Turf Life Quotes

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Sometimes, we must face our fears and our enemies on their ground, a place where they appear stronger but if we are well prepared, nothing can stop us. Their turf or not, success will be ours.
Idowu Koyenikan (Wealth for All: Living a Life of Success at the Edge of Your Ability)
WE two boys together clinging, One the other never leaving, Up and down the roads going, North and South excursions making, Power enjoying, elbows stretching, fingers clutching, Arm'd and fearless, eating, drinking, sleeping, loving. No law less than ourselves owning, sailing, soldiering, thieving, threatening, Misers, menials, priests alarming, air breathing, water drinking, on the turf or the sea-beach dancing, Cities wrenching, ease scorning, statutes mocking, feebleness chasing, Fulfilling our foray.
Walt Whitman
Life isn't good, life isn't bad. Instead I'm floating on a turf somewhere in between.
Alysha Speer
To thee, to thee, my fire! Thou hast been burning in my heart all these futile years. If my life were a piece of gold it would come out of its trial brighter, but it is a trodden turf of grass, and nothing remains of it but this handful of ashes.
Rabindranath Tagore (The Hungry Stones and Other Stories)
Certitude leads to violence. This is a proposition that has an easy application and a difficult one. The easy application is to ideoologues, dogmatists, and bullies--people who think that their rigtness justifies them in imposing on anyone who does not happen to suscribe to their particular ideology, dogma or notion of turf. If the conviction of rightness is powerful enough, resistance to it will be met, sooner or later by force. There are people like this in every sphere of life, and it is natural to feel that the world would be a better place without them!
Oliver Wendell Holmes Jr.
The lesson Holmes took from the war can be put in a sentence. It is that certitude leads to violence. This is a proposition that has an easy application and a difficult one. The easy application is to ideologues, dogmatists, and bullies—people who think that their rightness justifies them in imposing on anyone who does not happen to subscribe to their particular ideology, dogma, or notion of turf. If the conviction of rightness is powerful enough, resistance to it will be met, sooner or later, by force. There are people like this in every sphere of life, and it is natural to feel that the world would be a better place without them.
Louis Menand (The Metaphysical Club: A Story of Ideas in America)
Wimps take life as it comes; superior people slap life up the side of the head until it gives them turf.
Jim Davis
MY LAST HOPE IS to open up the road—literally. So far it’s been overwhelmingly masculine turf. Men embody adventure, women embody hearth and home, and that has been pretty much it.
Gloria Steinem (My Life on the Road)
Cling, therefore, to this sound and wholesome plan of life; indulge the body just so far as suffices for good health. ... Your food should appease your hunger, your drink quench your thirst, your clothing keep out the cold, your house be a protection against inclement weather. It makes no difference whether it is built of turf or variegated marble imported from another country: what you have to understand is that thatch makes a person just as good a roof as gold.
Seneca (Letters from a Stoic)
Often in the summer, as I go to or come from the vestry, I sit down for a moment on the turf that covers my old friend Rodgers, and think that this body of mine is everyday moldering away, til it shall fall a heap of dust into it's appointed place. But what is that to me? It is to me the drawing nigh of the fresh morning of life when I shall be young and strong again, glad in the presence of the wise and beloved dead, and unspeakably glad in the presence of God.
George MacDonald (Annals of a Quiet Neighborhood, Volume 2)
Oscar was raised to believe that if he stayed in his room reading about made up worlds it meant he didn't appreciate the life he had, the possessions his parents had worked hard for, like the TV and the video and the newly turfed back garden.
Benjamin Wood (The Bellwether Revivals)
It is the opinion of most thoughtful students of life that happiness in this world depends chiefly on the ability to take things as they come. An instance of one who may be said to have perfected this attitude is to be found in the writings of a certain eminent Arabian author who tells of a traveller who, sinking to sleep one afternoon upon a patch of turf containing an acorn, discovered when he woke that the warmth of his body had caused the acorn to germinate and that he was now some sixty feet above the ground in the upper branches of a massive oak. Unable to descend, he faced the situation equably. ‘I cannot,’ he observed, ‘adapt circumstances to my will: therefore I shall adapt my will to circumstances. I decide to remain here.’ Which he did.
P.G. Wodehouse (Leave It to Psmith (Psmith, #4))
THE OLD MAN IN THE CORNER The man in the corner Is dying with words He's crying to be heard His days are marked And his only ears are birds He knows the secret to peace And his experience bleeds and hurts Somebody stop and listen Before he departs the earth! Somebody write his thoughts Before he hits the turf! His eyes are closing their shutters And he just dropped his Beads and stick. His breath is leaving us. Please! Somebody hear him out quick! A little girl rushes to him and Picks up his cane of wood. The old man then turns to her And faintly whispers, "The key to peace is To always stay fair And be good.
Suzy Kassem (Rise Up and Salute the Sun: The Writings of Suzy Kassem)
Yeah, I’m a classy guy.” Ranger scooped up a handful of popcorn. “A little girl’s life is at stake. That doesn’t leave much room for ego and turf wars.
Janet Evanovich (Twelve Sharp (Stephanie Plum, #12))
However, if he really wanted to bust me, all he had to do was ask to see my schoolbooks. The front and back covers are the first place graffiti artists start to draw.
Drexel Deal (The Fight of My Life is Wrapped Up in My Father (The Fight of My Life is Wrapped in My Father Book 1))
Grab a pen and your turf will have no limits.
Nadun Lokuliyanage
the best leaders are those who can paint a compelling picture of the future, who can say, “This is the world I want to see. Who’s with me?” Organizations can become calcified when they become selfish—no longer serving a vision, a cause outside themselves, but only maintaining their own power and turf. Good leaders not only are servants but make their organizations into servants as well.
Timothy J. Keller (God's Wisdom for Navigating Life: A Year of Daily Devotions in the Book of Proverbs)
You must have been studying her life.’ ‘We have a book in the convent library.’ ‘Is your library extensive?’ ‘Well, there’s some lives of the saints. Oh, and a Turf Guide, that’s Sister Anthony’s.
Hilary Mantel (Fludd)
But I’ve always felt very comfortable on stage, even if I screw up. It always felt like a dog, this is my turf, piss around it. While I’m here, nothing else can happen. All I can do is screw up. Otherwise, have a good time.
Keith Richards (Life)
To wonder sadly, did I say? No: a new influence began to act upon my life, and sadness, for a certain space, was held at bay. Conceive a dell, deep-hollowed in forest secresy; it lies in dimness and mist: its turf is dank, its herbage pale and humid. A storm or an axe makes a wide gap amongst the oak-trees; the breeze sweeps in; the sun looks down; the sad, cold dell becomes a deep cup of lustre; high summer pours her blue glory and her golden light out of that beauteous sky, which till now the starved hollow never saw. A new creed became mine - a belief in happiness.
Charlotte Brontë (Villette)
Giving these lil’ fellas a gun was important to keep the name of the Rebellions strong, because whenever the name drops, it’s only a matter of time before someone kicks your door in. Scrooge, former leader of the Rebellion Raiders street gang that once boasted of having some ten thousand members
Drexel Deal (The Fight of My Life is Wrapped Up in My Father (The Fight of My Life is Wrapped in My Father Book 1))
There is one in this tribe too often miserable - a child bereaved of both parents. None cares for this child: she is fed sometimes, but oftener forgotten: a hut rarely receives her: the hollow tree and chill cavern are her home. Forsaken, lost, and wandering, she lives more with the wild beast and bird than with her own kind. Hunger and cold are her comrades: sadness hovers over, and solitude besets her round. Unheeded and unvalued, she should die: but she both lives and grows: the green wilderness nurses her, and becomes to her a mother: feeds her on juicy berry, on saccharine root and nut. There is something in the air of this clime which fosters life kindly: there must be something, too, in its dews, which heals with sovereign balm. Its gentle seasons exaggerate no passion, no sense; its temperature tends to harmony; its breezes, you would say, bring down from heaven the germ of pure thought, and purer feeling. Not grotesquely fantastic are the forms of cliff and foliage; not violently vivid the colouring of flower and bird: in all the grandeur of these forests there is repose; in all their freshness there is tenderness. The gentle charm vouchsafed to flower and tree, - bestowed on deer and dove, - has not been denied to the human nursling. All solitary, she has sprung up straight and graceful. Nature cast her features in a fine mould; they have matured in their pure, accurate first lines, unaltered by the shocks of disease. No fierce dry blast has dealt rudely with the surface of her frame; no burning sun has crisped or withered her tresses: her form gleams ivory-white through the trees; her hair flows plenteous, long, and glossy; her eyes, not dazzled by vertical fires, beam in the shade large and open, and full and dewy: above those eyes, when the breeze bares her forehead, shines an expanse fair and ample, - a clear, candid page, whereon knowledge, should knowledge ever come, might write a golden record. You see in the desolate young savage nothing vicious or vacant; she haunts the wood harmless and thoughtful: though of what one so untaught can think, it is not easy to divine. On the evening of one summer day, before the Flood, being utterly alone - for she had lost all trace of her tribe, who had wandered leagues away, she knew not where, - she went up from the vale, to watch Day take leave and Night arrive. A crag, overspread by a tree, was her station: the oak-roots, turfed and mossed, gave a seat: the oak-boughs, thick-leaved, wove a canopy. Slow and grand the Day withdrew, passing in purple fire, and parting to the farewell of a wild, low chorus from the woodlands. Then Night entered, quiet as death: the wind fell, the birds ceased singing. Now every nest held happy mates, and hart and hind slumbered blissfully safe in their lair. The girl sat, her body still, her soul astir; occupied, however, rather in feeling than in thinking, - in wishing, than hoping, - in imagining, than projecting. She felt the world, the sky, the night, boundlessly mighty. Of all things, herself seemed to herself the centre, - a small, forgotten atom of life, a spark of soul, emitted inadvertent from the great creative source, and now burning unmarked to waste in the heart of a black hollow. She asked, was she thus to burn out and perish, her living light doing no good, never seen, never needed, - a star in an else starless firmament, - which nor shepherd, nor wanderer, nor sage, nor priest, tracked as a guide, or read as a prophecy? Could this be, she demanded, when the flame of her intelligence burned so vivid; when her life beat so true, and real, and potent; when something within her stirred disquieted, and restlessly asserted a God-given strength, for which it insisted she should find exercise?
Charlotte Brontë (Shirley)
Through all of those different wars, we came to understand each other. The Mason’s fellas just wanted to chill in their area and be left alone. The Border Boys basically wanted the same thing. Stinky and Robert just wanted to be able to sell their drugs and make their money. But us, we were on a mission to take over the whole town. Scrooge, former leader of the Rebellion Raiders street gang that once boasted of having some ten thousand members
Drexel Deal (The Fight of My Life is Wrapped Up in My Father (The Fight of My Life is Wrapped in My Father Book 1))
My dearest Lydia I do not wish to disturb your thoughts with sad tidings, and yet to do otherwise than write to you at this time with an honest heart would give cause for you to reproach me in years to come, years when you will live and breathe the warm air while I rest beneath the turf, and the very thought of such reproach grieves my heavy heart as it prepares to beat its last. For I am fading, and henceforth you will not hear word of this frail shell whom once you graced with friendship, except, perhaps, through another's report or distant memory. Whether our encounter in this life has brought me more joy than pain is a question that once I asked myself, but now see as a thing of no concern. My love for you is not to be judged by degrees of pleasure. It is not of the world of matter to be placed on the scale or weighed in the balance. Our flesh, the deeds we commit and things we created may be subject to the measure, but not a love like this. Joy and pain are but the distant resonance, while my love for you is the present song; they are but patterns of dust caught on the edge of the morning light, while my love is the blazing sun that illuminates them. My love abides, my love existed before we met, and my love will continue as the centuries roll by when we and our story are shades forgotten. But my love must perforce now return to its cave, to its sleeping state, whence it emerged that morning long ago by the water's edge, when our eyes met and the spirit took wing. And so farewell in this life, most beautiful of beings, song of my soul, my sunlight, my love. Do not judge me by the deeds of my body, which is frail, finite and blemished. Remember me instead as the soul of all that you cherish, for that I truly aspire to be, and I shall live and shine with you perpetually, in an everlasting embrace. Your devoted friend Godwin Tudor
Roland Vernon
Like a traveler discovering the almost identical turf-roofed houses and the terraces that may have greeted the eyes of Xenophon or Saint Paul, I discovered still intact after two centuries in the manners of M. de Guermantes, a man of touching kindness and unspeakable inflexibility, a slave to the most petty obligations yet not to the most sacred commitments, the same aberration that typified court life under Louis XIV, which removes scruples of conscience from the domain of the affections and morality and transforms them into questions of pure form.
Marcel Proust (The Guermantes Way (In Search of Lost Time, #3))
There was a further, rather crazy reason why Neil was my dream batsman. In the 1950s, pop music was innocent and melodic. Top among the vocalists who escorted me through my youth was little Guy Mitchell. That plaintive, joyous, carefree voice gave us Truly Fair and My Heart Cries for You, crystal-clear melodies that lifted and sustained anxious teenagers, exactly as did Neil Harvey’s dainty batsmanship. Neil was a study in cream: no commercial logos then (least of all affixed to the white boundary pickets or splattered even more intrusively across the sacred turf), just a clean bat wielded by a young chap with shirt-sleeves rolled high, pads gleaming white, dark hair unencumbered by cap or sunhat (let alone helmet), head slightly tilted as he walked. "Consequently, whenever I watched Harvey play, a Guy Mitchell song would float through my head. And whenever I listened to those 78rpm records at home, they sparked visions of Neil Harvey at the crease. So I’ve now confessed to a modern readership. And if that portrays the young me as a dreamer, anchored securely in a world of innocence and joy, so be it. Despite all the tensions and crises that life has thrown up, little has changed. I owe a lot to Neil Harvey.
David Frith (Masterly Batting: 100 Great Test Innings)
As in most obituaries, the author said little about the man; they rarely do. But the reticence here was greater than usual. It mentioned that Ravenscliff left a wife, but did not say when they married. It said nothing at all about his life, nor where he lived. There were not even any of the usual phrases to give a slight hint: ‘a natural raconteur’ (loved the sound of his own voice); ‘Noted for his generosity to friends’ (profligate); ‘a formidable enemy . . .’ (a brute); ‘a severe but fair employer . . .’ (a slave-driver); ‘devoted to the turf’ (never read a book in his life); ‘a life-long bachelor’ (vice); ‘a collector of flowers’ (this meant a great womaniser. Why it came to mean such a thing I do not know.) More browsing
Iain Pears (Stone's Fall)
One day I was watching the cartoon She-Ra, and the episode that was on was called ‘She-Ra and the Mighty Rebellions.’ At that time, the gang was already formed and was on the move. We were already getting involved in territory fights. This was when the Syndicates was out [the Syndicates was the first street gang ever to be established in The Bahamas; however, they were put out of business by the Rebellions]. One day we were on the wall, and guys were throwing out different names. I told them that the best name for this gang would be the Rebellions. To this day, I’m sorry I ever came up with that name, because I’m getting tired of seeing that name on the walls throughout Nassau. Anthony ‘Ada’ Allen, one of the former leaders and founders of the Rebellion Raiders street gang.
Drexel Deal (The Fight of My Life is Wrapped Up in My Father (The Fight of My Life is Wrapped in My Father Book 1))
There is no sense of ease like the ease we felt in those scenes where we were born, where objects became dear to us before we had known the labour of choice, and where the outer world seemed only an extension of our own personality: we accepted and loved it as we accepted our own sense of existence and our own limbs. Very commonplace, even ugly, that furniture of our early home might look if it were put up to auction; an improved taste in upholstery scorns it; and is not the striving after something better and better in our surrounding, the grand characteristic that distinguishes man from the brute - or, to satisfy a scrupulous accuracy of definition, that distinguishes the British man from the foreign brute? But heaven knows where that striving might lead us, if our affections had not a trick of twining round those old inferior things - if the loves and sanctities of our life had no deep immovable roots in memory. One's delight in an elderberry bush overhanging the confused lea age of a hedgerow bank, as a more gladdening sight than the finest cistus or fuchsia spreading itself on the softest undulating turf, is an entirely unjustifiable preference to a nursery-gardener, or to any of those severely regulated minds who are free from the weakness of any attachment that does not rest on a demonstrable superiority of qualities. And there is no better reason for preferring this elderberry bush than that it stirs an early memory - that it is no novelty in my life, speaking to me merely through my present sensibilities to form and colour, but the long companion of my existence, that wove itself into my joys when joys were vivid.
George Eliot (The Mill on the Floss)
here is something that is impossible for anyone to believe. The human species has been in existence as Homo sapiens for (let us not quarrel about the exact total) at least one hundred and fifty thousand years. An instant in evolutionary time, this is nonetheless a vast history when contemplated by primates with brains and imaginations of the dimensions that we can boast. In order to subscribe to monotheistic religion, one must believe that humans were born, struggled, and expired during this time, often dying in childbirth or for want of elementary nurture, and with a life-expectancy of perhaps three decades at most. Add to these factors the turf wars between discrepant groups and tribes, alarming outbreaks of disease, which had no germ theory to explain let alone palliate them, and associated natural disasters and human tragedies. And yet, for all these millennia, heaven watched with indifference and then—and only in the last six thousand years at the very least—decided that it was time to intervene as well as redeem. And heaven would only intervene and redeem in remote areas of the Middle East, thus ensuring that many more generations would expire before the news could begin to spread! Let me send a voice to Sinai and cement a pact with just one tribe of dogged and greedy yokels. Let me lend a son to be torn to pieces because he is misunderstood. . . . Let me tell the angel Gabriel to prompt an illiterate and uncultured merchant into rhetorical flights. At last the darkness that I have imposed will lift! The willingness even to entertain such elaborately mad ideas involves much more than the suspension of disbelief, or the dumb credulity that greets magic tricks. It also involves ignoring or explaining away the many religious beliefs that antedated Moses.
Christopher Hitchens (The Portable Atheist: Essential Readings for the Nonbeliever)
If we thought that the eyes of such a girl were merely two glittering sequins of mica, we would not be athirst to know her and to unite her life to ours. But we sense that what shines in those reflecting discs is not due solely to their material composition; that it is, unknown to us, the dark shadows of the ideas that this being is conceiving, relative to the people and places that she knows— the turf of racecourses, the sand of cycling tracks over which, pedaling on past fields and woods, she would have drawn me after her, that little Peri, more seductive to me than she of the Persian paradise—the shadows, too, of the home to which she will presently return, of the plans that she is forming or that others have formed for her; and above all that it is she, with her desires, her sympathies, her revulsions, her obscure and incessant will. I knew that I would never possess this young cyclist if I did not possess also what was in her eyes.
Marcel Proust (In the Shadow of Young Girls in Flower)
He carefully poured the juice into a bowl and rinsed the scallops to remove any sand caught between the tender white meat and the firmer coral-colored roe, wrapped around it like a socialite's fur stole. Mayur is the kind of cook (my kind), who thinks the chef should always have a drink in hand. He was making the scallops with champagne custard, so naturally the rest of the bottle would have to disappear before dinner. He poured a cup of champagne into a small pot and set it to reduce on the stove. Then he put a sugar cube in the bottom of a wide champagne coupe (Lalique, service for sixteen, direct from the attic on my mother's last visit). After a bit of a search, he found the crème de violette in one of his shopping bags and poured in just a dash. He topped it up with champagne and gave it a swift stir. "To dinner in Paris," he said, glass aloft. 'To the chef," I answered, dodging swiftly out of the way as he poured the reduced champagne over some egg yolks and began whisking like his life depended on it. "Do you have fish stock?" "Nope." "Chicken?" "Just cubes. Are you sure that will work?" "Sure. This is the Mr. Potato Head School of Cooking," he said. "Interchangeable parts. If you don't have something, think of what that ingredient does, and attach another one." I counted, in addition to the champagne, three other bottles of alcohol open in the kitchen. The boar, rubbed lovingly with a paste of cider vinegar, garlic, thyme, and rosemary, was marinating in olive oil and red wine. It was then to be seared, deglazed with hard cider, roasted with whole apples, and finished with Calvados and a bit of cream. Mayur had his nose in a small glass of the apple liqueur, inhaling like a fugitive breathing the air of the open road. As soon as we were all assembled at the table, Mayur put the raw scallops back in their shells, spooned over some custard, and put them ever so briefly under the broiler- no more than a minute or two. The custard formed a very thin skin with one or two peaks of caramel. It was, quite simply, heaven. The pork was presented neatly sliced, restaurant style, surrounded with the whole apples, baked to juicy, sagging perfection.
Elizabeth Bard (Lunch in Paris: A Love Story, with Recipes)
As I became older, I was given many masks to wear. I could be a laborer laying railroad tracks across the continent, with long hair in a queue to be pulled by pranksters; a gardener trimming the shrubs while secretly planting a bomb; a saboteur before the day of infamy at Pearl Harbor, signaling the Imperial Fleet; a kamikaze pilot donning his headband somberly, screaming 'Banzai' on my way to my death; a peasant with a broad-brimmed straw hat in a rice paddy on the other side of the world, stooped over to toil in the water; an obedient servant in the parlor, a houseboy too dignified for my own good; a washerman in the basement laundry, removing stains using an ancient secret; a tyrant intent on imposing my despotism on the democratic world, opposed by the free and the brave; a party cadre alongside many others, all of us clad in coordinated Mao jackets; a sniper camouflaged in the trees of the jungle, training my gunsights on G.I. Joe; a child running with a body burning from napalm, captured in an unforgettable photo; an enemy shot in the head or slaughtered by the villageful; one of the grooms in a mass wedding of couples, having met my mate the day before through our cult leader; an orphan in the last airlift out of a collapsed capital, ready to be adopted into the good life; a black belt martial artist breaking cinderblocks with his head, in an advertisement for Ginsu brand knives with the slogan 'but wait--there's more' as the commercial segued to show another free gift; a chef serving up dog stew, a trick on the unsuspecting diner; a bad driver swerving into the next lane, exactly as could be expected; a horny exchange student here for a year, eager to date the blonde cheerleader; a tourist visiting, clicking away with his camera, posing my family in front of the monuments and statues; a ping pong champion, wearing white tube socks pulled up too high and batting the ball with a wicked spin; a violin prodigy impressing the audience at Carnegie Hall, before taking a polite bow; a teen computer scientist, ready to make millions on an initial public offering before the company stock crashes; a gangster in sunglasses and a tight suit, embroiled in a turf war with the Sicilian mob; an urban greengrocer selling lunch by the pound, rudely returning change over the counter to the black patrons; a businessman with a briefcase of cash bribing a congressman, a corrupting influence on the electoral process; a salaryman on my way to work, crammed into the commuter train and loyal to the company; a shady doctor, trained in a foreign tradition with anatomical diagrams of the human body mapping the flow of life energy through a multitude of colored points; a calculus graduate student with thick glasses and a bad haircut, serving as a teaching assistant with an incomprehensible accent, scribbling on the chalkboard; an automobile enthusiast who customizes an imported car with a supercharged engine and Japanese decals in the rear window, cruising the boulevard looking for a drag race; a illegal alien crowded into the cargo hold of a smuggler's ship, defying death only to crowd into a New York City tenement and work as a slave in a sweatshop. My mother and my girl cousins were Madame Butterfly from the mail order bride catalog, dying in their service to the masculinity of the West, and the dragon lady in a kimono, taking vengeance for her sisters. They became the television newscaster, look-alikes with their flawlessly permed hair. Through these indelible images, I grew up. But when I looked in the mirror, I could not believe my own reflection because it was not like what I saw around me. Over the years, the world opened up. It has become a dizzying kaleidoscope of cultural fragments, arranged and rearranged without plan or order.
Frank H. Wu (Yellow)
. . . everything that has life gives sign of satisfaction, and the cattle that lie on the ground seem to have great and tranquil thoughts. These halcyons may be looked for with a little more assurance in that pure October weather which we distinguish by the name of the Indian summer. The day, immeasurably long, sleeps over the broad hills and warm wide fields. To have lived through all its sunny hours, seems longevity enough. The solitary places do not seem quite lonely. At the gates of the forest, the surprised man of the world is forced to leave his city estimates of great and small, wise and foolish. The knapsack of custom falls off his back with the first step he takes into these precincts. Here is sanctity which shames our religions, and reality which discredits our heroes. Here we find Nature to be the circumstance which dwarfs every other circumstance, and judges like a god all men that come to her. Nature, Ralph Waldo Emerson Aye, and poets send out the sick spirit to green pastures, like lame horses turned out unshod to the turf to renew their hoofs. A sort of yarb-doctors in their way, poets have it that for sore hearts, as for sore lungs, nature is the grand cure. But who froze to death my teamster on the prairie? And who made an idiot of Peter the Will Boy? The Confidence Man, Herman Melville
John Williams (Butcher's Crossing)
…every now and then when I felt the necessity of a strong inspiration of soul-thought. My heart was dusty, parched for want of the rain of deep feeling; my mind arid and dry, for there is a dust which settles on the heart as well as that which falls on a ledge. It is injurious to the mind as well as the body to be always in one place and always surrounded by the same circumstances. A species of thick clothing slowly grows about my mind … little habits become a part of existence, and by degrees the mind is inclosed in a husk. When this began to form I felt eager to escape from it … to drink deeply once more at the fresh fountains of life. An inspiration -- a long deep breath of pure air of thought -- could alone give health to the heart. There was a hill to which I used to resort at such periods. The labour of walking three miles to it, all the while gradually ascending, seemed to clear my blood of the heaviness accumulated at home … the slow continued rise required continual effort, which carried away the sense of oppression … Moving up the sweet short turf, at every step my heart seemed to obtain a wider horizon of feeling; with every inhalation of rich pure air, a deeper desire … By the time I had reached the summit I had entirely forgotten the petty circumstances and the annoyances of existence. I felt myself, myself'.
Richard Jefferies (The Story of my Heart)
There is no sense of ease like the ease we felt in those scenes where we were born, where objects became dear to us before we had known the labor of choice, and where the outer world seemed only an extension of our own personality; we accepted and loved it as we accepted our own sense of existence and our own limbs. Very commonplace, even ugly, that furniture of our early home might look if it were put up to auction; an improved taste in upholstery scorns it; and is not the striving after something better and better in our surroundings the grand characteristic that distinguishes man from the brute, or, to satisfy a scrupulous accuracy of definition, that distinguishes the British man from the foreign brute? But heaven knows where that striving might lead us, if our affections had not a trick of twining round those old inferior things; if the loves and sanctities of our life had no deep immovable roots in memory. One's delight in an elderberry bush overhanging the confused leafage of a hedgerow bank, as a more gladdening sight than the finest cistus or fuchsia spreading itself on the softest undulating turf, is an entirely unjustifiable preference to a nursery-gardener, or to any of those regulated minds who are free from the weakness of any attachment that does not rest on a demonstrable superiority of qualities. And there is no better reason for preferring this elderberry bush than that it stirs an early memory; that it is no novelty in my life, speaking to me merely through my present sensibilities to form and color, but the long companion of my existence, that wove itself into my joys when joys were vivid.
George Eliot (The Mill on the Floss [with Biographical Introduction])
These associations—Cavafy, my mother polishing the silver, a missionary aunt who fled the familiar turf of Tennessee for the otherness of Korea (presumably with the intent of teaching them something, hopefully with the result of being taught), my Mamaw’s fragrant old bureau with its smell of wax and polish—all of them would be brought to bear upon my painting of peppermints, but none of them would be visible; there’s no reason the viewer would know any of this. I could render only what can be seen—color and form, though the painter’s splendid artifice reveals to us texture, too, and rich associations of scent and flavor, all arriving through the gates of the eyes. And yet there is something more here, and that something is what nags at me to write this book, what tugs at my sleeve and my sleep. Why, if all that is personal has fallen away, should these pictures matter so? Why should they be alight with a feeling of intimacy? Interiority makes itself visible. In my imaginary still life, the “context and commentary” of my experience would be gone, but something would remain, something distilled and vibrant in the quality of attention itself. Is that what soul or spirit is, then, the outward-flying attention, the gaze that binds us to the world? Coorte’s asparagus, his gooseberries and shells, distill this quality down to its quietest, most startling essence: the eye suffuses what it sees with I. Not “I” in the sense of my story, the particulars of my life, the way my father tended his old asparagus beds each spring, the way my beloved loved the forms and colors of shells. But “I” as the quickest, subtlest thing we are: a moment of attention, an intimate engagement. Is that the lesson, then, that ultimately I becomes an eye? What is left of Adriaen Coorte but this? Isn’t that enough? […] That, I think, is the deepest secret of these paintings, finally, although it seems just barely in the realm of the sayable, this feeling that beneath the attachments and appurtenances, the furnishings of selfhood, what we are is attention, a quick physical presence in the world, a bright point of consciousness in a wide field from which we are not really separate. That, in a field of light, we are intensifications of that light.
Mark Doty (Still Life with Oysters and Lemon: On Objects and Intimacy)
For Dylan, this electric assault threatened to suck the air out of everything else, only there was too much radio oxygen to suck. “Like a Rolling Stone” was the giant, all-consuming anthem of the new “generation gap” disguised as a dandy’s riddle, a dealer’s come-on. As a two-sided single, it dwarfed all comers, disarmed and rejuvenated listeners at each hearing, and created vast new imaginative spaces for groups to explore both sonically and conceptually. It came out just after Dylan’s final acoustic tour of Britain, where his lyrical profusion made him a bard, whose tabloid accolade took the form of political epithet: “anarchist.” As caught on film by D. A. Pennebaker’s documentary Don’t Look Back, the young folkie had already graduated to rock star in everything but instrumentation. “Satisfaction” held Dylan back at number two during its four-week July hold on Billboard’s summit, giving way to Herman’s Hermits’ “I’m Henry the Eighth, I Am” and Sonny and Cher’s “I Got You Babe” come August, novelty capstones to Dylan’s unending riddle. (In Britain, Dylan stalled at number four.) The ratio of classics to typical pop schlock, like Freddie and the Dreamers’ “I’m Telling You Now” or Tom Jones’s “It’s Not Unusual,” suddenly got inverted. For cosmic perspective, yesterday’s fireball, Elvis Presley, sang “Do the Clam.” Most critics have noted the Dylan influence on Lennon’s narratives. Less space gets devoted to Lennon’s effect on Dylan, which was overt: think of how Dylan rewires Chuck Berry (“Subterranean Homesick Blues”) or revels in inanity (“Rainy Day Women #12 & 35”). Even more telling, Lennon’s keening vocal harmonies in “Nowhere Man,” “And Your Bird Can Sing,” and “Dr. Robert” owed as much to the Byrds and the Beach Boys, high-production turf Dylan simply abjured. Lennon also had more stylistic stretch, both in his Beatle context and within his own sensibility, as in the pagan balalaikas in “Girl” or the deliberate amplifier feedback tripping “I Feel Fine.” Where Dylan skewed R&B to suit his psychological bent, Lennon pursued radical feats of integration wearing a hipster’s arty façade, the moptop teaching the quiet con. Building up toward Rubber Soul throughout 1965, Beatle gravity exerted subtle yet inexorable force in all directions.
Tim Riley (Lennon: The Man, the Myth, the Music - The Definitive Life)
It was a charming and delightful day at Lord's as Ford and Arthur tumbled haphazardly out of a space-time anomaly and hit the immaculate turf rather hard. The applause of the crowd was tremendous. It wasn't for them, but instinctively they bowed anyway, which was fortunate because the small red heavy ball which the crowd actually had been applauding whistled mere millimetres over Arthur's head. In the crowd a man collapsed. They threw themselves back to the ground which seemed to spin hideously around them. "What was that?" hissed Arthur. "Something red," hissed Ford back at him. "Where are we?" "Er, somewhere green." "Shapes," muttered Arthur. "I need shapes." The applause of the crowd had been rapidly succeeded by gasps of astonishment, and the awkward titters of hundreds of people who could not yet make up their minds about whether to believe what they had just seen or not. "This your sofa?" said a voice. "What was that?" whispered Ford. Arthur looked up. "Something blue," he said. "Shape?" said Ford. Arthur looked again. "It is shaped," he hissed at Ford, with his brow savagely furrowing, "like a policeman." They remained crouched there for a few moments, frowning deeply. The blue thing shaped like a policeman tapped them both on the shoulders. "Come on, you two," the shape said, "let's be having you." These words had an electrifying effect on Arthur. He leapt to his feet like an author hearing the phone ring and shot a series of startled glanced at the panorama around him which had suddenly settled down into something of quite terrifying ordinariness. "Where did you get this from?" he yelled at the policeman shape. "What did you say?" said the startled shape. "This is Lord's Cricket Ground, isn't it?" snapped Arthur. "Where did you find it, how did you get it here? I think," he added, clasping his hand to his brow, "that I had better calm down." He squatted down abruptly in front of Ford. "It is a policeman," he said, "What do we do?" Ford shrugged. "What do you want to do?" he said. "I want you," said Arthur, "to tell me that I have been dreaming for the last five years." Ford shrugged again, and obliged. "You've been dreaming for the last five years," he said. Arthur got to his feet. "It's all right, officer," he said. "I've been dreaming for the last five years. Ask him," he added, pointing at Ford, "he was in it.
Douglas Adams (Life, the Universe and Everything (The Hitchhiker's Guide to the Galaxy, #3))
SCENE 24 “Tiens, Ti Jean, donne ce plat la a Shammy,” my father is saying to me, turning from the open storage room door with a white tin pan. “Here, Ti Jean, give this pan to Shammy.” My father is standing with a peculiar French Canadian bowleggedness half up from a crouch with the pan outheld, waiting for me to take it, anxious till I do so, almost saying with his big frowning amazed face “Well my little son what are we doing in the penigillar, this strange abode, this house of life without roof be-hung on a Friday evening with a tin pan in my hand in the gloom and you in your raincoats—” “II commence a tombez de la neige” someone is shouting in the background, coming in from the door (“Snow’s startin to fall”)—my father and I stand in that immobile instant communicating telepathic thought-paralysis, suspended in the void together, understanding something that’s always already happened, wondering where we were now, joint reveries in a dumb stun in the cellar of men and smoke … as profound as Hell … as red as Hell.—I take the pan; behind him, the clutter and tragedy of old cellars and storage with its dank message of despair–mops, dolorous mops, clattering tear-stricken pails, fancy sprawfs to suck soap suds from a glass, garden drip cans–rakes leaning on meaty rock–and piles of paper and official Club equipments– It now occurs to me my father spent most of his time when I was 13 the winter of 1936, thinking about a hundred details to be done in the Club alone not to mention home and business shop–the energy of our fathers, they raised us to sit on nails– While I sat around all the time with my little diary, my Turf, my hockey games, Sunday afternoon tragic football games on the toy pooltable white chalkmarked … father and son on separate toys, the toys get less friendly when you grow up–my football games occupied me with the same seriousness of the angels–we had little time to talk to each other. In the fall of 1934 we took a grim voyage south in the rain to Rhode Island to see Time Supply win the Narragansett Special–with Old Daslin we was … a grim voyage, through exciting cities of great neons, Providence, the mist at the dim walls of great hotels, no Turkeys in the raw fog, no Roger Williams, just a trolley track gleaming in the gray rain– We drove, auguring solemnly over past performance charts, past deserted shell-like Ice Cream Dutchland Farms stands in the dank of rainy Nov.—bloop, it was the time on the road, black tar glisten-road of thirties, over foggy trees and distances, suddenly a crossroads, or just a side-in road, a house, or bam, a vista gray tearful mists over some half-in cornfield with distances of Rhode Island in the marshy ways across and the secret scent of oysters from the sea–but something dark and rog-like.— J had seen it before … Ah weary flesh, burdened with a light … that gray dark Inn on the Narragansett Road … this is the vision in my brain as I take the pan from my father and take it to Shammy, moving out of the way for LeNoire and Leo Martin to pass on the way to the office to see the book my father had (a health book with syphilitic backs)— SCENE 25 Someone ripped the pooltable cloth that night, tore it with a cue, I ran back and got my mother and she lay on it half-on-floor like a great poolshark about to take a shot under a hundred eyes only she’s got a thread in her mouth and’s sewing with the same sweet grave face you first saw in the window over my shoulder in that rain of a late Lowell afternoon. God bless the children of this picture, this bookmovie. I’m going on into the Shade.
Jack Kerouac (Dr. Sax)
SCENE 24 “Tiens, Ti Jean, donne ce plat la a Shammy,” my father is saying to me, turning from the open storage room door with a white tin pan. “Here, Ti Jean, give this pan to Shammy.” My father is standing with a peculiar French Canadian bowleggedness half up from a crouch with the pan outheld, waiting for me to take it, anxious till I do so, almost saying with his big frowning amazed face “Well my little son what are we doing in the penigillar, this strange abode, this house of life without roof be-hung on a Friday evening with a tin pan in my hand in the gloom and you in your raincoats—” “II commence a tombez de la neige” someone is shouting in the background, coming in from the door (“Snow’s startin to fall”)—my father and I stand in that immobile instant communicating telepathic thought-paralysis, suspended in the void together, understanding something that’s always already happened, wondering where we were now, joint reveries in a dumb stun in the cellar of men and smoke … as profound as Hell … as red as Hell.—I take the pan; behind him, the clutter and tragedy of old cellars and storage with its dank message of despair–mops, dolorous mops, clattering tear-stricken pails, fancy sprawfs to suck soap suds from a glass, garden drip cans–rakes leaning on meaty rock–and piles of paper and official Club equipments– It now occurs to me my father spent most of his time when I was 13 the winter of 1936, thinking about a hundred details to be done in the Club alone not to mention home and business shop–the energy of our fathers, they raised us to sit on nails– While I sat around all the time with my little diary, my Turf, my hockey games, Sunday afternoon tragic football games on the toy pooltable white chalkmarked … father and son on separate toys, the toys get less friendly when you grow up–my football games occupied me with the same seriousness of the angels–we had little time to talk to each other. In the fall of 1934 we took a grim voyage south in the rain to Rhode Island to see Time Supply win the Narragansett Special–with Old Daslin we was … a grim voyage, through exciting cities of great neons, Providence, the mist at the dim walls of great hotels, no Turkeys in the raw fog, no Roger Williams, just a trolley track gleaming in the gray rain– We drove, auguring solemnly over past performance charts, past deserted shell-like Ice Cream Dutchland Farms stands in the dank of rainy Nov.—bloop, it was the time on the road, black tar glisten-road of thirties, over foggy trees and distances, suddenly a crossroads, or just a side-in road, a house, or bam, a vista gray tearful mists over some half-in cornfield with distances of Rhode Island in the marshy ways across and the secret scent of oysters from the sea–but something dark and rog-like.— J had seen it before … Ah weary flesh, burdened with a light … that gray dark Inn on the Narragansett Road … this is the vision in my brain as I take the pan from my father and take it to Shammy, moving out of the way for LeNoire and Leo Martin to pass on the way to the office to see the book my father had (a health book with syphilitic backs)— SCENE 25 Someone ripped the pooltable cloth that night, tore it with a cue, I ran back and got my mother and she lay on it half-on-floor like a great poolshark about to take a shot under a hundred eyes only she’s got a thread in her mouth and’s sewing with the same sweet grave face you first saw in the window over my shoulder in that rain of a late Lowell afternoon. God bless the children of this picture, this bookmovie. I’m going on into the Shade.
Jack Kerouac (Dr. Sax)
football, by its very nature, teaches everyone who plays it the greatest lesson of all: when you get knocked down—and in football, everyone eventually winds up on the turf—you must get up and give it another go. It may be a cliché, but if so it’s one for a reason: in life, all of us must learn to get up and play the next play.
Chris B. Brown (The Essential Smart Football)
Alec is sitting deep in the saddle, holding the mare firmly between hand and leg, not letting her get away from him. After a couple of quick circles, she steadies her stride and gets into a proper rhythm, moving with ease and grace across the turf, turning easily and responding to Alec’s light aids. There’s not much muscle on her light frame, her neck is thin and held high, giving a slightly giraffe-like impression, and her unease shows in the slight roll of her eye. But I can see now, so easily, the pony she could be. I can imagine myself cantering her into the ring, her copper coat glistening in the sun and neatly pulled mane ruffling in the light breeze, her slender legs dancing across the grassy turf. I can feel my own legs against her sides, the thickness of rubber reins taut between my fingers. I hear the sound of the jostling crowd and know that all eyes are on us as we canter around the ring. We hold their attention and admiration as they watch us jump easily over the highest obstacles. In my mind, the chestnut pony’s neck is arched, tail proudly aloft, her dark eyes bright and full of life and enthusiasm.
Kate Lattey (Flying Changes (Clearwater Bay, #1))
splinter in the butt as you slide down the banister of life
Warren Olson (Australia's Greatest Racing Coup: Rorts, Scams and Characters of the Australasian turf)
The leaders at that time believed so much in protecting the name and the reputation of the gang, that I along with one or two other individuals who were still in school who were trusted, responsible, and ready were given weapons to take to school to make sure that if anything arises, the matter would be dealt with properly. They made sure that even if their presence were not there during a fight, we were in a position to properly defend ourselves. Troit Lynes, former death row inmate of Her Majesty Prison
Drexel Deal (The Fight of My Life is Wrapped Up in My Father (The Fight of My Life is Wrapped in My Father Book 1))
In chapter 2 1 propose that one way to bridge this gap is to view preaching as an act of constructing "local theology"-that is, theology crafted for a very particular people in a particular time and place. Like theologies that have emerged from base communities in Latin America, preaching is a highly contextual act, requiring its practitioners to consider context as seriously as they consider biblical text in the interpretive process. Indeed, if we preachers want to reflect in our own proclamation the God who became incarnate for our sakes (meeting us on our turf), to remove from our own preaching any "false stumbling blocks" that might hinder a faithful hearing of the gospel, and to bring the gospel and contemporary life together in ways that capture and transform congregational imaginations, then we necessarily must first attend carefully to the contexts in which we are preaching.
Leonora Tubbs Tisdale (Preaching as Local Theology and Folk Art (Fortress Resources for Preaching))
My fugitive years are all hasting away, And I must ere long lie as lowly as they, With a turf on my breast, and a stone at my head, Ere another such grove shall arise in its stead. 'Tis a sight to engage me, if anything can, To muse on the perishing pleasures of man; Though his life be a dream, his enjoyments I see, Have a being less durable even than he.
William Cowper
When life becomes tough, you must know that God is increasing your turf.
Gift Gugu Mona (Daily Quotes about God: 365 Days of Heavenly Inspiration)
Both Mussolini and Hitler could perceive the space available, and were willing to trim their movements to fit. The space was partly symbolic. The Nazi Party early shaped its identity by staking a claim to the street and fought with communist gangs for control of working-class neighborhoods of Berlin. At issue was not merely a few meters of urban “turf.” The Nazis sought to portray themselves as the most vigorous and effective force against the communists—and, at the same time, to portray the liberal state as incapable of preserving public security. The communists, at the same time, were showing that the Social Democrats were unequipped to deal with an incipient revolutionary situation that needed a fighting vanguard. Polarization was in the interest of both. Fascist violence was neither random nor indiscriminate. It carried a well-calculated set of coded messages: that communist violence was rising, that the democratic state was responding to it ineptly, and that only the fascists were tough enough to save the nation from antinational terrorists. An essential step in the fascist march to acceptance and power was to persuade law-and-order conservatives and members of the middle class to tolerate fascist violence as a harsh necessity in the face of Left provocation. It helped, of course, that many ordinary citizens never feared fascist violence against themselves, because they were reassured that it was reserved for national enemies and “terrorists” who deserved it. Fascists encouraged a distinction between members of the nation who merited protection and outsiders who deserved rough handling. One of the most sensational cases of Nazi violence before power was the murder of a communist laborer of Polish descent in the town of Potempa, in Silesia, by five SA men in August 1932. It became sensational when the killers’ death sentences were commuted, under Nazi pressure, to life imprisonment. Party theorist Alfred Rosenberg took the occasion to underscore the difference between “bourgeois justice,” according to which “one Polish Communist has the same weighting as five Germans, frontsoldiers,” and National Socialist ideology, according to which “one soul does not equal another soul, one person not another.” Indeed, Rosenberg went on, for National Socialism, “there is no ‘law as such.’” The legitimation of violence against a demonized internal enemy brings us close to the heart of fascism. For some, fascist violence was more than useful: it was beautiful. Some war veterans and intellectuals (Marinetti and Ernst Jünger were both) indulged in the aesthetics of violence. Violence often appealed to men too young to have known it in 1914–18 and who felt cheated of their war. It appealed to some women, too. But it is a mistake to regard fascist success as solely the triumph of the D’Annunzian hero. It was the genius of fascism to wager that many an orderly bourgeois (or even bourgeoise) would take some vicarious satisfaction in a carefully selective violence, directed only against “terrorists” and “enemies of the people.” A climate of polarization helped the new fascist catch-all parties sweep up many who became disillusioned with the old deference (“honoratioren”) parties. This was risky, of course. Polarization could send the mass of angry protesters to the Left under certain conditions (as in Russia in 1917). Hitler and Mussolini understood that while Marxism now appealed mainly to blue-collar workers (and not to all of them), fascism was able to appeal more broadly across class lines. In postrevolutionary western Europe, a climate of polarization worked in fascism’s favor.
Robert O. Paxton (The Anatomy of Fascism)
While I’m out working with Tommy Quinn, we get chatting about a session, a few nights previous, in a local pub called The Hill. It gets its name from the plain fact that it sits on top of a hill. The conversation moves on to the state of rural Ireland, and rural everywhere for that matter. He’s lived here in Knockmoyle for all of his life, so his opinions on the subject hold weight with me. He asks me what technology I think had the most dramatic impact on life here when he was growing up. I state what I feel are obvious: the television, the motor car and computers. Or electricity in general. Tommy smiles. The flask, he says. I ask him to explain. When he was growing up in the 1960s, he and his family would go to the bog, along with most of the other families of the parish, to cut turf for fuel for the following winter. They would all help each other out in any way they could, even if they didn’t always fully get on. Cutting turf in the old ways, using a sleán, is hard but convivial work, so each day one family would make a campfire to boil the kettle on. But the campfire had a more significant role than just hydrating the workers. As well as keeping the midges away, it was a focal point that brought folk together during important seasonal events. During the day people would have the craic around it as the tea brewed, and in the evenings food would be cooked on it. By nightfall, with the day’s work behind them, the campfire became the place where music, song and dance would spontaneously happen. Before the night was out, one of the old boys would hide one of the young lads’ wheelbarrows, providing no end of banter the following morning.
Mark Boyle (The Way Home: Tales from a life without technology)
The truth was that without being in the least conscious of the importance for humanity of the psychic law he had blundered upon or of its rarity in the world, Sam had found out that when a person is liberated from possessiveness, from ambition, from the exigencies of desire, from domestic claims, from every sort of authority over others, he can enjoy sideways and incidentally, as he follows any sort of labour or quest the most exquisite trances of absorption into the mysterious essence of any patch of earth-mould, or any fragment of gravel, or any slab of paving-stone, or any tangle of weeds, or any lump of turf that he may come upon as he goes along.
John Cowper Powys (A Glastonbury Romance)
The feast is family-style, of course. Every six-person section of the table has its own set of identical dishes: garlicky roasted chicken with potatoes, a platter of fat sausages and peppers, rigatoni with a spicy meat sauce, linguine al olio, braised broccoli rabe, and shrimp scampi. This is on top of the endless parade of appetizers that everyone has been wolfing down all afternoon: antipasto platters piled with cheeses and charcuterie, fried arancini, hot spinach and artichoke dip, meatball sliders. I can't begin to know how anyone will touch the insane dessert buffet... I counted twelve different types of cookies, freshly stuffed cannoli, zeppole, pizzelles, a huge vat of tiramisu, and my favorite, Teresa's mom's lobster tails, sort of a crispy, zillion-layered pastry cone filled with chocolate custard and whipped cream.
Stacey Ballis (How to Change a Life)
The contrast between the strong, clean, straight lines of a cup run and the messy, tangled, overgrown paths of a life is plangent: I wish I could draw one of those big knock-out trophy diagrams to show how I'd ended up playing on the unfamiliar turf of a Hampstead psychiatrist's carpet.
Nick Hornby (Fever Pitch)
Is it working? Your belief system, that is. Is it really working? God’s intention all along has been for the believer’s life to work. From divine perspective toward terrestrial turf, God meant for His children to succeed. God stated unapologetically in Joshua 1:8 that conditions exist under which “then you will make your way prosperous, and then you will have success” (NASB). Are our Christian lives successful? Are they achieving and experiencing what Scripture said they would? In a recent sermon my son-in-law preached, Curt told us the only way we were going to impact the world and the next generation is to prove that our faith in Christ is real and that it works. For countless Christians I’m convinced it’s real. My concern is whether or not we have the fruit to suggest it works.
Beth Moore (Believing God)
Cooper,” she said. “Cooper Jax.” As if saying his name would someone break the spell, vanquish the mirage she was still faintly hoping she was seeing. It didn’t. Instead it brought the mirage a few strides farther into the pub as folks moved to clear a path. “What are you doing here?” she asked as she moved forward until the two were standing no more than five yards apart, encircled by the completely hushed crowd. She wished she sounded strong, strident even. They were on her turf now, in her world. He was the interloper, the traveler. But her voice was hoarse even to her own ears, a mere rasp; her throat was too tight, too dry, too…everything, to manage anything more than that. His smile was brief, a slash of white teeth framed by a hard jaw, but his gaze never wavered. “It’s been a year, Kerry. More than. And I’ve come to realize there’s a question I didn’t ask you before you left. One I should have. And I can’t seem to get on with life until I know the answer.
Donna Kauffman (Starfish Moon (Brides of Blueberry Cove, #3))
Cooper,” she said. “Cooper Jax.” As if saying his name would someone break the spell, vanquish the mirage she was still faintly hoping she was seeing. It didn’t. Instead it brought the mirage a few strides farther into the pub as folks moved to clear a path. “What are you doing here?” she asked as she moved forward until the two were standing no more than five yards apart, encircled by the completely hushed crowd. She wished she sounded strong, strident even. They were on her turf now, in her world. He was the interloper, the traveler. But her voice was hoarse even to her own ears, a mere rasp; her throat was too tight, too dry, too…everything, to manage anything more than that. His smile was brief, a slash of white teeth framed by a hard jaw, but his gaze never wavered. “It’s been a year, Kerry. More than. And I’ve come to realize there’s a question I didn’t ask you before you left. One I should have. And I can’t seem to get on with life until I know the answer.” She had no idea what on earth he was talking about. She’d worked his cattle station for a year, the longest she’d ever stayed in one place. She’d left to come home for Logan’s wedding. And, if she were honest, to save herself from having to decide when to leave. Because she’d come close to admitting that maybe she didn’t want to. And she never let herself want. At least not something that wasn’t in her power to get. Fear. Of losing. If there was nothing to lose, there was nothing to fear. “What might that be?” she asked, having to force the bravado that was normally second nature to her. From the corner of her eye, she caught Fergus, his gaze swiveling between the two of them…a broad grin on his face. Auld codger. To think she’d stayed for him. He was the only one who knew. The only one she’d confided in. Of course he was loving this. Cooper walked closer and a murmur of unease swelled, but Fergus waved his good hand, like a silent benediction, approving of what was about to unfold, and they fell silent again. Cooper’s gaze was locked exclusively on hers, and suddenly it was as if they were the only two people in the room. Everything else fell away, and she felt herself getting pulled in, swallowed up. That was always how he’d made her feel, as if she was this close to drowning…and that maybe she should stop trying so hard to keep her head above water. He stopped a foot in front of her and she lifted her gaze--and her chin--to stay even with his. “Before, when you were there, working, living alongside us, I thought if I gave you room, gave you space, you’d figure out that Cameroo Downs was where you belonged,” he said.
Donna Kauffman (Starfish Moon (Brides of Blueberry Cove, #3))
To thee, to thee, O my beauty, my fire! Thou hast been burning in my heart all these futile years. If my life were a piece of gold it would come out of its trial brighter, but it is a trodden turf of grass, and nothing remains of it but this handful of ashes.
Rabindranath Tagore (5 Best Short Stories)
Dinsdale and Rohwer found that as humans become more common, so do microbes. From Kingman to Christmas Island, top predators such as sharks went from dominant parts of the reefs to bit-players, coral cover fell from 45 percent to 15 percent, and the water contained 10 times as many microbes and viruses. All of these trends are connected in a complicated web of cause and effect that revolves around a turf war between corals and their ancient rivals: the so-called 'fleshy algae'.
Ed Yong (I Contain Multitudes: The Microbes Within Us and a Grander View of Life)
I’ve coached on every type of people problem any individual, team, or organization has ever had. You name it, I’ve coached around it. Problems such as Organizations that want to change their culture. Teams that don’t succeed because they have turf wars that create silos. Executive leadership teams that are in conflict and aren’t communicating effectively. Leaders and executives who want more confidence to make tough decisions. Managers who have strong technical expertise in their field but have never managed people. Individual contributors who need to be more engaged with their coworkers and teams. My clients come to me with these challenges. Nine times out of ten, those challenges are people problems. I coach them to handle these problems and clear the hurdles, so they have more time and energy to do what matters most to them—earn their yoga certification, be a more present mom, learn to play the guitar—and get back to focusing on the things they do best: their job and their organization’s mission.
Darcy Luoma (Thoughtfully Fit: Your Training Plan for Life and Business Success)
There lies his fascination. Since his time his name has been one of the utmost reassurance to great multitudes of doubting men; to the business man hesitating over a more than shady transaction, to the clerk fingering a carelessly written cheque that could so easily be altered, to the trustee in want of ready money, to the manufacturer meditating the pros and cons of an adulteration, to thousands of such people the word “Napoleonic” has come with an effect of decisive relief. We live in a world full of would-be Napoleons of finance, of the press, of the turf; half the cells in our jails and many in our mad-houses are St. Helenas.
H.G. Wells (The Outline of History: The Whole Story of Man or Being a Plain History of Life and Mankind - H.G. Wells' Comprehensive History: Unveiling The Outline of History)
I want him more than I’ve ever wanted anything in my entire fucking life.
Bella Jewel (Biker Schmiker (Turf Wars, #1))
And from the earliest I always felt good on stage. You get nervous before you go up there before a lot of people, but to me the feeling was, let the tiger out the cage. Maybe that’s just another version of butterflies. It could be. But I’ve always felt very comfortable on stage, even if I screw up. It always felt like a dog, this is my turf, piss around it. While I’m here, nothing else can happen. All I can do is screw up.
Keith Richards (Life)
Conviction is not an happening, but once you go through the process & be convinced, do not compromise it. The rest will also come to your turf eventually.
Sandeep Sahajpal (The Twelfth Preamble: To all the authors to be! (Short Stories Book 1))
So the moral battle still rages. The spiritual war still goes on. That means you need to understand that you live in a war zone. And you need to be very clear on this—that great spiritual war is fought on the turf of your heart and it’s fought for control of your soul. Your life is lived every day in the middle of that war. It’s a war of doubt and faith. It’s a war of submission and rebellion. It’s a war of anxiety and trust. It’s a war of wisdom and foolishness. It’s a war of hope and despair. It’s a war of allegiance and disloyalty. It’s a war.
Paul David Tripp (New Morning Mercies: A Daily Gospel Devotional)
My mom visited me during my semester abroad. Getting to see her speak with comfort and ease in her native tongue, in the country where she was born, made me really happy. But it also made me sad—I had not previously known what a confident and funny person she actually was. But it was undeniable on her home turf. She suddenly became this beaming extrovert. It made me think about the hardships she faced when she came to the United States and how she must have built up a crazy thick shell to survive.
Ali Wong (Dear Girls: Intimate Tales, Untold Secrets, & Advice for Living Your Best Life)
GOLF (Men’s Journal, 1992) The smooth, long, liquid sweep of a three wood smacking into the equator of a dimpled Titleist … It makes a potent but slightly foolish noise like the fart of a small, powerful nature god. The ball sails away in a beautiful hip or breast of a curve. And I am filled with joy. At least that’s what I’m filled with when I manage to connect. Most of my strokes whiz by the tee the way a drunk passes a truck on a curve or dig into the turf in a manner that is more gardening than golf. But now and then I nail one, and each time I do it’s an epiphany. This is how the Australopithecus felt, one or two million years ago, when he first hit something with a stick. Puny hominoid muscles were amplified by the principles of mechanics so that a little monkey swat suddenly became a great manly engine of destruction able to bring enormous force to bear upon enemy predators, hunting prey, and the long fairway shots necessary to get on the green over the early Pleistocene’s tar pit hazards. Hitting things with a stick is the cornerstone of civilization. Consider all the things that can be improved by hitting them with a stick: veal, the TV, Woody Allen. Having a dozen good sticks at hand, all of them well balanced and expertly made, is one reason I took up golf. I also wanted to show my support for the vice president. I now know for certain that Quayle is smarter than his critics. He’s smart enough to prefer golf to spelling. How many times has a friend called you on a Sunday morning and said, “It’s a beautiful day. Let’s go spell potato”? I waited until I was almost forty-five to hit my first golf ball. When I was younger I thought golf was a pointless sport. Of course all sports are pointless unless you’re a professional athlete or a professional athlete’s agent, but complex rules and noisy competition mask the essential inanity of most athletics. Golf is so casual. You just go to the course, miss things, tramp around in the briars, use pungent language, and throw two thousand dollars’ worth of equipment in a pond. Unlike skydiving or rugby, golf gives you leisure to realize it’s pointless. There comes a time in life, however, when all the things that do have a point—career, marriage, exercising to stay fit—start turning, frankly, golflike. And that’s when you’re ready for
P.J. O'Rourke (Thrown Under the Omnibus: A Reader)
First, socialism — the belief that the earth belongs to labor — is my moral being. In fact, it is my religion, the values that anchor the commitments that define my life. Second, “old school” implies putting in work year after year for the good cause. In academia one runs across people who call themselves Marxists and go to lots of conferences but hardly ever march on a picket line, go to a union meeting, throw a brick or simply help wash the dishes after a benefit. What’s even worse, they deign to teach us the “real Marx” but lack the old Moor’s fundamental respect for individual working people and his readiness to become a poor outlaw on their behalf. Finally, plain “socialist” expresses identification with the broad movement and the dream rather than with a particular program or camp. I have strong, if idiosyncratic, opinions on all the traditional issues — for example, the necessity of an organization of organizers (call it Leninism, if you want) but also the evils of bureaucracy and permanent leaderships (call it anarchism if you wish) — but I try to remind myself that such positions need to be constantly reassessed and calibrated to the conjuncture. One is always negotiating the slippery dialectic between individual reason, which must be intransigently self-critical, and the fact that one needs to be part of a movement or a radical collective in order, as Sartre put it, to “be in history.” Moral dilemmas and hard choices come with the turf and they cannot be evaded with “correct lines.
Mike Davis
He preferred to socialize on home turf, where guests had to conform to his rules and his timetable.
Ron Chernow (Titan: The Life of John D. Rockefeller, Sr.)
This refusal to truckle, bend, or bow to others, this insistence on dealing with other people on his own terms, time, and turf, distinguished Rockefeller throughout his career.
Ron Chernow (Titan: The Life of John D. Rockefeller, Sr.)
I swooned quietly with my first bite. The dish sang with the flavors of Spain and was packed with chunks of browned rabbit, chorizo, and mussels. It was spectacular and camaraderie crushing. "Who made this? Who possibly had time for this?" I was talking through a mouthful of Arboro rice. "I made this once in culinary school and it took an entire day of my life that I'll never get back." "Reza made it." Carlo used an empty mussel shell to pluck the meat out from another shell. "He said he cooked it over an open fire with orange and pine branches for kindling." Carlo grinned at me, a dribble of olive oil snaking its way down his chin. "According to Reza, it's the pine cones, though, that really do the trick. I'm sure you discovered that yourself when you made it on the day you'll never get back." I nibbled on a cut of caramelized chorizo but didn't have the chance to reply.
Kimberly Stuart (Sugar)
The Caged Skylark AS a dare-gale skylark scanted in a dull cage Man’s mounting spirit in his bone-house, mean house, dwells— That bird beyond the remembering his free fells; This in drudgery, day-labouring-out life’s age. Though aloft on turf or perch or poor low stage, 5 Both sing sometímes the sweetest, sweetest spells, Yet both droop deadly sómetimes in their cells Or wring their barriers in bursts of fear or rage. Not that the sweet-fowl, song-fowl, needs no rest— Why, hear him, hear him babble and drop down to his nest, 10 But his own nest, wild nest, no prison. Man’s spirit will be flesh-bound when found at best, But uncumbered: meadow-down is not distressed For a rainbow footing it nor he for his bónes rísen.
Gerard Manley Hopkins
"Protection For gangs, clubs, and nations Causing grief in human relations It's a turf war on a global scale I'd rather hear both sides of the tale See, it's not about races Just places, faces Where your blood comes from Is where your space is I've seen the bright get duller I'm not going to spend my life being a color." - Black or White, Dangerous
Michael Jackson
So, in many of his writings and in his life, Bonhoeffer raged against the idea that faith is some passive assent to intellectual theological ideas. You cannot claim you believe something if you don’t live like you believe it. God is not fooled by our claiming to believe the words of some well-crafted statement of faith—or by our dutiful church attendance—any more than your neighbors are fooled by it, or the devil is fooled by it. Bonhoeffer knew that by entering here and now into the life God calls us to live—by faith in him and obedience to him—we have already begun living eternally and are truly free. But if we try to escape the reality of human life here and now via cheap religious escapism, or via some pious action when another kind of action is what God is actually asking of us, we fail. Putting it another way, if we try on Friday to leapfrog over the cross, hoping to land safely on the turf of Easter Sunday, we will fall instead into the sepulchral abyss of Saturday, which perhaps we had forgotten about.
Eric Metaxas (Bonhoeffer: Pastor, Martyr, Prophet, Spy)
Behind this understanding of vocation is a truth that the ego does not want to hear because it threatens the ego's turf: everyone has a life that is different from the "I" of daily consciousness, a life that is trying to live through the "I" who is its vessel. This is what the poet knows and what every wisdom tradition teaches: there is a great gulf between the way my ego wants to identify me, with its protective masks and self-serving fictions, and my true self.
Parker J. Palmer (Let Your Life Speak: Listening for the Voice of Vocation)
Gabriel came to him one day on the high ground above Mecca, and struck with his heel the turf of the hillside, whereupon a spring gushed forth from it. Then he performed the ritual ablution to show the Prophet how to purify himself for worship, and the Prophet followed his example. Then he showed him the postures and movements of the prayer, the standing, the inclining, the prostrating and the sitting, with the repeated magnification, that is, the words Alldhu Akbar, God is Most Great, and the final greeting as-Saldmu 'alaykum, Peace be on you, and again the Prophet followed his example. Then the Angel left him, and the Prophet returned to his house, and taught Khadijah all that he had learnt, and they prayed together.
Martin Lings (MUHAMMAD: His Life Based on the Earliest Sources)
He lies still in the dark, hungry, listening to the birds discuss life in a thousand ancient dialects: bickering, turf war, recollection, praise, joy.
Richard Powers (The Overstory)
What do you want that couldn’t wait until the morning?” Arik asked as he led the way inside. The Pride’s king headed to the bar he’d had installed in the corner of his living room. He pulled a bottle of whiskey from a shelf. He poured them each a generous dollop. “I want permission to go after the Northern Lakes Pack.” “Am I going to regret asking why?” “They’re threatening Arabella.” “Who’s that?” “Jeoff’s sister.” Arik tossed back the fiery liquid before asking with a frown, “Why the fuck would I let you start a war over Jeoff’s sister?” “Because those pricks attacked us on home turf.” A snort escape Arik. “Ah yes, that puny attempt at a kidnapping. You caused quite a stir with your antics. Part of your stunt even made it onto YouTube before we could squash it. I had to have our PR department spin a Twitter thread on how it was part of a scene being taped for a movie.” “You can’t blame me for that. I had to stop them.” He did, but what he didn’t tell Arik was he’d never once thought of the repercussions of his actions. He saw Arabella in danger and had to go to her rescue. Bystanders and witnesses be damned. “I can see why you’d feel like you had to act. I mean, they made you look silly by catching you off guard like that, but, next time, could you be a little more discreet?” “No.” Why lie? The reply took his leader aback. “What do you mean no? Discretion is a fact of life. One girl isn’t worth drawing undue attention to ourselves.” “One girl might not be, but my mate is.” Want to stop conversation dead? Drop a bombshell. “Close your mouth, Arik, before you catch flies.” Only Arik’s mate could hope to tease him like that and get away with it. Dressed in yoga pants and a sweatshirt, Kira emerged from the bedroom and perched on a barstool. “Did you hear what he said?” a still astonished Arik demanded. “Yes. He’s fallen victim to the love bug. I think it’s cute.” “I would have said impossible,” Arik muttered. “You and me both, old friend. But, the fact of the matter is, I’m like ninety-nine percent sure that Arabella is supposed to be mine.” “And the one percent that isn’t sure?” “Is going to get eaten by my lion.
Eve Langlais (When a Beta Roars (A Lion's Pride, #2))
What he tried to explain to his players was that being humbled—having some sort of setback—was inevitable in life, but that the real measure of a man was how he reacted to being knocked down. Would he wallow on the ground feeling sorry for himself? Accepting his ultimate defeat? Or would he climb off the turf and go back to work, infused with a renewed determination to transcend the setback?
Keith Dunnavant (Bart Starr: America's Quarterback and the Rise of the National Football League)
The real game, as I soon discover, is donburi. Donburi, often shortened to don, means "bowl," and the name encapsulates a vast array of rice bowls topped with delicious stuff: oyakodon (chicken and egg), unadon (grilled eel), tendon (tempura). As nice as meat and tempura and eel can be, the donburi of yours and mine and every sensible person's dreams is topped with a rainbow bounty of raw fish. Warm rice, cool fish, a dab of wasabi, a splash of soy- sushi, without the pageantry and without the price tag. At Kikuyo Shokudo Honten you will find more than three dozen varieties of seafood dons, including a kaleidoscopic combination of uni, salmon, ikura (salmon roe), quail eggs, and avocado. I opt for what I've come to call the Hokkaido Superhero's Special: scallops, salmon roe, hairy crab, and uni. It's ridiculous hyperbole to call a simple plate of food life changing, but as the tiny briny eggs pop and the sweet scallops dissolve and the uni melts like ocean Velveeta, I feel some tectonic shift taking place just below my surface.
Matt Goulding (Rice, Noodle, Fish: Deep Travels Through Japan's Food Culture)
When Paul talks about singleness and marriage as gifts, he’s not referring to a state that God has awarded us for life, but without actually having the decency to tell us. He’s simply referring to both marriage (and specifically the expression of sexuality within marriage) and singleness (specifically the freedom from unconquerable sexual temptation as a single person) as gifts conferred by God. They go with the turf, not with the individual.
Orlando Saer (Big God: How to approach suffering, spread the gospel, make decisions and pray in the light of a God who really is in the driving seat of the world)
anonymity of the crowd, by the comfort that greater numbers allow. There are the big cats, the dealers, who rule the turf on reputation and occasional savagery, and the jackals who follow them:
David Simon (The Corner: A Year in the Life of an Inner-City Neighbourhood (Canons))
When he finished he had a magnificent house, perched on the edge of a precipice at whose feet the ocean thundered, but it was a house that knew no happiness, for shortly after Whip had moved in with his third wife, the Hawaiian-Chinese beauty Ching-ching, who was pregnant at the time, she had caught him fooling around with the brothel girls that flourished in the town of Kapaa. Without even a scene of recrimination, Ching-ching had simply ordered a carriage and driven back to the capital town of Lihune, where she boarded an H & H steamer for Honolulu. She divorced Whip but kept both his daughter Iliki and his yet-unborn son John. Now there were two Mrs. Whipple Hoxworths in Honolulu and they caused some embarrassment to the more staid community. There was his first wife, Iliki Janders Hoxworth, who moved in only the best missionary circles, and there was Ching-ching Hoxworth who lived within the Chinese community. The two never met, but Howxworth & Hale saw to it that each received a monthly allowance. The sums were generous, but not so much so as those sent periodically Wild Whip's second wife, the fiery Spanish girl named Aloma Duarte Hoxworth, whose name frequently appeared in New York and London newspapers... p623 When the polo players had departed, when the field kitchens were taken down, and when the patient little Japanese gardeners were tending each cut in the polo turf as if it were a personal wound, Wild Whip would retire to his sprawling mansion overlooking the sea and get drunk. He was never offensive and never beat anyone while intoxicated. At such times he stayed away from the brothels in Kapaa and away from the broad lanai from which he could see the ocean. In a small, darkened room he drank, and as he did so he often recalled his grandfather's words: "Girls are like stars, and you could reach up and pinch each one on the points. And then in the east the moon rises, enormous and perfect. And that's something else, entirely different." It was now apparent to Whip, in his forty-fifth year, that for him the moon did not intend to rise. Somehow he had missed encountering the woman whom he could love as his grandfather had loved the Hawaiian princess Noelani. He had known hundreds of women, but he had found none that a man could permanently want or respect. Those who were desirable were mean in spirit and those who were loyal were sure to be tedious. It was probably best, he thought at such times, to do as he did: know a couple of the better girls at Kapaa, wait for some friend's wife who was bored with her husband, or trust that a casual trip through the more settled camps might turn up some workman's wife who wanted a little excitement. It wasn't a bad life and was certainly less expensive in the long run than trying to marry and divorce a succession of giddy women; but often when he had reached this conclusion, through the bamboo shades of the darkened room in which he huddled a light would penetrate, and it would be the great moon risen from the waters to the east and now passing majestically high above the Pacific. It was an all-seeing beacon, brillant enough to make the grassy lawns on Hanakai a sheet of silver, probing enough to find any mansion tucked away beneath the casuarina trees. When this moon sought out Wild Whip he would first draw in his feet, trying like a child to evade it, but when it persisted he often rose, threw open the lanai screens, and went forth to meet it. p625
James A. Michener (Hawaii)
Last night, the 27th of April, a small row boat received the carcass of the murderer; two men were in it, they carried the body off into the darkness, and out of that darkness it will never return…. In the darkness, like his great crime, may it remain forever, impalpable, invisible, nondescript, condemned to that worse than damnation,—annihilation. The river-bottom may ooze about it laden with great shot and drowning manacles. The earth may have opened to give it that silence and forgiveness which man will never give its memory. The fishes may swim around it, or the daisies grow white above it; but we shall never know. Mysterious, incomprehensible, unattainable, like the dim times through which we live and think upon as if we only dreamed them in perturbed fever, the assassin of a nation’s head rests somewhere in the elements, and that is all; but if the indignant seas or the profaned turf shall ever vomit his corpse from their recesses, and it receive humane or Christian burial from some who do not recognize it, let the last words those decaying lips ever uttered be carved above them with a dagger, to tell the history of a young and once promising life—USELESS! USELESS!
George Alfred Townsend
Here, at Soldier Field, Walter Payton had been his absolute happiest. In his uniform, on the green turf, there were no business transactions or marital difficulties or out-of-wedlock children. Here, Peter Payton didn't die in jail and Alyne Payton didn't work three jobs. Here, Walter Payton wasn't ignored by colleges because of the blackness of his skin. There was no racism; no liver disease or bile duct cancer. He didn't have to try and come off an someone he wasn't. He could be himself. He could run free.
Jeff Pearlman (Sweetness: The Enigmatic Life of Walter Payton)