Tucson Moving Quotes

We've searched our database for all the quotes and captions related to Tucson Moving. Here they are! All 12 of them:

Every one of us is called upon, perhaps many times, to start a new life. A frightening diagnosis, a marriage, a move, loss of a job...And onward full-tilt we go, pitched and wrecked and absurdly resolute, driven in spite of everything to make good on a new shore. To be hopeful, to embrace one possibility after another--that is surely the basic instinct...Crying out: High tide! Time to move out into the glorious debris. Time to take this life for what it is.
Barbara Kingsolver (High Tide in Tucson : Essays from Now or Never)
The truth was that lately, she had not had quite enough happening in her life. She and her husband had moved this past fall to a golfing community outside of Tucson. (Peter was passionate about golf. Willa didn’t even know how to play.) She had had to leave behind an ESL teaching job that she loved, and she was hoping to find another one, but she hadn’t exactly looked into that yet. She seemed to be sort of paralyzed,
Anne Tyler (Clock Dance)
Probably just someone on their way into Tucson, like us. We’d better check it out, though.” The Southerner pulled his Winchester 73 from its sheath and laid it across his waist in the saddle. He’d killed a few men when he’d had to. There was always the possibility that a brother, son, or friend would seek retribution, even though the fights had been fair, the gunplay defensive, their fate deserved. He’d also riled a few lazy, drunk, or dishonest men who’d worked under him at various ranches by giving them their pay and telling them to move on. The Southerner knew that distance and the passage of time were irrelevant where vengeance was concerned. The man who’d sent the telegram asking for his help was proof of that.
Bobby Underwood (Whisper Valley (The Wild Country, #3))
MY MOTHER assures me that it happens to everyone, sooner or later, for reasons more or less identifiable; everyone loses a best friend at some point. Not in the “she moved to Tucson” sense, but in the sense that “we grew apart.
Claire Messud (The Burning Girl)
My allergies completely disappeared after moving to Hawaii. I had suspected Tucson was causing them, as much of the pollen is coming from cactus, which I know I have no genetic adaptation to. Numerous people report the development of seasonal allergies when they start living in Tucson. It is a known aspect of living there for many.
Steven Magee (Magee’s Disease)
If you don’t make a move on Lark, I’m going to hook you two up. Don’t make me stoop to that shit, man. Bad enough I’m helping Tucker find a decent fuck for Bailey. I really don’t need to play matchmaker with you too.” “I’ve got it handled.” Cooper smirked. “Lark’s coming to your shop to get a tat fixed. You’re welcome for that.” “What?” I muttered, frowning even if this idea interested me. “She’s got a lame worm tat and needs it fixed. She works at that Denny’s and can’t afford it, so I said I would pay. I like paying for chicks to get nice tats. Makes me feel charitable.” “It’s a worm?” I asked, wondering why Lark would have a fucking worm tattoo. “Looks like one. I think it was supposed to be a butterfly. I can’t remember. Farah got all territorial and I about jizzed my pants.” “Too much fucking info, man,” I said, emphasizing each word. “Whatever. Just make sure you look your best when she shows up. I don’t want you scaring her away. She’s cute and available and I don’t want Vaughn messing with Lark. He’s trouble and will eat her alive.” Even though I said nothing, Cooper started laughing. “You’re jealous.” Exhaling hard, I flipped him off again, but he just kept laughing. “Yeah, well, you better get that girl or I might set her up with someone from the club. Judd still gets weird around Mac. Need to get him a woman so Judd won’t kill him on accident one day,” Cooper said, air quoting “accident.” Leaning back, I doodled on my napkin until I realized I was drawing Lark again. Cooper didn’t seem to notice. He was too busy frowning at his phone. “Problem?” “More shit from the Devils. They’re pushing and we’ll need to push back. Might need to call someone in to go to Tucson to handle the problem at the top.” “Someone?” “Don’t you worry. Business shit.” “Now, you’re secretive. Where was this when you were talking about jazzing your pants.
Bijou Hunter (Damaged and the Cobra (Damaged, #3))
Twelve years ago I left Boston and New York, and moved east and west at the same time. East, to a little village in Devon, England, a town I’ve been familiar with for years, since my friends Brian and Wendy Froud and Alan Lee all live there. It had long been my dream to live in England, so I finally bought a little old cottage over there. But I decided, both for visa and health reasons, living there half the year would be better than trying to cope with cold, wet Dartmoor winters. At that point, Beth Meacham had moved out to Arizona, and I discovered how wonderful the Southwest is, particularly in the wintertime. Now I spend every winter-spring in Tucson and every summer-autumn in England. Both places strongly affect my writing and my painting. They’re very opposite landscapes, and each has a very different mythic history. In Tucson, the population is a mix of Native Americans, Mexican Americans, and Euro-Americans of various immigrant backgrounds — so the folklore of the place is a mix of all those things, as well as the music and the architecture. The desert has its own colors, light, and rhythms. In Devon, by contrast, it’s all Celtic and green and leafy, and the color palette of the place comes straight out of old English paintings — which is more familiar to me, growing up loving the Pre-Raphaelites and England’s ‘Golden Age’ illustrators. I’ve learned to love an entirely different palette in Arizona, where the starkness of the desert is offset by the brilliance of the light, the cactus in bloom, and the wild colors of Mexican decor.
Terri Windling
Altitude hypersensitivity had me in a permanent state of chronic mountain sickness at 2,400 feet in Tucson until I moved to near sea level.
Steven Magee (Hypoxia, Mental Illness & Chronic Fatigue)
intelligence for the sector. “They say they’re uncle and nephew, and they’re clean: no tattoos. That third one, though—he’s a keeper.” The third man had given his name as José Hernández, which was the equivalent of a Caucasian claiming to be called John Smith. He had not been picked up in the sweep of the yard, but a couple of hours later, supposedly as he waited for a bus to Tucson, although it was more likely he was waiting for a ride back to Mexico, since the next bus for Tucson wasn’t scheduled to leave until the following morning. He was smaller and leaner than the others, and had so far done his best not to make eye contact with any of his interrogators. He was also the only one who had been wearing a long-sleeved shirt, fully buttoned, when detained. “What did Lagnier have to say about him?” Ross asked. “Beyond the fact that Hernández had been working for him on and off for about five days,” said Zaleski, “Mr. Lagnier had nothing to say about him at all, and that’s ‘nothing’ with a heavy emphasis.” “Meaning?” “Meaning Lagnier knew better than to ask about José’s background. It’s probably not the first time Lagnier’s done a solid for some friends from across the border: a place for cousins to sleep, a little work to replenish funds before they head farther north. But sometimes…” Zaleski let it hang. Parker figured everyone in the room now knew that Lagnier had an arrangement with the ATF, and if they didn’t, they had no business being there. “Sometimes it’s a more substantial favor,” finished Newton, one of the Maricopa detectives. “One he doesn’t share with his handlers.” “Not unless Lagnier wants to try holding his silverware without thumbs,” said Zaleski. “This whole territory belongs to the Sinaloa cartel, and nothing moves in or out without their knowledge. Young José in there has himself a collection of tattoos under that shirt. He didn’t much approve of us having a look-see, but he knew better than to kick up a fuss.” Zaleski took out her phone and displayed a series of photographs of Hernández’s adornments.
John Connolly (A Book of Bones (Charlie Parker #17))
Mangas Coloradas’s son-in-law stepped forward. Cochise was shorter than Mangas, five-foot-nine, with a stout frame and broad shoulders. He had long been a war chief of the Chokonen band of the Chiricahuas, who lived in the Dragoon and Chiricahua Mountains near Tucson. He had married one of Mangas Coloradas’s daughters, cementing their bands’ alliance. 1 Now he joined Mangas in his father-in-law’s stronghold, bringing all of his people with him. Cochise’s warriors moved into the light behind him.
Megan Kate Nelson (The Three-Cornered War: The Union, the Confederacy, and Native Peoples in the Fight for the West)
Every one of us is called upon, probably many times, to start a new life. A frightening diagnosis, a marriage, a move, loss of a job or a limb or a loved one, a graduation, bringing a new baby home: it’s impossible to think at first how this all will be possible. Eventually, what moves it all forward is the subterranean ebb and flow of being alive among the living.
Barbara Kingsolver (High Tide in Tucson: Essays from Now or Never)
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