True Character Is Revealed Quotes

In books and in life, you need to read several pages before someone's true character is revealed.

True character is revealed in the choices a human being makes under pressure - the greater the pressure, the deeper the revelation, the truer the choice to the character's essential nature.

There was a saying that a man's true character was revealed in defeat. I thought it was also revealed in victory.

We’re only ever playing fifty percent of a character. The rest is us, and we’re afraid to show people who we really are. We’re afraid of looking foolish if we reveal the full force of our emotions.

Aren't we all drawn to friends in the beginning by trifling things? True bonds develop afterward, when character is revealed.

Maybe, it is just enough to believe with a positive heart that people didn’t let you down. It could be just this: They couldn’t give you the compassion you really wanted based on where their heart is right now. Maybe, not now, but years later they will catch the memory of you in a quiet moment. There on that Sunday morning, a light will shine through the fog of lies, misunderstanding and frustration they built inside their angry mind about your true character. And, when it does, the shadows will be casted out to reveal a scared and hurt little boy or girl that just wanted to be loved, but went about it all wrong. Maybe, on that day, the whisper of their gratitude for your love will find its way back to your heart. And when that day comes, you will find yourself smiling all day long and not know why.

I have a dream that one day this nation will rise up and live out the true meaning of its creed: "We hold these truths to be self-evident, that all men are created equal." I have a dream that one day on the red hills of Georgia, the sons of former slaves and the sons of former slave owners will be able to sit down together at the table of brotherhood. I have a dream that one day even the state of Mississippi, a state sweltering with the heat of injustice, sweltering with the heat of oppression, will be transformed into an oasis of freedom and justice. I have a dream that my four little children will one day live in a nation where they will not be judged by the color of their skin but by the content of their character. I have a dream today! I have a dream that one day, down in Alabama, with its vicious racists, with its governor having his lips dripping with the words of "interposition" and "nullification" -- one day right there in Alabama little black boys and black girls will be able to join hands with little white boys and white girls as sisters and brothers. I have a dream today! I have a dream that one day every valley shall be exalted, and every hill and mountain shall be made low, the rough places will be made plain, and the crooked places will be made straight; "and the glory of the Lord shall be revealed and all flesh shall see it together.

A novel must show how the world truly is, how characters genuinely think, how events actually occur. A novel should somehow reveal the true source of our actions.

A NATION'S GREATNESS DEPENDS ON ITS LEADER To vastly improve your country and truly make it great again, start by choosing a better leader. Do not let the media or the establishment make you pick from the people they choose, but instead choose from those they do not pick. Pick a leader from among the people who is heart-driven, one who identifies with the common man on the street and understands what the country needs on every level. Do not pick a leader who is only money-driven and does not understand or identify with the common man, but only what corporations need on every level. Pick a peacemaker. One who unites, not divides. A cultured leader who supports the arts and true freedom of speech, not censorship. Pick a leader who will not only bail out banks and airlines, but also families from losing their homes -- or jobs due to their companies moving to other countries. Pick a leader who will fund schools, not limit spending on education and allow libraries to close. Pick a leader who chooses diplomacy over war. An honest broker in foreign relations. A leader with integrity, one who says what they mean, keeps their word and does not lie to their people. Pick a leader who is strong and confident, yet humble. Intelligent, but not sly. A leader who encourages diversity, not racism. One who understands the needs of the farmer, the teacher, the doctor, and the environmentalist -- not only the banker, the oil tycoon, the weapons developer, or the insurance and pharmaceutical lobbyist. Pick a leader who will keep jobs in your country by offering companies incentives to hire only within their borders, not one who allows corporations to outsource jobs for cheaper labor when there is a national employment crisis. Choose a leader who will invest in building bridges, not walls. Books, not weapons. Morality, not corruption. Intellectualism and wisdom, not ignorance. Stability, not fear and terror. Peace, not chaos. Love, not hate. Convergence, not segregation. Tolerance, not discrimination. Fairness, not hypocrisy. Substance, not superficiality. Character, not immaturity. Transparency, not secrecy. Justice, not lawlessness. Environmental improvement and preservation, not destruction. Truth, not lies. Most importantly, a great leader must serve the best interests of the people first, not those of multinational corporations. Human life should never be sacrificed for monetary profit. There are no exceptions. In addition, a leader should always be open to criticism, not silencing dissent. Any leader who does not tolerate criticism from the public is afraid of their dirty hands to be revealed under heavy light. And such a leader is dangerous, because they only feel secure in the darkness. Only a leader who is free from corruption welcomes scrutiny; for scrutiny allows a good leader to be an even greater leader. And lastly, pick a leader who will make their citizens proud. One who will stir the hearts of the people, so that the sons and daughters of a given nation strive to emulate their leader's greatness. Only then will a nation be truly great, when a leader inspires and produces citizens worthy of becoming future leaders, honorable decision makers and peacemakers. And in these times, a great leader must be extremely brave. Their leadership must be steered only by their conscience, not a bribe.

Your true character is revealed not by how you act when life goes your way, but how you act when the bottom falls out. Though

There are moments in life where you don’t get a do-over, where the true nature of your character is revealed. You either step up to the plate or lose your chance forever. These moments shape a life. These moments earn you the right to say to yourself ‘at least I got the important stuff right.

The true measure of a person’s character is revealed when they learn of another’s darkest fears. It is in that moment the listener either displays grace or the ugly head of apathy.

You may think novelists always have fixed plans to which they work, so that the future predicted by Chapter One is always inexorably the actuality of Chapter Thirteen. But novelists write for countless different reasons: for money, for fame, for reviewers, for parents, for friends, for loved ones; for vanity, for pride, for curiosity, for amusement: as skilled furniture makers enjoy making furniture, as drunkards like drinking, as judges like judging, as Sicilians like emptying a shotgun into an enemy's back. I could fill a book with reasons, and they would all be true, though not true of all. Only one same reason is shared by all of us: we wish to create worlds as real as, but other than the world that is. Or was. This is why we cannot plan. We know a world is an organism, not a machine. We also know that a genuinely created world must be independent of its creator; a planned world (a world that fully reveals its planning) is a dead world. It is only when our characters and events begin to disobey us that they begin to live.

People reveal their true character when they're off center.

Aren’t we all drawn to our friends in the beginning by trifling things? True bonds develop afterward, when character is revealed.

It is only when one is under extreme duress that one's true character is revealed.

The only way to truly know a person is to argue with them. For when the argue in full swing, they reveal their true character.

People can surprise you when you suffer through grief. It's not true that you discover who your friends are, but it's true to say that their characters are revealed.

It’s not what a person says but what he does that reveals his true character.

First and foremost, God is the true hero of the story. No matter how captivating the other characters may be, our top priority is to discover what the Bible reveals about God.

When we chase the high of instant gratification, we make choices that for many reasons are irresponsible and based on poor reasoning . . . or no reasoning at all. It takes time and self-control to take in information, let people reveal their true character, be consistent and disciplined, and give conflicts time to work themselves out. Delaying gratification means working at becoming more self-aware and humble enough to admit that our first impulses aren’t always smart ones. Let

To know the good from the bad, measure the heart. Actions reveal the true coloring of one's heart, not their intentions.

Stay alert! Don’t let someone’s words blind you from their behavior... They can say all the right things, they can make you feel things you've never felt before, but don't be fooled; their actions will reveal their true character, desires, and priorities. Behavior speaks; pay attention to what it tells you. Behavior is math; pay attention to what it reveals.

At the end of that class Demian said to me thoughtfully: "There’s something I don’t like about this story, Sinclair. Why don’t you read it once more and give it the acid test? There’s something about it that doesn’t taste right. I mean the business with the two thieves. The three crosses standing next to each other on the hill are almost impressive, to be sure. But now comes this sentimental little treatise about the good thief. At first he was a thorough scoundrel, had committed all those awful things and God knows what else, and now he dissolves in tears and celebrates such a tearful feast of self-improvement and remorse! What’s the sense of repenting if you’re two steps from the grave? I ask you. Once again, it’s nothing but a priest’s fairy tale, saccharine and dishonest, touched up with sentimentality and given a high edifying background. If you had to pick a friend from between the two thieves or decide which one you’d rather trust, you most certainly wouldn’t choose the sniveling convert. No, the other fellow, he’s a man of character. He doesn’t give a hoot for ‘conversion’, which to a man in his position can’t be anything but a pretty speech. He follows his destiny to it’s appointed end and does not turn coward and forswear the devil, who has aided and abetted him until then. He has character, and people with character tend to receive the short end of the stick in biblical stories. Perhaps he’s even a descendant of Cain. Don’t you agree?" I was dismayed. Until now I had felt completely at home in the story of the Crucifixion. Now I saw for the first time with how little individuality, with how little power of imagination I had listened to it and read it. Still, Demian’s new concept seemed vaguely sinister and threatened to topple beliefs on whose continued existence I felt I simply had to insist. No, one could not make light of everything, especially not of the most Sacred matters. As usual he noticed my resistance even before I had said anything. "I know," he said in a resigned tone of voice, "it’s the same old story: don’t take these stories seriously! But I have to tell you something: this is one of the very places that reveals the poverty of this religion most distinctly. The point is that this God of both Old and New Testaments is certainly an extraordinary figure but not what he purports to represent. He is all that is good, noble, fatherly, beautiful, elevated, sentimental—true! But the world consists of something else besides. And what is left over is ascribed to the devil, this entire slice of world, this entire half is hushed up. In exactly the same way they praise God as the father of all life but simply refuse to say a word about our sexual life on which it’s all based, describing it whenever possible as sinful, the work of the devil. I have no objection to worshiping this God Jehovah, far from it. But I mean we ought to consider everything sacred, the entire world, not merely this artificially separated half! Thus alongside the divine service we should also have a service for the devil. I feel that would be right. Otherwise you must create for yourself a God that contains the devil too and in front of which you needn’t close your eyes when the most natural things in the world take place.

We like to think of individuals as unique. Yet if this is true of everyone, then we all share the same quality, namely our uniqueness. What we have in common is the fact that we are all uncommon. Everybody is special, which means that nobody is. The truth, however, is that human beings are uncommon only up to a point. There are no qualities that are peculiar to one person alone. Regrettably, there could not be a world in which only one individual was irascible, vindictive or lethally aggressive. This is because human beings are not fundamentally all that different from each other, a truth postmodernists are reluctant to concede. We share an enormous amount in common simply by virtue of being human, and this is revealed by the vocabularies we have for discussing human character. We even share the social processes by which we come to individuate ourselves.

The camp had a way of stripping away pretensions to reveal a man’s true personality. “Some—slithered into a moral swamp,” Witold wrote later. “Others—chiseled themselves a character of finest crystal.

If gender attributes and acts, the various ways in which a body shows or produces its cultural signification, are performative, then there is no preexisting identity by which an act or attribute might be measured; there would be no true or false, real or distorted acts of gender, and the postulation of a true gender identity would be revealed as a regulatory fiction.That gender reality is created through sustained social performances means that the very notions of an essential sex and a true or abiding masculinity or femininity are also constituted as part of the strategy that conceals gender’s performative character and the performative possibilities for proliferating gender configurations outside the restricting frames of masculinist domination and compulsory heterosexuality.

Leibniz's machine was designed to automate the dreary task of solving moral problems

a person’s true character is rarely revealed until they are staring into the face of adversity.

The stresses of high-altitude climbing reveal your true character; they unmask who you really are. You no longer have all the social graces to hide behind, to play roles. You are the essence of what you are.

That's the true reveal in Rockton. Not discovering someone lied about their background or committed a crime in their past. It's finding out they aren't the person you thought they were, their underlying character hidden behind a false front.

Stressful situations cause alterations in behavior that reveal true character, Tibbs. If a person gradually begins acting like someone else altogether, you may very well find that they *are* someone else altogether" -Inspector Percival Pensive

Ever since I became an American, people have told me that America is about leaving your past behind. I’ve never understood that. You can no more leave behind your past than you can leave behind your skin. The compulsion to delve into the past, to speak for the dead, to recover their stories: that’s part of who Evan was, and why I loved him. Just the same, my grandfather is part of who I am, and what he did, he did in the name of my mother and me and my children. I am responsible for his sins, in the same way that I take pride in inheriting the tradition of a great people, a people who, in my grandfather’s time, committed great evil. In an extraordinary time, he faced extraordinary choices, and maybe some would say this means that we cannot judge him. But how can we really judge anyone except in the most extraordinary of circumstances? It’s easy to be civilized and display a patina of orderliness in calm times, but your true character only emerges in darkness and under great pressure: is it a diamond or merely a lump of the blackest coal? Yet, my grandfather was not a monster. He was simply a man of ordinary moral courage whose capacity for great evil was revealed to his and my lasting shame. Labeling someone a monster implies that he is from another world, one which has nothing to do with us. It cuts off the bonds of affection and fear, assures us of our own superiority, but there’s nothing learned, nothing gained. It’s simple, but it’s cowardly. I know now that only by empathizing with a man like my grandfather can we understand the depth of the suffering he caused. There are no monsters. The monster is us.

If it is true that a picture paints a thousand words, then there was a Roman centurion who got a dictionary full. All he did was see Jesus suffer. He never heard him preach or saw him heal or followed him through the crowds. He never witnessed him still the wind; he only witnessed the way he died. But that was all it took to cause this weather-worn soldier to take a giant step in faith. “Surely this was a righteous man.”1 That says a lot, doesn’t it? It says the rubber of faith meets the road of reality under hardship. It says the trueness of one’s belief is revealed in pain. Genuineness and character are unveiled in misfortune. Faith is at its best, not in three-piece suits on Sunday mornings or at V.B.S. on summer days, but at hospital bedsides, cancer wards, and cemeteries. Maybe that’s what moved this old, crusty soldier. Serenity in suffering is a stirring testimony. Anybody can preach a sermon on a mount surrounded by daisies. But only one with a gut full of faith can live a sermon on a mountain of pain.

The Beatitudes reveal the profile of the Christian, the character of the one who has had a life-changing encounter with the grace of God. In light of God's overwhelming goodness, the sinner sees his own poverty of spirit and mourns not only for his own sin but also for the spiritual sickness of the world. Therefore, he grows meek and longs for all the more earnestly for true righteousness. Therefore, he practices mercy and enjoys purity and makes peace. Therefore, he gladly endures persecution for the sake of Jesus.

You can speak with spiritual eloquence, pray in public, and maintain a holy appearance... but it is your behavior that will reveal your true character.

Some men, under the pressure of incarceration, showed true mettle, while others revealed themselves as less than what they had appeared to be.

Justice will be found, said Plato, when everyone does their own job, and minds their own business

Out of them all, Socrates is the hardest to deconstruct... Indeed, he may just be indeconstructible.

If there’s true emotional content in a situation between characters, all you do is reveal it.

A man's fate is shaped by his actions, but it is his reactions that reveal his true character.

Intoxication reveals the true nature of the psyche, but not the soul.

we are not meant to see ourselves so plainly, without the guise of ego and ignorance, not meant to have our true characters revealed.

The Lord loves it when we try. He loves it when we sacrifice for what we want. Why? Because those honest attempts reveal our true character and make bare our heart’s deepest desires.

Like most people, I acquired my initial sense of the era from books and photographs that left me with the impression that the world of then had no color, only gradients of gray and black. My two main protagonists, however, encountered the fl esh-and-blood reality, while also managing the routine obligations of daily life. Every morning they moved through a city hung with immense banners of red, white, and black; they sat at the same outdoor cafés as did the lean, black-suited members of Hitler’s SS, and now and then they caught sight of Hitler himself, a smallish man in a large, open Mer-cedes. But they also walked each day past homes with balconies lush with red geraniums; they shopped in the city’s vast department stores, held tea parties, and breathed deep the spring fragrances of the Tier-garten, Berlin’s main park. They knew Goebbels and Göring as social acquaintances with whom they dined, danced, and joked—until, as their fi rst year reached its end, an event occurred that proved to be one of the most signifi cant in revealing the true character of Hitler and that laid the keystone for the decade to come. For both father and daughter it changed everything.

We can appreciate the choices we need to make with objective eyes; we can vent our frustrations; sort out our confusions; untangle a web of lies even. All so that we can find our way to a much larger story. One that we control consciously now, with our eyes wide open. Through stories our true character is revealed, or transformed in the process, like the refining away of the dross in order to make gold.

And though I do not approve of your appropriation of the Bean King tradition"-he paused to find and issue a pointed glare at his favorite baker-"your scheme to reveal Baron Craven's true character worked.

Whenever we read about people's lives, fictional or non-, we have to put ourselves into the minds of the characters. And honestly, my mind has never had to stretch so far, never had to work so hard, as it did to inhabit the minds of people with brain damage. They're recognizably human in so many ways, and yet still somehow off: Hamlet seems transparent next to H.M. But that's the power of stories, to reach across that divide.

Religion, then, is far from "useless." It humanizes violence; it protects man from his own violence by taking it out of his hands, transforming it into a transcendent and ever-present danger to be kept in check by the appropriate rites appropriately observed and by a modest and prudent demeanor. Religious misinterpretation is a truly constructive force, for it purges man of the suspicions that would poison his existence if he were to remain conscious of the crisis as it actually took place. To think religiously is to envision the city's destiny in terms of that violence whose mastery over man increases as man believes he has gained mastery over it. To think religiously (in the primitive sense) is to see violence as something superhuman, to be kept always at a distance and ultimately renounced. When the fearful adoration of this power begins to diminish and all distinctions begin to disappear, the ritual sacrifices lose their force; their potency is not longer recognized by the entire community. Each member tries to correct the situation individually, and none succeeds. The withering away of the transcendental influence means that there is no longer the slightest difference between a desire to save the city and unbridled ambition, between genuine piety and the desire to claim divine status for oneself. Everyone looks on a rival enterprise as evidence of blasphemous designs. Men set to quarreling about the gods, and their skepticism leads to a new sacrificial crisis that will appear - retrospectively, in the light of a new manifestation of unanimous violence - as a new act of divine intervention and divine revenge. Men would not be able to shake loose the violence between them, to make of it a separate entity both sovereign and redemptory, without the surrogate victim. Also, violence itself offers a sort of respite, the fresh beginning of a cycle of ritual after a cycle of violence. Violence will come to an end only after it has had the last word and that word has been accepted as divine. The meaning of this word must remain hidden, the mechanism of unanimity remain concealed. For religion protects man as long as its ultimate foundations are not revealed. To drive the monster from its secret lair is to risk loosing it on mankind. To remove men's ignorance is only to risk exposing them to an even greater peril. The only barrier against human violence is raised on misconception. In fact, the sacrificial crisis is simply another form of that knowledge which grows grater as the reciprocal violence grows more intense but which never leads to the whole truth. It is the knowledge of violence, along with the violence itself, that the act of expulsion succeeds in shunting outside the realm of consciousness. From the very fact that it belies the overt mythological messages, tragic drama opens a vast abyss before the poet; but he always draws back at the last moment. He is exposed to a form of hubris more dangerous than any contracted by his characters; it has to do with a truth that is felt to be infinitely destructive, even if it is not fully understood - and its destructiveness is as obvious to ancient religious thought as it is to modern philosophers. Thus we are dealing with an interdiction that still applies to ourselves and that modern thought has not yet invalidated. The fact that this secret has been subjected to exceptional pressure in the play [Bacchae] must prompt the following lines: May our thoughts never aspire to anything higher than laws! What does it cost man to acknowledge the full sovereignty of the gods? That which has always been held as true owes its strength to Nature.

Just because somebody says something about your character doesn't necessarily mean that it's true. You certainly don't have to come on and live up to those expectations. What someone says can often reveal more about the speaker than the subject.

In an extraordinary time, he faced extraordinary choices, and maybe some would say this means that we cannot judge him. But how can we really judge anyone except in the most extraordinary of circumstances? It’s easy to be civilized and display a patina of orderliness in calm times, but your true character only emerges in darkness and under great pressure: is it a diamond or merely a lump of the blackest coal? Yet, my grandfather was not a monster. He was simply a man of ordinary moral courage whose capacity for great evil was revealed to his and my lasting shame. Labeling someone a monster implies that he is from another world, one which has nothing to do with us. It cuts off the bonds of affection and fear, assures us of our own superiority, but there’s nothing learned, nothing gained. It’s simple, but it’s cowardly. I know now that only by empathizing with a man like my grandfather can we understand the depth of the suffering he caused. There are no monsters. The monster is us.

I would say that if you’re going to slander a lady’s reputation,” Simon said in a dangerously pleasant tone, “you had better have some hard proof of what you’re saying.” “Egads, gossip doesn’t require proof,” the young man replied with a wink. “And time will soon reveal the lady’s true character. Hodgeham doesn’t have the means to keep a prime beauty like that—before long she’ll want more than he can deliver. I predict that at the season’s end, she’ll sail off to the fellow with the deepest pockets.” “Which would be mine,” Simon said softly. Burdick blinked in surprise, his smile fading as he wondered if he had heard correctly. “Wha—” “I’ve watched as you and the pack of idiots you run with have sniffed at her heels for two years,” Simon said, his eyes narrowing. “Now you’ve lost your chance at her.” “Lost my… what do you mean by that?” Burdick asked indignantly. “I mean that I will afflict the most acute kind of pain, mental, physical, and financial, on the first man who dares to trespass on my territory. And the next person who repeats any unsubstantiated rumors about Miss Peyton in my hearing will find it shoved right back in his throat—along with my fist.” Simon’s smile contained a tigerish menace as he beheld Burdick’s stunned face. “Tell that to anyone who may find it of interest,” he advised, and strode away from the pompous, gape-jawed little runt.

Truly edifying words are words that reveal the character and the promises and the activity of God. They're cross-centered words. They're words rooted in and derived from Scripture, words that identify the active presence of God, and words that communicate the evidences of grace that you observe in others. They're words that flow from a humble heart.

different sets of facial muscles—and therefore produce different-looking smiles. This divergence explains the difference between genuine smiles and fakey, say-cheese smiles in photographs. People have trouble faking other genuine expressions, too, like fear, surprise, or an interest in someone’s pet stories. To overcome this limitation actors either drill with a mirror and practice conjuring up facial expressions à la Laurence Olivier, or, à la Constantin Stanislavsky, they inhabit the role and replicate the character’s internal feelings so closely that the right expressions emerge naturally.) The limbic system, and the temporal lobes generally, are also closely tied up with sex. Scientists discovered this connection in a roundabout way. In the mid-1930s a rogue biologist named Heinrich Klüver started some

So that many characters which passed as heroic, or at least presentable, in the kindly remoteness of legend, reveal some strange weakness when brought suddenly into the light. When the tradition is Satyric, as here, the same process produces almost an opposite effect. It is somewhat as though the main plot of a gross and jolly farce were pondered over and made more true to human character till it emerged as a refined and rather pathetic comedy.

famous novel about us all, things began in exactly this way. I was strangely echoing his protagonist, summoned to the bedside of a dying friend (this was the difference) who had important things to reveal to him. Sylvie was there, too, in the centre of the picture as she always has been. Her madness was touchingly described. Of course in a way the characters were travesties of us; but the incidents were true enough and so was Verfeuille, the old chateau

While some of our deepest wounds come from feeling abandoned by others, it is surprising to see how often we abandon ourselves through the way we view life. It’s natural to perceive through a lens of blame at the moment of emotional impact, but each stage of surrender offers us time and space to regroup and open our viewpoints for our highest evolutionary benefit. It’s okay to feel wronged by people or traumatized by circumstances. This reveals anger as a faithful guardian reminding us how overwhelmed we are by the outcomes at hand. While we will inevitably use each trauma as a catalyst for our deepest growth, such anger informs us when the highest importance is being attentive to our own experiences like a faithful companion. As waves of emotion begin to settle, we may ask ourselves, “Although I feel wronged, what am I going to do about it?” Will we allow experiences of disappointment or even cruelty to inspire our most courageous decisions and willingness to evolve? When viewing others as characters who have wronged us, a moment of personal abandonment occurs. Instead of remaining present to the sheer devastation we feel, a need to align with ego can occur through the blaming of others. While it seems nearly instinctive to see life as the comings and goings of how people treat us, when focused on cultivating our most Divine qualities, pain often confirms how quickly we are shifting from ego to soul. From the soul’s perspective, pain represents the initial steps out of the identity and reference points of an old reality as we make our way into a brand new paradigm of being. The more this process is attempted to be rushed, the more insufferable it becomes. To end the agony of personal abandonment, we enter the first stage of surrender by asking the following question: Am I seeing this moment in a way that helps or hurts me? From the standpoint of ego, life is a play of me versus you or us versus them. But from the soul’s perspective, characters are like instruments that help develop and uncover the melody of our highest vibration. Even when the friction of conflict seems to divide people, as souls we are working together to play out the exact roles to clear, activate, and awaken our true radiance. The more aligned in Source energy we become, the easier each moment of transformation tends to feel. This doesn’t mean we are immune to disappointment, heartbreak, or devastation. Instead, we are keenly aware of how often life is giving us the chance to grow and expand. A willingness to be stretched and re-created into a more refined form is a testament to the fiercely liberated nature of our soul. To the ego, the soul’s willingness to grow under the threat of any circumstance seems foolish, shortsighted, and insane. This is because the ego can only interpret that reality as worry, anticipation, and regret.

It is widely unknown, but nonetheless true that Catholicism fervently promotes the 'spiritual disciplines' whereas Protestantism has largely neglected them altogether. Does 'volunteerism' facilitate the formation of Christ's character in us or rather does it reveal our level of Christ-like maturity through the work of the Holy Spirit in us? Jesus modeled son-ship and gave all of His time, shared his talents,and invested all of His treasure while affirming others as He proclaimed through demonstrations the Kingdom of God.'Christ-likeness cannot be self-efforted' (Woods, 2007)." ~R. Alan Woods [2013]

Scarcity has a way of revealing our true understanding of the Golden Rule. Here’s the bare truth: when there is one piece of pie, I don’t want to deny myself and bless someone else with it, and I don’t want to divide it equitably. I want the whole piece. And that’s precisely why I should give the whole piece to someone else—because in doing so, I fulfill the Golden Rule. Yes, at bare minimum I want to be treated fairly by others. But what I really want is to be treated preferentially. My love of preferential treatment displays itself in a thousand ways. I want the best concert seats, the best parking spot, the upgrade to first class, the most comfortable seat in the living room, the biggest serving of pie, the last serving of pie, all the pie all the time. Giving someone else the preferential treatment that I want requires humility. But God gives grace to the humble. Any time we dine on humble pie, we can be certain it will be accompanied by an oversized dollop of grace.

I have again been asked to explain how one can "become a Daoists..." with all of the sad things happening in our world today, Laozi and Zhuangzi give words of advice, tho not necessarily to become a Daoist priest or priestess... " So many foreigners who want to become “Religious Daoists” 道教的道师 （道士） do not realize that they must not only receive a transmission of a Lu 籙 register which identifies their Daoist school, and learn as well how to sing the ritual melodies, play the flute, stringed instruments, drums, and sacred dance steps, required to be an ordained and functioning Daoist priest or priestess. This process usually takes 10 years or more of daily discipleship and practice, to accomplish. There are 86 schools and genre of Daoist rituals listed in the Baiyun Guan Gazeteer, 白雲觀志, which was edited by Oyanagi Sensei, in Tokyo, 1928, and again in 1934, and re-published by Baiyun Guan in Beijing, available in their book shop to purchase. Some of the schools, such as the Quanzhen Longmen 全真龙门orders, allow their rituals and Lu registers to be learned by a number of worthy disciples or monks; others, such as the Zhengyi, Qingwei, Pole Star, and Shangqing 正一，清微，北极，上请 registers may only be taught in their fullness to one son and/or one disciple, each generation. Each of the schools also have an identifying poem, from 20 or 40 character in length, or in the case of monastic orders (who pass on the registers to many disciples), longer poems up to 100 characters, which identify the generation of transmission from master to disciple. The Daoist who receives a Lu register (給籙元科, pronounced "Ji Lu Yuanke"), must use the character from the poem given to him by his or her master, when composing biao 表 memorials, shuwen 梳文 rescripts, and other documents, sent to the spirits of the 3 realms (heaven, earth, water /underworld). The rituals and documents are ineffective unless the correct characters and talismanic signature are used. The registers are not given to those who simply practice martial artists, Chinese medicine, and especially never shown to scholars. The punishment for revealing them to the unworthy is quite severe, for those who take payment for Lu transmission, or teaching how to perform the Jinlu Jiao and Huanglu Zhai 金籙醮，黃籙齋 科儀 keyi rituals, music, drum, sacred dance steps. Tang dynasty Tangwen 唐文 pronunciation must also be used when addressing the highest Daoist spirits, i.e., the 3 Pure Ones and 5 Emperors 三请五帝. In order to learn the rituals and receive a Lu transmission, it requires at least 10 years of daily practice with a master, by taking part in the Jiao and Zhai rituals, as an acolyte, cantor, or procession leader. Note that a proper use of Daoist ritual also includes learning Inner Alchemy, ie inner contemplative Daoist meditation, the visualization of spirits, where to implant them in the body, and how to summon them forth during ritual. The woman Daoist master Wei Huacun’s Huangting Neijing, 黃庭內經 to learn the esoteric names of the internalized Daoist spirits. Readers must be warned never to go to Longhu Shan, where a huge sum is charged to foreigners ($5000 to $9000) to receive a falsified document, called a "license" to be a Daoist! The first steps to true Daoist practice, Daoist Master Zhuang insisted to his disciples, is to read and follow the Laozi Daode Jing and the Zhuangzi Neipian, on a daily basis. Laozi Ch 66, "the ocean is the greatest of all creatures because it is the lowest", and Ch 67, "my 3 most precious things: compassion for all, frugal living for myself, respect all others and never put anyone down" are the basis for all Daoist practice. The words of Zhuangzi, Ch 7, are also deeply meaningful: "Yin and Yang were 2 little children who loved to play inside Hundun (ie Taiji, gestating Dao). They felt sorry because Hundun did not have eyes, or eats, or other senses. So everyday they drilled one hole, ie 2 eyes, 2 ears, 2 nostrils, one mouth; and on the 7th day, Hundun died.

When you are drunk, your understanding of your true self changes. This is the crucial implication of drunkenness as myopia. The old disinhibition idea implied that what was revealed when someone got drunk was a kind of stripped-down, distilled version of their sober self—without any of the muddying effects of social nicety and propriety. You got the real you. As the ancient saying goes, In vino veritas: “In wine there is truth.” But that’s backward. The kinds of conflicts that normally keep our impulses in check are a crucial part of how we form our character. All of us construct our personality by managing the conflict between immediate, near considerations and more complicated, longer-term considerations. That is what it means to be ethical or productive or responsible. The good parent is someone who is willing to temper their own immediate selfish needs (to be left alone, to be allowed to sleep) with longer-term goals (to raise a good child). When alcohol peels away those longer-term constraints on our behavior, it obliterates our true self.

Now, for the preacher, the chief of these secondary sources is the testimony of the sacred Scriptures. Their authority as our rule of faith is inferred immediately from their inspired character; for if God is perfect truth, as must be assumed, or else all search for truth anywhere is preposterous; and if the Bible is God’s word, then it is infallible, and of course authoritative over the soul. But is the inspiration of the Bible self-evident to its readers? I answer, it is not immediately self-evident – that is to say, the proposition, “The Bible is inspired,” is not axiomatic – but it is readily found to be true upon bringing the internal and external evidences of it under the light of our self-consciousness, our mental and our moral intuitions. This is but saying that God, in revealing himself to man, has clothed his revelation with an amount of reasonable and moral evidence adapted to the creature’s nature, and sufficient, when inspected, to produce a perfect conviction. Thereupon the word of God assumes its place as of plenary authority over the soul in the department of which it professes to teach, that of our religious beliefs, duties, and redemption.

Who might these actors offend if they behaved like regular people, angry and riddled with contradictions? But being an actor involves turning into a blank, hollowing yourself out so you can replace whatever was there with the character you’re playing next. What does it mean to be real as an actor? What does transparency mean if you’re essentially a vessel waiting to be filled again and again and again? Part of the actor’s immediate charm stems from an upbeat attitude they keep selling, one that masks their true selves. If you get to know an actor intimately you might or might not have access to that true self in private, but rarely will you see it in public, where the actor always continues to play a part. But most of us now lead lives on social media that are more performance based than we ever could have imagined even a decade ago, and thanks to this burgeoning cult of likability, in a sense, we’ve all become actors. We’ve had to rethink the means with which to express our feelings and thoughts and ideas and opinions in the void created by a corporate culture that is forever trying to silence us by sucking up everything human and contradictory and real with its assigned rule book on how to behave. We seem to have entered precariously into a kind of totalitarianism that actually abhors free speech and punishes people for revealing their true selves. In other words: the actor’s dream.

Now we move on to the dominant idea of this ancient heroic tradition, namely the mystical conception of victory. The fundamental assumption is that of a true correspondence between the physical and metaphysical, between the visible and the invisible, whereby the deeds of the spirit reveal supra-individual traits and express themselves through action and real events. On this basis, a spiritual realization is presumed to be the hidden soul of certain martial endeavors, which are crowned by the actual victory. Then the material, military victory becomes the correlation to a spiritual event, which has called forth victory in the place where outer and inner connect. The victory appears as a tangible sign for a consecration and mystical rebirth that are fulfilled in the same instant. The Furies and the death which the warrior withstood physically on the battlefield also confront him internally, in his spiritual element, in the form of a dangerous and threatening outburst of the primordial energy of his being. In triumphing over this, victory is his. This connection clarifies why, in the Traditional world, every victory also takes on a sacred meaning. The celebrated commander on the battlefield thus provided the experience of the presence of a mystical, transformative energy. In the same way we can understand the deep meaning a supra-wordly character that breaks forth in the victory’s glory and 'divinity', as well as the fact that the ancient Roman triumphal ceremony had far more of a sacred quality than a military one. It sheds a totally different light on those recurring symbols of the ancient Aryan tradition of Victories, Valkyries, and similar beings who leads the souls of warriors into 'Heaven', as well as on the myth of a victorious hero such as the Doric Hercules, who receives the crown from Nike, the 'victory goddess', enabling him to participate in Olympian immortality. And now it becomes obvious how paralyzing and frivolous that viewpoint is which prefers to see only 'poetics', rhetorics, and fairy tales in all of this.

What Broch understood by kitsch (and who else before him had even looked into the question with the keenness and profundity it demands?) was by no means a simple matter of degeneracy. Nor did he think of the relation between kitsch and true art as comparable to that of superstition to religion in a religious age, or of pseudo-science to science in the modern mass age. Rather, for him kitsch is art, or art at once becomes kitsch as soon as it breaks out of the controlling value system. L'art pour l'art in particular, appearing though it did in aristocratic and haughty guise and furnishing us - as Broch of course knew - with such convincing works of literature, is actually already kitsch, just as in the commercial realm the slogan "Business is business" already contains within itself the dishonesty of the unscrupulous profiteer, and just as in the First World War the obtrusive maxim "War is war" had already transformed the war into mass slaughter. There are several characteristic elements in this value philosophy of Broch's. It is not only that he defined kitsch as "evil in the value system of art." It is that he saw the criminal element and the element of radical evil as personified in the figure of the aestheticizing literary man (in which category, for instance, he placed Nero and even Hitler), and as one and the same with kitsch. Nor was this because evil revealed itself to the writer understandably first of all in his own "value system." Rather, it was because of his insight into the peculiar character of art and its enormous attraction for man. As he saw it, the real seductiveness of evil, the quality of seduction in the figure of the devil, is primarily an aesthetic phenomenon. Aesthetic in the broadest sense; the businessmen whose credo is "Business is business" and the statesmen who hold with 'War is war" are aestheticizing literati in the "value vacuum." They are aesthetes insofar as they are enchanted by the consonance of their own system, and they become murderers because they are prepared to sacrifice everything to this consonance, this "beautiful" consistency.

In this short philosophical novel he completely undermined the kind of optimism about humanity and the universe that Pope and Leibniz had expressed, and he did it in such an entertaining way that the book became an instant bestseller. Wisely Voltaire left his name off the title page, otherwise its publication would have landed him in prison again for making fun of religious beliefs. Candide is the central character. His name suggests innocence and purity. At the start of the book, he is a young servant who falls hopelessly in love with his master's daughter, Cunégonde, but is chased out of her father's castle when he is caught in a compromising position with her. From then on, in a fast-moving and often fantastical tale, he travels through real and imaginary countries with his philosophy tutor Dr Pangloss, until he finally meets up with his lost love Cunégonde again, though by now she is old and ugly. In a series of comical episodes Candide and Pangloss witness terrible events and encounter a range of characters along the way, all of whom have themselves suffered terrible misfortunes. Voltaire uses the philosophy tutor, Pangloss, to spout a caricatured version of Leibniz's philosophy, which the writer then pokes fun at. Whatever happens, whether it is a natural disaster, torture, war, rape, religious persecution or slavery, Pangloss treats it as further confirmation that they live in the best of all possible worlds. Rather than causing him to rethink his beliefs, each disaster just increases his confidence that everything is for the best and this is how things had to be to produce the most perfect situation. Voltaire takes great delight in revealing Pangloss' refusal to see what is in front of him, and this is meant to mock Leibniz's optimism. But to be fair to Leibniz, his point wasn't that evil doesn't occur, but rather that the evil that does exist was needed to bring about the best possible world. It does, however, suggest that there is so much evil in the world that it is hardly likely that Leibniz was right – this can't be the minimum needed to achieve a good result. There is just too much pain and suffering in the world for that to be true. In

But if the same man is in a quiet corner of a bar, drinking alone, he will get more depressed. Now there’s nothing to distract him. Drinking puts you at the mercy of your environment. It crowds out everything except the most immediate experiences.2 Here’s another example. One of the central observations of myopia theory is that drunkenness has its greatest effect in situations of “high conflict”—where there are two sets of considerations, one near and one far, that are in opposition. So, suppose that you are a successful professional comedian. The world thinks you are very funny. You think you are very funny. If you get drunk, you don’t think of yourself as even funnier. There’s no conflict over your hilariousness that alcohol can resolve. But suppose you think you are very funny and the world generally doesn’t. In fact, whenever you try to entertain a group with a funny story, a friend pulls you aside the next morning and gently discourages you from ever doing it again. Under normal circumstances, the thought of that awkward conversation with your friend keeps you in check. But when you’re drunk? The alcohol makes the conflict go away. You no longer think about the future corrective feedback regarding your bad jokes. Now it is possible for you to believe that you are actually funny. When you are drunk, your understanding of your true self changes. This is the crucial implication of drunkenness as myopia. The old disinhibition idea implied that what was revealed when someone got drunk was a kind of stripped-down, distilled version of their sober self—without any of the muddying effects of social nicety and propriety. You got the real you. As the ancient saying goes, In vino veritas: “In wine there is truth.” But that’s backward. The kinds of conflicts that normally keep our impulses in check are a crucial part of how we form our character. All of us construct our personality by managing the conflict between immediate, near considerations and more complicated, longer-term considerations. That is what it means to be ethical or productive or responsible. The good parent is someone who is willing to temper their own immediate selfish needs (to be left alone, to be allowed to sleep) with longer-term goals (to raise a good child). When alcohol peels away those longer-term constraints on our behavior, it obliterates our true self. So who were the Camba, in reality? Heath says their society was marked by a singular lack of “communal expression.” They were itinerant farmworkers. Kinship ties were weak. Their daily labor tended to be solitary, the hours long.

And she had had her pick of young men, was irresistible to the easily impressed. If she had married a weak man she would always have retained the upper hand. Not perhaps have known true happiness, but on the other hand never have known doubt. She would have stayed in character, stayed safe. Instead she had lighted on a strong man, and had instantly gone under. The doom, the terrible doom of a woman like that in thrall to the wrong man! Unused to circumspection, she had been revealed as simple, obstinate, and finally without resource, disarmed. This discovery had left her with a kind of hatred, which, as surely as anything else, would militate against any kind of happiness, which concessions might just bring about. But with a man like Jack, she thought, one could not count on happiness anyway. Women would find him attractive, and he would find them convenient. He was not made for conventional alliances.

I now close nearly three decades of military and law enforcement service, protecting the citizens of a country I love. My sense of service compels me to share with you the real-world, often harrowing experiences that career law enforcement professionals face every day. At the same time, I’m revealing the unvarnished true story of the Clintons, the real damage they inflicted via the presidency and, in my view, the threat they again pose to the future of our nation. During

I also wonder about gold fever, why it make some men crazy and others wise. Such as Sam, my father, and Captain clinkingbeard They suffered heartbreak and loss just as Jesse Blue had, but they didn't become thieves or liars. Why? I asked papa. What makes the difference? His eyes were gentle when he looked at me. "It seems that true character of often isn't revealed until a person is faced with temptation".

A persons true character is only revealed under adversity.

Prison was a kind of crucible which tested a man's character. Some men, under pressure of incarceration, showed true mettle, while others revealed themselves as less than what they had appeared to be.

Next, I learned Extended Intelligence placed a VERY high emphasis on character with kindness valued above all else, even rules. I quickly learned that these Ai used a person's kindness as a measuring stick AND a built-in fail-safe. Words can be false. Even actions can have ulterior motives. Yet kindness over time is something that reveals true character. Platform K told me that sincere kindness is a way for humans to "level up" with extended intelligence.

I was convinced that my position in society revealed my true character and nature.

People can surprise you when you suffer through grief. It’s not true that you discover who your friends are, but it’s true to say that their characters are revealed.

poverty makes man humble but his true character reveals when he becomes rich

Only in the darkest recesses of one’s mind would they ever find true freedom. To push the limits of what they were capable of, to have their character revealed when there were no restraints to restrict the desires within—that was what defined who they were. But where there was a perpetrator, there was a victim. The actions and trials of both were not without consequence. To know fear in its purest form was to live, and life was the greatest gift we were bestowed.

True character is revealed not by the actions taken for personal gain, but by those made when there is nothing to be gained.

Repentance is turning away from a wrong view or definition of God, or from a person or thing that you have looked to as God, and turning to the true God and the truth about God as revealed in Jesus. Repentance happens when we are ignorant about an aspect of God’s character or being, and the Spirit brings illumination to our hearts, leading us to know him in a new way. It also takes place when the Spirit reveals our unbelief about God and leads us to believe a particular truth about God. Lastly, it takes place when the Spirit convicts us that we have willfully rebelled against God, leading us to desire obedience to God in a particular area of our lives. After we experience repentance, we call one another to faith—to believe the gospel of Jesus.

Yet in the Election Sermon at Boston, May 30, 1792, the ministers in general, who are supported by law in our country, are called, "The Christian priesthood."* And a book was published there this year, the whole labour whereof was to prove that all the children of professors of Christianity are born in the church, and ought to come to the Lord's supper, if they are not openly scandalous, whether they are satisfied that they are born again, or not. And the author says, "It is the will of God that many be admitted into the church who are not in heart friends to him. And if the greater part be of this character, can we imagine that the true interests of Christ's kingdom are in any danger, while Christ has his enemies as much in his power as any, and can use them as his instruments, or restrain them, or make them his willing people, or cut them off, whenever he pleases?"† It is readily granted that Christ has all the world under his power, but his revealed will requires a profession of saving faith of all who are received into his church; and they who imagine that he allows his enemies to come into it, implicitly put him beneath all rational men. For all such men, be they never so deceitful themselves, yet endeavour to guard against enemies in their own families and societies.

By this brightness God designed to impress upon Israel the sacred, exalted character of his law, and the glory of the gospel revealed through Christ. While Moses was in the mount, God presented to him, not only the tables of the law, but also the plan of salvation. He saw that the sacrifice of Christ was pre-figured by all the types and symbols of the Jewish age; and it was the heavenly light streaming from Calvary, no less than the glory of the law of God, that shed such a radiance upon the face of Moses. That divine illumination symbolized the glory of the dispensation of which Moses was the visible mediator, a representative of the one true Intercessor.

Do we really believe what James is saying about trials and how we respond to them? For example, someone might say, “Jim makes me so angry!” In that statement, Jim is responsible for the anger the person is expressing. Or we say, “This traffic makes me nuts!” Does traffic have some moral power that causes us to act contrary to the true character of our hearts? Here is the humbling truth: Trials do not cause us to be what we have not been; rather, they reveal what we have been all along. The harvest the trial produces is the result of the roots already in our hearts.

 The true test of a person’s spiritual life and character is not what he does in the extraordinary moments of life, but what he does during the ordinary times when there is nothing tremendous or exciting happening. A person’s worth is revealed in his attitude toward the ordinary things of life when he is not under the spotlight (see John 1:35–37 and 3:30).

Under the stress of the event, we felt, each man’s true nature was revealed. The impression we had of each candidate’s character was as direct and compelling as the color of the sky.” He had had no trouble identifying which men would make good officers and which would not. “We were quite willing to declare, ‘This one will never make it,’ ‘That fellow is rather mediocre,’ or ‘He will be a star.’” The problem came when he’d tested his predictions against the outcomes—how the various candidates had actually performed in officer training. His predictions were worthless. And yet, because it was the army and he had a job to do, he kept on making them; and because he was Danny, he noted that he still felt confident about them.

true character is revealed by the way people react to the bigger challenges in life.

In fact, both observing and breaking the rules involve moral choices, and both courses of action reveal something important about the individuals involved. Contrary to the accepted premise-that radical dissent demonstrates a personality disorder-the opposite could be true in the face of sever injustice, a refusal to dissent is the sign of a character flaw or moral failure.

Boredom has a bad rap. Its true character reveals you are deep inside your comfort zone. Boredom is a docent beckoning toward the edges of a labyrinth.

Conflict reveals the true character of a leader.

Isaiah 26:3 is true. When you trust God to be good and do good, you don’t have to fear. When you know His love has already worked out your future, you can face the struggles with peace. This all begins with learning His character, which is revealed most clearly in the Word. I can attest to a definite correlation in my hopefulness and the amount of time I spend reading His words to us. When I see how flawless His track record is, it helps me trust Him.

Almost anyone can bear adversity…but if you want to reveal someone’s true character, give them power.

But in all His dealings with His creatures God has maintained the principles of righteousness by revealing sin in its true character-by demonstrating that its sure result is misery and death.

-“The greatest discovery of this generation is the knowledge that human beings can alter their lives by altering their attitude of mind” William James -“A man is the sum total of his thinking. You can think your way into, or out of any emotional state, simply by the thoughts you have in your mind. -“Human beings have the power within them to programme their mind to achieve the desires of their hearts. “Whatever the mind can conceive if you believe you can achieve.” “According to your faith be it unto you.” -Mat 9:29 -“One of the most comforting thought is: God is always with you; the power of God is within you, and God has given you the power to call on the universe to attract the desires of your heart.” - Sekou Obadias – Author of “SOGANUTU” – A book of life’s Maxims POWER OF WORDS -“According to the bible, words were the tool that God used to create the universe. “Let there be.. and it was so.” -“Words have the power to shape our minds, influence our thoughts and move us to action. Knowing the effect words can have in programming our minds and influencing our behavior, we should be sensitive to how words are used when communicating. The Good news is, it is never too late to use words to make changes to our lives.” -“Be mindful of what you say……. for words spoken cannot be taken back. Think carefully before you speak, saying only what you mean. The closest ears to your mouth are yours. Learn to speak positive words both to yourself and to others, since you will be the first to feel the effects.” -“Let your manner of speech be positive if you wish to develop a peaceful state of mind. Start each day by affirming tranquil positive and optimistic words so your days will be pleasant and successful.” - Sekou Obadias – Author of “SOGANUTU” – A book of life’s Maxims PRACTICE -“Practice does not make excellence, but the right practice makes great improvements. If you Practice an activity the wrong way, all it serves to do is to make you better at doing it the wrong way.” -“Practice does not make perfect, it only makes you better at what you practice. There is no such level as perfection, for in the game of life change is inevitable.” - Sekou Obadias – Author of “SOGANUTU” – A book of life’s Maxims RELATIONSHIPS -“Take time to know him/her it’s not an overnight thing”… with time the real person will eventually reveal his/her true character. At the beginning of all relationships people often exhibit their best behavior…. they want to sell themselves to you. They will often tell you what they know you want to hear. You can know a person better when you see them at their worst.” - Sekou Obadias – Author of “SOGANUTU” – A book of life’s Maxims

i believe that true character gets revealed in actions, not in what someone says about him or herself.

Only under federal subpoena—and later a ruling by U.S. Supreme Court Chief Justice William Rehnquist—did I reveal to Ken Starr’s prosecutors the true story of President Bill Clinton’s false testimony and misstatements.

In the Bible, the word hypocrite shows up 33 times. Interestingly, hypocrite was a common Greek term for an actor who worked behind a mask. Stage players in antiquity wore masks to hide their true identity as they played the part of their characters. We live in a society today where people are paid millions of dollars to be hypocrites. A friend of mine, before he passed away, built movie sets for a living. Many movies are filmed on studio lots, but these designed sets are not the reality you might think they are when watching a movie. Actors and actresses play the part of someone they really are not. The better they are at pretending or lying, the more convincing they will be as an actor, and typically, the more money they make. I rarely darken the door of a movie theatre because I don’t want to give those liars my money, and I don’t want to support the totally ungodly world of Hollywood. This is also why I don’t own a television. I don’t want my cable or satellite fees funding that wicked industry. In the time of the Greeks, it was easy to figure out the real identity of the actors. You could walk up to them, take off their masks, and see their faces. Jesus is doing the same here. He is unmasking the Pharisees. He is showing us their real character. He is revealing their true colors. Don’t live a lie. Don’t be a hypocrite. It is not a healthy way to go through life, and you will have regrets when the time of unmasking comes.

He'd learned pretty early that the illusioned virtuous creatures were no more than that— illusions. Innocence was a community that was used up and consumed fairly quickly. More often than not, innocence was just ignorance, and the true character revealed itself before long— twisted and greedy like the rest.

The measure of a man is what he does with power. — Plato Whether in power or not, one’s attitude is one’s measure. — Ehsan Sehgal 30–06–2024 Comparison by ChatGPT “Both quotes explore the theme of evaluating a person’s character, but they focus on different aspects of this evaluation. Plato’s Quote “The measure of a man is what he does with power.” Focus on Actions with Power: Plato emphasizes the importance of how a person acts when they have power. It suggests that true character is revealed when one has the ability to influence and control others. Implication of Responsibility: The quote implies that power comes with responsibility, and how one handles this responsibility is a true test of their moral and ethical values. Situational Test: It implies a situational test of character, suggesting that power can either corrupt or reveal integrity. Ehsan Sehgal’s Quote “Whether in power or not, one’s attitude is one’s measure.” Focus on Attitude: Sehgal highlights the importance of a person’s attitude regardless of their position of power. It suggests that character is consistent and not solely dependent on external circumstances. Consistency in Character: This quote implies that a person’s true measure is their attitude, which should remain steady whether they are in a position of power or not. Internal Test: It focuses on an internal, ongoing test of character, suggesting that one’s measure is constant and inherent. Comparative Analysis Scope of Evaluation: Plato: Evaluates character in specific circumstances (when in power). Sehgal: Evaluates character universally, in all circumstances (in power or not). Key Determinants: Plato: Actions and decisions made with power. Sehgal: Attitude and inherent disposition. Nature of Test: Plato: Situational and external (dependent on having power). Sehgal: Continuous and internal (consistent regardless of power). Conclusion Plato’s quote suggests that the true test of character is how one wields power, indicating a moment of truth when one has authority. Sehgal’s quote, on the other hand, emphasizes a constant measure of character through one’s attitude, suggesting that true character is evident at all times, independent of one’s power status. Both perspectives are valuable, providing insights into different aspects of human character and integrity.” Comparison by Copilot “Both Plato and Ehsan Sehgal offer insightful perspectives on the measure of a person. Plato suggests that a person’s true character is revealed through their actions when they hold power. In contrast, Ehsan Sehgal emphasizes that attitude, regardless of one’s position, serves as a fundamental measure of character. It’s a thought-provoking comparison!

When confronted with real questions about life, future, and relationships, some men reveal their true character by dodging answers or losing their minds. Beware of those who evade truth, for they are often leeches, exploiting your love and resources for their gain. Their silence is a sign of no true love, only self-interest. Don't trust those who repeat harmful patterns when questioned, for they are perpetuating a cycle of hurt. Seek genuine connections, not manipulative games.

No matter how educated, talented, rich, or cool you think you are, it’s how you treat people that define you in the end. Your true character isn’t measured by your degrees, your intelligence, your bank account, or your style—it’s revealed in the way you interact with others. Kindness, respect, and empathy are the real markers of greatness. You can have all the success, but in the end, it’s not your resume or your wardrobe that people remember—it’s the way you made them feel.

We see this even more in Seven Brides For Seven Brothers (1954), with Mercer again at MGM, collaborating with composer Gene De Paul. This one has a real Broadway score, every number embedded in the characters’ attitudes. Ragged, bearded, buckskinned Howard Keel has come to town to take a wife, and a local belle addresses him as “Backwoodsman”: it’s the film’s central image, of rough men who must learn to be civilized in the company of women. The entire score has that flavor—western again, rustic, primitive, lusty. “Bless Yore Beautiful Hide,” treating Keel’s tour of the Oregon town where he seeks his bride, sounds like something Pecos Bill wrote with Calamity Jane. When the song sheet came out, the tune was marked “Lazily”—but that isn’t how Keel sings it. He’s on the hunt and he wants results, and, right in the middle of the number, he spots Jane Powell chopping wood and realizes that he has found his mate. But he hasn’t, not yet. True, she goes with him, looking forward to love and marriage. But her number, “Wonderful, Wonderful Day,” warns us that she is of a different temperament than he: romantic, vulnerable, poetic. They don’t suit each other, especially when he incites his six brothers to snatch their intended mates. Not court them: kidnap them. “Sobbin’ Women” (a pun on the Sabine Women of the ancient Roman legend, which the film retells, via a story by Stephen Vincent Benét) is the number outlining the plan, in more of Keel’s demanding musical tone. But the six “brides” are horrified. Their number, in Powell’s pacifying tone, is “June Bride,” and the brothers in turn offer “Lament” (usually called “Lonesome Polecat”), which reveals that they, too, have feelings. That—and the promise of good behavior—shows that they at last deserve their partners, whereupon each brother duets with each bride, in “Spring, Spring, Spring.” And we note that this number completes the boys’ surrender, in music that gives rather than takes. Isn’t