Tuning Fork Quotes

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His heart beat faster and faster as Daisy’s white face came up to his own. He knew that when he kissed this girl, and forever wed his unutterable visions to her perishable breath, his mind would never romp again like the mind of God. So he waited, listening for a moment longer to the tuning fork that had been struck upon a star. Then he kissed her. At his lips’ touch she blossomed like a flower and the incarnation was complete.
F. Scott Fitzgerald (The Great Gatsby)
If you spend enough time reading or writing, you find a voice, but you also find certain tastes. You find certain writers who when they write, it makes your own brain voice like a tuning fork, and you just resonate with them. And when that happens, reading those writers—not all of whom are modern . . . I mean, if you are willing to make allowances for the way English has changed, you can go way, way back with this— becomes a source of unbelievable joy. It’s like eating candy for the soul. So probably the smart thing to say is that lucky people develop a relationship with a certain kind of art that becomes spiritual, almost religious, and doesn’t mean, you know, church stuff, but it means you’re just never the same.
David Foster Wallace (Quack This Way)
Has it ever occurred to you that one hundred pianos all tuned to the same fork are automatically tuned to each other? They are of one accord by being tuned, not to each other, but to another standard to which each one must individually bow. So one hundred worshipers met together, each one looking away to Christ, are in heart nearer to each other than they could possibly be, were they to become 'unity' conscious and turn their eyes away from God to strive for closer fellowship.
A.W. Tozer (The Pursuit of God: The Human Thirst for the Divine)
If I'm a tuning fork, you're the perfect A, making me hum.
Joss Stirling (Finding Sky (Benedicts, #1))
So he waited, listening for a moment longer to the tuning-fork that had been struck upon a star.
F. Scott Fitzgerald (The Great Gatsby)
When Rose takes to screaming, she starts loud, continues loud, and ends loud. Rose has a very good ear and always screams on the same note. I'd tested her before I burnt the library, and our piano along with it. Rose screams on the note B flat. We don't need a piano anymore now that we have a human tuning fork.
Franny Billingsley (Chime)
His teeth sang in their individual sockets like tuning forks, each one pitch-perfect and clear as ethanol.
William Gibson (Neuromancer (Sprawl, #1))
To the attention of the New Fiddleham Police Department: You've got my middle-C, and I would like it back. ... Please return Jackaby's tuning fork. He's getting even more obnoxious than usual.
William Ritter (Jackaby (Jackaby, #1))
Other people look at me and think: That poor woman; she has a child with a disability. But all I see when I look at you is that girl who had memorized all the words to Queen's 'Bohemian Rhapsody' by the time she was three, the girl who crawls into bed with me whenever there's a thunderstorm - not because you're afraid but because I am, the girl whose laugh has always vibrated inside my own body like a tuning fork. I would never have wished for an able-bodied child, because that child would have been someone who wasn't you.
Jodi Picoult (Handle with Care)
Out of the corner of his eye Gatsby saw that the blocks of the sidewalks really formed a ladder and mounted to a secret place above the trees—he could climb to it, if he climbed alone, and once there he could suck on the pap of life, gulp down the incomparable milk of wonder. His heart beat faster and faster as Daisy’s white face came up to his own. He knew that when he kissed this girl, and forever wed his unutterable visions to her perishable breath, his mind would never romp again like the mind of God. So he waited, listening for a moment longer to the tuning-fork that had been struck upon a star. Then he kissed her. At his lips’ touch she blossomed for him like a flower and the incarnation was complete. Through all he said, even through his appalling sentimentality, I was reminded of something—an elusive rhythm, a fragment of lost words, that I had heard somewhere a long time ago. For a moment a phrase tried to take shape in my mouth and my lips parted like a dumb man’s, as though there was more struggling upon them than a wisp of startled air. But they made no sound, and what I had almost remembered was uncommunicable forever.
F. Scott Fitzgerald (The Great Gatsby)
Deftly whipping a small tuning fork from his pocket, he struck it smartly against a pillar and held it next to Jamie's left ear. Jamie rolled his eyes heavenward, but shrugged and obligingly sang a note. The little man jerked back as though he'd been shot.
Diana Gabaldon (Dragonfly in Amber (Outlander, #2))
Her eye, her ear, were tuning forks, burning glasses, which caught the minutest refraction or echo of a thought or feeling .... She heard a deeper vibration, a kind of composite echo, of all that the writer said, and did not say.
Willa Cather
Cam had never seen anything like the mute longing that St. Vincent felt for his own wife. No one could fail to observe that whenever Evie entered the room, St.Vincent practically vibrated like a tuning fork.
Lisa Kleypas (Devil in Winter (Wallflowers, #3))
The 21 leadership chakras in the human body are like tuning forks; they influence others. Leadership is creating resonance and melody in them.
Amit Ray (Ray 114 Chakra System Names, Locations and Functions)
The body never lies. It's your spiritual tuning fork.
Sera J. Beak (The Red Book: A Deliciously Unorthodox Approach to Igniting Your Divine Spark)
Vienna, to me it was the tuning fork for the entire world. Saying the word Vienna was like striking a tuning fork and then listening to find what tone it called forth in the person I was talking to. It was how I tested people. If there was no response, this was not the kind of person I liked. Vienna wasn't just a city, it was a tone that either one carries forever in one's soul or one does not. It was the most beautiful thing in my life. I was poor, but I was not alone, because I had a friend.
Sándor Márai (Embers)
We stood there for a minute or two, with John swaying gently against my arm. 'I'm feeling better,' he announced. Then he looked up at the stars. 'Wow..' he intoned. 'Look at that! Isn't that amazing?". I followed his gaze. The stars did look good but they didn't look that good. It was very unlike John to be over the top in that way. I stared at him. He was wired-pin-sharp and quivering, resonating away like a human tuning fork. No sooner had John uttered his immortal words about the stars than George and Paul came bursting out on the roof. They had come tearing up from the studio as soon as they found out where we were. They knew why John was feeling unwell. Maybe everyone else did, too - everyone except for father-figure George Martin here! It was very simple. John was tripping on LSD. He had taken it by mistake, they said - he had meant to take an amphetamine tablet. That hardly made any difference, frankly; the fact was that John was only too likely to imagine he could fly, and launch himself off the low parapet that ran around the roof. They had been absolutely terrified that he might do so. I spoke to Paul about this night many years later, and he confirmed that he and George had been shaken rigid when they found out we were up on the roof. They knew John was having a what you might call a bad trip. John didn't go back to Weybridge that night; Paul took him home to his place, in nearby Cavendish Road. They were intensely close, remember, and Paul would do almost anything for John. So, once they were safe inside, Paul took a tablet of LSD for the first time, 'So I could get with John' as he put it- be with him in his misery and fear. What about that for friendship?
George Martin (With A Little Help From My Friends: The Making of Sgt. Pepper)
A writer is like a tuning fork: We respond when we’re struck by something. The thing is to pay attention, to be ready for radical empathy. If we empty ourselves of ourselves we’ll be able to vibrate in synchrony with something deep and powerful. If we’re lucky we’ll transmit a strong pure note, one that isn’t ours, but which passes through us. If we’re lucky, it will be a note that reverberates and expands, one that other people will hear and understand.
Roxana Robinson
Sometimes when she lies awake her body feels as finely made as a tuning fork. She can hear and smell the most delicate things, the smell and music of thought itself.
Diana Abu-Jaber (Crescent)
As Roxana Robinson said, “A writer is like a tuning fork: we respond when we’re struck by something….If we’re lucky we’ll transmit a strong pure note, one that isn’t ours, but which passes through us.
Jodi Picoult (Small Great Things)
A fit encomium for marital bliss," Beaumont said, putting down his knife and fork. "Dancing to a tune one neither likes nor understands, with a partner who thinks you a cadaver.
Eloisa James (Desperate Duchesses (Desperate Duchesses, #1))
She thinks about his words, hearing the truth of them. They resonate, as if a tuning fork aligned with the sound of her heart and gave it a voice.
Kimberly Morgan (On Angels and Rabbit Holes)
If the first job one has in a given profession acts as a tuning fork for the career that follows, Frederick Thomas was attuned from the start to a pitch of the highest quality.
Vladimir Alexandrov (The Black Russian)
His voice... my nipples are like tuning forks responding to that pitch – that purrrrr.
Poppet (Penance)
She let herself stray past the stage of sleep and even past the stage of remembering, and she wanders into the stage of soul-searching. Sometimes when she lies awake her body feels as finely made as a tuning fork. She can hear and smell the most delicate things, the smell and music of thought itself.
Diana Abu-Jaber (Crescent)
Scattered among these things are reminders that sound once existed: a metronome, a drumming pad, a guitar pick, a trumpet mouthpiece, a music stand, a tuning fork, a block of rosin...The older instruments bear the marks of those who have already played them, the scuffs and bites and dents that are the mysterious scars of sound. In their midst the house hangs, tenuous and enveloping, a sounding board waiting to be struck.
Geoffrey O'Brien (Sonata for Jukebox: An Autobiography of My Ears)
Empathy. Most people think empathy is like understanding someone else or relating to them. But it's more than that. Real empathy is the actual corporeal feeling of someone else's emotions, so that it's experienced not only in the brain but also in the body, the body vibrating like a tuning fork to the sadness and suffering of another, as in, for example, you cry at the funerals of people you never even knew, you feel actual physical hunger when you see a starving child, you get vertigo when you watch an acrobat. And so forth.
Nathan Hill (The Nix)
Can I tell you something? Off the record?” Alex nodded. “Before I took this job, I used to work in Maine. And I had a case that wasn’t just a case, if you know what I mean.” Alex did. She found herself listening in his voice for a note she hadn’t heard before-a low one that resonated with anguish, like a tuning fork that never stopped its vibration. “There was a woman there who meant everything to me, and she had a little boy who meant everything to her. And when he was hurt, in a way a kid never should be, I moved heaven and earth to work that case, because I thought no one could possibly do a better job than I could. No one could possibly care more about the outcome.” He looked directly at Alex. “I was so sure I could separate how I felt about what had happened from how I had to do my job.” Alex swallowed, dry as dust. “And did you?” “No. Because when you love someone, no matter what you tell yourself, it stops being a job.” “What does it become?” Patrick thought for a moment. “Revenge.
Jodi Picoult (Nineteen Minutes)
The graveyard was at the top of the hill. It looked over all of the town. The town was hills - hills that issued down in trickles and then creeks and then rivers of cobblestone into the town, to flood the town with rough and beautiful stone that had been polished into smooth flatness over the centuries. It was a pointed irony that the very best view of the town could be had from the cemetery hill, where high, thick walls surrounded a collection of tombstones like wedding cakes, frosted with white angels and iced with ribbons and scrolls, one against another, toppling, shining cold. It was like a cake confectioner's yard. Some tombs were big as beds. From here, on freezing evenings, you could look down at the candle-lit valley, hear dogs bark, sharp as tuning forks banged on a flat stone, see all the funeral processions coming up the hill in the dark, coffins balanced on shoulders. ("The Candy Skull")
Ray Bradbury
I first met Winston Churchill in the early summer of 1906 at a dinner party to which I went as a very young girl. Our hostess was Lady Wemyss and I remember that Arthur Balfour, George Wyndman, Hilaire Belloc and Charles Whibley were among the guests… I found myself sitting next to this young man who seemed to me quite different from any other young man I had ever met. For a long time he seemed sunk in abstraction. Then he appeared to become suddenly aware of my existence. He turned on me a lowering gaze and asked me abruptly how old I was. I replied that I was nineteen. “And I,” he said despairingly, “am thirty-two already. Younger than anyone else who counts, though, “he added, as if to comfort himself. Then savagely: “Curse ruthless time! Curse our mortality. How cruelly short is this allotted span for all we must cram into it!” And he burst forth into an eloquent diatribe on the shortness of human life, the immensity of possible human accomplishment—a theme so well exploited by the poets, prophets, and philosophers of all ages that it might seem difficult to invest it with new and startling significance. Yet for me he did so, in a torrent of magnificent language which appeared to be both effortless and inexhaustible and ended up with the words I shall always remember: “We are all worms. But I do believe that I am a glow worm.” By this time I was convinced of it—and my conviction remained unshaken throughout the years that followed. Later he asked me whether I thought that words had a magic and music quite independent of their meaning. I said I certainly thought so, and I quoted as a classic though familiar instance the first lines that came into my head. Charm’d magic casements, opening on the foam Of perilous seas, in faery lands forlorn. His eyes blazed with excitement. “Say that again,” he said, “say it again—it is marvelous!” “But I objected, “You know these lines. You know the ‘Ode to a Nightengale.’ ” He had apparently never read or heard of it before (I must, however, add that next time I met him he had not learned not merely this but all of the odes to Keats by heart—and he recited them quite mercilessly from start to finish, not sparing me a syllable). Finding that he liked poetry, I quoted to him from one of my own favorite poets, Blake. He listened avidly, repeating some lines to himself with varying emphases and stresses, then added meditatively: “I never knew that old Admiral had found so much time to write such good poetry.” I was astounded that he, with his acute susceptibility to words and power of using them, should have left such tracts of English literature entirely unexplored. But however it happened he had lost nothing by it, when he approached books it was “with a hungry, empty mind and with fairly srong jaws, and what I got I *bit*.” And his ear for the beauty of language needed no tuning fork. Until the end of dinner I listened to him spellbound. I can remember thinking: This is what people mean when they talk of seeing stars. That is what I am doing now. I do not to this day know who was on my other side. Good manners, social obligation, duty—all had gone with the wind. I was transfixed, transported into a new element. I knew only that I had seen a great light. I recognized it as the light of genius… I cannot attempt to analyze, still less transmit, the light of genius. But I will try to set down, as I remember them, some of the differences which struck me between him and all the others, young and old, whom I have known. First and foremost he was incalculable. He ran true to no form. There lurked in his every thought and world the ambush of the unexpected. I felt also that the impact of life, ideas and even words upon his mind, was not only vivid and immediate, but direct. Between him and them there was no shock absorber of vicarious thought or precedent gleaned either from books or other minds. His relationship wit
Violet Bonham Carter
Put another way, Jesus is God’s perfect pitch—the divine tuning fork to the eternal. Every tuning fork needs to be struck to be heard. The striking of the eternal, unchanging tuning fork of heaven took place when a young virgin gave birth to God’s only Son in an obscure village in first-century Israel. It struck again on a never-forgotten Friday, with the pounding of six-inch nails. The fork struck a third time—on the third day—when a meek and lowly Nazarene split a tomb wide open and came forth in resurrection life. Heaven’s
Leonard Sweet (Jesus Manifesto)
Her body sang like a tuning fork against his, like finding like.
Victoria Schwab (A Conjuring of Light (Shades of Magic, #3))
I am but a tuning fork of flesh, struck by the hand of the Creator. I am but a servant of destiny, yet I am accountable.
J.R. Ward (A Warm Heart in Winter (Black Dagger Brotherhood #18.5))
I feel like a tuning fork, vibrating with an unfamiliar will to violence.
Teju Cole (Every Day Is for the Thief)
Just as Cam left Ivo Jenner’s apartments, St. Vincent met him in the hall. There was a scowl on the blond man’s face, and a vein of chilling arrogance in his tone. “If my wife finds comfort in trite Gypsy homilies, I have no objection to your offering them. However, if you ever kiss her again, no matter how platonic the fashion, I’ll make a eunuch of you.” The fact that St. Vincent could stoop to petty jealousy when Ivo Jenner was not yet cold in his bed might have outraged some men. Cam, however, regarded the autocratic viscount with speculative interest. Deliberately calibrating his reply to test the other man, Cam said softly, “Had I ever wanted her that way, I would have had her by now.” There it was— a flash of warning in St. Vincent’s ice-blue eyes that revealed a depth of feeling he would not admit to. Cam had never seen anything like the mute longing that St. Vincent felt for his own wife. No one could fail to observe that whenever Evie entered the room, St.Vincent practically vibrated like a tuning fork. “It is possible to care about a woman without wanting to bed her,” Cam pointed out. “But it appears that you don’t agree. Or are you so obsessed with her that you can’t fathom how anyone else could fail to feel the same?” “I’m not obsessed with her,” St. Vincent snapped. Leaning a shoulder against the wall, Cam stared into the man’s hard eyes, his usual reserve of patience nearly depleted. “Of course you are. Anyone could see it.” St. Vincent gave him a warning glance. “Another word,” he said thickly, “and you’ll go the way of Egan.” Cam raised his hands in a mocking gesture of self-defense. “Warning taken.
Lisa Kleypas (Devil in Winter (Wallflowers, #3))
I am glad I still exist glad for cats and moss and Turkish indigo and yet to be light upon the earth to be steel bent around an endless black to once again be God’s own tuning fork and yet and yet
Kaveh Akbar (Calling a Wolf a Wolf)
Their bodies crashed together, the last of the distance disappearing as hips met hips and ribs met ribs and hands searched for skin. Her body sang like a tuning fork against his, like finding like.
Victoria Schwab (A Conjuring of Light (Shades of Magic, #3))
Only, somewhere far inside my spine and deep in the palms of my hands, something hummed; like a sound too low to hear, like a warning, like a cello string when a tuning fork strikes the perfect tone to call it awake.
Tana French (Broken Harbor (Dublin Murder Squad #4))
We talk about certain statements as having a “ring of truth” to them, as if a sentence is a tuning fork, something that we can tap and listen to for its tone. And I think that’s right. Truth has a hum to it. You can tell.
Pagan Kennedy (The Dangerous Joy of Dr. Sex and Other True Stories (Pagan Kennedy Project))
If you spend enough time reading or writing, you find a voice, but you also find certain tastes. You find certain writers who when they write, it makes your own brain voice like a tuning fork, and you just resonate with them. And when that happens, reading those writers … becomes a source of unbelievable joy. It’s like eating candy for the soul. And I sometimes have a hard time understanding how people who don’t have that in their lives make it through the day.
David Foster Wallace
She looked from her son to Bill and back to her son again, touched by wonder that was mostly simple perplexity but partly a fear so thin and sharp that it found its way deep into her inner heart and vibrated there like a tuning-fork made of clear ice.
Stephen King
He knew that when he kissed this girl, and forever wed his unutterable visions to her perishable breath, his mind would never romp again like the mind of God. So he waited, listening for a moment longer to the tuning-fork that had been struck upon a star. Then he kissed her.
F. Scott Fitzgerald (The Great Gatsby)
As he played on, the energy magnified; the tuning fork going crazy now, firing off vibrations all over, until my entire body was humming, until I was left breathless. And when I felt like I could not take it one more minute, the swirl of sensations hit a dizzying crescendo, sending every nerve ending in my body on high alert.
Gayle Forman (If I Stay (If I Stay, #1))
For the briefest of instants, a miles-wide hole appeared from the middle of the Earth to the top of the sky. The Moho rang like a tuning fork in harmonic response to the billion megaton impact. Seismic waves propagated in all directions, some dampening as normal, others amplified harmonically as Earth’s interior quivered like a bowl of pudding. Seismometers spiked wildly, their needles bouncing back and forth like pin-balls. A billion megatons exploded outward from the depths of the quivering Moho blasting a crater eighty-five miles in diameter and spewing billions of tons of superheated rock twelve hundred miles into space. In the blink of an eye the Earth grew a tail, as a mushroom cloud visible from Mars formed and spread, black as the Devil's eye.
Raymond Dean White (Impact (The Dying Time #1))
The Bible should never close us to hearing God's voice in other venues; rather it ought to open us to recognize it whenever we hear it. In a sense, the Scriptures are a tuning fork for adjusting our ears to the tone of God's voice. It attunes us to the quality, the pitch and the cadence of God's voice, and to the character that his voice expresses, so that we can identify his true voice over false ones.
Adam S. McHugh (The Listening Life: Embracing Attentiveness in a World of Distraction)
So he waited, listening for a moment loner to the tuning-fork that had been struck upon a star. Then he kissed her. At his lips' touch she blossomed for him like a flower and the incarnation was complete.
F. Scott Fitzgerald (The Great Gatsby)
Although Jung's concept of a collective unconscious has had an enormous impact on psychology and is now embraced by untold thousands of psychologists and psychiatrists, our current understanding of the universe provides no mechanism for explaining its existence. The interconnectedness of all things predicted by the holographic model, however, does offer an explanation. In a universe in which all things are infinitely interconnected, all consciousnesses are also interconnected. Despite appearances, we are beings without borders. Or as Bohm puts it, "Deep down the consciousness of mankind is one. "1 If each of us has access to the unconscious knowledge of the entire human race, why aren't we all walking encyclopedias? Psychologist Robert M. Anderson, Jr., of the Rensselaer Polytechnic Institute in Troy, New York, believes it is because we are only able to tap into information in the implicate order that is directly relevant to our memories. Anderson calls this selective process personal resonance and likens it to the fact that a vibrating tuning fork will resonate with (or set up a vibration in) another tuning fork only if the second tuning fork possesses a similar structure, shape, and size. "Due to personal resonance, relatively few of the almost infinite variety of 'images' in the implicate holographic structure of the universe are available to an individual's personal consciousness, " says Anderson. "Thus, when enlightened persons glimpsed this unitive consciousness centuries ago, they did not write out relativity theory because they were not studying physics in a context similar to that in which Einstein studied physics.
Michael Talbot (The Holographic Universe)
His heart beat faster and faster as Daisy’s white face came up to his own. He knew that when he kissed this girl, and forever wed his unutterable visions to her perishable breath, his mind would never romp again like the mind of God. So he waited, listening for a moment longer to the tuning-fork that had been struck upon a star. Then he kissed her. At his lips’ touch she blossomed for him like a flower and the incarnation was complete. Through
F. Scott Fitzgerald (The Great Gatsby)
I’d had crushes before, but this was worse than anything I’d ever felt. It started in my stomach and soon it was everywhere, spreading outward like an infection; it swallowed my concentration, blotted out my other interests, consumed whole days I would have normally spent reading. I felt like a tuning fork perpetually vibrating at his frequency. It happened suddenly: one day I barely noticed it and the next it felt like it had always been there and I would never be able to shake it.
Jessica Alcott (Even When You Lie to Me)
I looked out over the water, into the night that was coming in on the tide, and I felt nothing at all. The beach looked like something I had seen in an old film, once upon a time; that hotheaded boy felt like a character from some book I had read and given away in childhood. Only, somewhere far inside my spine and deep in the palms of my hands, something hummed; like a sound too low to hear, like a warning, like a cello string when a tuning fork strikes the perfect tone to call it awake.
Tana French (Broken Harbor (Dublin Murder Squad, #4))
Out of the corner of his eye Gatsby saw that the blocks of the sidewalks really formed a ladder and mounted to a secret place above the trees—he could climb to it, if he climbed alone, and once there he could suck on the pap of life, gulp down the incomparable milk of wonder. His heart beat faster and faster as Daisy’s white face came up to his own. He knew that when he kissed this girl, and forever wed his unutterable visions to her perishable breath, his mind would never romp again like the mind of God. So he waited, listening for a moment longer to the tuning-fork that had been struck upon a star. Then he kissed her. At his lips’ touch she blossomed for him like a flower and the incarnation was complete.
F. Scott Fitzgerald (The Great Gatsby)
The feeling of being trapped, of being helpless against his strength, his lust, and what my body needed was almost overwhelming. My eyes shuttered closed at the effort of not struggling in his harsh grasp. He whispered against my face, and I could not focus enough to see him. “Do you want to ride the storm?” His breath was hot against my skin. His voice promised no gentleness, no compromise. I knew the kind of sex he was offering, and the thought of it tightened things low in my body, drew another small sound from my throat. “Yes,” I whispered, “yes.” The roll of thunder echoed down the hallway, shuddering between the stone walls. The sound seemed to vibrate out of his body and into mine as if my body were a tuning fork struck against the rim of some great metal cup. His voice growled against my skin, with the taste of thunder in it. “Good,” he said and forced me to my knees.
Laurell K. Hamilton (A Stroke of Midnight (Meredith Gentry, #4))
walking down the street when the leaves were falling, and they came to a place where there were no trees and the sidewalk was white with moonlight. They stopped here and turned toward each other. Now it was a cool night with that mysterious excitement in it which comes at the two changes of the year. The quiet lights in the houses were humming out into the darkness and there was a stir and bustle among the stars. Out of the corner of his eye Gatsby saw that the blocks of the sidewalk really formed a ladder and mounted to a secret place above the trees—he could climb to it, if he climbed alone, and once there he could suck on the pap of life, gulp down the incomparable milk of wonder. His heart beat faster and faster as Daisy’s white face came up to his own. He knew that when he kissed this girl, and forever wed his unutterable visions to her perishable breath, his mind would never romp again like the mind of God. So he waited, listening for a moment longer to the tuning fork that had been struck upon a star. Then he kissed her. At his lips’ touch she blossomed for
F. Scott Fitzgerald (The Great Gatsby)
The radicals are really always saying the same thing. They do not change; everybody else changes. They are accused of the most incompatible crimes, of egoism and mania for power, indifference to the fate of their own cause, fanaticism, triviality, want of humor, buffoonery and irreverence. But they sound a certain note. Hence the great practical power of consistent radicals. To all appearance nobody follows them, yet everyone believes them. They hold a tuning-fork and sound A, and everybody knows it really is A, though the time-honored pitch is G flat. The community cannot get that A out of its head. Nothing can prevent an upward tendency in the popular tone so long as the real A is kept sounding.
John Jay Chapman
Out of the corner of his eye Gatsby saw that the blocks of the sidewalk really formed a ladder and mounted to a secret place above the trees—he could climb to it, if he climbed alone, and once there he could suck on the pap of life, gulp down the incomparable milk of wonder. His heart beat faster and faster as Daisy’s white face came up to his own. He knew that when he kissed this girl, and forever wed his unutterable visions to her perishable breath, his mind would never romp again like the mind of God. So he waited, listening for a moment longer to the tuning-fork that had been struck upon a star. Then he kissed her. At his lips’ touch she blossomed for him like a flower and the incarnation was complete.
F. Scott Fitzgerald (The Great Gatsby)
He knew that when he kissed this girl, and forever wed his unutterable visions to her perishable breath, his mind would never romp again like the mind of God. So he waited, listening for a moment longer to the tuning-fork that had been struck upon a star. Then he kissed her. At his lips’ touch she blossomed for him like a flower and the incarnation was complete. Through all he said, even through his appalling sentimentality, I was reminded of something—an elusive rhythm, a fragment of lost words, that I had heard somewhere a long time ago. For a moment a phrase tried to take shape in my mouth and my lips parted like a dumb man’s, as though there was more struggling upon them than a wisp of startled air. But they made no sound, and what I had almost remembered was uncommunicable forever.
F. Scott Fitzgerald (The Great Gatsby)
I’m afraid that your sister, Marissa Ferguson, was gleaned by Scythe Curie today at one fifteen p.m. I’m very sorry for your loss.” The man didn’t seem upset or shocked, merely resigned. “Is that all?” “Is that all? Didn’t you hear me? I just told you that your sister was gleaned today.” The man sighed. “That which comes can’t be avoided.” If she didn’t already dislike the Tonists, she certainly did now. “Is that it?” she asked. “Is that your people’s ‘holy’ line?” “It’s not a line; it’s just a simple truth we live by.” “Yeah, whatever you say. You’ll need to make arrangements for your sister’s body—because that’s coming and can’t be avoided either.” “But if I don’t step forward, won’t the Thunderhead provide a funeral?” “Don’t you care at all?” The man took a moment before answering. “Death by scythe is not a natural death. We Tonists do not acknowledge it.” Citra cleared her throat, biting back the verbal reaming she wanted to give him, and did her best to remain professional. “There’s one more thing. Although you didn’t live with her, you are her only documented relative. That entitles you to a year of immunity from gleaning.” “I don’t want immunity,” he said. “Why am I not surprised.” This was the first time she had ever encountered anyone who refused immunity. Even the most downhearted would kiss the ring. “You’ve done your job. You may go now,” Brother Ferguson said. There was only so long Citra could restrain her frustration. She couldn’t yell at the man. She couldn’t use her Bokator moves to kick him in the neck or take him down with an elbow slam. So she did the only thing she could do. She picked up the mallet and put all of her anger into a single, powerful strike at the tuning fork.
Neal Shusterman (Scythe (Arc of a Scythe, #1))
His heart beat faster and faster as Daisy’s white face came up to his own. He knew that when he kissed this girl, and forever wed his unutterable visions to her perishable breath, his mind would never romp again like the mind of God. So he waited, listening for a moment longer to the tuning-fork that had been struck upon a star. Then he kissed her. At his lips’ touch she blossomed for him like a flower and the incarnation was complete. Through all he said, even through his appalling sentimentality, I was reminded of something — an elusive rhythm, a fragment of lost words, that I had heard somewhere a long time ago. For a moment a phrase tried to take shape in my mouth and my lips parted like a dumb man’s, as though there was more struggling upon them than a wisp of startled air. But they made no sound, and what I had almost remembered was uncommunicable forever.
F. Scott Fitzgerald (The Great Gatsby)
What meals I had in silence and embarrassment, always feeling that there were a knife and fork too many, and that mine; an appetite too many, and that mine; a plate and chair too many, and those mine; a somebody too many, and that I! What evenings, when the candles came, and I was expected to employ myself, but, not daring to read an entertaining book, pored over some hard-headed, harder-hearted treatise on arithmetic; when the tables of weights and measures set themselves to tunes, as ‘Rule Britannia’, or ‘Away with Melancholy’; when they wouldn’t stand still to be learnt, but would go threading my grandmother’s needle through my unfortunate head, in at one ear and out at the other! What yawns and dozes I lapsed into, in spite of all my care; what starts I came out of concealed sleeps with; what answers I never got, to little observations that I rarely made; what a blank space I seemed, which everybody overlooked, and yet was in everybody’s way...
Charles Dickens (David Copperfield)
The sole object of revolution was the abolition of senseless suffering. But it had turned out that the removal of this second kind of suffering was only possible at the price of a temporary enormous increase in the sum total of the first. So the question now ran: Was such an operation justified? Obviously it was, if one spoke in the abstract of “mankind”; but, applied to “man” in the singular, to the cipher 2—4, the real human being of bone and flesh and blood and skin, the principle led to absurdity. As a boy, he had believed that in working for the Party he would find an answer to all questions of this sort. The work had lasted forty years, and right at the start he had forgotten the question for whose sake he had embarked on it. Now the forty years were over, and he returned to the boy’s original perplexity. The Party had taken all he had to give and never supplied him with the answer. And neither did the silent partner, whose magic name he had tapped on the wall of the empty cell. He was deaf to direct questions, however urgent and desperate they might be. And yet there were ways of approach to him. Sometimes he would respond unexpectedly to a tune, or even the memory of a tune, or of the folded hands of the Pietà, or of certain scenes of his childhood. As if a tuning-fork had been struck, there would be answering vibrations, and once this had started a state would be produced which the mystics called “ecstasy” and saints “contemplation”; the greatest and soberest of modern psychologists had recognized this state as a fact and called it the “oceanic sense”. And, indeed, one’s personality dissolved as a grain of salt in the sea; but at the same time the infinite sea seemed to be contained in the grain of salt. The grain could no longer be localized in time and space. It was a state in which thought lost its direction and started to circle, like the compass needle at the magnetic pole; until finally it cut loose from its axis and travelled freely in space, like a bunch of light in the night; and until it seemed that all thoughts and all sensations, even pain and joy itself, were only the spectrum lines of the same ray of light, disintegrating in the prisma of consciousness.
Arthur Koestler (Darkness at Noon)
They came from over the hill to slay, the monsters, beasts and bullies. The princesses came with their shiny crowns, two beauties in their flowing gowns. And so they shouted, away away away!” “Away away away!” the A.S.S. sang in response like they knew the words and my jaw dropped. “The monsters said we’re here to stay, raising forks and sticks and sharpened picks. The princesses came with their silver blades, two beauties with their loyal maids. And so they shouted, away away away!” She started up a dance, stamping her foot twice to the left, then twice to the right before jumping up and clapping above her head. “Away away away!” Tory and I joined in between our laughter as Justin Masters produced a flute from his bag and started piping out the tune. Oh my god this is actually happening. Geraldine reached out to us and I shrugged at Tory before climbing up to join her on the table. She started the dance again and I copied her, picking it up as Tory joined her other side, laughing as Geraldine continued the song. “The beasts they laughed with their hearts so black, they pushed, they fought and they attacked. But the princesses came with a swirl and a swoosh, and pushed those beasties in the Lake of Multush. And so they shouted, away away away!” “Away away away!” I cried with everyone else, wiping tears of laughter from my eyes as more and more people crowded around our table and joined in. “The bullies they smiled and they jeered the town, they jibed, they battered and made everyone frown. The princesses showed them the strength of their souls, no bully could make a dent on their walls. And so they shouted, away away away!” We clapped above our heads in time with Geraldine and everyone continued on singing that last line again and again, pointing over at the Heirs who were staring at us with their jaws slack like they couldn’t quite believe what was happening. “Away away away!
Caroline Peckham (Cursed Fates (Zodiac Academy, #5))
How do you decide what video game to choose in the vast ocean of online gaming nonsense? There are 100s if not thousands of options permeating the internet. They range from honestly free, pay to win, and all the way up to an actual subscription based model. One of the first decisions you need to make is quite simply, what kind of game do I enjoy? Are you more of a first person shooter type person? If so you will most likely want to ignore role playing games or real time strategies. conversely if you are more of a role playing or real time strategy fan perhaps first person shooters are not for you. Once you have the type of game you are looking for nailed down games the next step: do you want to pay money? This is a big one and a tricky one. So many games out there present themselves as 'free'. I assure you, they are most certainly not free. Think a simple little game like Candy Crush is free? Next time you are in the Google Play or iTunes store Improve WoW PvP check on top grossing apps. You will very quickly change your mind on that. On a more relevant note some games are both free and pay, but maintain a respectful balance. By this I mean you do not HAVE to fork out hard earned cash in order to compete. League of Legends is an amazing example of this. A player cannot obtain any upgrade which will make their character better through monetary expenditures. What you can do; however, is purchase cosmetic items or other no stat gain frill. On the other end of the spectrum you have a game such as the behemoth World of Warcraft. World of Warcraft has managed to maintain a subscription based model for 10 years now. Multiple 'WoW Killers' have risen up since the inception of World of Warcraft using the subscription base as well. Damn near every one of them is now free to play. Rift and Star Wars are the two that really stick out. Leading up to their release forums Wow XP Off PvP Stream across the internet proclaimed them the almighty killer of World of Warcraft. Instead Warcraft kept on trucking and both of those games changed style to f2p not long after their release. These are just a few different games and styles of games for you to choose from. Remember, you get what you pay for in almost every case. (LoL being the exception that proves the rule)
Phil Janelle
And because death was a friend, the one man who was made to receive, like a tuning-fork, the whispering omens of fate did not recognize it, until too late.
Dorothy Dunnett (The Ringed Castle (The Lymond Chronicles, #5))
A state of grace is when everything imperfect disappears, leaving just stripped-down harmony. One is left empty, with nothing except a fluid open sensation, similar to becoming the sound from a tuning fork piercing through space.
Darrell Calkins
When you strike a tuning fork you activate it to send out a particular sound or frequency. Now, in a room filled with tuning forks— only those that are tuned to the exact same frequency will begin to vibrate in response. They will automatically connect and respond to the frequency that matches their own. So the idea here is to tune yourself to resonate at a frequency that is in harmony with what you want to attract. In order to create a positive future, you need to keep your energy, thoughts, and feelings in the positive range.
Jack Canfield (Jack Canfield's Key to Living the Law of Attraction: A Simple Guide to Creating the Life of Your Dreams)
Has it ever occurred to you that one hundred pianos all tuned to the same fork are automatically tuned to each other? They are of one accord by being tuned, not to each other, but to another standard to which each one must individually bow. So one hundred worshippers met together, each one looking away to Christ, are in heart nearer to each other than they could possibly be were they to become "unity" conscious and turn their eyes away from God to strive for closer fellowship. Social religion is perfected when private religion is purified.
A.W. Tozer (The Pursuit of God)
The thirst for blood gnawed at my guts. I had another drag of my cigarette instead. And even with the Marlboro smoke tickling my nose hairs and prickling my eyes, I knew it when Michael, my heart of hearts, entered my long-range sensors. Sure, I could smell him. But I could smell about four hundred other people nearby, too. Michael? I felt him. I was a giant tuning fork, and he was the note that had just bent up to meet my quivering harmonic.
Anonymous
I can’t.” I scoot forward on the chair and lean close to Carolyn. She freezes, trying to keep her eyes from meeting mine. “Or maybe you’re not Hunter’s friend and you gave him a hot shot. Is that what you did, Carolyn? Did someone give you a special dose of Akira just for Hunter?” Stop digging, boys, we struck oil. Carolyn’s brain is still humming like a tuning fork, but at least she’s focused on something now. It’s there in her eyes. She’s beating herself silly trying to make all the contradictions and lies in her life add up to something sane. She really believes she’s Hunter’s friend, but the meth fog she lives in lets her justify giving Hunter drugs she knew were bad because someone up the food chain promised her more drugs or more money or the chance to settle a long-standing debt. Whatever her reasons, she feels guilty as hell. The addict self-pity tears start pumping out of her red and bruised eyes. I want to smack her to see if it snaps her brain back into gear, but I just pat her lightly on the shoulder. I keep my voice low, like I’m speaking to a child.
Richard Kadrey (Aloha from Hell (Sandman Slim, #3))
He mistakenly caused an earthquake that engulfed the surrounding city blocks, breaking windows and shaking the plaster off of the walls. He announced that he had discovered how to turn the earth into a giant tuning fork, and that, in theory, the principles could shatter the Empire State Building or even possibly cause the earth to “split open like an apple.
Sean Patrick (Nikola Tesla: Imagination and the Man That Invented the 20th Century)
She was bad at love. There were people in the world who were good at love and people who were bad at it. She was bad. She used to think she was good at love, that it was intimacy she was bad at. But you had to have both. Love without intimacy, she knew, was an unsung tune. It was all in your head. You said, "Listen to this!" but what you found yourself singing was a tangle, a nothing, a heap. It reminded her of a dinner party she had gone to once, where dessert was served on plates printed with French songs. After dinner everyone had had to sing their plate, but hers had still had whipped cream on it, and when it came her turn, she had garbled the notes and words, frantically pushing the whipped cream around with a fork so she could see the next measure. Oh, she was bad, bad like that, at love.
Lorrie Moore
Silence is the tuning fork for your listening ear….The space you create in your mind from just 15 seconds of silence will significantly improve your ability to listen and take in information.
Oscar Trimboli (Deep Listening: Impact Beyond Words)
Because we sit there in the gap for a long time saying [gasps]. And that’s when you begin to learn the meaning of ‘Lord Have Mercy’. I can’t do anything to raise my state but what I can do is stay honestly ahead of, in plain sight, what’s happened, acknowledging. Here I am. And I think it’s from that repeated acknowledgement of my own helplessness at that level, but refusing to simply hide from that helplessness, that gradually, gradually, gradually the energy that had originally gone into your, sort of, ego programmes gets recaptured to begin to hold this other kind of field of awareness, of attentiveness, that’s not identified with that small self acting out and can begin to become a nest for that deeper and fuller and truer wiser self to live in. And then we begin to Be. Then we begin to have Being. And it’s from that Being that sometimes we can pull ourselves out of that spiral we were heading into, and it’s from that Being that we can begin to offer our force of Being to the world as love, as assistance, as a shift in the energy field for someone else. ‘Baraka’ the Sufis call it. But it comes slowly, because you can’t just, kind of, click your heels together and have Being. It has to accumulate slowly in your being for a life of painfully bearing the crucifixion of inner honesty, and slowly it emerges. Interviewer: So that brings up the question in me, what is then freedom? Because you go on this journey. We start out on this journey to become free, which we call enlightenment. Cynthia: Well, you know, we have so many mixed metaphors as Western and Eastern ways of contexting reality come together like tectonic plates. And they don’t often match up. I think, in a very obvious way, freedom is easy. At the obvious level, what it means is what you’d call ‘freedom from the false self’. Most of us think we’re free, and yet we are not free at all because we are under the absolute compulsion of agendas, addictions and aversions that have been programmed into us from early life, and sometimes from the womb. We have our values, we have our triggers, we have our flash points, we have our agendas. And, as A.H. Almaas said so famously, “Freedom to be your ego is not freedom.” Because that’s slavery. You’re being pulled around by a bull ring in the nose. So part of the work of freedom begins when you can stabilise in yourself this thing that some of the Eastern traditions helpfully call ‘witnessing presence’, which is something deeper that’s not dependent on the pain-pleasure principle, that’s not attracted by attraction, or repulsed by aversion. You know, as my teacher Rafe, the hermit monk of Snowmass, Colorado, used to say, “I want to have enough Being to be nothing.” Which means he is not dependant on the world to give him his identity, because he’s learned his identity nests in something much deeper. [...] And as you finally become free to follow what you might call the ‘homing beacon of your own inner calling’, you realise that it’s only in that complete obedience that freedom lies. And, of course, the trick to that is the word ‘obedience’, which we usually thinks means knuckling under, or capitulating, really comes from the Latin ‘ob audire’, which means ‘to listen deeply’. So, as we listen deeply to the fundamental, what you might call the ‘tuning fork’ of our being – which is given to us not by ourself and is never about self-realisation because the self melts as that realisation comes closer – you find the only freedom is to be your own cell in the vast mystical body of God.
Cynthia Bourgeault
Oh, I’m Camilla’s partner. But I can’t stay.” “I see! Lovely to meet you,” said the Angel, unaware of how her eyebrows betrayed her, like everyone else in the world to Nona seemed unaware of how their eyebrows betrayed them, by immediately saying plain as day: Camilla?? Really??? Camilla??? Which Nona thought was unfair: Crown was very nearly pretty enough for Camilla. “Nona, can you take Noodle for a moment? I’ve got to get the tuning forks and he’s going to make the most unrighteous howl, he can’t stand the things. When she had passed the leash to Nona and gone through the door with one last look at Crown, Nona crouched to give Noodle her hand to lick, and said accusingly: “If Camilla hears you said that, she’ll be furious.” “That’s probably why I said it,” admitted Crown, with genuine contrition. “I have a ripple of evil running through my soul—I know I do. But it wasn’t that bad a lie, was it, Nona? Don’t you think it’ll raise Cam’s status? Don’t you think I’ve done her a favour?” Nona thought about it. “Camilla doesn’t need raising. You could have raised my status by saying you were mine,” she added. “They would have believed it—we’re both very attractive.
Tamsyn Muir (Nona the Ninth (The Locked Tomb, #3))
We may lose the sense of totality almost at once, but the psyche and body have experienced what wholeness is. They can then reconnect to that still point as to a tuning fork.
Jill Mellick (The Art of Dreaming: Tools for Creative Dream Work)
The writer is a kind of tuning-fork for a melody yet to be composed.
Richard Holmes (Shelley: The Pursuit (New York Review Books Classics))
Just before the darkness took over, Mickey abruptly found himself standing in the presence of God. Even though he could not see God, he felt His presence standing beside him. He felt the mercy God offered and an instant understanding that he had eternity; that he would never truly die. He was standing in a river of “golden radiation” that was alive with a current of golden light. He felt the strength of the river going through him and says, “[At that moment], I’m more alive than anyone can imagine. This is the height of the experience of life… Somehow I knew this being was going to take care of me for the rest of my life.” He was filled with God’s love, majesty, and authority. The feeling of God’s nature was vibrating like a tuning fork.
John J. Graden (Near-Death Experience Series: Books 1-4: Doctors, Suicide Survivors, Children and NDE Trips to Hell (True Near-Death Experiences series))
Someone may fear that we are magnifying private religion out of all proportion, that the "us" of the New Testament is being displaced by a selfish "I." Has it ever occurred to you that one hundred pianos all tuned to the same fork are automatically tuned to each other?...Social religion is perfected when private religion is purified.
A.W. Tozer (The Pursuit of God)
A steady current of contentment ran through me like a tuning fork humming deep in my bones. I hoped that I would be a mom one day and the person I loved to kiss would lie on the other side of our kid while I read stories. It seemed like a simple desire.
Jessica Anya Blau (Mary Jane)
The staff-like weapon had an oversized tuning fork on one end and a battery pack on the other to balance the weight. The tuning fork looked harmless enough — until he pressed a button and a hundred million volts arced between the prongs.
Samuel Best (Third Colony (Galena Chronicles, #2))
We can tune our consciousness to resonate with the holograms in the A-field. The transmission of information in a field of holograms is known: it occurs when the wavefields that make up two (or more) holograms are “conjugate” with each other. The effect is similar to the more familiar effect known as resonance. Tuning forks and strings on musical instruments resonate with other forks and strings that are tuned to the same frequency (or to entire octaves higher or lower than that frequency). The resonance effect is selective: it does not occur when the forks and strings are tuned to a different, unrelated frequency.
Ervin Laszlo (Science and the Akashic Field: An Integral Theory of Everything)
The 7.83 Hz frequency is an alpha/theta brainwave frequency that also works in the human brain. It is a relaxed, dreamy state of being, which is also a state in which the body experiences
John White (Vibe with Earth's Frequency: An Intermediate Guide to Using Singing Bowls and Tuning Forks as Sound Healing Instruments.)
5. Thou must set the scene with tunes. Road trips aren't the only time a decent playlist is required. How we consume music has changed radically over the years. Dinner at my grandparents' house was set to silence, at my parents' the radio, and at my friends' something much more personal: a playlist put together for the occasion with songs that are meaningful to us. Supper is on hold until the right music starts to play, even if it means holding a knife and fork and slavering over the smell of dinner until the person in charge of the tunes has done their job.
Gabriella Bennett (The Art of Coorie: How to Live Happy the Scottish Way)
the only way she could manage. But she had her unborn baby to think about. And she hadn’t come this far only to give up. Plus, her last half dozen suicide attempts hadn’t worked out so well. “Don’t do it,” said a voice, rumbling from the stones at her feet. “Jumping off towers is never the answer.” Psyche stepped back from the edge. “Hello? Is—is that the tower speaking?” “Yes,” said the tower, resonating like a giant stone tuning fork. “I am the tower.” Something about the voice sounded familiar, though…. Psyche’s heart leaped with joy. “Eros? Is that you?” A moment’s pause. “No,” said the voice, now in falsetto. “I don’t know any Eros. Just listen….” The tower cleared its throat (or whatever towers have instead of throats. Stairwells?).
Rick Riordan (Percy Jackson's Greek Heroes)
I think of this dynamic as feeding energy into the grid. As I cultivate states of being such as peacefulness, joy, harmony, and clarity, I reinforce those qualities in the entire grid of human consciousness. Their increased vibrational strength makes it easier for others to sense and experience those same qualities uniquely through themselves, much as a tuning fork calls forth its corollary vibrational tone from a nearby guitar string.
Suzanne Eder (What You Want Wants You)
He approached the wailing Ronald and laid the pistol beside his right knee. There was no magazine, just one in the chamber. Phineas removed the ancient tuning fork and wiped the tip off with Ronald’s sleeve. “You have a single bullet, Ronnie… use it wisely.” Phineas began to walk away.
Zachariah Chamberlin (We Come Bearing Curses)
When the notes of life ring false, men should correct them by referring to the tuning-fork of death. It is when that clear menacing tone is heard that the love of life grows keenest in the human heart.
Winston S. Churchill (Savrola)
Keeping the secret was going to be more difficult than Rupert could have foreseen. Every time she met a hieroglyph, she'd act like this: vibrating like a tuning fork, the gigantic brain bubbling over and spilling out its secrets: Greek and Latin and Coptic and names of scholars and who believed what and this alphabet versus that one and phonetic interpretations versus symbolic ones.
Loretta Chase (Mr. Impossible (Carsington Brothers, #2))
Have confidence in your convictions my boy. For then the whispering in your ears will pass. Those tongues are forked, like pointed prongs. Silence echoes in the mind after the tongue has been bitten. But the ringing from the tuning fork lives on a little while. Can you hear the pitch boy?
Jack De'Lacy (Twelve Dots)
E.D.I.N.A. classes we learn to additionally connect to the fifth dimensional ascended beings called the Hathors for assistance with our sound healing techniques. The human voice is the most powerful sound healing tool we have! We also use tuning forks and Tibetan or crystal bowls.
Lois J. Wetzel (EDINA: Energy Medicine from the Stars! Shamanism for the 21st Century and Beyond (EDINA Energy Medicine Book 1))
Prayer is actually setting out a tuning fork. All you can really do in the spiritual life is to get tuned to receive the always present message. Once you are tuned, you will receive, and it as nothing do to with worthiness or the group you belong to but only the inner resonance and a capacity for mutuality. The Sender is absolutely and always present and broadcasting; the only change is with the receiver station.
John Predmore
Louis Acker, a well-known Boston astrologer, in an unpublished paper entitled “Mind: A Holographic Computer,” sets out to explain, via a Pythagorean model, how the One God split himself into 2, 3, 4, and so on to create the multitudes. This process is similar to that of vibratory patterns interfering with each other. Just as there are set notes on a musical scale, there are “common nodal points,” or “fundamental carrier frequencies,” in the creation of the multitudes; a transference of energy from higher dimensions to lower ones can be facilitated by means of principles of resonance and through laws of harmonics. This can be proved on the physical plane with simple tuning forks. All forks with the same dimensions in a room will vibrate if one is rapped. This is the principle of resonance: mutual vibrations. Any tuning fork in the proper geometric proportion to the rapped fork will begin to vibrate as well.42
Marc J. Seifer (Transcending the Speed of Light: Consciousness, Quantum Physics, and the Fifth Dimension)
No piece of technology or Swiss precision-measuring instrument has ever come near the extraordinary sensitivity of the ear in its abilities to detect nano-changes in loudness and frequency or pitch. (Frequency is an acoustic measurement of the voice's vibrations; pitch is a perceptual term- how those frequencies sound to us). If you play a pure tone (where the pattern of vibration keeps repeating itself, like a tuning fork) at a single level of loudness, the ear can perceive 1,400 different pitches. If, on the other hand, you keep to one frequency but change the volume or intensity, the ear is capable of identifying 280 different levels of loudness. That means that, if both the frequency and intensity are changed, the ear has a repertoire of between 300,000 and 400,000 distinguishable tones. Does the planet contain a more discriminating organ?
Anne Karpf (The Human Voice: How This Extraordinary Instrument Reveals Essential Clues About Who We Are)
I know that what's said is often less important than the tone of voice in which the words are spoken. There is music in dialogue, mysterious harmonies and dissonances that vibrate in the body like a tuning fork.
Siri Hustvedt (The Sorrows of an American)
I guess there’s nothing else to say.” “Oh, I don’t know about that,” he said, crooking a finger. “Come here.” Her throat went dry, and her heart gave a thud. On instinct, she shook her head. His expression turned ruthlessly intent. “Maddie, I’ve been thinking about that mouth of yours for almost twenty-four hours straight. You don’t think I’m going to let you go without touching you, do you?” Had it only been one day? How was that even possible? It seemed as though a lifetime had passed since she’d run out on her wedding. “Um . . .” She swallowed hard and squeaked out, “Yes?” A long pause filled with sexual awareness so thick it practically coated the air. How did he do it, flip the mood? Only moments ago, she’d felt bereft, but with one wicked glance she’d forgotten everything dogging her. “I’ll tell you what.” He smiled, and it was so filled with cunning that the fine hairs on her neck rose in anticipation. “Tell me you won’t regret it and we can end things right here with a friendly pat on the back.” “I-I d-don’t know what you mean,” she lied, loving and hating the direction the conversation had taken. “Do I need to spell it out?” “No?” The word was a question instead of the statement she’d intended. “You want to take care of yourself, right?” She nodded, sensing a trap but unable to stop playing into his hands. He leaned close, placing his elbow on the console, taking up every spare inch of breathing room. “You’re ready to ditch the good Catholic girl and start doing what you want?” The strange mixture of lust and irritation he evoked pulled in her stomach. “Well, when you put it that way.” The curve of his lips held a distinct sexual tilt. “If you get out of this car untouched, tell me you won’t lie in bed late at night and regret it. Tell me you won’t wonder and wish you’d done things differently.” Her pulse hammered and her throat dried up, leaving her unable to breathe, let alone speak. He stroked a path over the line of her jaw, and Maddie forced her eyes to stay open instead of fluttering closed from sheer desire. Why did it feel like an eternity since he’d touched her? Even more troubling, why did his hands feel so right? The slightly rough pads of his fingers trailed down the curve of her neck, leaving an explosion of tingles coursing through her. “And remember, Princess,” he said, in a deep rumble of a voice that vibrated through her as though he were her own personal tuning fork. “Lying is a sin.” She gasped, sucking in the last available bit of air left in the car. “That’s a low blow.” He gave a seductive laugh, filled with heat and promise and the kind of raw passion she’d always dreamed about. “I’m not above playing dirty.” A sly smirk as he rubbed a lazy circle over skin she hadn’t known was sensitive. “In fact, I think you prefer it that way.” “I do not!” Her heart beating far too fast, she clutched at the credit card hard enough to snap it in two. “Liar.” He slipped under the collar of her T-shirt to wrap a possessive hand around the nape of her neck. “I’m waiting.” She gritted her teeth to keep from moaning. How did one man feel so good? Hot and sinful. Irresistible. She whispered, “For what?” “My answer,” he said, inching closer. Their mouths mere inches away. She swallowed hard. The truth sat on the tip of her tongue, and for once in her life, she decided to speak it instead of stuffing it back down. “I’d regret it.” “Exactly,” he said, the word a soft breath against her skin. The pad of his thumb brushed over her bottom lip, sliding over the dampness until it felt swollen. Needy. “I can’t live with myself unless I’ve tasted this mouth.” This
Jennifer Dawson (Take a Chance on Me (Something New, #1))
While his lab was under construction, Tesla studied the phenomenon of lightning, and made what he considered his most important discovery to date. He found that the earth was “literally alive with electrical vibrations,” and that the entire planet can be “thrown into vibration like a tuning fork.” Tesla was absolutely certain that this phenomenon could be used to transmit unlimited electrical power and telecommunication signals anywhere in the world with virtually no signal loss or degradation. “When
Sean Patrick (Nikola Tesla: Imagination and the Man That Invented the 20th Century)
The town matched something in me, the way a certain kind of guitar dissonance could strike an internal tuning fork that made my bones hum.
Chelsey Johnson (Stray City)
Strike and Bristow were facing each other across the inner room, the one furious, the other trying to find a way to reverse his position without jettisoning his self-respect. "All I want, Strike," said Bristow hoarsely, the color high in his thin face, "is justice." He might have struck a divine tuning fork, the word rang through the shabby office, calling forth an inaudible but plangent note in Strike's breast. Bristow had located the pilot light Strike shielded when everything else had been blown to ashes.
Robert Galbraith (The Cuckoo's Calling (Cormoran Strike, #1))
Has it ever occurred to you that one hundred pianos all tuned to the same fork are automatically tuned to each other? They are of one accord by being tuned, not to each other, but to another standard to which each one must individually bow. So one hundred worshippers met together, each one looking away to Christ, are in heart nearer to each other than they could possibly be were they to become “unity” conscious and turn their eyes away from God to strive for closer fellowship.
A.W. Tozer (The Pursuit of God)
That word again. 'Freedom.' It is the golden tuning fork wielded by pied pipers and charlatans alike to realign a vast demographic of people who fundamentally crave simplicity. Since the birth of the steam engine and the rapid march of industrialism, a ceaseless parade of phony advocacy has tried to wield the hate and frustration of an American underclass that has been zapped and eroded time and time again by future shock. The playbook is simple: play off of differences, vilify anyone who can be made to appear as other, stress moral purity, canonize simplicity, decry any sort of establishment within convenient hating distance, code power with subtle signs of sex, and convert a foundation of fear to its stronger, more virile corollary--military power. When in doubt, capitalize on deeply ambiguous ideological symbols such as 'freedom,' re-appropriate historical moments as examples of conservative triumph, and constantly wave the red, white, and blue.
Dan Johnson (Catawampusland)
The timekeeping element inside a digital watch or computer clock uses this effect: it contains a tiny piece of quartz shaped like a tuning fork that vibrates at a precise frequency in response to electric pulses.
Randall Munroe (How To: Absurd Scientific Advice for Common Real-World Problems)