rather they build you up and show you the things about yourself that make you special and even beautiful. There is never any pressure, jealousy or competition but only a quiet calmness when they are around. You can be yourself and not worry about what they will think of you because they love you for who you are. The things that seem insignificant to most people such as a note, song or walk become invaluable treasures kept safe in your heart to cherish forever. Memories of your childhood come back and are so clear and vivid it’s like being young again. Colours seem brighter and more brilliant. Laughter seems part of daily life where before it was infrequent or didn’t exist at all. A phone call or two during the day helps to get you through a long day’s work and always brings a smile to your face. In their presence, there’s no need for continuous conversation, but you find you’re quite content in just having them nearby. Things that never interested you before become fascinating because you know they are important to this person who is so special to you. You think of this person on every occasion and in everything you do. Simple things bring them to mind like a pale blue sky, gentle wind or even a storm cloud on the horizon. You open your heart knowing that there’s a chance it may be broken one day and in opening your heart, you experience a love and joy that you never dreamed possible. You find that being vulnerable is the only way to allow your heart to feel true pleasure that’s so real it scares you. You find strength in knowing you have a true friend and possibly a soul mate who will remain loyal to the end. Life seems completely different, exciting and worthwhile. Your only hope and security is in knowing that they are a part of your life.
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Bob Marley
β€œ
Knock, And He'll open the door Vanish, And He'll make you shine like the sun Fall, And He'll raise you to the heavens Become nothing, And He'll turn you into everything.
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Jalal ad-Din Muhammad ar-Rumi
β€œ
Biology gives you a brain. Life turns it into a mind.
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Jeffrey Eugenides (Middlesex)
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You know," Gabriel said, "there was a time I thought we could be friends, Will." "There was a time I thought I was a ferret," Will said, "but that turned out to be the opium haze. Did you know it had that effect? Because I didn't.
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Cassandra Clare (Clockwork Angel (The Infernal Devices, #1))
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Can I help you with something?" Clary turned instant traitor against her gender. "Those girls on the other side of the car are staring at you." Jace assumed an air of mellow gratification. "Of course they are," he said, "I am stunningly attractive.
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Cassandra Clare (City of Bones (The Mortal Instruments, #1))
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Happiness can be found, even in the darkest of times, if one only remembers to turn on the light.
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J.K. Rowling (Harry Potter and the Prisoner of Azkaban (Harry Potter, #3))
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I knew the second I met you that there was something about you I needed. Turns out it wasn’t something about you at all. It was just you.
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Jamie McGuire (Beautiful Disaster (Beautiful, #1))
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Then I realize what it is. It's him. Something about him makes me feel like I am about to fall. Or turn to liquid. Or burst into flames.
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Veronica Roth (Divergent (Divergent, #1))
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Atheism turns out to be too simple. If the whole universe has no meaning, we should never have found out that it has no meaning...
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C.S. Lewis
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What she was finding also was how one book led to another, doors kept opening wherever she turned and the days weren't long enough for the reading she wanted to do.
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Alan Bennett (The Uncommon Reader)
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This was another of our fears: that Life wouldn't turn out to be like Literature.
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Julian Barnes (The Sense of an Ending)
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No winter lasts forever; no spring skips its turn.
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Hal Borland
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Life is like a prism. What you see depends on how you turn the glass.
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Jonathan Kellerman
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All humans make mistakes. What determines a person's character aren't the mistakes we make. It's how we take those mistakes and turn them into lessons rather than excuses.
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Colleen Hoover (It Ends with Us (It Ends with Us, #1))
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I have accepted fear as part of life – specifically the fear of change... I have gone ahead despite the pounding in the heart that says: turn back....
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Erica Jong
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You guessed? You must have been pretty sure, considering you could have killed me." "I was ninety percent sure." "I see," Clary said. There must have been something in her voice, because he turned to look at her. Her hand cracked across his face, a slap that rocked him back on his heels. He put his hands on his cheek, more in surprise than pain. "What the hell was that for?" "The other ten percent.
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Cassandra Clare (City of Bones (The Mortal Instruments, #1))
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At some point, you have to stop running and turn around and face whoever wants you dead.The hard thing is finding the courage to do it.
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Suzanne Collins (Catching Fire (The Hunger Games, #2))
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Romance is the glamour which turns the dust of everyday life into a golden haze.
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Elinor Glyn
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Ok. You fuck me, then snub me. You love me, you hate me. You show me a sensitive side, then you turn into a total asshole. Is this a pretty accurate description of our relationship.
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Chuck Palahniuk (Fight Club)
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You can't just turn on creativity like a faucet. You have to be in the right mood. What mood is that? Last-minute panic.
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Bill Watterson
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And Lot's wife, of course, was told not to look back where all those people and their homes had been. But she did look back, and I love her for that, because it was so human. So she was turned into a pillar of salt. So it goes.
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Kurt Vonnegut Jr. (Slaughterhouse-Five)
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There are no wrong turnings. Only paths we had not known we were meant to walk.
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Guy Gavriel Kay (Tigana)
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Even when you have doubts, take that step. Take chances. Mistakes are never a failureβ€”they can be turned into wisdom.
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Cat Cora
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Hercules,huh? Percy frowned. "That guy was like the Starbucks of Ancient Greece. Everywhere you turn--there he is.
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Rick Riordan (The Mark of Athena (The Heroes of Olympus, #3))
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I do not understand how anyone can live without some small place of enchantment to turn to.
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Marjorie Kinnan Rawlings
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You can safely assume you've created God in your own image when it turns out that God hates all the same people you do.
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Anne Lamott
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In my younger and more vulnerable years my father gave me some advice that I've been turning over in my mind ever since. "Whenever you feel like criticizing any one," he told me, "just remember that all the people in this world haven't had the advantages that you've had.
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F. Scott Fitzgerald (The Great Gatsby)
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Wounds turn into scars and scars make you tough.
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Aisha Tyler
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In order to understand the world, one has to turn away from it on occasion." [The Minotaur]
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Albert Camus (The Myth of Sisyphus and Other Essays)
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But you can't get away from yourself. You can't decide not to see yourself anymore. You can't decide to turn off the noise in your head.
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Jay Asher (Thirteen Reasons Why)
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For what do we live, but to make sport for our neighbors, and laugh at them in our turn?
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Jane Austen (Pride and Prejudice)
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There’s no such thing as ruining your life. Life’s a pretty resilient thing, it turns out.
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Sophie Kinsella (The Undomestic Goddess)
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Have I told you how hideous you look tonight?” Cardan asks, leaning back in the elaborately carved chair, the warmth of his words turning the question into something like a compliment. β€œNo” I say, glad to be annoyed back into the present. β€œTell me.” "I can't.
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Holly Black (The Cruel Prince (The Folk of the Air, #1))
β€œ
When the day shall come that we do part," he said softly, and turned to look at me, "if my last words are not 'I love you'-ye'll ken it was because I didna have time.
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Diana Gabaldon
β€œ
I will hurt you for this. I don't know how yet, but give me time. A day will come when you think yourself safe and happy, and suddenly your joy will turn to ashes in your mouth, and you'll know the debt is paid.
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George R.R. Martin (A Clash of Kings (A Song of Ice and Fire, #2))
β€œ
Things are sweeter when they're lost. I know--because once I wanted something and got it. It was the only thing I ever wanted badly, Dot, and when I got it it turned to dust in my hand.
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F. Scott Fitzgerald (The Beautiful and Damned)
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Mad Hatter: β€œWhy is a raven like a writing-desk?” β€œHave you guessed the riddle yet?” the Hatter said, turning to Alice again. β€œNo, I give it up,” Alice replied: β€œWhat’s the answer?” β€œI haven’t the slightest idea,” said the Hatter
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Lewis Carroll (Alice in Wonderland)
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My turn shall also come: I sense the spreading of a wing.
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Osip Mandelstam (The Selected Poems)
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You believe in a book that has talking animals, wizards, witches, demons, sticks turning into snakes, burning bushes, food falling from the sky, people walking on water, and all sorts of magical, absurd and primitive stories, and you say that we are the ones that need help?
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Mark Twain
β€œ
You forgot another lesson: Never turn your back until you know your enemy is dead. Looks like we’ll have to go over the lesson again the next time I see youβ€”which will be soon. Love, D.
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Richelle Mead (Blood Promise (Vampire Academy, #4))
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Some people turn sad awfully young. No special reason, it seems, but they seem almost to be born that way. They bruise easier, tire faster, cry quicker, remember longer and, as I say, get sadder younger than anyone else in the world. I know, for I'm one of them.
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Ray Bradbury (Dandelion Wine)
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I'm coming back into focus when Caesar asks him if he has a girlfriend back home. Peeta hesitates, then gives an unconvincing shake of his head. Handsome lad like you. There must be some special girl. Come on, what’s her name?" says Caesar. Peeta sighs. "Well, there is this one girl. I’ve had a crush on her ever since I can remember. But I’m pretty sure she didn’t know I was alive until the reaping." Sounds of sympathy from the crowd. Unrequited love they can relate to. She have another fellow?" asks Caesar. I don’t know, but a lot of boys like her," says Peeta. So, here’s what you do. You win, you go home. She can’t turn you down then, eh?" says Caesar encouragingly. I don’t think it’s going to work out. Winning...won’t help in my case," says Peeta. Why ever not?" says Caesar, mystified. Peeta blushes beet red and stammers out. "Because...because...she came here with me.
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Suzanne Collins (The Hunger Games (The Hunger Games, #1))
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Hey," said Shadow. "Huginn or Muninn, or whoever you are." The bird turned, head tipped, suspiciously, on one side, and it stared at him with bright eyes. "Say 'Nevermore,'" said Shadow. "Fuck you," said the raven.
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Neil Gaiman (American Gods (American Gods, #1))
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Hollywood is a place where they'll pay you a thousand dollars for a kiss and fifty cents for your soul. I know, because I turned down the first offer often enough and held out for the fifty cents.
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Marilyn Monroe
β€œ
Ford... you're turning into a penguin. Stop it.
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Douglas Adams (The Hitchhiker’s Guide to the Galaxy (Hitchhiker's Guide to the Galaxy, #1))
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She turned and looked at him. "Ducks?" she said again. A smile tugged the edge of his mouth. "I hate ducks. Don't know why. I just always have.
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Cassandra Clare (City of Lost Souls (The Mortal Instruments, #5))
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A little girl robbed you?" Tessa said. "Actually, she wasn’t a little girl at all, as it turns out, but a midget in a dress with a penchant for violence, who goes by the name of Six-Fingered Nigel." "Easy mistake to make," Jem said.
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Cassandra Clare (Clockwork Angel (The Infernal Devices, #1))
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I’m not waiting until my hair turns white to become patient and wise. Nope, I’m dyeing my hair tonight.
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Jarod Kintz (This Book is Not for Sale)
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You are the knife I turn inside myself; that is love. That, my dear, is love.
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Franz Kafka (Letters to Milena)
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He liked the mere act of reading, the magic of turning scratches on a page into words inside his head.
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John Green (An Abundance of Katherines)
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My skin has turned to porcelain, to ivory, to steel.
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George R.R. Martin (A Storm of Swords (A Song of Ice and Fire, #3))
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Love is an abstract noun, something nebulous. And yet love turns out to be the only part of us that is solid, as the world turns upside down and the screen goes black.
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Martin Amis (The Second Plane: September 11, 2001-2007)
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Everybody has that point in their life where you hit a crossroads and you've had a bunch of bad days and there's different ways you can deal with it and the way I dealt with it was I just turned completely to music.
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Taylor Swift
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Have you ever been in love? Horrible isn't it? It makes you so vulnerable. It opens your chest and it opens up your heart and it means that someone can get inside you and mess you up. You build up all these defenses, you build up a whole suit of armor, so that nothing can hurt you, then one stupid person, no different from any other stupid person, wanders into your stupid life...You give them a piece of you. They didn't ask for it. They did something dumb one day, like kiss you or smile at you, and then your life isn't your own anymore. Love takes hostages. It gets inside you. It eats you out and leaves you crying in the darkness, so simple a phrase like 'maybe we should be just friends' turns into a glass splinter working its way into your heart. It hurts. Not just in the imagination. Not just in the mind. It's a soul-hurt, a real gets-inside-you-and-rips-you-apart pain. I hate love.
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Neil Gaiman (The Sandman, Vol. 9: The Kindly Ones)
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Some of us get dipped in flat, some in satin, some in gloss...." He turned to me. "But every once in a while, you find someone who's iridescent, and when you do, nothing will ever compare.
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Wendelin Van Draanen (Flipped)
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Too often we underestimate the power of a touch, a smile, a kind word, a listening ear, an honest compliment, or the smallest act of caring, all of which have the potential to turn a life around.
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Leo F. Buscaglia
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I'm sure I'll feel much more grateful when I find a guy who thinks complex wiring in a girl is a turn-on.
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Marissa Meyer (Cinder (The Lunar Chronicles, #1))
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may you kiss the wind then turn from it certain that it will love your back
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Lucille Clifton
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THE FIRST TEN LIES THEY TELL YOU IN HIGH SCHOOL 1. We are here to help you. 2. You will have time to get to your class before the bell rings. 3. The dress code will be enforced. 4. No smoking is allowed on school grounds. 5. Our football team will win the championship this year. 6. We expect more of you here. 7. Guidance counselors are always available to listen. 8. Your schedule was created with you in mind. 9. Your locker combination is private. 10. These will be the years you look back on fondly. TEN MORE LIES THEY TELL YOU IN HIGH SCHOOL 1. You will use algebra in your adult lives. 2. Driving to school is a privilege that can be taken away. 3. Students must stay on campus during lunch. 4. The new text books will arrive any day now. 5. Colleges care more about you than your SAT scores. 6. We are enforcing the dress code. 7. We will figure out how to turn off the heat soon. 8. Our bus drivers are highly trained professionals. 9. There is nothing wrong with summer school. 10. We want to hear what you have to say.
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Laurie Halse Anderson (Speak)
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Girls you've gotta know when it's time to turn the page.
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Tori Amos (Tori Amos: From the Choirgirl Hotel)
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The truly free man is the one who can turn down an invitation to dinner without giving an excuse.
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Jules Renard (The Journal of Jules Renard)
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And then I felt sad because I realized that once people are broken in certain ways, they can't ever be fixed, and this is something nobody ever tells you when you are young and it never fails to surprise you as you grow older as you see the people in your life break one by one. You wonder when your turn is going to be, or if it's already happened.
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Douglas Coupland (Life After God)
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Boys turns girls into such idiots.
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Stephanie Perkins (Anna and the French Kiss (Anna and the French Kiss, #1))
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It turns out I'm absolutely terrible at staying away from you. It's a very serious problem.
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Kiera Cass (The Elite (The Selection, #2))
β€œ
All men who have turned out worth anything have had the chief hand in their own education.
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Walter Scott
β€œ
I didn’t want any flowers, I only wanted to lie with my hands turned up and be utterly empty. How free it is, you have no idea how free.
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Sylvia Plath (Ariel)
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There comes a time in your life when you have to choose to turn the page, write another book or simply close it.
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Shannon L. Alder
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I think that we are like stars. Something happens to burst us open; but when we burst open and think we are dying; we’re actually turning into a supernova. And then when we look at ourselves again, we see that we’re suddenly more beautiful than we ever were before!
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C. JoyBell C.
β€œ
All I need is a sheet of paper and something to write with, and then I can turn the world upside down.
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Friedrich Nietzsche
β€œ
I don't deserve any credit for turning the other cheek as my tongue is always in it.
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Flannery O'Connor (The Habit of Being: Letters of Flannery O'Connor)
β€œ
I turned silences and nights into words. What was unutterable, I wrote down. I made the whirling world stand still.
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Arthur Rimbaud (A Season in Hell and The Drunken Boat)
β€œ
I found myself thinking about President William McKinley, the third American president to be assassinated. He lived for several days after he was shot, and towards the end, his wife started crying and screaming, "I want to go too! I want to go too!" And with his last measure of strength, McKinley turned to her and spoke his last words: "We are all going.
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John Green (Looking for Alaska)
β€œ
When the going gets weird, the weird turn professional.
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Hunter S. Thompson (Fear and Loathing: On the Campaign Trail '72)
β€œ
I've seen what you truly are," said the Darkling, "and I've never turned away. I never will. Can he say the same?
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Leigh Bardugo (Siege and Storm (The Shadow and Bone Trilogy, #2))
β€œ
Life was meant to be lived, and curiosity must be kept alive. One must never, for whatever reason, turn his back on life.
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Eleanor Roosevelt
β€œ
Moments, when lost, can't be found again. They're just gone.
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Jenny Han (The Summer I Turned Pretty (Summer, #1))
β€œ
But dreams have ways of turning into nightmares.
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Erin Morgenstern (The Night Circus)
β€œ
You make yourself strong because it's expected of you. You become confident because someone beside you is unsure. You turn into the person others need you to be.
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Jodi Picoult (Vanishing Acts)
β€œ
With school turning out more runners, jumpers, racers, tinkerers, grabbers, snatchers, fliers, and swimmers instead of examiners, critics, knowers, and imaginative creators, the word 'intellectual,' of course, became the swear word it deserved to be.
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Ray Bradbury (Fahrenheit 451)
β€œ
Now that I look back, I don't know why I was so stressed about it all this time. Funny how sometimes you worry a lot about something and it turns out to be nothing.
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R.J. Palacio (Wonder (Wonder, #1))
β€œ
Just then Neville caused a slight diversion by turning into a large canary.
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J.K. Rowling (Harry Potter and the Goblet of Fire (Harry Potter, #4))
β€œ
Did you know that wasn’t me, the other Max?” I asked. β€œYeah.” β€œWhen?” β€œRight away.” β€œHow?” I persisted. β€œWe look identical. She even had identical scars and scratches. She was wearing my clothes. How could you tell us apart?” He turned to me and grinned, making my world brighter. β€œShe offered to cook breakfast.
”
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James Patterson (School's Outβ€”Forever (Maximum Ride, #2))
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He’s stuck out there. He thinks he’s totally alone and that we all gave up on him. What kind of effect does that have on a man’s psychology?” He turned back to Venkat. β€œI wonder what he’s thinking right now.” LOG ENTRY: SOL 61 How come Aquaman can control whales? They’re mammals! Makes no sense.
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Andy Weir (The Martian)
β€œ
Presume not that I am the thing I was; For God doth know, so shall the world perceive, That I have turn'd away my former self; So will I those that kept me company.
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William Shakespeare (Henry IV, Part Two)
β€œ
You can’t tell me what to do anymore, Travis! I don’t belong to you!” In the second it took him to turn and face me, his expression had contorted into anger. He stomped toward me, planting his hands on the bed and leaning into my face. β€œWELL I BELONG TO YOU!” The veins in his neck bulged as he shouted, and I met his glare, refusing to even flinch. He looked at my lips, panting. β€œI belong to you.
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Jamie McGuire (Beautiful Disaster (Beautiful, #1))
β€œ
Don't tell me," Jace said, "Simon's turned himself into an ocelot and you want me to do something about it before Isabelle makes him into a stole. Well, you'll have have to wait till tomorrow. I'm out of commission." He pointed at himself - he was wearing blue pajamas with a hole in the sleeve. "Look. Jammies." "Jace," Clary said, "this is important." "Don't tell me," he said. "You've got a drawing emergency. You need a nude model. Well, I'm not in the mood. You could always ask Hodge," he said as an afterthought. "I hear he'll do anything for a -" "JACE!" she interrupted him, her voice rising to a scream. "JUST SHUT UP FOR A SECOND AND LISTEN, WILL YOU?
”
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Cassandra Clare (City of Bones (The Mortal Instruments, #1))
β€œ
You threw me to the crows, but it turns out I prefer them to you.
”
”
Madeline Miller (Circe)
β€œ
Indeed the safest road to Hell is the gradual one--the gentle slope, soft underfoot, without sudden turnings, without milestones, without signposts,...Your affectionate uncle, Screwtape.
”
”
C.S. Lewis (The Screwtape Letters)
β€œ
...unrequited love does not die; it's only beaten down to a secret place where it hides, curled and wounded. For some unfortunates, it turns bitter and mean, and those who come after pay the price for the hurt done by the one who came before.
”
”
Elle Newmark (The Book of Unholy Mischief)
β€œ
I have learned that if you must leave a place that you have lived in and loved and where all your yesteryears are buried deep, leave it any way except a slow way, leave it the fastest way you can. Never turn back and never believe that an hour you remember is a better hour because it is dead. Passed years seem safe ones, vanquished ones, while the future lives in a cloud, formidable from a distance.
”
”
Beryl Markham (West with the Night)
β€œ
Life is like a novel. It's filled with suspense. You have no idea what is going to happen until you turn the page.
”
”
Sidney Sheldon
β€œ
If you spent your life concentrating on what everyone else thought of you, would you forget who you really were? What if the face you showed the world turned out to be a mask... with nothing beneath it?
”
”
Jodi Picoult (Nineteen Minutes)
β€œ
I love you. I love you. I love you. I'll write it in waves. In skies. In my heart. You'll never see, but you will know. I'll be all the poets, I'll kill them all and take each one's place in turn, and every time love's written in all the strands it will be to you.
”
”
Amal El-Mohtar (This Is How You Lose the Time War)
β€œ
Everything will turn out right, the world is built on that.
”
”
Mikhail Bulgakov (The Master and Margarita)
β€œ
If you knew how to cook, maybe I would eat," Jace muttered. Isabelle froze, her spoon poised dangerously. "What did you say?" Jace edged toward the fridge. "I said I'm going to look for a snack to eat." That's what I thought you said." Isabelle turned her attention to the soup.
”
”
Cassandra Clare (City of Bones (The Mortal Instruments, #1))
β€œ
There comes a day when you realise turning the page is the best feeling in the world, because you realise there's so much more to the book than the page you were stuck on.
”
”
Zayn Malik
β€œ
You'd think people had better things to gossip about," said Ginny as she sat on the common room floor, leaning against Harry’s legs and reading the Daily Prophet. "Three Dementor attacks in a week, and all Romilda Vane does is ask me if it’s true you’ve got a Hippogriff tattooed across your chest." Ron and Hermione both roared with laughter. Harry ignored them. What did you tell her?" I told her it's a Hungarian Horntail," said Ginny, turning a page of the newspaper idly. "Much more macho." Thanks," said Harry, grinning. "And what did you tell her Ron’s got?" A Pygmy Puff, but I didn’t say where.
”
”
J.K. Rowling (Harry Potter and the Half-Blood Prince (Harry Potter, #6))
β€œ
Patience Is Not the Ability to Wait: Patience is not the ability to wait. Patience is to be calm no matter what happens, constantly take action to turn it to positive growth opportunities, and have faith to believe that it will all work out in the end while you are waiting.
”
”
Roy T. Bennett (The Light in the Heart)
β€œ
You couldn't just pick and choose at will when someone depended on you, or loved you. It wasn't like a light switch, easy to turn on or off. If you were in, you were in. Out, you were out.
”
”
Sarah Dessen (Along for the Ride)
β€œ
...time was not passing...it was turning in a circle...
”
”
Gabriel GarcΓ­a MΓ‘rquez (One Hundred Years of Solitude)
β€œ
I've kissed a prince, Mom. I hope it doesn't turn into a frog.
”
”
E.L. James (Fifty Shades of Grey (Fifty Shades, #1))
β€œ
It's hard to be disappointed when what you expected turns out to be true.
”
”
Jay Asher (Thirteen Reasons Why)
β€œ
Nothing ever ends poetically. It ends and we turn it into poetry. All that blood was never once beautiful. It was just red.
”
”
Kait Rokowski
β€œ
And therein lies the whole of man's plight. Human time does not turn in a circle; it runs ahead in a straight line. That is why man cannot be happy: happiness is the longing for repetition.
”
”
Milan Kundera (The Unbearable Lightness of Being)
β€œ
If you can learn to endure pain, you can survive anything. Some people learn to embrace it- to love it. Some endure it through drowning it in sorrow, or by making themselves forget. Others turn it into anger.
”
”
Sarah J. Maas (The Assassin's Blade (Throne of Glass, #0.1-0.5))
β€œ
I think the warning labels on alcoholic beverages are too bland. They should be more vivid. Here is one I would suggest: "Alcohol will turn you into the same asshole your father was.
”
”
George Carlin (When Will Jesus Bring the Pork Chops?)
β€œ
What about a compromise? I’ll kill them first, and if it turns out they were friendly, I’ll apologize.
”
”
Rick Riordan (The Lost Hero (The Heroes of Olympus, #1))
β€œ
If you hear a song that makes you cry and you don't want to cry anymore, you don't listen to that song anymore. But you can't get away from yourself. You can't decide not to see yourself anymore. You can't decide to turn off the noise in your head.
”
”
Jay Asher (Thirteen Reasons Why)
β€œ
I turned to Dionysus. "You cured him?" "Madness is my specialty. It was quite simple." "But...you did something nice. Why?" He raised and eyebrow. "I am nice! I simple ooze niceness, Perry Johansson. Haven't you noticed?
”
”
Rick Riordan (The Battle of the Labyrinth (Percy Jackson and the Olympians, #4))
β€œ
They turned to Angel. "We will call you Little One," the leader said, obviously deciding to dispense with the whole confusing name thing. "Okay," said Angel agreeably. "I'll call you Guy in a White Lab Coat." He frowned. "That can be his Indian name," I suggested.
”
”
James Patterson (Saving the World and Other Extreme Sports (Maximum Ride, #3))
β€œ
So top grade's O for 'Outstanding,'" Hermione was saying, "and then there's A-" "No, E," George corrected her, "E for 'Exceeds Expectations.' And I've always thought Fred and I should've got E in everything, because we exceeded expectations just by turning up for the exams.
”
”
J.K. Rowling
β€œ
It's the imperfections that make things beautiful
”
”
Jenny Han (The Summer I Turned Pretty (Summer, #1))
β€œ
But-" Maia, still looking at Alec and Magnus, broke off and rasied her eyebrows. Simon turned to see what she was looking at - and stared. Alec had his arms around Magnus and was kissing him full on the mouth. Magnus, who appeared to be in a state of shock, stood frozen. Several groups of people - Shadowhunters and Downworlders alike - were staring and whispering. Glancing to the side, Simon saw the Lightwoods, their eyes widen, gaping at the display. Maryse had her hand over her mouth. Maia looked perplexed. "Wait a second," she said. "Do we all have to do that, too?
”
”
Cassandra Clare (City of Glass (The Mortal Instruments, #3))
β€œ
She turned back to Jace. "Do you have to be so-," she began, but stopped when she saw his face. It looked stripped down, oddly vulnerable. "Unpleasant?" he finishes for her. "Only at days when my adoptive mother tosses me out of the house with instructions never to darken her door again. Usually I'm remarkably good-natured. Try me on any day that doesn't end in y.
”
”
Cassandra Clare (City of Ashes (The Mortal Instruments, #2))
β€œ
Harry!" said Fred, elbowing Percy out of the way and bowing deeply. "Simply splendid to see you, old boy-" "Marvelous," said George, pushing Fred aside and seizing Harry's hand in turn. "Absolutely spiffing." Percy scowled. "That's enough, now," said Mrs. Weasley. "Mum!" said Fred as though he'd only just spotted her and seizing her hand too. "How really corking to see you-
”
”
J.K. Rowling (Harry Potter and the Prisoner of Azkaban (Harry Potter, #3))
β€œ
Was I bitter? Absolutely. Hurt? You bet your sweet ass I was hurt. Who doesn't feel a part of their heart break at rejection. You ask yourself every question you can think of, what, why, how come, and then your sadness turns to anger. That's my favorite part. It drives me, feeds me, and makes one hell of a story.
”
”
Jennifer Salaiz
β€œ
PIPPIN: I didn't think it would end this way. GANDALF: End? No, the journey doesn't end here. Death is just another path, one that we all must take. The grey rain-curtain of this world rolls back, and all turns to silver glass, and then you see it. PIPPIN: What? Gandalf? See what? GANDALF: White shores, and beyond, a far green country under a swift sunrise. PIPPIN: Well, that isn't so bad. GANDALF: No. No, it isn't.
”
”
J.R.R. Tolkien (The Lord of the Rings (The Lord of the Rings, #1-3))
β€œ
Ever since I’ve met you, I’ve wanted to break every rule.” Aiden turned away, the muscles in his neck tensing. He sighed. β€œYou’ll become the centre of someone’s world one day. And he’ll be the luckiest son of a bitch on this earth.
”
”
Jennifer L. Armentrout (Pure (Covenant, #2))
β€œ
I'm like you,' he said. 'I remember everything.' I stopped for a second. If you remember everything, I wanted to say, and if you are really like me, then before you leave tomorrow, or when you’re just ready to shut the door of the taxi and have already said goodbye to everyone else and there’s not a thing left to say in this life, then, just this once, turn to me, even in jest, or as an afterthought, which would have meant everything to me when we were together, and, as you did back then, look me in the face, hold my gaze, and call me by your name
”
”
AndrΓ© Aciman (Call Me by Your Name)
β€œ
Sometimes fate is like a small sandstorm that keeps changing directions. You change direction but the sandstorm chases you. You turn again, but the storm adjusts. Over and over you play this out, like some ominous dance with death just before dawn. Why? Because this storm isn't something that blew in from far away, something that has nothing to do with you. This storm is you. Something inside of you. So all you can do is give in to it, step right inside the storm, closing your eyes and plugging up your ears so the sand doesn't get in, and walk through it, step by step. There's no sun there, no moon, no direction, no sense of time. Just fine white sand swirling up into the sky like pulverized bones. That's the kind of sandstorm you need to imagine. And you really will have to make it through that violent, metaphysical, symbolic storm. No matter how metaphysical or symbolic it might be, make no mistake about it: it will cut through flesh like a thousand razor blades. People will bleed there, and you will bleed too. Hot, red blood. You'll catch that blood in your hands, your own blood and the blood of others. And once the storm is over you won't remember how you made it through, how you managed to survive. You won't even be sure, in fact, whether the storm is really over. But one thing is certain. When you come out of the storm you won't be the same person who walked in. That's what this storm's all about.
”
”
Haruki Murakami (Kafka on the Shore)
β€œ
livid, adj. Fuck You for cheating on me. Fuck you for reducing it to the word cheating. As if this were a card game, and you sneaked a look at my hand. Who came up with the term cheating, anyway? A cheater, I imagine. Someone who thought liar was too harsh. Someone who thought devastator was too emotional. The same person who thought, oops, he’d gotten caught with his hand in the cookie jar. Fuck you. This isn’t about slipping yourself an extra twenty dollars of Monopoly money. These are our lives. You went and broke our lives. You are so much worse than a cheater. You killed something. And you killed it when its back was turned.
”
”
David Levithan (The Lover's Dictionary)
β€œ
Compassion hurts. When you feel connected to everything, you also feel responsible for everything. And you cannot turn away. Your destiny is bound with the destinies of others. You must either learn to carry the Universe or be crushed by it. You must grow strong enough to love the world, yet empty enough to sit down at the same table with its worst horrors.
”
”
Andrew Boyd (Daily Afflictions: The Agony of Being Connected to Everything in the Universe)
β€œ
Be careful what you water your dreams with. Water them with worry and fear and you will produce weeds that choke the life from your dream. Water them with optimism and solutions and you will cultivate success. Always be on the lookout for ways to turn a problem into an opportunity for success. Always be on the lookout for ways to nurture your dream.
”
”
Lao Tzu
β€œ
I feel like my life is so scattered right now. Like it's all the small pieces of paper and someone's turned on the fan. But, talking to you makes me feel like the fan's been turned off for a little bit. Like things could actually make sense. You completely unscatter me, and I appreciate that so much.
”
”
John Green (Will Grayson, Will Grayson)
β€œ
I want to say somewhere: I've tried to be forgiving. And yet. There were times in my life, whole years, when anger got the better of me. Ugliness turned me inside out. There was a certain satisfaction in bitterness. I courted it. It was standing outside, and I invited it in.
”
”
Nicole Krauss (The History of Love)
β€œ
I have lightning and wind powers," Jason reminded him. "Piper can turn beautiful and charm people into giving her BMWs. You're no more a freak than we are. And, hey, maybe you can fly, too. Like jump off a building and yell 'Flame on!'" Leo snorted. "If I did that, you would see a flaming kid falling to his death, and I would be yelling something a little stronger than 'Flame on!
”
”
Rick Riordan (The Lost Hero (The Heroes of Olympus, #1))
β€œ
They fuck you up, your mum and dad. They may not mean to, but they do. They fill you with the faults they had And add some extra, just for you. But they were fucked up in their turn By fools in old-style hats and coats, Who half the time were soppy-stern And half at one another's throats. Man hands on misery to man. It deepens like a coastal shelf. Get out as early as you can, And don't have any kids yourself.
”
”
Philip Larkin (High Windows)
β€œ
We'll be there, Harry," said Ron "What?" "At your Aunt and Uncle's house," said Ron, "And then we'll go with you wherever you're going." "No-" said Harry quickly; he hadn't counted on this, he had meant them to understand that he was undertaking the most dangerous journey alone. "You said it once before," said Hermione quickly, "that there was time to turn back if we wanted to. We've had time, haven't we? We're with you whatever happens.
”
”
J.K. Rowling (Harry Potter and the Half-Blood Prince (Harry Potter, #6))
β€œ
I think we are well advised to keep on nodding terms with the people we used to be, whether we find them attractive company or not. Otherwise they turn up unannounced and surprise us, come hammering on the mind's door at 4 a.m. of a bad night and demand to know who deserted them, who betrayed them, who is going to make amends.
”
”
Joan Didion (Slouching Towards Bethlehem)
β€œ
He cleared his throat and held up one hand dramatically. β€œGreen grass breaks through snow. Artemis pleads for my help. I am so cool.” He grinned at us, waiting for applause. "That last line was four syllables.” Artemis said. Apollo frowned. β€œWas it?” β€œYes. What about I am so bigheaded?” β€œNo, no, that’s six syllable, hhhm.” He started muttering to himself. Zoe Nightshade turned to us. β€œLord Apollo has been going through this haiku phase ever since he visited Japan. Tis not as bad as the time he visited Limerick. If I’d had to hear one more poem that started with, There once was a godess from Sparta-" β€œI’ve got it!” Apollo announced. β€œI am so awesome. That’s five syllables!” He bowed, looking very pleased with himself.
”
”
Rick Riordan (The Titan’s Curse (Percy Jackson and the Olympians, #3))
β€œ
But if I'm it, the last of my kind, the last page of human history, like hell I'm going to let the story end this way. I may be the last one, but I am the one still standing. I am the one turning to face the faceless hunter in the woods on an abandoned highway. I am the one not running but facing. Because if I am the last one, then I am humanity. And if this is humanity's last war, then I am the battlefield.
”
”
Rick Yancey (The 5th Wave (The 5th Wave, #1))
β€œ
People," Geralt turned his head, "like to invent monsters and monstrosities. Then they seem less monstrous themselves. When they get blind-drunk, cheat, steal, beat their wives, starve an old woman, when they kill a trapped fox with an axe or riddle the last existing unicorn with arrows, they like to think that the Bane entering cottages at daybreak is more monstrous than they are. They feel better then. They find it easier to live.
”
”
Andrzej Sapkowski (The Last Wish (The Witcher, #0.5))
β€œ
Coach: "All right, Patch. let's say you're at a party. the room is full of girls of all shapes and sizes. You see blondes, brunettes, redheads, a few girl with black hair. Some are talkive, while other appear shy. You've one girl who fits your profile - attractive, intelligent and vulnerable. Dow do you let her know you're interested?" Patch: "Single her out. Talk to her." Coach: "Good. Now for the big question - how do you know if she's game or if she wants you to move on?" Patch: "I study her. I figure out what she's thinking and feeling. She's not gonig to come right out and tell me, which is why i have to pay attention. Does she turn her body toward mine? Does she hold me eyes, then look away? Does she bite her lip and play with her hair, the way Nora is doing right now?
”
”
Becca Fitzpatrick (Hush, Hush (Hush, Hush, #1))
β€œ
We shouldn’t,” protested Isabelle. β€œThe Clave has a plan.” β€œThe Clave has the collective intelligence of a pineapple,” said Jace. Alec blinked up at them. β€œJace is right.” Isabelle turned on her brother. β€œWhat do you know? You weren’t even paying attention.” β€œI was,” Alec said, injured. β€œI said Jace was right.” β€œYeah, but there’s like a 90% chance of me being right most of the time, so that’s not proof you were listening,” said Jace. β€œThat’s just a good guess.
”
”
Cassandra Clare (City of Heavenly Fire (The Mortal Instruments, #6))
β€œ
To be, or not to be: that is the question: Whether 'tis nobler in the mind to suffer The slings and arrows of outrageous fortune, Or to take arms against a sea of troubles, And by opposing end them? To die: to sleep; No more; and by a sleep to say we end The heart-ache and the thousand natural shocks That flesh is heir to, 'tis a consummation Devoutly to be wish'd. To die, to sleep; To sleep: perchance to dream: ay, there's the rub; For in that sleep of death what dreams may come When we have shuffled off this mortal coil, Must give us pause: there's the respect That makes calamity of so long life; For who would bear the whips and scorns of time, The oppressor's wrong, the proud man's contumely, The pangs of despised love, the law's delay, The insolence of office and the spurns That patient merit of the unworthy takes, When he himself might his quietus make With a bare bodkin? who would fardels bear, To grunt and sweat under a weary life, But that the dread of something after death, The undiscover'd country from whose bourn No traveller returns, puzzles the will And makes us rather bear those ills we have Than fly to others that we know not of? Thus conscience does make cowards of us all; And thus the native hue of resolution Is sicklied o'er with the pale cast of thought, And enterprises of great pith and moment With this regard their currents turn awry, And lose the name of action.--Soft you now! The fair Ophelia! Nymph, in thy orisons Be all my sins remember'd!
”
”
William Shakespeare (Hamlet)
β€œ
Here's what's not beautiful about it: from here, you can't see the rust or the cracked paint or whatever, but you can tell what the place really is. You can see how fake it all is. It's not even hard enough to be made out of plastic. It's a paper town. I mean, look at it, Q: look at all those culs-de-sac, those streets that turn in on themselves, all the houses that were built to fall apart. All those paper people living in their paper houses, burning the future to stay warm. All the paper kids drinking beer some bum bought for them at the paper convenience store. Everyone demented with the mania of owning things. All the things paper-thin and paper-frail. And all the people, too. I've lived here for eighteen years and I have never once in my life come across anyone who cares about anything that matters.
”
”
John Green (Paper Towns)
β€œ
If you want to write, if you want to create, you must be the most sublime fool that God ever turned out and sent rambling. You must write every single day of your life. You must read dreadful dumb books and glorious books, and let them wrestle in beautiful fights inside your head, vulgar one moment, brilliant the next. You must lurk in libraries and climb the stacks like ladders to sniff books like perfumes and wear books like hats upon your crazy heads. I wish you a wrestling match with your Creative Muse that will last a lifetime. I wish craziness and foolishness and madness upon you. May you live with hysteria, and out of it make fine stories β€” science fiction or otherwise. Which finally means, may you be in love every day for the next 20,000 days. And out of that love, remake a world.
”
”
Ray Bradbury
β€œ
Tessa craned her head back to look at Will. β€œYou know that feeling,” she said, β€œwhen you are reading a book, and you know that it is going to be a tragedy; you can feel the cold and darkness coming, see the net drawing tight around the characters who live and breathe on the pages. But you are tied to the story as if being dragged behind a carriage and you cannot let go or turn the course aside.” His blue eyes were dark with understanding β€” of course Will would understand β€” and she hurried on. β€œI feel now as if the same is happening, only not to characters on a page but to my own beloved friends and companions. I do not want to sit by while tragedy comes for us. I would turn it aside, only I struggle to discover how that might be done.” β€œYou fear for Jem,” Will said. β€œYes,” she said. β€œAnd I fear for you, too.” β€œNo,” Will said, hoarsely. β€œDon’t waste that on me, Tess.
”
”
Cassandra Clare (Clockwork Princess (The Infernal Devices, #3))
β€œ
The one thing that unites all human beings, regardless of age, gender, religion, economic status, or ethnic background, is that, deep down inside, we all believe that we are above-average drivers.
”
”
Dave Barry (Dave Barry Turns 50)
β€œ
But this is touching, Severus,” said Dumbledore seriously. β€œHave you grown to care for the boy, after all?” β€œFor him?” shouted Snape. β€œExpecto Patronum!” From the tip of his wand burst the silver doe. She landed on the office floor, bounded once across the office, and soared out of the window. Dumbledore watched her fly away, and as her silvery glow faded he turned back to Snape, and his eyes were full of tears. β€œAfter all this time?” β€œAlways,” said Snape.
”
”
J.K. Rowling (Harry Potter and the Deathly Hallows (Harry Potter, #7))
β€œ
Jace?" "Yeah?" "How did you know I had Shadowhunter blood? Was there some way you could tell?" The elevator arrived with a final groan. Jace unlatched the gate and slid it open. The inside reminded Clary of a birdcage, all black metal and decorative bits of gilt. "I guessed," he said, latching the door behind them. "It seemed like the most likely explanation." "You guessed? You must have been pretty sure, considering you could have killed me." He pressed a button in the wall, and the elevator lurched into action with a vibrating groan that she felt all through the bones in her feet. "I was ninety percent sure." "I see," Clary said. There must have been something in her voice, because he turned to look at her. Her hand cracked across his face, a slap that rocked him back on his heels. He put a hand to his cheek, more in surprise than pain. "What the hell was that for?" The other ten percent," she said, and they rode the rest of the way down to the street in silence.
”
”
Cassandra Clare (City of Bones (The Mortal Instruments, #1))
β€œ
There are no coincidences in life. What person that wandered in and out of your life was there for some purpose, even if they caused you harm. Sometimes, it doesn’t make sense the short periods of time we get with people, or the outcomes from their choices. However, if you turn it over to God he promises that you will see the big picture in the hereafter. Nothing is too small to be a mistake.
”
”
Shannon L. Alder
β€œ
The 3 types of terror: The Gross-out: the sight of a severed head tumbling down a flight of stairs, it's when the lights go out and something green and slimy splatters against your arm. The Horror: the unnatural, spiders the size of bears, the dead waking up and walking around, it's when the lights go out and something with claws grabs you by the arm. And the last and worse one: Terror, when you come home and notice everything you own had been taken away and replaced by an exact substitute. It's when the lights go out and you feel something behind you, you hear it, you feel its breath against your ear, but when you turn around, there's nothing there...
”
”
Stephen King
β€œ
Who're you going with, then?" said Ron. "Angelina," said Fred promptly, without a trace of embarrassment. "What?" said Ron, taken aback. "You've already asked her?" "Good point," said Fred. He turned his head and called across the common room, "Oi! Angelina!" Angelina, who had been chatting with Alicia Spinnet near the fire, looked over at him. "What?" She called back. "Want to come to the ball with me?" Angelina gave Fred a sort of appraising look. "All right, then," she said, and she turned back to Alicia and carried on chatting with a bit of a grin on her face. "There you go," said Fred to Harry and Ron, "piece of cake.
”
”
J.K. Rowling (Harry Potter and the Goblet of Fire (Harry Potter, #4))
β€œ
I cannot express it; but surely you and everybody have a notion that there is or should be an existence of yours beyond you. What were the use of my creation, if I were entirely contained here? My great miseries in this world have been Heathcliff's miseries, and I watched and felt each from the beginning: my great thought in living is himself. If all else perished, and he remained, I should still continue to be; and if all else remained, and he were annihilated, the universe would turn to a mighty stranger: I should not seem a part of it. My love for Linton is like the foliage in the woods: time will change it, I'm well aware, as winter changes the trees. My love for Heathcliff resembles the eternal rocks beneath: a source of little visible delight, but necessary. Nelly, I am Heathcliff! He's always, always in my mind: not as a pleasure, any more than I am always a pleasure to myself, but as my own being.
”
”
Emily BrontΓ« (Wuthering Heights)
β€œ
At a few minutes before four, Peeta turns to me again. "Your favorite colour . . . it's green?" "That's right." Then I think of something to add. "And yours is orange." "Orange?" He seems unconvinced. "Not bright orange. But soft. Like the sunset," I say. "At least, that's what you told me once." "Oh." He closes his eyes briefly, maybe trying to conjure up that sunset, then nods his head. "Thank you." But more words tumble out. "You're a painter. You're a baker. You like to sleep with the windows open. You never take sugar in your tea. And you always double-knot your shoelaces." Then I dive into my tent before I do something stupid like cry.
”
”
Suzanne Collins (Mockingjay (The Hunger Games, #3))
β€œ
I want you to stay. I want you to … I want you.” β€œYou want me.” She turned the words over. Gently, she squeezed his hand. β€œAnd how will you have me, Kaz?” He looked at her then, eyes fierce, mouth set. It was the face he wore when he was fighting. β€œHow will you have me?” she repeated. β€œFully clothed, gloves on, your head turned away so our lips can never touch?”<...>β€œI will have you without armour, Kaz Brekker. Or I will not have you at all.
”
”
Leigh Bardugo (Six of Crows (Six of Crows, #1))
β€œ
You think because he doesn't love you that you are worthless. You think that because he doesn't want you anymore that he is right -- that his judgement and opinion of you are correct. If he throws you out, then you are garbage. You think he belongs to you because you want to belong to him. Don't. It's a bad word, 'belong.' Especially when you put it with somebody you love. Love shouldn't be like that. Did you ever see the way the clouds love a mountain? They circle all around it; sometimes you can't even see the mountain for the clouds. But you know what? You go up top and what do you see? His head. The clouds never cover the head. His head pokes through, beacuse the clouds let him; they don't wrap him up. They let him keep his head up high, free, with nothing to hide him or bind him. You can't own a human being. You can't lose what you don't own. Suppose you did own him. Could you really love somebody who was absolutely nobody without you? You really want somebody like that? Somebody who falls apart when you walk out the door? You don't, do you? And neither does he. You're turning over your whole life to him. Your whole life, girl. And if it means so little to you that you can just give it away, hand it to him, then why should it mean any more to him? He can't value you more than you value yourself.
”
”
Toni Morrison
β€œ
You know what would help?" I asked, not meeting his eyes. "Hmm?" "If you turned off this crap music and put on something that came out after the Berlin Wall went down." Dimitri laughted. "Your worst class is history, yet somehow, you know everything about Eastern Europe." "Hey, gotta have material for my jokes, Comrade." Still smiling, he turned the radio dail. To a country station. "Hey! This isn't what I had in mind," I exclaimed. I could tell he was on the verge of laughing again. "Pick. It's one or the other." I sighed. "Go back to the 1980s stuff." He flipped the dail, and I crossed my arms over my chest as some vaguely European-sounding band sang about how video had killed the radio star. I wished someone would kill this radio.
”
”
Richelle Mead (Frostbite (Vampire Academy, #2))
β€œ
She raised an eyebrow. "You got something to say to me, Seaweed Brain?" You'd probably kick my butt." You know I'd kick your butt." I brushed the cake off my hands. "When I was at the River Styx, turning invulnerable . . . Nico said I had to concentrate on one thing that kept me anchored to the world, that made me want to stay mortal." Annabeth kept her eyes on the horizon. "Yeah?" Then up on Olympus," I said, "when they wanted to make me a god and stuff, I kept thinking-" Oh, you so wanted to." Well, maybe a little. But I didn't, because I thought-I didn't want things to stay the same for eternity, because things could always get better. And I was thinking . . ." My throat felt really dry. Anyone in particular?" Annabeth asked, her voice soft. I looked over and saw that she was trying not to smile. You're laughing at me," I complained. I am not!" You are so not making this easy." Then she laughed for real, and she put her hands around my neck. "I am never, ever going to make things easy for you, Seaweed Brain. Get used to it.
”
”
Rick Riordan (The Last Olympian (Percy Jackson and the Olympians, #5))
β€œ
Maybe the first time you saw her you were ten. She was standing in the sun scratching her legs. Or tracing letters in the dirt with a stick. Her hair was being pulled. Or she was pulling someone's hair. And a part of you was drawn to her, and a part of you resisted--wanting to ride off on your bicycle, kick a stone, remain uncomplicated. In the same breath you felt the strength of a man, and a self-pity that made you feel small and hurt. Part of you thought: Please don't look at me. If you don't, I can still turn away. And part of you thought: Look at me.
”
”
Nicole Krauss (The History of Love)
β€œ
When you wake up in the morning, tell yourself: the people I deal with today will be meddling, ungrateful, arrogant, dishonest, jealous and surly. They are like this because they can't tell good from evil. But I have seen the beauty of good, and the ugliness of evil, and have recognized that the wrongdoer has a nature related to my own - not of the same blood and birth, but the same mind, and possessing a share of the divine. And so none of them can hurt me. No one can implicate me in ugliness. Nor can I feel angry at my relative, or hate him. We were born to work together like feet, hands and eyes, like the two rows of teeth, upper and lower. To obstruct each other is unnatural. To feel anger at someone, to turn your back on him: these are unnatural.
”
”
Marcus Aurelius (Meditations)
β€œ
Life is tragic simply because the earth turns and the sun inexorably rises and sets, and one day, for each of us, the sun will go down for the last, last time. Perhaps the whole root of our trouble, the human trouble, is that we will sacrifice all the beauty of our lives, will imprison ourselves in totems, taboos, crosses, blood sacrifices, steeples, mosques, races, armies, flags, nations, in order to deny the fact of death, the only fact we have. It seems to me that one ought to rejoice in the fact of death--ought to decide, indeed, to earn one's death by confronting with passion the conundrum of life. One is responsible for life: It is the small beacon in that terrifying darkness from which we come and to which we shall return.
”
”
James Baldwin (The Fire Next Time (Vintage International))
β€œ
Hey!" said the guy in the video. "Greetings from your friends at Camp Half-Blood, et cetera. This is Leo. I'm the..." He looked off screen and yelled: "What's my title? Am I like admiral, or captain, or-" A girl's voice yelled back, "Repair boy." "Very funny, Piper," Leo grumbled. He turned back to the parchment screen. "So yeah, I'm...ah..supreme commander of the Argo II. Yeah, I like that! Anyway, we're gonna be sailing towards you in about, I dunno, an hour in this big mother warship. We'd appreciate it if you'd not, like, blow us out of the sky or anything. So okay! If you could tell the Romans that. See you soon. Yours in demigodishness, and all that. Peace out!
”
”
Rick Riordan (The Son of Neptune (The Heroes of Olympus, #2))
β€œ
If Jem dies, I cannot be with Tessa,” said Will. β€œBecause it will be as if I were waiting for him to die, or took some joy in his death, if it let me have her. And I will not be that person. I will not profit from his death. So he must live.” He lowered his arm, his sleeve bloody. β€œIt is the only way any of this can ever mean anything. Otherwise it is only —” β€œPointless, needless suffering and pain? I don’t suppose it would help if I told you that was the way life is. The good suffer, the evil flourish, and all that is mortal passes away,” Magnus said. β€œI want more than that,” said Will. β€œYou made me want more than that. You showed me I was only ever cursed because I had chosen to believe myself so. You told me there was possibility, meaning. And now you would turn your back on what you created.
”
”
Cassandra Clare (Clockwork Princess (The Infernal Devices, #3))
β€œ
He turned to Frank who was trying to pull his fingers out of the Chinese handcuffs… β€œOkay,” Frank relented. β€œSure.” He frowned at his fingers, trying to pull them out of the trap. β€œUh, how do you—” Leo chuckled. β€œMan, you’ve never seen those before? There’s a simple trick to getting out.” Frank tugged again with no luck. Even Hazel was trying not to laugh. Frank grimaced with concentration. Suddenly, he disappeared. On the deck where he’d been standing, a green iguana crouched next to an empty set of Chinese handcuffs. β€œWell done, Frank Zhang,” Leo said dryly, doing his impression of Chiron the centaur. β€œThat is exactly how people beat Chinese handcuffs. They turn into iguanas.
”
”
Rick Riordan (The Mark of Athena (The Heroes of Olympus, #3))
β€œ
Where's Simon?" Clary interrupted. Isabelle wobbled. "He's a rat," she said darkly. Did he do something to you?" Alec was full of brotherly concern. "Did he touch you? If he tried anything-" No, Alec," Isabelle said irritably. "Not like that. He's a rat." She's drunk," said Jace, beginning to turn away in disgust. I'm not," Isabelle said indignantly. "Well, maybe a little, but that's not the point. The point is, Simon drank one of those blue drinks- I told him not to, but he didn't listen- and he turned into a rat.
”
”
Cassandra Clare (City of Bones (The Mortal Instruments, #1))
β€œ
My kids are starting to notice I'm a little different from the other dads. "Why don't you have a straight job like everyone else?" they asked me the other day. I told them this story: In the forest, there was a crooked tree and a straight tree. Every day, the straight tree would say to the crooked tree, "Look at me...I'm tall, and I'm straight, and I'm handsome. Look at you...you're all crooked and bent over. No one wants to look at you." And they grew up in that forest together. And then one day the loggers came, and they saw the crooked tree and the straight tree, and they said, "Just cut the straight trees and leave the rest." So the loggers turned all the straight trees into lumber and toothpicks and paper. And the crooked tree is still there, growing stronger and stranger every day.
”
”
Tom Waits
β€œ
There should be a statute of limitation on grief. A rulebook that says it is all right to wake up crying, but only for a month. That after 42 days you will no longer turn with your heart racing, certain you have heard her call out your name. That there will be no fine imposed if you feel the need to clean out her desk; take down her artwork from the refrigerator; turn over a school portrait as you pass - if only because it cuts you fresh again to see it. That it's okay to measure the time she has been gone, the way we once measured her birthdays.
”
”
Jodi Picoult (My Sister's Keeper)
β€œ
God knows your value; He sees your potential. You may not understand everything you are going through right now. But hold your head up high, knowing that God is in control and he has a great plan and purpose for your life. Your dreams may not have turned out exactly as you’d hoped, but the bible says that God’s ways are better and higher than our ways, even when everybody else rejects you, remember, God stands before you with His arms open wide. He always accepts you. He always confirms your value. God sees your two good moves! You are His prized possession. No matter what you go through in life, no matter how many disappointments you suffer, your value in God’s eyes always remains the same. You will always be the apple of His eye. He will never give up on you, so don’t give up on yourself.
”
”
Joel Osteen (Your Best Life Now: 7 Steps to Living at Your Full Potential)
β€œ
If you can keep your head when all about you Are losing theirs and blaming it on you, If you can trust yourself when all men doubt you, But make allowance for their doubting too; If you can wait and not be tired by waiting, Or being lied about, don't deal in lies, Or being hated, don't give way to hating, And yet don't look too good, nor talk too wise If you can dream - and not make dreams your master; If you can think - and not make thoughts your aim; If you can meet with Triumph and Disaster And treat those two impostors just the same; If you can bear to hear the truth you've spoken Twisted by knaves to make a trap for fools, Or watch the things you gave your life to, broken, And stoop and build 'em up with worn-out tools If you can make one heap of all your winnings And risk it on one turn of pitch-and-toss, And lose, and start again at your beginnings And never breathe a word about your loss; If you can force your heart and nerve and sinew To serve your turn long after they are gone, And so hold on when there is nothing in you Except the will which says to them: 'Hold on!' If you can talk with crowds and keep your virtue, Or walk with Kings - nor lose the common touch, If neither foes nor loving friends can hurt you, If all men count with you, but none too much; If you can fill the unforgiving minute With sixty seconds' worth of distance run, Yours is the Earth and everything that's in it, And - which is more - you'll be a Man, my son!
”
”
Rudyard Kipling (If: A Father's Advice to His Son)
β€œ
I have been feeling very clearheaded lately and what I want to write about today is the sea. It contains so many colors. Silver at dawn, green at noon, dark blue in the evening. Sometimes it looks almost red. Or it will turn the color of old coins. Right now the shadows of clouds are dragging across it, and patches of sunlight are touching down everywhere. White strings of gulls drag over it like beads. It is my favorite thing, I think, that I have ever seen. Sometimes I catch myself staring at it and forget my duties. It seems big enough to contain everything anyone could ever feel.
”
”
Anthony Doerr (All the Light We Cannot See)
β€œ
I have one last hope for you, which is something that I already had at 21. The friends with whom I sat on graduation day have been my friends for life. They are my children’s godparents, the people to whom I’ve been able to turn in times of trouble, friends who have been kind enough not to sue me when I’ve used their names for Death Eaters. At our graduation we were bound by enormous affection, by our shared experience of a time that could never come again, and, of course, by the knowledge that we held certain photographic evidence that would be exceptionally valuable if any of us ran for Prime Minister.
”
”
J.K. Rowling (Very Good Lives: The Fringe Benefits of Failure and the Importance of Imagination)
β€œ
So, Grace, how's school?" I asked myself. Dad nodded, eyes on the baby koala now struggling in the guest's arms. "Oh, it's fine," I continued, and Dad made a mumbling noise of agreement. I added, "Nothing special, aside from the load of pandas they brought in, and the teachers abandoning us to cannibalistic savages-" I paused to see if I'd caught his attention yet, then pressed on. "The whole building caught fire, then I failed drama, and then sex, sex, sex." Dad's eyes abruptly focused, and he turned to me and frowned. "What did you say they were teaching you in school?
”
”
Maggie Stiefvater (Shiver (The Wolves of Mercy Falls, #1))
β€œ
Argh!" Thalia pushed me, and a shock went through my body that blew me backward ten feet into the water. Some of the campers gasped. A couple of the Hunters stifled laughs. "Sorry!" Thalia said, turning pale. "I didn't mean toβ€”" Anger roared in my ears. A wave erupted from the creek, blasting into Thalia's face and dousing her from head to toe. I stood up. "Yeah," I growled. "I didn't mean to, either." Thalia was breathing heavily. "Enough!" Chiron ordered. But Thalia held out her spear. "You want some, Seaweed Brain?" Somehow, it was okay when Annabeth called me that β€” at least, I'd gotten used to it β€” but hearing it from Thalia was not cool. "Bring it on, Pinecone Face!
”
”
Rick Riordan (The Titan’s Curse (Percy Jackson and the Olympians, #3))
β€œ
Hey, can I see that sword you were using?" I showed him Riptide, and explained how it turned from a pen into a sword just by uncapping it. "Cool! Does it ever run out of ink?" "Um, well, I don't actually write with it." "Are you really the son of Poseidon?" "Well, yeah." "Can you surf really well, then?" I looked at Grover, who was trying hard not to laugh. "Jeez, Nico," I said. "I've never really tried." He went on asking questions. Did I fight a lot with Thalia, since she was a daughter of Zeus? (I didn't answer that one.) If Annabeth's mother was Athena, the goddess of wisdom, then why didn't Annabeth know better than to fall off a cliff? (I tried not to strangle Nico for asking that one.) Was Annabeth my girlfriend? (At this point, I was ready to stick the kid in a meat-flavored sack and throw him to the wolves.)
”
”
Rick Riordan (The Titan’s Curse (Percy Jackson and the Olympians, #3))
β€œ
Give me all of you!!! I don’t want so much of your time, so much of your talents and money, and so much of your work. I want YOU!!! ALL OF YOU!! I have not come to torment or frustrate the natural man or woman, but to KILL IT! No half measures will do. I don’t want to only prune a branch here and a branch there; rather I want the whole tree out! Hand it over to me, the whole outfit, all of your desires, all of your wants and wishes and dreams. Turn them ALL over to me, give yourself to me and I will make of you a new self---in my image. Give me yourself and in exchange I will give you Myself. My will, shall become your will. My heart, shall become your heart.
”
”
C.S. Lewis (Mere Christianity)
β€œ
We have to create culture, don't watch TV, don't read magazines, don't even listen to NPR. Create your own roadshow. The nexus of space and time where you are now is the most immediate sector of your universe, and if you're worrying about Michael Jackson or Bill Clinton or somebody else, then you are disempowered, you're giving it all away to icons, icons which are maintained by an electronic media so that you want to dress like X or have lips like Y. This is shit-brained, this kind of thinking. That is all cultural diversion, and what is real is you and your friends and your associations, your highs, your orgasms, your hopes, your plans, your fears. And we are told 'no', we're unimportant, we're peripheral. 'Get a degree, get a job, get a this, get a that.' And then you're a player, you don't want to even play in that game. You want to reclaim your mind and get it out of the hands of the cultural engineers who want to turn you into a half-baked moron consuming all this trash that's being manufactured out of the bones of a dying world.
”
”
Terence McKenna
β€œ
Let’s get to know each other. My name’s William, William More, but you can call me Willy. I’m an engineer-chemist who graduated from MIT. So . . . but you’re all alike to me . . . of course, you would be . . . you’re robots. And all your names are that sort of, um . . . codes, technical numbers . . . I need some marker where I can pick you out. Well, well, to you I’ll call . . .,” and Willy pondered for a moment, β€œGumball, yes, Gumball! Do you mind?” β€œNo, sir, actually no,” CSE-TR-03 said, agreeing with its new given name. β€œAh, that’s wonderful. And then you’re Darwin,” Willy said, accosting the second robot. β€œLook what a nice nameβ€”Darwin! What do you say, eh?” β€œWhat can I say, sir? I like it,” CSE-TR-02 agreed too. β€œYes, a human name with a past . . . You and Gumball . . . are from the same family, the Methanesons!” β€œIt turns out thus, sir,” Darwin confirmed its family belonging. β€œAnd you’re like Larry. You’re Larry. Do you know that?” More addressed the next robot in line. β€œYes, sir, just now I learned that,” the third robot said, accepted its name as well.
”
”
Todor Bombov (Homo Cosmicus 2: Titan: A Science Fiction Novel)
β€œ
We can't..." he told me. "I know," I agreed. Then his mouth was on mine again, and this time, I knew there would be no turning back. There were no walls this time. Our bodies wrapped together as he tried to get my coat off, then his shirt, then my shirt. ... It really was a lot like when we'd fought out on the quad earlier-that same passion and heat. I think at the end of the day, the instincts that power fighting and sex aren't so different. They all come from an animal side of us. Yet, as more and more clothes came off, it went beyond just animal passion. It was sweet and wonderful at the same time. When I looked into his eyes, I could see without a doubt that he loved me more than anyone else in the world, that I was his salvation, the same way that he was mine. I'd never expected my first time to be in a cabin in the woods, but I realized the place didn't matter. The person did. With someone you loved, you could be anywhere, and it would be incredible. Being in the most luxurious bed in the world wouldn't matter if you were with someone you didn't love.
”
”
Richelle Mead (Shadow Kiss (Vampire Academy, #3))
β€œ
Roads Go Ever On Roads go ever ever on, Over rock and under tree, By caves where never sun has shone, By streams that never find the sea; Over snow by winter sown, And through the merry flowers of June, Over grass and over stone, And under mountains in the moon. Roads go ever ever on, Under cloud and under star. Yet feet that wandering have gone Turn at last to home afar. Eyes that fire and sword have seen, And horror in the halls of stone Look at last on meadows green, And trees and hills they long have known. The Road goes ever on and on Down from the door where it began. Now far ahead the Road has gone, And I must follow, if I can, Pursuing it with eager feet, Until it joins some larger way, Where many paths and errands meet. The Road goes ever on and on Down from the door where it began. Now far ahead the Road has gone, And I must follow, if I can, Pursuing it with weary feet, Until it joins some larger way, Where many paths and errands meet. And whither then? I cannot say. The Road goes ever on and on Out from the door where it began. Now far ahead the Road has gone. Let others follow, if they can! Let them a journey new begin. But I at last with weary feet Will turn towards the lighted inn, My evening-rest and sleep to meet.
”
”
J.R.R. Tolkien (The Lord of the Rings (The Lord of the Rings, #1-3))
β€œ
When you run with the Doctor, it feels like it'll never end. But however hard you try you can't run forever. Everybody knows that everybody dies and nobody knows it like the Doctor. But I do think that all the skies of all the worlds might just turn dark if he ever for one moment, accepts it. Everybody knows that everybody dies. But not every day. Not today. Some days are special. Some days are so, so blessed. Some days, nobody dies at all. (In the library, the Doctor walks back to the TARDIS. He stops, looking at the doors. Then he raises his hand, and stands there poised like that for a long moment. Finally he snaps his fingers. The doors open. He smiles slowly and walks in, joining Donna. Then he snaps his fingers again, and the doors close. River's voice continues over this.) Now and then, every once in a very long while, every day in a million days, when the wind stands fair, and the Doctor comes to call... everybody lives.
”
”
Steven Moffat
β€œ
I don't get scared very often," he said finally. "I was scared the first morning I woke up and you weren't here. I was scared when you left me after Vegas. I was scared when I thought I was going to have to tell my dad that Trent had died in that building. But when I saw you across the flames in the basement...I was terrified. I made it to the door, was a few feet from the exit, and I couldn't leave. "What do you mean? Are you crazy?" I said, my head jerking up to look into his eyes. "I've never been so clear about anything in my life. I turned around, made my way to that room you were in, and there you were. Nothing else mattered. I didn't even know if we would make it out or not, I just wanted to be where you were, whatever that meant. The only thing I'm afraid of is a life without you, Pigeon." I leaned up, kissing his lips tenderly. When our mouths parted, I smiled. "Then you have nothing to be afraid of. We're forever.
”
”
Jamie McGuire (Beautiful Disaster (Beautiful, #1))
β€œ
Isabelle snorted. 'All the boys are gay. In this truck, anyway. Well, not you, Simon.' 'You noticed' said Simon. 'I think of myself as a freewheeling bisexual,' added Magnus. 'Please never say those words in front of my parents,' said Alec. 'Especially my father.' 'I thought your parents were okay with you, you know, coming out,' Simon said, leaning around Isabelle to look at Alec, who was β€” as he often was β€” scowling, and pushing his floppy dark hair out of his eyes. Aside from the occasional exchange, Simon had never talked to Alec much. He wasn’t an easy person to get to know. But, Simon admitted to himself, his own recent estrangement from his mother made him more curious about Alec’s answer than he would have been otherwise. 'My mother seems to have accepted it,' Alec said. 'But my father β€” no, not really. Once he asked me what I thought had turned me gay.' Simon felt Isabelle tense next to him. 'Turned you gay?' She sounded incredulous. 'Alec, you didn’t tell me that.' 'I hope you told him you were bitten by a gay spider,' said Simon. Magnus snorted; Isabelle looked confused. 'I’ve read Magnus’s stash of comics,' said Alec, 'so I actually know what you’re talking about' A small smile played around his mouth. 'So would that give me the proportional gayness of a spider?' 'Only if it was a really gay spider,' said Magnus, and he yelled as Alec punched him in the arm. 'Ow, okay, never mind.
”
”
Cassandra Clare (City of Lost Souls (The Mortal Instruments, #5))
β€œ
Once upon a midnight dreary, while I pondered, weak and weary, Over many a quaint and curious volume of forgotten lore, While I nodded, nearly napping, suddenly there came a tapping, As of some one gently rapping, rapping at my chamber door. Tis some visitor," I muttered, "tapping at my chamber door β€” Only this, and nothing more." Ah, distinctly I remember it was in the bleak December, And each separate dying ember wrought its ghost upon the floor. Eagerly I wished the morrow; β€” vainly I had sought to borrow From my books surcease of sorrow β€” sorrow for the lost Lenore β€” For the rare and radiant maiden whom the angels name Lenore β€” Nameless here for evermore. And the silken sad uncertain rustling of each purple curtain Thrilled me β€” filled me with fantastic terrors never felt before; So that now, to still the beating of my heart, I stood repeating, Tis some visitor entreating entrance at my chamber door β€” Some late visitor entreating entrance at my chamber door; β€” This it is, and nothing more." Presently my soul grew stronger; hesitating then no longer, Sir," said I, "or Madam, truly your forgiveness I implore; But the fact is I was napping, and so gently you came rapping, And so faintly you came tapping, tapping at my chamber door, That I scarce was sure I heard you"β€” here I opened wide the door; β€” Darkness there, and nothing more. Deep into that darkness peering, long I stood there wondering, fearing, Doubting, dreaming dreams no mortals ever dared to dream before; But the silence was unbroken, and the stillness gave no token, And the only word there spoken was the whispered word, "Lenore?" This I whispered, and an echo murmured back the word, "Lenore!" β€” Merely this, and nothing more. Back into the chamber turning, all my soul within me burning, Soon again I heard a tapping somewhat louder than before. Surely," said I, "surely that is something at my window lattice: Let me see, then, what thereat is, and this mystery explore β€” Let my heart be still a moment and this mystery explore; β€” 'Tis the wind and nothing more." Open here I flung the shutter, when, with many a flirt and flutter, In there stepped a stately raven of the saintly days of yore; Not the least obeisance made he; not a minute stopped or stayed he; But, with mien of lord or lady, perched above my chamber door β€” Perched upon a bust of Pallas just above my chamber door β€” Perched, and sat, and nothing more. Then this ebony bird beguiling my sad fancy into smiling, By the grave and stern decorum of the countenance it wore. Though thy crest be shorn and shaven, thou," I said, "art sure no craven, Ghastly grim and ancient raven wandering from the Nightly shore β€” Tell me what thy lordly name is on the Night's Plutonian shore!" Quoth the Raven, "Nevermore." Much I marveled this ungainly fowl to hear discourse so plainly, Though its answer little meaningβ€” little relevancy bore; For we cannot help agreeing that no living human being Ever yet was blest with seeing bird above his chamber door β€” Bird or beast upon the sculptured bust above his chamber door, With such name as "Nevermore.
”
”
Edgar Allan Poe (The Raven)
β€œ
I was suffering the easily foreseeable consequences. Addiction is the hallmark of every infatuation-based love story. It all begins when the object of your adoration bestows upon you a heady, hallucinogenic dose of something you never dared to admit you wanted-an emotional speedball, perhaps, of thunderous love and roiling excitement. Soon you start craving that intense attention, with a hungry obsession of any junkie. When the drug is witheld, you promptly turn sick, crazy, and depleted (not to mention resentful of the dealer who encouraged this addiction in the first place but now refuses to pony up the good stuff anymore-- despite the fact that you know he has it hidden somewhere, goddamn it, because he used to give it to you for free). Next stage finds you skinny and shaking in a corner, certain only that you would sell your soul or rob your neighbors just to have 'that thing' even one more time. Meanwhile, the object of your adoration has now become repulsed by you. He looks at you like you're someone he's never met before, much less someone he once loved with high passion. The irony is,you can hardly blame him. I mean, check yourself out. You're a pathetic mess,unrecognizable even to your own eyes. So that's it. You have now reached infatuation's final destination-- the complete and merciless devaluation of self." - pg 20-21
”
”
Elizabeth Gilbert
β€œ
Stood in firelight, sweltering. Bloodstain on chest like map of violent new continent. Felt cleansed. Felt dark planet turn under my feet and knew what cats know that makes them scream like babies in night. Looked at sky through smoke heavy with human fat and God was not there. The cold, suffocating dark goes on forever and we are alone. Live our lives, lacking anything better to do. Devise reason later. Born from oblivion; bear children, hell-bound as ourselves, go into oblivion. There is nothing else. Existence is random. Has no pattern save what we imagine after staring at it for too long. No meaning save what we choose to impose. This rudderless world is not shaped by vague metaphysical forces. It is not God who kills the children. Not fate that butchers them or destiny that feeds them to the dogs. It’s us. Only us. Streets stank of fire. The void breathed hard on my heart, turning its illusions to ice, shattering them. Was reborn then, free to scrawl own design on this morally blank world. Was Rorschach. Does that answer your Questions, Doctor?
”
”
Alan Moore (Watchmen)
β€œ
Once upon a time, there was a girl who talked to the moon. And she was mysterious and she was perfect, in that way that girls who talk to moons are. In the house next door, there lived a boy. And the boy watched the girl grow more and more perfect, more and more beautiful with each passing year. He watched her watch the moon. And he began to wonder if the moon would help him unravel the mystery of the beautiful girl. So the boy looked into the sky. But he couldn't concentrate on the moon. He was too distracted by the stars. And it didn't matter how many songs or poems had already been written about them, because whenever he thought about the girl, the stars shone brighter. As if she were the one keeping them illuminated. One day, the boy had to move away. He couldn't bring the girl with him, so he brought the stars. When he'd look out his window at night, he would start with one. One star. And the boy would make a wish on it, and the wish would be her name. At the sound of her name, a second star would appear. And then he'd wish her name again, and the stars would double into four. And four became eight, and eight became sixteen, and so on, in the greatest mathematical equation the universe had ever seen. And by the time an hour had passed, the sky would be filled with so many stars that it would wake the neighbors. People wondered who'd turned on the floodlights. The boy did. By thinking about the girl.
”
”
Stephanie Perkins (Lola and the Boy Next Door (Anna and the French Kiss, #2))
β€œ
You’re here!” Isabelle danced up to them in delight, carrying a glass of fuchsia liquid, which she thrust at Clary. β€œHave some of this!” Clary squinted at it. β€œIs it going to turn me into a rodent?” β€œWhere is the trust? I think it’s strawberry juice,” Isabelle said. β€œAnyways, it’s yummy. Jace?” She offered him the glass. β€œI am a man,” he told her, β€œand men do not consume pink beverages. Get thee gone, woman, and bring me something brown.” β€œBrown?” Isabelle made a face. β€œBrown is a manly color,” said Jace, and yanked on a stray lock of Isabelle’s hair with his free hand. β€œIn fact, look – Alec is wearing it.” Alec looked mournfully down at his sweater. β€œIt was black,” he said. β€œBut then it faded.” β€œYou could dress it up with a sequined headband,” Magnus suggested, offering his boyfriend something blue and sparkly. β€œJust a thought.” β€œResist the urge, Alec.” Simon was sitting on the edge of a low wall with Maia beside him, though she appeared to be deep in conversation with Aline. β€œYou’ll look like Olivia Newton-John in Xanadu.” β€œThere are worse things,” Magnus observed.
”
”
Cassandra Clare (City of Glass (The Mortal Instruments, #3))
β€œ
Responsibility to yourself means refusing to let others do your thinking, talking, and naming for you...it means that you do not treat your body as a commodity with which to purchase superficial intimacy or economic security; for our bodies to be treated as objects, our minds are in mortal danger. It means insisting that those to whom you give your friendship and love are able to respect your mind. It means being able to say, with Charlotte Bronte's Jane Eyre: "I have an inward treasure born with me, which can keep me alive if all the extraneous delights should be withheld or offered only at a price I cannot afford to give. Responsibility to yourself means that you don't fall for shallow and easy solutions--predigested books and ideas...marrying early as an escape from real decisions, getting pregnant as an evasion of already existing problems. It means that you refuse to sell your talents and aspirations short...and this, in turn, means resisting the forces in society which say that women should be nice, play safe, have low professional expectations, drown in love and forget about work, live through others, and stay in the places assigned to us. It means that we insist on a life of meaningful work, insist that work be as meaningful as love and friendship in our lives. It means, therefore, the courage to be "different"...The difference between a life lived actively, and a life of passive drifting and dispersal of energies, is an immense difference. Once we begin to feel committed to our lives, responsible to ourselves, we can never again be satisfied with the old, passive way.
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Adrienne Rich
β€œ
Go into yourself. Find out the reason that commands you to write; see whether it has spread its roots into the very depths of your heart; confess to yourself whether you would have to die if you were forbidden to write. This most of all: ask yourself in the most silent hour of your night: must I write? Dig into yourself for a deep answer. And if this answer rings out in assent, if you meet this solemn question with a strong, simple β€œI must,” then build your life in accordance with this necessity; your whole life, even into its humblest and most indifferent hour, must become a sign and witness to this impulse. Then come close to Nature. Then, as if no one had ever tried before, try to say what you see and feel and love and lose... ...Describe your sorrows and desires, the thoughts that pass through your mind and your belief in some kind of beauty - describe all these with heartfelt, silent, humble sincerity and, when you express yourself, use the Things around you, the images from your dreams, and the objects that you remember. If your everyday life seems poor, don’t blame it; blame yourself; admit to yourself that you are not enough of a poet to call forth its riches; because for the creator there is not poverty and no poor, indifferent place. And even if you found yourself in some prison, whose walls let in none of the world’s sounds – wouldn’t you still have your childhood, that jewel beyond all price, that treasure house of memories? Turn your attentions to it. Try to raise up the sunken feelings of this enormous past; your personality will grow stronger, your solitude will expand and become a place where you can live in the twilight, where the noise of other people passes by, far in the distance. - And if out of this turning-within, out of this immersion in your own world, poems come, then you will not think of asking anyone whether they are good or not. Nor will you try to interest magazines in these works: for you will see them as your dear natural possession, a piece of your life, a voice from it. A work of art is good if it has arisen out of necessity. That is the only way one can judge it.
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Rainer Maria Rilke
β€œ
I'd like to repeat the advice that I gave you before, in that I think you really should make a radical change in your lifestyle and begin to boldly do things which you may previously never have thought of doing, or been too hesitant to attempt. So many people live within unhappy circumstances and yet will not take the initiative to change their situation because they are conditioned to a life of security, conformity, and conservatism, all of which may appear to give one peace of mind, but in reality nothing is more damaging to the adventurous spirit within a man than a secure future. The very basic core of a man's living spirit is his passion for adventure. The joy of life comes from our encounters with new experiences, and hence there is no greater joy than to have an endlessly changing horizon, for each day to have a new and different sun. If you want to get more out of life, Ron, you must lose your inclination for monotonous security and adopt a helter-skelter style of life that will at first appear to you to be crazy. But once you become accustomed to such a life you will see its full meaning and its incredible beauty. And so, Ron, in short, get out of Salton City and hit the Road. I guarantee you will be very glad you did. But I fear that you will ignore my advice. You think that I am stubborn, but you are even more stubborn than me. You had a wonderful chance on your drive back to see one of the greatest sights on earth, the Grand Canyon, something every American should see at least once in his life. But for some reason incomprehensible to me you wanted nothing but to bolt for home as quickly as possible, right back to the same situation which you see day after day after day. I fear you will follow this same inclination in the future and thus fail to discover all the wonderful things that God has placed around us to discover. Don't settle down and sit in one place. Move around, be nomadic, make each day a new horizon. You are still going to live a long time, Ron, and it would be a shame if you did not take the opportunity to revolutionize your life and move into an entirely new realm of experience. You are wrong if you think Joy emanates only or principally from human relationships. God has placed it all around us. It is in everything and anything we might experience. We just have to have the courage to turn against our habitual lifestyle and engage in unconventional living. My point is that you do not need me or anyone else around to bring this new kind of light in your life. It is simply waiting out there for you to grasp it, and all you have to do is reach for it. The only person you are fighting is yourself and your stubbornness to engage in new circumstances.
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Jon Krakauer (Into the Wild)
β€œ
Because I wanted you." He turned from the window to face me. "More than I ever wanted anything in my life," he added softly. I continued staring at him, dumbstruck. Whatever I had been expecting, it wasn't this. Seeing my openmouthed expression, he continued lightly. "When I asked my da how ye knew which was the right woman, he told me when the time came, I'd have no doubt. And I didn't. When I woke in the dark under that tree on the road to Leoch, with you sitting on my chest, cursing me for bleeding to death, I said to myself, 'Jamie Fraser, for all ye canna see what she looks like, and for all she weighs as much as a good draft horse, this is the woman'" I started toward him, and he backed away, talking rapidly. "I said to myself, 'She's mended ye twice in as many hours, me lad; life amongst the MacKenzies being what it is, it might be as well to wed a woman as can stanch a wound and set broken bones.' And I said to myself, 'Jamie, lad, if her touch feels so bonny on your collarbone, imagine what it might feel like lower down...'" He dodged around a chair. "Of course, I thought it might ha' just been the effects of spending four months in a monastery, without benefit of female companionship, but then that ride through the dark together"--he paused to sigh theatrically, neatly evading my grab at his sleeve--"with that lovely broad arse wedged between my thighs"--he ducked a blow aimed at his left ear and sidestepped, getting a low table between us--"and that rock-solid head thumping me in the chest"--a small metal ornament bounced off his own head and went clanging to the floor--"I said to myself..." He was laughing so hard at this point that he had to gasp for breath between phrases. "Jamie...I said...for all she's a Sassenach bitch...with a tongue like an adder's ...with a bum like that...what does it matter if she's a f-face like a sh-sh-eep?" I tripped him neatly and landed on his stomach with both knees as he hit the floor with a crash that shook the house. "You mean to tell me that you married me out of love?" I demanded. He raised his eyebrows, struggling to draw in breath. "Have I not...just been...saying so?
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Diana Gabaldon (Outlander (Outlander, #1))
β€œ
First, Lord: No tattoos. May neither Chinese symbol for truth nor Winnie-the-Pooh holding the FSU logo stain her tender haunches. May she be Beautiful but not Damaged, for it’s the Damage that draws the creepy soccer coach’s eye, not the Beauty. When the Crystal Meth is offered, May she remember the parents who cut her grapes in half And stick with Beer. Guide her, protect her When crossing the street, stepping onto boats, swimming in the ocean, swimming in pools, walking near pools, standing on the subway platform, crossing 86th Street, stepping off of boats, using mall restrooms, getting on and off escalators, driving on country roads while arguing, leaning on large windows, walking in parking lots, riding Ferris wheels, roller-coasters, log flumes, or anything called β€œHell Drop,” β€œTower of Torture,” or β€œThe Death Spiral Rock β€˜N Zero G Roll featuring Aerosmith,” and standing on any kind of balcony ever, anywhere, at any age. Lead her away from Acting but not all the way to Finance. Something where she can make her own hours but still feel intellectually fulfilled and get outside sometimes And not have to wear high heels. What would that be, Lord? Architecture? Midwifery? Golf course design? I’m asking You, because if I knew, I’d be doing it, Youdammit. May she play the Drums to the fiery rhythm of her Own Heart with the sinewy strength of her Own Arms, so she need Not Lie With Drummers. Grant her a Rough Patch from twelve to seventeen. Let her draw horses and be interested in Barbies for much too long, For childhood is short – a Tiger Flower blooming Magenta for one day – And adulthood is long and dry-humping in cars will wait. O Lord, break the Internet forever, That she may be spared the misspelled invective of her peers And the online marketing campaign for Rape Hostel V: Girls Just Wanna Get Stabbed. And when she one day turns on me and calls me a Bitch in front of Hollister, Give me the strength, Lord, to yank her directly into a cab in front of her friends, For I will not have that Shit. I will not have it. And should she choose to be a Mother one day, be my eyes, Lord, that I may see her, lying on a blanket on the floor at 4:50 A.M., all-at-once exhausted, bored, and in love with the little creature whose poop is leaking up its back. β€œMy mother did this for me once,” she will realize as she cleans feces off her baby’s neck. β€œMy mother did this for me.” And the delayed gratitude will wash over her as it does each generation and she will make a Mental Note to call me. And she will forget. But I’ll know, because I peeped it with Your God eyes.
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Tina Fey (Bossypants)
β€œ
I will love you if I never see you again, and I will love you if I see you every Tuesday. I will love you as the starfish loves a coral reef and as kudzu loves trees, even if the oceans turn to sawdust and the trees fall in the forest without anyone around to hear them. I will love you as the pesto loves the fettuccini and ats the horseradish loves the miyagi, and the pepperoni loves the pizza. I will love you as the manatee loves the head of lettuce and as the dark spot loves the leopard, as the leech loves the ankle of a wader and as a corpse loves the beak of the vulture. I will love you as the doctor loves his sickest patient and a lake loves its thirstiest swimmer. I will love you as the beard loves the chin, and the crumbs love the beard, and the damp napkin loves the crumbs, and the precious document loves the dampness of the napkin, and the squinting eye of the reader loves the smudged document, and the tears of sadness love the squinting eye as it misreads what is written. I will love you as the iceberg loves the ship, and the passengers love the lifeboat, and the lifeboat loves the teeth of the sperm whale, and the sperm whale loves the flavor of naval uniforms. I will love you as a drawer loves a secret compartment, and as a secret compartment loves a secret, and as a secret loves to make a person gasp... I will love you until all such compartments are discovered and opened, and all the secrets have gone gasping into the world. I will love you until all the codes and hearts have been broken and until every anagram and egg has been unscrambled. I will love you until every fire is extinguished and rebuilt from the handsomest and most susceptible of woods. I will love you until the bird hates a nest and the worm hates an apple. I will love you as we find ourselves farther and farther from one another, where once we were so close... I will love you until your face is fogged by distant memory. I will love you no matter where you go and who you see, I will love you if you don't marry me. I will love you if you marry someone else--and i will love you if you never marry at all, and spend your years wishing you had married me after all. That is how I will love you even as the world goes on its wicked way.
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Lemony Snicket (The Beatrice Letters (A Series of Unfortunate Events, #12.5))
β€œ
I will love you with no regard to the actions of our enemies or the jealousies of actors. I will love you with no regard to the outrage of certain parents or the boredom of certain friends. I will love you no matter what is served in the world’s cafeterias or what game is played at each and every recess. I will love you no matter how many fire drills we are all forced to endure, and no matter what is drawn upon the blackboard in blurry, boring chalk. I will love you no matter how many mistakes I make when trying to reduce fractions, and no matter how difficult it is to memorize the periodic table. I will love you no matter what your locker combination was, or how you decided to spend your time during study hall. I will love you no matter how your soccer team performed in the tournament or how many stains I received on my cheerleading uniform. I will love you if I never see you again, and I will love you if I see you every Tuesday. I will love you if you cut your hair and I will love you if you cut the hair of others. I will love you if you abandon your baticeering, and I will love you if you if you retire from the theater to take up some other, less dangerous occupation. I will love you if you drop your raincoat on the floor instead of hanging it up and I will love you if you betray your father. I will love you even if you announce that the poetry of Edgar Guest is the best in the world and even if you announce that the work of Zilpha Keatley Snyder is unbearably tedious. I will love you if you abandon the theremin and take up the harmonica and I will love you if you donate your marmosets to the zoo and your tree frogs to M. I will love you as a starfish loves a coral reef and as a kudzu loves trees, even if the oceans turn to sawdust and the trees fall in the forest without anyone around to hear them. I will love you as the pesto loves the fettuccini and as the horseradish loves the miyagi, as the tempura loves the ikura and the pepperoni loves the pizza. I will love you as the manatee loves the head of lettuce and as the dark spot loves the leopard, as the leech loves the ankle of a wader and as a corpse loves the beak of the vulture. I will love you as the doctor loves his sickest patient and a lake loves its thirstiest swimmer. I will love you as the beard loves the chin, and the crumbs love the beard, and the damp napkin loves the crumbs, and the precious document loves the dampness in the napkin, and the squinting eye of the reader loves the smudged print of the document, and the tears of sadness love the squinting eye as it misreads what is written. I will love you as the iceberg loves the ship, and the passengers love the lifeboat, and the lifeboat loves the teeth of the sperm whale, and the sperm whale loves the flavor of naval uniforms. i will love you as a child loves to overhear the conversations of its parents, and the parents love the sound of their own arguing voices, and as the pen loves to write down the words these voices utter in a notebook for safekeeping. I will love you as a shingle loves falling off a house on a windy day and striking a grumpy person across the chin, and as an oven loves malfunctioning in the middle of roasting a turkey. I will love you as an airplane loves to fall from a clear blue sky and as an escalator loves to entangle expensive scarves in its mechanisms. I will love you as a wet paper towel loves to be crumpled into a ball and thrown at a bathroom ceiling and as an eraser loves to leave dust in the hairdos of people who talk too much. I will love you as a cufflink loves to drop from its shirt and explore the party for itself and as a pair of white gloves loves to slip delicately into the punchbowl. I will love you as the taxi loves the muddy splash of a puddle and as a library loves the patient tick of a clock.
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Lemony Snicket