Pair Of Birds Quotes

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I will love you as a thief loves a gallery and as a crow loves a murder, as a cloud loves bats and as a range loves braes. I will love you as misfortune loves orphans, as fire loves innocence and as justice loves to sit and watch while everything goes wrong. I will love you as a battlefield loves young men and as peppermints love your allergies, and I will love you as the banana peel loves the shoe of a man who was just struck by a shingle falling off a house. I will love you as a volunteer fire department loves rushing into burning buildings and as burning buildings love to chase them back out, and as a parachute loves to leave a blimp and as a blimp operator loves to chase after it. I will love you as a dagger loves a certain person’s back, and as a certain person loves to wear dagger proof tunics, and as a dagger proof tunic loves to go to a certain dry cleaning facility, and how a certain employee of a dry cleaning facility loves to stay up late with a pair of binoculars, watching a dagger factory for hours in the hopes of catching a burglar, and as a burglar loves sneaking up behind people with binoculars, suddenly realizing that she has left her dagger at home. I will love you as a drawer loves a secret compartment, and as a secret compartment loves a secret, and as a secret loves to make a person gasp, and as a gasping person loves a glass of brandy to calm their nerves, and as a glass of brandy loves to shatter on the floor, and as the noise of glass shattering loves to make someone else gasp, and as someone else gasping loves a nearby desk to lean against, even if leaning against it presses a lever that loves to open a drawer and reveal a secret compartment. I will love you until all such compartments are discovered and opened, and until all the secrets have gone gasping into the world. I will love you until all the codes and hearts have been broken and until every anagram and egg has been unscrambled. I will love you until every fire is extinguised and until every home is rebuilt from the handsomest and most susceptible of woods, and until every criminal is handcuffed by the laziest of policemen. I will love until M. hates snakes and J. hates grammar, and I will love you until C. realizes S. is not worthy of his love and N. realizes he is not worthy of the V. I will love you until the bird hates a nest and the worm hates an apple, and until the apple hates a tree and the tree hates a nest, and until a bird hates a tree and an apple hates a nest, although honestly I cannot imagine that last occurrence no matter how hard I try. I will love you as we grow older, which has just happened, and has happened again, and happened several days ago, continuously, and then several years before that, and will continue to happen as the spinning hands of every clock and the flipping pages of every calendar mark the passage of time, except for the clocks that people have forgotten to wind and the calendars that people have forgotten to place in a highly visible area. I will love you as we find ourselves farther and farther from one another, where we once we were so close that we could slip the curved straw, and the long, slender spoon, between our lips and fingers respectively. I will love you until the chances of us running into one another slip from slim to zero, and until your face is fogged by distant memory, and your memory faced by distant fog, and your fog memorized by a distant face, and your distance distanced by the memorized memory of a foggy fog. I will love you no matter where you go and who you see, no matter where you avoid and who you don’t see, and no matter who sees you avoiding where you go. I will love you no matter what happens to you, and no matter how I discover what happens to you, and no matter what happens to me as I discover this, and now matter how I am discovered after what happens to me as I am discovering this.
Lemony Snicket
Without a human voice to read them aloud, or a pair of wide eyes following them by flashlight beneath a blanket, books had no real existence in our world. Like seeds in the beak of a bird waiting to fall to earth, or the notes of a song laid out on a sheet, yearning for an instrument to bring their music into being. they lie dormant hoping for the chance to emerge.They want us to give them life.
John Connolly (The Book of Lost Things (The Book of Lost Things, #1))
I used to think that paired opposites were a given, that love was the opposite of hate, right the opposite of wrong. But now I think we sometimes buy into these concepts because it is so much easier to embrace absolutes than to suffer reality. I don't think anything is the opposite of love. Reality is unforgivingly complex.
Anne Lamott (Bird by Bird)
Stories come alive in the telling. Without a human voice to read them aloud, or a pair of wide eyes following them by flashlight beneath a blanket, they had no existence in our world. They were like seeds in the beak of a bird, waiting to fall to earth. Or the notes of a song laid out on a sheet, yearning for an instrument to bring their music into being. They lay dormant, hoping for the chance to emerge. Once someone started to read them, they could begin to change. They could take root in the imagination and transform the reader. Stories wanted to be read. They needed it. It was the reason they forced themselves from their world into ours. They wanted us to give them life.
John Connolly (The Book of Lost Things (The Book of Lost Things, #1))
If at eighty you're not a cripple or an invalid, if you have your health, if you still enjoy a good walk, a good meal (with all the trimmings), if you can sleep without first taking a pill, if birds and flowers, mountains and sea still inspire you, you are a most fortunate individual and you should get down on your knees morning and night and thank the good Lord for his savin' and keepin' power. If you are young in years but already weary in spirit, already on your way to becoming an automaton, it may do you good to say to your boss - under your breath, of course - "Fuck you, Jack! you don't own me." If you can whistle up your ass, if you can be turned on by a fetching bottom or a lovely pair of teats, if you can fall in love again and again, if you can forgive your parents for the crime of bringing you into the world, if you are content to get nowhere, just take each day as it comes, if you can forgive as well as forget, if you can keep from going sour, surly, bitter and cynical, man you've got it half licked.
Henry Miller (Sextet: Six essays)
It is hard to explain to a privileged child the difference between freedom and captivity. For him, the world functions differently, all rains bear fruits and all men are free. He catches a golden bird and puts it inside a gold cage. He watches it grow, captivated, unaware that with its beautiful body comes a pair of wings that can set it free.
Kanza Javed (Ashes, Wine and Dust)
We shouldn’t put too much trust in happiness,” I said. “It comes and goes. And when we try and take hold of it, it slips away from us. It’s like a beautiful bird sitting on our balcony rail and flying off the moment we get too close. Do you expect a bird to sit on your shoulder and sing to the pair of us the way we’d like it to? /A Time for Errors (1992)
محمد شكري
Everything was deathly quiet. The eyes were the most terrifying: the eyes of dinosaurus; the eyes of trilobites and ants; the eyes of birds and butterflies; the eyes of bacteria... The humans alone possessed one hundred billion pairs of eyes, equal to the number of stars in the Milky Way, Among them were the eyes of ordinary men and women, and the eyes of Da Vinci, Shakespeare, and Einstein.
Liu Cixin (Death's End (Remembrance of Earth’s Past, #3))
In a society that is essentially designed to organize, direct, and gratify mass impulses, what is there to minister to the silent zones of man as an individual? Religion? Art? Nature? No, the church has turned religion into standardized public spectacle, and the museum has done the same for art. The Grand Canyon and Niagara Falls have been looked at so much that they've become effete, sucked empty by too many stupid eyes. What is there to minister to the silent zones of man as an individual? How about a cold chicken bone on a paper plate at midnight, how about a lurid lipstick lengthening or shortening at your command, how about a Styrofoam nest abandoned by a 'bird' you've never known, how about a pair of windshield wipers pursuing one another futilely while you drive home alone through a downpour, how about something beneath a seat touched by your shoe at the movies, how about worn pencils, cute forks, fat little radios, boxes of bow ties, and bubbles on the side of a bathtub? Yes, these are the things, these kite strings and olive oil cans and Valentine hearts stuffed with nougat, that form the bond between the autistic vision and the experiential world, it is to show these things in their true mysterious light that is the purpose of the moon.
Tom Robbins
The night following the reading, Gansey woke up to a completely unfamiliar sound and fumbled for his glasses. It sounded a little like one of his roommates was being killed by a possum, or possibly the final moments of a fatal cat fight. He wasn’t certain of the specifics, but he was sure death was involved. Noah stood in the doorway to his room, his face pathetic and long-suffering. “Make it stop,” he said. Ronan’s room was sacred, and yet here Gansey was, twice in the same weak, pushing the door open. He found the lamp on and Ronan hunched on the bed, wearing only boxers. Six months before, Ronan had gotten the intricate black tattoo that covered most of his back and snaked up his neck, and now the monochromatic lines of it were stark in the claustrophobic lamplight, more real than anything else in the room. It was a peculiar tattoo, both vicious and lovely, and every time Gansey saw it, he saw something different in the pattern. Tonight, nestled in an inked glen of wicked, beautiful flowers, was a beak where before he’d seen a scythe. The ragged sound cut through the apartment again. “What fresh hell is this?” Gansey asked pleasantly. Ronan was wearing headphones as usual, so Gansey stretched forward far enough to tug them down around his neck. Music wailed faintly into the air. Ronan lifted his head. As he did, the wicked flowers on his back shifted and hid behind his sharp shoulder blades. In his lap was the half-formed raven, its head tilted back, beak agape. “I thought we were clear on what a closed door meant,” Ronan said. He held a pair of tweezers in one hand. “I thought we were clear that night was for sleeping.” Ronan shrugged. “Perhaps for you.” “Not tonight. Your pterodactyl woke me. Why is it making that sound?” In response, Ronan dipped the tweezers into a plastic baggy on the blanket in front of him. Gansey wasn’t certain he wanted to know what the gray substance was in the tweezers’ grasp. As soon as the raven heard the rustle of the bag, it made the ghastly sound again—a rasping squeal that became a gurgle as it slurped down the offering. At once, it inspired both Gansey’s compassion and his gag reflex. “Well, this is not going to do,” he said. “You’re going to have to make it stop.” “She has to be fed,” Ronan replied. The ravel gargled down another bite. This time it sounded a lot like vacuuming potato salad. “It’s only every two hours for the first six weeks.” “Can’t you keep her downstairs?” In reply, Ronan half-lifted the little bird toward him. “You tell me.
Maggie Stiefvater (The Raven Boys (The Raven Cycle, #1))
Mrs. Jo did not mean the measles, but that more serious malady called love, which is apt to ravage communities, spring and autumn, when winter gayety and summer idleness produce whole bouquets of engagements, and set young people to pairing off like the birds.
Louisa May Alcott (Jo's Boys)
Centuries ago, sailors on long voyages used to leave a pair of pigs on every deserted island. Or they'd leave a pair of goats. Either way, on any future visit, the island would be a source of meat. These islands, they were pristine. These were home to breeds of birds with no natural predators. Breeds of birds that lived nowhere else on earth. The plants there, without enemies they evolved without thorns or poisons. Without predators and enemies, these islands, they were paradise. The sailors, the next time they visited these islands, the only things still there would be herds of goats or pigs. Oyster is telling this story. The sailors called this "seeding meat." Oyster says, "Does this remind you of anything? Maybe the ol' Adam and Eve story?" Looking out the car window, he says, "You ever wonder when God's coming back with a lot of barbecue sauce?
Chuck Palahniuk (Lullaby)
All Nature seems at work. Slugs leave their lair— The bees are stirring—birds are on the wing— And Winter, slumbering in the open air, Wears on his smiling face a dream of Spring! And I, the while, the sole unbusy thing, Nor honey make, nor pair, nor build, nor sing. Yet well I ken the banks where amaranths blow, Have traced the fount whence streams of nectar flow. Bloom, O ye amaranths! bloom for whom ye may, For me ye bloom not! Glide, rich streams, away! With lips unbrighten'd, wreathless brow, I stroll: And would you learn the spells that drowse my soul? Work without Hope draws nectar in a sieve, And Hope without an object cannot live. - Work without Hope
Samuel Taylor Coleridge (The Complete Poems)
Know your load. That’s rule numero uno in this business, which is why I make them count the penguins out in front of me one at a time. I’m not going to be the schmuck who shows up in Orlando two birds short of a dinner party....I know I’m pulling out of Houston with exactly forty-two Gentoo penguins, seventeen Jamaican land iguanas, four tuataras from New Zealand, and a pair of rare, civet-like mammals called linsangs. No more, no less.
Jacob M. Appel (Scouting for the Reaper)
Going beyond sarcasm straight to out-and-out insult is delicious, like wriggling out of a pair of Spanx.
Sarah Bird (The Gap Year)
But she became Gabby’s friend in that way that can happen, because the girl with the cool boots always finds the girl with the occasional slash of pink in her hair. The two of them like a pair of exotic birds dipping over the school’s water fountains—you knew they would find each other.
Megan Abbott
Centuries ago, sailors on long voyages used to leave a pair of pigs on every deserted island. Or they'd leave a pair of goats. Either way, on any future visit, the island would be a source of meat. These islands, they were pristine. These were home to breeds of birds with no natural predators. Breeds of birds that lived nowhere else on earth. The plants there, without enemies they evolved without thorns or poisons. Without predators and enemies, these islands, they were paradise. The sailors, the next time they visited these islands, the only things still there would be herds of goats or pigs. .... Does this remind you of anything? Maybe the ol' Adam and Eve story? .... You ever wonder when God's coming back with a lot of barbecue sauce?
Chuck Palahniuk (Lullaby)
That’s when he finds them. Birds. Mammals. Reptiles. That one was George—a Cheetah with the most flaming fur. That one was Gogy—a gorilla with the clearest pair of eyes. That one was Ms. Mimbo—a hybrid of Macao and African Grey Parrot. And the one near the stone was … well, the Monk goes through around three dozen names. It took fifty years of careful watch to make sure they don’t go extinct. If you live long enough, you might, as well, end up befriending every life your neighboring forest holds. And if you are a war hero, you might even get professionals from the Wildlife Conservation Board to help you during their crossbreeding process. But they’re all dead.
Misba (The High Auction (Wisdom Revolution, #1))
Nothing had come easy to him. School, sports, or girls... it seemed to Oswald that everyone else had come into this world with a set of instructions but him. From the beginning he had always felt like a pair of white socks and brown shoes in a roomful of tuxedos. He had never really gotten a break in life, and now it was all over.
Fannie Flagg (A Redbird Christmas)
Birds weren’t supposed to levitate or have four mouths or twenty pairs of wings or twelve sets of legs and undulate like a dragon. But, what could you do?
Jeff VanderMeer (A Peculiar Peril (The Misadventures of Jonathan Lambshead, #1))
Paris has a child, and the forest has a bird; the bird is called the sparrow; the child is called the gamin. Couple these two ideas which contain, the one all the furnace, the other all the dawn; strike these two sparks together, Paris, childhood; there leaps out from them a little being. Homuncio, Plautus would say. This little being is joyous. He has not food every day, and he goes to the play every evening, if he sees good. He has no shirt on his body, no shoes on his feet, no roof over his head; he is like the flies of heaven, who have none of these things. He is from seven to thirteen years of age, he lives in bands, roams the streets, lodges in the open air, wears an old pair of trousers of his father's, which descend below his heels, an old hat of some other father, which descends below his ears, a single suspender of yellow listing; he runs, lies in wait, rummages about, wastes time, blackens pipes, swears like a convict, haunts the wine-shop, knows thieves, calls gay women thou, talks slang, sings obscene songs, and has no evil in his heart. This is because he has in his heart a pearl, innocence; and pearls are not to be dissolved in mud. So long as man is in his childhood, God wills that he shall be innocent. If one were to ask that enormous city: "What is this?" she would reply: "It is my little one.
Victor Hugo (Works of Victor Hugo. Les Miserables, Notre-Dame de Paris, Man Who Laughs, Toilers of the Sea, Poems & More)
What people had had shed and left--a pair of shoes, a shooting cap, some faded skirts and coats in wardrobes--those alone kept the human shape and in the emptiness indicated how once they were filled and animated; how once hands were busy with hooks and buttons; how once the looking-glass had held a face; had held a world hollowed out in which a figure turned, a hand flashed, the door opened, in came children rushing and tumbling; and went out again. Now, day after day, light turned, like a flower reflected in water, its sharp image on the wall opposite. Only the shadows of the trees, flourishing in the wind, made obeisance on the wall, and for a moment darkened the pool in which light reflected itself; or birds, flying, made a soft spot flutter slowly across the bedroom floor.
Virginia Woolf
Proud Songsters The thrushes sing as the sun is going, And the finches whistle in ones and pairs, And as it gets dark loud nightingales In bushes Pipe, as they can when April wears, As if all Time were theirs. These are brand-new birds of twelve-months’ growing, Which a year ago, or less than twain, No finches were, nor nightingales, Nor thrushes, But only particles of grain, And earth, and air, and rain.
Thomas Hardy (Winter Words in Various Moods and Metres)
When Gabriel was about Ivo's age," the duchess remarked almost dreamily, staring out at the plum-colored sky, "he found a pair of orphaned fox cubs in the woods, at a country manor we'd leased in Hampshire. Has he told you about that?" Pandora shook her head, her eyes wide. A reminiscent smile curved the duchess's full lips. "It was a pair of females, with big ears, and eyes like shiny black buttons. They made chirping sounds, like small birds. Their mother had been killed in a poacher's trap, so Gabriel wrapped the poor th-things in his coat and brought them home. They were too young to survive on their own. Naturally, he begged to be allowed to keep them. His father agreed to let him raise them under the gamekeeper's supervision, until they were old enough to return the f-forest. Gabriel spent weeks spoon-feeding them with a mixture of meat paste and milk. Later on, he taught them to stalk and catch prey in an outside pen." "How?" Pandora asked, fascinated. The older woman glanced at her with an unexpectedly mischievous grin. "He dragged dead mice through their pen on a string." "That's horrid," Pandora exclaimed, laughing. "It was," the duchess agreed with a chuckle. "Gabriel pretended not to mind, of course, but it was qu-quite disgusting. Still, the cubs had to learn." The duchess paused before continuing more thoughtfully. "I think for Gabriel, the most difficult part of raising them was having to keep his distance, no matter how he loved them. No p-petting or cuddling, or even giving them names. They couldn't lose their fear of humans, or they wouldn't survive. As the gamekeeper told him, he might as well murder them if he made them tame. It tortured Gabriel, he wanted to hold them so badly." "Poor boy." "Yes. But when Gabriel finally let them go, they scampered away and were able to live freely and hunt for themselves. It was a good lesson for him to learn." "What was the lesson?" Pandora asked soberly. "Not to love something he knew he would lose?" The duchess shook her head, her gaze warm and encouraging. "No, Pandora. He learned how to love them without changing them. To let them be what they were meant to be.
Lisa Kleypas (Devil in Spring (The Ravenels, #3))
Questions of Travel There are too many waterfalls here; the crowded streams hurry too rapidly down to the sea, and the pressure of so many clouds on the mountaintops makes them spill over the sides in soft slow-motion, turning to waterfalls under our very eyes. —For if those streaks, those mile-long, shiny, tearstains, aren't waterfalls yet, in a quick age or so, as ages go here, they probably will be. But if the streams and clouds keep travelling, travelling, the mountains look like the hulls of capsized ships, slime-hung and barnacled. Think of the long trip home. Should we have stayed at home and thought of here? Where should we be today? Is it right to be watching strangers in a play in this strangest of theatres? What childishness is it that while there's a breath of life in our bodies, we are determined to rush to see the sun the other way around? The tiniest green hummingbird in the world? To stare at some inexplicable old stonework, inexplicable and impenetrable, at any view, instantly seen and always, always delightful? Oh, must we dream our dreams and have them, too? And have we room for one more folded sunset, still quite warm? But surely it would have been a pity not to have seen the trees along this road, really exaggerated in their beauty, not to have seen them gesturing like noble pantomimists, robed in pink. —Not to have had to stop for gas and heard the sad, two-noted, wooden tune of disparate wooden clogs carelessly clacking over a grease-stained filling-station floor. (In another country the clogs would all be tested. Each pair there would have identical pitch.) —A pity not to have heard the other, less primitive music of the fat brown bird who sings above the broken gasoline pump in a bamboo church of Jesuit baroque: three towers, five silver crosses. —Yes, a pity not to have pondered, blurredly and inconclusively, on what connection can exist for centuries between the crudest wooden footwear and, careful and finicky, the whittled fantasies of wooden cages. —Never to have studied history in the weak calligraphy of songbirds' cages. —And never to have had to listen to rain so much like politicians' speeches: two hour of unrelenting oratory and then a sudden golden silence in which the traveller takes a notebook, writes: "Is it lack of imagination that makes us come to imagined places, not just stay at home? Or could Pascal have been entirely right about just sitting quietly in one's room? Continent, city, country, society: the choice is never wide and never free. And here, or there...No. Should we have stayed at home, wherever that may be?
Elizabeth Bishop (Questions of Travel)
Poor L. We are sorry that you left so soon. We are even sorrier to have inveigled our Esmeralda and mermaid into a naughty prank. That sort of game will never again be played with you, firebird. We apollo [apologize]. Remembrance, embers ans membranes of beauty make artists and morons loose all self-control. Pilots of tremendous air ships and coarse, smelly coachmen are known to have been driven insane by a pair of green eyes and a copper curl. We wished to admire and amuse you, BOP [Bird of Paradise]. We went too far. I, Van, went too far. We regret that shameful, though basically innocent scene. These are times of emotional stress and reconditioning. Destroy and forget. Tenderly yours, A & V (in alphabetic order).
Vladimir Nabokov (Ada, or Ardor: A Family Chronicle)
Zoey had later found a few of her mother's things mistakingly tangled in her own---a pair of lavender-colored leather gloves, a twisted and knotted gold bracelet, and a tube of saucy red lipstick, the color of which was called Bye Bye Birdie.
Sarah Addison Allen (Other Birds: A Novel)
He came forward, holding his belt by one hand. The holes in it marked the progress of his emaciation and the leather at one side had a lacquered look to it where he was used to stropping the blade of his knife. He stepped down into the roadcut and he looked at the gun and he looked at the boy. Eyes collared in cups of grime and deeply sunk. Like an animal inside a skull looking out the eyeholes. He wore a beard that had been cut square across the bottom with shears and he had a tattoo of a bird on his neck done by someone with an illformed notion of their appearance. He was lean, wiry, rachitic. Dressed in a pair of filthy blue coveralls and a black billcap with the logo of some vanished enterprise embroidered across the front of it.
Cormac McCarthy (The Road)
The scene was the same as it had been every morning for the past several days. There was a pile of mice. Some winged lizard things. A badger with a secretive kind of smile, but just around the eyes. A pair of deer the size of cats. A cat the size of a deer, with hands like a person. A collection of birds of varying sizes and shapes. And possibly the most impressive thing, a roughcoated black boar the size of a minivan. All of these creatures were piled on top of Declan’s bed, which was where the screaming was coming from.
Maggie Stiefvater (Mister Impossible (Dreamer Trilogy, #2))
It’s funny, but when I talk about this business of my father and Valentina with my women friends, they’re absolutely appalled. They see a vulnerable old man who’s being exploited. Yet all the men I talk to—without any exception, Mike” (I wag my finger) “they respond with these wry knowing smiles, these little admiring chuckles. Oh, what a lad he is. What an achievement, pulling this much younger bird. Best of luck to him. Let him have his bit of fun.” “You must admit, it’s done him good.” “I don’t admit anything.” (It’s much less satisfying arguing with Mike than with Vera or Pappa. He’s always so irritatingly reasonable.) “Are you sure you’re not just being a bit puritanical?” “Of course I’m not!” (So what if I am?) “It’s because he’s my father—I just want him to be grown up.” “He is being grown up, in his way.” “No he’s not, he’s being a lad. An eighty-four-year-old lad. You’re all being lads together. Wink wink. Nudge nudge. What a great pair of knockers. For goodness’ sake!” My voice has risen to a shriek. “But you can see it’s doing him good, this new relationship. It’s breathed new life into him. Just goes to show that you’re never too old for love.” “You mean for sex.” “Well, maybe that as well. Your Dad is just hoping to fulfil every man’s dream—to lie in the arms of a beautiful younger woman.” “Every man’s dream?” That night Mike and I sleep in separate beds.
Marina Lewycka (A Short History of Tractors in Ukrainian)
There was a muffled cry and the sound of furious flapping of feathers, and then a pair of ravens descended carrying a heavy cloth between them. They set it on the desk, screamed, and flew back up into the star-filled sky in a flurry of black feathers. Even the arrival of dinner was a dramatic production here.
Sarah K.L. Wilson (Dance With The Sword (Bluebeard's Secret, #2))
Shelton pushed Ben lightly. “Remember when you couldn’t flare without losing your temper? So Hi kicked you from behind to get you mad, and you threw him in the ocean?” Ben snorted. “He deserved it.” “I was providing a service,” Hi protested. “I recall Tory once trying to eat a mouse.” I pinched my nose. “Ugh, don’t remind me.” Ella giggled. “One time Cole lost his flare while carrying a boulder. It pinned his leg for an hour.” Then everyone had a story. Our funeral became a wake. The mood lifted as we swapped flare stories. It was cathartic. A way to say good-bye. I caught Ben smiling at me. “I remember when Tory sniffed that mound of bird crap in the old lighthouse. I thought she’d vomit on the spot.” Chance laughed. “I knew she was too clever. Always with a trick up her sleeve.” The boys glanced at each other. Their smiles faded. Something passed between them. Abruptly, both looked at me. I could see a question in their eyes. A resolve to see something through. They talked. Oh God, they talked about me. They’re going to make me choose. In a flash of dread, I realized I could delay this no longer. With another jolt, I realized I didn’t need to. There was no point putting it off. There was also no decision to make. My eyes met a dark, intense pair staring back earnestly. Longingly. Fearfully. I smiled. Even as my heart pounded. Before anyone spoke, I stepped forward, legs shaking so badly I worried I might fall. But my second foot successfully followed the first. I walked over to Ben’s side. Slipped my hand inside his. Squeezed for dear life. Ben’s eyes widened. He gasped quietly, his chest rising and falling. I met his startled gaze. Smiled through my blushes. A goofy smile split Ben’s face, one I’d never seen before. His fingers crushed mine. No decision to make. Tearing my eyes from Ben, I looked at Chance, found him watching me with a glum expression. Then he sighed, a wry smile twisting his lips. Chance nodded slightly. Not one word spoken. Volumes exchanged. The silence stretched, like a living breathing force. Finally, Hi cleared his throat. “Um.” My face burned scarlet as I remembered our audience. Ella was gaping at me, a delighted grin on her face. Shelton looked like he might turn and run. Hi was rubbing the back of his neck, his face twisted in an uncomfortable grimace. Still no one said a word. This was the most painful moment of my life. “So . . .” Hi drummed his thighs, eyes fixed to the pavement. “Right. A lot just happened there. Weirdly without anyone talking, but, um, yeah.
Kathy Reichs (Terminal (Virals, #5))
For instance, I used to think that paired opposites were a given, that love was the opposite of hate, right the opposite of wrong. But now I think we sometimes buy into these concepts because it is so much easier to embrace absolutes than to suffer reality. I don’t think anything is the opposite of love. Reality is unforgivingly complex.
Anne Lamott (Bird by Bird)
How beautifully Plato put it. Whenever you want to talk about people, it’s best to take a bird’s-eye view and see everything all at once—of gatherings, armies, farms, weddings and divorces, births and deaths, noisy courtrooms or silent spaces, every foreign people, holidays, memorials, markets—all blended together and arranged in a pairing of opposites.
Marcus Aurelius
Once the Funk Island birds had been salted, plucked, and deep-fried into oblivion, there was only one sizable colony of great auks left in the world, on an island called the Geirfuglasker, or great auk skerry, which lay about fifty kilometres off southwestern Iceland’s Reykjanes Peninsula. Much to the auk’s misfortune, a volcanic eruption destroyed the Geirfuglasker in 1830. This left the birds one solitary refuge, a speck of an island known as Eldey. By this point, the great auk was facing a new threat: its own rarity. Skins and eggs were avidly sought by gentlemen, like Count Raben, who wanted to fill out their collections. It was in the service of such enthusiasts that the very last known pair of auks was killed on Eldey in 1844.
Elizabeth Kolbert (The Sixth Extinction: An Unnatural History)
Perhaps if more people realized that coupling in higher organisms is fundamentally about bonding, not only about the drive to reproduce, there would be less prejudice against homosexuality. In fact, homosexuality is natural and common in the animal kingdom. In a 2009 review of the scientific literature, University of California at Riverside biologists Nathan W. Bailey and Marlene Zuk, who advocate more study about the evolutionary impetus for homosexual behavior, state, “The variety and ubiquity of same-sex sexual behavior in animals is impressive; many thousands of instances of same-sex courtship, pair bonding and copulation have been observed in a wide range of species, including mammals, birds, reptiles, amphibians, insects, mollusks, and nematodes.
Bruce H. Lipton (The Honeymoon Effect: The Science of Creating Heaven on Earth)
How beautifully Plato put it. Whenever you want to talk about people, it’s best to take a bird’s-eye view and see everything all at once—of gatherings, armies, farms, weddings and divorces, births and deaths, noisy courtrooms or silent spaces, every foreign people, holidays, memorials, markets—all blended together and arranged in a pairing of opposites.” —MARCUS AURELIUS, MEDITATIONS, 7.48
Ryan Holiday (The Daily Stoic: 366 Meditations on Wisdom, Perseverance, and the Art of Living: Featuring new translations of Seneca, Epictetus, and Marcus Aurelius)
Before she became ill, David’s mother would often tell him that stories were alive. They weren’t alive in the way that people were alive, or even dogs or cats. People were alive whether you chose to notice them or not, while dogs tended to make you notice them if they decided that you weren’t paying them enough attention. Cats, meanwhile, were very good at pretending people didn’t exist at all when it suited them, but that was another matter entirely. Stories were different, though: they came alive in the telling. Without a human voice to read them aloud, or a pair of wide eyes following them by flashlight beneath a blanket, they had no real existence in our world. They were like seeds in the beak of a bird, waiting to fall to earth, or the notes of a song laid out on a sheet, yearning for an instrument to bring their music into being. They lay dormant, hoping for the chance to emerge. Once someone started to read them, they could begin to change. They could take root in the imagination, and transform the reader. Stories wanted to be read, David’s mother would whisper. They needed it. It was the reason they forced themselves from their world into ours. They wanted us to give them life.
John Connolly (The Book of Lost Things (The Book of Lost Things, #1))
Her straight brown hair rarely covered her trademark earrings, which ranged from spoon-like appendages covered in sequins to hoops that a parrot could roost in. Today, she had selected a demure pair of feathers plucked from some species of bird that took mating rituals very seriously, as no fewer than ten shades of greens and blues created a pattern that could cause a seizure disorder if one stared at them too long. 
Terry Maggert (The Forest Bull)
JAMES HALE sat at a side-street noodle-stall. The stall was set-up underneath the shade of a row of fruit trees. He watched a pair of pigeons courting beneath a fig tree. The male’s tail feathers were pushed up in self-promotion and his plumage was arrogantly puffed up. He danced his elaborate dance of love. The female didn’t look impressed. She turned her back to him. Birds were like gangster rappers, Hale thought. They sang songs about how tough they were and how many other birds they’d nested. They were egomaniacs with inferiority complexes. Posers in a leafy street. The bastards flew at the first sign of danger. They couldn’t make it on the ground. Hale hated birds with their merry chirps and their flimsy nests. Tweet. Tweet. Fucking. Tweet. The only thing Hale admired about them was the fact that they could fly. That would be cool. Right now, flying would be good.
James A. Newman (Bangkok express)
Across the lilies was a pond, its waters a vibrant green from reflecting the trees around it. In the center of the pond swam two elegant white birds, their long necks curved toward one another. "Swans!" Cinderella breathed. She leaned against the bridge's rail and gazed at the pair of swans gliding across the pond. At her side, Charles rested his elbows on the bridge. "They're here every evening before sundown. Sometimes, during sunset, you can see the light dapple their feathers. Look." Rays of golden light stroked the swans' wings, which shimmered against the still waters. "I used to come here whenever I could to watch them," said Prince Charles. "I'm certain it's been the very same pair of swans for years. When I saw them, I'd feel a little less lonely." "How happy they look," mused Cinderella, watching as the swans took flight, their feet skidding across the pond before they soared into the sky. "Free to come and go as they please.
Elizabeth Lim (So This is Love)
It’s a notion that was proposed three decades ago by Jane Goodall and her colleague Hans Kummer. The pair made a plea for measuring a wild animal’s intelligence by looking at its ability to find solutions to problems in its natural setting. What’s needed is an ecological rather than a laboratory measure of intelligence, they suggested. This can be found in an animal’s ability to innovate in its own environment, “to find a solution to a novel problem, or a novel solution to an old one.
Jennifer Ackerman (The Genius of Birds)
Everywhere we looked there was a duplicate, an identical. All girls. Sad girls, girls from faraway places, girls who could have been our neighborhood's girls. Some of these girls were quiet; they posed like birds on their straw mattresses and studied us. As we walked past them on their perches, I saw the chosen, the ones selected to suffer in certain ways while their other halves remained untouched. In nearly ever pair, one twin had a spine gone awry, a bad leg, a patched eye, a wound, a scar, a crutch.
Affinity Konar (Mischling)
Good morning! The sun is up! Wake up! Time to eat," said the birds. "Good morning," Ashlynn said back. There was a clink of glass slippers against the wood floor, and then her mother appeared in the doorway. She had the same strawberry-blond hair and green eyes as Ashlynn. Her mother was already dressed, but Ashlynn didn't notice the clothes she was wearing. As always, her eyes went right to the glass slippers. Oh, how she loved those shoes. "Chores, dear!" her mother said, leaning over to kiss the top of Ashlynn's head. "And then you should pack." "Yes, Mother!" Ashlynn washed her face, put on an apron, and then opened wide the door to her shoe closet. This princess wouldn't care if she wore a burlap sack every day, so long as she had dozens of footwear choices. Today she settled on a pair of scrappy teal wedges and went to start breakfast. Even though her father's grand house came fully stocked with servants, her mother believed in good, solid, character-forming chores. After all, Ashlynn would inherit her mother's story and become the next Cinderella someday, and there would be lots of floors to mop and hearths to sweep before her Happily Ever After.
Shannon Hale (Once Upon a Time: A Story Collection (Ever After High))
She does say the most amusing things, doesn’t she? ‘Pretty girl,’ and ‘yes,’ and—Do you hear that one? ‘Fancy a . . .’ what? I never can catch what she’s saying at the end. It’s certainly not biscuit. ‘Fancy a cuppa,’ perhaps? But who gives a parrot tea? It sounds a great deal like ‘fancy a foxglove,’ but that makes even less sense. I don’t mind saying the mystery is driving me a bit mad.” “Fuck.” She froze. “I’m not that upset about it.” He returned to the bedchamber, now clothed in a pair of trousers and an unbuttoned shirt. “It’s what the parrot’s saying. ‘Fancy a fuck, love.’ That bird came from a whorehouse.
Tessa Dare (The Wallflower Wager (Girl Meets Duke, #3))
I want to believe we’re all in it together. But this is America. Here, we’re ready to light each other’s hair on fire. If the world were on fire, at least we’d all be in it together, except for the bears floating by on boats of ice. The deer were in it together, if it means forest fire, or smoke. Here, there should be a gold ring that makes it clear the subject is love. Here, a line about birds. But I am done with the small bodies that hold together a pair of wings. All the wings are in this together, a vast conspiracy of flapping, like gravity wasn’t the one thing holding us in place.
Stephanie Cawley
O Tell Me The Truth About Love - Poem by WH Auden Some say love's a little boy, And some say it's a bird, Some say it makes the world go round, Some say that's absurd, And when I asked the man next door, Who looked as if he knew, His wife got very cross indeed, And said it wouldn't do. Does it look like a pair of pyjamas, Or the ham in a temperance hotel? Does its odour remind one of llamas, Or has it a comforting smell? Is it prickly to touch as a hedge is, Or soft as eiderdown fluff? Is it sharp or quite smooth at the edges? O tell me the truth about love. Our history books refer to it In cryptic little notes, It's quite a common topic on The Transatlantic boats; I've found the subject mentioned in Accounts of suicides, And even seen it scribbled on The backs of railway guides. Does it howl like a hungry Alsatian, Or boom like a military band? Could one give a first-rate imitation On a saw or a Steinway Grand? Is its singing at parties a riot? Does it only like Classical stuff? Will it stop when one wants to be quiet? O tell me the truth about love. I looked inside the summer-house; It wasn't even there; I tried the Thames at Maidenhead, And Brighton's bracing air. I don't know what the blackbird sang, Or what the tulip said; But it wasn't in the chicken-run, Or underneath the bed. Can it pull extraordinary faces? Is it usually sick on a swing? Does it spend all its time at the races, or fiddling with pieces of string? Has it views of its own about money? Does it think Patriotism enough? Are its stories vulgar but funny? O tell me the truth about love. When it comes, will it come without warning Just as I'm picking my nose? Will it knock on my door in the morning, Or tread in the bus on my toes? Will it come like a change in the weather? Will its greeting be courteous or rough? Will it alter my life altogether? O tell me the truth about love.
W.H. Auden
What’s going on in your backyard?” He heard her chair creak. “Mr. Bluebird’s nowhere in sight. He must be out hunting for food. Mrs. Bluebird is incubating her eggs.” “They’re married?” “Of course.” “How do you know?” “Because . . . they’re, you know, they’re having a family.” “Did Audubon’s publication tell you birds who nest are married?” “I’ll have you know, sir, bluebirds mate for life.” “They do?” “They do.” “Well, then. I stand corrected.” Across the room a pair of carved cuckoo birds in an ornate clock poked out to announce the quarter hour. “Are cuckoo birds monogamous?” “Mostly.” “In that case, Mr. and Mrs. Cuckoo say hello.
Deeanne Gist (Love on the Line)
Why I Like Being Baldy • Never have to pay for a haircut • No need for styling • The birds love it • You can get together with a fellow baldy and pretend to be a pair of tits • You can pretend to be Ming the Merciless, Emperor of the Galaxy, with more conviction than people with hair • It makes you look hard • Richard O’Brien • You can draw a line down the middle of your head and pretend to be a cock • A hat will always fit • No dickies • Save money on Shampoo • Time saver should you wish to become ordained into an order of Buddhist monks Why I Don’t Like Being Baldy • Can never make a balloon static to entertain a child • Might get mistaken for Ross Kemp • Lack of hair
Steven LaVey (Shorts)
She swam nearer and her breath caught. Lying atop the rock was a bow and quiver full of arrows beside a pair of beaded moccasins. She spun around in the water, joy bubbling up inside her. But before she could take a breath, firm hands caught her ankles and tugged her under. She came up sputtering and laughing, but he’d still not surfaced. So he swims like a fish. She remembered he could also run like a deer, overtaking her in the woods all those years before. “Yellow Bird.” The voice behind her seemed almost to drown her with its depth. She turned to Captain Jack, hard pressed to keep her pleasure down. How many days since they had walked in the meadow? Too many, from the feeling inside her. In one glance she took in the doused eagle feathers of his headdress and the fine silver bands encircling his solid upper arms. Shimmering with water, Captain Jack’s hair was blue black. The beads about his neck were the same startling jade as his eyes and made him even more appealing. Suddenly shy, she ducked beneath the water, then swam away. Would he follow? They did a dance of sorts in the warm current, circling, gliding, swaying. Each time he caught her she pulled free and swam farther downriver than she’d ever been before. But he continued to woo her, pursuing her until she was so breathless she could only lie upon her back and float, the river like a watery bed.
Laura Frantz (The Frontiersman's Daughter)
I saw a pair of great tits some days ago. (Massingham Major, you are a dirty-minded boy, and if you snigger again, you will do five hundred lines.) The squeaking-wheel song of Parus major is always gladsome, a precursor to interesting scenes at the bird table. On this occasion, however, what hearing and seeing the two greenery-yallery Paridæ first called up in me was a memory from last year’s early Springtide: an ærial near-collision. A very young squirrel – native red, I am rejoiced to say – was leaping from one tree trunk to another, adjacent, just as a great tit was exploding outwards in flight from the second tree. You never saw a more indignant bird or a more startled squirrel in your life.
G.M.W. Wemyss
  Such as I seek, fit to participate   All rational delight, wherein the brute   Cannot be human consort; they rejoyce   Each with thir kinde, Lion with Lioness;   So fitly them in pairs thou hast combin'd;   Much less can Bird with Beast, or Fish with Fowle   So well converse, nor with the Ox the Ape;   Wors then can Man with Beast, and least of all.     Whereto th' Almighty answer'd, not displeas'd.   A nice and suttle happiness I see   Thou to thy self proposest, in the choice   Of thy Associates, ADAM, and wilt taste   No pleasure, though in pleasure, solitarie.   What thinkst thou then of mee, and this my State,   Seem I to thee sufficiently possest   Of happiness, or not? who am alone   From all Eternitie, for none I know   Second to mee or like, equal much less.
John Milton (Paradise Lost)
Wild geese pair off for life. I never knew them to even make an application for divorce. The male guards his mate on the nest. As soon as the young hatch, he protects them from the side opposite the mother, keeping the babies between the parents. He will leave his family for her and for her only, but he will die in the front ranks for any of them....I have placed their bushels of corn around one of my mating pairs, and of the thousands of hungry geese that come here, none will interfere with these little plots to take even one kernel...When traveling in the air, the male Canada Goose leads the way, breaking the air for his sweetheart, who is quartering behind him, and his family travels next to her. In brief, he is one of the most self-sacrificing, godly-principled leaders the human eye ever beheld, and to know him is to love and admire him.
Jack Miner (Jack Miner and the Birds: And Some Things I Know About Nature (Classic Reprint))
I turn on my side, propping myself up on my elbow. A portion of her hair has fallen out of its entrapment of pins and curls around her neck. Reaching out a tentative finger, I brush the thick lock of hair. It’s soft to the touch, and a faint fragrance of apple and chamomile arises when I stroke the curling strand. She sucks in a quick breath when my finger brushes her chin. I stop, gauging whether to proceed or not, but Molly doesn’t protest. I see a surprised welcome in her eyes. The backs of my fingers stroke up her jawline to her cheek, on the soft, smooth side of her face. All the sounds around us still; the birds quiet, King’s yapping fades, and the breeze no longer whistles in my ear. All I can hear is the drum of my own heart. Her eyes widen, and she appears to be holding her breath, as I do mine. Of their own accord, my eyes focus on her lips, a perfect pair of petals in the midst of a half-ravaged flower. I dare to move closer; my lips hover inches above hers, the petals quiver, and our breath mingles once more.
Jenny Knipfer (On Bur Oak Ridge (Sheltering Trees #3))
They went on arguing, but Maia had forgotten them again, following Finn in her mind. Where was he? Did he have enough wood for the firebox? Were his maps accurate? Did he miss her at all? Finn did miss her--she would have been surprised to know how much. He had never sailed the Arabella alone for any distance and it wasn’t as easy as he’d hoped. While she was under way he managed well, but when it came to anchoring in the evening or setting off at dawn, he would have given anything for another pair of hands. Not any pair of hands--Maia’s. She had obeyed his orders quickly but not blindly; he had learned to trust her completely. And she was nice. Fun. Quick to catch a joke and so interested in everything--asking about the birds, the plants. This morning he had found himself starting to say, “Look, Maia!” when he saw an umbrella bird strutting along a branch, and when he realized that she wasn’t there, the exotic creature, with its sunshade of feathers, had seemed somehow less exciting. After all, sharing was something everyone wanted to do. He could hear his father’s voice calling, “Look, Finn, over there!” a dozen times a day.
Eva Ibbotson (Journey to the River Sea)
She'd loved birds long before her physical limitations kept her grounded. She'd found a birding diary of her grandmother's in a trunk in the attic when she was Frankie's age, and when she asked her father about it, he dug through boxes on a shelf high above her head, handing down a small pair of binoculars and some field guides. She'd seen her first prothonotary warbler when she was nine, sitting alone on a tupelo stump in the forest, swatting at mosquitoes targeting the pale skin behind her ears. She glanced up from the book she was reading only to be startled by an unexpected flash of yellow. Holding her breath, she fished for the journal she kept in her pocket, focusing on the spot in the willow where he might be. A breeze stirred the branches, and she saw the brilliant yellow head and underparts standing out like petals of a sunflower against the backdrop of leaves; the under tail, a stark white. His beak was long, pointed and black; his shoulders a mossy green, a blend of the citron yellow of his head and the flat slate of his feathers. He had a black dot of an eye, a bead of jet set in a field of sun. Never had there been anything so perfect. When she blinked he disappeared, the only evidence of his presence a gentle sway of the branch. It was a sort of magic, unveiled to her. He had been hers, even if only for a few seconds. With a stub of pencil- 'always a pencil,' her grandmother had written. 'You can write with a pencil even in the rain'- she noted the date and time, the place and the weather. She made a rough sketch, using shorthand for her notes about the bird's coloring, then raced back to the house, raspberry canes and brambles speckling bloody trails across her legs. In the field guide in the top drawer of her desk, she found him again: prothonotary warbler, 'prothonotary' for the clerks in the Roman Catholic Church who wore robes of a bright yellow. It made absolute sense to her that something so beautiful would be associated with God. After that she spent countless days tromping through the woods, toting the drab knapsack filled with packages of partially crushed saltines, the bottles of juice, the bruised apples and half-melted candy bars, her miniature binoculars slung across one shoulder. She taught herself how to be patient, how to master the boredom that often accompanied careful observation. She taught herself how to look for what didn't want to be seen.
Tracy Guzeman (The Gravity of Birds)
Around the glade this pair of woodland nymphs danced. He swept her in a waltz to a duet that was sometimes off tune, sometimes rent with giggling and laughter as they made their own music. A breathless Erienne fell to a sun-dappled hummock of deep, soft moss, and laughing for the pure thrill of the day, she spread her arms, creating a comely yellow-hued flower on the dark green sward while seeming every bit as fragile as a blossom to the man who watched her. With bliss-bedazzled eyes, she gazed through the treetops overhead where swaying branches, bedecked in the first bright green of spring, caressed the underbellies of the freshlet zephyrs, and the fleecy white clouds raced like frolicking sheep across an azure lea. Small birds played courting games, and the earlier ones tended nests with single-minded perseverance. A sprightly squirrel leapt across the spaces, and a larger one followed, bemused at the sudden coyness of his mate. Christopher came to Erienne and sank to his knees on the thick, soft carpet, then bracing his hands on either side of her, slowly lowered himself until his chest touched her bosom. For a long moment he kissed those blushing lips that opened to him and welcomed him with an eagerness that belied the once-cool maid. Then he lifted her arm and lay beside her, keeping her hand in his as he shared her viewpoint of the day. They whispered sweet inanities, talked of dreams, hopes, and other things, as lovers are wont to do. Erienne turned on her side and taking care to keep her hand in the warm nest, ran her other fingers through his tousled hair. “You need a shearing, milord,” she teased. He rolled his head until he could look up into those amethyst eyes. “And does my lady see me as an innocent lamb ready to be clipped?” At her doubtful gaze, he questioned further. “Or rather a lusting, long-maned beast? A zealous suitor come to seduce you?” Erienne’s eyes brightened, and she nodded quickly to his inquiry. “A love-smitten swain? A silver-armored knight upon a white horse charging down to rescue you?” “Aye, all of that,” she agreed through a giggle. She came to her knees and grasped his shirt front with both hands. “All of that and more.” She bent to place a honeyed kiss upon his lips, then sitting back, spoke huskily. “I see you as my husband, as the father of my child, as my succor against the storm, protector of my home, and lord of yonder manse. But most of all, I see you as the love of my life.” -Erienne & Christopher
Kathleen E. Woodiwiss (A Rose in Winter)
Caxtons are mechanical birds with many wings and some are treasured for their markings-- they cause the eyes to melt or the body to shriek without pain. I have never seen one fly, but sometimes they perch on the hand. Mist is when the sky is tired of flight and rests its soft machine on the ground: then the world is dim and bookish like engravings under tissue paper. Rain is when the earth is television. It has the properites of making colours darker. Model T is a room with the lock inside -- a key is turned to free the world for movement, so quick there is a film to watch for anything missed. But time is tied to the wrist or kept in a box, ticking with impatience. In homes, a haunted apparatus sleeps, that snores when you pick it up. If the ghost cries, they carry it to their lips and soothe it to sleep with sounds. And yet, they wake it up deliberately, by tickling with a finger. Only the young are allowed to suffer openly. Adults go to a punishment room with water but nothing to eat. They lock the door and suffer the noises alone. No one is exempt and everyone's pain has a different smell. At night, when all the colours die, they hide in pairs and read about themselves -- in colour, with their eyelids shut.
Craig Raine
I wake the next morning to a gentle tap, tap, tap on the side of my nose. I blink my eyes open and startle when I see a face looking into mine. Hayley grins at me. “You sweepy?” she says quietly. I was until she tapped against my face like a hungry bird. I scrub the sleep from my eyes and look over at Logan. He’s lying beside me with one arm flung over his head, his mouth hanging open. I snuggle deeper into my pillow. “Where’s your daddy?” I ask. “Sweeping,” she says. She’s dragging a bunny by the ears. “I’m hungwy,” she says. I cover a yawn with my open palm. I probably have awful morning breath. “Can you go and wake your daddy?” She shakes her head. “He said to go back to sweep.” I look toward the window. The sun is just barely over the horizon. “I want a pancake,” she says. A pancake? “How about some cereal?” I ask as I throw the covers off myself and get up. I take a pair of Logan’s boxers from his drawer and put them on. “Dos are Logan’s,” she says, scowling at me. “Do you think he’ll mind if I borrow them?” I whisper at her. She shakes her head and smiles, taking my hand in her free one so she can lead me from the room. “You don’t got to whisper. Logan can’t hear,” she says. I laugh. She’s right. And what’s funny is that it took a three-year-old to remind me. I hold a finger to my lips, though, as we step out into the hallway. “But your daddy can. Shh.” She giggles and repeats my shush.
Tammy Falkner (Tall, Tatted and Tempting (The Reed Brothers, #1))
What about Saint Francis?” “Saint Francis relied on the bounty of farmers, not the bounty of God. Even the most fundamental of the fundamentalists plug their ears when Jesus starts talking about birds of the air and lilies of the field. They know damn well he’s just yarning, just making pretty speeches.” “So you think this is what’s at the root of your revolution. You wanted and still want to have your lives in your own hands.” “Yes. Absolutely. To me, living any other way is almost inconceivable. I can only think that hunter-gatherers live in a state of utter and unending anxiety over what tomorrow’s going to bring.” “Yet they don’t. Any anthropologist will tell you that. They are far less anxiety-ridden than you are. They have no jobs to lose. No one can say to them, ‘Show me your money or you don’t get fed, don’t get clothed, don’t get sheltered.’” “I believe you. Rationally speaking, I believe you. But I’m talking about my feelings, about my conditioning. My conditioning tells me—Mother Culture tells me—that living in the hands of the gods has got to be a never-ending nightmare of terror and anxiety.” “And this is what your revolution does for you: It puts you beyond the reach of that appalling nightmare. It puts you beyond the reach of the gods.” “Yes, that’s it.” “So. We have a new pair of names for you. The Takers are those who know good and evil, and the Leavers are …?” “The Leavers are those who live in the hands of the gods.
Daniel Quinn (Ishmael: An Adventure of the Mind and Spirit)
Poppy," she murmured, "no matter how Miss Marks tries to civilize me- and I do try to listen to her- I still have my own way of looking at the world. To me, people are scarcely different from animals. We're all God's creatures, aren't we? When I meet someone, I know immediately what animal they would be. When we first met Cam, for example, I knew he was a fox." "I suppose Cam is somewhat fox-like," Poppy said, amused. "What is Merripen? A bear?" "No, unquestionably a horse. And Amelia is a hen." "I would say an owl." "Yes, but don't you remember when one of our hens in Hampshire chased after a cow that had strayed too close to the nest? That's Amelia." Poppy grinned. "You're right." "And Win is a swan." "Am I also a bird? A lark? A robin?" "No, you're a rabbit." "A rabbit?" Poppy made a face. "I don't like that. Why am I a rabbit?" "Oh, rabbits are beautiful soft animals who love to be cuddled. They're very sociable, but they're happiest in pairs." "But their timid," Poppy protested. "Not always. They're brave enough to be companions to many other creatures. Even cats and dogs." "Well," Poppy said in resignation, "it's better than being a hedgehog, I suppose." "Miss Marks is a hedgehog," Beatrix said in a matter-of-fact tone that made Poppy grin. "And you're a ferret, aren't you, Bea?" "Yes. But I was leading to a point." "Sorry, go on." "I was going to say that Mr. Rutledge is a cat. A solitary hunter. With an apparent taste for rabbit.
Lisa Kleypas (Tempt Me at Twilight (The Hathaways, #3))
Into this shop, which was low and small, and which was darkened rather than lighted by a little window, overhung with clothes, and was descended into by some steps, I went with a palpitating heart; which was not relieved when an ugly old man, with the lower part of his face all covered with a stubbly grey beard, rushed out of a dirty den behind it, and seized me by the hair of my head. He was a dreadful old man to look at, in a filthy flannel waistcoat, and smelling terribly of rum. His bedstead, covered with a tumbled and ragged piece of patchwork, was in the den he had come from, where another little window showed a prospect of more stinging-nettles, and a lame donkey. 'Oh, what do you want?' grinned this old man, in a fierce, monotonous whine. 'Oh, my eyes and limbs, what do you want? Oh, my lungs and liver, what do you want? Oh, goroo, goroo!' I was so much dismayed by these words, and particularly by the repetition of the last unknown one, which was a kind of rattle in his throat, that I could make no answer; hereupon the old man, still holding me by the hair, repeated: 'Oh, what do you want? Oh, my eyes and limbs, what do you want? Oh, my lungs and liver, what do you want? Oh, goroo!'—which he screwed out of himself, with an energy that made his eyes start in his head. 'I wanted to know,' I said, trembling, 'if you would buy a jacket.' 'Oh, let's see the jacket!' cried the old man. 'Oh, my heart on fire, show the jacket to us! Oh, my eyes and limbs, bring the jacket out!' With that he took his trembling hands, which were like the claws of a great bird, out of my hair; and put on a pair of spectacles, not at all ornamental to his inflamed eyes. 'Oh, how much for the jacket?' cried the old man, after examining it. 'Oh—goroo!—how much for the jacket?' 'Half-a-crown,' I answered, recovering myself. 'Oh, my lungs and liver,' cried the old man, 'no! Oh, my eyes, no! Oh, my limbs, no! Eighteenpence. Goroo!' Every time he uttered this ejaculation, his eyes seemed to be in danger of starting out; and every sentence he spoke, he delivered in a sort of tune, always exactly the same, and more like a gust of wind, which begins low, mounts up high, and falls again, than any other comparison I can find for it.
Charles Dickens (David Copperfield)
Sorrow walked in my clothes before I did. Flocks of shadows followed me. One night I looked at the stars I thought were gods until they disappeared. Some say I smashed my father’s idols and walked away. Or walked towards a desert of barren promises. Or promises that are hummingbirds hovering for a moment then drifting away. Even now, walking towards that mountain, sometimes I will watch my shadow sitting beneath a plane tree, casting dice, ignoring my steps. Some of you made me a founder but it was only that shadow. Some of you made me your father, but it was yourselves you were describing. You plant a tree, you dig a well, and it brings life, that’s all. Everything else is the heart’s mirage. Except what begins inside you. Except Sarah. When she stepped inside my dream the curtains shivered, whole mountains entered the room. It always seemed a question of which love to honor. The land I loved fills with fire. Who should we listen to? It’s true, He offered the world and I offered only myself. But I thought His words were coffins. I was frantic for any scrap of shade. Now everything is shade. Your old newspapers are taken up by the wind like pairs of broken wings. Each window, each door is a wound. One track erases another track. One bomb. One rock, one rubber bullet. What can I tell you? Where have you left your own morning of promises? You remember Isaac, maybe Ishmael, but not the love that led me there. Not Sarah. Just to hear the sound of her eyelids opening, or her plants pushing the air aside as they reach for the sun, twilight filling her fingers like fruit. This afternoon a flock of doves settled on my porch. Their silence took the shape of all I ever wanted to say. Today, the miracle you want aches inside the trees. Why believe anything except what is unbelievable? I never thought of it as a trial, not any of it. Now the leaves turn into messages that are simply impossible to read. The roots turn into roads as they break through the surface. How can I even know what I mean? Beneath the hem of night the rain falls asleep on the grass. We have to turn into each other. One heart inside the other’s heart. One love. One word. Inside us, our shadows will walk into water, the water will walk into the sky. Blind. Faithful. Inside us the music turns into a flock of birds. Theirs is a song whose promise we must believe the way the moon believes the earth, the fire believes the wood, that is, for no reason, for no reason at all.
Richard Jackson
Would you say that that man is at leisure who arranges with finical care his Corinthian bronzes, that the mania of a few makes costly, and spends the greater part of each day upon rusty bits of copper? Who sits in a public wrestling-place (for, to our shame I we labour with vices that are not even Roman) watching the wrangling of lads? Who sorts out the herds of his pack-mules into pairs of the same age and colour? Who feeds all the newest athletes? Tell me, would you say that those men are at leisure who pass many hours at the barber’s while they are being stripped of whatever grew out the night before? while a solemn debate is held over each separate hair? while either disarranged locks are restored to their place or thinning ones drawn from this side and that toward the forehead? How angry they get if the barber has been a bit too careless, just as if he were shearing a real man! How they flare up if any of their mane is lopped off, if any of it lies out of order, if it does not all fall into its proper ringlets! Who of these would not rather have the state disordered than his hair? Who is not more concerned to have his head trim rather than safe? Who would not rather be well barbered than upright? Would you say that these are at leisure who are occupied with the comb and the mirror? And what of those who are engaged in composing, hearing, and learning songs, while they twist the voice, whose best and simplest movement Nature designed to be straightforward, into the meanderings of some indolent tune, who are always snapping their fingers as they beat time to some song they have in their head, who are overheard humming a tune when they have been summoned to serious, often even melancholy, matters? These have not leisure, but idle occupation. And their banquets, Heaven knows! I cannot reckon among their unoccupied hours, since I see how anxiously they set out their silver plate, how diligently they tie up the tunics of their pretty slave-boys, how breathlessly they watch to see in what style the wild boar issues from the hands of the cook, with what speed at a given signal smooth-faced boys hurry to perform their duties, with what skill the birds are carved into portions all according to rule, how carefully unhappy little lads wipe up the spittle of drunkards. By such means they seek the reputation for elegance and good taste, and to such an extent do their evils follow them into all the privacies of life that they can neither eat nor drink without ostentation. And
Seneca (On The Shortness of Life)
Auto-Zoomar. Talbert knelt in the a tergo posture, his palms touching the wing-like shoulder blades of the young woman. A conceptual flight. At ten-second intervals the Polaroid projected a photograph on to the screen beside the bed. He watched the auto-zoom close in on the union of their thighs and hips. Details of the face and body of the film actress appeared on the screen, mimetized elements of the planetarium they had visited that morning. Soon the parallax would close, establishing the equivalent geometry of the sexual act with the junctions of this wall and ceiling. ‘Not in the Literal Sense.’Conscious of Catherine Austin’s nervous hips as she stood beside him, Dr Nathan studied the photograph of the young woman. ‘Karen Novotny,’ he read off the caption. ‘Dr Austin, may I assure you that the prognosis is hardly favourable for Miss Novotny. As far as Talbert is concerned the young woman is a mere modulus in his union with the film actress.’ With kindly eyes he looked up at Catherine Austin. ‘Surely it’s self-evident - Talbert’s intention is to have intercourse with Miss Taylor, though needless to say not in the literal sense of that term.’ Action Sequence. Hiding among the traffic in the near-side lane, Koester followed the white Pontiac along the highway. When they turned into the studio entrance he left his car among the pines and climbed through the perimeter fence. In the shooting stage Talbert was staring through a series of colour transparencies. Karen Novotny waited passively beside him, her hands held like limp birds. As they grappled he could feel the exploding musculature of Talbert’s shoulders. A flurry of heavy blows beat him to the floor. Vomiting through his bloodied lips, he saw Talbert run after the young woman as she darted towards the car. The Sex Kit.‘In a sense,’ Dr Nathan explained to Koester, ‘one may regard this as a kit, which Talbert has devised, entitled “Karen Novotny” - it might even be feasible to market it commercially. It contains the following items: (1) Pad of pubic hair, (2) a latex face mask, (3) six detachable mouths, (4) a set of smiles, (5) a pair of breasts, left nipple marked by a small ulcer, (6) a set of non-chafe orifices, (7) photo cut-outs of a number of narrative situations - the girl doing this and that, (8) a list of dialogue samples, of inane chatter, (9) a set of noise levels, (10) descriptive techniques for a variety of sex acts, (11) a torn anal detrusor muscle, (12) a glossary of idioms and catch phrases, (13) an analysis of odour traces (from various vents), mostly purines, etc., (14) a chart of body temperatures (axillary, buccal, rectal), (15) slides of vaginal smears, chiefly Ortho-Gynol jelly, (16) a set of blood pressures, systolic 120, diastolic 70 rising to 200/150 at onset of orgasm . . . ’ Deferring to Koester, Dr Nathan put down the typescript. ‘There are one or two other bits and pieces, but together the inventory is an adequate picture of a woman, who could easily be reconstituted from it. In fact, such a list may well be more stimulating than the real thing. Now that sex is becoming more and more a conceptual act, an intellectualization divorced from affect and physiology alike, one has to bear in mind the positive merits of the sexual perversions. Talbert’s library of cheap photo-pornography is in fact a vital literature, a kindling of the few taste buds left in the jaded palates of our so-called sexuality.
J.G. Ballard (The Atrocity Exhibition)
Children.” Westcliff’s sardonic voice caused them both to look at him blankly. He was standing from his chair and stretching underused muscles. “I’m afraid this has gone on long enough for me. You are welcome to continue playing, but I beg to take leave.” “But who will arbitrate?” Daisy protested. “Since no one has been keeping score for at least a half hour,” the earl said dryly, “there is no further need for my judgement.” “Yes we have,” Daisy argued, and turned to Swift. “What is the score?” “I don’t know.” As their gazes held, Daisy could hardly restrain a snicker of sudden embarrassment. Amusement glittered in Swift’s eyes. “I think you won,” he said. “Oh, don’t condescend to me,” Daisy said. “You’re ahead. I can take a loss. It’s part of the game.” “I’m not being condescending. It’s been point-for-point for at least…” Swift fumbled in the pocket of his waistcoat and pulled out a watch. “…two hours.” “Which means that in all likelihood you preserved your early lead.” “But you chipped away at it after the third round—” “Oh, hell’s bells!” came Lillian’s voice from the sidelines. She sounded thoroughly aggravated, having gone into the manor for a nap and come out to find them still at the bowling green. “You’ve quarreled all afternoon like a pair of ferrets, and now you’re fighting over who won. If someone doesn’t put a stop to it, you’ll be squabbling out here ‘til midnight. Daisy, you’re covered with dust and your hair is a bird’s nest. Come inside and put yourself to rights. Now.” “There’s no need to shout,” Daisy replied mildly, following her sister’s retreating figure. She glanced over her shoulder at Matthew Swift…a friendlier glance than she had ever given him before, then turned and quickened her pace. Swift began to pick up the wooden bowls. “Leave them,” Westcliff said. “The servants will put things in order. Your time is better spent preparing yourself for supper, which will commence in approximately one hour.” Obligingly Matthew dropped the bowls and went toward the house with Westcliff. He watched Daisy’s small, sylphlike form until she disappeared from sight. Westcliff did not miss Matthew’s fascinated gaze. “You have a unique approach to courtship,” he commented. “I wouldn’t have thought beating Daisy at lawn games would catch her interest, but it seems to have done the trick.” Matthew contemplated the ground before his feet, schooling his tone into calm unconcern. “I’m not courting Miss Bowman.” “Then it seems I misinterpreted your apparent passion for bowls.” Matthew shot him a defensive glance. “I’ll admit, I find her entertaining. But that doesn’t mean I want to marry her.” “The Bowman sisters are rather dangerous that way. When one of them first attracts your interest, all you know is she’s the most provoking creature you’ve ever encountered. But then you discover that as maddening as she is, you can scarcely wait until the next time you see her. Like the progression of an incurable disease, it spreads from one organ to the next. The craving begins. All other women begin to seem colorless and dull in comparison. You want her until you think you’ll go mad from it. You can’t stop thinking—” “I have no idea what you’re talking about,” Matthew interrupted, turning pale. He was not about to succumb to an incurable disease. A man had choices in life. And no matter what Westcliff believed, this was nothing more than a physical urge. An unholy powerful, gut-wrenching, insanity-producing physical urge…but it could be conquered by sheer force of will. “If you say so,” Westcliff said, sounding unconvinced.
Lisa Kleypas (Scandal in Spring (Wallflowers, #4))
Speaking of shooting, my lady,” Mr. Pinter said as he came around the table, “I looked over your pistol as you requested. Everything seems to be in order.” Removing it from his coat pocket, he handed it to her, a hint of humor in his gaze. As several pair of male eyes fixed on her, she colored. To hide her embarrassment, she made a great show of examining her gun. He’d cleaned it thoroughly, which she grudgingly admitted was rather nice of him. “What a cunning little weapon,” the viscount said and reached for it. “May I?” She handed him the pistol. “How tiny it is,” he exclaimed. “It’s a lady’s pocket pistol,” she told him as he examined it. Oliver frowned at her. “When did you acquire a pocket pistol, Celia?” “A little while ago,” she said blithely. Gabe grinned. “You may not know this, Basto, but my sister is something of a sharpshooter. I daresay she has a bigger collection of guns than Oliver.” “Not bigger,” she said. “Finer perhaps, but I’m choosy about my firearms.” “She has beaten us all at some time or another at target shooting,” the duke said dryly. “The lady could probably hit a fly at fifty paces.” “Don’t be silly,” she said with a grin. “A beetle perhaps, but not a fly.” The minute the words were out of her mouth, she could have kicked herself. Females did not boast of their shooting-not if they wanted to snag husbands. “You should come shooting with us,” Oliver said. “Why not?” The last thing she needed was to beat her suitors at shooting. The viscount in particular would take it very ill. She suspected that Portuguese men preferred their women to be wilting flowers. “No thank you,” she said. “Target shooting is one thing, but I don’t like hunting birds.” “Suit yourself,” Gabe said, clearly happy to make it a gentlemen-only outing, though he knew perfectly well that hunting birds didn’t bother her. “Come now, Lady Celia,” Lord Devonmont said. “You were eating partridges at supper last night. How can you quibble about shooting birds?” “If she doesn’t want to go, let her stay,” Gabe put in. “It’s not shooting birds she has an objection to,” Mr. Pinter said in a taunting voice. “Her ladyship just can’t hit a moving target.” She bit back a hot retort. Don’t scare off the suitors. “That’s ridiculous, Pinter,” Gabe said. “I’ve seen Celia-ow! What the devil, Oliver? You stepped on my foot!” “Sorry, old chap, you were in the way,” Oliver said as he went to the table. “I think Pinter’s right, though. Celia can’t hit a moving target.” “Oh, for heaven’s sake,” she protested, “I most certainly can hit a moving target! Just because I choose not to for the sake of the poor, helpless birds-“ “Convenient, isn’t it, her sudden dislike of shooting ‘poor, helpless birds’?” Mr. Pinter said with a smug glance at Lord Devonmont. “Convenient, indeed,” Lord Devonmont agreed. “But not surprising. Women don’t have the same ability to follow a bird in flight that a man-“ “That’s nonsense, and you know it!” Celia jumped to her feet. “I can shoot a pigeon or a grouse on the wing as well as any man here.” “Sounds like a challenge to me,” Oliver said. “What do you think, Pinter?” “A definite challenge, sir.” Mr. Pinter was staring at her with what looked like satisfaction. Blast it all, had that been his purpose-to goad her into it? Oh, what did it matter? She couldn’t let a claim like this or Lord Devonmont’s stand. “Fine. I’ll join you gentlemen for the shooting.” “Then I propose that whoever bags the most birds gets to kiss the lady,” Lord Devonmont said with a gleam in his eye. “That’s not much of a prize for me,” Gabe grumbled. She planted her hands on her hips. “And what if I bag the most birds?” “Then you get to shoot whomever you wish,” Mr. Pinter drawled. As the others laughed, Celia glared at him. He was certainly enjoying himself, the wretch. “I’d be careful if I were you, Mr. Pinter. That person would most likely be you.
Sabrina Jeffries (A Lady Never Surrenders (Hellions of Halstead Hall, #5))
snapping a bird’s-eye view of your garden; for $700, one equipped with a gyroscopically stabilised camera which, when paired with a wireless tracking device on your wrist, will film you while you ski, cycle or kite-surf. More significantly still, as our Technology Quarterly outlines this week, drones could revolutionise all sorts of businesses.
Anonymous
You better not bother the Chickcharnies while you're out here. Best to stay on their good side." The moonlight cast shadows on his face, but it was easy to see his teasing grin. She raised her eyebrows. "The Chickcharnies?" He pointed up into the palms and distant pines. "They're kind of like birds. They live up in the treetops --only on Andros Island and nowhere else in the world." Cyn scanned the darkness among the high branches. "What do you mean 'kind of like birds'?" He shrugged one shoulder. "Like owls. But they have three fingers, three toes, and they hang from the trees by their tails. You can spot their red eyes when they catch the light." Cyn clenched her teeth and squinted up into the trees, scanning for a pair of red eyes aimed her way. "They sound a little creepy." "If you see one, and you show it respect," Trent said, "you'll have good luck for the rest of your life." Cyn could use some good luck, for sure. She concentrated harder on finding those red eyes. None in sight, she furrowed her brow and set her gaze on Trent. "What do they do if you bother them?" His grin widened into that stop-your-heart smile that Cyn was finding harder to resist. "They turn your head around backward." "What?" "It's probably really painful," Trent said. Cyn swatted his arm, coming up against tight muscle. "You made that up." "Not really. It's island lore. People think the Chickcharnies descended from a big flightless owl they've found in fossils." "Have you ever seen one?" she asked skeptically. "Not yet. But you never know if one's around. I'd like to keep my head on straight, so I don't tease about them.".... Suddenly a huge screeching bird swooped down out of the trees, flew several feet over their heads, and veered up into a nearby copse of palms. Cyn yelped and ducked low. Trent pulled her close, tucking her against his chest. "Holy crap!" she said, "That was one pissed-off Chickcharnie. Hold on to your head.
Tracy March (The Marriage Match (Suddenly Smitten, #3))
THE ROYAL PIGEON Nasruddin became prime minister to the king. Once while he wandered through the palace, he saw a royal falcon. Now Nasruddin had never seen this kind of a pigeon before. So he got out a pair of scissors and trimmed the claws, the wings and the beak of the falcon. “Now you look like a decent bird,” he said. “Your keeper had evidently been neglecting you. “You’re different so there’s something wrong with you!” MONKEY SALVATION FOR A FISH
Leonard J. Duhl (The Social Entrepreneurship of Change)
Bob and Lyn approached. “A pair of emus, just up the road,” Bob shouted. Steve jumped into the Ute, and we were off to get a look. We spotted the two flightless birds, an adult and a subadult, but they bolted as soon as we arrived. “Too bad,” I said, watching the emus kicking up dust. “That would have been good.” “Get Henry,” Steve yelled. Then he leaped from the truck and hit the ground running. It’s impossible to catch an emu. They can reach speeds of up to forty miles an hour. Steve sprinted off and ran like the wind after the younger bird. It was huge, nearly full grown, and running like mad. I sat in the truck and watched in shock. Henry looked as stunned as I was. There was nothing he could do but put camera to shoulder and tear off after them. “This is going to be a good laugh to watch,” I said to John. To my amazement, the three made a big circle and began to head back in the truck’s direction. “Is it just me,” I said to John, “or is he gaining on it?” With the young emu taking huge, ground-gulping strides, the dust puffing up from each footstep, and Steve in his Timberlands kicking up the dirt right behind, they came toward us. Steve lunged forward and grabbed the bird in a bear hug. He picked the emu clean up off the ground, its big, gangly legs kicking wildly. Steve grinned from ear to ear. Henry caught his breath and tried to stop the camera from shaking. “Emus are spectacular,” Steve said exuberantly. “It’s the dad who raises the kids. All the mother does is deposit her eggs in a nest scraped into the ground. Then it’s the father’s responsibility to raise them up.” After his commentary, Steve let the emu go. As it trotted off, Henry turned to Steve and said, “I’m not sure if I got all that.” Steve immediately bolted off like a jackrabbit and ran after the emu, and I’ll be darned if he didn’t catch it again. Once more Steve turned to Henry and told him all about emus. Then he kissed the bird, gave it a hug, and released it a second time. If emus tell stories around the campfire, that one had a humdinger to tell for years to come.
Terri Irwin (Steve & Me)
Children.” Westcliff’s sardonic voice caused them both to look at him blankly. He was standing from his chair and stretching underused muscles. “I’m afraid this has gone on long enough for me. You are welcome to continue playing, but I beg to take leave.” “But who will arbitrate?” Daisy protested. “Since no one has been keeping score for at least a half hour,” the earl said dryly, “there is no further need for my judgement.” “Yes we have,” Daisy argued, and turned to Swift. “What is the score?” “I don’t know.” As their gazes held, Daisy could hardly restrain a snicker of sudden embarrassment. Amusement glittered in Swift’s eyes. “I think you won,” he said. “Oh, don’t condescend to me,” Daisy said. “You’re ahead. I can take a loss. It’s part of the game.” “I’m not being condescending. It’s been point-for-point for at least…” Swift fumbled in the pocket of his waistcoat and pulled out a watch. “…two hours.” “Which means that in all likelihood you preserved your early lead.” “But you chipped away at it after the third round—” “Oh, hell’s bells!” came Lillian’s voice from the sidelines. She sounded thoroughly aggravated, having gone into the manor for a nap and come out to find them still at the bowling green. “You’ve quarreled all afternoon like a pair of ferrets, and now you’re fighting over who won. If someone doesn’t put a stop to it, you’ll be squabbling out here ’til midnight. Daisy, you’re covered with dust and your hair is a bird’s nest. Come inside and put yourself to rights. Now.” “There’s no need to shout,” Daisy replied mildly, following her sister’s retreating figure. She glanced over her shoulder at Matthew Swift…a friendlier glance than she had ever given him before, then turned and quickened her pace. Swift began to pick up the wooden bowls. “Leave them,” Westcliff said. “The servants will put things in order. Your time is better spent preparing yourself for supper, which will commence in approximately one hour.” Obligingly Matthew dropped the bowls and went toward the house with Westcliff. He watched Daisy’s small, sylphlike form until she disappeared from sight. Westcliff did not miss Matthew’s fascinated gaze. “You have a unique approach to courtship,” he commented. “I wouldn’t have thought beating Daisy at lawn games would catch her interest, but it seems to have done the trick.” Matthew contemplated the ground before his feet, schooling his tone into calm unconcern. “I’m not courting Miss Bowman.” “Then it seems I misinterpreted your apparent passion for bowls.” Matthew shot him a defensive glance. “I’ll admit, I find her entertaining. But that doesn’t mean I want to marry her.” “The Bowman sisters are rather dangerous that way. When one of them first attracts your interest, all you know is she’s the most provoking creature you’ve ever encountered. But then you discover that as maddening as she is, you can scarcely wait until the next time you see her. Like the progression of an incurable disease, it spreads from one organ to the next. The craving begins. All other women begin to seem colorless and dull in comparison. You want her until you think you’ll go mad from it. You can’t stop thinking—” “I have no idea what you’re talking about,” Matthew interrupted, turning pale. He was not about to succumb to an incurable disease. A man had choices in life. And no matter what Westcliff believed, this was nothing more than a physical urge. An unholy powerful, gut-wrenching, insanity-producing physical urge…but it could be conquered by sheer force of will. “If you say so,” Westcliff said, sounding unconvinced.
Lisa Kleypas (Scandal in Spring (Wallflowers, #4))
So why is this bird so rare?” asked Bastian. “Oh, the usual story,” said Carol. “Invasion and destruction of its habitats. Hunting. Egg theft. The last breeding pair in Cornwall were shot by a local man who thought they were Nazi spies.
Heide Goody (Hellzapoppin' (Clovenhoof, #4))
One pair of Chestnut-fronted Macaws preened each other for nearly an hour. Suddenly they stopped, made eye contact, and then the male, with his head bent low, climbed onto the female’s back. The female averted her tail, and he slid his tail under hers so that cloacal contact was made. If they were vocalizing, it was so quiet I could not hear it. He dismounted, they preened, and then he mounted her again. It was almost as if the romance of the rain, the intensity of the sensual experience of bathing, had precipitated sex. After the second go-round, they moved about a meter apart, preening themselves, and then, with chattering, squawking calls, lifted off, flying over the treetops at a great speed, perhaps searching for a suitable nest site. As if stimulated by the macaws, the Blue-headed Parrots also began to court, preening and billing each other around the head. Within minutes they, too, were copulating. Their contact was brief. I felt sure the rain had signaled the beginning of the intense courtship phase of these birds, triggering ancient physiological changes inside them—increases in the sex hormone that lead to enlarging testes and ripening ova. The rains pointed them toward mating, finding a nest, laying eggs. For my entire career I had wanted to watch wild parrots in this intense courtship phase. To find two species simultaneously mating was breathtaking.
Joanna Burger (The Parrot Who Owns Me: The Story of a Relationship)
They came from far, the Star rises in East, Northern birds fever at West and the vertical pair of glasses raises a Southern Polar Light.
Petra Hermans (Voor een betere wereld)
the weekend Ma took us to the beach. I thought it was going to be a fun day. It wasn’t. Here’s what went wrong: 1. I couldn’t find my new board-shorts so had to wear an old pair with Big Bird on the front and Cookie Monster on the back.
Lee M. Winter (What Reggie Did on the Weekend: Seriously! (The Reggie Books, #1))
Then you found Mr. Rutledge unsettling, too?” “No, but I understand why you do. He watches you like one of those ambushing sort of predators. The kind that lie in wait before they spring.” “How dramatic,” Poppy said with a dismissive laugh. “He’s not a predator, Bea. He’s only a man.” Beatrix made no reply, only made a project of smoothing Dodger’s fur. As she leaned over him, he strained upward and kissed her nose affectionately. “Poppy,” she murmured, “no matter how Miss Marks tries to civilize me—and I do try to listen to her—I still have my own way of looking at the world. To me, people are scarcely different from animals. We’re all God’s creatures, aren’t we? When I meet someone, I know immediately what animal they would be. When we first met Cam, for example, I knew he was a fox.” “I suppose Cam is somewhat fox-like,” Poppy said, amused. “What is Merripen? A bear?” “No, unquestionably a horse. And Amelia is a hen.” “I would say an owl.” “Yes, but don’t you remember when one of our hens in Hampshire chased after a cow that had strayed too close to the nest? That’s Amelia.” Poppy grinned. “You’re right.” “And Win is a swan.” “Am I also a bird? A lark? A robin?” “No, you’re a rabbit.” “A rabbit?” Poppy made a face. “I don’t like that. Why am I a rabbit?” “Oh, rabbits are beautiful soft animals who love to be cuddled. They’re very sociable, but they’re happiest in pairs.” “But they’re timid,” Poppy protested. “Not always. They’re brave enough to be companions to many other creatures. Even cats and dogs.” “Well,” Poppy said in resignation, “it’s better than being a hedgehog, I suppose.” “Miss Marks is a hedgehog,” Beatrix said in a matter-of-fact tone that made Poppy grin. “And you’re a ferret, aren’t you, Bea?” “Yes. But I was leading to a point.” “Sorry, go on.” “I was going to say that Mr. Rutledge is a cat. A solitary hunter. With an apparent taste for rabbit.” Poppy blinked in bewilderment. “You think he is interested in . . . Oh, but Bea, I’m not at all . . . and I don’t think I’ll ever see him again . . .” “I hope you’re right.” Settling on her side, Poppy watched her sister in the flickering glow of the hearth, while a chill of uneasiness penetrated the very marrow of her bones. Not because she feared Harry Rutledge. Because she liked him.
Lisa Kleypas (Tempt Me at Twilight (The Hathaways, #3))
If anyone tries to kill me on the slopes, I’m going to be a sitting duck.” I sighed. “Ptarmigan,” Warren corrected. “What?” I asked. “There’s no ducks in the mountains,” Warren explained. “Whereas a ptarmigan is a bird found in cold climates like the northern tundra. So you wouldn’t be a sitting duck. You’d be a sitting ptarmigan.” “Shut up, Warren,” Chip threatened. “Or the next time I throw a pair of boxers at you, they’ll be the ones I’ve been wearing for the last sixteen hours.” Warren cringed in fear and stumbled over his suitcase once again.
Stuart Gibbs (Spy Ski School (Spy School, #4))
That is my least favorite Stony Cross wedding custom,” Beatrix said ruefully, brushing at the remaining few crumbs that clung to her arms. “On the other hand, it’s probably made more than a few birds happy.” “Speaking of birds, dear…” Amelia waited until the maid had gone to draw a bath. “That brings to mind the line from Samuel Coleridge’s poem about spring, ‘The bees are stirring--birds are on the wing--’” Beatrix gave her a quizzical glance. “Why do you mention that? It’s autumn, not spring.” “Yes, but that particular poem mentions birds pairing. I thought you might have some questions for me on that topic.” “About birds? Thank you, but I know far more about birds than you.” Amelia sighed, giving up the attempt to be delicate. “Forget the blasted birds. It’s your wedding night--do you want to ask me anything?” “Oh. Thank you, but Christopher has already, er…provided the information.” Amelia’s brows lifted. “Has he?” “Yes. Although he used a different euphemism than birds or bees.” “Did he? What did he reference, then?” “Squirrels,” Beatrix said. And she turned aside to hide a grin at her sister’s expression.
Lisa Kleypas (Love in the Afternoon (The Hathaways, #5))
I’ve never owned a pair of binoculars. I’ve never been a bird-watcher. But I do sometimes wonder if birds have been watching me.
Gwynneth Mary Lovas (The Retirement Diaries)
An empty hat and raincoat floated at the center of the diagram in Unwin’s mind. Beside them was a dress filled with smoke. A pair of black birds with black hats fluttered above, while below lay two corpses, one in an office chair, one encased in glass. The diagram was a fairy tale, written by a forgetful old man with wild white hair, and it whirled like a record on a phonograph. The
Jedediah Berry (The Manual of Detection)
Most Indian tribes considered the eagle a great and powerful spirit. His courage was admired, his strength envied. The great height to which this bird flew gave evidence that he could reach heaven, and his plumes were said to carry prayers. The Eagle dance is one of the most graceful of all the Indian dances, and the costume is one of the most spectacular of all Southwestern dance costumes. The Eagles usually dance in pairs but there are a few solo dances.
W. Ben Hunt (Indian Crafts & Lore)
ROA, KONRAD LORENZ’S RAVEN, raided clotheslines to steal ladies’ underwear. Roa had been exploring a neighbor’s laundry hung on the line just when he was called. He came, taking a small transportable item with him, a pair of panties. When he got a reward of tasty food, he made the association of panties and food. Henceforth, as expected according to classical conditioning theory, he brought these items on his own to redeem them for savory snacks.
Bernd Heinrich (Mind of the Raven: Investigations and Adventures with Wolf-Birds)
Me and the Texas Woman, it was not love at first sight. In fact, my match with her was a bit of an arranged marriage. Once with a rocky start, potholed by cultural misunderstandings and distrust. It took decades of observation to fully appreciate the Yellow Rose in all her glories. All her contradictions. All her glorious contradictions. Was she Southern? All belles and balls? Or was she Western? Ready to rope and ride and shoot the head off a rattler? You already know the answer. You know, that like sulfur, charcoal, and bat guano, the ingredients don't really pop until they're mixed up together into gunpowder. The Texas Woman is a hybrid with all the vigor that comes from the perfect pairing of the best of two species. She is Southern but with the Western grit handed down by her foremothers, who could give birth during a Comanche attack, help out when it came time to turn the bulls into steers, and still end up producing more Miss USAs that any other state in the union.
Sarah Bird (A Love Letter to Texas Women)
weren’t seeing any animals: their constant complaining was driving them away. Only the birds remained, and even they seemed skittish. He was just a guide, however, so he said nothing. There were five Americans. Three women and two men. The guide was interested in how they were paired off. It seemed unlikely that the fat man, Henderson, had all three women for himself. No matter how rich he was, shouldn’t two women at one time be enough? Perhaps the tall man had one? Perhaps not. As far as the guide could tell, the tall man was there to act as Henderson’s bodyguard and servant only. He and Henderson did not act
Ezekiel Boone (The Hatching (The Hatching #1))
...Stella’s tiny butt stuck in the air as she stretched to reach a weed. She was wearing a pair of jeans and a button-down pink and white checked shirt that was tucked into the elastic waistband of her pants. She reminded Rusty of an elf. “Excuse me, Stella?” “You stop right there if you have trouble on your mind. As you can see, I have plenty of birds, and I’ll knock you out with one of them,” Stella said without looking up. Rusty wanted to say that she’d yank up her own plastic flamingo and work Stella over with it in a heartbeat. Instead, she took a calming breath and said, “I made something you might like to have.” “If it’s a grenade launcher, I’m listening, Achmed.
Robin Alexander
It now appears that birds may visualize the earth’s magnetic field through a form of quantum entanglement, which is just as bizarre as it sounds. Quantum mechanics dictates that two particles, created at the same instant, are linked at the most profound level—that they are, in essence, one thing, and remain “entangled” with each other so that regardless of distance, what affects one instantly affects the other. No wonder the technical term in physics for this effect is “spooky action.” Even Einstein was unsettled by the implications. Theoretically, entanglement occurs even across millions of light-years of space, but what happens within the much smaller scale of a bird’s eye may produce that mysterious ability to use the planetary magnetic field. Scientists now believe that wavelengths of blue light strike a migratory bird’s eye, exciting the entangled electrons in a chemical called cryptochrome. The energy from an incoming photon splits an entangled pair of electrons, knocking one into an adjacent cryptochrome molecule—yet the two particles remain entangled. However minute, the distance between them means the electrons react to the planet’s magnetic field in subtly different ways, creating slightly different chemical reactions in the molecules. Microsecond by microsecond, this palette of varying chemical signals, spread across countless entangled pairs of electrons, apparently builds a map in the bird’s eye of the geomagnetic fields through which it is traveling.
Scott Weidensaul (A World on the Wing: The Global Odyssey of Migratory Birds)
It was Rogers who hurried to the carpenter shop beneath the forecastle and reappeared triumphantly, holding a hacksaw. He insisted on taking the first turn at cutting through the forged steel link. Soon, he tired of the task and handed the saw to a seaman. Then he wandered off, whistling to himself. Psychiatrists who later examined Rogers or studied his own account of these events have been struck by the marked disturbance of his thinking. A disturbed or psychotic personality suffering from this “thought disorder” has tremendous difficulty separating the relevant from the irrelevant, recalls and remembers everything, describes events in almost incredible detail. Rogers’ description of what happened to him when he left the bridge clearly displays this condition: “There had been a canary down in the hold of the ship. It belonged to the boatswain. I had seen the canary there. I was looking for a pair of shoes. I had lost mine overboard. “I got the canary and put a towel around the bird and came up. He was the only living thing down there. I got halfway up and the heat was terrific. I went all the way with the flashlight and I noticed there was a space of about four feet on the bulkhead that was beginning to glow, turning red.” Clutching the canary, he shuffled back to the deck and delivered the “news that the place was glowing hot down there and it’s a shame to use a five-and-ten-cent method to saw through the chain.” Suddenly the steel link snapped. In all, five hours had passed since the Tampa first offered help.
Gordon Thomas (Shipwreck: The Strange Fate of the Morro Castle)
...but just four years later, in June 1977, I was to find a pair of Buff-collared Nightjars on territory in the lower canyon... By the time that happened, the Tuscon Five would be only a memory. Ironically, it was I, the transient, who was the only one to wind up living in Tuscon later. The other four scattered to the four different states, and after that May of 1973, never again would all five of us get together. But the brief life span of our little gang was a golden time - a time of discovery and wonder, a time when so many of the birds were still elusive and mysterious to us, a time that would never come again.
Kenn Kaufman (Kingbird Highway: The Biggest Year in the Life of an Extreme Birder)
A sudden motion pushed them away from the wall, and then he thought he heard Casati’s oar slide into the water, and they were off. All he heard after that was the soft rubbing of the oar in the curve of the fórcola, the hiss of water along the sides of the boat, and the occasional squeak of one of Casati’s shoes as his weight shifted forwards or backwards. Brunetti gave himself to motion, glad of the passing breeze that tempered the savagery of the heat. He hadn’t thought to bring a hat, and he had scoffed at Paola’s insistence that he bring sunscreen. Real men? Brunetti had rowed since he was a boy, but he knew he had little to contribute to the smoothness of this passage. There was not the slightest suggestion of stop and go, of a point where the thrust of the oar changed force: it was a single forward motion, like a bird soaring on rising draughts of air, or a pair of skis descending a slope. It was a whish or a shuuh, as hard to describe as to hear, even in the midst of the silence of the laguna. Brunetti turned his head to one side, then to the other, but there was only the soft, low hiss. He wanted to turn and look at Casati, as though by watching him row, he might store the motions away and copy them later, but he didn’t want to shift his weight and thus change the balance of the boat, however minimally.
Donna Leon (Earthly Remains (Commissario Brunetti, #26))
Does your pet love you? Of course your pet loves you. (Qualifier: your pet can love you if it’s a mammal or one of a few clades of birds, like a parrot. If your pet is a gecko or a python or a goldfish, your pet is probably incapable of love.) Love develops for every evolutionary pairing that requires devotion. We love our pets, and our pets love us. Dogs, in particular, are love generators who hang out with you and help you know that you’re not alone. Dog is love, unmoored.
Heather E. Heying (A Hunter-Gatherer's Guide to the 21st Century: Evolution and the Challenges of Modern Life)
The pair moving together like poetry, cutting the sky to ribbon and the Yomi birds to pieces.
Jay Kristoff (Endsinger (The Lotus Wars, #3))
I hope not, either. I guess we’ll find out, won’t we?” He turned his head to flash a glance that was almost teasing at her. Nearly a quarter of his face was cleared of brash, and he was starting to look different. Not quite so brutish. “If you don’t work around here, you don’t eat,” Susannah said, and turned back into the house. When she returned a few minutes later, she was carrying a pair of gray hose she had just finished knitting and one of her father’s shirts. The shirt was sure to be hopelessly too small for him, but it was the best she could do for the moment. Certainly it was better than having him go around bare-chested. What was left of his own shirt was fit for nothing but the ragbag, once it was clean. “When you’ve finished, you may put these on. I don’t know how things are done in England, but around here we’re careful of our modesty. I expect you to keep yourself decently covered in future.” “I’ve finished.” Connelly turned away from the washstand, a towel to his face as he wiped away the soap. “And speaking of modesty, given the fact that you’ve already seen me in the altogether—it was you who bathed me, wasn’t it?—I don’t see that it matters.” “Caring for an unclothed sick man is a very different matter from being constantly confronted with an unclothed healthy one, especially in a household that consists mostly of young ladies. I’ve my sisters to think of.” “Ah, the three twittering birds from the auction. I remember.” He finished with the towel as he spoke and tossed it in the general direction of the nightshirt. About to inform him that the pile of laundry waiting to be washed was the other way and that he might add towel and nightshirt to it, Susannah never got the words out. Her attention
Karen Robards (Nobody's Angel: A Novel)
As he sat there thinking, he sensed movement above him. Looking up, he saw a pair of hawks flying high in the sky. He watched the hawks as they drifted on the wind. Although their flight appeared to have no pattern, it made a certain kind of sense to the boy. It was just that he couldn’t grasp what it meant. He followed the movement of the birds, trying to read something into it. Maybe these desert birds could explain to him the meaning of love without ownership. He felt sleepy. In his heart, he wanted to remain awake, but he also wanted to sleep. “I am learning the Language of the World, and everything in the world is beginning to make sense to me . . . even the flight of the hawks,” he said to himself.
Paulo Coelho (The Alchemist)
If the bible is correct and Noah saved one pair of each of the animals we have still on earth by taking them aboard his ark, I wonder what madness made him choose to save the mosquito. That was a great foolishness on his part. After all, what purpose do they serve? The birds eat them, I suppose, but there are other insects they might eat instead, that do not bite me before they are eaten.
T.M Cicinski (From Whence The Rivers Run)
Magpies are well known for taunting larger animals, especially pets. They are probably just trying to drive off a perceived predator, but sometimes they seem to consciously trick other creatures with mean-spirited mind games. One BBC documentary featured a pet magpie that loved to torment two domestic dogs by imitating the alarm call of ducks on the pond outside his house; this would invariably send the poor canines scrambling outside to chase a nonexistent fox—because the ducks often called warnings to one another when the fox passed by. Another pair of magpies once repeatedly taunted a cat along a busy country road in Britain by perching in a tree, waiting for a break in traffic, and then flying down to the pavement to lure the kitty into the road; when a car approached, the birds would flutter up at the last second while the cat scrambled to avoid becoming roadkill.
Noah Strycker (The Thing with Feathers: The Surprising Lives of Birds and What They Reveal About Being Human)
Because there is a growing belief among the community of thinking beings that by 2050 men and women will be marrying human like robots. At that point, how Craig Raine will describe his experiences will be fascinating to know. And in my imagination I have already travelled with the Green Man into the future called 2075 and witnessed How humans will experience love in 2075. Because this science fiction novel navigates through the possibility of men and women falling in love with machines, without knowing they are robots imitating human emotions. Will you still dare to fall in love in 2075 or will you strive to tell the difference between a human lover and a robotic lover? Now it is your turn to join the Green Man on this exciting journey into 2075, where he will reveal to you what the world would look like in 2075, and take you on an excitingly epic journey with the protagonist, Saabir, who criss crosses the highways and all by ways of emotional trajectory in the midst of synthetic emotions and feelings that engulf him. To know more, travel with the Green Man via the science fiction titled, They Loved in 2075. With this anticipation I shall dream of you tonight and hope that you will be able to unlock the alien imagination within you, to realise the part of you that is from Heaven. If you have any doubts, here is the poem by ​​Craig Raine to make you a dreamer who while asleep is always awake in his/her subconscious state too. Because he/she has learned the art of having a rendezvous with the light that radiates through the universe, to eventually settle in a dreamer's eyes who dares to dream beyond the ordinary and the 3 dimensional reality. "A Martian Sends A Postcard Home” Caxtons are mechanical birds with many wings and some are treasured for their markings-- they cause the eyes to melt or the body to shriek without pain. I have never seen one fly, but sometimes they perch on the hand. Mist is when the sky is tired of flight and rests its soft machine on the ground: then the world is dim and bookish like engravings under tissue paper Rain is when the earth is television. It has the properites of making colours darker. Model T is a room with the lock inside -- a key is turned to free the world for movement, so quick there is a film to watch for anything missed. But time is tied to the wrist or kept in a box, ticking with impatience. In homes, a haunted apparatus sleeps, that snores when you pick it up. If the ghost cries, they carry it to their lips and soothe it to sleep with sounds. And yet, they wake it up deliberately, by tickling with a finger. Only the young are allowed to suffer openly. Adults go to a punishment room with water but nothing to eat. They lock the door and suffer the noises alone. No one is exempt and everyone's pain has a different smell. At night, when all the colours die, they hide in pairs and read about themselves -- in colour, with their eyelids shut. Dedicated to you, the Green Man and Saabir who hails from 2075 and dares to love a real woman in 2075 because he loves her a lot!
Javid Ahmad Tak and Craig Raine
How to explain to him that her mother is a womb and a grave; a cage and a pair of wings; a feeding tube and a noose.
Ayanna Lloyd Banwo (When We Were Birds)
Hugging the wall, two forty-foot coconut palms shared space with a pair of equally towering Italian cypresses. Close to an unlocked iron-scroll gate, doddering birds-of-paradise coexisted with spatulate clumps of blue agapanthus.
Jonathan Kellerman (Serpentine (Alex Delaware, #36))
Grandpa has warned her not to go too far, but a great hornbill distracted her anyway. Its pair of red iris glanced at Cemara enchantingly. As she walked closer, the bird led her away with magical whistling sound.
Mutiara Eff (Panacea (Aesthete, #4))