Tumble Book Quotes

And in the morning they shook their pillows violently, hoping all the dreams they lost that night would tumble out.

Patient endurance permits us to cling to our faith in the Lord and our faith in His timing when we are being tossed about by the surf of circumstance. Even when a seeming undertow grasps us, somehow, in the tumbling, we are being carried forward, though battered and bruised.

You know," Loki said, toeing a volume that had tumbled from the pile. "You'd have more room if you kept fewer books." Theo hung his cane on the edge of the grate beside the small fire place and began to stoke the ashes. "I'd rather have books than space.

Hauntings are memes, especially pernicious thought contagions, social contagions that need no viral or bacterial host and are transmitted in a thousand different ways. A book, a poem, a song, a bedtime story, a grandmother's suicide, the choreography of a dance, a few frames of film, a diagnosis of schizophrenia, a deadly tumble from a horse, a faded photograph, or a story you tell your daughter.

A book from a nearby shelf tumbled to the ground and the pages rustled a moment before settling. I bit my lip, debating. If this was a horror movie, I would be yelling at the stupid girl to run - but I ignored my own advice and walked towards the book.

that I have read many books, but to little purpose, for want of good method; I have confusedly tumbled over divers authors in our libraries, with small profit, for want of art, order, memory, judgment.

Indecisive? Uncertain? Worried? Let the rolling ivory tumble your burdens away. $2.50 per pair.

When a bookmark tumbles out of an old book pristine and unwrinkled, it is like a gasp of breath from another century.

I am progressing along the path of life in my ordinary contentedly fallen and godless condition, absorbed in a merry meeting with my friends for the morrow or a bit of work that tickles my vanity today, a holiday or a new book, when suddenly a stab of abdominal pain that threatens serious disease, or a headline in the newspapers that threatens us all with destruction, sends this whole pack of cards tumbling down. At first I am overwhelmed, and all my little happinesses look like broken toys. Then, slowly and reluctantly, bit by bit, I try to bring myself into the frame of mind that I should be in at all times. I remind myself that all these toys were never intended to possess my heart, that my true good is in another world, and my only real treasure is Christ. And perhaps, by God's grace, I succeed, and for a day or two become a creature consciously dependent on God and drawing its strength from the right sources.

I learned a lot, when I was a child, from novels and stories, even fairytales have some point to them--the good ones. The thing that impressed me most forcibly was this: the villains went to work with their brains and always accomplished something. To be sure they were "foiled" in the end, but that was by some special interposition of Providence, not by any equal exertion of intellect on the part of the good people. The heroes and middle ones were mostly very stupid. If bad things happened, they practised patience, endurance, resignation, and similar virtues; if good things happened they practised modesty and magnanimity and virtues like that, but it never seemed to occur to any of them to make things move their way. Whatever the villains planned for them to do, they did, like sheep. The same old combinations of circumstances would be worked off on them in book after book--and they always tumbled. It used to worry me as a discord worries a musician. Hadn't they ever read anything? Couldn't they learn anything from what they read--ever? It appeared not. And it seemed to me, even as a very little child, that what we wanted was good people with brains, not just negative, passive, good people, but positive, active ones, who gave their minds to it. "A good villain. That's what we need!" I said to myself. "Why don't they write about them? Aren't there ever any?" I never found any in all my beloved story books, or in real life. And gradually, I made up my mind to be one.

Almost immediately, I found the red door into the library. I opened it idly- and the breath stopped in my throat. It was the same room I remembered: the shelves, the lion-footed table, the white bass-relief of Clio. But now, tendrils of dark green ivy grew between the shelves, reaching toward the books as if they were hungry to read. White mist flowed along the floor, rippling and tumbling as if blown by wind. Across the ceiling wove a network of icy ropes like tree roots. They dripped- not little droplets like the ice melting off a tree but grape-sized drops of water, like giant tears, that splashed on the table, plopped to the floor.

My favourite book is my dictionary. It excites me. Each time I open it, the endless possibilities come tumbling out. It’s Alice falling into Wonderland. It’s an artist’s paint box. It’s a new day.

Gwen smiled and asked hopefully, "Is there coffee again this morning?" Silvan put his book down and glanced absently at Gwen. His gaze dropped to her cleavage, and a single white brow shot up. He blinked several times. "There certainly is," Nell said, circling the table. She stopped behind Gwen and draped a linen cloth over her shoulders, so it tumbled from her neck like a bib. "Peel yer eyes off the lass's breasts," Nell said sweetly to Silvan. Gwen turned twenty shades of red, sneaked a hand beneath the bib, and tugged at her bodice, trying to jiggle them back down a little. Mortified, she devoted her attention to eyeing the medieval dining ware-plates and goblets made of heavy silver, a fat spoon and broad knife, and heavy blue bowls. "She's the one who fluffed them up," Silvan protested indignantly. "I didn't mean to look, but they were ... so ... there. Like trying not to see the sun in the sky." Nell arched a brow and circled round the table again. "I hardly think 'twas ye she fluffed 'em for, was it lass?" Gwen glanced up and gave an embarrassed shake of her head.

The world as I knew it came to a screeching halt and tumbled off its axis. And I knew, no matter whatever else happened to me in the rest of my life, something had just changed. It was one of those pivotal moments that happen once in a lifetime. One that said nothing was ever going to be the same.

And is there any reason, we ask as we shut the book, why the perspective that a plain earthenware pot exacts should not satisfy us as completely, once we grasp it, as man himself in all his sublimity standing against a background of broken mountains and tumbling oceans with stars flaming in the sky?

Little girls are the nicest things that can happen to people. They are born with a bit of angel-shine about them, and though it wears thin sometimes, there is always enough left to lasso your heart—even when they are sitting in the mud, or crying temperamental tears, or parading up the street in Mother’s best clothes. A little girl can be sweeter (and badder) oftener than anyone else in the world. She can jitter around, and stomp, and make funny noises that frazzle your nerves, yet just when you open your mouth, she stands there demure with that special look in her eyes. A girl is Innocence playing in the mud, Beauty standing on its head, and Motherhood dragging a doll by the foot. God borrows from many creatures to make a little girl. He uses the song of a bird, the squeal of a pig, the stubbornness of a mule, the antics of a monkey, the spryness of a grasshopper, the curiosity of a cat, the speed of a gazelle, the slyness of a fox, the softness of a kitten, and to top it all off He adds the mysterious mind of a woman. A little girl likes new shoes, party dresses, small animals, first grade, noisemakers, the girl next door, dolls, make-believe, dancing lessons, ice cream, kitchens, coloring books, make-up, cans of water, going visiting, tea parties, and one boy. She doesn’t care so much for visitors, boys in general, large dogs, hand-me-downs, straight chairs, vegetables, snowsuits, or staying in the front yard. She is loudest when you are thinking, the prettiest when she has provoked you, the busiest at bedtime, the quietest when you want to show her off, and the most flirtatious when she absolutely must not get the best of you again. Who else can cause you more grief, joy, irritation, satisfaction, embarrassment, and genuine delight than this combination of Eve, Salome, and Florence Nightingale. She can muss up your home, your hair, and your dignity—spend your money, your time, and your patience—and just when your temper is ready to crack, her sunshine peeks through and you’ve lost again. Yes, she is a nerve-wracking nuisance, just a noisy bundle of mischief. But when your dreams tumble down and the world is a mess—when it seems you are pretty much of a fool after all—she can make you a king when she climbs on your knee and whispers, "I love you best of all!

The American humorist sat on his couch suffering thoughts of her, trying to figure out how to win back her affections, wondering what had happened between them or just tumbling head-over-heels down into romantic oblivion where the image of a remembered kiss provokes bottomless despair and makes death seem like the right idea. He experienced the basics of love ended.

It was seven o’clock of a very warm evening in the Seeonee hills when Father Wolf woke up from his day’s rest, scratched himself, yawned, and spread out his paws one after the other to get rid of the sleepy feeling in their tips. Mother Wolf lay with her big gray nose dropped across her four tumbling, squealing cubs, and the moon shone into the mouth of the cave where they all lived. "Augrh!” said Father Wolf. “It is time to hunt again.” He was going to spring down hill when a little shadow with a bushy tail crossed the threshold and whined: “Good luck go with you, O Chief of the Wolves. And good luck and strong white teeth go with noble children that they may never forget the hungry in this world.

I thought. I thought of the slow yellow autumn in the swamp and the high honey sun of spring and the eternal silence of the marshes, and the shivering light on them, and the whisper of the spartina and sweet grass in the wind and the little liquid splashes of who-knew-what secret creatures entering that strange old place of blood-warm half earth, half water. I thought of the song of all the birds that I knew, and the soft singsong of the coffee-skinned women who sold their coiled sweet-grass baskets in the market and on Meeting Street. I thought of the glittering sun on the morning harbor and the spicy, somehow oriental smells from the dark old shops, and the rioting flowers everywhere, heavy tropical and exotic. I thought of the clop of horses' feet on cobblestones and the soft, sulking, wallowing surf of Sullivan's Island in August, and the countless small vistas of grace and charm wherever the eye fell; a garden door, a peeling old wall, an entire symmetrical world caught in a windowpane. Charlestone simply could not manage to offend the eye. I thought of the candy colors of the old houses in the sunset, and the dark secret churchyards with their tumbled stones, and the puresweet bells of Saint Michael's in the Sunday morning stillness. I thought of my tottering piles of books in the study at Belleau and the nights before the fire when my father told me of stars and butterflies and voyages, and the silver music of mathematics. I thought of hot, milky sweet coffee in the mornings, and the old kitchen around me, and Aurelia's gold smile and quick hands and eyes rich with love for me.

You’ve made it impossible for me to read a book in peace. When you’re not here, I just gaze at the words until they tumble off the page into a puddle in my lap. Instead of reading, I sit there and review the hours of the day I spent in your company, and I am more charmed by that story than anything the author has scribbled down. I have never been lonely in my life, but you have made me lonely. When you are gone, I am a moping ruin. I thought I understood the world fairly well. But you have made it all mysterious again. And it’s unnerving and frightening and wonderful, and I want it to continue. I want all your mysteries.

I have to wonder if it isn’t more accurate to say that life is a series of trap doors, and you fall through them, one by one, tumbling down and down and down, one hole to the next.

I heard her say once that though many a man was worth a tumble, there wasn't one in a hundred was worth living with

Books. They tumbled from the bleeding sky like wounded birds. The spines snapping open and the pages fanning white. Black letters slipping off the slanted pages and falling, falling to the ground where they... Shatter.

Mourning is a winding path. Sometimes the walk is invigorating, and I feel fine. Then one word, one memory, and I trip and tumble to the ground. Pebbles of memory break through the skin of my palms. It hurts so much I can barely breathe.

Well, yes, there were quite a lot of books throughout, tumbling out of haphazardly placed bookshelves, stacked beneath chairs, beside beds, even in the bottoms of a closet or two. But I was never a "collector." My love of books is a love of what they contain; they hold knowledge as a pitcher holds water, as a dress contains the mystery of a woman's exquisite body. Their physicality matters--do not speak to me of storing books as bytes!--but they should not inspire fetishistic devotion.

Crash! The two women looked over at the window as it shattered. A grenade tumbled onto the carpet. Cecilia expelled a sigh of tedium. She snapped the book shut, wended her way through the furnishings, pulled back the drapes, and deposited the grenade through the broken windowpane onto the terrace, where it exploded in a flash of burning light, brick shards, and fluttering lavender buds.

Language was war, vaster than any host of swords, spears and sorcery. The self waging battle against everyone else. Borders enacted, defended, sallies and breaches, fields of corpses rotting like tumbled fruit. Words ever seeking allies, ever seeking iconic verisimilitude in the heaving press.

The room was made even smaller by the fact that two walls were stacked to the bottom of the window frame with mismatched books. "You know," Loki said, toeing a volume that had tumbled from the pile. "You'd have more room if you kept fewer books." Theo hung his cane on the edge of the grate beside the small fireplace and began to stoke the ashes. "I'd rather have books than space." "Well, when the floor caves in, don't say I didn't warn you.

The Internet is a fad that is full of Tumbling and children who write explicit fan fiction pornography based upon my boyfriend’s books. They should be outside playing with pinecones or hula hoops or whatever it is children do these days, not talking about a fictional threesome that will never happen.

His chief form of entertainment was reading. The last moments he was in a cabin were usually spent scanning bookshelves and nightstands. The life inside a book always felt welcoming to Knight. It pressed no demands on him, while the world of actual human interactions was so complex. Conversations between people can move like tennis games, swift and unpredictable. There are constant subtle visual and verbal cues, there's innuendo, sarcasm, body language, tone. Everyone occasionally fumbles an encounter, a victim of social clumsiness. It's part of being human. To Knight, it all felt impossible. His engagement with the written word might have been the closest he could come to genuine human encounters. The stretch of days between thieving raids allowed him to tumble into the pages, and if he felt transported he could float in bookworld, undisturbed, for as long as he pleased.

Perch Rory on their backs and they’d stand still for a second but by the time I’d backed up and gotten them in focus they’d turn around like, “What are you doing? Why is there a raccoon on my back? Why do they even let you be in charge of things?” and then they’d just flop over on their sides like a bunch of ingrates who didn’t understand art. Rory would gently tumble onto the floor, which I suspect sent the cats mixed messages because he was still waving his hands in the air like he just didn’t care, as if he were celebrating the cats being assholes, and I was like, “You’re killin’ me, Smalls,” but then he just celebrated the fact that I was frustrated. Honestly, it is impossible to stay mad at that raccoon.

He set his whisky tumbler on the table, but kept his fingers around it. "What do you see in my eyes?"... "Tell me, lass," he urged softly. She suddenly understood the term 'old soul,' because one sat before her now. And, as if opening a book, she caught a glimpse of Asher. The words then tumbled out of her mouth. "Endlessness. Sorrow. Agony. Distress. Rage.

The creature spun, tumbling, then twisted round to face its attacker, rage blazing in its skull.

When the raw, harsh liquor had cut the dust from his throat he looked up at a nearby

I fell quiet, too. The wooden door onto the courtyard was flung wide onto the Egyptian night. I listened to wind shake the palm fronds. The dark, tumbling world.

In their moment of joining he couldn't remember his own name, but King's brain was able to conjure a single word, a benediction that tumbled from his lips as he began to move. "Mine...

The Consul gripped the edges of the mat with fingers gone white. He had tied the strap of his duffel bag around his belt, otherwise the bag would have tumbled off to a glacier far below.

Because this painting has never been restored there is a heightened poignance to it somehow; it doesn’t have the feeling of unassailable permanence that paintings in museums do. There is a small crack in the lower left, and a little of the priming between the wooden panel and the oil emulsions of paint has been bared. A bit of abrasion shows, at the rim of a bowl of berries, evidence of time’s power even over this—which, paradoxically, only seems to increase its poetry, its deep resonance. If you could see the notes of a cello, when the bow draws slowly and deeply across its strings, and those resonant reverberations which of all instruments’ are nearest to the sound of the human voice emerge—no, the wrong verb, they seem to come into being all at once, to surround us, suddenly, with presence—if that were made visible, that would be the poetry of Osias Beert. But the still life resides in absolute silence. Portraits often seem pregnant with speech, or as if their subjects have just finished saying something, or will soon speak the thoughts that inform their faces, the thoughts we’re invited to read. Landscapes are full of presences, visible or unseen; soon nymphs or a stag or a band of hikers will make themselves heard. But no word will ever be spoken here, among the flowers and snails, the solid and dependable apples, this heap of rumpled books, this pewter plate on which a few opened oysters lie, giving up their silver. These are resolutely still, immutable, poised for a forward movement that will never occur. The brink upon which still life rests is the brink of time, the edge of something about to happen. Everything that we know crosses this lip, over and over, like water over the edge of a fall, as what might happen does, as any of the endless variations of what might come true does so, and things fall into being, tumble through the progression of existing in time. Painting creates silence. You could examine the objects themselves, the actors in a Dutch still life—this knobbed beaker, this pewter salver, this knife—and, lovely as all antique utilitarian objects are, they are not, would not be, poised on the edge these same things inhabit when they are represented. These things exist—if indeed they are still around at all—in time. It is the act of painting them that makes them perennially poised, an emergent truth about to be articulated, a word waiting to be spoken. Single word that has been forming all these years in the light on the knife’s pearl handle, in the drops of moisture on nearly translucent grapes: At the end of time, will that word be said?

And every nation which shall war against thee, O house of Israel, shall be turned one against another, and they shall fall into the pit which they digged to ensnare the people of the Lord. And all that fight against Zion shall be destroyed, and that great whore, who hath perverted the right ways of the Lord, yea, that great and abomniable church, shall tumble to the dust and great shall be the fall of it.

Theoretically, I knew, Sholokov’s design for the hawking mat allowed it to fly vertically, the incipient containment field keeping the passenger—theoretically, his beloved niece—from tumbling off backward.

the yen upturn coincided exactly with the start of a topping process in global stocks. By first quarter 2008, the yen had risen to the highest level in three years against the U.S. dollar as global stocks tumbled.

Everything comes from everything and nothing escapes commonality. I am building a house already built, you are bearing a child already born. Everything comes from everything: a single cell out of another single cell; the cherry tree blossoms from the boughs; the hunter's aim from his arm; the rivers from tributaries from streams from falls from springs from wells; the Christ thorns out of the honey locust; a word from an ancient word, this book from many books; the tiny black bears out of their durable mothers tumbling from dark lairs; eightieth-generation wild crab abloom again and again and again; your hand out of your father's; firstborn out of firstborn out of firstborn out of; the weeping willows and the heart leaf, the Carolina, the silky, the upland, the sandbar willows; every tart berry; our work, which disappears; our mothers' whispers, which disappear; every Thoroughbred; every violet; every kindling twig, bone out of bone; also the heat lightborne, the pollen airborne, the rabbits soft and crickets all angles and the glossy snakes from their slithering, inexhaustible mothers, freshly terrible. When you die, you will contribute your bones like alms. More and more is the only law.

was seven o'clock of a very warm evening in the Seeonee hills when Father Wolf woke up from his day's rest, scratched himself, yawned, and spread out his paws one after the other to get rid of the sleepy feeling in their tips. Mother Wolf lay with her big gray nose dropped across her four tumbling, squealing cubs, and the moon shone into the mouth of the cave where they all lived. "Augrh!" said Father Wolf. "It is time to hunt again." He was going to spring down hill when a little shadow with a bushy tail crossed the threshold and whined: "Good luck go with you, O Chief of the Wolves. And good luck and strong white teeth go with noble children that they may never forget the hungry in this world." It was the jackal—Tabaqui, the Dish-licker—and the wolves of India

We can build such a sanctuary by returning to the fundamental pleasures of home and family, of good books, and most important, to the joy of worshiping God. If our happiness is dependent upon these, the outside world can tumble about us and we can still have peace.

Reading is like skiing. When done well, when done by an expert, both reading and skiing are graceful, harmonious, activities. When done by a beginner, both are awkward, frustrating, and slow. Learning to ski is one of the most humiliating experiences an adult can undergo (that is one reason to start young). After all, an adult has been walking for a long time; he knows where his feet are; he knows how to put one foot in front of the other in order to get somewhere. But as soon as he puts skis on his feet, it is as though he had to learn to walk all over again. He slips and slides, falls down, has trouble getting up, gets his skis crossed, tumbles again, and generally looks- and feels- like a fool. Even the best instructor seems at first to be of no help. The ease with which the instructor performs actions that he says are simple but that the student secretly believes are impossible is almost insulting. How can you remember everything the instructors says you have to remember? Bend your knees. Look down the hill Keep your weight on the downhill ski. Keep your back straight, but nevertheless lean forward. The admonitions seem endless-how can you think about all that and still ski? The point about skiing, of course, is that you should not be thinking about the separate acts that, together, make a smooth turn or series of linked turns- instead, you should merely be looking ahead of you down the hill, anticipating bumps and other skiers, enjoying the feel of the cold wind on your cheeks, smiling with pleasure at the fluid grace of your body as you speed down the mountain. In other words, you must learn to forget the separate acts in order to perform all of them, and indeed any of them, well. But in order to forget them as separate acts, you have to learn them first as separate acts. only then can you put them together to become a good skier.

[O]ur attitudes towards things like race or gender operate on two levels. First of all, we have our conscious attitudes. This is what we choose to believe. These are our stated values, which we use to direct our behavior deliberately . . . But the IAT [Implicit Association Test] measures something else. It measures our second level of attitude, our racial attitude on an unconscious level - the immediate, automatic associations that tumble out before we've even had time to think. We don't deliberately choose our unconscious attitudes. And . . . we may not even be aware of them. The giant computer that is our unconscious silently crunches all the data it can from the experiences we've had, the people we've met, the lessons we've learned, the books we've read, the movies we've seen, and so on, and it forms an opinion.

And then it felt like my heart was tumbling down, down, down. All the way until it hit the center of the earth. And, wow, maybe those books were kind of onto something about this whole kissing-making-time-stop thing because with Brett’s lips on mine, it kind of felt that way.

I thought a voice had to be about what you could do. It wasn’t until I heard Billie Holiday that I realized a voice could be a collection of compensations for things you couldn’t do. It could be an ingenuity – in the same way some writers wrote books that coursed between the boulders of what they couldn’t do, and went faster, and tumbled over, fell in rills and rushed breathlessly over the stones. The great singers were also the great interpreters. She had just a single octave, and she made it her lifelong subject. I thought a voice had to be about your fluency, your dexterity, your virtuosity. But in fact your voice could be about your failings, your faltering, your physical limits. The voices that ring hardest in our heads are not the perfect voices. They are the voices with an additional dimension, which is pain.

I start to run down the hill, but did I mention I can’t feel my feet? They slip out from under me. I tumble head over heels, down, down, down until I splash into a stream. The icy water soaks through my clothes and bites into my skin. Why couldn’t Elsa have had warm magical powers?

A steady land breeze blew through the trees behind the house. The heavy new snow tumbled from spruce branches, first here, then there, filling the whole woods with steps and whispers. Between the tree roots on the sun side, the soil was showing dark and wet with little sprigs of lingon.

You can’t have a relationship with someone hoping they’ll change. You have to be willing to commit to them as they are, with no expectations. And if they happen to choose to change at some point along the way, then that’s just a bonus. Words start tumbling out of her mouth, concluding with her desire to move in and start a family with me. It sends a chill up my spine, because this is exactly what I want with Ingrid if things work out between us. “You want to move in, stay with me forever, and start a family together?” “Yes,” she says, her eyes widening with equal parts sincerity and supplication. I picture what the future would actually be like with Sage: I imagine us married and raising children—until one day when she feels trapped again, she runs away to Fiji without warning, leaving me to explain to the kids that Mommy left to search for herself and I don’t know when she’s coming back. The winds of ambivalence will continue blowing her back to me and away again, back and away, back and away. They say that love is blind, but it’s trauma that’s blind. Love sees what is.

From then on he would make two or three trips a week to similar premises – bookstores, crystal shops, candle parlours, short-let niche operations selling a mix of pop-cultural memorabilia and truther merchandise from two or three generations ago – which had flourished along the abandoned high streets of the post-2007 austerity, run by a network of shabby voters hoping to take advantage of tumbling rents. Their real obsession lay in the idea of commerce as a kind of politics, expression of a fundamental theology. They had bought the rhetoric without having the talent or the backing. The internet was killing them. The speed of things was killing them. They were like old-fashioned commercial travellers, fading away in bars and single rooms, exchanging order books on windy corners as if it was still 1981 – denizens of futures that failed to take, whole worlds that never got past the economic turbulence and out into clear air, men and women in cheap business clothes washed up on rail platforms, weak-eyed with the brief energy of the defeated, exchanging obsolete tradecraft like Thatcherite spies.

The hours I spent in this anachronistic, bibliophile, Anglophile retreat were in surreal contrast to the shrieking horror show that was being enacted in the rest of the city. I never felt this more acutely than when, having maneuvered the old boy down the spiral staircase for a rare out-of-doors lunch the next day—terrified of letting him slip and tumble—I got him back upstairs again. He invited me back for even more readings the following morning but I had to decline. I pleaded truthfully that I was booked on a plane for Chile. 'I am so sorry,' said this courteous old genius. 'But may I then offer you a gift in return for your company?' I naturally protested with all the energy of an English middle-class upbringing: couldn't hear of such a thing; pleasure and privilege all mine; no question of accepting any present. He stilled my burblings with an upraised finger. 'You will remember,' he said, 'the lines I will now speak. You will always remember them.' And he then recited the following: What man has bent o'er his son's sleep, to brood How that face shall watch his when cold it lies? Or thought, as his own mother kissed his eyes, Of what her kiss was when his father wooed? The title (Sonnet XXIX of Dante Gabriel Rossetti)—'Inclusiveness'—may sound a trifle sickly but the enfolded thought recurred to me more than once after I became a father and Borges was quite right: I have never had to remind myself of the words. I was mumbling my thanks when he said, again with utter composure: 'While you are in Chile do you plan a call on General Pinochet?' I replied with what I hoped was equivalent aplomb that I had no such intention. 'A pity,' came the response. 'He is a true gentleman. He was recently kind enough to award me a literary prize.' It wasn't the ideal note on which to bid Borges farewell, but it was an excellent illustration of something else I was becoming used to noticing—that in contrast or corollary to what Colin MacCabe had said to me in Lisbon, sometimes it was also the right people who took the wrong line.

If ever again we happened to lose our balance, just when sleepwalking through the same dream on the brink of hell’s valley, if ever the magical mare (whom I ride through the night air hollowed out into caverns and caves where wild animals live) in a crazy fit of anger over some word I might have said without the perfect sweetness that works on her like a charm, if ever the magic Mare looks over her shoulder and whinnies: “So! You don’t love me!” and bucks me off, sends me flying to the hyenas, if ever the paper ladder that I climb so easily to go pick stars for Promethea—at the very instant that I reach out my hand and it smells like fresh new moon, so good, it makes you believe in god’s genius—if ever at that very instant my ladder catches fire—because it is so fragile, all it would take is someone’s brushing against it tactlessly and all that would be left is ashes—if ever I had the dreadful luck again to find myself falling screaming down into the cruel guts of separation, and emptying all my being of hope, down to the last milligram of hope, until I am able to melt into the pure blackness of the abyss and be no more than night and a death rattle, I would really rather not be tumbling around without my pencil and paper.

I have something to show you." He sank down next to me and handed me a sketchbook. I opened it. And saw the mermaid. She was drawn in colored ink, exquisitely detailed; each scale had a little picture in it: a pyramid, a rocket, a peacock, a lamp. Her torso was patterened red, like a tattoo, like coral. She had a thin strand of seaweed around her neck, with a starfish holding on to the center. Her hair was a tumble of loose black curls. She had my face. I turned the page.And another and another. There she was fighting a creature that was half human, half octopus. Exploring a cave. Riding a shark. Laughing and petting a stingray that rested on her lap. "I'm calling her Cora Lia for the moment," Alex told me. "I thought about Corella, but it sounded like cheap dishware." "She's...amazing." "She's fierce. Fighting the Evil Sea-Dragon King and his minions." I traced the red tattoo on her chest. "This is beautiful." Alex reached into my sweater, pulled the loose neck of the T-shirt away from my shoulder. I didn't stop him. "It looks like coral to me." He touched me, then,the pad of his thumb tracing the outline of the scar. It felt strange, partly because of the difference in the tissue, but more because in the last few years, the only hands that had touched me there were mine. I set the book aside carefully. "Guess I don't see what you do." "That's too bad, because I see you perfectly." I curved myself into him. "Maybe you're exactly what I need." "Like there's any doubt?" He buried his face in my neck.I didn't stop him. "So." "So?" "We'll kill a few hours, watch the sunrise, have pancakes, and you'll drive home." "What?" I felt him smile against my skin. "I got you swimming with sharks. Next on the Conquer Your Fears list is driving a stick shift.Right?" "One thing at a time," I said. Then, "Oh. Do that again." In another story, the intrepid heroine would have gone running out and splashed in the surf, hypothermia be damned. She would have driven the Mustang home, booked a haircut, taken up stand-up comedy, and danced on the observation deck of the Empire State Building. But this was me, and I was moving at my own pace. Truth: My story started a hundred years ago. There's time.

Aidan: "From the moment I laid eyes on her she was trouble to my concentration, my libido, and my mental health. After six weeks of pursuit, I’d trapped her between my upraised arms against a book case, somewhere betwixt Shakespeare and Voltaire. “I want the witchcraft in your lips,” I’d whispered. Instead of arguing, she grabbed me by the ears. She’d been soft lips, liberal tongue and nipping teeth. I’d contributed a willing body and a vulgar groan. She’d drawn away, licked her lips and ducked underneath my arms. When she was about three yards from me, she’s tilted her head up like a siren on the bow of a ship and pursed a devil-may-care smile at me before she bowed. She’d challenged me to pursue her, and I’d intended to, but when I pushed off, the bookcase fell backwards. I tumbled into a heap of literary tombs. I could still hear her laughing when the library’s elevator door chimed closed.

her big gray nose dropped across her four tumbling, squealing cubs, and the moon shone into the mouth of the cave where they all lived. “Augrh!” said Father Wolf, “it is time to hunt again”; and he was going to spring downhill when a little shadow with a bushy tail crossed the threshold and whined: “Good luck go with you, O Chief of the Wolves; and good luck and strong white teeth go with noble children, that they may never forget the hungry in this world.

Order Out of Chaos ... At the right temperature ... two peptide molecules will stay together long enough on average to find a third. Then the little trio finds a fourth peptide to attract into the little huddle, just through the random side-stepping and tumbling induced by all the rolling water molecules. Something extraordinary is happening: a larger structure is emerging from a finer system, not in spite of the chaotic and random motion of that system but because of it. Without the chaotic exploration of possibilities, the rare peptide molecules would never find each other, would never investigate all possible ways of aggregating so that the tape-like polymers emerge as the most likely assemblies. It is because of the random motion of all the fine degrees of freedom that the emergent, larger structures can assume the form they do. Even more is true when the number of molecules present becomes truly enormous, as is automatically the case for any amount of matter big enough to see. Out of the disorder emerges a ... pattern of emergent structure from a substrate of chaos.... The exact pressure of a gas, the emergence of fibrillar structures, the height in the atmosphere at which clouds condense, the temperature at which ice forms, even the formation of the delicate membranes surrounding every living cell in the realm of biology -- all this beauty and order becomes both possible and predictable because of the chaotic world underneath them.... Even the structures and phenomena that we find most beautiful of all, those that make life itself possible, grow up from roots in a chaotic underworld. Were the chaos to cease, they would wither and collapse, frozen rigid and lifeless at the temperatures of intergalactic space. This creative tension between the chaotic and the ordered lies within the foundations of science today, but it is a narrative theme of human culture that is as old as any. We saw it depicted in the ancient biblical creation narratives of the last chapter, building through the wisdom, poetic and prophetic literature. It is now time to return to those foundational narratives as they attain their climax in a text shot through with the storm, the flood and the earthquake, and our terrifying ignorance in the face of a cosmos apparently out of control. It is one of the greatest nature writings of the ancient world: the book of Job.

Girls,” said Meg, seriously, looking from the tumbled head beside her to the two little nightcapped ones in the room beyond, “Mother wants us to read and love and mind these books, and we must begin at once. We used to be faithful about it; but since father went away, and all this war trouble unsettled us, we have neglected many things. You can do as you please; but I shall keep my book on the table here, and read a little every morning as soon as I wake, for I know it will do me good, and help me through the day.

Once upon a time there is nothing but darkness. You stumble around blindly, so close to the edge that you are sure you'll tumble over it. And if you are to be honest, you must admit that you are so low already you don't necessarily think that would be a bad thing. Then one day you meet someone. He finds you kneeling right at the precipice and instead of telling you to get back up he kneels next to you. He tries to see what you are seeing. He doesn't ask anything of you or beg you to snap out of it or remind you there are people who need you. He just waits until you turn and squint and think to yourself, "oh yes, I remember, this is what light looks like." You don't know how it happens, but you become friends. You find yourself looking in the parking lot to see if his car is there. You see something on tv or read it in a book and think, "I must remember to tell him." You learn how he takes his coffee and what his favorite color is, not by asking but by observation. Then you realize your day speeds up when you see him. The hair stands up on the backs of your forearms when his shoulder bumps yours in the elevator. His presence is so filling the absence of him aches. You begin to reconfigure the puzzle of your life with him in it. You don't want to spend time without him if you can help it. You introduce him to family. You suffer their elbow gabs and raised eyebrows, because later it gives you two something to laugh about. You wish you could introduce him to the family members who aren't here anymore. They would have loved him. You see him around children and you think one day.

Words are beautiful things. They hold meaning, they reveal meaning, and they give us the power to express meaning. Words are also keys that unlock the world. Every time we read a book to a child, we are holding out a new box of interesting and useful keys for them to collect: a tumble of shapes and colors in which they may discover vintage keys, copper-colored pin-tumblers, tubular keys, double-sided keys, grand brass lever-lock keys. The variety of the keys they find, by its very existence, hints at the wideness of possibility in the world.

In the centre of my library there is a wooden pillar propping up the ceiling, and preventing it, so I am told, from tumbling about our ears; and round this pillar, from floor to ceiling, I have had shleves fixed, and on these shelves are all the books that I have read again and again, and hope to read many times more — all the books, that is, that I love quite the best. In the bookcases round the walls are many that I love, but here in the centre of the room and easiest to get at, are those I love the best — the very elect among my favourites.

SANCTUARY the safest place in the world is a book is a shifting land on top of a tree so high up that a belt can't reach is a closet opening into snow with a tropical child tumbling through is a river, a mermaid, a spaceship a girl with living tentacles for hair is a red-horned, gold-feathered angel a dusty crocodile on a second star is a fractional platform, another family one with only soft mothers and aunts is a meadow, is a menu of words an oxygen mask, chest compressions is a map for someone who has died many times, and wants to come back.

Windham, but not often. There were no murders in anyone’s memory, no rapes or molestations or sudden disappearances. It’s a quiet town. Windham was perfect, we thought. Safe and sound, and that’s where Veronica and I would grow up. We moved there ten years ago. That was in April 2005. I was nine and my little sister Veronica was almost three. My dad, Dr. Simon Taylor, had made a bunch from the popularity of his book, and it was number four on the best-seller list and still holding fast. I’ll bet fifty thousand a month was tumbling in, and Dad had already signed a two million dollar advance on his next book.

Ahead of her the dead bones of the town lay almost white in the moonlight. Lives had been spent here—people had loved one another and eaten and drunk and laughed and betrayed and been afraid of death—and not a single fragment of that remained. White stones, black shadows. All around her, things were whispering, or it might only have been night-loving insects conversing together. Shadows and whispers. Here was the tumbled ruins of a little basilica: people had worshipped here. Nearby a single archway topped with a classical pediment stood between nothing and nothing. People had walked through the arch, driven donkey carts through, stood and gossiped in its shade in the heat of a long-dead day…

A Puritan twist in our nature makes us think that anything good for us must be twice as good if it's hard to swallow. Learning Greek and Latin used to play the role of character builder, since they were considered to be as exhausting and unrewarding as digging a trench in the morning and filling it up in the afternoon. It was what made a man, or a woman -- or more likely a robot -- of you. Now math serves that purpose in many schools: your task is to try to follow rules that make sense, perhaps, to some higher beings; and in the end to accept your failure with humbled pride. As you limp off with your aching mind and bruised soul, you know that nothing in later life will ever be as difficult. What a perverse fate for one of our kind's greatest triumphs! Think how absurd it would be were music treated this way (for math and music are both excursions into sensuous structure): suffer through playing your scales, and when you're an adult you'll never have to listen to music again. And this is mathematics we're talking about, the language in which, Galileo said, the Book of the World is written. This is mathematics, which reaches down into our deepest intuitions and outward toward the nature of the universe -- mathematics, which explains the atoms as well as the stars in their courses, and lets us see into the ways that rivers and arteries branch. For mathematics itself is the study of connections: how things ideally must and, in fact, do sort together -- beyond, around, and within us. It doesn't just help us to balance our checkbooks; it leads us to see the balances hidden in the tumble of events, and the shapes of those quiet symmetries behind the random clatter of things. At the same time, we come to savor it, like music, wholly for itself. Applied or pure, mathematics gives whoever enjoys it a matchless self-confidence, along with a sense of partaking in truths that follow neither from persuasion nor faith but stand foursquare on their own. This is why it appeals to what we will come back to again and again: our **architectural instinct** -- as deep in us as any of our urges.

Kami Castillo My Books Browse ▾ Community ▾ All down the stone steps on either side were periwinkles in full flower, and she could now see what it was that had caught at her the night before and brushed, wet and scented, across her face. It was wistaria. Wistaria and sunshine . . . she remembered the advertisement. Here indeed were both in profusion. The wistaria was tumbling over itself in its excess of life, its prodigality of flowering; and where the pergola ended the sun blazed on scarlet geraniums, bushes of them, and nasturtiums in great heaps, and marigolds so brilliant that they seemed to be burning, and red and pink snapdragons, all outdoing each other in bright, fierce colour. The ground behind these flaming things dropped away in terraces to the sea, each terrace a little orchard, where among the olives grew vines on trellises, and fig-trees, and peach-trees, and cherry-trees. The cherry-trees and peach-trees were in blossom--lovely showers of white and deep rose-colour among the trembling delicacy of the olives; the fig-leaves were just big enough to smell of figs, the vine-buds were only beginning to show. And beneath these trees were groups of blue and purple irises, and bushes of lavender, and grey, sharp cactuses, and the grass was thick with dandelions and daisies, and right down at the bottom was the sea. Colour seemed flung down anyhow, anywhere; every sort of colour piled up in heaps, pouring along in rivers....

Of course they do, Shem. Clever disguise for clever abominations.” Noah’s eyes went wide. Those words were familiar; the name, the voice. He tried to get a better glimpse of his captor. “Shem? Shem ben Noah?” It confused the young warrior with the dagger. The archer’s surprise gave way to recognition. Noah looked up at the young man with arrow aimed at his heart. “Japheth?” he pleaded. Japheth, ever the impulsive one, responded first. “Father! I did not recognize you!” Shem lowered his dagger, and turned Noah around. They looked into each other’s eyes. No further doubt remained that they were father and son. “It has been so long.” Shem wrapped Noah in a big bear hug. Japheth dropped his bow, ran and jumped onto the two of them, and they tumbled to the ground in a family wrestling match.

Kya knew from reading Albert Einstein’s books that time is no more fixed than the stars. Time speeds and bends around planets and suns, is different in the mountains than in the valleys, and is part of the same fabric as space, which curves and swells as does the sea. Objects, whether planets or apples, fall or orbit, not because of a gravitational energy, but because they plummet into the silky folds of spacetime—like into the ripples on a pond—created by those of higher mass. But Kya said none of this. Unfortunately, gravity holds no sway on human thought, and the high school text still taught that apples fall to the ground because of a powerful force from the Earth. “Oh, guess what,” Chase said. “They’ve asked me to help coach the high school football team.” She smiled at him. Then thought, Like everything else in the universe, we tumble toward those of higher mass.

You’ve wanted me for five years and I’ve sort of wanted you maybe for, like, three and a half weeks, so really, it’s no skin off my back . . .” I pressed my tongue into the side of my cheek. The fucking mouth on this girl—unbelievable. “So.” She tapped her little impatient foot. “What’s it going to be?” I held her eyes, trying to make her look away first, but she didn’t. It was a power struggle and I was losing. Licked my bottom lip, shook my head and shrugged. “You heard the boss—” The other girl sort of tumbled off my lap onto the couch as I stood up and stepped towards Magnolia, slipping my arms around her waist. She gave me a defiant look, chin in the air. “Don’t you do that again.” “Fuck, you’re demanding . . .” “Oh, you have no idea . . . But you’re about to—” She gave me a tight smile as she nodded towards the door. “Let’s go. You’re going to take me home and put me to bed.

Senlin cleared his throat and furrowed his brow. "Marya, I... I have a difficult time expressing certain... genuinely held feelings. I..." he swallowed and shook his head. This was not how he wanted the speech to go. She waited patiently, and he gathered his thoughts. "You've made it impossible for me to read a book in peace. When you're not here, I just gaze at the words until they tumble off the page into a puddle in my lap. Instead of reading, I sit there and review the hours of the day I spent in your company, and I am more charmed by that story than anything the author has scribbled down. I have never been lonely in my life, but you have made me lonely. When you are gone, I am a moping ruin. I thought I understood the world fairly well. But you have made it all mysterious again. And it's unnerving and frightening and wonderful, and I want it to continue. I want all your mysteries. And if I could, I would give you a hundred pianos. I would...

Paley’s book Boys and Girls is about the year she spent trying to get her pupils to behave in a more unisex way. And it is a chronicle of spectacular and amusing failure. None of Paley’s tricks or bribes or clever manipulations worked. For instance, she tried forcing the boys to play in the doll corner and the girls to play in the block corner. The boys proceeded to turn the doll corner into the cockpit of a starship, and the girls built a house out of blocks and resumed their domestic fantasies. Paley’s experiment culminated in her declaration of surrender to the deep structures of gender. She decided to let the girls be girls. She admits, with real self-reproach, that this wasn’t that hard for her: Paley always approved more of the girls’ relatively calm and prosocial play. It was harder to let the boys be boys, but she did. “Let the boys be robbers,” Paley concluded, “or tough guys in space. It is the natural, universal, and essential play of little boys.” I’ve been arguing that children’s pretend play is relentlessly focused on trouble. And it is. But as Melvin Konner demonstrates in his monumental book The Evolution of Childhood, there are reliable sex differences in how boys and girls play that have been found around the world. Dozens of studies across five decades and a multitude of cultures have found essentially what Paley found in her midwestern classroom: boys and girls spontaneously segregate themselves by sex; boys engage in much more rough-and-tumble play; fantasy play is more frequent in girls, more sophisticated, and more focused on pretend parenting; boys are generally more aggressive and less nurturing than girls, with the differences being present and measurable by the seventeenth month of life. The psychologists Dorothy and Jerome Singer sum up this research: “Most of the time we see clear-cut differences in the way children play. Generally, boys are more vigorous in their activities, choosing games of adventure, daring, and conflict, while girls tend to choose games that foster nurturance and affiliation.

There had been "fun ones." Like the afternoon that Gorwing had come roaring and snapping into his place, just as urgently as he had tonight, demanding to know if G-Note had a copy of Trials and Triumphs, My Forty Years in the Show Business, by P. T. Barnum; and G-Note had! And they had tumbled it, with a lot of other old books, into two boxes, and had driven out to the end of Carrio Lane, where Gorwing knew there was somebody who needed the book - not who, not why, just that there was somebody who needed it - and he and G-Note had stood at opposite sides of the lane, each with a box of books, and had bellowed at each other, "You got the P. T. Barnum book over there?" and "I don't know if I have the P. T. Barnum book here; have you got the P. T. Barnum book there?" and "What is the name of the P. T. Barnum book?" and "Trials and Triumphs, My Forty Years in the Show Business," and so on, until, sure enough, a window popped open and a lady called down, "Do one of you men really have Barnum's biography there?" and, when they said they had, she said it was a miracle; and she came down and gave them fifteen dollars for it.

The intensity of my sensations has always been less than the intensity of my awareness of them. I've always suffered more from my consciousness that I was suffering than from the suffering of which I was conscious. The life of my emotions moved early on to the chambers of thought, and that's where I've most fully lived my emotional experience of life. And since thought, when it shelters emotion, is more demanding than emotion by itself, the regime of consciousness in which I began to live what I felt made how I felt more down-to earth, more physical, more titillating. By thinking so much, I became echo and abyss. By delving within, I made myself into many. The slightest incident — a change in the light, the tumbling of a dry leaf, the faded petal that falls from a flower, the voice speaking on the other side of the stone wall, the steps of the speaker next to those of the listener, the half-open gate of the old country estate, the courtyard with an arch and houses clustered around it in the moonlight — all these things, although not mine, grab hold of my sensory attention with the chains of longing and emotional resonance. In each of these sensations I am someone else, painfully renewed in each indefinite impression. I live off impressions that aren't mine. I'm a squanderer of renunciations, someone else in the way I'm I.

There was nothing in Nesta's head but screaming. Nothing in her heart but love and hatred and fury as she let go of everything inside her and the entire world exploded. The baying of her magic was a beast with no name. Avalanches cascaded down the cliffs in seas of glittering white. Trees bent and ruptured in the wake of the power that shattered from her. Distant seas drew back from their shores, then raced in waves toward them again. Glasses shook and shattered in Velaris, books tumbled off the shelves in Helion's thousand libraries, and the remnants of a run-down cottage in the human lands crumbled into a pile of rubble. But all Nesta saw was Briallyn. All she saw was the slack-jawed crone as Nesta leaped upon her, throwing her frail body to the rocky ground. All she knew was screaming as she clutched Briallyn's face, the Crown glowing blindingly white, and roared her fury to the mountains, to the stars, to the dark places between them. Gnarled hands turned young. A lined face became beautiful and lovely. White hair darkened to raven black. But Nesta bellowed and bellowed, letting her magic rage, unleashing every ember. Erasing the queen beneath her from existence. The young hands turned to ash. The pretty face dissolved into nothing. The dark hair withered into dust. Until all that was left of the queen was the Crown on the ground.

The Grocers'! oh the Grocers'! nearly closed, with perhaps two shutters down, or one; but through those gaps such glimpses! It was not alone that the scales descending on the counter made a merry sound, or that the twine and roller parted company so briskly, or that the canisters were rattled up and down like juggling tricks, or even that the blended scents of tea and coffee were so grateful to the nose, or even that the raisins were so plentiful and rare, the almonds so extremely white, the sticks of cinnamon so long and straight, the other spices so delicious, the candied fruits so caked and spotted with molten sugar as to make the coldest lookers-on feel faint and subsequently bilious. Nor was it that the figs were moist and pulpy, or that the French plums blushed in modest tartness from their highly-decorated boxes, or that everything was good to eat and in its Christmas dress; but the customers were all so hurried and so eager in the hopeful promise of the day, that they tumbled up against each other at the door, crashing their wicker baskets wildly, and left their purchases upon the counter, and came running back to fetch them, and committed hundreds of like mistakes, in the best humor possible; while the Grocer and his people were so frank and fresh that the polished hearts with which they fastened their aprons might have been their own, worn outside for general inspection, and for Christmas daws to peck at if they chose.

Still, most fathers would want to see their child happily settled.” “Yes, indeed. He would be one of the first to wish me well … but…” “But?” “Change is not his ally. Father doesn’t realize it, of course, but he falls into a decline whenever there is the slightest deviation of his routine. He leans on it most heavily and would tumble if the prop disappeared. Even my summer away will be detrimental to his well-being.” “Indeed?” “Yes, indeed, most heartily. I have reports that he has not been eating as he should. Needs my cajoling, I suspect.” “Still, your papa would not want to see you sacrifice your happiness for his.” “No more than I would want to sacrifice his happiness for mine.” “Dear me, that is quite the quandary.” “Yes, quite.” “He might be more adaptable than you think.” Juliana held up her hand to stop his continuing protest. “Do not believe it is in any way a hardship on my part. I have other interests that keep me well occupied.” She could safely allude to her research without actually tipping her hand. “Such as watercolor and arranging flowers.” “Not to mention walking around with a tome on my head.” “Yes, I can see how that would keep you busy.” He paused and glanced at her bonnet, as if the imaginary book were sitting on it. “Would you read said tome?” “Of course, especially if were something truly fascinating like Latin verbs.” “Or how to grow grass.” “Exactly.” Juliana laughed, quite enjoying herself.

I ASSURE you that I am the book of fate. Questions are my enemies. For my questions explode! Answers leap up like a frightened flock, blackening the sky of my inescapable memories. Not one answer, not one suffices. What prisms flash when I enter the terrible field of my past. I am a chip of shattered flint enclosed in a box. The box gyrates and quakes. I am tossed about in a storm of mysteries. And when the box opens, I return to this presence like a stranger in a primitive land. Slowly (slowly, I say) I relearn my name. But that is not to know myself! This person of my name, this Leto who is the second of that calling, finds other voices in his mind, other names and other places. Oh, I promise you (as I have been promised) that I answer to but a single name. If you say, "Leto," I respond. Sufferance makes this true, sufferance and one thing more: I hold the threads! All of them are mine. Let me but imagine a topic say... men who have died by the sword-and I have them in all of their gore, every image intact, every moan, every grimace. Joys of motherhood, I think, and the birthing beds are mine. Serial baby smiles and the sweet cooings of new generations. The first walkings of the toddlers and the first victories of youths brought forth for me to share. They tumble one upon another until I can see little else but sameness and repetition. "Keep it all intact," I warn myself. Who can deny the value of such experiences, the worth of learning through which I view each new instant? Ahhh, but it's the past. Don't you understand? It's only the past!

The part of thinking that’s easy to handle is the part that works by analogy with speech. Thinking in words, speaking our thoughts internally, projects an auditorium inside our skulls. Dark or bright, a shadow theater or a stage scorched by klieg lights, here we try out voices, including the voice we have settled on as the familiar sound of our identity, although it may not be what other people hear when we speak aloud. But that is the topmost of the linguistic processes going on in the mind. Beneath the auditorium runs a continuous river of thought that not only is soundless but is not ordered so it can be spoken. For obvious reasons, describing it is difficult. If I dip experimentally into the wordless flow, and then try to recall the sensations of it, I have the impression of a state in which grammar is present – for when I think like this I am certainly construing lucid relationships between different kinds of meaning, and making sense of the world by distinguishing between (for a start) objects and actions – but thought there are so to speak nounlike and verblike concentrations in the flow, I do not solidify them, I do not break them off into word-sized units. Are there pictures? Yes, but I am not watching a slide show, the images do not come in units either. Sometimes there’s a visual turbulence – rapid, tumbling, propelled – that doesn’t resolve into anything like the outlines of separate images. Sometimes one image, like a key, will hold steady while a whole train of wordless thoughts flows from its start to its finish. A mountain. A closed box. A rusty hinge.

I am progressing along the path of life in my ordinary contentedly fallen and godless condition, absorbed in a merry meeting with my friends for the morrow or a bit of work that tickles my vanity today, a holiday or a new book, when suddenly a stab of abdominal pain that threatens serious disease, or a headline in the newspapers that threatens us all with destruction, sends this whole pack of cards tumbling down. At first I am overwhelmed, and all my little happinesses look like broken toys. Then, slowly and reluctantly, bit by bit, I try to bring myself into the frame of mind that I should be in at all times. I remind myself that all these toys were never intended to possess my heart, that my true good is in another world and my only real treasure is Christ. And perhaps, by God’s grace, I succeed, and for a day or two become a creature consciously dependent on God and drawing its strength from the right sources. But the moment the threat is withdrawn, my whole nature leaps back to the toys: I am even anxious, God forgive me, to banish from my mind the only thing that supported me under the threat because it is now associated with the misery of those few days. Thus the terrible necessity of tribulation is only too clear. God has had me for but forty-eight hours and then only by dint of taking everything else away from me. Let Him but sheathe that sword for a moment and I behave like a puppy when the hated bath is over—I shake myself as dry as I can and race off to reacquire my comfortable dirtiness, if not in the nearest manure heap, at least in the nearest flower bed. And that is why tribulations cannot cease until God either sees us remade or sees that our remaking is now hopeless.

You sit and lean against the wall, and look at the beautiful, riddlesome totality. The Summa52 lies before you like a book, and an unspeakable greed seizes you to devour it. Consequently you lean back and stiffen and sit for a long time. You are completely incapable of grasping it. Here and there a light flickers, here and there a fruit falls from high trees which you can grasp, here and there your foot strikes gold. But what is it, ifyou compare it with the totality, which lies spread out tangibly close to you? You stretch out your hand, but it remains hanging in invisible webs. You want to see it exactly as it is but something cloudy and opaque pushes itself exactly in between. You would like to tear a piece out of it; it is smooth and impenetrable like polished steel. So you sink back against the wall, and when you have crawled through all the glow- ing hot crucibles of the Hell of doubt, you sit once more and lean back, and look at the wonder of the Summa that lies spread out before you. Here and there a light flickers, here and there a fruit falls. For you it is all too little. But you begin to be satisfied with yourself, and you pay no attention to the years passing away. What are years? What is hurrying time to him that sits under a tree? Your time passes like a breath of air and you wait for the next light, the next fruit. The writing lies before you and always says the same, if you believe in words. But if you believe in things in whose places only words stand, you never come to the end. And yet you must go an endless road, since life flows not only down a finite path but also an infinite one. But the unbounded makes you53 anxious since the unbounded is fearful and your humanity rebels against it. Consequently you seek limits and restraints so that you do not lose yoursel£ tumbling into infinity Restraint becomes imperative for you. You cry out for the word which has one meaning and no other, so that you escape boundless ambiguity. The word becomes your God, since it protects you from the countless possibilities of interpretation. The word is protective magic against the daimons of the unending, which tear at your soul and want to scatter you to the winds. You are saved if you can say at last: that is that and only that. You spealc the magic word, and the limitless is finally banished. Because of that men seek and make words.54 He who breaks the wall ofwords overthrows Gods and defiles temples. The solitary is a murderer. He murders the people, because he thus thinks and thereby breaks down ancient sacred walls. He calls up the daimons of the boundless. And he sits, leans back, and does not hear the groans of mankind, whom the fearful fiery smoke has seized. And yet you cannot find the new words if you do not shatter the old words. But no one should shatter the old words, unless he finds the new word that is a firm rampart against the limitless and grasps more life in it than in the old word. A new word is a new God for old men. Man remains the same, even if you create a new model of God for him. He remains an imitator. What was word, shall become man. The word created the world and came before the world. It lit up like a light in the darkness, and the darkness did not comprehend it.55 And thus the word should become what the darkness can comprehend, since what use is the light if the darkness does not comprehend it? But your darkness should grasp the light. The God of words is cold and dead and shines from afar like the moon, mysteriously and inaccessibly: Let the word return to its / creator, to man, and thus the word will be heightened in man. Man should be light, limits, measure. May he be your fruit, for which you longingly reach. The darkness does not compre- hend the word, but rather man; indeed, it seizes him, since he himself is a piece of the darkness. Not from the word down to man, but from the word up to man: that is what the darkness comprehends. The darkness is your mother; she is dangerous.

We let our ship blow and drift as it will. But it sweeps up and up, with the swiftness of light. In less time than it takes a flower to open, we are carried to the parapets of ancient Heaven. We find our great-leaved, heavy-fruited Amaranth Vine, climbing up over the closed gates and high wall-towers of Heaven and winding a long way into the old forest that has overgrown the streets. We find the new all conquering Springfield vine, spreading branches through the forest like a banyan tree. As this Amaranth from our little earthly village grows thicker, we see by its light a bit pf what the ancient Heaven has been. And it is still a solid place of soil and rock and metal. Where the Springfield Amaranth blooms thickest, shedding luminous glory from the petals in the starlight, this Heaven is shown to be an autumn forest, yet with the cedars of Lebanon, and sandalwood thickets, and the million tropic trees whose seeds have blown here from strange zones of the'planets, and whose patterns are not the patterns of those of our world. Among these, vineclad pillars and walls are still standing, roofed palaces, so gigantic that, when our boat glides down the great streets between them, they overhang our masts. And from branches above us these strange manners of fruits tumble upon our decks for our feasting and delight. And there are beneath our ship, as it sails on as it will, little fields long cleared in the forest, where grows weedy ungathered grain. Through hours and hours of the night our boat goes on, whether we will or no, through starlight and through storm-clouds and through flower-light. And the red star at the masthead and the sight of the proud face of Avanel keeps laughter in my bosom, and the heavenly breeze that blows on the flowers still sings to our hearts: “Springfield Awake, Springfield Aflame.” Out of the storm now, three great rocks . appear, giving forth white light there on the far horizon, and this light burns on and on. At last our ship approaches. We see the great rocks are three empty thrones. These are the thrones of the Trinity, empty for these many years, just as the Ark of the Covenant and the Holy of Holies were bereft of the Presence, when Israel sinned.

week, listening to the horrible racket of tumbling, grinding stone, and when they came out, they'd morphed from rocks to treasure? That's what Jessica Morrell does for my books. She's the polisher, my manuscripts are the stones, and the grinding sound is me complaining because

I started on the bunny hill with the kids and on the second day got a little too over confident.  I also misinterpreted the symbols on the trail marks for the degree of difficulty and managed to find myself at the top of the mountain and the beginning of a double Black Diamond run.   I had no idea until I discovered the only way down was to ski, and that the double Black Diamond meant “For Experts Only.”      Marguerite had gotten off at a rest area, found a nice table outside, got a cup of hot tea and rented a telescope so she could watch me ski down the mountain.       She got a ski show all right; about 200 yards down the slope I lost complete control.  I saw the sky and ground so many times as I tumbled I lost count and when I did come to rest it was at the bottom of the run and I was minus a ski.  A nice Swiss couple had retrieved it for me and it wasn’t until they gave it back that I realized just how lethal a runaway downhill ski could be, I was damned lucky it didn’t go through somebody down the mountain.      I realized I was over matched and stuck with the bunny hill for the rest of the day.

Hutch looked at him

Joshua and Caleb had been anticipating for forty years. They stood side by side with the people of Israel behind them. They followed Yahweh’s very specific directions in how they would cross the river and enter into Canaan. They watched the priests carry the Ark of the Covenant to the water’s edge and step their feet just into the bank, waiting for a miracle. The miracle would have to deal with the fact that this was the springtime, when the river was flooded with a stronger current. At this location it was about one hundred and fifty feet wide and about twelve feet deep. Crossing thousands of people in riverboats would take many days. But Yahweh had promised a sign that he would be true to his word that he would not fail to drive out the inhabitants of the land before them. That sign began seventeen miles north of their location near the city of Adam. An earthquake shook the earth mounds around the river and a large landslide of debris tumbled down causing a temporary damming of the Jordan river. The water stopped flowing southward and dried up the riverbed where the Israelites were standing with the Ark.

then a rumble in the earth stopped him. It stopped all of them. It started low at first, as if only a sound. But it increased to the point of causing wooden structures all around the city to shake. Then it became an enduring quake of large magnitude. The very walls they were standing on began to shake back and forth with such force that the soldiers could barely steady themselves. And then the ground in the center of the city split in half and a massive wave of energy swept over the city. Large portions of the outer walls of Jericho just crumbled to the ground like sandcastles in a desert wind. The inner wall was the second to fall under the wave. A large part of it tumbled over and crushed houses and inhabitants. Alyun, Jebir, and their guards were on part of that tumbling wall. They fell to the ground thirty feet below in a pile of dust and rubble.

Ardon was greeted by several of the members of the tribe of Dan. They were an unruly, quarrelsome group, and Ardon remembered the prophecy that Jacob, the grandson of Abraham, had given on his deathbed. He had identified the nature of each of his sons, and of Dan he had said, “Dan will be a serpent by the roadside, a viper along the path, that bites the horse’s heels so that its rider tumbles backward.” A grim smile touched Ardon’s broad lips. “Old Jacob got it right that time. Dan has some good soldiers, but they are not to be trusted.

In his book about boys, Dobson found occasion to denounce Hillary Clinton, “bra burners,” political correctness, and the “small but noisy band of feminists” who attacked “the very essence of masculinity.” He praised Phyllis Schlafly and recommended homeschooling as “a means of coping with a hostile culture.” He advised girls not to call boys on the telephone (to do so would usurp the role of initiator) and encouraged fathers to engage in rough-and-tumble games with their sons. He lamented that films presenting moral strength and heroism had given way to “man-hating diatribes” like Thelma & Louise and 9 to 5, and that “lovely, feminine ladies” on the small screen had been replaced by “aggressive and masculine women” like those in Charlie’s Angels. Mel Gibson’s The Patriot, a tale in which Gibson starred as a Revolutionary militia leader who ruthlessly avenged his son’s death, proved the exception to the rule. 10

Tessa. His hand fell away from the dagger as his heart lurched inside his chest with an impossible, painful force. He saw her expression change: curiosity, astonishment, disbelief. She rose to her feet, her skirts tumbling around her as she straightened, and he saw her hold her hand out. “Will?” she said.

There was a book called The Twenty-Six Commandments of Irish Dueling. That sounded cool. Nicholas reached for it, but Seiji’s books were packed together so tightly he actually had to force the book out. The bookcase rocked, and a watch in a little case tumbled from the top shelf and hit the floor. A different book fell down and struck Nicholas’s foot. Nicholas, hopping in wild dismay, stepped on the watch. The plastic case cracked. When Nicholas hastily removed his foot, he saw that the watch inside the case had cracked, too. The whole disaster took about five seconds. Seiji sounded calmly pleased to be proven right. “I knew you would do something like this.” “Um,” said Nicholas. “Oops. Sorry. I’ll pay for that! Or I’ll get it fixed or something!” Seiji sighed dismissively, opening his book back up. “All right.” That made Nicholas feel much worse. There were plenty of guys at Kings Row who would’ve got very nasty about Nicholas daring to touch, let alone break, their stuff. Seiji wasn’t like that. Seiji’s words might cut, but he didn’t say them to cut. Seiji wasn’t Aiden, whom Nicholas never paid attention to. When Aiden spoke, all Nicholas heard was: Blah, blah, blah, I’m a snotty rich kid who talks too much. Nicholas had never seen Seiji get any pleasure out of being cruel. That was what made Seiji’s words cut deep. Nicholas knew Seiji meant what he said.

While Lavender wasn't keen on listening to a sermon (if this Whitman was, in fact, a clergy), she longed to study the book of Robert's face further, a book pulled, half burnt, from a fire. So much was written there, from the depths of suffering, Lavender didn't doubt, to ecstasy's heights, and the deep, innate sensibility required to worship---his word---at her floral cart, to see it for what it was, a little cathedral on wheels. She'd never met anyone who grasped flowers' import and beauty---profound, fleeting---to that extent; it was like meeting a kindred soul. Kindred, yet at the same time he seemed to her like someone who'd tumbled, in his best clothes, from some faraway constellation. She'd never met anyone like him.

Who are these strangers, then, with their familiar faces? Emerging from the crowd with those indifferent eyes, and the blood streaming down from their hands. It is what was hidden before, masked by the common and the harmless, now wrenching features revealed in a conflagration of hate and victims tumble underfoot. Who led and who followed and why do flames thrive in darkness and all gaze, insensate and uncomprehending, come the morning light, upon the legacy of unleashed spite? I am not fooled by wails of horror. I am not moved by expostulations of grief. For I remember the lurid night, the visage flashing in firelit puddles of blood was my own. Who was this stranger, then, with that familiar face? Melting into the crowd in the fraught, chaotic heave, and the blood raging in the storm of my skull boils frantic as I plunge down and lay waste all these innocent lives, my hate at their weakness a cauldron overturned, whilst drowning in my own, this stranger, this stranger... On the Dawn I Take My Life The Wickan Pogrom Kayessan

Elyed used that word often, unreasonable, in a literal sense: what cannot be understood by thinking. Once when Sutty was trying to find a coherent line of thought connecting several different tellings, Elyed said, “What we do is unreasonable, yoz.” “But there is a reason for it.” “Probably.” “What I don’t understand is the pattern. The place, the importance of things in the pattern. Yesterday you were telling the story about Iaman and Deberren, but you didn’t finish it, and today you read the descriptions of the leaves of the trees of the grove at the Golden Mountain. I don’t understand what they have to do with each other. Or is it that on certain days a certain kind of material is proper? Or are my questions just stupid?” “No,” the maz said, and laughed her small laugh that had no teeth to show. “I get tired remembering. So I read. It doesn’t matter. It’s all the leaves of the tree.” “So . . . anything—anything that’s in the books is equally important?” Elyed considered. “No,” she said. “Yes.” She drew a shaky breath. She tired quickly when she could not rest in the stream of ritual act and language, but she never dismissed Sutty, never evaded her questions. “It’s all we have. You see? It’s the way we have the world. Without the telling, we don’t have anything at all. The moment goes by like the water of the river. We’d tumble and spin and be helpless if we tried to live in the moment. We’d be like a baby. A baby can do it, but we’d drown. Our minds need to tell, need the telling. To hold. The past has passed, and there’s nothing in the future to catch hold of. The future is nothing yet. How could anybody live there? So what we have is the words that tell what happened and what happens. What was and is.” “Memory?” Sutty said. “History?” Elyed nodded, dubious, not satisfied by these terms. She sat thinking for some time and finally said, “We’re not outside the world, yoz. You know? We are the world. We’re its language. So we live and it lives. You see? If we don’t say the words, what is there in our world?

That proved to be a good idea, because Bruce started shaking. He looked scared for a split second before his eyes crossed and he yowled as he let out the loudest fart ever. A green cloud shot out over a patch of chorus plants, and they all exploded, tumbling down to the ground. Bruce turned around, startled by the sound of his own gas, and got a face full of it. His eyes crossed again, and he fainted, all four legs straight up in the air.

A poem is among reading's slowest roads....What is it to have read a poem well? To have caught an allusion, admired a formal twist, heard a music in the silent tumble of letters on the page? How long does it take to read a poem, anyway? Such reading does not proceed in continuous, countable units of hours and days. It is a minute, minutes, here and there, intense and distracted, questing, between trips to the dictionary, and it consists in endless, endless repetition. There is a great deal less reading than reading where poems are concerned. A poem once read is the first note of a symphony, a toe dipped in the water, the first mouthful after a fast--necessary experiences all, with joys of their own, but still preludes. A poem comes into being by means of our repeated encounters with it, and each of these encounters must stay slow. It is hard to stay slow enough to keep pace with a poem.

Trouble was, no amount of shelving would ever be enough. She worked in publishing - when she returned home and brushed her hair, books tumbled out.

I comprehended at a technical level what a recession was, but not what it meant, truly meant, for the people tumbling into its maw. Some half of my generation never recovered.

On my next book tour the theme was monkeys, and on the latest one it was items men shove inside themselves and later have to go to the emergency room to have extracted. This started when an ER nurse told me about a patient she’d seen earlier in the week who had pushed a dildo too far up his ass. The door had shut behind it, so he’d tried fishing it out with a coat hanger. When that proved the wrong tool for the job, he’d snipped it with wire cutters, then gone after both the dildo and the cut-off hanger with a sturdier, fresh hanger. You hear this from doctors and nurses all the time: their patients shove light bulbs inside themselves, shampoo bottles, pool balls…and they always concoct some incredible story to explain their predicament. “I tripped” is a big one. And, OK, I’m pretty clumsy. I trip all the time, but never have I gotten back on my feet with a pepper grinder up my ass, not even a little bit. I’m pretty sure I could tumble down all the stairs in the Empire State Building—naked, with a greased-up rolling pin in each hand and a box of candles around my neck—and still end up in the lobby with an empty rectum. Another common excuse is “I accidentally sat on it.” Implied is that you were naked at the time and this can of air freshener that just happened to be coated with Vaseline went all the way up inside

I Pray For This Girl Oh yes! For the young girl Who just landed on Mother Earth! The one about to turn five with a smile Or the other one who just turned nine She is not only mine My Mother’s, Grandmother’s Neighbours’ or friends’ daughter She is like a flower Very fragile, yet so gorgeous An angel whose wings are invisible I speak life to this young or older girl She might not have a say But expects the world to be a better place Whether affluent or impoverished No matter her state of mind Her background must not determine How she is treated in life She needs to live; she has to thrive! Lord God Almighty Sanctify her unique journey Save her from the claws of the enemy Shield her against any brutality Restore her, if pain becomes reality Embrace her, should joy pass swiftly When emptiness fills her heart severely May you be her sanctuary! Dear Father, please give her Honour to grow without being frightened Hope whenever she feels forsaken Contentment even after her heart was broken Comfort when she is shaken Courage when malice creeps in Calm when she needs peace Strength when she is weak Freedom to climb to the mountain peak And wisdom to tackle any season Guide her steps, keep her from tumbling My Lord, if she does sometimes stumble Lift her up, so she can rise and ramble Grant her power to tactfully triumph On my knees, I plead meekly for this girl I may have never met her I may not know her name I may not be in her shoes I may not see her cries Yet, I grasp her plight Wherever she is King of Kings Be with her Each and every day I pray for this girl