Trucking In Forest Quotes

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If I had lady-spider legs, I would weave a sky where the stars lined up. Matresses would be tied down tight to their trucks, bodies would never crash through windshields. The moon would rise above the wine-dark sea and give babies only to maidens and musicians who had prayed long and hard. Lost girls wouldn't need compasses or maps. They would find gingerbread paths to lead them out of the forest and home again. They would never sleep in silver boxes with white velvet sheets, not until they were wrinkled-paper grandmas and ready for the trip.
Laurie Halse Anderson (Wintergirls)
Every morning the maple leaves. Every morning another chapter where the hero shifts from one foot to the other. Every morning the same big and little words all spelling out desire, all spelling out You will be alone always and then you will die. So maybe I wanted to give you something more than a catalog of non-definitive acts, something other than the desperation. Dear So-and-So, I’m sorry I couldn’t come to your party. Dear So-and-So, I’m sorry I came to your party and seduced you and left you bruised and ruined, you poor sad thing. You want a better story. Who wouldn’t? A forest, then. Beautiful trees. And a lady singing. Love on the water, love underwater, love, love and so on. What a sweet lady. Sing lady, sing! Of course, she wakes the dragon. Love always wakes the dragon and suddenly flames everywhere. I can tell already you think I’m the dragon, that would be so like me, but I’m not. I’m not the dragon. I’m not the princess either. Who am I? I’m just a writer. I write things down. I walk through your dreams and invent the future. Sure, I sink the boat of love, but that comes later. And yes, I swallow glass, but that comes later. Let me do it right for once, for the record, let me make a thing of cream and stars that becomes, you know the story, simply heaven. Inside your head you hear a phone ringing and when you open your eyes only a clearing with deer in it. Hello deer. Inside your head the sound of glass, a car crash sound as the trucks roll over and explode in slow motion. Hello darling, sorry about that. Sorry about the bony elbows, sorry we lived here, sorry about the scene at the bottom of the stairwell and how I ruined everything by saying it out loud. Especially that, but I should have known. Inside your head you hear a phone ringing, and when you open your eyes you’re washing up in a stranger’s bathroom, standing by the window in a yellow towel, only twenty minutes away from the dirtiest thing you know. All the rooms of the castle except this one, says someone, and suddenly darkness, suddenly only darkness. In the living room, in the broken yard, in the back of the car as the lights go by. In the airport bathroom’s gurgle and flush, bathed in a pharmacy of unnatural light, my hands looking weird, my face weird, my feet too far away. I arrived in the city and you met me at the station, smiling in a way that made me frightened. Down the alley, around the arcade, up the stairs of the building to the little room with the broken faucets, your drawings, all your things, I looked out the window and said This doesn’t look that much different from home, because it didn’t, but then I noticed the black sky and all those lights. We were inside the train car when I started to cry. You were crying too, smiling and crying in a way that made me even more hysterical. You said I could have anything I wanted, but I just couldn’t say it out loud. Actually, you said Love, for you, is larger than the usual romantic love. It’s like a religion. It’s terrifying. No one will ever want to sleep with you. Okay, if you’re so great, you do it— here’s the pencil, make it work … If the window is on your right, you are in your own bed. If the window is over your heart, and it is painted shut, then we are breathing river water. Dear Forgiveness, you know that recently we have had our difficulties and there are many things I want to ask you. I tried that one time, high school, second lunch, and then again, years later, in the chlorinated pool. I am still talking to you about help. I still do not have these luxuries. I have told you where I’m coming from, so put it together. I want more applesauce. I want more seats reserved for heroes. Dear Forgiveness, I saved a plate for you. Quit milling around the yard and come inside.
Richard Siken
Does anyone beside me experience a deep sorrow that someone called a "Hero for the Planet" and a "star of the sustainability movement" is designing truck factories and Nike headquarters? Ninety percent of the large fish in the ocean are gone. Ninety-seven percent of the world's native forests have been cut. There are 2 million dams just in the United States. Once-mighty flocks of passenger pigeons are gone. Islands full of great aucks, gone. Rich runs of salmon, gone. Gone. Gone. Gone. The oceans are filled with plastic. Every stream in the United States is contaminated with carcinogens. The world is being killed, and this is the respond? Not only am I angry, not only am I disgusted, I am also deeply, deeply sorrowful. And I am deeply ashamed. We need to act differently.
Derrick Jensen (What We Leave Behind)
I see the Divine in the mountains, the rivers, the clouds and the stars. I see the Divine in the highways, and skyscrapers, in farmland and playgrounds. But where is the Divine in the barren desert, in burned-down forests, and disaster-stricken towns? The Divine is in the oasis, and the people there who give water and rest to desert travelers. The Divine is in the firefighters’ tools, and the flowers that bloom from the ash. The Divine is in relief trucks, bringing food and water and comfort. The Divine rests in all things, but is no more awake than when we summon strength to do what is right.
Rikki de la Vega (Priscilla's Transformation (Free Spirits #9))
If you can hear the quiet while being woken up by the garbage trucks, you have power. When you can feel the stars when all you can see are the skyscrapers, that's power. When you can smell the forest in front of the dumpster, then you have power. Never let the events in front of you or the people around you, tell you what to see, feel, taste, smell or hear.
Margot Berwin (Hothouse Flower and the Nine Plants of Desire)
I had recently read to my dismay that they have started hunting moose again in New England. Goodness knows why anyone would want to shoot an animal as harmless and retiring as the moose, but thousands of people do—so many, in fact, that states now hold lotteries to decide who gets a permit. Maine in 1996 received 82,000 applications for just 1,500 permits. Over 12,000 outof-staters happily parted with a nonrefundable $20 just to be allowed to take part in the draw. Hunters will tell you that a moose is a wily and ferocious forest creature. Nonsense. A moose is a cow drawn by a three-year-old. That’s all there is to it. Without doubt, the moose is the most improbable, endearingly hopeless creature ever to live in the wilds. Every bit of it—its spindly legs, its chronically puzzled expression, its comical oven-mitt antlers—looks like some droll evolutionary joke. It is wondrously ungainly: it runs as if its legs have never been introduced to each other. Above all, what distinguishes the moose is its almost boundless lack of intelligence. If you are driving down a highway and a moose steps from the woods ahead of you, he will stare at you for a long minute (moose are notoriously shortsighted), then abruptly try to run away from you, legs flailing in eight directions at once. Never mind that there are several thousand square miles of forest on either side of the highway. The moose does not think of this. Clueless as to what exactly is going on, he runs halfway to New Brunswick before his peculiar gait inadvertently steers him back into the woods, where he immediately stops and takes on a startled expression that says, “Hey—woods. Now how the heck did I get here?” Moose are so monumentally muddle-headed, in fact, that when they hear a car or truck approaching they will often bolt out of the woods and onto the highway in the curious hope that this will bring them to safety. Amazingly, given the moose’s lack of cunning and peculiarly-blunted survival instincts, it is one of the longest-surviving creatures in North America. Mastodons, saber-toothed tigers, wolves, caribou, wild horses, and even camels all once thrived in eastern North America alongside the moose but gradually stumbled into extinction, while the moose just plodded on. It hasn’t always been so. At the turn of this century, it was estimated that there were no more than a dozen moose in New Hampshire and probably none at all in Vermont. Today New Hampshire has an estimated 5,000 moose, Vermont 1,000, and Maine anywhere up to 30,000. It is because of these robust and growing numbers that hunting has been reintroduced as a way of keeping them from getting out of hand. There are, however, two problems with this that I can think of. First, the numbers are really just guesses. Moose clearly don’t line up for censuses. Some naturalists think the population may have been overstated by as much as 20 percent, which means that the moose aren’t being so much culled as slaughtered. No less pertinent is that there is just something deeply and unquestionably wrong about killing an animal that is so sweetly and dopily unassuming as a moose. I could have slain this one with a slingshot, with a rock or stick—with a folded newspaper, I’d almost bet—and all it wanted was a drink of water. You might as well hunt cows.
Bill Bryson (A Walk in the Woods: Rediscovering America on the Appalachian Trail)
Remember, there are infinite stories about separation. By infinite stories, that is to say that there is this story, & only this story, told many different ways. Sometimes the hand is not a hand but a sweetheart or a daughter or a house on fire. Anything can be part of oneself & anything can be taken away. Sometimes the truck is a fishing boat or a Boeing 747 or a blocked telephone number. Sometimes the abandoned never makes it free of the forest.
GennaRose Nethercott
BY THE HUNDREDS, blacks cleared out of Groveland on the backs of citrus trucks. Others took blankets, food, and water and fled with their children into the pine leaf forests, surer than rumor that the Ku Klux Klan would be coming from all directions to burn down Stuckey Still, the black enclave west of Groveland.
Gilbert King (Devil in the Grove: Thurgood Marshall, the Groveland Boys, and the Dawn of a New America)
The other thing to remember, of course, is that most people get no help at all. I sure didn't, oh, no: it was just me and Castle, charging, desperate, through the country darkness, and that's how it is for most people who dare to run - no help from no Airlines, no help from no one. They just go, man, after years of planning or in the heat of a sudden moment they go, hurl their skinny bodies over a cyclone fence or purge themselves into a moat, break free of a chain line or a guard's hard grip and run, brother, run, sister, run along back roads and through forests. No planes and no cars or trucks, either. Just brave souls darting across open fields and wading in and out of rivers and stumbling along deer paths through dark woods. Find the star and follow it, as runners have done all the way back to the days of Old Slavery.
Ben H. Winters (Underground Airlines)
The radio truck has driven up to us in the forest. Already an hour earlier – hardly that we had received the news the Führer would speak – we shaved (lacking water, one can very well use coffee) and cleaned the uniform. We now have war with England and France as well! It will become a difficult struggle and we in no way surrender to cheap optimism. But the faith in the Führer's genius is unshakeable. Our enemies have no leader and hence no political faith. We cannot imagine that they over there, our enemies, know at all for what they fight for. Hence they are soldiers without passion. We will – simply because the Führer has taught us the style of a political existence – fight more persevering, more fanatically and more ruthlessly than our opponents. We have taken a great pledge: Either Europe will belong to us – the purified, hardened in itself, Germanic stamped Europe – or we will disappear from the stage of world history, such as the enemies of German freedom hope. That the future belongs to us, is certain to us. Certainty that we owe our Führer. To fight in such certainty, is for us soldiers of 1939 the highest, manliest, most warlike happiness, for which our sons and grandchildren will one day envy us! What a difference to 1914!
Kurt Eggers
It seems to begin before dawn with the Muslims, when a mosque at the edge of the mangrove forest softly announces, in a lullaby voice, the morning call to prayer. Not to be outdone, the local Christians soon crank up pop-sounding hymns that last anywhere from one to three hours. This is followed by cheerful, though overamplified, kazoo-like refrain from the Hindu temple that reminds Less of the ice cream truck from his childhood. Then comes a later call to prayer. Then the Christians decide to ring some bronze bells. And so on. There are sermons and live singers and thunderous drum performances. In this way, the faiths alternate throughout the day, as at a music festival, growing louder and louder until, during the outright cacophony of sunset, the Muslims, who began the whole thing, declare victory by projecting not only the evening call to prayer but the prayer itself in its entirety. After that, the jungle falls to silence. Perhaps this is the Buddhists' sole contribution. Every morning, it starts again.
Andrew Sean Greer (Less)
He hiked up into the mountains. The season had gone before, some trees gone barren, none still green. He spent the night on a ledge above the river and all night he could hear the ghosts of lumber trains, a liquid clicking and long shunt and clatter and the jargon of old rusted trucks on rails long gone. The first few dawns half made him nauseous, he'd not seen one dead sober for so long. He sat in the cold gray light and watched, mummied up in his blanket. A small wind blew. A rack of clouds troweled across the east grew mauve and yellow and the sun came boring up. He was moved by the utter silence of it. He turned his back to the warmth. Yellow leaves were falling all through the forest and the river was filled with them, shuttling and winking, golden leaves that rushed like poured coins in the tailwater. A perishable currency, forever renewed. In an old grandfather time a ballad transpired here, some love gone wrong and a sabletressed girl drowned in an icegreen pool where she was found with her hair spreading like ink on the cold and cobbled river floor. Ebbing in her bindings, languorous as a sea dream. Looking up with eyes made huge by the water at the bellies of trout and the well of the rimpled world beyond.
Cormac McCarthy (Suttree)
You must have some new inventions that we did not have in my time. Tell me about your most modern things." "I think the best things are the bicycle trails. Since 1997 they've allowed no new roads to be built—only bike trails—and now there are as many miles of bike trails as there are of roads for cars." "So you can really bike all over the country?" you ask. "Sure—and not alongside buses and trucks and crazy drivers, but through forests and across plains and deserts and along rivers and streams. I sometimes feel like biking forever that way, and there are hostels for bikers where you can sleep in comfort for almost nothing. Most of the cost is paid for by taxes on gasoline.
Edward Packard
When we turned off Carmel Valley Road south onto Highway 1 and entered Big Sur, nature woke up and suddenly started doing the can-can. Everywhere I looked, the jagged mountains were tumbling into the sea, like rockslides frozen in free fall—still yet dramatic at the same time. We navigated a thin, winding ribbon of road hundreds of feet above the exploding surf. I rolled the window down, and heard sea lions barking and waves booming into sea caves below. The spicy aroma of sage mixed with sea salt wafted into the truck. We dipped down into forests where the air dropped ten degrees and the massive redwood trees clustered together in tribal circles, then we burst back into the sun again. I twisted my head in every direction, trying not to miss a thing.
Meredith May (The Honey Bus: A Memoir of Loss, Courage and a Girl Saved by Bees)
People often have a romantic ideal of the forest, but if you sit under a tree, every insect within a ten-metre radius will make a beeline for you. It’s not romantic. It is, however, transformative. To feel its pulse, its rhythm, its life. To learn its ways, its regenerative power, its creative prowess. When we look at trees, we think of them as trucks, branches, and leaves. We forget that under the ground there is a vast and complex system of intertwined roots that is as large and fascinating as the system above the soil. It is through this underground system that the trees talk to each other, warn each other of danger, help the sick trees, support the elderly ones, and generally have an elaborate and purposeful way of communicating with the whole ecological community.
Donna Goddard (Prana (Waldmeer, #6))
Hunters will tell you that a moose is a wily and ferocious forest creature. Nonsense. A moose is a cow drawn by a three-year-old. That’s all there is to it. Without doubt, the moose is the most improbable, endearingly hopeless creature ever to live in the wilds. Every bit of it—its spindly legs, its chronically puzzled expression, its comical oven-mitt antlers—looks like some droll evolutionary joke. It is wondrously ungainly: it runs as if its legs have never been introduced to each other. Above all, what distinguishes the moose is its almost boundless lack of intelligence. If you are driving down a highway and a moose steps from the woods ahead of you, he will stare at you for a long minute (moose are notoriously shortsighted), then abruptly try to run away from you, legs flailing in eight directions at once. Never mind that there are several thousand square miles of forest on either side of the highway. The moose does not think of this. Clueless as to what exactly is going on, he runs halfway to New Brunswick before his peculiar gait inadvertently steers him back into the woods, where he immediately stops and takes on a startled expression that says, “Hey—woods. Now how the heck did I get here?” Moose are so monumentally muddle-headed, in fact, that when they hear a car or truck approaching they will often bolt out of the woods and onto the highway in the curious hope that this will bring them to safety. Amazingly, given the moose’s lack of cunning and peculiarly-blunted survival instincts, it is one of the longest-surviving creatures in North America.
Bill Bryson (A Walk in the Woods: Rediscovering America on the Appalachian Trail)
The cars and trucks that passed this way threw their trash out into the forest without pause, faster than the gleaners could pick them up and find new uses for them. The waste had always struck Maceo as a disgusting mystery, but now, it made sense. The indestructible plastic bottles and wrappers that rained on the ground were not merely trash, but seeds—diabolical harbingers of the alien ecology of metal and plastic and advertising that had already swallowed the coast. It was a hostile invader that no one else seemed to want to fight. The dead-eyed souvenir-hawkers at Coba sold the products the signs foretold; beside the road to the ruins of the once-sacred ceremonial city, a looming image of golden arches promised a still-greater ritual awaiting them in Valladolid—the devouring of machine-made ghost-food. Maceo could not read the words on the billboards, but he knew that they sought to infect their victims with the virus of desire.
Cody Goodfellow (Strategies Against Nature)
(1) Throughout history, war has often been a leading stimulant of technological innovation. For instance, the enormous investments made in nuclear weapons during World War II and in airplanes and trucks during World War I launched whole new fields of technology. But wars can also deal devastating setbacks to technological development. (2) Strong centralized government boosted technology in late-19th-century Germany and Japan, and crushed it in China after A.D. 1500. (3) Many northern Europeans assume that technology thrives in a rigorous climate where survival is impossible without technology, and withers in a benign climate where clothing is unnecessary and bananas supposedly fall off the trees. An opposite view is that benign environments leave people free from the constant struggle for existence, free to devote themselves to innovation. (4) There has also been debate over whether technology is stimulated by abundance or by scarcity of environmental resources. Abundant resources might stimulate the development of inventions utilizing those resources, such as water mill technology in rainy northern Europe, with its many rivers—but why didn’t water mill technology progress more rapidly in even rainier New Guinea? The destruction of Britain’s forests has been suggested as the reason behind its early lead in developing coal technology, but why didn’t deforestation have the same effect in China? This
Jared Diamond (Guns, Germs, and Steel: The Fates of Human Societies (20th Anniversary Edition))
Oh, but to get through this night. Why won’t sleep come? What’s bothering me here in the dark? It’s not the badgers, it’s not the snakes. What’s bothering me? Something darker is worrying a hole inside me—look how my legs are trembling. Stop moving, Tatiana. That’s how the carnivores find you, by the flash of life on your body, they find you and eat you while you sleep. Like venomous spiders, they’ll bite you first to lull you into sleep—you won’t even feel it—and then they will gnaw your flesh until nothing remains. But even the animals eating her alive was not the thing that worried the sick hole in Tatiana’s stomach as she lay in the leaves with her face hidden from the forest, with her arms over her head, in case anything decided to fall on her. She should’ve made herself a shelter but it got dark so fast, and she was so sure she would find the lake, she hadn’t been thinking of making herself more comfortable in the woods. She kept walking and walking, and then was downed and breathless and unprepared for pitch black night. To quell the terror inside her, to not hear her own voices, Tatiana whimpered. Lay and cried, low and afraid. What was tormenting her from the inside out? Was it worry over Marina? No... not quite. But close. Something about Marina. Something about Saika... Saika. The girl who caused trouble between Dasha and her dentist boyfriend, the girl who pushed her bike into Tatiana’s bike to make her fall under the tires of a downward truck rushing headlong... the girl who saw Tatiana’s grandmother carrying a sack of sugar and told her mother who told her father who told the Luga Soviet that Vasily Metanov harbored sugar he had no intention of giving up? The girl who did something so unspeakable with her own brother she was nearly killed by her own father’s hand—and she herself had said the boy got worse—and this previously unmentioned brother was, after all, dead. The girl who stood unafraid under rowan trees and sat under a gaggle of crows and did not feel black omens, the girl who told Tatiana her wicked stories, tempted Tatiana with her body, turned away from Marina as Marina was drowning...who turned Marina against Tatiana, the girl who didn’t believe in demons, who thought everything was all good in the universe, could she . . . What if...? What if this was not an accident? Moaning loudly, Tatiana turned away to the other side as if she’d just had a nightmare. But she hadn’t been dreaming. Saika took her compass and her knife. But Marina took her watch. And there it was. That was the thing eating up Tatiana from the inside out. Could Marina have been in on something like this? Twisting from side to side did not assuage her torn stomach, did not mollify her sunken heart. Making anguished noises, her eyes closed, she couldn’t think of fields, or Luga, or swimming, or clover or warm milk, anything. All good thoughts were drowned in the impossible sorrow. Could Marina have betrayed her?
Paullina Simons (The Summer Garden (The Bronze Horseman, #3))
The captain? Sophia stood staring numbly after him. Had he just said he’d introduce her to the captain? Of someone else was the captain, then who on earth was this man? One thing was clear. Whoever he was, he had her trunks. And he was walking away. Cursing under her breath, Sophia picked up her skirts and trotted after him, dodging boatmen and barrels and coils of tarred rope as she pursued him down the quay. A forest of tall masts loomed overhead, striping the dock with shadow. Breathless, she regained his side just as he neared the dock’s edge. “But…aren’t you Captain Grayson?” “I,” he said, pitching her smaller trunk into a waiting rowboat, “am Mr. Grayson, owner of the Aphrodite and principle investor in her cargo.” The owner. Well, that was some relief. The tavern-keeper must have been confused. The porter deposited her larger truck alongside the first, and Mr. Grayson dismissed him with a word and a coin. He plunked one polished Hessian on the rowboat’s seat and shifted his weight to it, straddling the gap between boat and dock. Hand outstretched, he beckoned her with an impatient twitch of his fingers. “Miss Turner?” Sophia inched closer to the dock’s edge and reached one gloved hand toward his, considering how best to board the bobbing craft without losing her dignity overboard. The moment her fingers grazed his palm, his grin tightened over her hand. He pulled swiftly, wrenching her feet from the dock and a gasp from her throat. A moment of weightlessness-and then she was aboard. Somehow his arm had whipped around her waist, binding her to his solid chest. He released her just as quickly, but a lilt of the rowboat pitched Sophia back into his arms. “Steady there,” he murmured through a small smile. “I have you.” A sudden gust of wind absconded with his hat. He took no notice, but Sophia did. She noticed everything. Never in her life had she felt so acutely aware. Her nerves were draw taut as harp strings, and her senses hummed. The man radiated heat. From exertion, most likely. Or perhaps from a sheer surplus of simmering male vigor. The air around them was cold, but he was hot. And as he held her tight against his chest, Sophia felt that delicious, enticing heat burn through every layer of her clothing-cloak, gown, stays, chemise, petticoat, stockings, drawers-igniting desire in her belly. And sparking a flare of alarm. This was a precarious position indeed. The further her torso melted into his, the more certainly he would detect her secret: the cold, hard bundle of notes and coin lashed beneath her stays. She pushed away from him, dropping onto the seat and crossing her arms over her chest. Behind him, the breeze dropped his hat into a foamy eddy. He still hadn’t noticed its loss. What he noticed was her gesture of modesty, and he gave her a patronizing smile. “Don’t concern yourself, Miss Turner. You’ve nothing in there I haven’t seen before.” Just for that, she would not tell him. Farewell, hat.
Tessa Dare (Surrender of a Siren (The Wanton Dairymaid Trilogy, #2))
That second night we camped next to a small tree not more than six feet high, the only one for miles around. We had been irresistibly drawn to it and had actually driven quite a way off course to get to it. Though we slept inside the truck, the tree gave us a vague sense of security. Our early primate ancestors would probably have been similarly pleased to find even this mere seedling on a nearly treeless plain, after they left the safety of the forests to venture onto the vast savannas millions of years ago.
Mark Owens (Cry of the Kalahari)
Why Maine extends northward almost to the mouth of the Saint Lawrence, and it's upper border is perhaps a 100 miles north of Quebec. And another thing I have conveniently forgotten was how incredibly huge America is. As I drive north through the little towns and the increasing forest rolling away to the horizon, the season changed quickly and out of all proportion. Perhaps it was my getting away from the steadying hand of the sea and also perhaps I was getting very far north. The houses had a snow-beaten look and many were crushed and deserted, driven to earth by the winters. Except in the towns there was evidence of a population which had once lived here and farmed and had its being and had then been driven out. The forests were marching back and where farm wagons once had been only the big logging trucks rumbled along. And the game had come back too; deer strayed on the roads and there were marks of bear.
John Steinbeck (Travels with Charley: In Search of America)
oaks, the forest opened up and we flew in an oval pattern around the scene. The grille of a blue Mustang was nosed up against an earthen barrier, the vehicle’s doors open. Two bodies, both male, were sprawled nearby in the grass. Between the long drying sheds, three gray, refrigerated semitrailers were lined nose to tail like elephants on parade. The truck windows and windshields were shot through and spiderwebbed. Behind the last semi was a black Dodge Viper with two dead men in the front seat. The pilot landed out by the highway, where a perimeter had been established. After checking in with the Virginia State Police lieutenant and the county sheriff, we went to the crime scene on foot. It was hot. Insects buzzed and drummed in the forest around the tobacco facility. Truck engines idling swallowed the sound of blowflies gathering around the Viper. “They’ve swept their way out again,” Mahoney said when we were ten yards from the Dodge. I looked at the glistening dirt road between the Viper and us. I saw faint grooves in the moist dirt and said, “Or raked.” The door to the muscle car was ajar. The window was down. The driver had taken a slug through the back of the skull, left occipital. Blood spattered the windshield and almost covered two bullet holes, one exiting, and one entering. The passenger in the Viper had been rocked back, his left eye a bloody socket and a spray of carnage behind him.
James Patterson (Cross the Line (Alex Cross, #24))
In his lifetime, Stalin will murder millions of people. Some will be shot, others will be denied food and ultimately die of starvation, millions will be sent to die in the deep winter snows of Siberia, and many will be tortured to death. Already, during one infamous murder spree in April and May of 1940, some twenty-two thousand Polish nationals were shot dead. What began as an attempt to execute every member of the Polish officer corps soon expanded to include police officers, landowners, intelligence agents, lawyers, and priests. The shootings were conducted for nights on end, often beginning at dusk and continuing until dawn. Some were mass killings carried out in the Katyn Forest, while others were individual executions inside the Kalinin and Kharkiv prisons. Mikhailovich Blokhin, chief executioner at Kalinin, personally shot seven thousand men in the back of the head as they knelt before him. Those killings took place inside a cell whose walls were lined with sandbags to deaden the sound. As soon as a victim fell dead, he was dragged from the room and thrown onto a truck for delivery to the burial site, while another handcuffed prisoner was marched before Blokhin and told to kneel. Noting that Russian pistols had so much recoil that his hand hurt after just a dozen killings, Blokhin opted for the smoother feel of the German Walther PPK.
Bill O'Reilly (Killing Patton: The Strange Death of World War II's Most Audacious General)
Not unlike the herbicide-spraying campaigns in Asia, Central Europe was also flown over by helicopters spraying chemicals intended to wipe out the deciduous forests, which had gone out of fashion. Beech and oak trees held very little value at that time; low oil prices meant that no one was interested in firewood. The scales were tilted in favour of spruce – sought after by the timber industry and safe from being devoured by the high game populations. Over 5,000 square kilometres of deciduous woodlands was cleared just in my local region of Eifel and Hunsrück, through this merciless method of dropping death from the air. The carrier for the substance, sold under the trade name Tormona, was diesel oil. Elements of this mixture may still lurk in the soil of our forests today; the rusty diesel drums are certainly still lying around in some places. Have things improved now? Not completely, because chemical sprays are still used, even if they’re not directed at the trees themselves. The target of the helicopters and trucks with their atomising nozzles is the insects that feed on the trees and wood. Because the drab spruce and pine monocultures give free rein to bark beetles and butterfly caterpillars, these are then bumped off with contact insecticides. The pesticides, with names like Karate, are so lethal for three months that mere contact spells the end for any unfortunate insects. Parts of a forest that have been sprayed with pesticide are usually marked and fenced off for a while, but wood piles at the side of the track are often not considered dangerous. I would therefore advise against sitting on them when you’re ready for a rest stop and look out for a mossy stump instead, which is guaranteed to be harmless. This is quite apart from the fact that freshly harvested softwood is often very resinous. The stains don’t come out in the normal wash; you need to attack it with a special stain remover. Stacked wood carries another danger: the whole pile is liable to come crashing down. When you know that a single trunk can weigh hundreds of kilograms, you tend to stay away from a precariously stacked pile. It’s not for nothing that the German name for a wood stack is Polter, as in the crashing and banging of a poltergeist. Back to the poison. In areas sprayed by helicopter I wouldn’t pick berries or mushrooms for the rest of the summer. Otherwise, the forest is low in harmful substances compared to industrial agriculture.
Peter Wohlleben (Walks in the Wild: A Guide Through the Forest)
What mattered was that loggers once stopped and carefully gauged and evaluated the character of individual trees to be cut. Transportation by flumes and rivers kept cuttings small and slow, whereas trucks and roads exploded the scale of operations.
Suzanne Simard (Finding the Mother Tree: Discovering the Wisdom of the Forest)
never stop marveling when I see God’s creatures in their natural setting of trees and peaks and wild waters. What a breath of fresh air they are to the soul. Our streets are crammed with cars and trucks, our houses stuffed together on narrow streets, our air filled with dust and exhaust, our ears with screeching tires and rumbling engines. But where they live there is liberty—the distances are vast and uncluttered, the air clean and unfettered, the only sounds wind and water and hawk cries or the great forest’s hush, which is
Murray Pura (Majestic and Wild: True Stories of Faith and Adventure in the Great Outdoors)
Fucking country. Middle of nowhere. He’d been doing quite well until now. Trying to ignore the mosquitoes and blackflies and no-see-’ems. At least in Montreal you see what’s coming at you. Cars. Trucks. Kids jonesing on crack. Big things. Out here everything’s hidden, everything’s hiding. Tiny bloodsucking bugs, spiders and snakes and animals in the forests, rotten wiring behind walls made from tree trunks for God’s sake. It was like trying to conduct a modern murder investigation in Fred Flintstone’s cave.
Louise Penny (A Rule Against Murder (Chief Inspector Armand Gamache, #4))
She folded her arms against the chill in the air, and he noticed again how little she was. Barely to his shoulders. Her chutzpah made him forget her small stature. Her chin was a pixielike triangle, and her eyes were like a shadowed forest. Deep. Mysterious. “Well. Good night,” she said. What was he thinking? He cleared his throat. “Night.” As he retrieved the ladder and carried it to his truck, he reminded himself of all the reasons why he shouldn’t be noticing her hair or her chin and most definitely not her deep-green eyes.
Denise Hunter (Driftwood Lane (Nantucket, #4))
I remember my visit to the opencast iron ore mines in Keonjhar, Orissa. There was forest there once. And children like these. Now the land is like a raw, red wound. Red dust fills your nostrils and lungs. The air is red, the water is red, the people are red, their lungs and hair are red. All day and all nights trucks rumble through their villages, bumper to bumper, thousands and thousands of trucks, taking ore to Paradip port from where it will go to China. There it will turn into cars and smoke and sudden cities that spring up overnight. Into a 'growth rate' that leaves economists breathless. Into weapons to make war.
Arundhati Roy
One random Friday, the president announced that an asteroid was on a collision course for Earth. My world and everyone else’s—the entire planet—fell into chaos. Everything that was capable of collapsing eventually did. My grandfather showed up the next day as stores were being ransacked and riots were erupting in the streets. He begged us to run. Escape to his survival-adapted cabin in the middle of nowhere where he’d stored up years’ worth of food and provisions. My parents finally agreed, but they insisted on taking the time to pack all their favorite possessions while Grandpa and I waited impatiently in his old truck. The delay was a mistake. Large groups of violent looters were already hitting the wealthy neighborhoods in town, plundering houses and killing anyone who resisted. My mom and dad didn’t resist. Neither of them had ever thrown a punch or loaded a gun in their lives. But they were killed anyway, and Grandpa and I barely made it out of there alive. By then the interstates and highways were impossible, clogged with cars and roadblocked by aggressive militia groups whose day had finally arrived. Grandpa took us on smaller back roads, shooting at or running over anyone who tried to stop us, until we reached his remote cabin and left the remains of civilization behind. We stayed there—living off everything he’d stored up and using the self-sustaining energy and plumbing systems he’d installed—for more than eight years. A couple of years ago, as our supplies were running low, we realized we’d finally have to leave the safe isolation of our home long enough to scavenge for food and provisions. This region of the Ozarks was abandoned a long time ago as the protected forests and uncultivated wildland overtook the former pockets of residents, but there are still plenty of abandoned buildings remaining.
Claire Kent (Homestead (Kindled, #7))
In 2018 I went back to the mountains to become a wildland firefighter again. I hadn’t been in the field for three years, and since then I’d gotten used to training in nice gyms and living in comfort. Some might call it luxury. I was in a plush hotel room in Vegas when the 416 fire sparked and I got the call. What started as a 2,000-acre grass fire in the San Juan Range of Colorado’s Rocky Mountains was growing into a record breaking, 55,000-acre monster. I hung up and caught a prop plane to Grand Junction, loaded up in a U.S. Forest Service truck, and drove three hours to the outskirts of Durango, Colorado, where I suited up in my green Nomex pants and yellow, long-sleeved button down, my hard hat, field glasses, and gloves, and grabbed my super Pulaski—a wildland fire fighter’s most trusted weapon. I can dig for hours with that thing, and that’s what we do. We don’t spray water. We specialize in containment, and that means digging lines and clearing brush so there’s no fuel in the path of an inferno. We dig and run, run and dig, until every muscle is spent. Then we do it all over again.
David Goggins (Can't Hurt Me: Master Your Mind and Defy the Odds)
The way he learned to sing was by imitating the songbirds: their warbles and whistles, their scolds. Before his stroke he'd been able to imitate certain notes and melodies of their calls, but never whole songs. I was sitting under the umbrella with him, in early March-March second, the day the Texas Declaration of Independence had been signed, when Grandfather began to sing. A black-and-white warbler had flown in right in front of us and was sitting on a cedar limb, singing-relieved, I think, that we weren't owls. Cedar waxwings moved through the brush behind it, pausing to wipe the bug juice from their bills by rubbing their beaks against branches (like men dabbing their mouths with napkins after getting up from the table). Towhees were hopping all around us, scratching through the cedar duff for pill bugs, pecking, pecking, pecking, and still the vireo stayed right there on that branch, turning its head sideways at us and singing, and Grandfather made one deep sound in his throat-like a stone being rolled away-and then he began to sing back to the bird, not just imitating the warbler's call, but singing a whole warbler song, making up warbler sentences, warbler declarations. Other warblers came in from out of the brush and surrounded us, and still Grandfather kept whistling and trilling. More birds flew in. Grandfather sang to them, too. With high little sounds in his throat, he called in the mourning doves and the little Inca doves that were starting to move into this country, from the south, and whose call I liked very much, a slightly younger, faster call that seemed to complement the eternity-becking coo of the mourning dove. Grandfather sang until dark, until the birds stopped answering his songs and instead went back into the brush to go to roost, and the fireflies began to drift out of the bushes like sparks and the coyotes began to howl and yip. Grandfather had long ago finished all the tea, sipping it between birdsongs to keep his voice fresh, and now he was tired, too tired to even fold the umbrella. .... I was afraid that with the miracle of birdsong, it was Grandfather's last night on earth-that the stars and the birds and the forest had granted him one last gift-and so I drove slowly, wanting to remember the taste, smell, and feel of all of it it, and to never forget it. But when I stopped the truck he seemed rested, and was in a hurry to get out and go join Father, who was sitting on the porch in the dark listening to one of the spring-training baseball games on the radio.
Rick Bass (The Sky, The Stars, The Wilderness)
Then, I left the phone on the seat of Billy’s truck, and I walked back home. It wasn’t quite a mile through the spruce forest, then over the blueberry barrens, down Strawberry Lane, and across Harbor Woods Road. It was a starry night, and I felt charged from the stars’ distant glimmering, and from my own adventures. When the living think about me, I feel energized, and Ronnie Butler would be thinking about me for a long time. I cut through Sadie Alley’s driveway, and into the woods above my house. Coming down the old deer trail, I heard something amiss. There was heavy breathing coming from down by my Urn.
Bowen Swersey (Grace Coffin and the Badly-Sewn Corpse)
Two thousand Jews, for example, lived in and around the small town of Tykocin, northwest of Warsaw on the road to Bialystok in eastern Poland, worshiping in a square, fortified synagogue with a turreted tower and a red mansard roof, built in 1642, more than a century after Jewish settlement began in the region. Lush farm country surrounds Tykocin: wheat fields, prosperous villages, cattle in the fields, black-and-white storks brooding wide, flat nests on the chimneys of lucky houses. Each village maintains a forest, a dense oval stand of perhaps forty acres of red-barked pines harvested for firewood and house and barn construction. Inside the forests, even in the heat of summer, the air is cool and heady with pine; wild strawberries, small and sweet, strew the forest floor. Police Battalions 309 and 316, based in Bialystok, invaded Tykocin on 5 August 1941. They drove Jewish men, women and children screaming from their homes, killed laggards in the streets, loaded the living onto trucks and jarred them down a potholed, winding dirt road past the storks and the cattle to the Lopuchowo village forest two miles southwest. In the center of the Lopuchowo forest, men dug pits, piling up the sandy yellow soil, and then Police Battalions 309 and 316, out for the morning on excursion from Bialystok, murdered the Jews of Tykocin, man, woman and child. For months the forest buzzed and stank of death. (Twenty miles northwest of Tykocin in the village of Jedwabne, Polish villagers themselves, with German encouragement, had murdered their Jewish neighbors on 10 July 1941 by driving them into a barn and burning them alive, a massacre examined in Jan T. Gross’s book Neighbors.)
Richard Rhodes (Masters of Death: The SS-Einsatzgruppen and the Invention of the Holocaust)
We tramped over, and as we stepped from the thick trees, we all stopped and stared. Then Corey raced forward, arms raised. “It’s a road. Oh my God. A road!” He dropped to his knees by the roadside. “Oww.” Daniel helped him back to his feet. “The knee is good,” I said. “But the knee is not completely healed. Be careful.” “It’s a road,” Corey said, pointing. “A dirt road,” Hayley muttered. “So? We’ve been slogging through the forest for two days. What do you want? A six-lane highway?” “That’d be nice.” “Yeah, until you raced out, screaming for help, and got mowed down by a logging truck.” He walked into the middle and turned, waving his arms. “It’s a road!” I patted his back. “It’s a lovely road. Now, which way do we go?” Corey looked one way, the brown ribbon extending into emptiness. He looked the other way, saw the same thing and his shoulders slumped. “Damn.
Kelley Armstrong (The Calling (Darkness Rising, #2))
It’s a road,” Corey said, pointing. “A dirt road,” Hayley muttered. “So? We’ve been slogging through the forest for two days. What do you want? A six-lane highway?” “That’d be nice.” “Yeah, until you raced out, screaming for help, and got mowed down by a logging truck.” He walked into the middle and turned, waving his arms. “It’s a road!” I patted his back. “It’s a lovely road.
Kelley Armstrong (The Calling (Darkness Rising, #2))
We’ve been slogging through the forest for two days. What do you want? A six-lane highway?” “That’d be nice.” “Yeah, until you raced out, screaming for help, and got mowed down by a logging truck.
Kelley Armstrong (The Calling (Darkness Rising, #2))
Kit feels a kink in his heart. His girl is in the shower, soaping her every inch of skin. He cannot see the maze of tubes and cavities inside her body. He cannot know what is pumping right and what is pumping wrong, how each of those slippery organs is tucked against its neighbor and whether something bad is truly blooming there. Whether, even if her body is perfect, a truck will lose its brakes, tumble off the road where Summer is walking. There are storms beginning to twist in the warm oceans to the south, and maybe they will whip this way, tearing the houses like paper. The ferry could sink beneath them; poisoned gases could leak into the air at any time. The melted ice caps are washing toward them. They’re both dying- everyone is. The schedule of death is not made public. Love’s job is to make a safe place. Not to deny that the spiny forest exists, but to live hidden inside it, tunneled into the soft undergrass
Ramona Ausubel (Awayland)
When we broke for lunch, I caught up with Daniel outside the classroom. Corey and Brendan took off, saying they’d meet up with us at our table. “What’s wrong?” Daniel said. “Noth--” “If those guys can tell something’s wrong, then it is, Maya.” I led him to a corner and waved to Nicole that I’d catch up with her later. Daniel and I stepped out the side door into the empty yard. I caught the faint smell of smoke on the wind and turned, frowning. I was about to mention it but decided not to. If I hinted the fires were getting closer, he’d never let me do what I was about to ask. “I need a huge favor,” I said. “And you know I wouldn’t ask this if it wasn’t important.” “Okay.” “Can I borrow your truck?” He lifted one brow. “That’s a huge favor? You can borrow it anytime. You drive just fine.” “I need it to go see Rafe. Now. Over lunch.” “Oh.” His gaze shuttered. “No, I’m not asking for your truck because I want to get back together with him. I’m worried about him and his sister being out there with the fire threat. They should be in town.” He relaxed. “Good idea.” “Under normal circumstances, I’d run there, and try to make it back by the end of lunch period but--” “Not when we might have a man-killing cat roaming around. Come on. I’ll drive you.” He started toward the lot. I jogged up beside him. “You don’t have to do that. Go eat your lunch.” “I’ve got some energy bars in the glove box.” I jostled him. “What, you don’t trust me to drive your baby? Go on. I can handle it.” “It’s not that. She’s been acting up lately, remember? I don’t want you stranded and walking back through the forest.” Getting a lift from Daniel was going to make it a whole lot tougher to ask Rafe about skin-walkers. But I’d have to work with it.
Kelley Armstrong (The Gathering (Darkness Rising, #1))
intricately patterned. There is nothing rustic here. Only when she looks at the paintings does Elizabeth remember the dark approach through the forest. These are outdoor paintings, trees and wild cliffs, huge sunsets. Elizabeth sits with Nina on a divan before a cluster of Bierstadts. Deep trees and cerebral winter skies. The museum is nearly empty this weekday morning. The elaborate gallery still. Elizabeth looks intently at the winter landscapes. And as she looks, she whispers to Nina, “It’s marvelous, just sitting here while the girls are at camp.” Nina looks at the floor. Renée is working as a junior counselor at the camp. It was Nina’s idea. She thought the job with the Lamkins would be good for her daughter, that it would teach her responsibility and how to care for children. But Renée made a fuss. Nina had to threaten and cajole and, in the end, force Renée to go. There were tears and threats up to the day she started. Even now, Renée is sulking about working there with the little children. “Renée doesn’t like the camp,” Nina says. “I think she’d rather waste her time wandering around, doing nothing, playing with that Arab girl. Andras doesn’t care. I hear the father owns a trucking business—he just drives trucks from New York to Montreal—” She breaks off, frustrated. “She’s a good child, really,” Elizabeth says. “But Andras spoils her,” says Nina. Then Elizabeth sees that Nina is really upset. There are tears in Nina’s eyes. It’s hard for her to speak. Elizabeth sees it, and doesn’t know what to do. They are close neighbors, but they are not intimate friends. Beautiful Nina in her crisp dress, downcast among all these paintings. “He’s very … indulgent of the children, both of them,” Nina says. “He used to take them to the warehouse and let them pick out any toys they liked.” “At least he’s not in the candy business,” Elizabeth says. “Toys won’t rot their teeth.” “He’s going to let Renée quit piano,” Nina says bitterly, utterly serious, “and she’ll regret it all her life.” Elizabeth tries to look sympathetic. She’s heard Renée play. “And now that Renée is working at the Lamkins’ camp, she wants to quit that too.” “He wouldn’t let her do that,” Elizabeth ventures. “I
Allegra Goodman (Kaaterskill Falls: A Novel)
There are many spirits trapped in this part of the forest. Many hear voices, children crying, or the screams of the dying." He climbed from the truck and waved a hand at the trees. "The spirits that walk this part of the forest are revengeful and seek justice. Many will never find the peace they seek.
D.K. Hood (Cross My Heart (Detectives Kane and Alton #12))