Trucker Caps Quotes

It had been a long while since I’d watched any television, and things had only gotten weirder. Beauty pageants for infants; ruddy men in trucker caps fighting over abandoned storage lockers; public shamings of compulsive hoarders and pre-diabetics; affluent suburban women made up like transvestite hookers, competing with each other in feats of coarseness and cruelty; barely literate pregnant teens with tattoos, unfocused eyes, and futures like wrecked cars; apoplectic crypto-fascists spitting bile and paranoia; a carnival midway of weight loss devices, hair growth creams, erectile dysfunction potions, and pottery from which herbs grew like green hair. It was like the day room of a surrealist mental hospital, or any big city ER on a summer Saturday night.

So, a little desperate and surprisingly inspired, I bought a cap. Not just any cap. I picked one with a bright-gold visor, a gold button at the top, a crown of navy blue, an American flag on the left temple, and—on the forehead emblem—a spread-winged eagle over a rising sun and a red-and-green tractor-trailer and the white letters “America— Spirit of Freedom.” On the back, over my cerebellum, was a starred banner in blue, white, red, green, and gold that said “Carnesville, GA Petro.” I put on that hat and disappeared. The glances died like flies. I could sit anywhere, from Carnesville to Tacoma. In Candler, North Carolina, while Ainsworth was outside fuelling the truck, I sat inside in my freedom hat saying “Biscuits and gravy” to a waitress. She went “Oooooo wheeeee” and I thought my cover wasn’t working, but a trucker passing her had slipped his hand between the cheeks of her buttocks, and she did not stop writing.

The vertical viewing slot in the door was thrown back, and a pair of eyes filled it for a moment before it was closed again. There was the sharp report of a bolt being thrown, metal on metal. Then the door opened inward and there was a flood of light silhouetting two figures. Not two, she thought. Three of them. One after the other. Their bodies melded together into a single wide mass but three heads stuck out at the top. The first one wore a cowboy hat with the side brims bent up sharply. The middle one wore a peaked cap of some kind. The last man to enter was hatless but the blocky shape of his head was familiar. He was the trucker who’d brought them here and the man who’d pulled Krystyl out of the room by her hair. Gracie saw the glint of a badge on the second man, and for a brief electric moment her heart soared. The police had come to rescue them. Then she realized the man with the badge was in the middle of the three, not in back where he should be. He wasn’t prodding the men into the room—he was one of them. A voice she’d not heard before, high and twangy, said, “Hello, girls.” Then: “Gimme that flashlight.” A few seconds later Gracie was blinded by a beam. He’d shined it directly into her eyes. She raised her hands up and covered her face. Even through her closed eyelids she knew the bright light was still on her.

A quintessential item was the foam-front, mesh-backed trucker cap, like the one on the head of the musician Arthur Russell, our fag patron saint. He couldn’t give a fuck about genre—experimental composition, country, disco—and was ahead of his time that way.

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A truck driver sat down in the booth across from him. La Roca could feel the man’s eyes upon him. He stayed focused on his food. “Great, another Mexican,” the man said. La Roca looked up. The man was staring at him. He had on a dirty baseball cap, greasy T-shirt. On his face was a scraggly red beard. A pale face and two bloodshot blue eyes stared back at him. “You people are ruining this country,” the trucker said. La Roca