Tuberose Quotes

And sometimes, when the day loomed grey, I'd sit at my desk and remember the heat of that summer. I’d remember the smells of tuberose that were carried by the wind, and the smell of octopus cooking on stinking griddles. I’d remember the sound of our laughter and the sound of a doughnut seller, and I’d remember the red canvas shoes I lost in the sea, and the taste of pastis and the taste of his skin, and a sky so blue it would defy anything else to be blue again. And I’d remember my love for a man that almost made everything possible.

There Albine lay, panting, exhausted by love, her hands clutched closer and closer to her heart, breathing her last. She parted her lips, seeking the kiss which should obliterate her, and then the hyacinths and tuberoses exhaled their incense, wrapping her in a final sigh, so profound that it drowned the chorus of roses, and in this culminating gasp of blossom, Albine was dead.

How could I forget. I was her ghost daughter, sitting at empty tables with crayons and pens while she worked on a poem, a girl malleable as white clay. Someone to shape, instruct in the ways of being her. She was always shaping me. She showed me an orange, a cluster of pine needles, a faceted quartz, and made me describe them to her. I couldn’t have been more than three or four. My words, that’s what she wanted. ”What’s this?” she kept asking. ”What’s this?” But how could I tell her? She’d taken all the words. The smell of tuberoses saturated the night air, and the wind clicked through the palms like thoughts through my sleepless mind. Who am I? I am a girl you don’t know, mother. The silent girl in the back row of the classroom, drawing in notebooks. Remember how they didn’t know if I even spoke English when we came back to the country? They tested me to find out if I was retarded or deaf. But you never asked why. You never thought, maybe I should have left Astrid some words. I thought of Yvonne in our room, asleep, thumb in mouth, wrapped around her baby like a top. ”I can see her,” you said. You could never see her, Mother. Not if you stood in that room all night. You could only see her plucked eyebrows, her bad teeth, the books that she read with the fainting women on the covers. You could never recognize the kindness in that girl, the depth of her needs, how desperately she wanted to belong, that’s why she was pregnant again. You could judge her as you judged everything else, inferior, but you could never see her. Things weren’t real to you. They were just raw material for you to reshape to tell a story you liked better. You could never just listen to a boy playing guitar, you’d have to turn it into a poem, make it all about you.

To have children is to plant roses, muguets, lavender, lilac, gardenia, stock, peonies, tuberose, hyacinth ...it is to achieve a whole sense,a grand sense one did not priorly know. It is to give one's garden another dimension. Perfume of life itself.

...the reality of late summer and early autumn when Adelaide, more than any place on earth, and as simply as pouring tea from a pot, pours fourth from a lavish cornucopia into gardens and parks and markets and arcade stalls a cascade of carnations and grapes and melons, guavas and Michaelmas daisies and tomatoes, zinnias and belladonna lilies and tuberoses, lavender and quinces and cumquats and pomegranates, roses and roses and roses.

The Germans have another kind of parenthesis, which they make by splitting a verb in two and putting half of it at the beginning of an exciting chapter and the other half at the end of it. Can any one conceive of anything more confusing than that? These things are called “separable verbs.” The German grammar is blistered all over with separable verbs; and the wider the two portions of one of them are spread apart, the better the author of the crime is pleased with his performance. A favorite one is reiste ab—which means departed. Here is an example which I culled from a novel and reduced to English: “The trunks being now ready, he de- after kissing his mother and sisters, and once more pressing to his bosom his adored Gretchen, who, dressed in simple white muslin, with a single tuberose in the ample folds of her rich brown hair, had tottered feebly down the stairs, still pale from the terror and excitement of the past evening, but longing to lay her poor aching head yet once again upon the breast of him whom she loved more dearly than life itself, parted.” However, it is not well to dwell too much on the separable verbs. One is sure to lose his temper early; and if he sticks to the subject, and will not be warned, it will at last either soften his brain or petrify it. Personal pronouns and adjectives are a fruitful nuisance in this language, and should have been left out. For instance, the same sound, sie, means you, and it means she, and it means her, and it means it, and it means they, and it means them. Think of the ragged poverty of a language which has to make one word do the work of six—and a poor little weak thing of only three letters at that. But mainly, think of the exasperation of never knowing which of these meanings the speaker is trying to convey. This explains why, whenever a person says sie to me, I generally try to kill him, if a stranger.

Telling himself there was no harm in one kiss, Severly leaned and gently took her lips with his. As the warmth of his mouth held hers, the world stopped for Celia. Everything became part of this moment - the sunlight filtering in from the window behind them, the scent of tuberoses and lilies, all became part of this, her first kiss.

A fresh, uplifting mélange of Italian bergamot, mandarin, and raspberry that comprised the opening accord filled her nostrils with the carefree scents of spring. Her imagination soared with memories. The gardens of Bellerose, picnic baskets bursting with summer fruits on sunny Mediterranean beaches, summers spent on the Riviera, yacht parties, and the casino in Monte Carlo. The plain little bottle held the essence of the happy life she had known. She inhaled again, closed her eyes, and allowed her mind to wander, to visualize the images the aroma evoked. Excitement coursed through her veins. She imagined a glamorous, luxurious lifestyle of exotic locales, mysterious lovers, sandy beaches, glittering parties, elegant gowns, and precious jewels. And amid it all, sumptuous bouquets of fabulous flowers, enchanting and romantic, intense aromas of pure, bridal white jasmine and sultry tuberose, and the heady, evocative aroma of rose. Seductive spices, clove with musk and patchouli, smoothed with sandalwood and vanilla, elegant and sensual, like a lover in the night. And finally, she realized what was missing. A strong, smooth core, a warm amber blend that would provide a deep connection to the soul. Love.

And for the four remaining days - the ninety-six remaining hours - we mapped out a future away from everything we knew. When the walls of the map were breached, we gave one another courage to build them again. And we imagined our home an old stone barn filled with junk and wine and paintings, surrounded by fields of wildflowers and bees. I remember our final day in the villa. We were supposed to be going that evening, taking the sleeper back to England. I was on edge, a mix of nerves and excitement, looking out to see if he made the slightest move toward leaving, but he didn’t. Toiletries remained on the bathroom shelves, clothes stayed scattered across the floor. We went to the beach as usual, lay side by side in our usual spot. The heat was intense and we said little, certainly nothing of our plans to move up to Provence, to the lavender and light. To the fields of sunflowers. I looked at my watch. We were almost there. It was happening. I kept saying to myself, he’s going to do it. I left him on the bed dozing, and went out to the shop to get water and peaches. I walked the streets as if they were my new home. Bonjour to everyone, me walking barefoot, oh so confident, free. And I imagined how we’d go out later to eat, and we’d celebrate at our bar. And I’d phone Mabel and Mabel would say, I understand. I raced back to the villa, ran up the stairs and died. Our rucksacks were open on the bed, our shoes already packed away inside. I watched him from the door. He was silent, his eyes red. He folded his clothes meticulously, dirty washing in separate bags. I wanted to howl. I wanted to put my arms around him, hold him there until the train had left the station. I’ve got peaches and water for the journey, I said. Thank you, he said. You think of everything. Because I love you, I said. He didn’t look at me. The change was happening too quickly. Is there a taxi coming? My voice was weak, breaking. Madame Cournier’s taking us. I went to open the window, the scent of tuberose strong. I lit a cigarette and looked at the sky. An airplane cast out a vivid orange wake that ripped across the violet wash. And I remember thinking, how cruel it was that our plans were out there somewhere. Another version of our future, out there somewhere, in perpetual orbit. The bottle of pastis? he said. I smiled at him. You take it, I said. We lay in our bunks as the sleeper rattled north and retraced the journey of ten days before. The cabin was dark, an occasional light from the corridor bled under the door. The room was hot and airless, smelled of sweat. In the darkness, he dropped his hand down to me and waited. I couldn’t help myself, I reached up and held it. Noticed my fingertips were numb. We’ll be OK, I remember thinking. Whatever we are, we’ll be OK. We didn’t see each other for a while back in Oxford. We both suffered, I know we did, but differently. And sometimes, when the day loomed gray, I’d sit at my desk and remember the heat of that summer. I’d remember the smells of tuberose that were carried by the wind, and the smell of octopus cooking on the stinking griddles. I’d remember the sound of our laughter and the sound of a doughnut seller, and I’d remember the red canvas shoes I lost in the sea, and the taste of pastis and the taste of his skin, and a sky so blue it would defy anything else to be blue again. And I’d remember my love for a man that almost made everything possible./

Gene had already cleared the soil, or had someone do it for him, who knows, and brought in a load of plants and flowers, which were sitting around in their pots. The colors were all over the place, no great scheme there, but he'd gone for scent in a big way. I only recognized a few of the flowers, but they all smelled wonderful. Lisa ticked them off for me, her mouth full of pepperoni. "Jasmine, freesia, lavender, sweet peas, alyssum, night-scented stock, scented phlox, clematis of course, and some fancy tuberose." She looked over at Gene. "You picked well. These should give her fragrance for most of the year, in turns. And some nice evening scents, too.

Perhaps a tuberose, she thought. Very pervasive, but not headachy. Her fingers lingered for a moment over her bottle of Fracas. She adored the classic punchy floral, but it was one of her mother's favorites, so not conducive to a good night's sleep either. Not after that phone call earlier. Maybe something woody? The black tea, leather and tobacco in Atelier Cologne's Oolang Infini would be deep enough to drown out Digger's pungent expulsion, yet subtle enough to sleep on. But no, the guaiac wood in it reminded her too much of old-fashioned coal-tar soap, which was David's smell.

She still had a great deal to do, but she was finally on the right track with an incredible, intoxicating blend of rose, tuberose, and jasmine, sandalwood and an amber blend. Inhaling, the romantic scent conjured exquisite joy. The path had come to her in a dream, the melding of sandalwood and patchouli with amber notes of vanillin and labdanum absolute in a manner that was nothing short of exquisite.

The stately tuberose is reluctant to share its effusive scent, yielding only to enfleurage- petals pressed into fat between glass, rinsed in alcohol. The carnal charisma of tuberose, one of the perfumer's most expensive essential oils, heightens the white floral bouquet, lifting it up on angels' wings. -DB

Peripheral enthesitis: It occurs in about a third of patients. Common sites are: 1. Behind the heel (Achilles tendonitis), 2. The heel pad (plantar fasciitis) and 3. The tibial tuberosity. Lesions tend to be painful, especially in the morning. There may be related inflammation of the tendon or ligament insertion. Peripheral arthritis: It also happens in about 33% of patients. Joint affliction is normally asymmetric, involving the hips, shoulder girdle (acromioclavicular,

I bei seni alti emanano l'unico vero profumo, quello del suo corpo (...) "Sapete che sotto porto tre gonne leggere? Guardate anzitutto la prima, blu nascente, che si chiama la modesta" dice spostando leggermente il dietro dell'abito per svelare una gonna, che subito solleva. "La seconda, blu morente, porta il nome di briccona..." (...) nella scala buia, la veste alzata offre una visione tentatrice e lascia una scia di profumo di tuberose che si mischia all'odore di legno incerato (...) "E la terza gonna" Françoise scoppia a ridere, "è la segreta. Blu inferno!" Sotto, come tutte, la marchesa non porta biancheria e siccome ha sollevato fin sopra la testa la veste e le sottogonne, Louis-Henri ora sta correndo dietro a un culo nudo inondato dalla luce della finestra

And then, in the midst of the still-encompassing dream, he felt himself master of Shangri-La. These were his beloved things, all around him, the things of that inner mind in which he lived increasingly, away from the fret of the world. His eyes strayed into the shadows and were caught by golden pinpoints sparkling in rich, undulating lacquers; and the scent of tuberose, so faint that it expired on the very brink of sensation, lured him from room to room. At last he stumbled into the courtyards and by the fringe of the pool; a full moon sailed behind Karakal.

You'll find me with the Tuberose. We bloom at night.

When we are sold perfume, we are accustomed to also being sold the idea of a life we will never have. Coty's Chypre enabled Guerlain to create Mitsouko; Coty's Emeraude of 1921 was the bedrock on which Shalimar was built and Coty's L'Origan become the godmother of L'heure bleue, also by Guerlain. Some people dedicate themselves to making life beautiful. With instinctual good taste, magpie tendencies and a flair for color, they weave painfully exquisite tableaux, defining the look of an era. Paul Poiret was one such person. After his success, he went bust in 1929 and had to sell his leftover clothing stock as rags. Swept out of the picture by a new generation of designers, his style too ornate and Aladdinesque, Poiret ended his days as a street painter and died in poverty. It was Poiret who saw that symbolic nomenclature could turn us into frenzied followers, transforming our desire to own a perfume into desperation. The beauty industry has always been brilliant at turning insecurities into commercial opportunities. Readers could buy the cologne to relax during times of anxiety or revive themselves from strain. Particularly in the 1930s, releases came thick and fast, intended to give the impression of bounty, the provision of beauty to all women in the nation. Giving perfumes as a gift even came under the Soviet definition of kulturnost or "cultured behavior", including to aunts and teachers on International Women's Day. Mitsouko is a heartening scent to war when alone or rather, when not wanting to feel lonely. Using fragrance as part of a considered daily ritual, the territorial marking of our possessions and because it offers us a retrospective sense of naughtiness. You can never tell who is going to be a Nr. 5 wearer. No. 5 has the precision of well-cut clothes and that special appeal which comes from a clean, bare room free of the knick-knacks that would otherwise give away its age. Its versatility may well be connected to its abstraction. Gardenia perfumes are not usually the more esoteric or intellectual on the shelves but exist for those times when we demand simply to smell gorgeous. You can depend on the perfume industry to make light of the world's woes. No matter how bad things get, few obstacles can block the shimmer and glitz of a new fragrance. Perfume became so fashionable as a means of reinvention and recovery that the neurology department at Columbia University experimented with the administration of jasmine and tuberose perfumes, in conjunction with symphony music, to treat anxiety, hysteria and nightmares. Scent enthusiasts cared less for the nuances of a composition and more for the impact a scent would have in society. In Ancient Rome, the Stoics were concerned about the use of fragrance by women as a mask for seducing men or as a vehicle of deception. The Roman satirist Juvenal talked of women buying scent with adultery in mind and such fears were still around in the 1940s and they are here with us today. Similarly, in crime fiction, fragrance is often the thing that gives the perpetrator away. Specifically in film noir, scent gets associated with misdemeanors. With Opium, the drugs tag was simply the bait. What YSL was really marketing, with some genius, was perfume as me time: a daily opportunity to get languid and to care sod-all about anything or anyone else.

Per un istante, temendo di svenire a quell'odore di donna che ritrovava più caldo, moltiplicato, sotto il soffitto basso, si sedette sul bordo del divano imbottito, tra le due finestre. Ma si rialzò immediatamente, tornò accanto alla toeletta, senza guardare più niente, gli occhi vacui, ripensando a un mazzo di tuberose che una volta era appassito nella sua stanza e l'aveva fatto quasi morire. Le tuberose, quando si decompongono, hanno un odore umano.

The smell of flowers was overwhelming. They were all imported, some presumably from vast distances. Arkady saw orchids, chrysanthemums, hydrangeas, roses, and tuberoses, splashes of color against winter’s gray.

Science terminology really falls flat on its face when it comes to describing the differences between [carpometacarpus] bones. For example, part of the description of this owl carpometacarpus reads: "Carpal trochlea ends in a long shallow depression deeper than but continuous with a groove on the lateral surface of metacarpal 3. Metacarpal 3 flares at proximal end. Intermetacarpal tuberosity flaring on the interior side of proximal end of metacarpal 3." By comparison, my description was more like: a sad-looking fellow with a bent back, mousy ears, and a slightly open mouth, looking like a character being yelled at for not bringing home any food today.