Tudor Rose Quotes

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The fate of peoples is made like this, two men in small rooms. Forget the coronations, the conclaves of cardinals, the pomp and processions. This is how the world changes: a counter pushed across a table, a pen stroke that alters the force of a phrase, a woman's sigh as she passes and leaves on the air a trail of orange flower or rose water; her hand pulling close the bed curtain, the discreet sigh of flesh against flesh.
Hilary Mantel (Wolf Hall (Thomas Cromwell, #1))
He wasn't an especially charismatic or commanding individual, but what he lacked in personality he emphatically made up for in diligence.
Dan Jones (The Wars of the Roses: The Fall of the Plantagenets and the Rise of the Tudors)
If the cycle of violence that had engulfed the English Crown for nearly five decades seemed finally to be coming to an end, it was only because there were so few candidates left to kill.
Dan Jones (The Wars of the Roses: The Fall of the Plantagenets and the Rise of the Tudors)
You always look on the dark side of life. I believe in capturing the moment...Joy is so fleeting. You never know when it might be snatched away.
Susan Wiggs (At the King's Command (Tudor Rose, #1))
She knew the soothing power of a human touch on aching flesh. Knew the strange bond that formed when two creatures united in mutual need, one hurting, the other healing.
Susan Wiggs (At the King's Command (Tudor Rose, #1))
Her name was a silent song on his lips. Her love was like a circle in the water, radiating ever outward, inevitably encompassing even the remotest of hearts.
Susan Wiggs (At the King's Command (Tudor Rose, #1))
Rebels depend on willful gullibility.
Dan Jones (The Wars of the Roses: The Fall of the Plantagenets and the Rise of the Tudors)
Here was a king who saw his subjects as peers and allies around whom he had growing up rather than semi-alien entities to be suspected and persecuted.
Dan Jones (The Wars of the Roses: The Fall of the Plantagenets and the Rise of the Tudors)
The Tudor rose was invented to symbolize the unity that had supposedly been brought about when Henry VII married Edward IV’s daughter Elizabeth of York in 1486, entwining the two warring branches, the houses of Lancaster and York, together.
Dan Jones (The Wars of the Roses: The Fall of the Plantagenets and the Rise of the Tudors)
the
Dan Jones (The Wars of the Roses: The Fall of the Plantagenets and the Rise of the Tudors)
He was more than comfortable with the language of imperious persuasion.
Dan Jones (The Wars of the Roses: The Fall of the Plantagenets and the Rise of the Tudors)
Red and white, the Tudor rose that symbolized the union between the Red Rose of Lancaster and the White Rose of York, blood and snow, passion and purity, fire and ice, hell and heaven, sinner and saint, conquest and surrender, whore and virgin, the red dazzle of rubies and the nacreous lustrous shimmer of pearls, innocence born from a bloody womb, the blood is the life, the cold white marble of death—a tomb effigy; red roses for the blood of martyrs.
Brandy Purdy (The Boleyn Bride)
Extravagance was a political necessity.
Dan Jones (The Wars of the Roses: The Fall of the Plantagenets and the Rise of the Tudors)
As with many tragedies, our story opens in a moment of triumph.
Dan Jones (The Wars of the Roses: The Fall of the Plantagenets and the Rise of the Tudors)
Insults sting but a little when they stem from a man's ignorance.
Susan Wiggs (At the King's Command (Tudor Rose, #1))
Rosalind: “Elias told me that you met with your uncle this morning. Whatever did he say to put you in such a bad temper?” Christopher: “Do you really want to know?” Rosalind: “Of course I do.” Christopher: “He told me to seduce you.” Rosalind: “How strange. That's exactly what my grandfather told me to do to you.” She bobbed a curtsy “Goodnight. Sir Christopher.
Kate Pearce (Kiss of the Rose (Tudor Vampire Chronicles, #1))
Rosalind: “So you don't want me either?” Rosalind flung up her hands. “Good! Because I am tiered of dealing with men. I really don't need any of you!” Rhys: “That's the spirit, my lady. Keep that up and we'll all be wishing you to the devil very shortly.
Kate Pearce (Kiss of the Rose (Tudor Vampire Chronicles, #1))
Then a far more grotesque and insulting marriage was arranged between the twenty-year-old John Woodville and Katherine Neville, Warwick’s aunt and the dowager duchess of Norfolk. Katherine was not only a four-time widow but also about sixty-five years old.
Dan Jones (The Wars of the Roses: The Fall of the Plantagenets and the Rise of the Tudors)
Every schoolboy turned over the final page of Richard III with relief, because now at last the Wars of the Roses were over and they could get on to the Tudors, who were dull but easy to follow.
Josephine Tey (The Daughter of Time (Inspector Alan Grant #5))
Pope Pius II, watching England from afar, would later describe Henry in this phase of his life as “a man more timorous than a woman, utterly devoid of wit or spirit, who left everything in his wife’s hands.”2
Dan Jones (The Wars of the Roses: The Fall of the Plantagenets and the Rise of the Tudors)
The king's "only interest in government was a pious but simpleminded desire for reproachment
Dan Jones (The Wars of the Roses: The Fall of the Plantagenets and the Rise of the Tudors)
He was the only figure able to hold the peace between his uncle
Dan Jones (The Wars of the Roses: The Fall of the Plantagenets and the Rise of the Tudors)
Much of the outward business of kingship came naturally.
Dan Jones (The Wars of the Roses: The Fall of the Plantagenets and the Rise of the Tudors)
God could perform miracles, and she was praying as hard as she could for one.
Alison Weir (Elizabeth of York: The Last White Rose (Tudor Rose #1))
In the case of Exeter, York’s superior blood status was explicitly recognized in the first duke of Exeter’s articles of ennoblement. The first duke died in 1447, but his heir, the young Henry Holland, was even more closely tied to York’s family: he was married to York’s daughter Anne, and had been in York’s custody when he was a minor. As recently as 1448 York and the duke of Somerset had been granted lands in joint trusteeship—a sign that there was no division (yet) perceived between those two men.7 Humphrey,
Dan Jones (The Wars of the Roses: The Fall of the Plantagenets and the Rise of the Tudors)
The Holland family traced their own royal ancestry through Henry IV’s sister Elizabeth. In January 1444 the most senior Holland, John, earl of Huntingdon, was promoted to duke of Exeter, with precedence over all other dukes except for York—another elevation specifically credited to his closeness in blood to the king. John Holland died in August 1447, and his son Henry Holland eventually succeeded to his duchy.
Dan Jones (The Wars of the Roses: The Fall of the Plantagenets and the Rise of the Tudors)
In the darkness of the forest he saw her, and whispered her name, Melusina, and at that summoning she rose out of the water and he saw that she was a woman of cool and complete beauty to the waist, and below that she was scaled, like a fish. She promised him that she would come to him and be his wife, she promised him that she would make him as happy as a mortal woman can, she promised him that she would curb her wild side, her tidal nature, that she would be an ordinary wife to him, a wife that he could be proud of; if he in return would let her have a time when she could be herself again, when she could return to her element of water, when she could wash away the drudgery of a woman’s lot and be, for just a little while, a water goddess once more. She knew that being a mortal woman is hard on the heart, hard on the feet. She knew that she would need to be alone in the water, under the water, the ripples reflected on her scaly tail now and then. He promised her that he would give her everything, everything she wanted, as men in love always do. And she trusted him despite herself, as women in love always do.
Philippa Gregory (The White Queen (The Plantagenet and Tudor Novels, #2))
He could not name precisely the special quality she possessed. A glow. An exuberance. An aggressive and determined joy that gave her the courage to push past his defenses, to confront him with unflinching courage, to look into his heart and to see something there worth fighting for.
Susan Wiggs (At the King's Command (Tudor Rose, #1))
While Edward was accustomed to fighting on foot, Warwick was said by one chronicler to prefer to run with his men into battle before mounting on horseback, “and if he found victory inclined to his side, he charged boldly among them; if otherwise he took care of himself in time and provided for his escape.
Dan Jones (The Wars of the Roses: The Fall of the Plantagenets and the Rise of the Tudors)
Whitman and the Bible are no more obscene than Nature herself—no more obscene than a manure pile, out of which come roses and cherries. (Quoting C.E.S. Wood)
Franklin J. Meine (1601: Conversation as it Was by the Social Fireside in the Time of the Tudors)
The English rose against William every year between 1067 and 1070.
Peter Ackroyd (Foundation: The History of England from Its Earliest Beginnings to the Tudors (History of England #1))
The King is dead. Long live the King! We must all offer allegiance to our new sovereign lord, King Edward the Fifth.
Alison Weir (Elizabeth of York: The Last White Rose (Tudor Rose #1))
1540 and 1547 prices rose by 46 per cent; in 1549 they had risen by another 11 per cent.
Peter Ackroyd (Tudors: The History of England Volume 2)
hours. The next day, Joan sent another message to the enemy to warn them that this was only the beginning. “You men of England, who have no right in this kingdom of France, the King of Heaven orders and commands you through me, Joan the Pucelle, to abandon your strongholds and go back to your own country,” announced a note fired into the English camp by an archer on May 5. “If not, I will make a war cry that will be remembered forever.
Dan Jones (The Wars of the Roses: The Fall of the Plantagenets and the Rise of the Tudors)
The house of the Plantagenets, from Henry II to Richard III himself, was brimming with blood. In their lust for power the members of the family turned upon one another. King John murdered, or caused to be murdered, his nephew Arthur; Richard II despatched his uncle, Thomas of Gloucester; Richard II was in turn killed on the orders of his cousin, Henry Bolingbroke; Henry VI was killed in the Tower on the orders of his cousin, Edward IV; Edward IV murdered his brother, Clarence, just as his own two sons were murdered by their uncle. It is hard to imagine a family more steeped in slaughter and revenge, of which the Wars of the Roses were only one effusion. It might be thought that some curse had been laid upon the house of the Plantagenets, except of course that in the world of kings the palm of victory always goes to the most violent and the most ruthless. It could be said that the royal family was the begetter of organized crime.
Peter Ackroyd (Foundation: The History of England from Its Earliest Beginnings to the Tudors (History of England #1))
You will be the mother of the next King of England,” she declares. “The red rose and the white, a rose without a thorn. You will have a son, and we will call him Arthur of England.” She takes my hands. “This is your destiny, my daughter. I will help you.
Philippa Gregory (The White Princess (The Plantagenet and Tudor Novels, #5))
Mother had it all wrong. Uncle Gloucester had been ruling the north justly and well. Why should he not rule all England as wisely? She could not imagine him wreaking vengeance. It was just not in character. Mother was overwrought with grief, she decided.
Alison Weir (Elizabeth of York: The Last White Rose (Tudor Rose #1))
I am exhorted to be virtuous and fertile. The people see me indicated as the choice of God for Queen of England. Choirs sing as I enter the city, rose petals are showered down on me. I am myself, my own tableau: the Englishwoman from the House of Lancaster come to be the Queen of York. I am an object of peace and unity.
Philippa Gregory (The White Queen (The Plantagenet and Tudor Novels, #2))
Perhaps most surprising of all, the deposed and imprisoned King Henry was not murdered. This had been the fate of the two Plantagenet kings who had lost their crowns before him: Edward II died while in custody at Berkeley Castle in 1327, while Richard II was killed at Pontefract in 1400, the year following his deposition. Ironically, Henry’s survival was perhaps a mark of his uniquely pitiful and ineffectual approach to kingship—for it was much harder to justify killing a man who had done nothing evil or tyrannical, but had earned his fate thanks to his dewy-eyed simplicity. Permitting Henry to remain alive was a bold decision that Edward IV would come to regret. But in 1465 it must have struck the king as a brave and magnanimous act.
Dan Jones (The Wars of the Roses: The Fall of the Plantagenets and the Rise of the Tudors)
To make a tarte of strawberyes," wrote Margaret Parker in 1551, "take and strayne theym with the yolkes of four eggs, and a little whyte breade grated, then season it up with suger and swete butter and so bake it." And Jess, who had spent the past year struggling with Kant's Critiques, now luxuriated in language so concrete. Tudor cookbooks did not theorize, nor did they provide separate ingredient lists, or scientific cooking times or temperatures. Recipes were called receipts, and tallied materials and techniques together. Art and alchemy were their themes, instinct and invention. The grandest performed occult transformations: flora into fauna, where, for example, cooks crushed blanched almonds and beat them with sugar, milk, and rose water into a paste to "cast Rabbets, Pigeons, or any other little bird or beast." Or flour into gold, gilding marchpane and festive tarts. Or mutton into venison, or fish to meat, or pig to fawn, one species prepared to stand in for another.
Allegra Goodman (The Cookbook Collector)
Richard felt his spirits begin to recover and he raised his hand to the crowds, though it made his back ache. It was worse every year, he thought. Pain he'd thought he could bear all his life became less easy to endure as he aged. It was a frustrating thing to acknowledge, but the physical power and certainty of a man in his twenties saying 'This, I can stand for ever', would not itself last. A brother and a beloved king could die. A vow could wither, a back twist further and his pain might never ease at all
Conn Iggulden (Ravenspur: Rise of the Tudors (The Wars of the Roses, #4))
His home was a part of him, an externalized expression of his will, for upon his inherited Dutch Manor house he had superimposed the Gothic magnificence which he desired. He had been attracted by the formulations of Andrew Downing, the young landscape architect who lived on the river at Newburgh and whose directions for building "romantic and picturesque villas" were changing the countryside; but it was not in Nicholas to accept another's ideas, and when five years ago he had remodeled the old Van Ryn homestead, he had used Downing simply as a guide. To the original ten rooms he had added twenty more, the gables and turrets, and the one high tower. The result, though reminiscent of a German Schloss on the Rhine, crossed with Tudor English and interwoven with pure fantasy, was nevertheless Hudson River American and not unsuited to its setting. The Dragonwyck gardens were as much as an expression of Nicholas' personality as was the mansion, for here, he had subdued Nature to a stylized ornateness. Between the untouched grove of hemlocks to the south and the slope of a rocky hill half a mile to the north he had created along the river an artificial and exotic beauty. To Miranda it was overpowering, and she felt dazed as they mounted marble steps from the landing. She was but vaguely conscious of the rose gardens and their pervasive scent, of small Greek temples set beneath weeping willows, of rock pavilions, violet-bordered fountains, and waterfalls.
Anya Seton (Dragonwyck)
The neighborhood of Indian Village lay just twelve blocks west of Hurlbut, but it was a different world altogether. The four grand streets of Burns, Iroquois, Seminole, and Adams (even in Indian Village the White Man had taken half the names) were lined with stately houses built in eclectic styles. Red-brick Georgian rose next to English Tudor, which gave onto French Provincial. The houses in Indian Village had big yards, important walkways, picturesquely oxidizing cupolas, lawn jockeys (whose days were numbered), and burglar alarms (whose popularity was only just beginning). My grandfather remained silent, however, as he toured his son’s impressive new home. “How do you like the size of this living room?” Milton was asking him. “Here, sit down. Make yourself comfortable. Tessie and I want you and Ma to feel like this is your house, too. Now that you’re retired—” “What do you mean retired?” “Okay, semiretired. Now that you can take it a little bit easy, you’ll be able to do all the things you always wanted to do. Look, in here’s the library. You want to come over and work on your translations, you can do it right here. How about that table? Big enough for you? And the shelves are built right into the wall.” Pushed out of the daily operations at the Zebra Room, my grandfather began to spend his days driving around the city. He drove downtown to the Public Library to read the foreign newspapers. Afterward, he stopped to play backgammon at a coffee house in Greektown. At fifty-four, Lefty Stephanides was still in good shape. He walked three miles a day for exercise. He ate sensibly and had less of a belly than his son. Nevertheless
Jeffrey Eugenides (Middlesex)
You are lucky in your looks,” she says. “Your mother was always a beauty and you are very like her: fair, slender, skin like a rose petal and that wonderful hair, gold and bronze all at once. Undoubtedly you will have beautiful children. I suppose you are still proud of your looks? I suppose you are still vain?” I
Philippa Gregory (The White Princess (The Plantagenet and Tudor Novels, #5))
It was a situation which fostered inbreeding; in fact, the very foundation of the Tudor dynasty was a marriage between cousins two generations before Mary. After Henry VII married Elizabeth of York, it helped bring an end to the Wars of the Roses.
Charles River Editors (Bloody Mary: The Life and Legacy of England’s Most Notorious Queen)
However, the most popular cultural response to the Wars of the Roses is not a work of history or historical fiction but one of fantasy; George R R Martin's Game of Thrones books, and their TV adaptation, are hugely influenced by the Wars of the Roses. Martin has taken the core of the conflict - a political and personal struggle between two medieval dynasties - and depicted it on an epic scale. Though his version contains monsters and magic, it also contains many incidents based on those of the war, as well as characters based on its protagonists, most notably the noble houses of Stark and Lannister.
Charles River Editors (The Wars of the Roses: The History of the Conflicts that Brought the Tudors to Power in England)
Warwick breathed out slowly. He could her the noise of the descending duke and he turned back to the Plantagenet armies of York - of Edward and Richard and George. He felt the pain of it once more. To be the victor, he had to destroy three boys he had raised up to be men. He knew how they would stand together, just as he stood with his brothers. He was forty-two years old and he had fought for over sixteen of them. He had sinned and he had lost friends and his father. He had witnessed bravery at the moment of death, had known bitter exile and murder and great victory, all of it marking him where it could not rub off or be washed away. He had no sons of his own. He began to chuckle in the breeze, though it was far closer to sobbing than laughter
Conn Iggulden (Ravenspur: Rise of the Tudors (The Wars of the Roses, #4))
It was rare for Richard to have hands clear of broken blisters or his body unbruised. When he was weak of will, as his brother was weak, when he wanted to gorge his starving frame or drink himself to oblivion, or simply to allow all his bruises to heal to spare himself from pain, he would recite the words a Benedictine monk had taught him for such times: 'Non draco sit mihi dux. Vade retro Satana.' 'The dragon is not my master. Get the behind me, Satan.' The words had become a talisman and saying them brought him back to calm. Richard lived in pain and his flesh was in opposition to his will. Yet he would prevail, because all flesh failed, whereas the will was a sea deep enough to drown
Conn Iggulden (Ravenspur: Rise of the Tudors (The Wars of the Roses, #4))
Henry VII’s regime (1485–1500): From these south-western shire surveys it appears that there was not one magnate who provided a ‘political centre’ for the region during Henry’s reign: no leading peer seems to have had the requisite combination of landholding, office-holding, and associations spread throughout all the counties. Rather, it seems that two south-western meso-regional magnates might be discerned: Lords Daubeney and Willoughby (p. 341). The alliances of the two most influential Cornish families during this period, the Edgcumbes and the Arundells, with Lord Willoughby [de Broke] emphasises the peer’s importance in the governance of Devon and Cornwall… In summary, it seems that, as in Devon, the chief magnate in Cornwall was Lord Willoughby. He could not rely on the support only of those associated directly with him, but on the aid of other local figures through his secondary patrons, [John, Lord] Dinham, [Edward Courtenay, Earl of] Devon, [John] Arundell, and the Edgcumbes (p. 336). The intermediate focus of royal authority between county and centre in Henry VI’s later years and under Edward IV had been the regional governor. The conciliar governance of Richard III’s Council of the North was continued by the Tudors who reinstituted this council, and the prince’s council in Wales and the Marches, while also creating a regional council in the Midlands focussed on Henry’s mother. However, in the south-west no single magnate or council was given such regional power, which may have been because Henry’s chief magnates were his loyal household officers, his steward and chamberlain… Henry VII’s governance–as chiefly restorative rather than innovatory–might therefore be described as a renewed monarchy, which, it could be said, by revitalising political structures, finally managed to hoist the ensign of settlement above the battlefields of the Wars of the Roses (p. 344).
Robert E. Stansfield-Cudworth (Political Elites in South-West England, 1450–1500: Politics, Governance, and the Wars of the Roses)
One does not analyse a person one loves. One just loves them as they are.
Margaret Campbell Barnes (The Tudor Rose)
Anne Hathaway's Garden by Stewart Stafford In Stratford, lies a garden's tended hair, Two lovebirds, Avon swans, nested there. Anne kept counsel as Shakespeare's bride, United home and clan over distance wide. Pestilence, flood and war roared with fright, This English idyll thrived in the pastoral light, Rose, rosemary pruned with nurturing care, Floral Tudor fireworks, exploding fragrant air. The Bard, swansong past, returned to her, Wooed Anne with words, the heartbeat spur, To walk and reminisce among the green, Sparked a fire that life apart rendered lean. Anne Hathaway's garden outlived them all, Paralleled words, evergreen, as in virgin scrawl. © Stewart Stafford, 2024. All rights reserved.
Stewart Stafford
She knew that being a mortal woman is hard on the heart, hard on the feet. She knew that she would need to be alone in the water, under the water, the ripples reflected on her scaly tail now and then.
Philippa Gregory (Philippa Gregory's Wars of the Roses 2-Book Boxed Set: The Red Queen and The White Queen (The Plantagenet and Tudor Novels))
Maent yn dweud fy mod yn caru, Lle nad wyf, mi allaf dyngu. Yn lle ‘rwyf yn caru mwyaf Y mae lleiaf sôn amdanaf.
Mari Griffith (Root of the Tudor Rose: A masterpiece of historical fiction)
When I rose up the queen was looking toward me, not as if I were a rival, but as if I were still her favorite little maid in waiting who might bring her some comfort. She looked at me as if for a moment she would seek someone who would understand the dreadful predicament of a woman, in this world ruled by men. George
Philippa Gregory (The Other Boleyn Girl (The Plantagenet and Tudor Novels #9))
It is as I said. Your house’s emblem should not be the white rose but the old sign of eternity.” “Eternity?” I repeat, hopeful that he is going to say something reassuring at this most dark time in our days. “Yes, the snake which eats itself. The sons of York will destroy each other, one brother destroying another, uncles devouring nephews, fathers beheading sons. They are a house which has to have blood, and they will shed their own if they have no other enemy.
Philippa Gregory (The White Queen (The Plantagenet and Tudor Novels, #2))
Upon hearing Mary's name, the crowds were so joyous that the [Earl of Pembroke] was unable to conclude his speech, and 'he himself who was wearing a cap of great value, covered with gold and precious stones, threw it up into the air, which use is observed when they give went to an exceptional joy'. It may not have been quite the scene described by Mary's supporters, whereby people were 'leaping and dancing as though beside themselves', and there was 'such a clamour and din and press of people in the streets' as men 'ran hither and thither, bonnets flew into the air, shouts rose higher than the stars, fires were lit on all sides, and all the bells were set a-pealing', but all of the sources agree that the news of Mary's accession was greeted with jubilation.
Nicola Tallis (Crown of Blood: The Deadly Inheritance of Lady Jane Grey)
A very old wisteria rose snaking over an arbour. Nearby were tiny roses on a wall, mere tufty buttons that smelled of one's childhood in a horse-pace village. Thin bricks were set on edge around a bed of irises, bricks which had been stamped on by Tudor horses, when they had formed the floor of the old stables. Traces of them could be seen also in the path in the churchyard, like the backs of small old books packed in a bookshelf.
Adrian Bell (A Countryman’s Summer Notebook)
In that moment I understood things no fifteen year old should. Above human nature. About self-preservation. Able desperation. Panic rose in a tidal wave, filling my throat, making it harder to breathe.
C.J. Tudor (The Hiding Place)
Purpose and Perspective: This work, which the author acknowledges is essentially a synthesis drawing upon the results of many other detailed studies, offers a new approach to both the burgeoning study of regions in English history and on the established discussion of the nature of Yorkist and early Tudor government (Foreword by Professor A. J. Pollard, p. iv). The study aims to explore whether a regional approach to late medieval English politics and governance is feasible, with specific reference to south-west England during the later fifteenth century. The relative importance of regions, in comparison to counties, will be explored by examination of the elites, politics, and government of Cornwall, Devon, Somerset, and Dorset from 1450 to 1500. But such an undertaking raises the fundamental question of whether a regional approach to the study of the south-western shires (or indeed any grouping of neighbouring counties anywhere in England) is valid–was there anything more to a ‘south-west region’ than simply a set of separate shires? That problem has made it necessary to study the south-west in a longer and broader context, in political terms, across the whole of the later fifteenth century (p.1). Certain aspects of the political history of south-west England have received attention from historians, mostly in the form of family or county studies… (p.19). Despite these admirable and informative studies, therefore, there are still significant lacunae in our understanding of particular aspects of the region’s governance during the later fifteenth century. Consequently, a regional investigation of the south-west political elites spanning the later fifteenth century might draw on earlier research and offer a broader perspective of court–country relations. A regional perspective of the interaction of local and national government would make possible a greater evaluation of the role of the duchy of Cornwall and the impact of the Wars of the Roses in the region (p. 21).
Robert E. Stansfield-Cudworth (Political Elites in South-West England, 1450–1500: Politics, Governance, and the Wars of the Roses)
Psaume N°3 Que je suis seul, Seigneur, et à rebours ! Arbre en exil oublié en plein champ, Le fruit saumâtre et le feuillage lourd, Acharné, vif, hérissé de piquants. Je voudrais tant qu'un passereau disert S'arrête en ma ramenée Et chante en moi, voletant à travers Mon ombre de fumée. J'espère, un peu de grâce et de douceur ; Un pépiement, du moins, de martinet Ou de moineau fluet, Comme tout arbre aux fruits pleins de saveur. Je n'ai pas de nectars roses et tendres, Pas même la senteur du verjus frais. Rivé par force entre éternel et brumes, Nulle chenille par mon tronc ne se plaît. Haut chandelier, sentinelle aux confins, À chaque instant une étoile se dore Sur mes rameaux tendus sur l'autel saint – Et je te sers ; combien de temps encore ? De voir ces feux sacrés, fleurs miennes, luire, De ne mûrir que métaux, patiemment, Selon tes rigoureux commandements Devrait, Seigneur, peut-être me suffire. Seul à ma tâche, abandonné par toi, Je peine, et saigne, et force mes racines. Au moins, de loin, ordonne que parfois Quelque ange enfant, ouvrant son aile fine S'éclaire, blanc, sous la lune au passage Et me redise ta parole sage.
Tudor Arghezi (50 poeme | 50 poèmes)
Here, memories were filtered through rose-tinted glasses. You selected the things you want to remember and put aside those you would rather forget.
C.J. Tudor (The Other People)
The War of the Roses had begun. For over thirty years, the Lancaster and York families battled each other for the throne of England. The name of the war is a poetic reference to the emblems of both parties: the red rose of the Lancasters and the white rose of the Yorks.
Captivating History (Tudor History: A Captivating Guide to the Tudors, the Wars of the Roses, the Six Wives of Henry VIII and the Life of Elizabeth I (Key Periods in England's Past))
thanks to this new law, appeals in spiritual matters will now be heard in England, not Rome, and I will henceforth enjoy entire power, authority, and jurisdiction here. My church will be independent, with
Alison Weir (The King's Pleasure (Tudor Rose #2))
Rose oil eventually lost popularity by Elizabeth I’s reign when musk, civet and ambergris competed with rose as the perfume most valued at court. Could this be because once rose oil became so readily available it lost its exclusivity value?
Carol McGrath (Sex and Sexuality in Tudor England)
Mother!" yelled a lad's voice, turning all their heads toward her Castle's iron gate in the wall that rose above the river Foyle. ,"Mother!" He halted, catching his breath. "They are all dead!
Mary Pat Ferron Canes (Dark Queen of Donegal)
Tudor historians were fond of reminding their readers of the horrors of the Wars of the Roses, recounting how the realm had been plunged into the vicious civil war over a disputed crown that lasted more than thirty years.
Alison Weir (The Wars of the Roses)
Tudor historians were adept at rewriting history.
Alison Weir (The Wars of the Roses)
she says something nasty.’ ‘Well, not nasty, exactly,’ Gertie said. ‘More sly, isn’t it?’ Celeste nodded. ‘Like the time she said that you were looking well.’ Evie gave a mad sort of laugh. ‘Yes!’ she cried. ‘She said I suited the extra weight I’d put on.’ ‘And the time she admired my dress,’ Gertie said, ‘and then went on to say that she wished they’d come in petite so that she could have one too.’ Celeste gave a knowing smile. ‘I don’t think it’s natural to be as skinny as Simone,’ she said. ‘No,’ Evie said. ‘Didn’t she once say that she hated chocolate? How can you trust anyone who doesn’t like chocolate? It’s not natural, is it?’ ‘It certainly isn’t,’ Celeste said, enjoying the jovial mood between them and wishing it could be like this more often. ‘And if she says my fingernails look like a man’s one more time, I swear I’m going to scream,’ Gertie said. The sisters laughed together before getting out of the car. Oak House was on the edge of a pretty village in what was known as ‘High Suffolk’ – the area to the north-west of the county famous for its rolling countryside. The house itself wasn’t attractive. Or at least it wasn’t attractive to Celeste, who was suspicious of any architecture that came after the Arts and Crafts movement – which this one certainly had. She still found it hard to understand how her father could have bought a mock-Tudor house when he had lived in a bona fide medieval home for so many years. She looked up at its black and white gable and couldn’t help wincing at such modernity. It was the same inside, too, with neatly plastered walls and floors that neither sloped nor squeaked. But, then again, Oak House had never known damp or deathwatch beetle and there was never the slightest chance of being cold in the fully insulated rooms with their central heating. ‘God, I’d rather spend an afternoon with Esther Martin,’ Gertie said as they approached the front door, which sheltered in a neat little porch where Simone had placed a pot of begonias. Celeste didn’t like begonias. Mainly because they weren’t roses. ‘I popped my head in to see if Esther was all right this morning and she nearly bit it off,’ Celeste said. ‘I’ve given up on her,’ Gertie said. ‘I’ve tried – I’ve really tried to be nice, but she is the rudest person I’ve ever met.’ Evie sighed. ‘You can’t blame her
Victoria Connelly (The Rose Girls)
To be close to your greatest desire could be an exquisite pain
Conn Iggulden (Ravenspur: Rise of the Tudors (The Wars of the Roses, #4))
had
Conn Iggulden (Ravenspur: Rise of the Tudors (Wars of the Roses #4))