Dimensional Beings Quotes

We are actually fourth dimensional beings in a third dimensional body inhabiting a second dimensional world!

I looked at other couples and wondered how they could be so calm about it. They held hands as if they weren't even holding hands. When Steve and I held hands, I had to keep looking down to marvel at it. There was my hand, the same hand I've always had - oh, but look! What is it holding? It's holding Steve's hand! Who is Steve? My three-dimensional boyfriend. Each day I wondered what would happen next. What happens when you stop wanting, when you are happy. I supposed I would go on being happy forever. I knew I would not mess things up by growing bored. I had done that once before.

How to be a Poet (to remind myself) i Make a place to sit down. Sit down. Be quiet. You must depend upon affection, reading, knowledge, skill—more of each than you have—inspiration work, growing older, patience, for patience joins time to eternity… ii Breathe with unconditional breath the unconditioned air. Shun electric wire. Communicate slowly. Live a three-dimensional life; stay away from screens. Stay away from anything that obscures the place it is in. There are no unsacred places; there are only sacred places and desecrated places. iii Accept what comes from silence. Make the best you can of it. Of the little words that come out of the silence, like prayers prayed back to the one who prays, make a poem that does not disturb the silence from which it came.

Behold yon miserable creature. That Point is a Being like ourselves, but confined to the non-dimensional Gulf. He is himself his own World, his own Universe; of any other than himself he can form no conception; he knows not Length, nor Breadth, nor Height, for he has had no experience of them; he has no cognizance even of the number Two; nor has he a thought of Plurality, for he is himself his One and All, being really Nothing. Yet mark his perfect self-contentment, and hence learn this lesson, that to be self-contented is to be vile and ignorant, and that to aspire is better than to be blindly and impotently happy.

The house seemed so different at night. Everything was in its correct place, of course, but somehow the furniture seemed more angular and the pictures on the wall more one-dimensional. She remembered somebody saying that at night we are all strangers, even to ourselves, and this struck her as being true.

Human mental identities are not like shoes, of which we can only wear one pair at a time. We are all multi-dimensional beings. Whether a Mr. Patel in London will think of himself primarily as an Indian, a British citizen, a Hindu, a Gujarati-speaker, an ex-colonist from Kenya, a member of a specific caste or kin-group, or in some other capacity depends on whether he faces an immigration officer, a Pakistani, a Sikh or Moslem, a Bengali-speaker, and so on. There is no single platonic essence of Patel. He is all these and more at the same time.

It can be really painful to have to face how fucked up shit is and how scared people are…of being alive. Scared of things that are amazing. Scared of things that aren’t like television or aren’t dead. A lot of people can’t deal with three-dimensional human beings, they only know how to deal with other products — they see themselves as other products. When the world only treats you like a dot on a marketing scheme, you can learn to treat yourself and other people like that.

(Plants on the disc, while including the categories known commonly as annuals, which were sown this year to come up later this year, biennials, sown this year to grow next year, and perennials, sown this year to grow until further notice, also included a few rare re-annuals which, because of an unusual four-dimensional twist in their genes, could be planted this year to come up last year. The vul nut vine was particularly exceptional in that it could flourish as many as eight years prior to its seed actually being sown. Vul nut wine was reputed to give certain drinkers an insight into the future which was, from the nut's point of view, the past. Strange but true.)

The most agonising thing is to drop doubt into a man about his being a reality, three-dimensional - and not some other kind of reality.

You see, you have feelings. You can appreciate the inner me. Like right now I feel a closeness between us that Ive never felt with anyone before … anyone. Yeah, I know what you mean. Thats how I feel. I don’t know if I can put it into words, but— Thats just it, it doesnt need words. Thats the whole point. Like whats the use of all those words when the feelings arent behind them. Theyre just words. Like I can look at a painting and tell it, youre beautiful. What does it mean to the painting? But Im not a painting. Im not two dimensional. Im a person. Even a Botticelli doesnt breathe and have feelings. Its beautiful, but its still a painting. No matter how beautiful the outside may be, the inside still has feelings and needs that just words dont fulfill.

We must try to remember everything, every movement, every stretch, every convulsion that made us how we move as we readily grow in our outer body that encompasses the planets, the suns and the moons in every other body that we touch, in every other mouth that we kissed, in every other language that we try to comprehend; for they are not the outside of a stranger, nor are they just images of our psyche, but the very being of ourselves, the dimensional levels of our very existence weaving colours in the tapestry of creation, yet the very non-existence of the template is proof of consciousness, of ascension, of Life.

For instance, a race of hyperintelligent pan-dimensional beings once built themselves a gigantic supercomputer called Deep Thought to calculate once and for all the Question to the Ultimate Answer of Life, the Universe and Everything. For seven and a half million years, Deep Thought computed and calculated, and in the end announced that the answer was in fact Forty-two—and so another, even bigger, computer had to be built to find out what the actual question was. And this computer, which was called the Earth, was so large that it was frequently mistaken for a planet—especially by the strange apelike beings who roamed its surface, totally unaware that they were simply part of a gigantic computer program. And this is very odd, because without that fairly simple and obvious piece of knowledge, nothing that ever happened on the Earth could possibly make the slightest bit of sense.

People are afraid of shadows. People are even more afraid of being in the shadow. But without a shadow, life will be two dimensional.

Fourteenthly, if infinite active power doth actuate corporeal and dimensional being, this being must necessarily be infinite; otherwise there would be derogation from the nature and dignity both of creator and of creation.

Within our core self is an indelible blueprint of unrivaled individuality—the singular being that each of us exists to express. In this three-dimensional movie called “Life” there are no stand-ins, body doubles, or understudies—no one can fill in for us by proxy! Realization of this truth alone eliminates the need to imitate, conform, limit, or betray our loyalty to the originality of Self. Imagine the relief of removing your carefully crafted masks fashioned by societal forms of conditioning and instead responding to what comes into your experience directly from your Authentic Self. One of the first principles to honor in your relationship with yourself is to respect and trust your own inner voice. This form of trust is the way of the heart, the epitome of well-being.

Try to imagine this formless, liquid abyss of many waters and surfaces. With and within this awesome, abysmal substance, God Mother creates universes. We are made from this stuff, literally! And we literally live, move, and have our being in this fathomless, multi-dimensional matrix.

The Matrix has its roots in primitive arcade games,' said the voice-over, 'in early graphics programs and military experimentation with cranial jacks.' On the Sony, a two-dimensional space war faded behind a forest of mathematically generated ferns, demonstrating the spatial possibilities of logarithmic spirals; cold blue military footage burned through, lab animals wired into test systems, helmets feeding into fire control circuits of tanks and war planes. 'Cyberspace. A consensual hallucination experienced daily by billions of legitimate operators, in every nation, by children being taught mathematical concepts... A graphic representation of data abstracted from the banks of every computer in the human system. Unthinkable complexity. Lines of light ranged in the nonspace of the mind, clusters and constellations of data. Like city lights, receding...

Behold yon miserable creature. That Point is a Being like ourselves, but confined to the non-dimensional Gulf. He is himself his own World, his own Universe; of any other than himself he can form no conception; he knows not Length, nor Breadth, nor Height, for he has had no experience of them; he has no cognizance even of the number Two; nor has he a thought of Plurality; for he is himself his One and All, being really Nothing. Yet mark his perfect self-contentment, and hence learn his lesson, that to be self-contented is to be vile and ignorant, and that to aspire is better than to be blindly and impotently happy. Now listen.

Kierkegaard gives us some portrait sketches of the styles of denying possibility, or the lies of character-which is the same thing. He is intent on describing what we today call "inauthentic" men, men who avoid developing their own uniqueness; they follow out the styles of automatic and uncritical living in which they were conditioned as children. They are "inauthentic" in that they do not belong to themselves, are not "their own" person, do not act from their own center, do not see reality on its terms; they are the one-dimensional men totally immersed in the fictional games being played in their society, unable to transcend their social conditioning: the corporation men in the West, the bureaucrats in the East, the tribal men locked up in tradition-man everywhere who doesn't understand what it means to think for himself and who, if he did, would shrink back at the idea of such audacity and exposure.

Johnny made me feel like I was clever without trying to be. And pretty. And valued. He made everything about me seem more special. Like, say I was a song. Well, Johnny made me feel as though I’d been remixed. The melody didn’t change, but it wasn’t just the same one-dimensional sequence of notes anymore. Instead, he brought out all these harmonies — these low and high notes — that made the music fuller. No more discord or dissonance. Around Johnny, I was the best possible rendition of myself.

One minute walking along, the next minute dead. Why?" THINK OF IT BEING MORE... DIMENSIONALLY DISADVANTAGED. "Yes. I know." Beano relaxed, and stopped wondering too much about events in an increasingly irrelevant world. Death found that people often did, after the initial confusion. After all, the worst had already happened. At least... with any luck.

Every sin is a choice to turn a miraculous being into an object for consumption. It flattens the human person, one’s self and one’s victim, into a one-dimensional universe.

We have an ~everywhereness~ to us now that inevitably alters our relationship to those stalwart human aspects of self-containment, remoteness and isolation.

These creatures you call mice, you see, they are not quite as they appear. They are merely the protrusion into our dimension of vast hyper-intelligent pan-dimensional beings.

Transformation of thought is the realization of unity and mutual interdependence of all beings and things of the world. The experience that all beings and things, unseen, invisible and visible, are interrelated and inseparable, constitute different forms of single and multi-dimensional world

For Marcuse, the distinguishing features of a human being are free and creative subjectivity. If in one’s economic and social life one is administered by a technical labor apparatus and conforms to dominant social norms, one is losing one’s potentialities of self-determination and individuality. Alienated from the powers of being-a-self, one-dimensional man thus becomes an object of administration and conformity.

Well, I mean, yes idealism, yes the dignity of pure research, yes the pursuit of truth in all its forms, but there comes a point I'm afraid where you begin to suspect that if there's any real truth, it's that the entire multi-dimensional infinity of the Universe is almost certainly being run by a bunch of maniacs.

We may have very good reason for saying that we are ourselves beings of four   dimensions and are turned towards the third dimension with only one of our sides, i.e. with only a small part of our being. Only this part of us lives in three dimensions, and we are conscious only of this part as our body. The greater part of our being lives in the fourth dimension, but we are unconscious of this greater part of ourselves. Or it would be still more true to say that we live in a four-dimensional world, but are conscious of ourselves only in a three-dimensional world. This means that we live in one kind of conditions, but imagine ourselves to be in another.

You are not a one dimensional human being. You are not your social media etiquette, a picture, a few things said under stress or through misunderstanding. You are much more. You are a fearless and wonderful soul who loves greatly. The people that matter are the ones that see all the dimensions of your soul, not just the superficial. They will climb inside that box with you not because they are not sure if they will ever find your uniqueness in another person. They do so because they feel safe enough to share their uniqueness with you. They see your faults and know that they have them also. They feel the walls lowered and the freedom of being themselves. Honesty is never guarded or regretted. That is what makes that box home.

The whole architecture of the notions of psychology... as differentiations of one sole and massive adhesion to being which is the flesh ...There is no hierarchy of orders of layers or planes, there is dimensionality of every fact & facticity of every dimension.

Here I am, a bundle of past recollections and future dreams, knotted up in a reasonably attractive bundle of flesh. I remember what this flesh has gone through; I dream of what it may go through. I record here the actions of optical nerves, of taste buds, of sensory perception. And, I think: I am but one more drop in the great sea of matter, defined, with the ability to realize my existence. Of the millions, I, too, was potentially everything at birth. I, too, was stunted, narrowed, warped, by my environment, my outcroppings of heredity. I, too, will find a set of beliefs, of standards to live by, yet the very satisfaction of finding them will be marred by the fact that I have reached the ultimate in shallow, two-dimensional living - a set of values. This loneliness will blur and diminish, no doubt, when tomorrow I plunge again into classes, into the necessity of studying for exams. But now, that false purpose is lifted and I am spinning in a temporary vacuum. At home I rested and played, here, where I work, the routine is momentarily suspended and I am lost. There is no living being on earth at this moment except myself. I could walk down the halls, and empty rooms would yawn mockingly at me from every side. God, but life is loneliness, despite all the opiates, despite the shrill tinsel gaiety of "parties" with no purpose, despite the false grinning faces we all wear. And when at last you find someone to whom you feel you can pour out your soul, you stop in shock at the words you utter - they are so rusty, so ugly, so meaningless and feeble from being kept in the small cramped dark inside you so long. Yes, there is joy, fulfillment and companionship - but the loneliness of the soul in it's appalling self-consciousness, is horrible and overpowering.

Clearly, she was enjoying herself to see that woman hurt. It was nothing she had desired. Nor did it seem as if she could control it, this inhuman sweet sensation to see another human being squirming. It hit her like a stone, the knowledge that there is pleasure in hurting. A strong three-dimensional pleasure, an exclusive masculine delight that is exhilarating beyond all measure. And this too is God's gift to man? She wondered.

For instance, here is a portrait of a man at eight years old, another at fifteen, another at seventeen, another at twenty-three, and so on. All these are evidently sections, as it were, Three Dimensional representations of his Four-Dimensional being, which is a fixed and unalterable thing.

One of my great wishes is that people of the present will see those of the past as friendly (or irritating) acquaintances they can look to for advice. It’s easy to forget that people from the past weren’t the two-dimensional black-and-white photos or line drawings you might encounter in some dry textbooks. They weren’t just gray-faced guys in top hats. They were living, breathing, joking, burping people, who could be happy or sad, funny or boring, cool or the lamest people you ever met in your life. They had no idea they were living in the past. They all thought they were living in the present. Accordingly, like any person, past or present, could be, some of them were smart and kind and geniuses about medicine and also completely dull on a personal level. (I’m trying to come to terms with loving John Snow’s deductive brilliance and being absolutely certain I would never want to spend more than ten minutes talking to him.)

They were soft-centered, emotional beings wrapped in a terrified carapace, that even though they might appear rational and collected on paper, so focused that you wanted to marvel at their promise and maturity, they were lurching, turbulent muddles of conflict in their three-dimensional lives...the creative ones were desperately afraid they were talentless, and the intellectuals deeply suspected they weren't brilliant, and that every single one of them felt ugly and stupid and utterly fake.

I kept thinking, as I was telling Didi, that somehow what was in my head--in my memory, in my thoughts--was not being translated fully into the world. I felt as though three-dimensional people and events were becoming two-dimensional in the telling, and as though they were smaller as well as flatter, that they were just less for being spoken. What was missing was the intense emotion that I felt, which, like water or youth itself, buoyed these small insignificant encounters into all that they meant to me. There they were, shrinking before my eyes, shrinking into my words. Anything that can be said, can be said clearly. Anything that cannot be said clearly, cannot be said.

Three-Dimensional representations of his Four-Dimensioned being, which is a fixed and unalterable thing.

Every sin is a choice to turn a miraculous being into an object for consumption. It flattens the human person, oneself and one’s victim, into a one-dimensional universe.

An important feature of good characterization in a novel is that the characters are dimensionalized and are not all of one piece. Human beings, as Singer noted, have contradictions.

You are not incarnating in your higher vibration without work on your part. And to believe that we are giving you language that would solve all your problems and move you into a higher dimensional reality without you taking responsibilities for your creations would be misguidance. We would not do that for you. Mankind is responsible for his creations. What you have created is your responsibility and you are being attended to now by us in our authority, who may support you as you grow and change and reclaim your manifestation as the Creator embodied in form.

In the context of the autism world (and my outlook in general) this is were I stand equality is for everyone, everybody in the world - I look at both sides of the the coin and take into account peoples realities (that makes me neutral/moderate/in the middle). That means that you look in a more three dimensional perspective of peoples diverse realities you cannot speak for all but one can learn from EACH OTHER through listening and experiencing. I also try my best to live with the good cards I was given not over-investing in my autism being the defining factor of my being (but having a healthy acknowledgement of it) that it's there but also thinking about other qualities I have such as being a writer, poet and artist. I do have disability, I do have autism and I have a "mild" learning disability that is true but I a human being first and foremost. And for someone to be seen as person equal to everyone else is a basic human right.

Colored like a sunset tide is a gaze sharply slicing through the reflective glass. A furrowed brow is set much too seriously, as if trying to unfold the pieces of the face that stared back at it. One eyebrow is raised skeptically, always calculating and analyzing its surroundings. I tilt my head trying to see the deeper meaning in my features, trying to imagine the connection between my looks and my character as I stare in the mirror for the required five minutes. From the dark brown hair fastened tightly in a bun, a curl as bright as woven gold comes loose. A flash of unruly hair prominent through the typical browns is like my temper; always there, but not always visible. I begin to grow frustrated with the girl in the mirror, and she cocks her hip as if mocking me. In a moment, her lips curve in a half smile, not quite detectable in sight but rather in feeling, like the sensation of something good just around the corner. A chin was set high in a stubborn fashion, symbolizing either persistence or complete adamancy. Shoulders are held stiff like ancient mountains, proud but slightly arrogant. The image watches with the misty eyes of a daydreamer, glazed over with a sort of trance as if in the middle of a reverie, or a vision. Every once and a while, her true fears surface in those eyes, terror that her life would amount to nothing, that her work would have no impact. Words written are meant to be read, and sometimes I worry that my thoughts and ideas will be lost with time. My dream is to be an author, to be immortalized in print and live forever in the minds of avid readers. I want to access the power in being able to shape the minds of the young and open, and alter the minds of the old and resolute. Imagine the power in living forever, and passing on your ideas through generations. With each new reader, a new layer of meaning is uncovered in writing, meaning that even the author may not have seen. In the mirror, I see a girl that wants to change the world, and change the way people think and reason. Reflection and image mean nothing, for the girl in the mirror is more than a one dimensional picture. She is someone who has followed my footsteps with every lesson learned, and every mistake made. She has been there to help me find a foothold in the world, and to catch me when I fall. As the lights blink out, obscuring her face, I realize that although that image is one that will puzzle me in years to come, she and I aren’t so different after all.

Reverence for the natural environment, and experiencing the interconnectedness between all things has long guided me to create watercolor paintings of beauty and spirit. Life's continuing adventure has led me into an exciting exploration into the wisdom and symbolic imagery of Sacred Geometry. These paintings act as a bridge between this reality and a metaphorical world of healing, continuity, and transformation. I use multiple transparent watercolor glazes coupled with image overlapping techniques, and sacred geometry to produce visions of a multi-dimensional reality. It is my intention to create art that embodies the vibration of Universal Love and expresses the joy and gratitude I feel for the honor of being part of this earthwalk." ~Blessings, Francene~

And Esme sees what might be. She shuts her mouth, closes her throat, folds her hands over each other and she does the thing she has perfected. Her speciality. To absent yourself, to make yourself vanish. Ladies and gentlemen, behold. It is most important to keep yourself very still. Even breathing can remind them that you are there, so only very short, very shallow breaths. Just enough to stay alive. And no more. Then you must think yourself long. This is the tricky bit. Think yourself stretched and thin, beaten to transparency. Concentrate. Really concentrate. You need to attain a state so that your being, the bit of you that makes you what you are, that makes you stand out, three-dimensional in a room, can flow out from the top of your head, until, ladies and gentlemen, until it comes to pass that—

Similarly the call to growth can be conceptualized as personal (a daimon or genius, an angel or a muse) or as impersonal, like the tides or the transiting of Venus. Either way works, as long as we're comfortable with it. Or if extra-dimensionality doesn't sit well with you in any form, think of it as "talent," programmed into our genes by evolution. The point, for the thesis I'm seeking to put forward, is that there are forces we can call our allies. As Resistance works to keep us from becoming who we were born to be, equal and opposite powers are counterpoised against it. These are our allies and angels.

The “rising tide” theory rested on a notion of separate but equal class ladders. And so there was a class of black poor and an equivalent class of white poor, a black middle class and a white middle class, a black elite and a white elite. From this angle, the race problem was merely the result of too many blacks being found at the bottom of their ladder—too many who were poor and too few who were able to make their way to the next rung. If one could simply alter the distribution, the old problem of “race” could be solved. But any investigation into the actual details revealed that the ladders themselves were not equal—that to be a member of the “black race” in America had specific, quantifiable consequences. Not only did poor blacks tend to be much less likely to advance up their ladder, but those who did stood a much greater likelihood of tumbling back. That was because the middle-class rung of the black ladder lacked the financial stability enjoyed by the white ladder. Whites in the middle class often brought with them generational wealth—the home of a deceased parent, a modest inheritance, a gift from a favorite uncle. Blacks in the middle class often brought with them generational debt—an incarcerated father, an evicted niece, a mother forced to take in her sister’s kids. And these conditions, themselves, could not be separated out from the specific injury of racism, one that was not addressed by simply moving up a rung. Racism was not a singular one-dimensional vector but a pandemic, afflicting black communities at every level, regardless of what rung they occupied. From that point forward the case for reparations seemed obvious and the case against it thin. The sins of slavery did not stop with slavery. On the contrary, slavery was but the initial crime in a long tradition of crimes, of plunder even, that could be traced into the present day. And whereas a claim for reparations for slavery rested in the ancestral past, it was now clear that one could make a claim on behalf of those who were very much alive.

Being unemployed, Kurt set in motion a routine that he would follow for the rest of his life. He would rise at around noon and eat a brunch of sorts. Kraft Macaroni and Cheese was his favorite food. After eating, he would spend the rest of the day doing one of three things: watching television, which he did unceasingly; practicing his guitar, which he did for hours a day, usually while watching TV; or creating some kind of art project, be it a painting, collage, or three-dimensional installation. This last activity was never formal— he rarely identified himself as an artist—yet he spent hours in this manner.

It doesn't get any easier. No matter what they say, time doesn't heal the wound. Time just unravels and shows you new and more painful ways to miss someone. The longer they've been gone, the worse it is. You start to forget their smile or the way they tilted their head when they were confused or the way they looked at you and knew exactly what you were thinking. You can look at them in photos, but it's not even close to the real thing, and pretty soon you feel like your real memories are being replaced by the photo memories - like the only way you can picture them anymore is in one of those photographs. They become two-dimensional, and it rips your heart out whenever you think about it so you really try not to.

Why wouldst thou that God should in power, in act and in effect (which in him are identical) be determined as the limit of the convexity of a sphere, rather than that he should be as we may say the undetermined limit of the boundless? The limit I say, without limit, that I may differentiate the one infinity from the other. For He is the whole, comprehensive [26] and complete totality of the infinite, but the universe is the explicit though not the all-comprehensive totality (if indeed we may in any wise use the term totality where there is neither part nor boundary). Therefore the nature of the one doth comprehend boundaries; that of the other is bounded. And this is not the distinction between infinite and finite. The distinction is rather that the one is infinite, while the other doth limit according to the nature of the totality and of the whole being thereof. So that although it is entirely infinite, the infinity thereof is not completely comprehensive, for this would be repugnant to dimensional infinity.

There’s a cellular automaton called TVC. After Turing, von Neumann and Chiang. Chiang’s version was N-dimensional. That leaves plenty of room for data within easy reach. In two dimensions, the original von Neumann machine had to reach further and further - and wait longer and longer - for each successive bit of data. In a six-dimensional TVC automaton, you can have a three-dimensional grid of computers, which keeps on growing indefinitely - each with its own three-dimensional memory, which can also grow without bound. And when the simulated TVC universe being run on the physical computer is suddenly shut down, the best explanation for what I’ve witnessed will be a continuation of that universe - an extension made out of dust. Maria could almost see it: a vast lattice of computers, a seed of order in a sea of random noise, extending itself from moment to moment by sheer force of internal logic, “accreting” the necessary building blocks from the chaos of non-space-time by the very act of defining space and time.

The problem is going to be, "Let's see, I spent all day staring at a computer screen and then at night my most meaningful relationships are with the two-dimensional characters who aren't in fact two-dimensional characters . . . Gee, I wonder why I'm lonely and doing a lot of drugs? Could there be any connection between the fact that I've got nothing to do with other people, that I don't really have a fucking clue what it is to have a real life, and the fact that most of my existence is mediated by entertainment that I passively choose to receive?

That’s the thing I’ve never really understood about emotions. We’re given unhelpful words for them—sad, happy, angry, scared, disgusted—but they’re not accurate and there never seems to be anywhere near enough of them. How could there be? Emotions aren’t binary or finite: they change, shift, run into each other like colored water. They are layered, three-dimensional and twisted; they don’t arrive in order, one by one, labeled neatly. They lie on top of each other, twisting like kaleidoscopes, like prisms, like spinning bird feathers lit with their own iridescence.

when she went from being the sort of girl who drank warm cider with rough boys to the sort of girl who had the love of a real man, who had beautiful babies and a two-bedroom flat. But that girl … that girl is starting to feel like a shapeshifter, a fraud, a one-dimensional paper doll.

The point becomes not to understand the other’s reasons, perspectives, and beliefs, or to honor them as fellow believers and come to a deeper understanding and perhaps resolution of differences. The point, rather, is to remain on guard from being contaminated by the out-group or allowing them to grow in influence. And in that process the other is very easily turned into an impersonal, two-dimensional caricature. Out-groups are reduced to an abstract “them” whose beliefs are abridged into a few bullet points of greatest disagreement, which need not actually be taken seriously on their own terms but rather simply need to be refuted and discredited as a means to validate the views of one’s own group. In this way, differences between Christian groups cease to be existentially troubling facts that divide Christians. Instead they become dismissible ideas of people far away, ideas already known to be wrong.

If you could meet any character from literature, who would it be? I would not want characters to come to my world. They’d lose their special qualities, the perfect amount of what I should know about them. On the other hand, I could go to theirs because they would not have any preconceptions of who I was. I’d like to hang out with the Cheshire cat, learn how to disappear, and speak in smart illogic. He would look exactly like his pen-and-ink illustration by Tenniel. I’d be rendered in pen and ink, too. That would be required for entering a pen-and-ink world with its particular dimensional strangeness.

Monet Refuses the Operation" Doctor, you say that there are no halos around the streetlights in Paris and what I see is an aberration caused by old age, an affliction. I tell you it has taken me all my life to arrive at the vision of gas lamps as angels, to soften and blur and finally banish the edges you regret I don’t see, to learn that the line I called the horizon does not exist and sky and water, so long apart, are the same state of being. Fifty-four years before I could see Rouen cathedral is built of parallel shafts of sun, and now you want to restore my youthful errors: fixed notions of top and bottom, the illusion of three-dimensional space, wisteria separate from the bridge it covers. What can I say to convince you the Houses of Parliament dissolve night after night to become the fluid dream of the Thames? I will not return to a universe of objects that don’t know each other, as if islands were not the lost children of one great continent. The world is flux, and light becomes what it touches, becomes water, lilies on water, above and below water, becomes lilac and mauve and yellow and white and cerulean lamps, small fists passing sunlight so quickly to one another that it would take long, streaming hair inside my brush to catch it. To paint the speed of light! Our weighted shapes, these verticals, burn to mix with air and changes our bones, skin, clothes to gases. Doctor, if only you could see how heaven pulls earth into its arms and how infinitely the heart expands to claim this world, blue vapor without end.

When the one-dimensional image becomes a living, breathing, three-dimensional human being, it fills your soul with reassurance that even our most cherished heroes are flesh and bone. I believe that people are inspired by people. That is why I feel the need to connect with my fans when they approach me. I’m a fan too.

Almost all the ex-boyfriends are like this - never really three-dimensional, but it soon becomes apparent that this is deliberate, that Tiny's showing how he never got to know all of their dimensions, that he was so caught up in being in love that he didn't really take the time to think about what he was in love with.

After years of pretending at emotions, he'd grown to appreciate their mystery, their chaos and randomness. Sometimes they were predictable, one-dimensional, almost stupid - other times they were so confounding, complex, and exquisite that he was convinced humans really were as special as they thought themselves to be.

If ‘feminism’ can mean anything from behaving like a man (Miller), being pro-choice (Valenti), being pro-life (Palin), and being pro-war (the Republican administration), then we may simply need to abandon the term, or at the very least, restrict its usage to those situations in which we make quite certain we explain what we mean by it.

She buys a coffee with a couple quarters and sits in the park. She fools everyone, and always has, letting her mouth fall open (untended, obviously dumb), and never blinking her eyes, which are mean, simple marbles, one-dimensional and lightless. Her shoulders hunch, the long masculine hands uncertain where to rest or hang. But she's tracking, computing, and either discarding or accepting factors other people barely notice. Her costume - the gray jeans, the fake-gold E on a chain doesn't blend in and doesn't stand out. Her awkwardness is strategic, turning people away in boredom or discomfort before they register the vague, haughty, delicious joy she takes in being alive.

You can awaken the energy worker in you; you can become an energy worker. Such a person uses his or her body to clear, balance and harmonize the unseen energies of the Universe. Those energies come from beyond the third dimension and use the physical body as the instrument through which to facilitate the greatest good for the greatest number of beings and the planet.

Some boys are happier being more feminine than masculine although they still have masculine elements. Some girls are happier being more masculine than feminine although they still have feminine elements. The explosion in the proportion of people who believe that they are trance gender may well represent the failure to understand that gender is two-dimensional not one-dimensional.

Grandad taught me that the alien signs and symbols of algebraic equations were not just marks on paper. They were not flat. They were three-dimensional, and you could approach them from different directions, look at them from different ways, stand them on their heads. You could take them apart and put them back together in a variety of shapes, like Legos. I stopped being scared of them.

Bohm believes the same is true at our own level of existence. Space is not empty. It is full, a plenum as opposed to a vacuum, and is the ground for the existence of everything, including ourselves. The universe is not separate from this cosmic sea of energy, it is a ripple on its surface, a comparatively small "pattern of excitation" in the midst of an unimaginably vast ocean. "This excitation pattern is relatively autonomous and gives rise to approximately recurrent, stable and separable projections into a three-dimensional explicate order of manifestation, " states Bohm.1 2 In other words, despite its apparent materiality and enormous size, the universe does not exist in and of itself, but is the stepchild of something far vaster and more ineffable. More than that, it is not even a major production of this vaster something, but is only a passing shadow, a mere hiccup in the greater scheme of things. This infinite sea of energy is not all that is enfolded in the implicate order. Because the implicate order is the foundation that has given birth to everything in our universe, at the very least it also contains every subatomic particle that has been or will be; every configuration of matter, energy, life, and consciousness that is possible, from quasars to the brain of Shakespeare, from the double helix, to the forces that control the sizes and shapes of galaxies. And even this is not all it may contain. Bohm concedes that there is no reason to believe the implicate order is the end of things. There may be other undreamed of orders beyond it, infinite stages of further development.

all this made of the church for me something entirely different from the rest of the town: an edifice occupying, so to speak, a four-dimensional space—the name of the fourth being Time—extending through the centuries its ancient nave, which, bay after bay, chapel after chapel, seemed to stretch across and conquer not merely a few yards of soil, but each successive epoch from which it emerged triumphant,

Tom Pritscher, a Meta-Hermeneutical Master, inventively explains that when you have suffered trauma, you suffer tears in the fabric of your existence. I see these as holes in your subtle bodies, for example in your Etheric or Astral bodies. Music can create a mesh on which can be woven the warp and weft of etheric filaments in order that the holes in the fabric of your subtle bodies can be repaired. Recall too, that as a multi-dimensional being, you must repair tears that exist in all the dimensions of your existence. The Humanity Healing Network advises that you clear and/or remove any extra, hidden, hiding or multiple souls present within the etheric bodies of each parallel life in order to ensure that your One Original Soul Essence resides in each physical body. You must release all merging soul extensions to their proper time and space continuum.

The ten-dimensional universe was a world of light. The entire universe was constructed upon energy exchange between photons. All particles and antiparticles were formed from photons, and their mutual annihilation resulted in yet more photons. Thus, everything occurred at the speed of light, which was infinite. Even more marvelously, because particles and antiparticles balanced each other out, the total energy level of the universe was zero. This was an incredible state of symmetry, and the foundation of the emergence of intelligence in the ten-dimensional universe.” Matter, life, sentience, civilization … in this Edenic universe, everything was part of the same whole. All matter possessed life, and all life possessed sentience, and all sentience existed in a state of harmonious civilization. Unlike the three-dimensional universe, in which lonely stars hung in the vast emptiness of space, the entire universe was a living being. All life was but a part of this one grand Life, and all intelligence but a component of the highest Intelligence. The dark forest state was an impossibility for this transcendent being of unified matter and spirit. Tianming felt awe at the root of his soul. This was the original form of the Master. The ten-dimensional universe was itself alive. Sophon offered more explanations. “The Master is not an individual like a human being; rather, it is the sum of an infinite number of self-aware consciousnesses. Every consciousness shares the awareness of every other consciousness as well as the presence of the universe itself, and yet each possesses an independent will. This is a state of existence simply unimaginable by humans: individual presence absolutely, seamlessly harmonized with the universe, akin to the geometric construction of the Spirit you saw.

The core of our being is drawn like a stone to the quiet depths of each moment where God waits for us with eternal longing. But to those depths the false self will not let us travel. Like stones skipped across the surface of the water we are kept skimming along the peripheral, one-dimensional fringes of life. To sink is to vanish. To sink into the unknown depths of God’s call to union with himself is to lose all that the false self knows and cherishes.

[M]eaning cannot be grasped by merely intellectual means, for it supersedes essentially—or to speak more specifically—dimensionally, man’s capacity as a finite being. [...] This meaning necessarily transcends man and his world and, therefore, cannot be approached by merely rational processes. [...] [W]hat we have to deal with is no intellectual or rational process, but a wholly existential act which perhaps could be described by [...] ‘the basic trust in Being’.

It is extremely interesting, then, to think about the meaning of the word ‘form’ as it applies to constructions of arbitrarily complex shapes. For instance, what is it that we respond to when we look at a painting and feel its beauty? Is if the ‘form’ of the lines and dots on our retina? Evidently it must be, for that is how it gets passed along to the analyzing mechanisms in our heads–but the complexity of the processing makes us feel that we are not merely looking at a two-dimensional surface; we are responding to some sort of inner meaning inside the picture, a multidimensional aspect trapped somehow inside those two dimensions. It is the word ‘meaning’ which is important here. Our minds contain interpreters which accept two-dimensional patterns and then ‘pull’ from them high-dimensional notions which are so complex that we cannot consciously describe them. The same can be said about how we respond to music, incidentally.

Avoid extremes. Don’t make a distinction between outer and inner and don’t become one of Jung’s types, either extrovert or introvert. Sosan says: Be flowing, balancing. Outer and inner are just like the right and left leg. Why choose one? If you choose one, all movement stops. They are like two eyes: if you choose one then you will be able to see but your vision is no more three dimensional, the depth is lost. You have two ears: you can use one, you can be addicted to the idea that you are a left ear type or a right ear type, but then you lose. Then half the world is closed to you. The inner and outer are just two eyes, two ears, two legs – why choose? Why not use both choicelessly? And why divide? Because you are one! The left leg and the right leg only appear two. You flow within both – the same energy, the same being. You look through both your eyes. Why not use inner and outer and give them a balance? Why move to the extreme?

From time to time the by-products of using your inner energy worker will result in your experiencing odd sensations, seeming illnesses, unusual pimples or rashes, and unexpected emotional responses. Remember - these physical and emotional reactions are the by-products of the work you are doing. Release your anxiety over their occurrence and remind yourself they will be short-lived, do not reflect an aging or ill body, but are rather normal responses of a reflective energetic being.

Therein lies part of the problem as well. Good guys versus bad guys. It's a false dichotomy, a two-dimensional cartoon rather than a multidimensional, full-blown portrayal of actual people. Constructs like these minimize the humanity of the people being prosecuted. Criminal defendants become a parade of disposable people who are somehow less than human and not worthy of careful, sometimes agonizing consideration of the possibility that somewhere along the line something went terribly wrong.

The Pyrenean ibex, an extinct form of wild mountain goat, was brought back to life in 2009 through cloning of dna taken from skin samples. This was followed in June of 2010 by researchers at Jeju National University in Korea cloning a bull that had been dead for two years. Cloning methods are also being studied for use in bringing back Tasmanian tigers, woolly mammoths, and other extinct creatures, and in the March/April 2010 edition of the respected Archaeology magazine, a feature article by Zah Zorich (“Should We Clone Neanderthals?”) called for the resurrection via cloning of what some consider to be man’s closest extinct relative, the Neanderthals. National Geographic confirmed this possibility in its May 2009 special report, “Recipe for a Resurrection,” quoting Hendrik Poinar of McMaster University, an authority on ancient dna who served as a scientific consultant for the movie Jurassic Park, saying: “I laughed when Steven Spielberg said that cloning extinct animals was inevitable. But I’m not laughing anymore.… This is going to happen.

They told me they were headed for a planet the name of which I had not heard before, and they talked among themselves, gaily and happily, but in such a way that I did not seem to be left out. From their talk I gained the fact that some form of art was being presented at the festival on this planet. The art form was not alone of music or painting, but was composed of sound and color and emotion and form and other qualities for which there seem to be no words in the language of the Earth, and which I do not entirely recognize, only gaining the very faintest inkling of what they were talking of in this particular regard. I gained the impression of a three-dimensional symphony, although this is not entirely the right expression, which had been composed, not by a single being, but by a team of beings. They talked of the art form enthusiastically and I seemed to understand that it would last for not only several hours, but for days, and that it was an experience rather than a listening or seeing and that the spectators or audience did not merely sit and listen, but could, if they wished, and must, to get the most out of it, be participants.

It would all be so much simpler if we could only deny the existence of the psyche. But here we are with our immediate experiences of something that is—something that has taken root in the midst of our measurable, ponderable, three-dimensional reality, that differs bafflingly from this in every respect and in all its parts, and yet reflects it. The psyche may be regarded as a mathematical point and at the same time as a universe of fixed stars. It is small wonder, then, if, to the unsophisticated mind, such a paradoxical being borders on the divine. If it occupies no space, it has no body. Bodies die, but can something invisible and incorporeal disappear? What is more, life and psyche existed for me before I could say "I", and when this "I" disappears, as in sleep or unconsciousness, life and psyche still go on, as our observation of other people and our own dreams inform us. Why should the simple mind deny, in the face of such experiences, that the "soul" lives in a realm beyond the body? I must admit that I can see as little nonsense in this so-called superstition as in the findings of research regarding heredity or the basic instincts.

I steal things.” “You do what?” She wanted to smile at the incredulous tone. “Is stealing worse than killing? I thought it was all bad.” “You just surprised me.” He didn’t flinch at her candid assessment of what he did, but it bothered him—and people’s opinions didn’t bother him. He had his own moral code, a code of strict honor. It shouldn’t matter what she said . . . but it did. She wasn’t accusing or even judgmental, just matter-of-fact and perhaps that was what got under his skin. That she just accepted what he was. One-dimensional, as if that was all he was. And all he would ever be.

It is the SHIN, or a tooth, in the Son’s name that gives him absolute dominion. Why could it not have been in the Father’s name? For this simple reason: Nothing can cease to be in the Father. Even the unlovely things cannot cease to be. If I once give it expression, forever and ever it remains locked within the dimensionally greater Self which is the Father. But I would not like to keep alive within my world all of my mistakes. So I, in my infinite mercy gave to myself, when I became man, the power to become detached from these things that I, in my ignorance, brought to birth in my world..

I, too, will find a set of beliefs, of standards to live by, yet the very satisfaction of finding them will be marred by the fact that I have reached the ultimate in shallow, two-dimensional living- a set of values. This loneliness will blur and diminish, no doubt, when tomorrow I plunge again into classes, into the necessity of studying for exams. But now, that false purpose is lifted and I am spinning in a temporary vacuum. At home I rested and played, here, where I work, the routine is momentarily suspended and I am lost. There is no living being on earth at this moment except myself. I could walk down the halls, and empty rooms would yawn mockingly at me from every side. God, but life is loneliness, despite all the opiates, despite the shrill tinsel gaiety of "parties" with no purpose, despite the false grinning faces we all wear. And when at last you find someone to whom you feel you can pour out your soul, you stop in shock at the words you utter- they are so rusty, so ugly, so meaningless and feeble from being kept in the small cramped dark inside you so long. Yes, there is joy, fulfillment and companionship- but the loneliness of the would in its appalling self-consciousness, is horrible and overpowering-

In the beginning, there’s a blank mind. Then that mind gets an idea in it, and the trouble begins, because the mind mistakes the idea for the world. Mistaking the idea for the world, the mind formulates a theory and, having formulated a theory, feels inclined to act. Because the idea is always only an approximation of the world, whether that action will be catastrophic or beneficial depends on the distance between the idea and the world. Mass media’s job is to provide this simulacra of the world, upon which we build our ideas. There’s another name for this simulacra-building: storytelling. Megaphone Guy is a storyteller, but his stories are not so good. Or rather, his stories are limited. His stories have not had time to gestate—they go out too fast and to too broad an audience. Storytelling is a language-rich enterprise, but Megaphone Guy does not have time to generate powerful language. The best stories proceed from a mysterious truth-seeking impulse that narrative has when revised extensively; they are complex and baffling and ambiguous; they tend to make us slower to act, rather than quicker. They make us more humble, cause us to empathize with people we don’t know, because they help us imagine these people, and when we imagine them—if the storytelling is good enough—we imagine them as being, essentially, like us. If the story is poor, or has an agenda, if it comes out of a paucity of imagination or is rushed, we imagine those other people as essentially unlike us: unknowable, inscrutable, inconvertible. Our venture in Iraq was a literary failure, by which I mean a failure of imagination. A culture better at imagining richly, three-dimensionally, would have had a greater respect for war than we did, more awareness of the law of unintended consequences, more familiarity with the world’s tendency to throw aggressive energy back at the aggressor in ways he did not expect. A culture capable of imagining complexly is a humble culture. It acts, when it has to act, as late in the game as possible, and as cautiously, because it knows its own girth and the tight confines of the china shop it’s blundering into. And it knows that no matter how well-prepared it is—no matter how ruthlessly it has held its projections up to intelligent scrutiny—the place it is headed for is going to be very different from the place it imagined. The shortfall between the imagined and the real, multiplied by the violence of one’s intent, equals the evil one will do.

To be a pioneer of your own life, living an existence that has purpose and meaning you must first remove the past baggage that takes up space in all of your body, home and surroundings. Clean out the core soul clutter of built up three dimensional pathways to allow yourself the energy to overcome, heal and outgrow what no longer is. We are taught that our realities are a reflection of our thoughts and emotions and that we can alter anything with the law of attraction and i couldn't disagree more. Its so much deeper than that, it'd be insanity if it were that simple. Thoughts are powerful, i believe that much but without practical steps, vision and risks towards something that sets your soul on fire; changes and adverse situations to try distract you from your truth; words are just words and the meaning we give them can vary from person to person. We attract what we give focus to, we collide with the energy we hold within ourselves, we are constant mirrors of a bio product of the enviroment in which we have not only created but accepted or tolerated, regardless of what we percieve our circumstances to be. When you can sit with that truth and hold yourself accountable for your part in the unfolding of your journey you will come to a realization of self that will guide you all the way home. Becoming a pioneer is mastering self in few aspects within the human conciousness, be the change, let the way you live be your story.

Introducing higher dimensions may be essential for prying loose the secrets of Creation. According to this theory, before the Big Bang, our cosmos was actually a perfect ten-dimensional universe, a world where interdimensional travel was possible. However, this ten-dimensional world was unstable, and eventually it "cracked" in two, creating two separate universes: a four-and a six dimensional universe. The universe in which we live was born in that cosmic cataclysm. Our four-dimensional universe expanded explosively, while our twin six-dimensional universe contracted violently, until it shrank to almost infinitesimal size. This would explain the origin of the Big Bang. If correct, this theory demonstrates that the rapid expansion of the universe was just a rather minor aftershock of a much greater cataclysmic event, the cracking of space and time itself. The energy that drives the observed expansion of the universe is then found in the collapse of ten-dimensional space and time. According to the theory, the distant stars and galaxies are receding from us at astronomical speeds because of the original collapse of ten-dimensional space and time. This theory predicts that our universe still has a dwarf twin, a companion universe that has curled up into a small six-dimensional ball that is too small to be observed. This six-dimensional universe, far from being a useless appendage to our world, may ultimately be our salvation.

Athletes, by and large, are people who are happy to let their actions speak for them, happy to be what they do. As a result, when you talk to an athlete, as I do all the time in locker rooms, in hotel coffee shops and hallways, standing beside expensive automobiles—even if he’s paying no attention to you at all, which is very often the case—he’s never likely to feel the least bit divided, or alienated, or one ounce of existential dread. He may be thinking about a case of beer, or a barbecue, or some man-made lake in Oklahoma he wishes he was waterskiing on, or some girl or a new Chevy shortbed, or a discothèque he owns as a tax shelter, or just simply himself. But you can bet he isn’t worried one bit about you and what you’re thinking. His is a rare selfishness that means he isn’t looking around the sides of his emotions to wonder about alternatives for what he’s saying or thinking about. In fact, athletes at the height of their powers make literalness into a mystery all its own simply by becoming absorbed in what they’re doing. Years of athletic training teach this; the necessity of relinquishing doubt and ambiguity and self-inquiry in favor of a pleasant, self-championing one-dimensionality which has instant rewards in sports. You can even ruin everything with athletes simply by speaking to them in your own everyday voice, a voice possibly full of contingency and speculation. It will scare them to death by demonstrating that the world—where they often don’t do too well and sometimes fall into depressions and financial imbroglios and worse once their careers are over—is complexer than what their training has prepared them for. As a result, they much prefer their own voices and questions or the jabber of their teammates (even if it’s in Spanish). And if you are a sportswriter you have to tailor yourself to their voices and answers: “How are you going to beat this team, Stu?” Truth, of course, can still be the result—“We’re just going out and play our kind of game, Frank, since that’s what’s got us this far”—but it will be their simpler truth, not your complex one—unless, of course, you agree with them, which I often do. (Athletes, of course, are not always the dummies they’re sometimes portrayed as being, and will often talk intelligently about whatever interests them until your ears turn to cement.)

The definition of superb animation is that each character on the screen makes you believe it is a thinking being. Whether it’s a T-Rex or a slinky dog or a desk lamp, if viewers sense not just movement but intention—or, put another way, emotion—then the animator has done his or her job. It’s not just lines on paper anymore; it’s a living, feeling entity. This is what I experienced that night, for the first time, as I watched Donald leap off the page. The transformation from a static line drawing to a fully dimensional, animated image was sleight of hand, nothing more, but the mystery of how it was done—not just the technical process but the way the art was imbued with such emotion—was the most interesting problem I’d ever considered. I wanted to climb through the TV screen and be part of this world.

Looking out on the second day of our mission, I became aware that in the far distance, there was a distinctive-looking star. It stood out because, while all the other stars stayed exactly the same size and shape, this one got bigger and bigger as we got closer to it. At some point it stopped being a point of light and started becoming something three-dimensional, morphing into a strange bug-like thing with all kinds of appendages. And then, isolated against this inky background, it started to look like a small town. Which is in fact what it is: an outpost that humans have built, far from Earth. The International Space Station. It's every science fiction book come true, every little kid's dream realized: a large, capable, fully human creation orbiting up in the universe. And it felt miraculous that soon we'd be docked there, and the next phase of our expedition would begin.

One of these passages of Bergotte, the third or fourth which I had detached from the rest, filled me with a joy to which the meagre joy I had tasted in the first passage bore no comparison, a joy which I felt myself to have experienced in some innermost chamber of my soul, deep, undivided, vast, from which all obstructions and partitions seemed to have been swept away. For what had happened was that, while I recognised in this passage the same taste for uncommon phrases, the same bursts of music, the same idealist philosophy which had been present in the earlier passages without my having taken them into account as the source of my pleasure, I now no longer had the impression of being confronted by a particular passage in one of Bergotte’s works, which traced a purely bi-dimensional figure in outline upon the surface of my mind, but rather of the ‘ideal passage’ of Bergotte, common to every one of his books, and to which all the earlier, similar passages, now becoming merged in it, had added a kind of density and volume, by which my own understanding seemed to be enlarged. I

One method that Einstein employed to help people visualize this notion was to begin by imagining two-dimensional explorers on a two-dimensional universe, like a flat surface. These “flatlanders” can wander in any direction on this flat surface, but the concept of going up or down has no meaning to them. Now, imagine this variation: What if these flatlanders’ two dimensions were still on a surface, but this surface was (in a way very subtle to them) gently curved? What if they and their world were still confined to two dimensions, but their flat surface was like the surface of a globe? As Einstein put it, “Let us consider now a two-dimensional existence, but this time on a spherical surface instead of on a plane.” An arrow shot by these flatlanders would still seem to travel in a straight line, but eventually it would curve around and come back—just as a sailor on the surface of our planet heading straight off over the seas would eventually return from the other horizon. The curvature of the flatlanders’ two-dimensional space makes their surface finite, and yet they can find no boundaries. No matter what direction they travel, they reach no end or edge of their universe, but they eventually get back to the same place. As Einstein put it, “The great charm resulting from this consideration lies in the recognition that the universe of these beings is finite and yet has no limits.” And if the flatlanders’ surface was like that of an inflating balloon, their whole universe could be expanding, yet there would still be no boundaries to it.10 By extension, we can try to imagine, as Einstein has us do, how three-dimensional space can be similarly curved to create a closed and finite system that has no edge. It’s not easy for us three-dimensional creatures to visualize, but it is easily described mathematically by the non-Euclidean geometries pioneered by Gauss and Riemann. It can work for four dimensions of spacetime as well. In such a curved universe, a beam of light starting out in any direction could travel what seems to be a straight line and yet still curve back on itself. “This suggestion of a finite but unbounded space is one of the greatest ideas about the nature of the world which has ever been conceived,” the physicist Max Born has declared.

Philotheo. I will do so. If the world is finite and if nothing lieth beyond, I ask you Where is the world? Where is the universe? Aristotle replieth, it is in itself. [1] The convex surface of the primal heaven is universal space, which being the primal container is by naught contained. For position in space is no other than the surfaces and limit of the containing body, so that he who hath no containing body hath no position in space. [2] What then dost thou mean, O Aristotle, by this phrase, that "space is within itself"? What will be thy conclusion concerning that which is beyond the world? If thou sayest, there is nothing, then the heaven [3] and the world will certainly not be anywhere. Fracastoro. The world will then be nowhere. Everything will be nowhere. Philotheo. The world is something which is past finding out. If thou sayest (and it certainly appeareth to me that thou seekest to say something in order to escape Vacuum and Nullity), if thou sayest that beyond the world is a divine intellect, so that God doth become the position in space of all things, why then thou thyself wilt be much embarrassed to explain to us how that which is incorporeal [yet] intelligible, and without dimension can be the very position in space occupied by a dimensional body; and if thou sayest that this incorporeal space containeth as it were a form, as the soul containeth the body, then thou dost not reply to the question of that which lieth beyond, nor to the enquiry concerning that which is outside the universe. And if thou wouldst excuse thyself by asserting that where naught is, and nothing existeth, there can be no question of position in space nor of beyond or outside, yet I shall in no wise be satisfied. For these are mere words and excuses, which cannot form part of our thought. For it is wholly impossible that in any sense or fantasy (even though there may be various senses and various fantasies), it is I say impossible that I can with any true meaning assert that there existeth such a surface, boundary or limit, beyond which is neither body, nor empty space, even though God be there. For divinity hath not as aim to fill space, nor therefore doth it by any means appertain to the nature of divinity that it should be the boundary of a body. For aught which can be termed a limiting body must either be the exterior shape or else a containing body. And by no description of this quality canst thou render it compatible with the dignity of divine and universal nature. [4]

Philotheo. I will do so. If the world is finite and if nothing lieth beyond, I ask you Where is the world? Where is the universe? Aristotle replieth, it is in itself. [1] The convex surface of the primal heaven is universal space, which being the primal container is by naught contained. For position in space is no other than the surfaces and limit of the containing body, so that he who hath no containing body hath no position in space. [2] What then dost thou mean, O Aristotle, by this phrase, that "space is within itself"? What will be thy conclusion concerning that which is beyond the world? If thou sayest, there is nothing, then the heaven [3] and the world will certainly not be anywhere. Fracastoro. The world will then be nowhere. Everything will be nowhere. Philotheo. The world is something which is past finding out. If thou sayest (and it certainly appeareth to me that thou seekest to say something in order to escape Vacuum and Nullity), if thou sayest that beyond the world is a divine intellect, so that God doth become the position in space of all things, why then thou thyself wilt be much embarrassed to explain to us how that which is incorporeal [yet] intelligible, and without dimension can be the very position in space occupied by a dimensional body; and if thou sayest that this incorporeal space containeth as it were a form, as the soul containeth the body, then thou dost not reply to the question of that which lieth beyond, nor to the enquiry concerning that which is outside the universe. And if thou wouldst excuse thyself by asserting that where naught is, and nothing existeth, there can be no question of position in space nor of beyond or outside, yet I shall in no wise be satisfied. For these are mere words and excuses, which cannot form part of our thought. For it is wholly impossible that in any sense or fantasy (even though there may be various senses and various fantasies), it is I say impossible that I can with any true meaning assert that there existeth such a surface, boundary or limit, beyond which is neither body, nor empty space, even though God be there. For divinity hath not as aim to fill space, nor therefore doth it by any means appertain to the nature of divinity that it should be the boundary of a body. For aught which can be termed a limiting body must either be the exterior shape or else a containing body. And by no description of this quality canst thou render it compatible with the dignity of divine and universal nature. [4]

If these avatars were real people in a real street, Hiro wouldn't be able to reach the entrance. It's way too crowded. But the computer system that operates the Street has better things to do than to monitor every single one of the millions of people there, trying to prevent them from running into each other. It doesn't bother trying to solve this incredibly difficult problem. On the Street, avatars just walk right through each other. So when Hiro cuts through the crowd, headed for the entrance, he really is cutting through the crowd. When things get this jammed together, the computer simplifies things by drawing all of the avatars ghostly and translucent so you can see where you're going. Hiro appears solid to himself, but everyone else looks like a ghost. He walks through the crowd as if it's a fogbank, clearly seeing The Black Sun in front of him. He steps over the property line, and he's in the doorway. And in that instant he becomes solid and visible to all the avatars milling outside. As one, they all begin screaming. Not that they have any idea who the hell he is -- Hiro is just a starving CIC stringer who lives in a U-Stor-It by the airport. But in the entire world there are only a couple of thousand people who can step over the line into The Black Sun. He turns and looks back at ten thousand shrieking groupies. Now that he's all by himself in the entryway, no longer immersed in a flood of avatars, he can see all of the people in the front row of the crowd with perfect clarity. They are all done up in their wildest and fanciest avatars, hoping that Da5id -- The Black Sun's owner and hacker-in-chief -- will invite them inside. They flick and merge together into a hysterical wall. Stunningly beautiful women, computer-airbrushed and retouched at seventy-two frames a second, like Playboy pinups turned three-dimensional -- these are would-be actresses hoping to be discovered. Wild-looking abstracts, tornadoes of gyrating light-hackers who are hoping that Da5id will notice their talent, invite them inside, give them a job. A liberal sprinkling of black-and-white people -- persons who are accessing the Metaverse through cheap public terminals, and who are rendered in jerky, grainy black and white. A lot of these are run-of-the-mill psycho fans, devoted to the fantasy of stabbing some particular actress to death; they can't even get close in Reality, so they goggle into the Metaverse to stalk their prey. There are would-be rock stars done up in laser light, as though they just stepped off the concert stage, and the avatars of Nipponese businessmen, exquisitely rendered by their fancy equipment, but utterly reserved and boring in their suits.

(a) A writer always wears glasses and never combs his hair. Half the time he feels angry about everything and the other half depressed. He spends most of his life in bars, arguing with other dishevelled, bespectacled writers. He says very ‘deep’ things. He always has amazing ideas for the plot of his next novel, and hates the one he has just published. (b) A writer has a duty and an obligation never to be understood by his own generation; convinced, as he is, that he has been born into an age of mediocrity, he believes that being understood would mean losing his chance of ever being considered a genius. A writer revises and rewrites each sentence many times. The vocabulary of the average man is made up of 3,000 words; a real writer never uses any of these, because there are another 189,000 in the dictionary, and he is not the average man. (c) Only other writers can understand what a writer is trying to say. Even so, he secretly hates all other writers, because they are always jockeying for the same vacancies left by the history of literature over the centuries. And so the writer and his peers compete for the prize of ‘most complicated book’: the one who wins will be the one who has succeeded in being the most difficult to read. (d) A writer understands about things with alarming names, like semiotics, epistemology, neoconcretism. When he wants to shock someone, he says things like: ‘Einstein is a fool’, or ‘Tolstoy was the clown of the bourgeoisie.’ Everyone is scandalized, but they nevertheless go and tell other people that the theory of relativity is bunk, and that Tolstoy was a defender of the Russian aristocracy. (e) When trying to seduce a woman, a writer says: ‘I’m a writer’, and scribbles a poem on a napkin. It always works. (f) Given his vast culture, a writer can always get work as a literary critic. In that role, he can show his generosity by writing about his friends’ books. Half of any such reviews are made up of quotations from foreign authors and the other half of analyses of sentences, always using expressions such as ‘the epistemological cut’, or ‘an integrated bi-dimensional vision of life’. Anyone reading the review will say: ‘What a cultivated person’, but he won’t buy the book because he’ll be afraid he might not know how to continue reading when the epistemological cut appears. (g) When invited to say what he is reading at the moment, a writer always mentions a book no one has ever heard of. (h) There is only one book that arouses the unanimous admiration of the writer and his peers: Ulysses by James Joyce. No writer will ever speak ill of this book, but when someone asks him what it’s about, he can’t quite explain, making one doubt that he has actually read it.

ASSOCIATIVE MEMORY In Proust's Swann's Way a sip of tea and a bite of a small scallopshaped cake known as a petite madeleine cause the narrator to find himself suddenly flooded with memories from his past. At first he is puzzled, but then, slowly, after much effort on his part, he remembers that his aunt used to give him tea and madeleines when he was a little boy, and it is this association that has stirred his memory. We have all had similar experiences—a whiff of a particular food being prepared, or a glimpse of some long-forgotten object—that suddenly evoke some scene out of our past. The holographic idea offers a further analogy for the associative tendencies of memory. This is illustrated by yet another kind of holographic recording technique. First, the light of a single laser beam is bounced off two objects simultaneously, say an easy chair and a smoking pipe. The light bounced off each object is then allowed to collide, and the resulting interference pattern is captured on film. Then, whenever the easy chair is illuminated with laser light and the light that reflects off the easy chair is passed through the film, a three-dimensional image of the pipe will appear. Conversely, whenever the same is done with the pipe, a hologram of the easy chair appears. So, if our brains function holographically, a similar process may be responsible for the way certain objects evoke specific memories from our past

Gadgetry will continue to relieve mankind of tedious jobs. Kitchen units will be devised that will prepare ‘automeals,’ heating water and converting it to coffee; toasting bread; frying, poaching or scrambling eggs, grilling bacon, and so on. Breakfasts will be ‘ordered’ the night before to be ready by a specified hour the next morning. Communications will become sight-sound and you will see as well as hear the person you telephone. The screen can be used not only to see the people you call but also for studying documents and photographs and reading passages from books. Synchronous satellites, hovering in space will make it possible for you to direct-dial any spot on earth, including the weather stations in Antarctica. [M]en will continue to withdraw from nature in order to create an environment that will suit them better. By 2014, electroluminescent panels will be in common use. Ceilings and walls will glow softly, and in a variety of colors that will change at the touch of a push button. Robots will neither be common nor very good in 2014, but they will be in existence. The appliances of 2014 will have no electric cords, of course, for they will be powered by long- lived batteries running on radioisotopes. “[H]ighways … in the more advanced sections of the world will have passed their peak in 2014; there will be increasing emphasis on transportation that makes the least possible contact with the surface. There will be aircraft, of course, but even ground travel will increasingly take to the air a foot or two off the ground. [V]ehicles with ‘Robot-brains’ … can be set for particular destinations … that will then proceed there without interference by the slow reflexes of a human driver. [W]all screens will have replaced the ordinary set; but transparent cubes will be making their appearance in which three-dimensional viewing will be possible. [T]he world population will be 6,500,000,000 and the population of the United States will be 350,000,000. All earth will be a single choked Manhattan by A.D. 2450 and society will collapse long before that! There will, therefore, be a worldwide propaganda drive in favor of birth control by rational and humane methods and, by 2014, it will undoubtedly have taken serious effect. Ordinary agriculture will keep up with great difficulty and there will be ‘farms’ turning to the more efficient micro-organisms. Processed yeast and algae products will be available in a variety of flavors. The world of A.D. 2014 will have few routine jobs that cannot be done better by some machine than by any human being. Mankind will therefore have become largely a race of machine tenders. Schools will have to be oriented in this direction…. All the high-school students will be taught the fundamentals of computer technology will become proficient in binary arithmetic and will be trained to perfection in the use of the computer languages that will have developed out of those like the contemporary “Fortran". [M]ankind will suffer badly from the disease of boredom, a disease spreading more widely each year and growing in intensity. This will have serious mental, emotional and sociological consequences, and I dare say that psychiatry will be far and away the most important medical specialty in 2014. [T]he most glorious single word in the vocabulary will have become work! in our a society of enforced leisure.

Millions of us daily take advantage of [Skype], delighted to carry the severed heads of family members under our arms as we move from the deck to the cool of inside, or steering them around our new homes, bobbing them like babies on a seasickening tour. Skype can be a wonderful consolation prize in the ongoing tournament of globalization, though typically the first place it transforms us is to ourselves. How often are the initial seconds of a video's call takeoff occupied by two wary, diagonal glances, with a quick muss or flick of the hair, or a more generous tilt of the screen in respect to the chin? Please attend to your own mask first. Yet, despite the obvious cheer of seeing a faraway face, lonesomeness surely persists in the impossibility of eye contact. You can offer up your eyes to the other person, but your own view will be of the webcam's unwarm aperture. ... The problem lies in the fact that we can't bring our silence with us through walls. In phone conversations, while silence can be both awkward and intimate, there is no doubt that each of you inhabits the same darkness, breathing the same dead air. Perversely, a phone silence is a thick rope tying two speakers together in the private void of their suspended conversation. This binding may be unpleasant and to be avoided, but it isn't as estranging as its visual counterpart. When talk runs to ground on Skype, and if the purpose of the call is to chat, I can quickly sense that my silence isn't their silence. For some reason silence can't cross the membrane of the computer screen as it can uncoil down phone lines. While we may be lulled into thinking that a Skype call, being visual, is more akin to a hang-out than a phone conversation, it is in many ways more demanding than its aural predecessor. Not until Skype has it become clear how much companionable quiet has depended on co-inhabiting an atmosphere, with a simple act of sharing the particulars of a place -- the objects in the room, the light through the window -- offering a lovely alternative to talk.

No, seriously," Mark continued. "Once you've been involved for a while, do your charity work in some third world toilet, they start letting you in on some of the bigger secrets to Responsivism, and how the knowledge will save you." "Go on," Juan said to indulge him. Murph might be flakey, but he had a topflight mind. "Ever heard of 'brane theory?" He'd already talked with Eric about it so only Stone didn't return a blank stare. "It's right up there with string theory as a way of unifying all four forces in the universe, something Einstein couldn't do. In a nutshell, it says our four-dimensional universe is a single membrane, and that there are others existing in higher orders of space. These are so close to ours that zero-point matter and energy can pass between them and that gravitation forces in our universe can leak out. It's all cutting-edge stuff." "I'll take your word for it," Cabrillo said. "Anyway, "brane theory started to get traction among theoreti cal physicists in the mid-nineties, and Lydell Cooper glommed on to it, too. He took it a step further, though. It wasn't just quantum particles passing in and out of our universe. He believed that an intelligence from another 'brane was affecting people here in our dimension. This intelligence, he said, shaped our day-to-day lives in ways we couldn't sense. It was the cause of all our suffering. Just before his death, Cooper started to teach techniques to limit this influence, ways to protect ourselves from the alien power." "And people bought this crap?" Max asked, sinking deeper into depression over his son. "Oh yeah. Think about it from their side for a second. It's not a believer's fault that he is unlucky or depressed or just plain stupid. His life is being messed with across dimensional membranes It's an alien influence that cost you that promotion or prevented you from dating the girl of your dreams. It's a cosmic force holding you back, not your own ineptitude. If you believe that, then you don't have to take responsibility for your life. And we all know nobody takes responsibility for himself anymore. Responsivism gives you a ready-made excuse for your poor life choices.

Like any place in Reality, the Street is subject to development. Developers can build their own small streets feeding off of the main one. They can build buildings, parks, signs, as well as things that do not exist in Reality, such as vast hovering overhead light shows, special neighborhoods where the rules of three-dimensional spacetime are ignored, and free-combat zones where people can go to hunt and kill each other. The only difference is that since the Street does not really exist -- it's just a computer-graphics protocol written down on a piece of paper somewhere -- none of these things is being physically built. They are, rather, pieces of software, made available to the public over the worldwide fiber-optics network. When Hiro goes into the Metaverse and looks down the Street and sees buildings and electric signs stretching off into the darkness, disappearing over the curve of the globe, he is actually staring at the graphic representations -- the user interfaces -- of a myriad different pieces of software that have been engineered by major corporations. In order to place these things on the Street, they have had to get approval from the Global Multimedia Protocol Group, have had to buy frontage on the Street, get zoning approval, obtain permits, bribe inspectors, the whole bit. The money these corporations pay to build things on the Street all goes into a trust fund owned and operated by the GMPG, which pays for developing and expanding the machinery that enables the Street to exist. Hiro has a house in a neighborhood just off the busiest part of the Street. it is a very old neighborhood by Street standards. About ten years ago, when the Street protocol was first written, Hiro and some of his buddies pooled their money and bought one of the first development licenses, created a little neighborhood of hackers. At the time, it was just a little patchwork of light amid a vast blackness. Back then, the Street was just a necklace of streetlights around a black ball in space. Since then, the neighborhood hasn't changed much, but the Street has. By getting in on it early, Hiro's buddies got a head start on the whole business. Some of them even got very rich off of it. That's why Hiro has a nice big house in the Metaverse but has to share a 20-by- 30 in Reality. Real estate acumen does not always extend across universes.

FASCIA: THE TIES THAT BIND Imagine a collagen-rich, stretchy slipcover for every organ, nerve, bone, and muscle in our bodies, and you start to get a sense of how fundamental connective tissue—specifically fascia—is to the entire body. Suspending our organs inside our torso, connecting our head to our back to our feet, fascia protects, supports, and literally binds our body together. Fascia can be gossamer-thin and translucent, like a spider web, or thick and tough like rope. Ounce for ounce, fascia is stronger than steel. Other specialized types of connective tissue include bones, ligaments, tendons, cartilage, and fat (adipose) tissue. Even blood, strictly speaking, is considered connective tissue. But to me, the most exciting aspect of the latest research on connective tissue relates to fascia. Fascia is the stretchy tissue that forms an uninterrupted, three-dimensional web within our body. Our body has sheets, bags, and strings of fascia of varying thickness and size, some superficial and some deep. Fascia envelops both individual microscopic muscle filaments as well as whole muscle groups, such as the trapezius, pectorals, and quadriceps. For example, one of the largest fascia configurations in the body is known as the “trousers,” a massive sheet of fascia that crosses over the knees and ends near the waist, giving the appearance of short leggings. This fascia trouser is thicker around the knees and thinner as it continues up the legs and over the hips, thickening again near the waist. When the fascia trouser is healthy, supple, and resilient, it acts like a girdle, giving the body a firm shape. Fascia helps muscles transmit their force so we can convert that force into movement. The system of fascia is bound by tensile links (think of the structure of a geodesic dome, like the one at Epcot in Disney World), with space and fluid between the links that can help absorb external pressure and more evenly distribute force across the fascial structure. This allows our bodies to withstand tremendous force instead of absorbing it in one local area, which would lead to increased pain and injury. Fascia is also a second nervous system in and of itself, with almost 10 times the number of sensory nerve endings as muscle. Helene Langevin, director of the Osher Center for Integrative Medicine at Harvard Medical School, has done landmark studies on the function and importance of connective tissue and its impact on pain. One of the leading researchers in the field today, Langevin describes fascia as a “living matrix” whose health is essential to our well-being.

Our galaxy is surrounded by a cloud of about fifty nearby galaxies, known as our Local Group. Foremost among them is the Andromeda Galaxy, a beautiful spiral galaxy, and the only galaxy in our group larger than our own. Gravity is pulling the two toward each other, and in four billion years (before our Sun has died) they will collide and unite. With so much distance between the stars of each galaxy, this collision will do surprisingly little to upset the stars and their planets. Its main effect will be to disrupt the delicate spiral structures of the partners, probably merging into a more uniform elliptical galaxy about three times as large. Eventually (in hundreds of billions of years) all the other galaxies in our group will have merged in too, forming a single giant galaxy.28 Zooming further out, we see many more groups of galaxies, some with as many as a thousand members.29 Eventually these groups resolve into a larger structure: the cosmic web—long, thick threads of galaxies, called filaments. These filaments criss-cross space in a kind of three-dimensional network, as if someone took a random set of points in space and connected each to its nearest handful of neighbors. Where the filaments intersect, space is bright and rich with galaxies.30 Between such filaments are dark and empty expanses, known as cosmic voids. As far as we can tell, this cosmic web continues indefinitely. At the very least, it continues as far as we can see or go. It is these final limits on our knowledge and action that appear to set the ultimate scale in our universe. We have known for almost a century that our universe is expanding, pulling the groups of galaxies apart. And twenty years ago we discovered that this expansion is accelerating. Cosmologists believe this puts a hard limit on what we will ever be able to observe or affect.31 We can currently see a sphere around us extending out 46 billion light years in all directions, known as the observable universe. Light from galaxies beyond this sphere hasn’t yet had time to reach us.32 Next year we will see a little further. The observable universe will increase in radius by a single light year, and about 25 more galaxies will come into view. But on our leading cosmological theory, the rate at which new galaxies become visible will decline, and those currently more than 63 billion light years away will never become visible from the Earth. We could call the region within this distance the eventually observable universe.33 But much more importantly, accelerating expansion also puts a limit on what we can ever affect. If, today, you shine a ray of light out into space, it could reach any galaxy that is currently less than 16 billion light years away. But galaxies further than this are being pulled away so quickly that neither light, nor anything else we might send, could ever affect them.34

EXERCISE 10: DEVELOPING A GRAND VISION You may want to do this exercise alone, out in a natural setting somewhere. 1. See Your Interests, Values, and Abilities. The next step is to discover how your interests and your deep values connect into and form your mission. It can be accomplished by seeing a grand, whole, meaningful image of what purpose you could dedicate your life to. This will be formed from your interests, values, and present goals. Begin to play with the images that you see, which represent some kind of direction that you want to take. As you get a sense of what your mission can be, see various snapshots of yourself doing what you love to do, snapshots of your abilities. 2. Focus on Heroes and Heroines. Take a look at what your favorite heroes or heroines do. See yourself doing things that give you the same feeling you get when you think of them. See snapshots of the person you want to become. Any images you don’t like can fade away. 3. Direct a Movie of Yourself. See yourself the way you want to be—doing the things you love to do. Whatever you choose to put on the screen, you’re the Spielberg, you’re the director. See the images that you feel passionate about. You can play with the images in front of you. Pretend that you’re in the middle of an inner, three-dimensional movie theater. It’s a place where you can see and hear and feel with great fidelity. Notice how much you can see, letting the wisdom from within guide the visual display that you see in front of you. Visualize it, feel it, enjoy it. The images are often up close and in full, rich color. See yourself living out a scenario that gives you tingles in your spine. You can zoom in on that glorious, fun-filled, exciting future that you see. It allows you to do what you love to do and accomplish what you believe in. 4. Recall Your Deep Values. List your deep values as you watch your mission scenario. Notice how your values and your images can fit together with a remarkable consistency. 5. Ask for Help from Your Inner Wisdom. Ask for your inner wisdom, the higher powers, or God to guide your grand vision. This vision is going to be more of a discovery than a creation. Let it come to you. Ask and it will come. Take the time to see and hear those aspects of life that unify into a whole that you feel a powerful passion for. See some more images. See some time going by. See various bright, radiant, up-close, colorful images of what it is that you could create in your life. They can begin going in a certain direction, coalescing and representing many of your current goals, some of the things that you want. See them develop into a kind of grand visionary collection of images that represents your purpose and your mission. 6. Do What It Takes. Take whatever time you need—five minutes, an hour, a whole afternoon. This is your life, your future that you are creating. When you finish, write it down. Your images are so attractive, you have some glimpses of what your mission is. Now you can develop it more fully. Ask the visionary in you to give you the gift of this grand vision. Now that you can see your grand vision of what you want to contribute to, you can make that vision into a cause to work for—a specific direction to channel your efforts to.