Turbulence Image Quotes

Just before the Clear Air Turbulence went back into warp and its crew sat down at the table, the ship expelled the limp corpse of Zallin. Where it had found a live man in a suit, it left a dead youth in shorts and a tattered shirt, tumbling and freezing while a thin shell of air molecules expanded around the body, like an image of departing life.

Avoid dull facts; create memorable images; translate every issue into people’s lives; use simple, everyday language; never use big words when small words will do. Simplify the concept that “we are trying to construct a more inclusive society” into “we are going to make a country in which no one is left out.

We teach children from a very young age that not having a girlfriend or boyfriend is almost a problem – but happily, we also let them understand that there’s ‘still time’. But we never give them the option of not wanting one. With girls, it’s reinforced by an armada of clichés and conventions conveyed through the fairy stories they absorb, from the sleeping beauty waiting for a kiss from a prince to be brought back to life, to the lonesome wicked witch who devours other people’s children. Boys, meanwhile, grow up with a more nuanced vision, thanks to a fantasy world peopled by solitary heroes who achieve extraordinary things because of their superpowers. The message is fundamentally the same, but boys have more opportunities to develop different perspectives. They’re not so bound to this image of themselves trapped in a depressing and inert solitude. Their sense of self-worth is not conditioned by the fact of having a girlfriend or a wife. They’re encouraged to be actors in a turbulent life, to reach for their dreams, to give their all to reach the top of the mountain. Little girls, meanwhile, must wait for their Prince Charming to turn up.

Think about taking a trip on an airplane. Before taking off, the pilot has a very clear destination in mind, which hopefully coincides with yours, and a flight plan to get there. The plane takes off at the appointed hour toward that predetermined destination. But in fact, the plane is off course at least 90 percent of the time. Weather conditions, turbulence, and other factors cause it to get off track. However, feedback is given to the pilot constantly, who then makes course corrections and keeps coming back to the exact flight plan, bringing the plane back on course. And often, the plane arrives at the destination on time. It’s amazing. Think of it. Leaving on time, arriving on time, but off course 90 percent of the time. If you can create this image of an airplane, a destination, and a flight plan in your mind, then you understand the purpose of a personal mission statement. It is the picture of where you want to end up—that is, your destination is the values you want to live your life by. Even if you are off course much or most of the time but still hang on to your sense of hope and your vision, you will eventually arrive at your destination. You will arrive at your destination and usually on time. That’s the whole point—we just get back on course.

Think about taking a trip on an airplane. Before taking off, the pilot has a very clear destination in mind, which hopefully coincides with yours, and a flight plan to get there. The plane takes off at the appointed hour toward that predetermined destination. But in fact, the plane is off course at least 90 percent of the time. Weather conditions, turbulence, and other factors cause it to get off track. However, feedback is given to the pilot constantly, who then makes course corrections and keeps coming back to the exact flight plan, bringing the plane back on course. And often, the plane arrives at the destination on time. It’s amazing. Think of it. Leaving on time, arriving on time, but off course 90 percent of the time. If you can create this image of an airplane, a destination, and a flight plan in your mind, then

I could live this way indefinitely and I'd be all right ... I've done enough living and can now spend my time holding up the memories for contemplation, determining what it all meant. Images flood in: cities I've passed through; rooms where I've slept; friends who put me up or put up with me. In a couple of years I'll turn forty. Schopenhauer wrote that the first forty years are the text, the rest is the commentary. I see that, and yet I feel that I'm somehow at the start of a life, on the cusp, facing a future that's strange and turbulent but not entirely hopeless.

The part of thinking that’s easy to handle is the part that works by analogy with speech. Thinking in words, speaking our thoughts internally, projects an auditorium inside our skulls. Dark or bright, a shadow theater or a stage scorched by klieg lights, here we try out voices, including the voice we have settled on as the familiar sound of our identity, although it may not be what other people hear when we speak aloud. But that is the topmost of the linguistic processes going on in the mind. Beneath the auditorium runs a continuous river of thought that not only is soundless but is not ordered so it can be spoken. For obvious reasons, describing it is difficult. If I dip experimentally into the wordless flow, and then try to recall the sensations of it, I have the impression of a state in which grammar is present – for when I think like this I am certainly construing lucid relationships between different kinds of meaning, and making sense of the world by distinguishing between (for a start) objects and actions – but thought there are so to speak nounlike and verblike concentrations in the flow, I do not solidify them, I do not break them off into word-sized units. Are there pictures? Yes, but I am not watching a slide show, the images do not come in units either. Sometimes there’s a visual turbulence – rapid, tumbling, propelled – that doesn’t resolve into anything like the outlines of separate images. Sometimes one image, like a key, will hold steady while a whole train of wordless thoughts flows from its start to its finish. A mountain. A closed box. A rusty hinge.

The pilot tapped his GPS screen a few times until he found the nearest airport. "Closest airfields are north. The Virgin Islands.” “You crazy, man? They’re probably already tracking us on radar. DEA or the Coast Guard would probably be waiting for us...” Marco tapped on the touchscreen map. “What about this island over here? Says it’s got a private air strip. Small, but we could go there.” The pilot squinted down at the GPS chart. “I know that one. Some rich guy owns it, I think. He’ll probably have security guards.” Marco tapped the map again, changing the layering to show the satellite image. “The buildings are all on the northwest side of the island. It would take people time to get to the runway, even if they knew we were there. It’s been storming hard so they won’t be outside. We can land on goggles, keep the lights off. We’ll cut the engine as soon as we touch down. We only need ten, fifteen minutes at the most. I’ll check the oil and top us off, then we’ll take off before anyone has time to reach us.” The aircraft jolted as they flew through more turbulence. More lightning in the distance. “Fine,” said the pilot. Marco tapped on the GPS display screen. “There. Your waypoint is in.” The aircraft banked slowly left as the pilot turned them toward the private island.

Spaces of four, five, or more dimensions tax the visual imagination of even the most agile topologist. But complex systems have many independent variables. Mathematicians had to accept the fact that systems with infinitely many degrees of freedom—untrammeled nature expressing itself in a turbulent waterfall or an unpredictable brain—required a phase space of infinite dimensions. But who could handle such a thing? It was a hydra, merciless and uncontrollable, and it was Landau’s image for turbulence: infinite modes, infinite degrees of freedom, infinite dimensions.

If you know this as a woman, you will be his peace: Men were made in the image and glory of God to subdue and rule over the world. Women were made from the glory of Man for the man to be his companion, help meet and peace in times of distress. This makes the woman answerable to one man and it's expected that a man is contended with one woman for this reason, a man will leave his family and cleave to his wife. WHY? The day a woman is married away from her father's house, she cease to remain a part of her house house without inheritance and identification. She takes cover and upon herself inheritance of her husband's house and name of her husband's family. Check yourself, if you are still unmarried, please leave witches alone, they are only good and killing. What is responsible for your inability to marry might be responsible for your inability to keep a husband. It could be the way you dress, the smell of your dirtiness, the way your tongue is unbridled, your commitment to people maybe the way you where brought up by your parents. The world created and changed gradually not by leaders or governments or religion but by the family. And the reason we have rivals is the woman. A man will love all of his children equally, but a woman will love one than the other. These rivalry creates turbulence in the subconscious minds of out children and they end up been social vices, bad politicians, untrained husbands, and disrespectful wives. If my errors in marriage can not be a lesson then I am failed person, hence I can boldly say I have experience in marriage. A young lady may respond to this post, saying "I am happy in my marriage and my husband loves me" well I will say no. Cause if you are truly a wife example you agree with all I have said above because that is the yarning of your husbands expectations. You are happy in your marriage because a Side-chick is giving him the peace you can not. Look, when you win every argument with your husband, just know someone else is losing argument with him.

After an emotionally turbulent weekend, we may welcome Monday morning for the more straightforward image it returns us of ourselves.

A mind that is already caught in a storm tends to set aside rational and compassionate thinking. Passive aggressiveness and unnecessary conflicts are common when we let our mental heaviness chart the course of our actions. The mind is more familiar with turbulence than it is with peace. It tends to swing between mental images of the past and the future. Peace requires intentional mental training because it can only be found in the present moment.

The creation of new souls is a fascinating procedure, one that Judy was able to explain in graphic detail. She showed Val an image of a light being shattered into many fragments, with a solid part remaining intact at the core. This very dense core of energy embodies old souls, and those fragments exploding to the outside represent newer souls. We are all part of the same original spirit and the spirit fragments spread outward with the newest souls on the outer fringes. Judy explained further, “When this shattering takes place, part of our soul heals and stays in spirit and another part moves on, so we go into different areas. The new souls are the less dense parts of that spirit energy.” This means there is a part of every soul in each new one created, as we are all growing, all evolving, at all times. At this stage, as my head was spinning with thoughts and images of all these fragments, M came to my rescue, saying that this explains the oneness of all life. The original energy that fragmented, creating the first souls, is what most people refer to as “God” (also the Creator, the Divine, the Source, Spirit). Each fragment then becomes its own spirit entity, before eventually fragmenting again, and so on. M also explained that new souls come from only the more advanced spirits; I found it comforting to know that spirits in the dark side are not given this capability. It also explains, for me, why so many gifted children are being born in recent years—their deep soul wisdom and advanced intelligence are sorely needed in the future to help us in these turbulent times.

Marcus studied those NASA pictures for hours, the gorgeous Hasselblad pictures of men on the moon and the pictures of Jupiter’s turbulence. Since Newton’s laws apply everywhere, Marcus programmed a computer with a system of fluid equations. To capture Jovian weather meant writing rules for a mass of dense hydrogen and helium, resembling an unlit star. The planet spins fast, each day flashing by in ten earth hours. The spin produces a strong Coriolis force, the sidelong force that shoves against a person walking across a merry-go–round, and the Coriolis force drives the spot. Where Lorenz used his tiny model of the earth’s weather to print crude lines on rolled paper, Marcus used far greater computer power to assemble striking color images. First he made contour plots. He could barely see what was going on. Then he made slides, and then he assembled the images into an animated movie. It was a revelation. In brilliant blues, reds, and yellows, a checkerboard pattern of rotating vortices coalesces into an oval with an uncanny resemblance to the Great Red Spot in NASA’s animated film of the real thing. “You see this large-scale spot, happy as a clam amid the small-scale chaotic flow, and the chaotic flow is soaking up energy like a sponge,” he said. “You see these little tiny filamentary structures in a background sea of chaos.” The spot is a self-organizing system, created and regulated by the same nonlinear twists that create the unpredictable turmoil around it. It is stable chaos.

Mathematicians had to accept the fact that systems with infinitely many degrees of freedom-untrammeled nature expressing itself in a turbulent waterfall or an unpredictable brain-required a phase space of infinite dimensions. But who could handle such a thing? It was a hydra, merciless and uncontrollable, and it was Landau's image for turbulence: infinite modes, infinite degrees of freedom, infinite dimensions.

...The happy Warrior... is he... whose powers shed round him in the common strife, or mild concerns of ordinary life, a constant influence, a peculiar grace; but who, if he be called upon to face some awful moment to which Heaven has joined great issues, good or bad for human kind, is happy as a lover; and attired with sudden brightness, like a man inspired; and, through the heat of conflict, keeps the law in calmness made, and sees what he foresaw; or if an unexpected call succeed, come when it will, is equal to the need: he who, though thus endued as with a sense and faculty for storm and turbulence, is yet a soul whose master-bias leans to homefelt pleasures and to gentle scenes; sweet images! which, wheresoe'er he be, are at his heart; and such fidelity it is his darling passion to approve; more brave for this, that he hath much to love:—

He was walking over toward the West Side, aimlessly at first, and then at times with the longing to do something to save those mistaken men from themselves forming itself into a purpose. Was not that what she meant when she bewailed her woman's helplessness? She must have wished him to try if he, being a man, could not do something; or if she did not, still he would try, and if she heard of it she would recall what she had said and would be glad he had understood her so. Thinking of her pleasure in what he was going to do, he forgot almost what it was; but when he came to a street-car track he remembered it, and looked up and down to see if there were any turbulent gathering of men whom he might mingle with and help to keep from violence. He saw none anywhere; and then suddenly, as if at the same moment, for in his exalted mood all events had a dream-like simultaneity, he stood at the corner of an avenue, and in the middle of it, a little way off, was a street-car, and around the car a tumult of shouting, cursing, struggling men. The driver was lashing his horses forward, and a policeman was at their heads, with the conductor, pulling them; stones, clubs, brickbats hailed upon the car, the horses, the men trying to move them. The mob closed upon them in a body, and then a patrol-wagon whirled up from the other side, and a squad of policemen leaped out and began to club the rioters. Conrad could see how they struck them under the rims of their hats; the blows on their skulls sounded as if they had fallen on stone; the rioters ran in all directions. One of the officers rushed up toward the corner where Conrad stood, and then he saw at his side a tall, old man, with a long, white beard, who was calling out at the policemen: "Ah, yes! Glup the strikerss—gif it to them! Why don't you co and glup the bresidents that insoalt your lawss, and gick your Boart of Arpidration out-of-toors? Glup the strikerss—they cot no friendts! They cot no money to pribe you, to dreat you!" The officer lifted his club, and the old man threw his left arm up to shield his head. Conrad recognized Lindau, and now he saw the empty sleeve dangle in the air over the stump of his wrist. He heard a shot in that turmoil beside the car, and something seemed to strike him in the breast. He was going to say to the policeman: "Don't strike him! He's an old soldier! You see he has no hand!" but he could not speak, he could not move his tongue. The policeman stood there; he saw his face: it was not bad, not cruel; it was like the face of a statue, fixed, perdurable—a mere image of irresponsible and involuntary authority. Then Conrad fell forward, pierced through the heart by that shot fired from the car. March heard the shot as he scrambled out of his car, and at the same moment he saw Lindau drop under the club of the policeman, who left him where he fell and joined the rest of the squad in pursuing the rioters. The fighting round the car in the avenue ceased; the driver whipped his horses into a gallop, and the place was left empty. March would have liked to run; he thought how his wife had implored him to keep away from the rioting; but he could not have left Lindau lying there if he would. Something stronger than his will drew him to the spot, and there he saw Conrad, dead beside the old man.

Kaleidoscopes and pendulums—Roosevelt’s images connoted an abiding belief in the hard lesson of his crucible philosophy: All one can do is to prepare oneself, to wait in readiness for what might come.

Just before the Clear Air Turbulence went back into warp and its crew sat down at table, the ship expelled the limp corpse of Zallin. Where it had found a live man in a suit, it left a dead youth in shorts and a tattered shirt, tumbling and freezing while a thin shell of air molecules expanded around the body, like an image of departing life.