Skull Inspirational Quotes

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As the earth dies your spirit will bloom; as the world fades your soul will rise and glisten. Amongst the dehydrated crevices of a desert earth you will stumble upon your diamonds; in between the dry skulls and cracked bones you will find your sapphires.
C. JoyBell C.
An empty skull is the vanitas symbol of modern education.
Bauvard (Some Inspiration for the Overenthusiastic)
Herman Melville said that artists have to take a dive, and either you hit your head on a rock and it splits your skull and you die, or, that blow to your head is so inspiring that you come back up and you do the best work you ever did. But — you have to take the dive. And you do not know what the result will be.
Maurice Sendak
The tongue of a woodpecker can extend more than three times the length of its bill. When not in use, it retracts into the skull and its cartilage-like structure continues past the jaw to wrap around the bird’s head and then curve down to its nostril. In addition to digging out grubs from a tree, the long tongue protects the woodpecker’s brain. When the bird smashes its beak repeatedly into tree bark, the force exerted on its head is ten times what would kill a human. But its bizarre tongue and supporting structure act as a cushion, shielding the brain from shock.1 There is no reason you actually need to know any of this. It is information that has no real utility for your life, just as it had none for Leonardo. But I thought maybe, after reading this book, that you, like Leonardo, who one day put “Describe the tongue of the woodpecker” on one of his eclectic and oddly inspiring to-do lists, would want to know. Just out of curiosity. Pure curiosity.
Walter Isaacson (Leonardo Da Vinci)
Metaforen är ett av tankens väsentligaste verktyg. Den belyser vad som annars skulle ligga helt i mörker. Men denna belysning blir ibland så klar att den bländar istället för avslöjar.
Alasdair Gray (Lanark)
Let me tell you a secret: every time self-doubt crawls in to your skull, grab that mother by the throat and kick the ever-loving shit out of it. Trust me. You only succeed in this business when you know, absolutely know in your heart you will succeed. It’s like the guy says, if you think you’ll win or you think you’ll lose, you’re right." ~ Ross "Melon-Head" Mellon, to Ellie Bourke
Tony McFadden (G'Day L.A. (Ellie Bourke Book 1))
Wild eyes were another sign. It is something I have seldom seen — the expression of an ecstatic state — though much is foolishly written of them, as if they grew like Jerusalem artichokes along the road. The eyes are black, right enough, whatever their normal color is; they are black because their perception is condensed to a coal, because the touch and taste and perfume of the lover, the outcry of a dirty word, a welcome river, have been reduced in the heat of passion to a black ash, and this unburnt residue of oxidation, this calyx, replaces the pupil so it no longer receives but sends, and every hair is on end, though perhaps only outspread on a pillow, and the nostrils are flared, mouth agape, cheeks sucked so the whole face seems as squeezed as a juiced fruit; I know, for once Lou went into that wildness while we were absorbing one another, trying to kiss, not merely forcefully, not the skull of our skeleton, but the skull and all the bones on which the essential self is hung, kiss so the shape of the soul is stirred too, that's what is called the ultimate French, the furtherest fuck, when a cock makes a concept cry out and climax; I know, for more than once, though not often, I shuddered into that other region, when a mouth drew me through its generosity into the realm of unravel, and every sensation lay extended as a lake, every tie was loosed, and the glue of things dissolved. I knew I wore the wild look then. The greatest gift you can give another human being is to let them warm you till, in passing beyond pleasure, your defenses fall, your ego surrenders, its structure melts, its towers topple, lies, fancies, vanities, blow away in no wind, and you return, not to the clay you came from — the unfired vessel — but to the original moment of inspiration, when you were the unabbreviated breath of God.
William H. Gass (The Tunnel)
I know of a doorway to another world. It waits beneath your skull, behind your eyes. The key must be forged from scratch, smelted in passion and hardened by knowledge.
A.L. Exley
...if you don't know by this time what kind of skull you want when you're dead, and what you have to do to earn it... then what's the use of talking?
J.D. Salinger
jeg ville gerne være højere, så jeg kunne se dig i øjnene, jeg ville gerne expandere, så jeg kunne rumme os begge, jeg ville gerne koncentrere mig, så det hele kunne nås inden for dette øje-bliks grænser, så ingen overflødige ord skulle spilde tiden med at forbinde vore afstandes sår, jeg ville gerne koncentrere mig, så ordenes mislykkede graviditeter blev afbrudt, så nye afstande døde før fødselen, jeg ville gerne være højere, så jeg kunne se dig i øjnene, jeg ville gerne indfange dine øjnes udtryk og indtryk; men afstanden er for stor, og du ser det hele fra en anden vinkel - ser ned på mit forståelsessøgende blik.
Michael Strunge
Michael staggered to his feet and turned to face his worst nightmare. Baal stood before him, a smirk on his face. He wore his signature grey, pinstripe, three-piece suit, and casually twisted his pinky ring on his long and slender well-manicured finger. As it rotated Michael caught a glimpse of the rubies in the skull’s eye sockets. His black hair was slicked back, the sight of his false appearance made Michael sick to his stomach.
Wendy Owens (The Guardians Crown Parts One and Two (The Sacred Guardians #4))
The Loneliness of the Military Historian Confess: it's my profession that alarms you. This is why few people ask me to dinner, though Lord knows I don't go out of my way to be scary. I wear dresses of sensible cut and unalarming shades of beige, I smell of lavender and go to the hairdresser's: no prophetess mane of mine, complete with snakes, will frighten the youngsters. If I roll my eyes and mutter, if I clutch at my heart and scream in horror like a third-rate actress chewing up a mad scene, I do it in private and nobody sees but the bathroom mirror. In general I might agree with you: women should not contemplate war, should not weigh tactics impartially, or evade the word enemy, or view both sides and denounce nothing. Women should march for peace, or hand out white feathers to arouse bravery, spit themselves on bayonets to protect their babies, whose skulls will be split anyway, or,having been raped repeatedly, hang themselves with their own hair. There are the functions that inspire general comfort. That, and the knitting of socks for the troops and a sort of moral cheerleading. Also: mourning the dead. Sons,lovers and so forth. All the killed children. Instead of this, I tell what I hope will pass as truth. A blunt thing, not lovely. The truth is seldom welcome, especially at dinner, though I am good at what I do. My trade is courage and atrocities. I look at them and do not condemn. I write things down the way they happened, as near as can be remembered. I don't ask why, because it is mostly the same. Wars happen because the ones who start them think they can win. In my dreams there is glamour. The Vikings leave their fields each year for a few months of killing and plunder, much as the boys go hunting. In real life they were farmers. The come back loaded with splendour. The Arabs ride against Crusaders with scimitars that could sever silk in the air. A swift cut to the horse's neck and a hunk of armour crashes down like a tower. Fire against metal. A poet might say: romance against banality. When awake, I know better. Despite the propaganda, there are no monsters, or none that could be finally buried. Finish one off, and circumstances and the radio create another. Believe me: whole armies have prayed fervently to God all night and meant it, and been slaughtered anyway. Brutality wins frequently, and large outcomes have turned on the invention of a mechanical device, viz. radar. True, valour sometimes counts for something, as at Thermopylae. Sometimes being right - though ultimate virtue, by agreed tradition, is decided by the winner. Sometimes men throw themselves on grenades and burst like paper bags of guts to save their comrades. I can admire that. But rats and cholera have won many wars. Those, and potatoes, or the absence of them. It's no use pinning all those medals across the chests of the dead. Impressive, but I know too much. Grand exploits merely depress me. In the interests of research I have walked on many battlefields that once were liquid with pulped men's bodies and spangled with exploded shells and splayed bone. All of them have been green again by the time I got there. Each has inspired a few good quotes in its day. Sad marble angels brood like hens over the grassy nests where nothing hatches. (The angels could just as well be described as vulgar or pitiless, depending on camera angle.) The word glory figures a lot on gateways. Of course I pick a flower or two from each, and press it in the hotel Bible for a souvenir. I'm just as human as you. But it's no use asking me for a final statement. As I say, I deal in tactics. Also statistics: for every year of peace there have been four hundred years of war.
Margaret Atwood (Morning In The Burned House: Poems)
And after the briefest flowering of understanding, my own generation had grown complacent. At some level, we must have started taking it for granted that the way the universe worked was now obvious to any child ... even though it went against everything innate to the species: the wild, undisciplined love of patterns, the craving to extract meaning and comfort from everything in sight. We thought we were passing on everything that mattered to our children: science, history, literature, art. Vast libraries of information lay at their fingertips. But we hadn't fought hard enough to pass on the hardest-won truth of all: Morality comes only from within. Meaning comes only from within. Outside our own skulls, the universe is indifferent.
Greg Egan
Every day when I wake up and head out for chores, I'm struck by the beauty we enjoy on our farm. Based on visitors' comments, that's a shared awareness. Not one of our doors has a skull and crossbones. We want visitors to be struck not by what we've done, but rather by how we've caressed this beautiful niche of God's creation into a productive and profoundly inspiring place.
Joel Salatin (The Marvelous Pigness of Pigs: Respecting and Caring for All God's Creation)
In the middle of the last century, Lewis marched into the line of fire to summon a nation to be what it had long said it would be but had failed to become. Arrested forty-five times over the course of his life, Lewis suffered a fractured skull and was repeatedly beaten and tear-gassed. He led by example more than by words. He was a peaceful soldier in the cause of a religiously inspired understanding of humanity and of America. And he bent history to his will—though he would insist the important thing was not his will, but God’s.
Jon Meacham (His Truth Is Marching On: John Lewis and the Power of Hope)
Oh Devi, give me the food for jnana (knowledge) and vairagya. This means not to project my past into the future and destroy my life by quickly aging. Devi then gives the grain of the great truth, the knowledge of not projecting your past into the future. When the grains are offered into that skull, the skull was enjoying so much. So she purposely drops a little bit of grain outside the skull on the ground. The skull felt the taste of the food so much that it just jumped out to eat that food and Shiva was free of the skull. He was liberated.
Paramahamsa Nithyananda
Be big enough to offer the truth to people and if it short circuits them I think that's tragic. I think that's sad but, I will not strike no unholy bargains to self erase. I wont do it. I don't care how many people fucked up their lives. I don't care how many bad choices people have made. I don't care how much pettiness they've consumed and spat out. I don't care how much viciousness , rage, abuse, spanking they've dealt out. I am gonna tell the truth as I see it and I'm going to be who I fucking am and if that causes the world to shift in it's orbit and half the evil people get thrown off the planet and up into space well, you shouldn't of been standing in evil to begin with because, there is gravity in goodness. So, sorry; I have to be who I am. Everyone ells is taken. There is no other place I can go than in my own head. I can't jump from skull to skull until I find one that suits bad people around me better. I don't have that choice. So, be your fucking self. Speak your truth and if there are people around you who tempt you with nonexistence , blast through that and give them the full glory of who you are. Do not withhold yourself from the world. Do not piss on the incandescent gift of your existence. Don't drown yourself in the petty fog and dustiness of other peoples ancient superstitions, beliefs, aggressions, culture, and crap. No, be a flare. We're all born self expressive. We are all born perfectly comfortable with being incredibly inconvenient to our parents. We shit, piss, wake up at night, throw up on their shoulders, scream, and cry. We are in our essence, in our humanity, perfectly comfortable with inconveniencing others. That's how we are born. That's how we grow. That's how we develop. Well, I choose to retain the ability to inconvenience the irrational. You know I had a cancer in me last year and I'm very glad that the surgeons knife and the related medicines that I took proved extremely inconvenient to my cancer and I bet you my cancer was like "Aw shit. I hate this stuff man." Good. I'm only alive because medicine and surgery was highly inconvenient to the cancer within me. That's the only reason I'm alive. So, be who you are. If that's inconvenient to other people that's their goddamn business, not yours. Do not kill yourself because other people are dead. Do not follow people into the grave. Do not atomize yourself because, others have shredded themselves into dust for the sake of their fears and their desire to conform with the history of the dead.
Stefan Molyneux
As Wundt is read today only by those with a specialized interest, he is not included in the list of classics. American philosopher William James (1842–1910), however, also considered a “founding father” of modern psychology, is still widely read. The brother of novelist Henry James, he trained in medicine and then transferred to philosophy, but like Wundt felt that the workings of the mind deserved to be a separate field of study. Building on a theory by German neuroanatomist Franz Gall that all thoughts and mental processes were biological, James helped to spread the remarkable idea that one’s self—with all its hopes, loves, desires, and fears—was contained in the soft gray matter within the walls of the skull.
Tom Butler-Bowdon (50 Psychology Classics: Who We Are, How We Think, What We Do: Insight and Inspiration from 50 Key Books (50 Classics))
Through their wickedness we were divided amongst ourselves; and the better to keep their thrones and be at ease, they armed the Druze to fight the Arab, and stirred up the Shiite to attack the Sunnite, and encouraged the Kurdish to butcher the Bedouin, and cheered the Mohammedan to dispute with the Christian. Until when shall a brother continue killing his own brother upon his mother's bosom? Until when shall the Cross be kept apart from the Crescent before the eyes of God? Oh Liberty, hear us, and speak in behalf of but one individual, for a great fire is started with a small spark. Oh Liberty, awaken but one heart with the rustling of thy wings, for from one cloud alone comes the lightning which illuminates the pits of the valleys and the tops of the mountains. Disperse with thy power these black clouds and descend like thunder and destroy the thrones that were built upon the bones and skulls of our ancestors.
Kahlil Gibran (KAHLIL GIBRAN Premium Collection: Spirits Rebellious, The Broken Wings, The Madman, Al-Nay, I Believe In You and more (Illustrated): Inspirational Books, ... Essays & Paintings of Khalil Gibran)
MARK TWAIN Some months after invading Iraq, President George W. Bush said he had taken the war to liberate the Philippines as his model. Both wars were inspired from heaven. Bush disclosed that God had ordered him to act as he did. And a century beforehand, President William McKinley also heard the voice from the Great Beyond: “God told me that we could not leave the Filipinos to themselves. They were unfit for self-government. There was nothing left for us to do but to take them all, and to educate them, and uplift and civilize and Christianize them.” Thus the Philippines were liberated from the Filipino threat, and along the way the United States also saved Cuba, Puerto Rico, Honduras, Colombia, Panama, Dominican Republic, Hawaii, Guam, Samoa . . . At the time, writer Ambrose Bierce revealed: “War is God’s way of teaching us geography.” And his colleague Mark Twain, leader of the Anti-Imperialist League, designed a new flag for the nation, featuring little skulls in place of stars. General Frederick Funston suggested Twain ought to be hanged for treason. Tom Sawyer and Huck Finn defended their father.
Eduardo Galeano (Mirrors: Stories of Almost Everyone)
Palo Mayombe is perhaps best known for its display of human skulls in iron cauldrons and accompanied by necromantic practices that contribute to its eerie reputation of being a cult of antinomian and hateful sorcerers. This murky reputation is from time to time reinforced by uninformed journalists and moviemakers who present Palo Mayombe in similar ways as Vodou has been presented through the glamour and horror of Hollywood. It is the age old fear of the unknown and of powers that threaten the established order that are spawned from the umbra of Palo Mayombe. The cult is marked by ambivalence replicating an intense spectre of tension between all possible contrasts, both spiritual and social. This is evident both in the history of Kongo inspired sorcery and practices as well as the tension between present day practitioners and the spiritual conclaves of the cult. Palo Mayombe can be seen either as a religion in its own right or a Kongo inspired cult. This distinction perhaps depends on the nature of ones munanso (temple) and rama (lineage). Personally, I see Palo Mayombe as a religious cult of Creole Sorcery developed in Cuba. The Kongolese heritage derives from several different and distinct regions in West Africa that over time saw a metamorphosis of land, cultures and religions giving Palo Mayombe a unique expression in its variety, but without losing its distinct nucleus. In the history of Palo Mayombe we find elite families of Kongolese aristocracy that contributed to shaping African history and myth, conflicts between the Kongolese and explorers, with the Trans-Atlantic slave trade being the blood red thread in its development. The name Palo Mayombe is a reference to the forest and nature of the Mayombe district in the upper parts of the deltas of the Kongo River, what used to be the Kingdom of Loango. For the European merchants, whether sent by the Church to convert the people or by a king greedy for land and natural resources, everything south of present day Nigeria to the beginning of the Kalahari was simply Kongo. This un-nuanced perception was caused by the linguistic similarities and of course the prejudice towards these ‘savages’ and their ‘primitive’ cultures. To write a book about Palo Mayombe is a delicate endeavor as such a presentation must be sensitive both to the social as well as the emotional memory inherited by the religion. I also consider it important to be true to the fundamental metaphysical principles of the faith if a truthful presentation of the nature of Palo Mayombe is to be given. The few attempts at presenting Palo Mayombe outside ethnographic and anthropological dissertations have not been very successful. They have been rather fragmented attempts demonstrating a lack of sensitivity not only towards the cult itself, but also its roots. Consequently a poor understanding of Palo Mayombe has been offered, often borrowing ideas and concepts from Santeria and Lucumi to explain what is a quite different spirituality. I am of the opinion that Palo Mayombe should not be explained on the basis of the theological principles of Santeria. Santeria is Yoruba inspired and not Kongo inspired and thus one will often risk imposing concepts on Palo Mayombe that distort a truthful understanding of the cult. To get down to the marrow; Santeria is a Christianized form of a Yoruba inspired faith – something that should make the great differences between Santeria and Palo Mayombe plain. Instead, Santeria is read into Palo Mayombe and the cult ends up being presented at best in a distorted form. I will accordingly refrain from this form of syncretism and rather present Palo Mayombe as a Kongo inspired cult of Creole Sorcery that is quite capable
Nicholaj de Mattos Frisvold (Palo Mayombe: The Garden of Blood and Bones)
He tried to feel the meaning of the words, speak them with passion nonetheless. If this was what he was inspired to, then he would not believe he had been inspired wrong. And it wrong to simply intone the Scholar-God’s arguments. They must be…internalized. Considered. Spoken as if they lived and breathed and were each day argued anew, not as if they lay dead and dusty in some tomb.
Elizabeth Bear (The Stone in the Skull (Lotus Kingdoms, #1))
My first Bible was one of those Precious Moments volumes that boasted blond, doe-eyed David on the cover, two baby lambs resting in his arms, and a sparrow perched on his staff, the shepherd boy blissfully unaware that in a few short years he'd be delivering 200 Philistine foreskins to his father-in-law as a bride price. Inside were all my favorite biblical heroes and heroines depicted as children. (Well, almost all of them. The artists failed to include Jael, whose precious moment involved assassinating a general by driving a tent peg through his skull.)
Rachel Held Evans (Inspired: Slaying Giants, Walking on Water, and Loving the Bible Again)
Palo Mayombe is perhaps best known for its display of human skulls in iron cauldrons and accompanied by necromantic practices that contribute to its eerie reputation of being a cult of antinomian and hateful sorcerers. This murky reputation is from time to time reinforced by uninformed journalists and moviemakers who present Palo Mayombe in similar ways as Vodou has been presented through the glamour and horror of Hollywood. It is the age old fear of the unknown and of powers that threaten the established order that are spawned from the umbra of Palo Mayombe. The cult is marked by ambivalence replicating an intense spectre of tension between all possible contrasts, both spiritual and social. This is evident both in the history of Kongo inspired sorcery and practices as well as the tension between present day practitioners and the spiritual conclaves of the cult. Palo Mayombe can be seen either as a religion in its own right or a Kongo inspired cult. This distinction perhaps depends on the nature of ones munanso (temple) and rama (lineage). Personally, I see Palo Mayombe as a religious cult of Creole Sorcery developed in Cuba. The Kongolese heritage derives from several different and distinct regions in West Africa that over time saw a metamorphosis of land, cultures and religions giving Palo Mayombe a unique expression in its variety, but without losing its distinct nucleus. In the history of Palo Mayombe we find elite families of Kongolese aristocracy that contributed to shaping African history and myth, conflicts between the Kongolese and explorers, with the Trans-Atlantic slave trade being the blood red thread in its development.
Nicholaj de Mattos Frisvold (Palo Mayombe: The Garden of Blood and Bones)
Soon, she was singing along, tweaking the song as she watched the sun rise over the King's City below. As she sang, her gaze wandered over the shining white walls of the palace beyond the dome. She thought of the Wood King sitting on his white throne. Of candlelit halls and attendants fluttering like moths. Of Claw's silver snout emerging from the shadows, and Rooke falling to his knees before Bog, and that creepy wall of skulls in the crypt... It was habitual. Whenever she sang a song for the first time, she sealed a memory inside the melody. Like a gift she was packaging for her future self. She'd been doing it for as long as she could remember. From now on, whenever she sang this song, she would come back to this moment, looking out over the King's City. She would remember the things that happened here.
Kristen Ciccarelli (Edgewood)
The development of quantum mechanics in the late 1920s expanded the classical notion of fields in a way that would have shocked Newtonian physicists. Quantum fields do not exist physically in space-time like the classically inferred gravitational and electromagnetic fields. Instead, quantum fields specify only probabilities for strange, ghostlike particles as they manifest in space-time. Although quantum fields are mathematically similar to classical fields, they are more difficult to understand because, unlike classical fields, they exist outside the usual boundaries of space-time. This gives the quantum field a peculiar nonlocal character, meaning the field is not located in a given region of space and time. With a nonlocal phenomenon, what happens in region A instantaneously influences what occurs in region B, and vice versa, without any energy being exchanged between the two regions. Such a phenomenon would be impossible according to classical physics, and yet nonlocality has been dramatically and convincingly revealed in modern physics experiments. In fact, those experiments are independent of the present formulation of quantum mechanics, which means that any future theory of nature must also embody the principle of nonlocality. We’ll return to nonlocality again in chapter 16. Consciousness Fields Just as the individual is not alone in the group, nor any one in society alone among the others, so man is not alone in the universe. —Claude Levi-Strauss The idea that consciousness may be fieldlike is not new.2 William James wrote about this idea in 1898, and more recently the British biologist Rupert Sheldrake proposed a similar idea with his concept of morphogenetic fields.3 The conceptual roots of field consciousness can be traced back to Eastern philosophy, especially the Upanishads, the mystical scriptures of Hinduism, which express the idea of a single underlying reality embodied in “Brahman,” the absolute Self. The idea of field consciousness suggests a continuum of nonlocal intelligence, permeating space and time. This is in contrast with the neuroscience-inspired, Newtonian view of a perceptive tissue locked inside the skull.
Dean Radin (The Conscious Universe: The Scientific Truth of Psychic Phenomena)
More radically, how can we be sure that the source of consciousness lies within our bodies at all? You might think that because a blow to the head renders one unconscious, the ‘seat of consciousness’ must lie within the skull. But there is no logical reason to conclude that. An enraged blow to my TV set during an unsettling news programme may render the screen blank, but that doesn’t mean the news reader is situated inside the television. A television is just a receiver: the real action is miles away in a studio. Could the brain be merely a receiver of ‘consciousness signals’ created somewhere else? In Antarctica, perhaps? (This isn’t a serious suggestion – I’m just trying to make a point.) In fact, the notion that somebody or something ‘out there’ may ‘put thoughts in our heads’ is a pervasive one; Descartes himself raised this possibility by envisaging a mischievous demon messing with our minds. Today, many people believe in telepathy. So the basic idea that minds are delocalized is actually not so far-fetched. In fact, some distinguished scientists have flirted with the idea that not all that pops up in our minds originates in our heads. A popular, if rather mystical, idea is that flashes of mathematical inspiration can occur by the mathematician’s mind somehow ‘breaking through’ into a Platonic realm of mathematical forms and relationships that not only lies beyond the brain but beyond space and time altogether. The cosmologist Fred Hoyle once entertained an even bolder hypothesis: that quantum effects in the brain leave open the possibility of external input into our thought processes and thus guide us towards useful scientific concepts. He proposed that this ‘external guide’ might be a superintelligence in the far cosmic future using a subtle but well-known backwards-in-time property of quantum mechanics in order to steer scientific progress.
Paul Davies (The Demon in the Machine: How Hidden Webs of Information Are Finally Solving the Mystery of Life)
More radically, how can we be sure that the source of consciousness lies within our bodies at all? You might think that because a blow to the head renders one unconscious, the ‘seat of consciousness’ must lie within the skull. But there is no logical reason to conclude that. An enraged blow to my TV set during an unsettling news programme may render the screen blank, but that doesn’t mean the news reader is situated inside the television. A television is just a receiver: the real action is miles away in a studio. Could the brain be merely a receiver of ‘consciousness signals’ created somewhere else? In Antarctica, perhaps? (This isn’t a serious suggestion – I’m just trying to make a point.) In fact, the notion that somebody or something ‘out there’ may ‘put thoughts in our heads’ is a pervasive one; Descartes himself raised this possibility by envisaging a mischievous demon messing with our minds. Today, many people believe in telepathy. So the basic idea that minds are delocalized is actually not so far-fetched. In fact, some distinguished scientists have flirted with the idea that not all that pops up in our minds originates in our heads. A popular, if rather mystical, idea is that flashes of mathematical inspiration can occur by the mathematician’s mind somehow ‘breaking through’ into a Platonic realm of mathematical forms and relationships that not only lies beyond the brain but beyond space and time altogether. The cosmologist Fred Hoyle once entertained an even bolder hypothesis: that quantum effects in the brain leave open the possibility of external input into our thought processes and thus guide us towards useful scientific concepts. He proposed that this ‘external guide’ might be a superintelligence in the far cosmic future using a subtle but well-known backwards-in-time property of quantum mechanics in order to steer scientific progress.
Paul C.W. Davies (The Demon in the Machine: How Hidden Webs of Information Are Solving the Mystery of Life)
There is a gold mine somewhere beneath your skull. You just have to mine.
Gift Gugu Mona
Our Purposeful Potter The LORD is good and oh so worthy of praises. Hallowed to Him. In us He commands strands of hair to grow to varying lengths. Our eyelashes and eyebrows have never outgrown the length of hair on other parts of our body. What a marvelous God? To protect our delicate medulla oblongata and cranium He makes a thick skull and topped it off with a protective thick matte of wooly hair strands. Then, He darkens our tone to match His very own, protecting us from the beams of His brightest star. The width of our nostrils He purposefully made wider so we can inhale more of His air. Our lips He intentionally designs big for big smooches. Muah. Oh what else can God do to show His love? What else is there for Him to do? God loves you very much and so does Yeshua.
Maisie Aletha Smikle
What am I going to do? I am Gnomon, sometimes called the Murdering Angel, occasionally the Last Redoubt. I’m going to live forever in the skull of the next universe, and the next, and the next, until I’ve got universes all around me like a turducken, and maybe sooner or later I’ll figure out a simpler way of dealing with the problem, or maybe finally the next universe will just see me, standing there dressed in the skin and bones of all the previous ones, and get the message and fuck off. Why, what are you going to do?
Nick Harkaway (Gnomon)
Let him who thinks War is a glorious, golden thing, who loves to roll forth stirring words of exhortation, invoking Honour and Praise and Valour and Love ofCountry with as thoughtless and fervid a faith as inspired the priests of Baal to call on their own slumbering deity, let him but look at a little pile of sodden grey rags that cover half a skull and a shin-bone and what might have been its ribs, or at this skeleton lying on its side, resting half crouching as it fell, perfect but that it is headless, and with the tattered clothing still draped round it; and let him realise how grand and glorious a thing it is to have distilled all Youth and Joy and Life into a foetid heap of putrescence! Who is there that has known and seen, who can say that Victory is worth the death of even one of these?
Roland Leighton
For the time being, however, his bent was literary and religious rather than balletic. He loved, and what seventh grader doesn’t, the abstracter foxtrots and more metaphysical twists of a Dostoevsky, a Gide, a Mailer. He longed for the experience of some vivider pain than the mere daily hollowness knotted into his tight young belly, and no weekly stomp-and-holler of group therapy with other jejune eleven-year-olds was going to get him his stripes in the major leagues of suffering, crime, and resurrection. Only a bona-fide crime would do that, and of all the crimes available murder certainly carried the most prestige, as no less an authority than Loretta Couplard was ready to attest, Loretta Couplard being not only the director and co-owner of the Lowen School but the author, as well, of two nationally televised scripts, both about famous murders of the 20th Century. They’d even done a unit in social studies on the topic: A History of Crime in Urban America. The first of Loretta’s murders was a comedy involving Pauline Campbell, R.N., of Ann Arbor, Michigan, circa 1951, whose skull had been smashed by three drunken teenagers. They had meant to knock her unconscious so they could screw her, which was 1951 in a nutshell. The eighteen-year-olds, Bill Morey and Max Pell, got life; Dave Royal (Loretta’s hero) was a year younger and got off with twenty-two years. Her second murder was tragic in tone and consequently inspired more respect, though not among the critics, unfortunately. Possibly because her heroine, also a Pauline (Pauline Wichura), though more interesting and complicated had also been more famous in her own day and ever since. Which made the competition, one best-selling novel and a serious film biography, considerably stiffen Miss Wichura had been a welfare worker in Atlanta, Georgia, very much into environment and the population problem, this being the immediate pre-Regents period when anyone and everyone was legitimately starting to fret. Pauline decided to do something, viz., reduce the population herself and in the fairest way possible. So whenever any of the families she visited produced one child above the three she’d fixed, rather generously, as the upward limit, she found some unobtrusive way of thinning that family back to the preferred maximal size. Between 1989 and 1993 Pauline’s journals (Random House, 1994) record twenty-six murders, plus an additional fourteen failed attempts. In addition she had the highest welfare department record in the U.S. for abortions and sterilizations among the families whom she advised. “Which proves, I think,” Little Mister Kissy Lips had explained one day after school to his friend Jack, “that a murder doesn’t have to be of someone famous to be a form of idealism.” But of course idealism was only half the story: the other half was curiosity. And beyond idealism and curiosity there was probably even another half, the basic childhood need to grow up and kill someone.
Thomas M. Disch (334)
Cartwright grooved the chisel's tooth into the base of the skull, where the spine would fuse, and lifted the hammer. The chisel jumped in his hand and half the skull turned to silt. It cascaded down the rock wall with the faintest sigh. The {nine-fingered} boy let out a string of oaths so profane, so unparalleled, that surely they'd been inspired by a hell so near. Cartwright was glad to have a hammer in hand.
Matthew Neill Null (Allegheny Front (Mary McCarthy Prize in Short Fiction))
Words can be like gems or sticks. A coalition of words can become a diamond necklace or a broken picket fence, whichever way one wishes to use them, and as such, I use them for my works of fiction and poetry. Dark fantasy can be alluring but dark reality is sometimes unavoidable and can cascade one's imagination deep into the hollowed skulls that litter the subsoil beneath our feet, to be returned once again to the world in the voice of a poet.
Barry Harden (Ada & Eddie: A Novel)
Hand-sewing is calming to me, and I chose to stitch my dress entirely machine-free. For whimsy and inspiration, I’ve selected some thread in a pretty shade of moss-green and continue to embroider quotes along the hems as fancy strikes. Joy Harjo: Remember the earth whose skin you are. Walt Whitman: I bequeath myself to the dirt to grow from the grass I love… Your very flesh shall be a great poem… Now and then I wear the dress on a forest walk, letting it become accustomed to roots and soil. If any of these practices and ponderings sound glib or overly lighthearted, know that they are defense mechanisms. Naps upon decaying trees. Sewing of shrouds. Skulls of birds and coyotes enshrined as memento mori on the shelves of my study—I contemplate them daily in the palms of my hands, their intricate post-purpose: Remember. All of this is an attempt at a reckoning with the end of my own life, the constant presence of an inevitability I am as yet unable to fully brook. Some say peace with death descends upon us as we age, and perhaps this is so. For now, I struggle and I stitch.
Lyanda Lynn Haupt (Rooted: Life at the Crossroads of Science, Nature, and Spirit)
Harrow, I heard it. It fractured your fucking skull... Child, that bee mashed you. A skull should not have made those sounds. The sound of it un-smashing was even worse--like an egg blowing back out again--but as it was saving your only skull, it was music to me ears.
Tamsyn Muir
McCloud withdrew a pencil from his pocket and pointed at the remainder of Thompson’s head. “See this? It’s stippling. These marks on the remainder of the decedent’s skull prove my theory. Gunpowder tattoos indicate distance, at the minimum, six inches. Not impossible for a suicide, but unlikely. My guess, your boy here is a homicide, pure and simple.
Claire O'Sullivan (Romance Under Wraps)
A redhead lied in a hospital like a vegetable, eyes pure white and limbs unmoving. An ex-basketball player gripped her hand as he sobbed uncontrollably, despite knowing full well she couldn’t feel a thing. He waited for the monster to take him too as the clock chimed. A man they’d grown to know as their babysitter lied still on the ground, limbs twisted up like a pretzel. A beautiful girl with a brilliant mind had her eyes rolled back into her skull, her body bent in various ways. A man who got lost along the way sat against the wall, waiting for the drugs to finish him off. A friend with hair longer than anyone else’s joined him, cause he wouldn’t let him be alone. A curly haired boy soon meets the same fate as his brother; bats rip into his body until nothing is left. A boy with a heart too big for his body lies still until he bleeds out; he’d rather take himself off the board then let the villain have his way. A boy, once so sweet and gentle, got overwhelmed with his rage and joined the other side. A town got corrupted, and everything began to die.
BewitchingNotes
Japanese paranoia stemmed partly from xenophobia rooted in racism. This combination wasn’t peculiar to Japan, as the Nazis were demonstrating in Germany. In the United States, the 1924 Exclusion Act remained in force, prohibiting all immigration from Asia. Some Western states didn’t think the Exclusion Act went far enough, because it hadn’t gotten rid of the Japanese who had immigrated before the United States slammed the door. Xenophobes argued that these immigrants were now breeding more Japanese, who were recognized, outrageously, as American citizens under the Fourteenth Amendment. Farmers in California and Arizona were especially hostile. Even before the Exclusion Act, these states had passed Alien Land Laws severely restricting the property rights of Japanese. Then in 1934 a group of farmers in Arizona’s Salt River Valley began agitating to kick Japanese farmers out, alleging that they had flooded into the region and were depriving farmland from deserving whites who were already hurting from the Depression. They also demanded that white landowners stop leasing acreage to Japanese farmers. The white farmers and their supporters held rallies and parades, blaring their message of exclusion. In the fall of that year, night riders began a campaign of terrorism. They dynamited irrigation canals used by Japanese farmers and threw dynamite bombs at their homes and barns. The leaders of the Japanese community tried to point out that only 700 Japanese lived in the valley and most had been there for more than twenty years. Three hundred fifty of them were American citizens, and only 125 worked in agriculture, mostly for American farmers. Facts made no impression on the white farmers’ racist resentments. Some local officials exploited the bigotry for political gain. The Japanese government protested all this. Hull didn’t want a few farmers to cause an international incident and pushed the governor of Arizona to fix the problem. The governor blamed the terrorism on communist agitators. Dynamite bombs continued to explode on Japanese farms through the fall of 1934. The local and state police maintained a perfect record—not a single arrest. In early February 1935 the Arizona legislature began considering a bill that would forbid Japanese immigrants from owning or leasing land. If they managed to grow anything, it could be confiscated. Any white farmer who leased to a Japanese would be abetting a crime. (Japan had similar laws against foreigners owning farmland.) American leaders and newspapers quickly condemned the proposed law as shameful, but farmers in Arizona remained enthusiastic. Japanese papers covered the controversy as well. One fascist group, wearing uniforms featuring skulls and waving a big skull flag, protested several times at the US embassy in Tokyo. Patriotic societies began pressuring Hirota to stand up for Japan’s honor. He and Japan’s representatives in Washington asked the American government to do something. Arizona politicians got word that if the bill passed, millions of dollars in New Deal money might go elsewhere. Nevertheless, on March 19 the Arizona senate passed the bill. On March 21 the state house of representatives, inspired more by fears of evaporating federal aid than by racial tolerance, let the bill die. The incident left a bad taste all around.
Steve Kemper (Our Man In Tokyo: An American Ambassador and the Countdown to Pearl Harbor)
It should be every man's hope to hear at least once in his early life a voice from the darkness telling him that he will die. In his little round skull let the thought sit with him, in his little beating heart let the feeling of fear eat at him, let fear cut down all of his falsehoods so that he can do something of greatness with his new found truth and time.
Michael Kurcina (We Fight Monsters: Wisdom and inspiration that speak to the warrior's soul)
The past you project into the future is ghost. When you hit the solution, when you kill that past, that is the skull which Kalabhairava is having in his hand. The un-lived life. The skull which Kalabhairava is having in his hand. The skull will swallow anything you put in his hand. Kalabhairava is hungry, Shiva never got anything. This is why when Devi Annapoorani comes, Shiva approaches her and says, Bhiksham gnanavairagya siddytvam bhiksham dehi bhiksham parvati
Paramahamsa Nithyananda
The greatness about time is just the understanding is enough. Nothing much needs to be practiced. With this understanding, scan all your problems, the skull will just disappear. That ghost will just disappear. That is what is meant when Devi put the food in the skull.
Paramahamsa Nithyananda
Two riders led Williams to the body. “There lay Bandoola,” Williams would write. He stared in disbelief at the rotting corpse, not quite ready to comprehend that his hero was gone. Bandoola’s right tusk had been hacked off, and the left remained plowed into the earth where his head had fallen. A single bullet fired directly into his skull had killed him.
Vicki Constantine Croke (Elephant Company: The Inspiring Story of an Unlikely Hero and the Animals Who Helped Him Save Lives in World War II)
Shall we appreciate any less the beauty of nature because its harmony is unplanned? And shall the potential of mind cease to inspire our awe and fear because several billion neurons reside in our skulls?
Stephen Jay Gould (Ever Since Darwin: Reflections in Natural History)