Truck Driving Quotes

We've searched our database for all the quotes and captions related to Truck Driving. Here they are! All 100 of them:

Look at me, making one of your dreams come true. You and your Norm truck driving around Normville." "You're practically a god.
Kasie West (Split Second (Pivot Point, #2))
Your master plan has holes big enough to drive a truck through.
Ilona Andrews (Magic Slays (Kate Daniels, #5))
I'm so ready you could drive a truck straight up my ass and I would bend over and push back until it was in to the rear bumper.
Cameron Dane (Devlin and Garrick (Seeking Redemption, #2))
Ambition is a dream with a V8 engine. Ain't nowhere else in the world where you can go from driving a truck to cadillac overnight
Elvis Presley
A guy who loves his truck needs other people to admire his driving machine. Yeah, needs. That's the truth. I don't know why, but that's the way truck guys are.
Benjamin Alire Sáenz (Aristotle and Dante Discover the Secrets of the Universe (Aristotle and Dante, #1))
Don't wait for the muse. As I've said, he's a hardheaded guy who's not susceptible to a lot of creative fluttering. This isn't the Ouija board or the spirit-world we're talking about here, but just another job like laying pipe or driving long-haul trucks. Your job is to make sure the muse knows where you're going to be every day from nine 'til noon. or seven 'til three. If he does know, I assure you that sooner or later he'll start showing up.
Stephen King (On Writing: A Memoir of the Craft)
Well, you missed out on some important protocol, Ella. You can't stand between a Texan and his power tools. We like them. Big ones that drain the national grid. We also like truck-stop breakfasts, large moving objects, Monday night football, and the missionary position. We don't drink light beer, drive Smart cars, or admit to knowing the names of more than about five or six colors. And we don't wax our chests, ever.
Lisa Kleypas (Smooth Talking Stranger (Travises, #3))
Cal: “Yesterday I was stuck in a car with you for eight hours.” Bastard. I didn’t even sing along with the radio. Much. Me: “Yeah. And?” Cal: “Something happened.” Me: “If you’re referring to my driving skills, may I just say I didn’t TOUCH that truck. What you felt was just the wind. We were going pretty fast. And there wasn’t even a scratch. I checked.” Every Boy's Got One
Meg Cabot
She watched the clip several times—enough times to know w certainty her father had nothing to do with the crash. He’d done everything in his power to stop the car and avoid the truck. Someone else had been driving.
Diane L. Kowalyshyn (Crossover (Cross your Heart and Die, #1))
Have a joke for me Tania," he says, "I could use a joke." "Hmm." She thinks, looks at him, looks to see where Anthony is. He's far in the back. "Okay, what about this." With a short cough she leans into Alexander and lowers her voice. "A man and his young girlfriend are driving in a car. The man has never seen his girlfriend naked. She thinks he is driving too slow, so they decide to play a game. For every five miles he goes above 50, she will take off a piece of her clothing. In no time at all, he is flying and she is naked. The man gets so excited that he loses control of the car. It veers off the road and hits a tree. She is unharmed but he is stuck in the car and can’t get out. “Go back on the road and get help,” he tells her. “But I’m naked,” she says. He rummages around and pulls off his shoe. “Here, just put this between your legs to cover yourself.” She does as she is told and runs out to the road. A truck driver, seeing a naked crying woman, stops. “Help me, Help me,” she sobs, “My boyfriend is stuck and I can’t get him out.” The Truck driver says, “Miss, if he’s that far in, I’m afraid he’s a goner.
Paullina Simons (The Summer Garden (The Bronze Horseman, #3))
I’ll drive you home.” “On your white horse?” “In my red truck.
Rainbow Rowell (Fangirl)
Whether I was a genius or not did not so much concern me as the fact that I simply did not want a part of anything. The animal-drive and energy of my fellow man amazed me: that a man could change tires all day long or drive an ice cream truck or run for Congress or cut into a man's guts in surgery or murder, this was all beyond me. I did not want to begin. I still don't. Any day I that I could cheat away from this system of living seemed a good victory for me.
Charles Bukowski (Portions from a Wine-Stained Notebook: Uncollected Stories and Essays, 1944-1990)
Yeah, but I want to take a look at your little peashooter. It's kinda cute." "It's a gun," Brenda said. Lula pulled her Glock out of her bag and aimed it at Brenda. "Bitch, this is a gun. It could put a hole in you big enough to drive a truck through.
Janet Evanovich (Explosive Eighteen (Stephanie Plum, #18))
They sit here in the darkness, trusting. That the coffee will be hot and unpoisoned. That no raging madman will come in with a gun or bomb. It leaves him breathless at times, how much faith people put in one another. So fragile, the social contract: we will all stand by the rules, move with care and gentleness, invest in the infrastructure, agree with the penalties of failure. That this man driving his truck down the street won't, on a whim, angle into the plate glass and end things. That the president won't let his hand hover over the red button and, in moment of rage or weakness, explode the world. The invisible tissue of civilization: so thin, so easily rendable. It's a miracle that it exists at all.
Lauren Groff (Arcadia)
he drove a truck because he thought everybody should drive a truck- that driving around in car was like living with your hands tied behind your back
Rainbow Rowell (Fangirl)
Lonely's a temporary condition, a cloud that blocks out the sun for a spell and then makes the sunshine seem even brighter after it travels along. Like when you're far away from home and you miss the people you love and it seems like you're never going to see them again. But you will, and you do, and then you're not lonely anymore. Lonesome's a whole other thing. Incurable. Terminal. A hole in your heart you could drive a semi truck through. So big and so deep that no amount of money or whiskey or pussy or dope in the whole goddamn world can fill it up because you dug it yourself and you're digging it still, one lie, one disappointment, one broken promise at a time.
Steve Earle (I'll Never Get Out of This World Alive)
After a second, he reaches over and rubs my head playfully, and then pulls me into him. 'Come here,' he says gently. I unbuckle and scoot in close to him. I don't care if this truck full of dials has no airbags and I get killed in a wreck. I'll die happy. He drives slow and careful and we kiss at every stop sign and red light the whole way back to my house.
Colleen J Clayton (What Happens Next)
I am by nature a person suspicious of the economic machine that feeds me. And yet I am a captive of that economic machine, and my mind is structured by its lessons and demands. I consume its wealth with zest. I drive a truck, watch a color television, and write on a computer, but I cannot overcome the feeling that these objects and the industrial culture that produced them are temporary things, a kind of fat beast feeding on the bounty of the earth that will starve to death within the next century, or at least be severely diminished.
Charles Bowden
There are a number of things a woman can tell about a man who is roughly twenty-nine years old, sitting in the cab of a pickup truck at 3:37 in the afternoon on a weekday, facing the Pacific, writing furiously on the back of pink invoice slips. Such a man may or may not be employed, but regardless, there is mystery there. If this man is with a dog, then that's good, because it means he's capable of forming relationships. But if the dog is a male dog, that's probably a bad sign, because it means the guy is likely a dog, too. A girl dog is much better, but if the guy is over thirty, any kind of dog is a bad sign regardless, because it means he's stopped trusting humans altogether. In general, if nothing else, guys my age with dogs are going to be work. Then there's stubble: stubble indicates a possible drinker, but if he's driving a van or a pickup truck, he hasn't hit bottom yet, so watch out, honey. A guy writing something on a clipboard while facing the ocean at 3:37 P.M. may be writing poetry, or he may be writing a letter begging someone for forgiveness. But if he's writing real words, not just a job estimate or something business-y, then more likely than not this guy has something emotional going on, which could mean he has a soul.
Douglas Coupland (Hey Nostradamus!)
It turns out that speeding irresponsibly in a large truck, placing personal wealth ahead of the welfare of others, is one of the greatest sins in the Universe....
Craig Ferguson (Between the Bridge and the River)
Hey, Captain Neckbeard! Less talky-talky, more worky-worky!” Wednesday shouted rudely down at the man who had been changing the tire. She wasn’t planning on taking shit from a tow truck driving hick today or any other day.
Dennis Sharpe (Wednesday)
What advice would you give to a smart, driven college student about to enter the “real world”? What advice should they ignore? I’m probably hopelessly out of date but my advice is get real-world experience: Be a cowboy. Drive a truck. Join the Marine Corps. Get out of the hypercompetitive “life hack” frame of mind. I’m 74. Believe me, you’ve got all the time in the world. You’ve got ten lifetimes ahead of you. Don’t worry about your friends “beating” you or “getting somewhere” ahead of you. Get out into the real dirt world and start failing. Why do I say that? Because the goal is to connect with your own self, your own soul. Adversity. Everybody spends their life trying to avoid it. Me too. But the best things that ever happened to me came during the times when the shit hit the fan and I had nothing and nobody to help me. Who are you really? What do you really want? Get out there and fail and find out.
Timothy Ferriss (Tribe Of Mentors: Short Life Advice from the Best in the World)
Imagine every aspect of your life—your job, your spouse, your kids, even your friends—but don’t imagine the future you think you’re heading for. Instead, imagine the future you desire most. Forget all the expectations everyone else has for you and concentrate on what you truly want. Visualize the road that will take you there. That’s your path. That’s where you belong in life... None of the truly great in this world became that way by doing what they felt they had to do. If Isaac Newton had become a farmer like his mother wanted him to, or if Elvis would’ve listened when he was told to stick to truck driving, we’d know neither man today. We know them, because they had the courage to follow the path they envisioned.
J.M. Darhower
But don't get me wrong...driving a truck doesn't make me a redneck. I don't have a gun rack in it. I have a wine rack.
Alex Trebek (The Answer Is…: Reflections on My Life)
When his writing is going well, Gordon Strangle Mars likes to wake up at 6 a.m. and go out driving. He works out new plot lines about giant spiders and keeps an eye out for abandoned couches, which he wrestles into the back of his pickup truck. Then he writes for the rest of the day.
Kelly Link (Pretty Monsters: Stories)
Wearing a $1,000 suit and driving a Ferrari may be better than riding around in a beaten-up pickup truck, but when it’s all said and done, it’ll be the experiences you remember, not the stuff.
John Hawkins (101 Things All Young Adults Should Know)
Let go!” I insisted. He ignored me. I staggered along sideways across the wet sidewalk until we reached the Volvo. Then he finally freed me – I stumbled against the passenger door. “You are so pushy!” I grumbled “It’s open,” was all he responded. He got in the driver’s side. “I am perfectly capable of driving myself home!” I stood by the car, fuming. It was raining harder now, and I’d never put my hood up, so my hair was dripping down my back. He lowered the automatic window and leaned toward me across the seat. “Get in, Bella.” I didn’t answer. I was mentally calculating my chances of reaching the truck before he could catch me. I had to admit it, they weren’t good. “I’ll just drag you back,” he threatened, guessing my plan.
Stephenie Meyer (Twilight (The Twilight Saga, #1))
I had left the truck where I had crashed it—smashed into a pole by the charger station that had appeared out of nowhere when I had tried to park under a covered awning. Driving was a lot simpler than parking, it seemed.
Susan Kaye Quinn (Open Minds (Mindjack, #1))
Ténéré Tree Famously the most isolated tree on the planet, alone in the middle of the Sahara Desert – until 1973, when despite it being the only tree for 250 miles, a drunk driver still managed to drive his truck into it.
Tom Phillips (Humans: A Brief History of How We F*cked It All Up)
never fall asleep in a Dumpster, never underestimate a bee, never drive a convertible behind a flatbed truck, never get old, never get drunk near a train, and never, under any circumstances, cut off your air supply while masturbating.
David Sedaris (When You Are Engulfed in Flames)
Inevitable pickup trucks complete with full gun racks, chainsaws, fishing poles, and big, sneering dogs in the back, line the streets and parking lots. Meek murmur of autumn skies, Ford and Chevy outfits to roll through town, as people get ready for a long, gray, foggy winter, big, four-wheel-drive pickups with snow blades attached, the box loaded down, with a high stack of cordwood topped by a huge elk carcass, to go disheartened in the midst of wretched weather, cold, raw, continually snowing.
Brian D'Ambrosio
because the driving kept him going stay under seventy; God, my heart racing; I hate the taste of coffee; so wired though; okay, and clear of the truck; okay yes; right lane; and now just my own headlights against the darkness.
John Green (An Abundance of Katherines)
I’d known dudes like this my whole life, country morons stuck in a state of permanent resentment. They abuse small animals, grow up to beat their kids with belts and wreck their trucks driving drunk, find Jesus at forty and start going to church and using prostitutes.
Nic Pizzolatto (Galveston)
Girls can drive trucks if they want to. They can do pretty much anything a boy can do.” “They can’t pee standing up. I tried it, and Mommy got really mad because I made a huge mess.
Denise Grover Swank (Thirty and a Half Excuses (Rose Gardner Mystery, #3))
I love you, storm girl,” I said. “I’d love to live in Mirror Lake with you. I’d love to work on the Spiral Project with you. I’d love to chase storms, outrun tornados, fix trucks, drive all over the country. Whatever you need me to do, I’ll do it. As long as I’m with you.
Nina Lane (Break the Sky)
I stop arguing because I’m too busy watching a pretty girl drive my truck. At least one thing went right today. In a pretty blue dress that shows off her curves, Jess Canning handled my nutty family like a champ. If I was ever gonna trust a woman again, she’d be the top seed of the tournament.
Sarina Bowen (Good Boy (WAGs, #1))
Fifteen minutes later I’m hunched over the steering wheel of a two-seater that looks like something you’d find in your corn flakes packet. The Smart is insanely cute and compact, does about seventy miles to a gallon, and is the ideal second car for nipping about town but I’m not nipping about town. I’m going flat out at maybe a hundred and fifty kilometers per hour on the autobahn while some joker is shooting at me from behind with a cannon that fires Porsches and Mercedes. Meanwhile, I’m stuck driving something that handles like a turbocharged baby buggy. I’ve got my fog lights on in a vain attempt to deter the other road users from turning me into a hood ornament, but the jet wash every time another executive panzer overtakes me keeps threatening to roll me right over onto my roof. And that’s before you factor in the deranged Serbian truck drivers driven mad with joy by exposure to a motorway that hasn’t been cluster-bombed and then resurfaced by the lowest bidder.
Charles Stross (The Jennifer Morgue (Laundry Files, #2))
When I started everything, and by everything, I mean life, suicide was a joke. If I have to ride in that car with you, I'll slash my wrists with a butter knife. It was as real as a unicorn. No, less than that. It was as real as the explosion around an animated coyote. A hundred thousand people threaten to kill themselves every day and make a hundred thousand other people laugh, because like a cartoon, it's funny and meaningless. Gone even before you turn off the TV. Then it was a disease. Something other people got, if they lived someplace dirty enough to get the infection under their nails. It was not a pleasant dinner table conversation, Cole, and like the flu, it only killed the weak. If you'd been exposed, you didn't talk about it. Wouldn't want to put other people off their feed. It wasn't until high school that it became a possibility. Not an immediate one, not like It is a possibility I will download this album because the guitar is so sick it makes me want to dance, but possibility in the way that some people said when they grew up, they might be a fireman or an astronaut or a CPA who works late every single weekend while his wife has an affair with the guy who drives the DHL truck. It became a possibility like Maybe when I grow up, I will be dead.
Maggie Stiefvater (Forever (The Wolves of Mercy Falls, #3))
so I start reciting a couple of Shel Silverstein poems I’ve memorized, and I verse myself all the way across the room to a big round opening you could drive a Mack truck through if you knew how to drive, which I don’t.
Dean Koontz (Odd Interlude: A Special Odd Thomas Adventure)
I feel completely embarrassed and remember the lock on the door and think: He knows, he knows, it shows, shows completely. “He’s out back,” Mr. Garret tells me mildly, “unpacking shipments.” Then he returns to the papers. I feel compelled to explain myself. “I just thought I’d come by. Before babysitting. You, know, at your house. Just to say hi. So . . . I’m going to do that now. Jase’s in back, then? I’ll just say hi.” I’m so suave. I can hear the ripping sound of the box cutter before I even open the rear door to find Jase with a huge stack of cardboard boxes. His back’s to me and suddenly I’m as shy with him as I was with his father. This is silly. Brushing through my embarrassment, I walk up, put my hand on his shoulder. He straightens up with a wide grin. “Am I glad to see you!” “Oh, really?” “Really. I thought you were Dad telling me I was messing up again. I’ve been a disaster all day. Kept knocking things over. Paint cans, our garden display. He finally sent me out here when I knocked over a ladder. I think I’m a little preoccupied.” “Maybe you should have gotten more sleep,” I offer. “No way,” he says. Then we just gaze at each other for a long moment. For some reason, I expect him to look different, the way I expected I would myself in the mirror this morning . . . I thought I would come across richer, fuller, as happy outside as I was inside, but the only thing that showed was my lips puffy from kisses. Jase is the same as ever also. “That was the best study session I ever had,” I tell him. “Locked in my memory too,” he says, then glances away as though embarrassed, bending to tear open another box. “Even though thinking about it made me hit my thumb with a hammer putting up a wall display.” “This thumb?” I reach for one of his callused hands, kiss the thumb. “It was the left one.” Jase’s face creases into a smile as I pick up his other hand. “I broke my collarbone once,” he tells me, indicating which side. I kiss that. “Also some ribs during a scrimmage freshman year.” I do not pull his shirt up to where his finger points now. I am not that bold. But I do lean in to kiss him through the soft material of his shirt. “Feeling better?” His eyes twinkle. “In eighth grade, I got into a fight with this kid who was picking on Duff and he gave me a black eye.” My mouth moves to his right eye, then the left. He cups the back of my neck in his warm hands, settling me into the V of his legs, whispering into my ear, “I think there was a split lip involved too.” Then we are just kissing and everything else drops away. Mr. Garret could come out at any moment, a truck full of supplies could drive right on up, a fleet of alien spaceships could darken the sky, I’m not sure I’d notice.
Huntley Fitzpatrick (My Life Next Door)
There's a feeling you get driving down to Casper at night from the north, and not only there, other places where you come through hours of darkness unrelieved by any lights except the crawling wink of some faraway ranch truck. You come down a grade and all at once the shining town lies below you, slung out like all western towns, and with the curved bulk of mountain behind it. The lights trail away to the east in a brief and stubby cluster of yellow that butts hard up against the dark. And if you've ever been to the lonely coast you've seen how the shore rock drops off into the black water and how the light on the point is final. Beyond are the old rollers coming on for millions of years. It is like that here at night but instead of the rollers it's the wind. But the water was here once. You think about the sea that covered this place hundreds of millions of years ago, the slow evaporation, mud turned to stone. There's nothing calm in those thoughts. It isn't finished, it can still tear apart. Nothing is finished. You take your chances.
Annie Proulx (Close Range: Wyoming Stories)
According to the accounts, which we’ve recorded, there was a motorist driving a blue Ford weaving in and out of the lefthand lane, apparently drunk, and he crashed head-on into your husband’s car. But it seems your husband must have seen the accident coming, for he swerved to avoid a head-on collision, but a piece of machinery had fallen from another car, or truck, and this kept him from completing his correct defensive driving maneuver, which would have saved his life. But as it was, your husband’s much heavier car turned over several times, and still he might have survived, but an oncoming truck, unable to stop, crashed into his car, and again the Cadillac spun over . . . and then . . . it caught on fire.
V.C. Andrews (Flowers in the Attic (Dollanganger, #1))
I want to tell you a story. I'm going to ask you all to close your eyes while I tell you the story. I want you to listen to me. I want you to listen to yourselves. Go ahead. Close your eyes, please. This is a story about a little girl walking home from the grocery store one sunny afternoon. I want you to picture this little girl. Suddenly a truck races up. Two men jump out and grab her. They drag her into a nearby field and they tie her up and they rip her clothes from her body. Now they climb on. First one, then the other, raping her, shattering everything innocent and pure with a vicious thrust in a fog of drunken breath and sweat. And when they're done, after they've killed her tiny womb, murdered any chance for her to have children, to have life beyond her own, they decide to use her for target practice. They start throwing full beer cans at her. They throw them so hard that it tears the flesh all the way to her bones. Then they urinate on her. Now comes the hanging. They have a rope. They tie a noose. Imagine the noose going tight around her neck and with a sudden blinding jerk she's pulled into the air and her feet and legs go kicking. They don't find the ground. The hanging branch isn't strong enough. It snaps and she falls back to the earth. So they pick her up, throw her in the back of the truck and drive out to Foggy Creek Bridge. Pitch her over the edge. And she drops some thirty feet down to the creek bottom below. Can you see her? Her raped, beaten, broken body soaked in their urine, soaked in their semen, soaked in her blood, left to die. Can you see her? I want you to picture that little girl. Now imagine she's white.
John Grisham (A Time to Kill (Jake Brigance, #1))
Everyone in the world needs two, three jobs,” I said, without hesitation. “One job isn’t enough, just as one life isn’t enough. I want to have a dozen of both.” “Bull’s-eye. Doctors should dig ditches. Ditchdiggers ought to run kindergartens one day a week. Philosophers should wash dishes in a greasy spoon two nights out of ten. Mathematicians should blow whistles at high school gyms. Poets should drive trucks for a change of menu and police detectives—” “Should own and operate the Garden of Eden,” I said, quietly.
Ray Bradbury (Death Is a Lonely Business (Crumley Mysteries, #1))
I drink because I don't stand a chance and I know it. I couldn't drive a truck and I couldn't get on the cops with my build. I got to sling beer and sing when I just want to sing. I drink because I got responsibilities that I can't handle...I am not a happy man. I got a wife and children and I don't happen to be a hard-working man. I never wanted a family...Yes, your mother works hard. I love my wife and I love my children. But shouldn't a man have a better life? Maybe someday it will be that the Unions will arrange for a man to work and to have time for himself too. But that won't be in my time. Now, it's work hard all the time or be a bum... no in-between. When I die, nobody will remember me for long. No one will say, "He was a man who loved his family and believed in the Union." All they will say is," Too bad. But he was nothing but a drunk no matter which way you look at it." Yes they'll say that.
Betty Smith (A Tree Grows in Brooklyn)
I haven't forgotten one second of how good it felt to hold you, but I wasn't the one who pulled away. You don't want me to be more, do you? I just keep pushing against your walls, and to tell you the truth, baby, my hands are starting to bleed. do you want me gone for good? Look at me, tell me to leave you alone, and I will. I swear I'll get in my truck, drive off, and never bother you again." --Tommy to Shea
Jo Davis (Line of Fire (Firefighters of Station Five, #4))
His eyes eat me up but I hold mine firm. The darkness there takes my breath. My demons wave at his, and I swear they wave back. I feel the ghost of a shiver up my spine. My whole body wants him to wrestle me into his truck and drive me away. “Goodbye, Cinderella,” he says and my heart stutters.
Jade West (Bait)
I looked at my reflection in the rearview mirror. Some lipstick would go with this truck, I thought.
Jennifer Niven (Velva Jean Learns to Drive (Velva Jean, #1))
He had various “men” to stick into the cabs of his trucks. Some of them were round-headed guys scrounged from his PlaySkool toys. Others were soldiers. Not a few were what he called “Star Wars Guys.” These included Luke, Han Solo, the Imperial Creep (aka Darth Vader), a Bespin Warrior, and Tad’s absolute favorite, Greedo. Greedo always got to drive the Tonka dozer.
Stephen King (Cujo)
I groaned my good humor beginning to fade. Nothing good could come from such a wager. If I lost I’d have to drive for the entire five-and-a-half-hour trip home. But if I won Marc would drive which was much much worse. With him in the driver’s seat I’d be afraid to blink much less sleep. Marc’s favourite travel game was highway tag which he played by getting just close enough to passing semi trucks to reach out his window and touch their rear bumpers. Seriously. The man thought the inevitability of death didn’t apply to him simply because it hadn’t happened yet. Marc laughed at my horrified expression and sank his shovel into the earth at the end of the black plastic cocoon. With a sigh I joined him trying to decide whether I’d rather risk falling asleep at the wheel or falling asleep with Marc at the wheel. It was a tough call. Thankfully I had three solid hours of digging during which to decide. Lucky me.
Rachel Vincent (Rogue (Shifters, #2))
You must attract a lot of attention on the road,” I said, “doing all that.” “Yeah, sometimes,” she said. “Yesterday, I pulled into a gas station, and this truck driver followed right behind me and pulled up alongside. He said, ‘Ma’am, I have been driving behind you for the last forty-five minutes, and I’ve been watching. First you did your makeup. Then you did your hair. Then you did your nails. I just wanted to get up close and see what you looked like.’ He gave me a big wink and told me I was right pretty. But then he said, ‘Let me ask you something. I noticed every couple of minutes you’ve been reaching over and foolin’ with something on the seat next to you. Whatcha got over there?’ ‘That’s my TV,’ I told him. ‘I can’t miss my soaps!
John Berendt (Midnight in the Garden of Good and Evil)
The pigs were pushing their noses through the slats in the truck bed, which made Langston so unaccountably sad she thought she would have to sit down on the sidewalk. How is it possible, she thought, that a person can drive a thinking, feeling, animal to slaughter and not become less than an animal himself? And what were the pigs searching for, after all, but air and freedom?
Haven Kimmel (The Solace of Leaving Early)
Another significant factor in the problem that blacks faced in getting over-the-road truck driving positions was the refusal of white truck drivers to ride with them. In 1966, The Wall Street Journal reported that one Teamster official asked, “Would you like to climb in a bunk bed that a nigger just got out of?” Another said, “To my knowledge no law has been written yet that says a white man has to bed down with Negroes.”[102] Teamster officials protected union men who were discharged by a company for refusing to ride with a black driver.[103] Seniority rules, the refusal of white drivers to ride with black drivers, and the Teamsters’ highly discriminatory job-referral practices contributed to reducing black opportunities for jobs in the trucking industry.[104]
Walter E. Williams (Race & Economics: How Much Can Be Blamed on Discrimination? (Hoover Institution Press Publication Book 599))
Mek sat in the cab, doing some self-maintenance work. Instead of a verbal reply, I got a text message: SYLVATRONICS INDUSTRIAL UNIT A023 PROCESSING AN REINTEGRATION WILL BE COMPLETE IN 57 SECONDS. VERBAL COMMUNICATIONS WILL BE POSSIBLE IN ABOUT 65 SECONDS. Oh well, I've caught rookie driving partners in the middle of all sorts of things. At least with robots you don't have to guess.
Paul Carlson (Analog Science Fiction and Fact, June 2012)
You’re being awful generous with your late husband’s possessions,” he told her. She grinned back at him. “You’ve loosened me up maybe? Besides, you’ve already slept with his wife, why not drive his truck? Kira drank his 1925 Chateau Feytit Clinet red wide today.” Did he look pale? Noah swore he could feel himself blanch. His 1925 Chateau Feytit Clinet? No. She hadn’t shared that with Kira Richards. The one person in the world besides Sabella who knew exactly how horrified he’d be to hear that Sabella had dipped into his treasure trove of wines? “He had a 1925 Feytit Clinet?” He almost wheezed. How he kept his voice calm and level he didn’t know. Hell, his training had just been shot to hell. “And you shared it with Ian Richard’s wife?” “He had lots of wine.” She turned and shot him a look over her shoulder. “Maybe one of these nights I’ll share the other one with you. Do you want me to meet you at the garage with the pickup? It won’t take me long.” Let her drive his pickup? Had she lost her damned mind? “I can leave the cycle here.” He nodded to the back drive as he stepped to the porch. “I’ll just help you lock up.” “Okay.” There was a swing to her hips that almost had his tongue hanging out of his mouth. And he almost—only almost—forgot about the wine and the truck. She drank his wine? Drove his truck? And Rory hadn’t warned him ahead of time?
Lora Leigh (Wild Card (Elite Ops, #1))
Thank you," he said. "Welcome. Welcome especially to Mr. Coyle Mathis and the other men and women of Forster Hollow who are going to be employed at this rather strikingly energy-inefficient plant. It's a long way from Forster Hollow, isn't it?" "So, yes, welcome," he said. "Welcome to the middle class! That's what I want to say. Although, quickly, before I go any further, I also want to say to Mr. Mathis here in the front row: I know you don't like me. And I don't like you. But, you know, back when you were refusing to have anything to do with us, I respected that. I didn't like it, but I had respect for your position. For your independence. You see, because I actually came from a place a little bit like Forster Hollow myself, before I joined the middle class. And, now you're middle-class, too, and I want to welcome you all, because it's a wonderful thing, our American middle class. It's the mainstay of economies all around the globe!" "And now that you've got these jobs at this body-armor plant," he continued, "You're going to be able to participate in those economies. You, too, can help denude every last scrap of native habitat in Asia, Africa, and South America! You, too, can buy six-foot-wide plasma TV screens that consume unbelievable amounts of energy, even when they're not turned on! But that's OK, because that's why we threw you out of your homes in the first places, so we could strip-mine your ancestral hills and feed the coal-fired generators that are the number-one cause of global warming and other excellent things like acid rain. It's a perfect world, isn't it? It's a perfect system, because as long as you've got your six-foot-wide plasma TV, and the electricity to run it, you don't have to think about any of the ugly consequences. You can watch Survivor: Indonesia till there's no more Indonesia!" "Just quickly, here," he continued, "because I want to keep my remarks brief. Just a few more remarks about this perfect world. I want to mention those big new eight-miles-per-gallon vehicles you're going to be able to buy and drive as much as you want, now that you've joined me as a member of the middle class. The reason this country needs so much body armor is that certain people in certain parts of the world don't want us stealing all their oil to run your vehicles. And so the more you drive your vehicles, the more secure your jobs at this body-armor plant are going to be! Isn't that perfect?" "Just a couple more things!" Walter cried, wresting the mike from its holder and dancing away with it. "I want to welcome you all to working for one of the most corrupt and savage corporations in the world! Do you hear me? LBI doesn't give a shit about your sons and daughters bleeding in Iraq, as long as they get their thousand-percent profit! I know this for a fact! I have the facts to prove it! That's part of the perfect middle-class world you're joining! Now that you're working for LBI, you can finally make enough money to keep your kids from joining the Army and dying in LBI's broken-down trucks and shoddy body armor!" The mike had gone dead, and Walter skittered backwards, away from the mob that was forming. "And MEANWHILE," he shouted, "WE ARE ADDING THIRTEEN MILLION HUMAN BEINGS TO THE POPULATION EVERY MONTH! THIRTEEN MILLION MORE PEOPLE TO KILL EACH OTHER IN COMPETITION OVER FINITE RESOURCES! AND WIPE OUT EVERY OTHER LIVING THING ALONG THE WAY! IT IS A PERFECT FUCKING WORLD AS LONG AS YOU DON'T COUNT EVERY OTHER SPECIES IN IT! WE ARE A CANCER ON THE PLANT! A CANCER ON THE PLANET!
Jonathan Franzen (Freedom)
He said later it was propinquity. Propinquity in the desert. It does that here, he said. He loved the word--the propinquity of water, the propinquity of two or three bodies in a car driving the Sand Sea for six hours. Her sweating knee beside the gearbox of the truck, the knee swerving, rising with the bumps. In the desert you have time to look everywhere, to theorize on the choreography of all things around you.
Michael Ondaatje (The English Patient)
Gritting my teeth with determination, I floor the accelerator again, trying to gain as much distance as I can away from Redfin. Third gear it is! The wind is even stronger now and I feel like my hair is going to fly off my head. A strong whipping sound bursts into my ears as I floor the accelerator one more, engaging fourth gear. Nouveau Road is wide and long enough to take the truck and its speed for a little while.
Susan L. Marshall (Adira and the Dark Horse (An Adira Cazon Literary Mystery))
Gracie leaned out the back, craning her neck as far as she could around the side, trying to catch the wind in her nose and flapping lips. She loved driving, and this car was much faster than the truck which hauled her cage. It was very green here, and the sun flashed and flickered behind the tall trees. There were a million smells along this road, both old and just born. She closed her eyes and huffed, pretending she was flying.
Cole Alpaugh (The Bear in a Muddy Tutu)
I had recently read to my dismay that they have started hunting moose again in New England. Goodness knows why anyone would want to shoot an animal as harmless and retiring as the moose, but thousands of people do—so many, in fact, that states now hold lotteries to decide who gets a permit. Maine in 1996 received 82,000 applications for just 1,500 permits. Over 12,000 outof-staters happily parted with a nonrefundable $20 just to be allowed to take part in the draw. Hunters will tell you that a moose is a wily and ferocious forest creature. Nonsense. A moose is a cow drawn by a three-year-old. That’s all there is to it. Without doubt, the moose is the most improbable, endearingly hopeless creature ever to live in the wilds. Every bit of it—its spindly legs, its chronically puzzled expression, its comical oven-mitt antlers—looks like some droll evolutionary joke. It is wondrously ungainly: it runs as if its legs have never been introduced to each other. Above all, what distinguishes the moose is its almost boundless lack of intelligence. If you are driving down a highway and a moose steps from the woods ahead of you, he will stare at you for a long minute (moose are notoriously shortsighted), then abruptly try to run away from you, legs flailing in eight directions at once. Never mind that there are several thousand square miles of forest on either side of the highway. The moose does not think of this. Clueless as to what exactly is going on, he runs halfway to New Brunswick before his peculiar gait inadvertently steers him back into the woods, where he immediately stops and takes on a startled expression that says, “Hey—woods. Now how the heck did I get here?” Moose are so monumentally muddle-headed, in fact, that when they hear a car or truck approaching they will often bolt out of the woods and onto the highway in the curious hope that this will bring them to safety. Amazingly, given the moose’s lack of cunning and peculiarly-blunted survival instincts, it is one of the longest-surviving creatures in North America. Mastodons, saber-toothed tigers, wolves, caribou, wild horses, and even camels all once thrived in eastern North America alongside the moose but gradually stumbled into extinction, while the moose just plodded on. It hasn’t always been so. At the turn of this century, it was estimated that there were no more than a dozen moose in New Hampshire and probably none at all in Vermont. Today New Hampshire has an estimated 5,000 moose, Vermont 1,000, and Maine anywhere up to 30,000. It is because of these robust and growing numbers that hunting has been reintroduced as a way of keeping them from getting out of hand. There are, however, two problems with this that I can think of. First, the numbers are really just guesses. Moose clearly don’t line up for censuses. Some naturalists think the population may have been overstated by as much as 20 percent, which means that the moose aren’t being so much culled as slaughtered. No less pertinent is that there is just something deeply and unquestionably wrong about killing an animal that is so sweetly and dopily unassuming as a moose. I could have slain this one with a slingshot, with a rock or stick—with a folded newspaper, I’d almost bet—and all it wanted was a drink of water. You might as well hunt cows.
Bill Bryson (A Walk in the Woods: Rediscovering America on the Appalachian Trail)
When you're driving, you don't focus on everything at once, but you have peripheral awareness of it, right? You focus on what you need to at any given moment, whether it's the car in front of you, the jackass in the lifted truck passing you, or the sirens behind you, whatever. Everything exists, everything is there, but you don't have to see it all at once. Does that help? You don't have to see all the bindings you're seeing right now. Just focus on the outlines of the physical stuff you saw before.
Kevin Hearne (Trapped (The Iron Druid Chronicles, #5))
There is a feeling that I had Friday night after the homecoming game that I don't know if I will ever be able to describe except to say that it is warm. Sam and Patrick drove me to the party that night, and I sat in the middle of Sam's pickup truck. Sam loves her pick up truck because I think it reminds her of her dad.The feeling I had happened when Sam told Patrick to find a station on the radio. And kept getting commercials. And commercials. And a really bad song about love that had the word "baby" in it. And then more commercials. And finally he found this really amazing song about this boy, and we all got quiet. Sam tapped her hand on the steering wheel. Patrick held his hand outside the car and made air waves. And I just sat between them. After the song finished I said something. "I feel infinite" And Sam and Patrick looked at me like I said the greatest thing they ever heard. Because the song was the greatest and we all paid attention to it.Five minutes of a lifetime were truly spent,and we felt young in a good way. I have since bought the record, and I would tell you what it is, but truthfully, it's not the same unless you're driving to your first real part, and you're sitting in the middle seat of a pickup with two nice people when it starts to rain.
Stephen Chbosky (The Perks of Being a Wallflower)
Glendale, California, is a suburb of Los Angeles, but it lies "about an hour's drive" from Watts, according to a woman who attended high school in Glendale in the mid-1960s. One day, playing tennis after school, she was "shocked to see what appeared to be an incredibly large contingen[t] of National Reserve soldiers! There were tanks, tents, trucks and a lot of soldiers." City officials of this sundown suburb had called out the National Guard to protect Glendale during the Watts riot -- from what, they never specified.
James W. Loewen (Sundown Towns: A Hidden Dimension of American Racism)
Besides the neutral expression that she wore when she was alone, Mrs. Freeman had two others, forward and reverse, that she used for all her human dealings. Her forward expression was steady and driving like the advance of a heavy truck. Her eyes never swerved to left or right but turned as the story turned as if they followed a yellow line down the center of it. She seldom used the other expression because it was not often necessary for her to retract a statement, but when she did, her face came to a complete stop, there was an almost imperceptible movement of her black eyes, during which they seemed to be receding, and then the observer would see that Mrs. Freeman, though she might stand there as real as several grain sacks thrown on top of each other, was no longer there in spirit.
Flannery O'Connor
Glimco was having a problem with a freight hauler that was resisting the union and wouldn’t rehire a shop steward they had fired. It made Joey Glimco look bad to his men, and he wanted me to take care of the matter. I told him nobody needed to paint anybody’s house. I told him to give me a case of Coca-Cola that used to come in those old-fashioned bottles. I said give me one of your men and we’ll handle it. I got on a bridge just down the street from the freight company. When a truck would pull out and drive down to go under the bridge, the man and I dropped bottles of Coke down on the truck. It sounded like bombs going off, and trucks were crashing into the bridge abutment without knowing what was happening. Finally, the drivers refused to take trucks out of the yard, and the freight company came around and rehired the shop steward, but he didn’t get his back pay. Maybe I should have used two cases of Coke. I
Charles Brandt ("I Heard You Paint Houses", Updated Edition: Frank "The Irishman" Sheeran & Closing the Case on Jimmy Hoffa)
One night the three of us were out on the town. Bill was driving us to an Italian restaurant. I had been on my new job just a few weeks. I was in the backseat and Bill was watching me in the rearview mirror. Bill said to me, “We heard from Jimmy that you paint houses.” I didn’t say anything. I just nodded my head “yes.” Okay, here it is, I thought. So much for getting away from the downtown culture and getting into a new line of work. “We got something in Chicago that needs to be straightened out. We got a friend there named Joey Glimco. He runs the cab local there, 777. He’s got the trucks on the waterfront, too. Ever heard of him?” I
Charles Brandt ("I Heard You Paint Houses", Updated Edition: Frank "The Irishman" Sheeran & Closing the Case on Jimmy Hoffa)
The the street was quiet again. Country quiet. That's partly what took city natives like the Whitlams by surprise, Falk thought: the quiet. He could understand them seeking out the idyllic country lifestyle, a lot of people did. The idea had an enticing, wholesome glow when it was weighed out from the back of a traffic jam, or while crammed into a gardenless apartment. They all had the same visions of breathing fresh clean air and knowing their neighbors. The kids would eat home-grown veggies and learn the value of an honest day's work. On arrival, as the empty moving truck disappeared form sight, they looked around and were always taken aback by the crushing vastness of the open land. The space was the thing that hit them first. There was so much of it. There was enough to drown in. To look out and see not another soul between you and the horizon could be a strange and disturbing sight. Soon, they discovered that the veggies didn't grow as willingly as they had in the city window box. That every single green shoot had to be coaxed and prized from the reluctant soil, and the neighbors were too busy doing the same on an industrial scale to muster much cheer in their greetings. There was no daily bumper-to-bumper commute, but there was also nowhere much to drive to. Falk didn't blame the Whitlams, he'd seen it many times before when he was a kid. The arrivals looked around at the barrenness and the scale and the sheer bloody hardness of the land, and before long their faces all said exactly the same thing. "I didn't know it was like this." He turned away, remembering how the rawness of local life had seeped into the kids' paintings at the school. Sad faces and brown landscapes.
Jane Harper (The Dry (Aaron Falk, #1))
I want them to be great people with enough competitive spirit and self-confidence to drive them to follow and excel at their passions — be those styling hair, serving their country, performing, or driving trash trucks. I want them to have just enough competitive spirit and self-confidence, but not so much that they risk meaningful relationships and become consumed by their own self-righteousness. I don’t ever want them to feel like true fulfillment is unattainable. I want them to fall in love with their whole heart, more than once. I want them to have a significant other in their life who fills them, completes them, and isn’t chosen out of compromise, ambivalence,or apathy. I want them to have someone whom they want to care for and who wants to care for them. I want them to have a moral compass that works better than my own. I want them to know right from wrong, to consider other people’s feelings and the consequences of their actions. I want them to be men who do the right thing simply because it is the right thing to do.
Lori Duron (Raising My Rainbow: Adventures in Raising a Fabulous, Gender Creative Son)
Oh, everything is fun when I’m around.” Hercules’s knees knocked into the back of my seat as he leaned back. “This one time, when I was ordered by the gods to . . .” I could only think of three words. Fuck. My. Life. “You should drive, because I’m going to end it all. Once we’re on the freeway, I’m going to jump out of this vehicle and throw myself in front of a Mack truck.” Josie’s laugh cut off her yawn. “That’s a little excessive.” Adjusting the sunglasses I’d stolen from Aiden yesterday morning, I smirked. “I do not think anything is excessive when it comes to him.” “But that won’t even kill you.” I sighed. “Yeah, but I’m pretty sure it’ll knock me unconscious for the time being.
Jennifer L. Armentrout (The Power (Titan, #2))
Mara, remember how you kicked sand into that neighbor child’s eyes? I yelled at you and made you apologize in your best dress, and that night I cried by myself in the bathroom because you are Bad’s child as much as you are mine. Remember when you ran into the plate glass window and cut your arms so badly we had to drive you to the nearest hospital in the pickup truck, and when it was over Bad begged me to replace the backseat because of all the blood? Or when Tristan told us that he wanted to invite a boy to prom and you put your arm around him like this? Mara, remember? Your own babies? Your husband with his Captain Ahab beard and calloused hands and the house you bought in Vermont? Mara? How you still love your little brother with the ferocity of a star; an all-consuming love that will only end when one of you collapses? The drawings you handed us as children? Your paintings of dragons, Tristan’s photographs of dolls, your stories about anger, his poems about angels? The science experiments in the yard, blackening the grass to gloss? Your lives sated and[…]
Carmen Maria Machado (Her Body and Other Parties: Stories)
LAST NIGHT I STOOD AT the other side of her door and fought every instinct I have in my body to not break that door down while I listened to her sob. I waited until I heard her tears stop. Then I waited even longer while the lights through her house turned off one by one. It wasn’t until I could uncoil my body from its position outside her front door that I was able to leave. Pulling each of the palms that I had resting against the wood of her front door to stand up straight and force my legs to take me to my truck. Even then it was another ten or so minutes before I was able to turn the key and pull out of her drive. Leaving her tonight, knowing she was in pain, is even harder than it was to walk away from her in the club owner’s private bathroom.
Harper Sloan (Bleeding Love (Hope Town, #2))
The sun rises in a clear sky that moves from black to gray to white to deep, pure crystal blue. One in Georgia packs his things he’s going to take a bus. Four in Mexico walk across scorched earth water in packs on their back. Two in Indiana best friends coming together they pack their best clothes while their parents wait to take them to the airport. One in Canada drives south. Sixty from China in a cargo container sail east. Four in New York pool their cash and buy a car and drop out of school and drive west. Sixteen cars of a passenger train crossing the Mojave only one stop left. One in Miami doesn’t know how she’s going to get there. Three in Montana have a truck none of them have any idea what they’re going to do once they arrive. A plane from Brazil sold out landing at LAX. Six in Chicago dreaming on shared stages they rented a van they’ll see if any of them can make it. Two from Arizona hitchhiking. Four more just crossed in Texas walking. Another one in Ohio with a motorcycle and a dream. All of them with their dreams. It calls to them and they believe it and they cannot say no to it, they cannot say no. It calls to them. It calls. Calls.
James Frey (Bright Shiny Morning)
She’d learned nearly every job and did each well, but her favorite was greeting the first early truck from the distribution center in Richmond that delivered the big rolling metal OTR package containers. She liked the predawn, enjoyed watching the sky get lighter and lighter as she wheeled the OTRs in from the dock inside the post office and unloaded them into the route hampers. She knew all the contract drivers from the private service the post office used, knew the sound each of their big trucks made as they backed up to the dock to unload the five to ten big OTRs that held up to fifty parcels each. Brakey Alcott was driving the truck this morning. He was young enough to be her son, always sucking down coffee like young people did to stay awake so early in the morning.
Catherine Coulter (Nemesis (FBI Thriller #19))
Squished between my grandparents and moving at thirty miles an hour is a small price to pay to get to the vet's office, but today Luke begged to come along, so Papaw is driving even slower than usual. With Luke hunched don behind us in the bed of the truck, obviously without a seat belt, Mamaw keeps her eye on the odometer and yells about "precious cargo" every time the needle nears twenty.
Alecia Whitaker (The Queen of Kentucky)
Telegraph Road A long time ago came a man on a track Walking thirty miles with a pack on his back And he put down his load where he thought it was the best Made a home in the wilderness He built a cabin and a winter store And he ploughed up the ground by the cold lake shore And the other travellers came riding down the track And they never went further, no, they never went back Then came the churches, then came the schools Then came the lawyers, then came the rules Then came the trains and the trucks with their loads And the dirty old track was the telegraph road Then came the mines - then came the ore Then there was the hard times, then there was a war Telegraph sang a song about the world outside Telegraph road got so deep and so wide Like a rolling river ... And my radio says tonight it's gonna freeze People driving home from the factories There's six lanes of traffic Three lanes moving slow ... I used to like to go to work but they shut it down I got a right to go to work but there's no work here to be found Yes and they say we're gonna have to pay what's owed We're gonna have to reap from some seed that's been sowed And the birds up on the wires and the telegraph poles They can always fly away from this rain and this cold You can hear them singing out their telegraph code All the way down the telegraph road You know I'd sooner forget but I remember those nights When life was just a bet on a race between the lights You had your head on my shoulder, you had your hand in my hair Now you act a little colder like you don't seem to care But believe in me baby and I'll take you away From out of this darkness and into the day From these rivers of headlights, these rivers of rain From the anger that lives on the streets with these names 'Cos I've run every red light on memory lane I've seen desperation explode into flames And I don't want to see it again ... From all of these signs saying sorry but we're closed All the way down the telegraph road
Mark Knopfler (Dire Straits - 1982-91)
Kassian arched a brow at Boyd as they made the short walk to Boyd's house. "You have no idea at all? I'm looking for an SUV of some kind although I'd prefer another truck. I can't drive those tiny ass cars they make now. I feel like if I get in an accident I'll be crushed instantly." "That's why I want one that's fast and easy to handle," Boyd said wryly. "To get out of the way of you crazy SUV drivers.
Ais (Afterimage (In the Company of Shadows, #2))
It is not for us to know who does and does not manage to accept forgiveness, but if the love really never stops, if God really does long for every lost soul, then in principle God regards as forgivable a whole load of stuff we really don’t want forgiven, thank you. People who use airliners to murder thousands of office workers, people who strut about Norwegian summer camps stealing the lives of teenagers with careful shots to the head, people who drive over their gay neighbor in their pick-up truck and then reverse and do it again, people who torture children for sexual pleasure: God is apparently ready to rush right in there and give them all a hug, the bastard. We don’t want that. We want justice, dammit, if not in this world then in the next. We want God’s extra-niceness confined to deserving cases such as, for example, us, and a reliable process of judgment put in place which will ensure that the child-murderers are ripped apart with red-hot tongs.
Francis Spufford (Unapologetic: Why, Despite Everything, Christianity Can Still Make Surprising Emotional Sense)
Can you drive it?" "No. I can't drive a stick at all. It's why I took Andy's car and not one of yours." "Oh people, for goodness' sake...move over." Choo Co La Tah pushed past Jess to take the driver's seat. Curious about that, she slid over to make room for the ancient. Jess hesitated. "Do you know what you're doing?" Choo Co La Tah gave him a withering glare. "Not at all. But I figured smoeone needed to learn and no on else was volunteering. Step in and get situated. Time is of the essence." Abigail's heart pounded. "I hope he's joking about that." If not, it would be a very short trip. Ren changed into his crow form before he took flight. Jess and Sasha climbed in, then moved to the compartment behind the seat. A pall hung over all of them while Choo Co La Tah adjusted the seat and mirrors. By all means, please take your time. Not like they were all about to die or anything... She couldn't speak as she watched their enemies rapidly closing the distance between them. This was by far the scariest thing she'd seen. Unlike the wasps and scorpions, this horde could think and adapt. They even had opposable thumbs. Whole different ball game. Choo Co La Tah shifted into gear. Or at least he tried. The truck made a fierce grinding sound that caused jess to screw his face up as it lurched violently and shook like a dog coming in from the rain. "You sure you odn't want me to try?" Jess offered. Choo Co La Tah waved him away. "I'm a little rusty. Just give me a second to get used to it again." Abigail swallowed hard. "How long has it been?" Choo Co La Tah eashed off the clutch and they shuddred forward at the most impressive speed of two whole miles an hour. About the same speed as a limping turtle. "Hmm, probably sometime around nineteen hundred and..." They all waited with bated breath while he ground his way through more gears. With every shift, the engine audibly protested his skills. Silently, so did she. The truck was really moving along now. They reached a staggering fifteen miles an hour. At this rate, they might be able to overtake a loaded school bus... by tomorrow. Or at the very least, the day after that. "...must have been the summer of...hmm...let me think a moment. Fifty-three. Yes, that was it. 1953. The year they came out with color teles. It was a good year as I recall. Same year Bill Gates was born." The look on Jess's and Sasha's faces would have made her laugh if she wasn't every bit as horrified. Oh my God, who put him behind the wheel? Sasha visibly cringed as he saw how close their pursuers were to their bumper. "Should I get out and push?" Jess cursed under his breath as he saw them, too. "I'd get out and run at this point. I think you'd go faster." Choo Co La Tah took their comments in stride. "Now, now, gentlemen. All is well. See, I'm getting better." He finally made a gear without the truck spazzing or the gears grinding.
Sherrilyn Kenyon (Retribution (Dark-Hunter, #19))
electrical wires dragged down by the weight of the ice and flickering balefully, a row of sleet-covered planes stranded in an airport, a huge truck that’s jackknifed and tipped over and is lying on its side with smoke coming out. An ambulance is on the scene, a fire truck, a huddle of raingear-clad operatives: someone’s been injured, always a sight to make the heart beat faster. A policeman appears, crystals of ice whitening his moustache; he pleads sternly with people to stay inside. It’s no joke, he tells the viewers. Don’t think you can brave the elements! His frowning, frosted eyebrows are noble, like those on the wartime bond-drive posters from the 1940s. Constance remembers those, or believes she does. But she may just be remembering history books or museum displays or documentary films: so hard, sometimes, to tag those memories accurately. Finally, a minor touch of pathos: a stray dog is displayed, semi-frozen, wrapped in a child’s pink nap blanket. A gelid baby
Margaret Atwood (Stone Mattress: Nine Tales)
God, she was gorgeous. Pure and cleanly beautiful. From the rounded crests of her cheeks to the delicate sweep of her jaw, she had the kind of face sculptors memorialized in marble and the rest of us gazed upon for centuries to come. Of course she was beautiful. She was an actress. Meant to be idolized on the screen. Emma Maron, a.k.a Princess Anya, future queen and conqueror on Dark Castle. The guys and I used to watch the show while traveling between games. Anya was a favorite. Particularly since... I'd seen her breasts. It hit me like a puck to the helmet, and my ears began to ring. I'd seen those perfect creamy handfuls with sweet pink tips that pointed upward, defying gravity and begging to be sucked. I had watched her on hands on knees, perky tits bouncing as Arasmus slammed into her from behind. I actually blushed. Me. The guy who'd had dozens of women throw themselves at him every night since high school. I'd had sex so many times and in so many ways it had become a blur. Nothing shamed me or made me uncomfortable. Yet I started to get hot under the collar, my cheeks burning. After nearly a year of being disinterested in all things sexual, my dick decided to make its presence known and start rising. Now, of all times. Now, when I was stuck in a damn truck less than three feet from a woman, I finally got a hard-on. Lovely. I felt like a damn lecher. "At least it's a beautiful drive," she said, breaking through heated thoughts of creamy breasts with cotton candy nipples.
Kristen Callihan (Make It Sweet)
In 1951, a man bought a pickup truck because he needed to load things up and move them. Things like bricks and bags of feed. Somewhere along the line trendsetters and marketers got involved, and now we buy pickups -- big, horse-powered, overbuilt, wide-assed, comfortable pickups -- so that we may stick our key in the ignition of an icon, fire up an image, and drive off in a cloud of connotations. I have no room to talk. I long to get my International running part so I can drive down roads that no longer exist.
Michael Perry
In South Texas I saw three interesting things. The first was a tiny girl, maybe ten years old, driving in a 1965 Cadillac. She wasn't going very fast, because I passed her, but still she was cruising right along, with her head tilted back and her mouth open and her little hands gripping the wheel. Then I saw an old man walking up the median strip pulling a wooden cross behind him. It was mounted on something like a golf cart with two spoked wheels. I slowed down to read the hand-lettered sign on his chest. JACKSONVILLE FLA OR BUST I had never been to Jacksonville but I knew it was the home of the Gator Bowl and I had heard it was a boom town, taking in an entire county or some such thing. It seemed an odd destination for a religious pilgrim. Penance maybe for some terrible sin, or some bargain he had worked out with God, or maybe just a crazed hiker. I waved and called out to him, wishing him luck, but he was intent on his marching and had no time for idle greetings. His step was brisk and I was convinced he wouldn't bust. The third interesting thing was a convoy of stake-bed trucks all piled high with loose watermelons and cantaloupes. I was amazed. I couldn't believe that the bottom ones weren't crushed under all that weight, exploding and spraying hazardous melon juice onto the highway. One of nature's tricks with curved surfaces. Topology! I had never made it that far in mathematics and engineering studies, and I knew now that I never would, just as I knew that I would never be a navy pilot or a Treasury agent. I made a B in Statics but I was failing in Dynamics when I withdrew from the field. The course I liked best was one called Strength of Materials. Everybody else hated it because of all the tables we had to memorize but I loved it, the sheared beam. I had once tried to explain to Dupree how things fell apart from being pulled and compressed and twisted and bent and sheared but he wouldn't listen. Whenever that kind of thing came up, he would always say - boast, the way those people do - that he had no head for figures and couldn't do things with his hands, slyly suggesting the presence of finer qualities.
Charles Portis (The Dog of the South)
From The Self-Mover's Bible; The Longest Distance between Two Points is a Shortcut Most of us look at a map and instinctively plot a trip based on the shortest distance or as the crow flies. The difference here is that you aren’t flying a crow you’re driving a truck. Unless you are personally familiar with the alternative route your quickest and safest route is the Interstate. 500 miles of smooth sailing on a six-lane highway takes less time to drive than 400 miles on winding two-lane country roads. The Interstate was made for trucks.
Jerry G. West
Before she could say anything more, Sabella swung around at the sound of Noah’s Harley purring to life behind the garage. God. He was dressed in snug jeans and riding chaps. A snug dark T-shirt covered his upper body, conformed to it. And he was riding her way. “Is there anything sexier than a man in riding chaps riding a Harley?” Kira asked behind her. “It makes a woman simply want to melt.” And Sabella was melting. She watched as he pulled around the side of the garage then took the gravel road that led to the back of the house. The sound of the Harley purred closer, throbbing, building the excitement inside her. “I think it’s time for me to leave,” Kira said with a light laugh. “Don’t bother to see me out.” Sabella didn’t. She listened as the Harley drew into the graveled lot behind the house and moved to the back door. She opened it, stepping out on the back deck as he swung his legs over the cycle and strode toward her. That long-legged lean walk. It made her mouth water. Made her heart throb in her throat as hunger began to race through her. “The spa treated you well,” he announced as he paused at the bottom of the steps and stared back at her. “Feel like messing your hair up and going out this evening? We could have dinner in town. Ride around a little bit.” She hadn’t ridden on a motorcycle since she was a teenager. She glanced at the cycle, then back to Noah. “I’d need to change clothes.” His gaze flickered over her short jeans skirt, her T-shirt. “That would be a damned shame too,” he stated. “I have to say, Ms. Malone, you have some beautiful legs there.” No one had ever been as charming as Nathan. She remembered when they were dating, how he would just show up, out of the blue, driving that monster pickup of his and grinning like a rogue when he picked her up. He’d been the epitome of a bad boy, and he had been all hers. He was still all hers. “Bare legs and motorcycles don’t exactly go together,” she pointed out. He nodded soberly, though his eyes had a wicked glint to them. “This is a fact, beautiful. And pretty legs like that, we wouldn’t want to risk.” She leaned against the porch post and stared back at him. “I have a pickup, you know.” She propped one hand on her hip and stared back at him. “Really?” Was that avarice she saw glinting in his eyes, or for just the slightest second, pure, unadulterated joy at the mention of that damned pickup? He looked around. “I haven’t seen a pickup.” “It’s in the garage,” she told him carelessly. “A big black monster with bench seats. Four-by-four gas-guzzling alpha-male steel and chrome.” He grinned. He was so proud of that damned pickup. “Where did something so little come up with a truck that big?” he teased her then. She shrugged. “It belonged to my husband. Now, it belongs to me.” That last statement had his gaze sharpening. “You drive it?” “All the time,” she lied, tormenting him. “I don’t have to worry about pinging it now that my husband is gone. He didn’t like pings.” Did he swallow tighter? “It’s pinged then?” She snorted. “Not hardly. Do you want to drive the monster or question me about it? Or I could change into jeans and we could ride your cycle. Which is it?” Which was it? Noah stared back at her, barely able to contain his shock that she had kept the pickup. He knew for a fact there were times the payments on the house and garage had gone unpaid—his “death” benefits hadn’t been nearly enough—almost risking her loss of both during those first months of his “death.” Knowing she had held on to that damned truck filled him with more pleasure than he could express. Knowing she was going to let someone who wasn’t her husband drive it filled him with horror. The contradictor feelings clashed inside him, and he promised himself he was going to spank her for this.
Lora Leigh (Wild Card (Elite Ops, #1))
Now ease off the brake, I mean flip-flop.” The truck crawled backward. “Now, when you’re far enough back, step on the brake again.” The edge of the woods came closer. “Good. Just a little more.” We went another few feet. “Okay, stop.” The truck kept going. “Brake Morgan.” “Which one’s the brake?” “Left, I mean, flip-flop.” The truck jerked to a stop. I slammed my hand against the dash to keep from getting thrown around. “You’re not a very good copilot, Grant.” “You’re not a very good pilot.” “That’s because I don’t know how to drive.” Morgan flexed his hand on the steering wheel. I counted to ten before saying anything. “Now you need to put the truck in drive and make a right… I mean bare foot.” The truck shot forward. “Stop, Morgan. Stop. Flip-flop.” It jerked to a stop hard enough to dump me into the floorboard and crack my head on the dash. “Fuck.” I struggled to get back into the seat. “Should have brought a helmet.” “If I’d known you were going to try to kill me, I would have.” “You’re the one who said bare foot.” “I meant direction.” “We didn’t discuss direction, just flip-flops and bare feet.
Adrienne Wilder (In the Absence of Light (Morgan & Grant, #1))
실시간 정품인증가능합니다... 필요하신분들은 언제든 연락주세요^^ 사이트문의~홈피:hp2345.0pe.kr 카톡↔ghb8 ☎ 사이트문의~홈피:hp2345.0pe.kr 카톡↔ghb8 ☎ 사이트문의~홈피:hp2345.0pe.kr 카톡↔ghb8 ☎ 사이트문의~홈피:hp2345.0pe.kr 카톡↔ghb8 ☎ 사이트문의~홈피:hp2345.0pe.kr 카톡↔ghb8 ☎ 사이트문의~홈피:hp2345.0pe.kr 카톡↔ghb8 ☎ Lee was indicted on charges of driving a van near Cheonan Nadulmok on the Gyeongbu Expressway at 3:41 a.m. on Aug. 23, 2014, when he hit a truck parked on a shoulder road. His seven-month-old pregnant wife (then 24-year-old) died. Lee's wife had an insurance contract worth 9.5 billion won. So far, the combined delayed interest rate has exceeded 10 billion won. The court's judgment was widely mixed. The first trial acquitted him of the crime, saying, "Indirect evidence against the accused cannot prove the crime," and the second trial sentenced him to life imprisonment, saying, "The indictment is recognized given that he bought an additional 3 billion won in insurance two months before the accident." In May 2017, the Supreme Court sent the case back to the Daejeon High Court with the intent of innocence, saying, "The motive for the crime should be clearer, but it is not.
클렌부테롤구입,카톡↔ghb8 ☎ ,메디텍위니구입
So I drive into town for my first date in two years in a red 1941 Chevrolet four-on-the-floor with a John Deere motor grader hooked behind me. The engine sputters and churns and I wonder if the truck will make it. Chunks of mud spray behind me off the tires. The engine stalls on the main road, sending my dress and bag flying onto the dirty floor. I have to restart twice. At five forty-five, a black thing streaks out in front of me and I feel a thunk. I try to stop but braking’s just not something you can do very quickly with a 10,000-pound piece of machinery behind you. I groan and pull over. I have to go check. Remarkably, the cat stands up, looks around stunned, and shoots back into the woods as quickly as it came. At three minutes to six, after doing twenty in a fifty with horns honking and teenagers hollering at me, I park down the street from Hilly’s house since Hilly’s cul-de-sac doesn’t provide adequate parking for farm equipment. I grab my bag and run inside without even knocking, all out of breath and sweaty and windblown and there they are, the three of them, including my date. Having highballs in the front living room.
Kathryn Stockett (The Help)
Brake.” The frontend dipped into a rut and the force tossed me close to the ceiling. “For God’s sake, flip-flop, flip-flop.” The pickup cut ruts in the wet ground, spun halfway around on the grass before coming to a halt. Somehow I’d wound up with my ass on the floorboard again and my legs on the seat. I glared at Morgan. The flush in his cheeks glowed against his pale skin. He swallowed several times. “Well, at least it went better than last time.” “Jesus, how could that have been better? You almost killed us.” “I didn’t catch the truck on fire.” He fluttered his hand next to his temple. “Or drive into the pond.
Adrienne Wilder (In the Absence of Light (Morgan & Grant, #1))
I try to tell the teacher, you know. I don't give a fuck about geometry or English. Like I'm probably going to drive a truck or something when I get out of school. Join the army or something simple. I'm sure in the army they're all going to be wondering what an acute angle is. I'm sure I'll make lots of friends driving my truck because I can diagram some lousy goddamn sentence. And then after school I'm free, right? What's that mean? I go down to the bowling alley or the shopping mall with my friends. We scope the grils, smoke a little doobidge, maybe a tab of acid every now and then. But that's not really living, is it? I mean, if that's living, then excuse me right now. I'll go out and put a bullet in the old brainpan. But if that's not all there is, right, well, maybe there's something I could do a little less radical, like, you know. I don't mind life or anything--I'm perfectly willing to give it a try. So what the hell, I figured. I'm sick of school, drugs, this goddamn oppressive house of Ethel's and all. Maybe it's time I experimented a little more with my life, took a few more chances. So that's when I decided to become a warlock. To master the satanic arts of black magic. Devil worshiping, for you laymen. I want to master what they call the black arts.
Scott Bradfield
With that in mind, I pull the door shut and look for a seat belt to buckle. I find only the frayed end of a seat belt and a broken buckle. “Where did you find this piece of junk?” says Christina. “I stole it from the factionless. They fix them up. It wasn’t easy to get it to start. Better ditch those jackets, girls.” I ball up our jackets and toss them out the half-open window. Marcus shifts the truck into drive, and it groans. I half expect it to stay still when he presses the gas pedal, but it moves. From what I remember, it takes about an hour to drive from the Abnegation sector to Amity headquarters, and the trip requires a skilled driver. Marcus pulls onto one of the main thoroughfares and pushes his foot into the gas pedal. We lurch forward, narrowly avoiding a gaping hole in the road. I grab the dashboard to steady myself. “Relax, Beatrice,” says Marcus. “I’ve driven a car before.” “I’ve done a lot of things before, but that doesn’t mean I’m any good at them!” Marcus smiles and jerks the truck to the left so that we don’t hit a fallen stoplight. Christina whoops as we bump over another piece of debris, like she’s having the time of her life. “A different kind of stupid, right?” she says, her voice loud enough to be heard over the rush of wind through the cab. I clutch the seat beneath me and try not to think of what I ate for dinner.
Veronica Roth (Insurgent (Divergent, #2))
if consumer demand should increase for the goods or services of any private business, the private firm is delighted; it woos and welcomes the new business and expands its operations eagerly to fill the new orders. Government, in contrast, generally meets this situation by sourly urging or even ordering consumers to “buy” less, and allows shortages to develop, along with deterioration in the quality of its service. Thus, the increased consumer use of government streets in the cities is met by aggravated traffic congestion and by continuing denunciations and threats against people who drive their own cars. The New York City administration, for example, is continually threatening to outlaw the use of private cars in Manhattan, where congestion has been most troublesome. It is only government, of course, that would ever think of bludgeoning consumers in this way; it is only government that has the audacity to “solve” traffic congestion by forcing private cars (or trucks or taxis or whatever) off the road. According to this principle, of course, the “ideal” solution to traffic congestion is simply to outlaw all vehicles! But this sort of attitude toward the consumer is not confined to traffic on the streets. New York City, for example, has suffered periodically from a water “shortage.” Here is a situation where, for many years, the city government has had a compulsory monopoly of the supply of water to its citizens. Failing to supply enough water, and failing to price that water in such a way as to clear the market, to equate supply and demand (which private enterprise does automatically), New York’s response to water shortages has always been to blame not itself, but the consumer, whose sin has been to use “too much” water. The city administration could only react by outlawing the sprinkling of lawns, restricting use of water, and demanding that people drink less water. In this way, government transfers its own failings to the scapegoat user, who is threatened and bludgeoned instead of being served well and efficiently. There has been similar response by government to the ever-accelerating crime problem in New York City. Instead of providing efficient police protection, the city’s reaction has been to force the innocent citizen to stay out of crime-prone areas. Thus, after Central Park in Manhattan became a notorious center for muggings and other crime in the night hours, New York City’s “solution” to the problem was to impose a curfew, banning use of the park in those hours. In short, if an innocent citizen wants to stay in Central Park at night, it is he who is arrested for disobeying the curfew; it is, of course, easier to arrest him than to rid the park of crime. In short, while the long-held motto of private enterprise is that “the customer is always right,” the implicit maxim of government operation is that the customer is always to be blamed.
Murray N. Rothbard (For a New Liberty: The Libertarian Manifesto (LvMI))
Is something wrong?” he asked. “You seem to have forgotten that someone cut my bike in half.” “And you seem to have forgotten that I have a truck,” said Miles. “I can give you a ride. To school, at least.” “No thanks,” I said. “Really. I’m not joking. Unless you’re that against having anything to do with me. I don’t care. You can get in line.” He turned onto the main road. The line from the notebook felt like a dead weight in my stomach. “No, not against it.” I realized with a strange sort of happy dread that we were falling back into the easy conversation we’d had at the bonfire. “But I’d like to know why you’re offering.” “What do you mean?” Honest confusion crossed his face. “Isn’t that the good thing to do?” I burst out laughing. “Since when have you been good? Are you feeling guilty or something?” “A little sentimental, maybe. My first idea was to drive up and down in front of you a few times to prove I had a car and you didn’t.” His tone was light and he was smiling. Holy crap, he was smiling. A real, teeth-showing, nose-scrunching, eyes-crinkling smile. The smile slipped off his face. “What? What’s wrong?” “You were smiling,” I said. “It was kind of weird.” “Oh,” he said, frowning. “Thanks.” “No, no, don’t do that! The smile was better.” The words felt wrong coming out of my mouth. I shouldn’t say things like that to him, but they hung neatly in the air and cleared out the tension. Miles didn’t smile again.
Francesca Zappia (Made You Up)
What, may I ask, does your one truck contain if not gowns?” Inspiration struck, and Elizabeth smiled radiantly. “Something of great value. Priceless value,” she confided. All faces at the table watched her with alert fascination-particularly the greedy Sir Francis. “Well, don’t keep us in suspense, love. What’s in it?” “The mortal remains of Saint Jacob.” Lady Eloise and Lady Mortand screamed in unison, Sir William choked on his wine, and Sir Francis gaped at her in horror, but Elizabeth wasn’t quite finished. She saved the coup de grace until the meal was over. As soon as everyone arose she insisted they sit back down so a proper prayer of gratitude could be said. Raising her hands heavenward, Elizabeth turned a simple grace into a stinging tirade against the sins of lust and promiscuity that rose to crescendo as she called down the vengeance of doomsday on all transgressors and culminated in a terrifyingly lurid description of the terrors that awaited all who strayed down the path of lechery-terrors that combined dragon lore with mythology, a smattering of religion, and a liberal dash of her own vivid imagination. When it was done Elizabeth dropped her eyes, praying in earnest that tonight would loose her from her predicament. There was no more she could do; she’d played out her hand with all her might; she’d given it her all. It was enough. After supper Sir Francis escorted her to her chamber and, with a poor attempt at regret, announced that he greatly feared they wouldn’t suit. Not at all. Elizabeth and Berta departed at dawn the following morning, an hour before Sir Francis’s servants stirred themselves. Clad in a dressing robe, Sir Francis watched from his bedchamber window as Elizabeth’s coachman helped her into her conveyance. He was about to turn away when a sudden gust of wind caught Elizabeth’s black gown, exposing a long and exceptionally shapely leg to Sir Francis’s riveted gaze. He was still staring at the coach as it circled the drive; through its open window he saw Elizabeth laugh and reach up, unpinning her hair. Clouds of golden tresses whipped about the open window, obscuring her face, and Sir Francis thoughtfully wet his lips.
Judith McNaught (Almost Heaven (Sequels, #3))
Hunters will tell you that a moose is a wily and ferocious forest creature. Nonsense. A moose is a cow drawn by a three-year-old. That’s all there is to it. Without doubt, the moose is the most improbable, endearingly hopeless creature ever to live in the wilds. Every bit of it—its spindly legs, its chronically puzzled expression, its comical oven-mitt antlers—looks like some droll evolutionary joke. It is wondrously ungainly: it runs as if its legs have never been introduced to each other. Above all, what distinguishes the moose is its almost boundless lack of intelligence. If you are driving down a highway and a moose steps from the woods ahead of you, he will stare at you for a long minute (moose are notoriously shortsighted), then abruptly try to run away from you, legs flailing in eight directions at once. Never mind that there are several thousand square miles of forest on either side of the highway. The moose does not think of this. Clueless as to what exactly is going on, he runs halfway to New Brunswick before his peculiar gait inadvertently steers him back into the woods, where he immediately stops and takes on a startled expression that says, “Hey—woods. Now how the heck did I get here?” Moose are so monumentally muddle-headed, in fact, that when they hear a car or truck approaching they will often bolt out of the woods and onto the highway in the curious hope that this will bring them to safety. Amazingly, given the moose’s lack of cunning and peculiarly-blunted survival instincts, it is one of the longest-surviving creatures in North America.
Bill Bryson (A Walk in the Woods: Rediscovering America on the Appalachian Trail)
After placing everything in the backseat, Nadia buckled her seat belt and turned to him. “Corvon,” she addressed him by his in-game persona. “If I were to tell you that you get a prize for besting me, what would you want?” He slid closer, dragging his gaze over her without hiding it. Caleb could see her nipples peaking under her bra. She was as turned on as he was. “Anything I want?” “Perhaps. What would it be?” She wouldn’t commit, which meant she didn’t trust him. It was time to drop the asshole persona. He couldn’t help but let her in. She was his One. “I would want …” He reached for her chin. “...a kiss.” Caleb leaned in so far he could feel her breath on his face. Her pupils were dilated wide, and he ran his thumb over her plush bottom lip. “Would you award me such a prize, Asteria?” She nodded. Closing the distance between them, he claimed her lips. This kiss was even hotter than the one at laser tag, slow and languid, like they had all the time in the world. He wrapped his hand around the base of her head and leaned her body back as her arms wrapped around his waist. Her tongue slid along his in a tantalizing dance that stoked the fire within. She sighed softly into his mouth as he felt the walls between them melt away from the heat. One kiss, that’s all he’d asked for. But he never wanted it to end. This felt dangerous. But so right. Finally, he forced himself to break the kiss, moaning Nadia’s name. She looked dazed, like she was just waking up — or just had the most incredible orgasm. What he wouldn’t give to see Nadia’s afterglow. “Can you drive?” His mouth was bone dry but he managed to get the words out eventually. She nodded and started the motor. He buckled himself in but didn’t stop looking at her. That had been no ordinary kiss. He needed another. As she backed out to turn the truck around, Nadia looked over at him shyly. “I wanna do that again.” “Me, too.” Licking his lips at the idea of tasting her again, he broke the first of his rules. “Come upstairs when we get to my place and we can.
Jasmine C. Caldwell (The Geek Girl Squad: Nadia (The Geek Girl Squad #2))
Several days later I decided to go on a good long jog, trusting that Chip would not leave Drake again. As I was on my way back I saw Chip coming down the road in his truck with the trailer on it. He rolled up to me with his window down and said, “Baby, you’re doing so good. I’m heading to work now. I’ve got to go.” I looked in the back, thinking, Of course, he’s got Drake. But I didn’t see a car seat. “Chip, where’s Drake?” she said, and I was like, “Oh, shoot!” She took off without a word and ran like lightning all the way back to the house as I turned the truck around. She got there faster on foot than I did in my truck. I sure hope no one from Child Protective Services reads this book. They can’t come after me retroactively, can they? Chip promised it would never happen again. So the third time I attempted to take a run, I went running down Third Street and made it all the way home. I walked in, and Chip and Drake were gone. I thought, Oh, good. Finally he remembered to take the baby. But then I noticed his car was still parked out front. I looked around and couldn’t find them anywhere. Moments later, Chip pulled up on his four-wheeler--with Drake bungee-strapped to the handlebars in his car seat. “Chip!” I screamed, “What in the heck are you doing?” “Oh, he was crying, and I’d always heard my mom say she would drive me around the neighborhood when I was a baby, and it made me feel better,” Chip said. “He loved it. He fell right to sleep.” “He didn’t love it, Chip. He probably fell asleep because the wind in his face made it impossible to breathe.” I didn’t go for another run for the whole first year of Drake’s life, and I took him to the shop with me every single day. Some people might see that as a burden, but I have to admit I loved it. Having him in that BabyBjörn was the best feeling in the world. Drake was a shop baby. He would come home every night smelling like candles. We had friends who owned a barbecue joint, and their baby always came home smelling like a rack of ribs. I liked Drake’s smell a whole lot better.
Joanna Gaines (The Magnolia Story)
Size Matters. A lot. How much you have and more importantly how much space it will take up in a movingtruck are the first things you need to know when planning a long distance move. Professional movers charge by weight because it is an easier and more uniform way to determine exactly how much you have. They literally drive the truck onto a large scale before loading your goods to get a light weight and return after loading your stuff to get a heavy weight, with the difference being the weight of your shipment. The moving company’s estimate, however, is based on coming to your home and surveying the total cubic feet, or estimated size of all your household goods. They then convert that figure into a weight estimate by multiplying the cubic feet (cubes) by the average density of 6.5 pounds per cubic foot. A small 2-bedroom house for example might have 1,000 cubic feet which when multiplied by a density of 6.5 (lbs) would equal 6,500 lbs. If this sounds like brain surgery then I would ask you to try and remember the last furniture mover you met who struck you as brain surgeon-ish.
Jerry G. West
Work" I laid telephone line, then cable when it came along. I pulled T-shirts off a silk-screen press. I cleaned offices in buildings thirty-five floors high. I filed the metal edges of grease fryers hot off a welding line. I humped sod in townhouse complexes, and when it became grass I cut it. I sorted mail. I washed police cars, and then I changed their oil. I installed remotes on gas meters so a truck could simply drive down the street and get the readings. I set posts and put up fences, wood and chain link. Five a.m. at the racetrack, I walked hot horses after their exercise. I bathed them. I mopped and swept aisles in a grocery store. Eventually, I stocked shelves. I corrected errors on mortgage papers for a bank. I racked tables in a pool hall. There’s more I’m not telling you. All of this befell me as an adult. As a kid, I cut neighbors’ lawns and delivered newspapers, and I watched after little kids while their parents worked. I painted houses. I collected frogs from ponds and sold them to pet stores. And so on. At fifteen, I went for a busboy position at an all-night diner, but they told me to come back when I turned sixteen. I did. Sometimes, on top of one, I took a second job. It gave me just enough time to sleep between the two. And eat. My father worked, harder than I did, and then he died. Then I worked harder. My mother said, “You’re the man of the house now.” I was seventeen. She kept an eye on me, to make sure I worked. I did. You've just read about all that. Eventually she died, too. I watched my social security numbers grow. I have a pretty good lump. I could leave it to somebody, a spouse or dependent. But there's no one. I have no plan to spend it, but I’ve paid into it. Today I quit my job, my jobs. I had them all written down, phone numbers too, and I called them. You should have seen me, dialing and dialing, crossing names off the list as I went. Some of them I called sounded angry. Some didn’t remember me, and a few didn’t answer. Others had answering machines, but I told the machines I quit anyway. I think about my father. How he worked. I sit by the phone now, after quitting all my jobs, and wish he could see this. A blank calendar on the wall. A single bulb hanging over my head, from a single cord, like the one he wrapped around his neck just before he died.
Michael Stigman
Innovation and disruption are ideas that originated in the arena of business but which have since been applied to arenas whose values and goals are remote from the values and goals of business. People aren’t disk drives. Public schools, colleges and universities, churches, museums, and many hospitals, all of which have been subjected to disruptive innovation, have revenues and expenses and infrastructures, but they aren’t industries in the same way that manufacturers of hard-disk drives or truck engines or drygoods are industries. Journalism isn’t an industry in that sense, either. Doctors have obligations to their patients, teachers to their students, pastors to their congregations, curators to the public, and journalists to their readers--obligations that lie outside the realm of earnings, and are fundamentally different from the obligations that a business executive has to employees, partners, and investors. Historically, institutions like museums, hospitals, schools, and universities have been supported by patronage, donations made by individuals or funding from church or state. The press has generally supported itself by charging subscribers and selling advertising. (Underwriting by corporations and foundations is a funding source of more recent vintage.) Charging for admission, membership, subscriptions and, for some, earning profits are similarities these institutions have with businesses. Still, that doesn’t make them industries, which turn things into commodities and sell them for gain.
Jill Lepore
Then one day our phone rang, and the voice on the other end said, “I need to talk to Mr. Robertson.” “Yeah, that’s me,” I answered. “Are you the one who’s getting duck calls into Walmart stores?” the man asked me. “Yes, that’s me,” I told him. “Son, let me ask you a question,” he said. “How did you get duck calls into the Walmart chain without going through me?” “Well, just who are you?” I asked. “I’m the buyer for Walmart!” he screamed. There was a pause. “One store at a time,” I told him. There was a long pause. “Let me get this right,” he said. “You mean to tell me you’ve been driving around in your pickup truck and convincing our sporting goods departments to buy duck calls without even conferring with me, who’s supposed to be doing the buying for the whole Walmart chain?” “Sir, I didn’t mean to slight you or anything,” I said. “Look, I didn’t even know who you were. Bentonville’s a long way. I’m just trying to survive down here!” He thought about that for a minute, then said, “I’ll tell you what I’m going to do. Anybody who can pull a stunt like that, I’m going to write you a letter authorizing you to do what you’ve been doing.” “Man, I appreciate that,” I told him. “I’m going to authorize you to go into our stores,” he said. “You’ll have that letter from me, and that makes it all aboveboard.” “Hey, I’d appreciate any help you can give me,” I said. So the buyer in Bentonville wrote me a letter and sent it to me. I got the letter and showed it to every store manager I met. They all told me, “Come on in, Mr. Robertson.
Phil Robertson (Happy, Happy, Happy: My Life and Legacy as the Duck Commander)