Trouble With The Curve Quotes

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Their morals, their code; it's a bad joke. Dropped at the first sign of trouble. They're only as good as the world allows them to be. You'll see- I'll show you. When the chips are down these, uh, civilized people? They'll eat each other. See I'm not a monster, I'm just ahead of the curve.
The Joker - Heath Ledger
Don't talk like one of them. You're not! Even if you'd like to be. To them, you're just a freak, like me! They need you right now, but when they don't, they'll cast you out, like a leper! You see, their morals, their code, it's a bad joke. Dropped at the first sign of trouble. They're only as good as the world allows them to be. I'll show you. When the chips are down, these... these civilized people, they'll eat each other. See, I'm not a monster. I'm just ahead of the curve. -The Joker
Christoper Nolan
The atypically depressed are more likely to be the walking wounded, people like me who are quite functional, whose lives proceed almost as usual, except that their depressed all the time, almost constantly embroiled in thoughts of suicide even as they go through their paces. Atypical depression is not just a mild malaise...but one that is quite severe and yet still somehow allows an appearance of normalcy because it becomes, over time, a part of life. The trouble is that as the years pass, if untreated, atypical depression gets worse and worse, and its sufferers are likely to commit suicide out of sheer frustration with living a life that is simultaneously productive and clouded by constant despair. It is the cognitive dissonance that is deadly. Because atypical depression doesn’t have a peak- or, more accurately, a nadir, like normal depression, because it follows no logical curve but instead accumulates over time, it an drive its victim to dismal despair so suddenly that one might not have bothered to attend to treatment until the patient has already, and seemingly very abruptly, committed suicide.
Elizabeth Wurtzel (Prozac Nation)
Don't talk like you're one of them! You're not... even if you'd like to be. To them you're just a freak, like me. They need you right now, but when they don't, they'll cast you out. Like a leper. See, their morals, their "code"... it's a bad joke, dropped at the first sign of trouble. They're only as good as the world allows them to be. I'll show you. When the chips are down, these uh, these "civilized people", they'll eat each other. See, I'm not a monster. I'm just ahead of the curve.
Christopher Nolan
You'll want all your strength for the wedding night." I cannot think why I should need strength," she said, ignoring a host of spine-tingling images rising in her mind's eye. "All I have to do is lie there." "Naked," he said grimly. "Truly?" She shot him a glance from under her lashes. "Well, if I must, I must, for you have the advantage of experience in these matters. Still, I do wish you'd told me sooner. I should not have put the modiste to so much trouble about the negligee." "The what?" "It was ghastly expensive," she said, "but the silk is as fine as gossamer, and the eyelet work about the neckline is exquisite. Aunt Louisa was horrified. She said only Cyprians wear such things, and it leaves nothing to the imagination." Jessica heard him suck in his breath, felt the muscular thigh tense against hers. "But if it were left to Aunt Louisa," she went on,"I should be covered from my chin to my toes in thick cotton ruffled with monstrosities with little bows and rosebuds. Which is absurd, when an evening gown reveals far more, not to mention--" "What color?" he asked. His low voice had roughened. "Wine red," she said, "With narrow black ribbons threaded through the neckline. Here." She traced a plunging U over her bosom. "And there's the loveliest openwork over my...well, here." She drew her finger over the curve of her breast a bare inch above the nipple. "And openwork on the right side of the skirt. From here" --she pointed to her hip--"down to the hem. And I bought---" "Jess." Her name was a strangled whisper. "--slippers to match," she continued." Black mules with--" "Jess." In one furious flurry of motion he threw down the reins and hauled her into his lap.
Loretta Chase (Lord of Scoundrels (Scoundrels, #3))
I can spot trouble from a mile away except when it comes with curves.
Ronie Kendig (Storm Rising (Book of the Wars, #1))
Perhaps you were too idealistic. I admit it. But I don't believe I overestimate the importance of ideals. Only when people believe in something can they move the world. The trouble is that people simply don't believe in open society as a goal worth fighting for.
George Soros (Soros on Soros: Staying Ahead of the Curve)
Each night keeps me awake Your thoughts trouble me every moment Why you gave me such dreams When you had to break them in reality
Jyoti Patel (The Curved Rainbow)
We were making good time now, barrelling through the bodacious curves of southeastern Utah and ignoring all impending signs of trouble with the van. At least I was. "You guys happy?" I said. The kids smiled at me like I was a dog chasing my tail, sweet but stupid, and looked away.
Miriam Toews (The Flying Troutmans)
The Joker: Don't talk like one of them. You're not! Even if you'd like to be. To them, you're just a freak, like me! They need you right now, but when they don't, they'll cast you out, like a leper! You see, their morals, their code, it's a bad joke. Dropped at the first sign of trouble. They're only as good as the world allows them to be. I'll show you. When the chips are down, these... these civilized people, they'll eat each other. See, I'm not a monster. I'm just ahead of the curve.
Christopher Nolan
While most science moves in a sort of curve, being constantly corrected by new evidence, this science flies off into space in a straight line uncorrected by anything. But the habit of forming conclusions, as they can really be formed in more fruitful fields, is so fixed in the scientific mind that it cannot resist talking like this. It talks about the idea suggested by one scrap of bone as if it were something like the aeroplane which is constructed at last out of whole scrapheaps of scraps of metal. The trouble with the professor of the prehistoric is that he cannot scrap his scrap. The marvellous and triumphant aeroplane is made out of a hundred mistakes. The student of origins can only make one mistake and stick to it.
G.K. Chesterton (The Everlasting Man)
Ms. Terwilliger didn’t have a chance to respond to my geological ramblings because someone knocked on the door. I slipped the rocks into my pocket and tried to look studious as she called an entry. I figured Zoe had tracked me down, but surprisingly, Angeline walked in. "Did you know," she said, "that it’s a lot harder to put organs back in the body than it is to get them out?" I closed my eyes and silently counted to five before opening them again. “Please tell me you haven’t eviscerated someone.” She shook her head. “No, no. I left my biology homework in Miss Wentworth’s room, but when I went back to get it, she’d already left and locked the door. But it’s due tomorrow, and I’m already in trouble in there, so I had to get it. So, I went around outside, and her window lock wasn’t that hard to open, and I—” "Wait," I interrupted. "You broke into a classroom?" "Yeah, but that’s not the problem." Behind me, I heard a choking laugh from Ms. Terwilliger’s desk. "Go on," I said wearily. "Well, when I climbed through, I didn’t realize there was a bunch of stuff in the way, and I crashed into those plastic models of the human body she has. You know, the life size ones with all the parts inside? And bam!" Angeline held up her arms for effect. "Organs everywhere." She paused and looked at me expectantly. "So what are we going to do? I can’t get in trouble with her." "We?" I exclaimed. "Here," said Ms. Terwilliger. I turned around, and she tossed me a set of keys. From the look on her face, it was taking every ounce of self-control not to burst out laughing. "That square one’s a master. I know for a fact she has yoga and won’t be back for the rest of the day. I imagine you can repair the damage—and retrieve the homework—before anyone’s the wiser.” I knew that the “you” in “you can repair” meant me. With a sigh, I stood up and packed up my things. “Thanks,” I said. As Angeline and I walked down to the science wing, I told her, “You know, the next time you’ve got a problem, maybe come to me before it becomes an even bigger problem.” "Oh no," she said nobly. "I didn’t want to be an inconvenience." Her description of the scene was pretty accurate: organs everywhere. Miss Wentworth had two models, male and female, with carved out torsos that cleverly held removable parts of the body that could be examined in greater detail. Wisely, she had purchased models that were only waist-high. That was still more than enough of a mess for us, especially since it was hard to tell which model the various organs belonged to. I had a pretty good sense of anatomy but still opened up a textbook for reference as I began sorting. Angeline, realizing her uselessness here, perched on a far counter and swing her legs as she watched me. I’d started reassembling the male when I heard a voice behind me. "Melbourne, I always knew you’d need to learn about this kind of thing. I’d just kind of hoped you’d learn it on a real guy." I glanced back at Trey, as he leaned in the doorway with a smug expression. “Ha, ha. If you were a real friend, you’d come help me.” I pointed to the female model. “Let’s see some of your alleged expertise in action.” "Alleged?" He sounded indignant but strolled in anyways. I hadn’t really thought much about asking him for help. Mostly I was thinking this was taking much longer than it should, and I had more important things to do with my time. It was only when he came to a sudden halt that I realized my mistake. "Oh," he said, seeing Angeline. "Hi." Her swinging feet stopped, and her eyes were as wide as his. “Um, hi.” The tension ramped up from zero to sixty in a matter of seconds, and everyone seemed at a loss for words. Angeline jerked her head toward the models and blurted out. “I had an accident.” That seemed to snap Trey from his daze, and a smile curved his lips. Whereas Angeline’s antics made me want to pull out my hair sometimes, he found them endearing.
Richelle Mead (The Fiery Heart (Bloodlines, #4))
As he was bringing his hands up her sides, his fingers just barely brushed the outer curve of her breasts, and she gasped into his mouth. Shane immediately sat her upright, and moved to the other end of the couch. His face was flushed; his eyes were bright and no longer looked even a little bit tired. “No,’” he said, and held out his hand like a traffic cop when she tried to scoot closer. “Red flag. If you make that sound again, we are in trouble. Or I am, anyway.
Rachel Caine (The Dead Girls' Dance (The Morganville Vampires, #2))
If you ask me, it's all these skinny models that make girls anorexic," she went on, to Auntie Barbara. "I can't think why they don't use real girls with a few curves." "Stands to reason, Jenny." Auntie B. was as pinkly flushed as Mum. "All the designers are gay—they don't want bosoms in their clothes, or bottoms, either. Not proper, girls' bottoms.
Elizabeth Young (Asking for Trouble)
She had Jessica Rabbit's curves and full lips that made him wish he was a tube of ChapStick.
Avery Flynn (Trouble on Tap (Sweet Salvation Brewery, #3))
Even in good families a bad apple can begin an avalanche of troubles,' Dutch said as he sat back in his well-seasoned armchair, lighting his curved rustic pipe. From Book I, In Blood There is No Honor
Judith-Victoria Douglas (Painted Tree: Two Novellas)
The evening before I departed I stood on the rim of a lagoon on Isla Rabida. Flamingos rode on its dark surface like pink swans, apparently asleep. Small, curved feathers, shed from their breasts, drifted away from them over the water on a light breeze. I did not move for an hour. It was a moment of such peace, every troubled thread in a human spirit might have uncoiled and sorted itself into a graceful order. Other flamingos stood in the shallows with diffident elegance in the falling light, not feeding but only staring off toward the ocean. They seemed a kind of animal I had never quite seen before.
Barry Lopez (About This Life: Journeys on the Threshold of Memory)
No, that flapping isn't all the pigeons in the park zeroing in on some spilled popcorn! That antediluvian (old and prehistoric) scream that's numbing your brain isn't a subway on a curve! No, it's the one and only Thunderbird --just released from a long, long nap in a cave on the Kijowa reservation by Tom Tallwolf and J. Jay Jaye, known as The Big Promoter! But it looks like all he's promoted now is...trouble with wings!
Bob Haney (Showcase Presents: Green Arrow, Vol. 1)
Once, before I had you, I saw you. I know it sounds crazy, but it's true. I was pregnant and standing alone outside a party, and when you kicked, I shut my eyes and saw you on a beach we would arrive at almost five years later. You were facing the water and wearing your blue swimsuit and I knew, from the curve in your spine and the nut brown of your skin, that you were mine to protect like nothing else ever will be. So when you first started asking me hard questions, the ones about America and your place here, I wanted to find you the right answers - the kind that would make you feel good, welcome, and loved. I thought if I could just remember the country I'd been raised to believe in, the one I was sure I would eventually get to, I'd be able to get us back there. Here is the thing, though, the real, true thing I still have trouble admitting: I can't protect you from everything. I can't protect you from becoming a brown man in America. I can't protect you from spending a lifetime caught between the beautiful dream of a diverse nation and the complicated reality of one. I can't even protect you from the simple fact that sometimes, the people who love us will choose a world that doesn't. Even now, just writing that down, I want to say something that will make it okay, or even make it make sense, but I can't. Will they ever really understand it themselves? Will they ever change? I have no idea. Our burden is how much we might love them anyway. And this is maybe the part I worry about the most, how the weight of that will twist you into someone you don't want to be, or worse, make you ashamed of your own heart. I hope you will remember that you have nothing to be ashamed of. I hope you will remember that your heart is a good one, and that your capacity to feel love, in all its complexity, is a gift.
Mira Jacob (Good Talk: A Memoir in Conversations)
A girl is coming down the staircase opposite me. Black-haired, blue-eyed, in a sexy little black dress and black lace mask. She’s a fucking vision. She makes it hard to breathe. But that’s not all. From where I’m standing, now slightly below her, I can see up her dress. There’s a line of red lace showing off the curve of an absolutely perfect ass. A gorgeous blue-eyed, raven-haired woman. A rebel in red lace panties. That’s not a student. That’s trouble. Just my kind of trouble. “Damn.
Nicola Rendell (Professed)
Brandon’s teeth flashed in a brief, knowing grin. “Hard to believe you’re an old married man with one grown son and another baby on the way, huh?“ “You’re wrong,“ Colby said. “I don’t have any trouble believing it at all. The reminders are all around me. And I’ll tell you something, kid. I wouldn’t go back. Not for anything.“ “Things are a lot better now?“ “Things are infinitely better now.“ Colby’s mouth curved faintly. “The best they’ve ever been, in fact.“ “I can tell. I’m glad you found
Jayne Ann Krentz (Dreams: Part Two (Dreams, #2))
He twirled one coppery lock around his finger, and that seemed to rouse her from her stunned silence. "Stop that," she whispered, a troubled expression crossing her face. "Why?" he smoothed her hair down over one shoulder, thinking that she had the creamiest skin he'd ever seen, skin that was just begging to be touched. She gasped when he stroked one finger up along the curved contours of her neck. "It's not..proper," she said. That made him smile. "Proper? We crossed the line from proper to improper right after you left the Chastity. You're on a pirate ship, remember? You're alone in a cabin with a notorious pirate captain..you've lost your proper little cap..and I'm about to kiss you." As soon as he'd said the words, he knew they were a mistake-and not because of the outrage that filled her face. It would be dangerous to kiss her. She wasn't the woman for him. But he had to taste her once, just a little taste. So before a protest could even leave her lips, he brought his mouth down to hers.
Sabrina Jeffries (The Pirate Lord)
All night the angelic made me gasp for breadth and dream of drowning in sand or earth or mud. I got up, my chest still racked, but glad to be finished with the phantasms which magnify a reality difficult enough in itself. Coffee so bitter it was undrinkable. A big roar. Two big roars. No relief. The mornings only consolation was of a faecal nature. Unexpectedly and impeccably i produced a magnificent turd, so long it had to curve at the ends to fit into the bowl. I contemplated fondly the fine chubby little babe of living clay i'd just brought forth, and my zest for life returned.
Michel Tournier (The Ogre)
Stop,” Jesse said. I stared up at him, almost panting with fear. “Stop, beloved,” he said more gently, and took up my clenched fist with both hands. “I’ve upset you, and I shouldn’t have. I don’t want you to dread yourself. I don’t want you to dread what is to come. Like I said, you’re exceptional, so there may be nothing to worry about at all. But whatever happens, whatever you face, I’ll face it with you. Do you hear?” “How can you say it? It nearly happened on the roof today. You can’t know-“ “I will be with you. We’re together now, and the universe knows I won’t let you make your sacrifice alone. Dragon protects star. Star adores dragon. An age-old axiom. Simple as that.” I looked down at our hands, both of his curled over mine. I unclenched my fist. Blood from the thorn smeared my skin. “The universe,” I muttered. “The same universe that has produced the Kaiser and bedbugs and Chloe Pemington. How reassuring.” With the same absolute concentration he might have shown for turning flowers into gold, Jesse Holms smoothed out my fingers between his, wiping away the blood. He turned my hand over and lifted it to his lips. His next words fell soft as velvet into the heart of my palm. “Those nights, in the sweetest dark, we shared our dreams. That’s you answer. I was stitched into yours, and you were stitched into mind, and that was real, I promise you.” I felt his lips curve into a smile. The unbelievably sensual, ticklish scuff of his whiskers. “Very good dreams they were, too,” he added. It was no use trying to cling to mortification or fear. He was holding my hand. He was smiling at me past the cup of my fingers, and although I couldn’t see it, the shape of it against my skin was beyond tantalizing, rough and masculine. I was a creature gone hot and cold and light-headed with pleasure. I wanted to snatch back my hand and I wanted him to go on touching me like this forever. I wanted to walk with him back to his cottage, to his bed, and to hell with the Germans and school and all the rest of the world. But he looked up suddenly. “They’re searching for you,” he said, releasing me at once, moving away. They were. I heard my name being called by a variety of voices in a variety of tones, all of them still inside the castle, none of them sounding happy. “Go on.” With a few quick steps, Jesse was less than a shadow, retreating into the black wall of the woods. “Don’t get into trouble. And, Lora?” “Yes?” There was hushed laughter in his voice. “Until we can see each other again, do us both a favor. Keep away from rooftops.
Shana Abe (The Sweetest Dark (The Sweetest Dark, #1))
Extending Polyakov's argument, he found evidence that the string theory describing those emergent strings is actually a ten-dimensional supersymmetric string theory. Of the nine dimensions of space in which these strings live, four of them are like the ones in Polyakov's conjecture. There are, then, five dimensions left over, which are extra dimensions as described by Kaluza and Klein. The extra five dimensions are arranged as a sphere. The four dimensions of Polyakov are curved, too, but in the opposite way from a sphere; such spaces are sometimes called saddle-shaped. These correspond to universes with dark energy, but where the dark energy is negative.
Lee Smolin (The Trouble with Physics: The Rise of String Theory, the Fall of a Science and What Comes Next)
Try to get a teenager to change his or her driving behavior only by quoting statistics about traffic fatalities, and you’re likely to be met with a blank stare. That’s because we humans need more than numbers or the rising curve on a graph to understand the world. We are fundamentally storytellers. Ask the kids in that group of troubled teens about themselves, and they’ll respond with a narrative about families and fights, their isolation at school, or the time they ran away or the day a parent skipped out on them. We all use stories to make sense of ourselves in the world. And what’s true of individuals is also true of cultures and the sweep of their history.
Adam Frank (Light of the Stars: Alien Worlds and the Fate of the Earth)
Curtis stared at his fantasy man while everyone’s focus was finally on something else besides him. While everyone still had their eyes closed… or at least everyone was supposed to have their eyes closed. Curtis watched with a stunned expression as the man holding his undivided attention seemed to move in slow motion. His hand came up towards his face – his thick bicep stretching the material of his jacket – and oh so slowly removed his dark shades. Piercing green eyes stared back at him, stunning and focused. Curtis gasped when those sexy lips curved up into a slight smile that almost had Curtis bolting out of his seat. And as if that wasn’t bad enough Curtis was thrown a slight wink before those dark shades were replaced. “may
A.E. Via (Here Comes Trouble (Nothing Special #3))
No biting, babe,” he cautioned, his cock jerking hard in his fist at the thought. Her gaze jumped back to his cock. A slow smile curved her mouth and lit the green of her eyes. “A little fear can add to the excitement of what we’re doing here.” She quoted him nearly word for word—threw his words back in his face and left him wondering if she intended to bite him. “You bite me and there’s going to be all sorts of trouble. I love your ass. I really do. That sweet curve would look good with my handprints on it, all warmed up and nerve endings screaming for more. You’d be so wet for me, baby. Let me up. Let me make you feel good.” “If that’s supposed to be a deterrent, or a punishment, I have to tell you, Trap, it doesn’t sound like one.” She said it with a small smile on her face, once again leaving him wondering if she intended to bite him. Yeah. Okay. That made him hotter
Christine Feehan (Spider Game (GhostWalkers #12))
Liya looks from an airplane window at the curving boundary of ocean and sky below. Impossibly, she is sitting on her mother’s lap; they are going to America. Her mother says, Once we believed the earth was flat. We did not think that two people, flying like birds from the same point in opposite directions, would one day find themselves face-to-face. In a similar way we still misconceive of time. Time is not separate from space, they are in fact two aspects of the same thing. Imagine a sphere like the earth, but drawn in four dimensions instead of three. The fourth dimension, the one we have trouble seeing, is time. Imagine two people starting at the same point in space-time, flying around this new sphere, in opposite directions: one travels in the direction of the future, the other in the direction of the past. Just like the people who circle the earth, these travelers will eventually collide.
Meng Jin (Little Gods)
You are the lifemate of a senstive, modern male. Julian's lazy amusement warmed her further, confirming what she already suspected, that he often stayed a shadow in her mind. How fortunate for me. Desari smiled at herself in the mirror. Her dark hair cascaded in waves down her back. There was a sparkle in her eyes. She knew Julian had made her feel more alive than she had ever been. Sensitive, modern men are so to my liking. Men? I am certain I did not hear my lifemate use the word men.The plural.No man is allowed to be to your liking other than myself. He sounded stern, the fierce Carpathian male at his most menacing. Desari laughed aloud. I suppose I can see your point, Julian, but really, it is so difficult to keep from noticing all of those handsome hunks in the audience. Handsome hunks? His voice dropped low with the affront. They are more like lovesick fops. If they could feel the vibrations in the air, they would show sense and run for their lives. It is bad enough to read their fantasies and hear them talk their trash, cara,but it is altogether worse to hear that my woman is looking back. One smile at the wrong man, lifemate, and trouble will find the man quickly. You sound jealous,she accused him, amusement curving her soft mouth. The first rule for all women to know and never forget is that Carpathian makes do not share their lifemates. Your brother has much to answer for that this was not drilled into you since birth.It was his job to prepare you for my coming. It was said somewhere between jest and complaint. Desari drew in her breath sharply, finding herself wavering between laughter and exasperation. My brother had no idea of your existence, you arrogant male. Besides, how could he possibly prepare me for your total ignorance of women? More likely, had he known you were coming to speak your ritual words, he would have been waiting to ambush you.I myself would have burrowed deep within the ground until you passed beyond my surroundings. You would have burst from the ground staight into my arms,cara mia, and you know this to be true. Now he was laughing, that smug, taunting, male amusement that should have set her teeth on edge but instead made her laugh. I think you are trying to find something to dictate to me about just so you do not lose your ability. Go away and practice this male art form on someone else. You will be singing to me tonight, piccola,and to no other man. You are a spoiled little boy,not a grown man. Should I come show you what a grown man I am? His voice was suddenly low and warm, so sexy she felt a rush of answering heat. She could feel the brush of his fingers against her throat, trailing down the valley between her suddenly aching breasts. Go away,Julian, she laughed in answer. I cannot have you getting me hot and bothered just now. As long as I know you re hot and bothered for me, I will do as you request and go back to work. I can only hope.
Christine Feehan (Dark Challenge (Dark, #5))
Arin had bathed. He was wearing house clothes, and when Kestrel saw him standing in the doorway his shoulders were relaxed. Without being invited, he strode into the room, pulled out the other chair at the small table where Kestrel waited, and sat. He arranged his arms in a position of negligent ease and leaned into the brocaded chair as if he owned it. He seemed, Kestrel thought, at home. But then, he had also seemed so in the forge. Kestrel looked away from him, stacking the Bite and Sting tiles on the table. It occurred to her that it was a talent for Arin to be comfortable in such different environments. She wondered how she would fare in his world. He said, “This is not a sitting room.” “Oh?” Kestrel mixed the tiles. “And here I thought we were sitting.” His mouth curved slightly. “This is a writing room. Or, rather”--he pulled his six tiles--“it was.” Kestrel drew her Bite and Sting hand. She decided to show no sign of curiosity. She would not allow herself to be distracted. She arranged her tiles facedown. “Wait,” he said. “What are the stakes?” She had given this careful consideration. She took a small wooden box from her skirt pocket and set it on the table. Arin picked up the box and shook it, listening to the thin, sliding rattle of its contents. “Matches.” He tossed the box back onto the table. “Hardly high stakes.” But what were appropriate stakes for a slave who had nothing to gamble? This question had troubled Kestrel ever since she had proposed the game. She shrugged and said, “Perhaps I am afraid to lose.” She split the matches between them. “Hmm,” he said, and they each put in their ante. Arin positioned his tiles so that he could see their engravings without revealing them to Kestrel. His eyes flicked to them briefly, then lifted to examine the luxury of his surroundings. This annoyed her--both because she could glean nothing from his expression and because he was acting the gentleman by averting his gaze, offering her a moment to study her tiles without fear of giving away something to him. As if she needed such an advantage. “How do you know?” she said. “How do I know what?” “That this was a writing room. I have never heard of such a thing.” She began to position her own tiles. It was only when she saw their designs that she wondered whether Arin had really been polite in looking away, or if he had been deliberately provoking her. She concentrated on her draw, relieved to see that she had a good set. A tiger (the highest tile); a wolf, a mouse, a fox (not a bad trio, except the mouse); and a pair of scorpions. She liked the Sting tiles. They were often underestimated. Kestrel realized that Arin had been waiting to answer her question. He was watching her. “I know,” he said, “because of this room’s position in your suite, the cream color of the walls, and the paintings of swans. This was where a Herrani lady would pen her letters or write journal entries. It’s a private room. I shouldn’t be allowed inside.” “Well,” said Kestrel, uncomfortable, “it is no longer what it was.
Marie Rutkoski (The Winner's Curse (The Winner's Trilogy, #1))
Once I had finished conducting business with Herr Kassl, I went in search of my sister. Käthe was easy to find, even in this sea of faces in the square. Her smiles were the broadest, her blue eyes the brightest, her pink cheeks the rosiest. Even her hair beneath that ridiculous hat shone like a bird of golden plumage. All I had to do was follow the path traced by the eyes of the onlookers in the village, those admiring, appreciative glances that led me straight to my sister at the center. For a moment, I watched her bargain and haggle with the sellers. Käthe was like an actress on the stage, all heightened emotion and intense passion, her gestures affected, her smiles calculated. She fluttered and flirted outrageously, carefully oblivious to the stares she drew like moths to the flame. Both men and women traced the lines of her body, the curve of her cheek, the pout of her lip. Looking at Käthe, it was difficult to forget just how sinful our bodies were, just how prone we were to wickedness. Born unto trouble, as the sparks fly upward, or so saith Job. Clothed in clinging fabrics, with every line of her body exposed, every gasp of pleasure unconcealed, everything about Käthe suggested voluptuousness.
S. Jae-Jones (Wintersong (Wintersong, #1))
Dear troubles, my amigo Accolades to your valour and vigour in battling Me. Though each time you have lost the crusade, your persistent effort in drubbing me down with tiresome regularity, is remarkable. Sadly your trials have all been clunkers, and your lingering rage at being unceremoniously busted by snippy woman storm trooper inside me to boot is axiomatic. I know it’s not your fault, fighting me is not a cake walk. You can’t quash my acquaintance with the strategic moves you make, or the unreal-fleeting bonds you break. I am rather familiar with aimless, exasperated steps you take and that Duchenne smile you fake. I can, for sure, guess any rare cryptic word you say or sinister cat and mouse game you play. My dear old stinging Gordian’s Knot, I love the way you have always tailed me, but to your dismay I guess I was always ahead of the curve. My love, my darling, quandary little Catch-22, I suggest you kill me now, shoot me now, show no mercy bury me deep, deport me to hellhole, coz I have right to die. Hang me and close me in a gas chamber, entomb me and put my soul in a bottle, cap it tight and throw it in the deep sea. Get rid of me else if slightest of me comes back then my lovely, ‘stumbling hornets nest’, you are bound to fizzle out and evanesce into nothingness. Run, I say, run now and never return, you know I am kinda tried and tested………..
Usha banda
The slim chestnut-haired woman had been battering an assailant twice her size with precisely aimed strikes of her cane. Ethan had loved the way she'd done it, as if attending to some necessary task, like carrying a household bin out to the rubbish carter. Her face had been unexpectedly young, her complexion clean-scrubbed and as smooth as a tablet of white soap. All cheekbones and cool green eyes, with a sharp little rampart of a chin. But amidst the elegant angles and edges of her features, there was a valentine of a mouth, tender and vulnerable, the upper lip nearly as full as the lower. A mouth with such pretty curves that it did something to Ethan's knees every time he saw it. After that first encounter, Ethan had taken care to avoid Garrett Gibson, knowing she would be trouble for him, possibly even worse than he would be for her. But last month he'd gone to visit her at the medical clinic where she worked, for information concerning one of her patients, and his fascination had ignited all over again. Everything about Garrett Gibson was... delicious. The dissecting gaze, the voice as crisp as the icing on a lemon cake. The compassion that drove her to treat the undeserving poor as well as the deserving. The purposeful walk, the relentless energy, the self-satisfaction of a woman who neither concealed nor apologized for her own intelligence. She was sunlight and steel, spun into a substance he'd never encountered before. The mere thought of her left him like a stray coal on the hearth.
Lisa Kleypas (Hello Stranger (The Ravenels, #4))
The next morning was the second time Kate awoke in Rohan's bed since her arrival at the castle. But unlike that first bewildering day, this time, when she opened her eyes to the morning sunlight flooding his chamber, he was the first lovely thing she saw, right there beside her. In no hurry to arise, they stayed peacefully abed together. She passed a dreamy spell stroking her drowsing lover's bare back in tender affection. What a long, majestic line it was that flowed from the bulky ridge of his shoulder down to the sleek, lean curve of his lower back. Of course, he had more scars on him than one body ought to bear, she thought, but he was not inclined to answer her mild inquiries about them. "What happened here?" she murmured, tracing what appeared to be a saber scar along his rib cage. Lying on his stomach, his face resting on his folded arms, he feigned an in-between state of sleepy inattention, though he was clearly enjoying her touch. "Hm?" She saw through his evasion but forgave him with a knowing smile. Whatever trouble he had been in, it hadn't killed him. That was all that mattered. She leaned closer and kissed all his old hurts. Her light kisses soon followed the same path her admiring hands had taken, until at length, he rolled onto his backhand showed her the regal evidence of her effect on him. He drew her closer, wanting to make love again, but she was still sore from her first time and softly pleaded his forbearance. With a husky chuckle at her reluctant denial, he stole a kiss, gave her a ruefully doting look, then arose in all his magnificent naked glory to order a bath for both of them.
Gaelen Foley (My Dangerous Duke (Inferno Club, #2))
A stir of motion, like a swirl of muddy water, disturbed the surface of the tablet. Then colors--red, blue, green, yellow--bloomed on the slate and began to form lines and shapes even as they intermingled to form other, subtler shades. After a few seconds, an image of Arya appeared. Once it was complete, he released the spell and studied the fairth. He was pleased with what he saw. The image seemed to be a true and honest representation of Arya, unlike the fairth he had made of her in Ellesméra. The one he held now had a depth that the other one had lacked. It was not a perfect image with regard to its composition, but he was proud that he had been able to capture so much of her character. In that one image, he had managed to sum up everything he knew about her, both the dark and the light. He allowed himself to enjoy his sense of accomplishment for a moment more, then he threw the tablet off to the side, to break it against the ground. “Kausta,” said Arya, and the tablet curved through the air and landed in her hand. Eragon opened his mouth, intending to explain or to apologize, but then he thought better of it and said nothing. Holding up the fairth, Arya stared at it with an intent gaze. Eragon watched her closely, wondering how she would react. A long, tense minute passed. Then Arya lowered the fairth. Eragon stood and held out his hand for the tablet, but she made no move to return it. She appeared troubled, and his heart sank; the fairth had upset her. Looking him straight in the eye, she said in the ancient language, “Eragon, if you are willing, I would like to tell you my true name.” Her offer left him dumbstruck. He nodded, overwhelmed, and, with great difficulty, managed to say, “I would be honored to hear it.
Christopher Paolini (Inheritance (The Inheritance Cycle, #4))
Was that not the effect behind my daily reading of the paper? In their businesses and politics, their taverns, movies, assaults, divorces, murders, I tried continually to find clear signs of their common humanity. It was undeniably to, my interest to do this. Because I was involved with them; because, whether I liked it or not, they were my generation, my society, my world. We were figures in the same plot, eternally fixed together. I was aware, also, that their existence, just as it was, made mine possible. And if, as was often said, this part of the century was approaching the nether curve in a cycle, then I, too, would remain on the bottom and there, extinct, merely add my body, my life, to the base of a coming time. This would probably be a condemned age. But... it might be a mistake to think of it in that way. Mists faded and spread and faded on the pane as I breathed. Perhaps a mistake. And when I thought of the condemned ages and those unnamed, lying in their obscurity, I wondered. How did we know how it was? In all principal ways the human spirit must have been the same. Good apparently left fewer traces. And we were coming to know that we had misjudged whole epochs. Besides, the giants of the last century had their Liverpools and Londons, their Lilles and Hamburgs to contend against, as we have our Chicagos and Detroits. And there might be a chance that I was misled, even with these ruins before my eyes, sodden, themselves the color of the fateful paper that I read daily. I have spoken of an "invariable question." But the fact is that it had for many months been not in the least invariable. These were things I would have thought last winter, and now, in their troubled density, they served only to remind me of the sort of person I had been. For a long time "common humanity" and "bring myself to concede" had been completely absent from my mind. And all at once I saw how I had lapsed from that older self to whom they had been so natural.
Saul Bellow (Dangling Man)
Vim?” “Sweetheart?” The whispered endearment spoken with sleepy sensuality had Sophie’s insides fluttering. Was this what married people did? Cuddled and talked in shadowed rooms, gave each other bodily warmth as they exchanged confidences? “What troubles you about going home?” He was quiet for a long moment, his breath fanning across her neck. Sophie felt him considering his words, weighing what to tell her, if anything. “I’m not sure exactly what’s amiss, and that’s part of the problem, but my associations with the place are not at all pleasant, either.” Was that…? His lips? The glancing caress to her nape made Sophie shiver despite the cocoon of blankets. “What do you think is wrong there?” Another kiss, more definite this time. “My aunt and uncle are quite elderly, though Uncle Bert and Aunt Essie seem the type to live forever. I’ve counted on them living forever. You even taste like flowers.” Ah, God, his tongue… a slow, warm, wet swipe of his tongue below her ear, like a cat, but smoother than a cat, more deliberate. “Nobody lives forever.” The nuzzling stopped. “This is lamentably so. My aunt writes to me that a number of family heirlooms have gone missing, some valuable in terms of coin, some in terms of sentiment.” His teeth closed gently on the curve of her ear. What was this? He wasn’t kissing her, exactly, nor fondling the parts other men had tried to grope in dark corners—though Sophie wished he might try some fondling. “Do you think you might have a thief among the servants?” He slipped her earlobe into his mouth and drew on it briefly. “Perhaps, though the staff generally dates back to before the Flood. We pay excellent wages; we pension those who seek retirement, those few who seek retirement.” “Is some sneak thief in the neighborhood preying on your relations, then?” It was becoming nearly impossible to remain passively lying on her side. She wanted to be on her back, kissing him, touching his hair, his face, his chest… “Or has some doughty old retainer merely misplaced some of the silver?” Vim muttered right next to her ear. “You’ll sort it out.
Grace Burrowes (Lady Sophie's Christmas Wish (The Duke's Daughters, #1; Windham, #4))
The scope of Trump’s commitment to whiteness is matched only by the depth of popular intellectual disbelief in it. We are now being told that support for Trump’s “Muslim ban,” his scapegoating of immigrants, his defenses of police brutality are somehow the natural outgrowth of the cultural and economic gap between Lena Dunham’s America and Jeff Foxworthy’s. The collective verdict holds that the Democratic Party lost its way when it abandoned commonsense everyday economic issues like job creation for the softer fare of social justice. The indictment continues: To their neoliberal economics, Democrats, and liberals at large, have married a condescending elitist affect that sneers at blue-collar culture and mocks white men as history’s greatest monster and prime time television’s biggest doofus. In this rendition, Donald Trump is not the product of white supremacy so much as the product of a backlash against contempt for white working people. “We so obviously despise them, we so obviously condescend to them,” Charles Murray, a conservative social scientist who co-wrote The Bell Curve, recently told The New Yorker’s George Packer. “The only slur you can use at a dinner party and get away with is to call somebody a redneck—that won’t give you any problems in Manhattan.” “The utter contempt with which privileged Eastern liberals such as myself discuss red-state, gun-country, working-class America as ridiculous and morons and rubes,” charged Anthony Bourdain, “is largely responsible for the upswell of rage and contempt and desire to pull down the temple that we’re seeing now.” That black people who’ve lived under centuries of such derision and condescension have not yet been driven into the arms of Trump does not trouble these theoreticians. After all, in this analysis Trump’s racism and the racism of his supporters are incidental to his rise. Indeed, the alleged glee with which liberals call out Trump’s bigotry is assigned even more power than the bigotry itself. Ostensibly assaulted by campus protests, battered by theories of intersectionality, throttled by bathroom rights, a blameless white working class did the only thing any reasonable polity might: elect an orcish reality television star who insists on taking his intelligence briefings in picture-book form.
Ta-Nehisi Coates (We Were Eight Years in Power: An American Tragedy)
But as she rounded the last turn before the hall landing, she nearly collided with Sir Ian, carrying his mother’s shawl. “Oh!” Lina exclaimed, coming to an abrupt halt a step above his. “Rather careless of you to leave this behind,” he said. He was too close. “Aye, it was,” she agreed, stepping back up a step to gain more space. His eyes danced. “Mayhap I should demand a penance before returning it.” “You dare,” she said, stiffening and wishing he were not so fiendishly beguiling with that boyish gleam of mischief in his eyes. He was definitely not just a mischievous boy anymore, though. And, for a lady to encourage such behavior . . . He looked up, as if to heaven, and murmured, “Just one wee ki—” “Shame on you, Sir Ian Colquhoun,” she interjected, thinking she sounded just like her mother. “Galbraith cannot know that you are on this stairway.” “Once again, you are wrong, lass,” he said, his eyes still alight. “He is still with Lizzie on the dais—giving her a well-deserved scolding, I trust. I saw that you had left the shawl and offered to find a maidservant to return it to you. But this is much better. I do think you should thank me prettily for taking so much trouble.” “I will thank you. After you have returned it to me.” Cocking his head, he held the shawl higher, so she’d have to reach for it. When she did, he moved it back out of her reach. Lina lowered her outstretched hand to her side and eyed him sternly from her slightly superior height. “I thought you sought my approval.” He stepped up to the stair below hers, putting the shawl out of reach again. His face was now inches higher than hers and his body again much too close for comfort. “I’d prefer something else just now,” he said softly, looking into her eyes. Reaching with his left hand for her right wrist, he held it firmly. Apparently oblivious of her attempt to snatch it free, he pressed the shawl into her hand and let go of her wrist, his gaze never leaving hers. She waited to see what he would do next. He smiled then, wryly, as if he dared her to walk away. His lips were tantalizingly close. Lina shut her eyes. “Coward,” Ian murmured, enjoying himself. Her eyes flew open. Then, to his astonishment, she learned forward, brushed her lips against his right cheek, and whirled, snatching up her skirts in her free hand as first her right foot and then her left blindly sought the next stair upward. Reaching out, he easily caught her arm. “Not so fast,” he said, turning her back to face him. “You must not kiss and run, lass. That’s against the rules.” “The lady makes the rules, sir. Let go of me.” She was two steps above his again, looking disdainfully down her nose at him. She did not try to pull away. She was testing him, he knew. But she was right about who made the rules. Even so, the urge was strong to seize her and teach her what kissing was all about. However, he also wanted to make her desire that kiss enough to abandon her disapproval. And that was the greater challenge. Sakes, if he were seeking a wife and had no royal duty commanding him . . . Shifting his grip to her hand, he drew it to his lips and slowly kissed each knuckle. Then he kissed the silky skin above them, turned her trembling hand palm up long enough to breathe gently into that tender palm . . . and released her. With a barely discernable gasp, she turned away, her dignity apparently still—or again—intact. He enjoyed watching her move, so he stood where he was to savor the sight. His reward came when she stopped before vanishing around the next curve and looked back. Her lips parted slowly, invitingly, in surprise. He bowed and had the delight of seeing her whirl again and hurry away. “I shall win this battle, I think,” he murmured to himself.
Amanda Scott (The Knight's Temptress (Lairds of the Loch, #2))
Despite an icy northeast wind huffing across the bay I sneak out after dark, after my mother falls asleep clutching her leather Bible, and I hike up the rutted road to the frosted meadow to stand in mist, my shoes in muck, and toss my echo against the moss-covered fieldstone corners of the burned-out church where Sunday nights in summer for years Father Thomas, that mad handsome priest, would gather us girls in the basement to dye the rose cotton linen cut-outs that the deacon’s daughter, a thin beauty with short white hair and long trim nails, would stitch by hand each folded edge then steam-iron flat so full of starch, stiffening fabric petals, which we silly Sunday school girls curled with quick sharp pulls of a scissor blade, forming clusters of curved petals the younger children assembled with Krazy glue and fuzzy green wire, sometimes adding tissue paper leaves, all of us gladly laboring like factory workers rather than have to color with crayon stubs the robe of Christ again, Christ with his empty hands inviting us to dine, Christ with a shepherd's staff signaling to another flock of puffy lambs, or naked Christ with a drooping head crowned with blackened thorns, and Lord how we laughed later when we went door to door in groups, visiting the old parishioners, the sick and bittersweet, all the near dead, and we dropped our bikes on the perfect lawns of dull neighbors, agnostics we suspected, hawking our handmade linen roses for a donation, bragging how each petal was hand-cut from a pattern drawn by Father Thomas himself, that mad handsome priest, who personally told the Monsignor to go fornicate himself, saying he was a disgruntled altar boy calling home from a phone booth outside a pub in North Dublin, while I sat half-dressed, sniffing incense, giddy and drunk with sacrament wine stains on my panties, whispering my oath of unholy love while wiggling uncomfortably on the mad priest's lap, but God he was beautiful with a fine chiseled chin and perfect teeth and a smile that would melt the Madonna, and God he was kind with a slow gentle touch, never harsh or too quick, and Christ how that crafty devil could draw, imitate a rose petal in perfect outline, his sharp pencil slanted just so, the tip barely touching so that he could sketch and drink, and cough without jerking, without ruining the work, or tearing the tissue paper, thin as a membrane, which like a clean skin arrived fresh each Saturday delivered by the dry cleaners, tucked into the crisp black vestment, wrapped around shirt cardboard, pinned to protect the high collar.
Bob Thurber (Nothing But Trouble)
Top performers in sales don’t wait for anything or anyone. Clear marching orders, new sales materials, training? Leads, what’s a lead? Nope, can’t wait for any of those. The clock is a tickin’ and time is a wastin’. Top performers act. In fact, they proactively attack target accounts even if it means getting into trouble because they’re so far out in front of the support curve. Waiting is a key ingredient in the recipe for new business failure.
Mike Weinberg (New Sales. Simplified.: The Essential Handbook for Prospecting and New Business Development)
The tools may be the same from problem to problem, but you have to apply them. For instance, in my experience, in 8 out of 10 pricing problems the answer turns out to be “raise your prices.” If you do the fact-based analysis—demand curves, breakeven calculations, budgets—enough times, you see almost invariably that firms should be raising their prices. But if you automatically say that’s the answer, you’ll get into trouble, because you’ll run into an instance where the answer is really “lower your prices.
Ethan M. Rasiel (The McKinsey Way)
IN THE DARK OF GAUNTLGRYM’S THRONE ROOM, A SHIFTING STONE STOLE THE quiet. Then came a grunt, and more sounds of rocks sliding against each other. A black-bearded dwarf crawled from under the pile, then reached back and grabbed at something he had left behind, grunting with exertion as he tried to extricate it. “Durned thing’s stuck,” he muttered, and with a great tug, he pulled free a most curious helmet, one set with a long and oft-bloodied spike. His effort sent him flying over backward to crash against the stones of the nearest cairn, where he lay on his back as the dust settled. “Durn it,” he cursed, seeing the trouble he had caused, and he rolled to his feet and began replacing the dislodged stones. “Don’t mean to be desecratin’ yer tomb …” The words caught in his throat, and the rocks fell from his hands. There in the disturbed tomb before him was a curious helm, with a single curving horn, the other having long before been broken away. The dwarf fell to his knees and dug the helm free, and saw too the face of the dead dwarf interred within. “Me king,” Thibbledorf Pwent breathed. Nay, not breathed, for creatures in the state of Thibbledorf Pwent did not draw breath. He fell back to his bum, staring in shock, his mouth wide in a silent scream. If he’d had a mirror, or a reflection that would actually show up in a mirror, Thibbledorf Pwent might have noticed his newest weapon: canine fangs.
R.A. Salvatore (Charon's Claw (Neverwinter, #3; The Legend of Drizzt, #25))
warning bell in Sam’s head. Man-eating sharks and Bigfoot forgotten, he paused and gave her a considering look. “Are you in some sort of trouble?” A sharp titter of patently false laughter erupted from her throat, reinforcing Sam’s suspicions. Giving him a don’t-be-silly look, she reached up and twisted a coil of gold hair around her finger. “T-trouble?” she stuttered. “No, of course not. Why would you think that?” “I don’t know…” Sam trailed off absently. A broken string with a few tiny pearls lay next to the curve of her breast. A breast he shouldn’t have been looking at, but… Puzzled, Sam frowned. Noticing the direction of his gaze, she blushed and jerked her arm down. “As an added incentive, I’ll
Rhonda Nelson (Double Dare)
I cannot take your key,” I protested. “Why not?” I searched for an excuse. “I have no place to keep it,” I said, “where it would not be discovered.” “Then keep it here,” he said, solving the problem easily. Leaning forward so that his arm brushed mine, he reached past me and slid the key into one of the empty nesting holes. “It is in the box with the cracked ledge, you see? You shall have no trouble finding it again, when you need it.” He straightened, but did not draw away. The air grew thick between us. “Which leaves but the matter of your forfeit,” he said, in a low and languid voice. “My forfeit?” “For stealing one of my pigeons,” he reminded me. “I do not steal this bird, my lord,” I said evenly, “and ’twas my understanding that the dovecote belonged to my uncle.” “Your uncle makes use of it, to be sure, but it was built by my ancestors, and it lies on my land. My ownership is indisputable.” I tried to voice a protest, but he merely pressed closer, shaking his head. “’Tis no use denying the crime,” he told me, “with the evidence there in your hands. ’Tis plainly theft, and I have the right to exact a penalty.” He held me still beneath his kiss with his free hand, his fingers sliding beneath the weight of my hair, supporting the curve of my jawline and the backward arch of my neck. When he lifted his head, my heart was racing in tempo with that of the bird that I still held to my breast. I had half a mind to select a dozen more pigeons, if he could promise the same penalty for each of them, but I dared not tell him so.
Susanna Kearsley (Mariana)
Come here, lass. This is it.” I walked over to his side, surprised when he turned toward me, opening his arms and prompting me to sit on his knee. Hesitantly, I took a seat, trying to think of spilled finger paint, runny noses, and sticky fingers; anything to keep me from concentrating on the hard chiseled body I now found wrapped around my own.  “What does it say?” “This is the spell she used. See, her own notes are written along here.” He grabbed my hand from my lap and, using his hand, guided my fingers along the side of the page. Tingles swam over every inch of my body. Cheetos in the carpet, boogers on the chair backs, pink eye outbreak. No thought helped.  “I see. Will it work to switch us back?” “Aye. I think it will.” He didn’t let go of my hand as he continued. “We need a few items. Mary can locate most of them. But it speaks of my father’s ring, and I doona know where that is. I believe he always meant to leave it to me, but his death was sudden, and I doona think it crossed his mind.” “Well, we can find it, right?” “Ach, lass. I suppose we shall have to. But it says something else as well.” I looked up into his eyes, waiting for him to continue.  “The spell will only work until midnight on the twenty-eighth of December, then ye canna return home.” “Well, we have to find it by then anyway. That’s right around when they think the massacre happens.” “Aye, we shall. Doona worry. Knowledge is the best defense we could have. It willna come to that.”   His left hand laid casually upon my knee while his right wrapped around my back, his palm now resting just above my hip on the curve of my waist. He squeezed me in closer to him, drawing his right hand up to my shoulder so that it brought the side of my face closer to his lips.  “I know I’ve given ye no more than trouble, lass, but I shall be sorry to see ye go.” With that he leaned in as if to kiss the side of my cheek, and I nearly turned us both onto the floor with my quick leap out of his lap.  “Yes. I’ll be a little sad too. I think of you, and Mary, and Arran as friends, and it will be odd to no longer get to see you.” I awkwardly patted him on the shoulder and turned abruptly to make my way out of the spell room, cursing my heated cheeks with each step. I knew they’d given me away.
Bethany Claire (Love Beyond Time (Morna's Legacy, #1))
I’ll have another.” He pushed the bowl toward her. “You’ll eat pretzels. They’re good for soaking up alcohol.” “What about ‘the customer’s always right’?” she huffed and crossed her arms. Was she being ridiculous? Maybe, but who was he to make decisions for her? She’d had enough overbearing men to last her a lifetime. From now on, she called the shots. And if she wanted more drinks, then by God, she’d get them. Maddie looked past him, her vision skipping around the bar. A blond, surfer-looking guy sat in a corner booth with papers scattered over the table’s surface, perusing them with obvious interest. She pointed to him. “Maybe I need to tell your boss you’re refusing to serve me.” A deep, amused rumble. “You can’t get higher than me, Princess. I own the place.” Deflated, her shoulders slumped. “Oh. Well, never mind.” He pushed the bowl again until it was right under her nose. “Eat some pretzels and drink some water while you tell me what kind of trouble you’re in.” With her spine snapping ruler-straight, she asked, “What makes you think I’m in trouble?” He gave her a slow, meaningful once-over. “Do I look stupid to you?” No, he didn’t. All the more reason to stay away. If she could walk, she’d leave, but for now she was at his mercy. Between the buzz in her head and her swollen, aching feet, she might never move from this stool again and be forced to deal with his bossiness forever. “I had car trouble. I broke down on Highway 60 a couple of miles back.” His lips curved down and his golden eyes flashed. “You walked?” “What was I supposed to do?” “It’s the twenty-first century. Where’s your cell?” He scowled as though she’d done something wrong. How could she know she’d need one? She held up her tiny purse. “It didn’t fit.” His gaze flicked over her. “What’s with the dress?” Not wanting to say it out loud, she toyed with a piece of the fabric and said, “What, this old thing?” “Cute.” His jaw hardened into a stubborn line. “So?” Denial was pointless. The dress fell from her fingers. “I ran out on my wedding.
Jennifer Dawson (Take a Chance on Me (Something New, #1))
I guess there’s nothing else to say.” “Oh, I don’t know about that,” he said, crooking a finger. “Come here.” Her throat went dry, and her heart gave a thud. On instinct, she shook her head. His expression turned ruthlessly intent. “Maddie, I’ve been thinking about that mouth of yours for almost twenty-four hours straight. You don’t think I’m going to let you go without touching you, do you?” Had it only been one day? How was that even possible? It seemed as though a lifetime had passed since she’d run out on her wedding. “Um . . .” She swallowed hard and squeaked out, “Yes?” A long pause filled with sexual awareness so thick it practically coated the air. How did he do it, flip the mood? Only moments ago, she’d felt bereft, but with one wicked glance she’d forgotten everything dogging her. “I’ll tell you what.” He smiled, and it was so filled with cunning that the fine hairs on her neck rose in anticipation. “Tell me you won’t regret it and we can end things right here with a friendly pat on the back.” “I-I d-don’t know what you mean,” she lied, loving and hating the direction the conversation had taken. “Do I need to spell it out?” “No?” The word was a question instead of the statement she’d intended. “You want to take care of yourself, right?” She nodded, sensing a trap but unable to stop playing into his hands. He leaned close, placing his elbow on the console, taking up every spare inch of breathing room. “You’re ready to ditch the good Catholic girl and start doing what you want?” The strange mixture of lust and irritation he evoked pulled in her stomach. “Well, when you put it that way.” The curve of his lips held a distinct sexual tilt. “If you get out of this car untouched, tell me you won’t lie in bed late at night and regret it. Tell me you won’t wonder and wish you’d done things differently.” Her pulse hammered and her throat dried up, leaving her unable to breathe, let alone speak. He stroked a path over the line of her jaw, and Maddie forced her eyes to stay open instead of fluttering closed from sheer desire. Why did it feel like an eternity since he’d touched her? Even more troubling, why did his hands feel so right? The slightly rough pads of his fingers trailed down the curve of her neck, leaving an explosion of tingles coursing through her. “And remember, Princess,” he said, in a deep rumble of a voice that vibrated through her as though he were her own personal tuning fork. “Lying is a sin.” She gasped, sucking in the last available bit of air left in the car. “That’s a low blow.” He gave a seductive laugh, filled with heat and promise and the kind of raw passion she’d always dreamed about. “I’m not above playing dirty.” A sly smirk as he rubbed a lazy circle over skin she hadn’t known was sensitive. “In fact, I think you prefer it that way.” “I do not!” Her heart beating far too fast, she clutched at the credit card hard enough to snap it in two. “Liar.” He slipped under the collar of her T-shirt to wrap a possessive hand around the nape of her neck. “I’m waiting.” She gritted her teeth to keep from moaning. How did one man feel so good? Hot and sinful. Irresistible. She whispered, “For what?” “My answer,” he said, inching closer. Their mouths mere inches away. She swallowed hard. The truth sat on the tip of her tongue, and for once in her life, she decided to speak it instead of stuffing it back down. “I’d regret it.” “Exactly,” he said, the word a soft breath against her skin. The pad of his thumb brushed over her bottom lip, sliding over the dampness until it felt swollen. Needy. “I can’t live with myself unless I’ve tasted this mouth.” This
Jennifer Dawson (Take a Chance on Me (Something New, #1))
The sound of stumbling made him spin around. She had tripped on a root and was on her hands and knees in the leaves. A muffled cry came from behind her curtain of silvery blond hair. He ran to her. Rejection be damned, he wasn’t about to let a lass weep on the ground if he had strength to carry her. And what man worth his salt wouldn’t have the strength to carry such a delicate thing? He sheathed his sword and lifted her slight weight. Och, did she have to feel so warm and soft against his chest? Did the sight of Gunn blood on her woolen have to tug at him so? Damn his contrary cock for stirring at the feel of her petite, lushly curved body so close to his. Gritting his teeth, he practically ran for Archie’s cart. He made the mistake of glancing down at her face. Smooth and fair as a polished opal, it would have been glorious as the sun itself if it hadn’t been so troubled and smudged with mud. Mud he’d pushed her into in his haste to protect her from the Gunn. No tears marred her cheeks, but her trembling lower lip, full as a rose bursting to bloom, hinted that she was trying not to weep. Was it so awful for her to be this near to him? He quickened his pace so he could relieve her of his unwelcome touch as soon as possible. “Thank you,” she said, her voice soft and uniquely accented with a delicate drawl. He nodded tightly. “Dinna fash. Soon, now, and I shall leave ye be.
Jessi Gage (Wishing for a Highlander (Highland Wishes Book 1))
Life is like a Tick mark. it is stable for a time. then it takes a ditch not because we are meant to be upset but to go higher and be better, you need to lean back and jump. life is like a ANalog signal it have its highs and lows. i take it as 1st cycle of life with 90 degree rise. Other's life look like a normal sign curve , they are lining a simple life with no trouble. but we observe noise when we actually look closer. they have their own stuff though whihc they need to pull themself thorugh. we get upset that we are not anything. i m done with life( i thought that when i was 16 and half, not sucide attempt and reason was i got pimples and scars). with time they healed well and so did my mentality to alot extent enough to oost within. point is we may think we are not good enough but you will be surprised to see that there are many other who want to be at your place and are counting on you.
LIFE
I’m surprised you’re here.” Her mouth curved upward. “I warned you I’d be joining you.” He ignored the heat that spread inside him at the sight of her smile. “That’s just it.” Her smile grew wider. “A politician who keeps his word—what a remarkable aberration in the species.” “How could I have forgotten that keen wit of yours?” he marveled. “Yeah, I’m full of surprises. Might want to remember that.” Then, throwing caution to the wind, he let his eyes roam slowly over her, lingering. She’d have to be blind not to see the hunger in them. Which she clearly wasn’t. She retreated a step. He followed, his longer legs closing the distance, until his body almost brushed hers. That cool composer of Lily’s was unraveling, no matter how hard she struggled to pretend otherwise. The signs were there, in the fine trembling of her limbs, in the flush that stole over her porcelain smooth cheeks. Fierce satisfaction filled Sean at her involuntary reaction. He dipped his head until his lips hovered, a soft whisper away. “Lily?” “Yes?” There was a husky catch to her voice. Sean’s fingers reached up and traced the rosy bloom on her cheek. Was it the sweet flush of desire that made her skin so soft? he wondered, his eyes and fingers memorizing every detail, every sensation. God, he’d die for a taste of her. But Sean denied himself the pleasure. He raised his head, putting distance between himself and his greatest temptation, and forced himself to lower his hand. At the loss of contact, Lily’s head jerked, as if coming out of a trance. Sean stepped back before she could flay him alive. “You’re looking a little pink, Lily. I’ve got some zinc oxide in my bag. I’d be happy to put some on you. Especially on those hard to reach places.” He gave her a casual smile and pulled his sunglasses from the breast pocket of his T-shirt, ignoring the violent thudding of his heart against the cotton fabric. His hands shook, too, racked with tremors of need. Somehow, he managed to settle his shades across the slightly crooked bridge of his nose, before shoving them deep into his pocket, out of sight. Damn Sean and his effect on me, Lily swore silently. He had only to bestow the paltriest of caresses and she nearly swooned. Even more galling was the fact that she was equally helpless before Sean’s verbal taunts. The thought of Sean’s hands, slick with lotion, gliding over her body in long, sweeping caresses had her pulse racing. Lily’s voice was filled with contempt—never mind that it was self-directed—as she spoke. “You know, you and John Granger should get to know each other. You could compare notes on really great pickup lines. By the way, Sean, your nose? Does it trouble you still? I hope so.
Laura Moore (Night Swimming: A Novel)
He couldn't suppress the grin that curves his lips. "In fact, I'm the only man who belongs in your bed from now on.
Sara Humphreys (Trouble Walks In (The McGuire Brothers, #2))
He couldn't suppress the grin that curves his lips. "In fact, I'm the only man who belongs in your bed from now on.
Sara Humphreys (Trouble Walks In (The McGuire Brothers, #2))
When I was young, I drew self-portraits by the moonlight of my bedroom window, scribbling in crayon a woman on a pedestal with a painted face and a crooked smile, all curves and mystery. Me When I Grow Up, I would title these pieces, a prophecy scrawled in Blue Cyan. When my mother found my drawings, she worried that I had become enamored with whores. Little did she know, it was her, us, our foremothers I was drawing. A troubled youth, they’ll say, daddy issues—these are the citations people will give when explaining why a girl turns into a woman like me. I am guilty of all of these and more. Yet stronger than these streams leading ever toward my fate, there is one reason that never makes the list: a portrait of a goddess, drawn by a child in the dark. A half-orphan, the town slut, unlovable by all. The one the boys liked enough to touch, but not enough to claim. Hands clasped in the dark of closets, but not in the hallway at school. Did you know you can get paid for touching boys in closets?
Lindsay Byron (Too Pretty to be Good)
Honus took out his healing kit, and set a pot of water to boil. “When the water’s ready,” he said, “I’ll tend your wound.”   Yim touched the cut on her chin. “Is it bad?”   Honus peered at it in the firelight. “No, but you’ll have a scar.”   Yim smiled wryly. “I’m catching up with your collection.”   “I’m keeping apace with you,” replied Honus.   For the first time, Yim noticed that Honus’s shirtsleeve was torn and blood-soaked. She gasped. “Honus! Why didn’t you tell me you were hurt?”   “I didn’t wish to trouble you. Besides, it’s not deep.” He rolled up his right sleeve to reveal a bloody gash on his forearm.   When the water boiled, Honus poured some into a wooden bowl and added powder from a vial in his healing kit. After cleaning the blood from Yim’s face, he wetted a cloth with the solution in the bowl. “This will sting,” he said.   “I remember,” replied Yim. She winced as the solution foamed inside her cut. Glimpsing the concern in Honus’s eyes, she tried to hide her pain. She took a deep breath and said, “I’m glad that’s over.”   Honus cleaned the gash on his arm with the same solution, then asked, “Would you stitch my wound closed? I’d rather not do it left-handed.”   “I’ll try,” said Yim, “but I’ve never done the like before.”   “It’s not hard, and I’m certain your dainty fingers will do finer work than Theodus’s thick ones ever managed.”   “Before you malign his stitching, you should compare it to mine,” said Yim. “As a girl, I was more adept with goats than needlework.”   “Then pretend I’m a goat.”   Honus took out a curved needle and a strand of gut from his kit and dipped them in the cleansin g solution. He declined Yim’s suggestion to prepare a brew for his pain, stating he wanted to stay alert. When Yim nervously sewed his wound, he was absolutely stoic. He guided her stitching calmly, tensing only slightly each time the needle pierced his flesh. The only evidence of his pain was the deep breath he took when Yim was done. Honus gazed at his stitches and smiled. “You underestimate your skill.”   “I’m glad you’re so easily pleased,” Yim replied. “The woman who raised me would’ve made me tear out the seam and restitch it.”   Honus winced. “Let’s talk of food, instead,” he said quickly. “Perhaps this would be a good night to have that cheese we were saving.”   “To celebrate our new scars?’   “To celebrate we’re both alive.
Morgan Howell (Candle in the Storm (Shadowed Path, #2))
Can you at least admit, for one second, you were just as hot for me last night as I was for you?” I eyed him for a beat, wondering what his angle was, because with Solo there was always an angle. “Why? It’s not going to get you anywhere. Certainly not past this door.” Solo’s lips, those sinful lips, curved, making my dick throb a little harder. Christ, he was easy on the eyes. He made it difficult to look away. “Now that’s where you’re wrong. It’s totally going to get me off. But guess what?” Fuck, I was so not equipped to handle someone like Solo in my day-to-day life. Outside of work, hell yes. He’d no doubt be the hottest fuck of my life. But here at work, he was a temptation that would land me in a world of trouble. “Tonight when I shout out your name, you’re gonna be able to hear, Grant.” With a wink designed to make my cock ache, Solo sauntered over to his door, unlocked it, and glanced back over to where my stupid self remained in front of the door. “Feel free to call out Mateo if you like, ’cause when it comes to…coming, I really don’t like to be Solo.
Brooke Blaine (Danger Zone (The Elite, #1))
Then, in his quiet way that always disarmed me, he said, “I missed you today.” I sighed again, this time because his sweet words chased the breath out of me. I grinned like a content cat—which didn’t make any sense, because no other animals but humans smile in order to demonstrate pleasure. I pressed my lips together to keep from relating this as a fact. Quinn’s gaze narrowed on mine. He must’ve perceived that I was suppressing a tangent, because he said, “Say it.” “What?” He lifted his eyebrows, dipped his chin, and issued me a very effective glare that said, You know what. I shook my head. “It’s nothing.” “Tell me.” “It’s completely unnecessary information.” “I want to know.” He dropped his voice nearly an octave and held me against him as though to emphasize his point. This only served to make me more deliciously agitated. “Quinn...” I whispered. I didn’t know why I whispered. “Janie, everything you say is fascinating.” He whispered too. “No, it’s not. And the fact that you think I’ll believe that you believe that I’ll believe a statement so patently false is somewhat concerning to me.” He took a moment to sort through the tangled web of my words before he responded. “I’m not really sure what that means. However, the fact that you think I’d say something patently false to you is very concerning to me.” We held each other’s eyes, a showdown of manufactured guilt. He won. “Fine. You want to know? I was just thinking that I was smiling like a contented cat, which troubled me as an analogy because no animals other than humans smile as a demonstration of pleasure. Some people think animals do, especially cats and dogs, but those people are mistaken. The mouth curve is incidental. Cats purr to demonstrate pleasure, and dogs wag their tails.
Penny Reid (The Neanderthal Box Set)
This Blue Coat’s woman?” he demanded, gesturing toward Lily. Caleb shook his head. “She’s her own woman. Just ask her.” Lily’s heart was jammed into her throat. She had an urge to go for the rifle again, but this time it was Caleb she wanted to shoot. “He lies,” she said quickly, trying to make sign language. “I am too his woman!” The Indian looked back at his followers, and they all laughed. Lily thought she saw a hint of a grin curve Caleb’s lips as well but decided she must have imagined it. “You trade woman for two horses?” Caleb lifted one hand to his chin, considering. “Maybe. I’ve got to be honest with you. She’s a lot of trouble, this woman.” Lily’s terror was exceeded only by her wrath. “Caleb!” The Indian squinted at Lily and then made an abrupt, peevish gesture with the fingers of one hand. “He wants you to get down from the buggy so he can have a good look at you,” Caleb said quietly. “I don’t care what he wants,” Lily replied, folding her trembling hands in her lap and squaring her shoulders. The Indian shouted something. “He’s losing his patience,” Caleb warned, quite unnecessarily. Lily scrambled down from the buggy and stood a few feet from it while the Indian rode around her several times on his pony, making thoughtful grunting noises. Annoyance was beginning to overrule Lily’s better judgment. “This is my land,” she blurted out all of a sudden, “and I’m inviting you and your friends to get off it! Right now!” The Indian reined in his pony, staring at Lily in amazement. “You heard me!” she said, advancing on him, her hands poised on her hips. At that, Caleb came up behind her, and his arms closed around her like the sides of a giant manacle. His breath rushed past her ear. “Shut up!” Lily subsided, watching rage gather in the Indians’ faces like clouds in a stormy sky. “Caleb,” she said, “you’ve got to save me.” “Save you? If they raise their offer to three horses, you’ll be braiding your hair and wearing buckskin by nightfall.” The Indians were consulting with one another, casting occasional measuring glances in Lily’s direction. She was feeling desperate again. “All right, then, but remember, if I go, your child goes with me.” “You said you were bleeding.” Lily’s face colored. “You needn’t be so explicit. And I lied.” “Two horses,” Caleb bid in a cheerful, ringing voice. The Indians looked interested. “I’ll marry you!” Lily added breathlessly. “Promise?” “I promise.” “When?” “At Christmas.” “Not good enough.” “Next month, then.” “Today.” Lily assessed the Indians again, imagined herself carrying firewood for miles, doing wash in a stream, battling fleas in a tepee, being dragged to a pallet by a brave. “Today,” Lily conceded. The man in the best calico shirt rode forward again. “No trade,” he said angrily. “Blue Coat right—woman much trouble!” Caleb laughed. “Much, much trouble,” he agreed. “This Indian land,” the savage further insisted. With that, he gave a blood-curdling shriek, and he and his friends bolted off toward the hillside again. Lily turned to face Caleb. “I lied,” she said bluntly. “I have no intention of marrying you.” He brought his nose within an inch of hers. “You’re going back on your word?” “Yes,” Lily answered, turning away to climb back into the buggy. “I was trying to save myself. I would have said anything.” Caleb caught her by the arm and wrenched her around to face him. “And there’s no baby?” Lily lowered her eyes. “There’s no baby.” “I should have taken the two horses when they were offered to me,” Caleb grumbled, practically hurling her into the buggy. Lily
Linda Lael Miller (Lily and the Major (Orphan Train, #1))
Christopher walked back home with Albert padding calmly beside him. For some reason the dog seemed improved after meeting Beatrix Hathaway. As Christopher gave him a damning glance, Albert looked up at him with a toothy grin, his tongue lolling. “Idiot,” Christopher muttered, although he wasn’t certain if the word was directed at his dog or himself. He felt troubled and guilty. He knew he’d behaved like an ass to Beatrix Hathaway. She had tried to be friendly, and he had been cold and condescending. He hadn’t meant to be offensive. It was just that he was nearly mad with longing for Prudence, for the sweet, artless voice that had saved his sanity. Every word of every letter she’d sent him still resonated through his soul. “I’ve done a great deal of walking lately. I seem to think better outdoors…” And when Christopher had set out to find Albert, and found himself walking through the forest, a mad idea had taken hold of him…that she was nearby, and fate would bring them together that quickly, that simply. But instead of finding the woman he had dreamed of, craved, needed for so long, he had found Beatrix Hathaway. It wasn’t that he disliked her. Beatrix was an odd creature, but fairly engaging, and far more attractive than he had remembered. In fact, she had become a beauty in his absence, her gangly coltish shape now curved and graceful… Christopher shook his head impatiently, trying to redirect his thoughts. But the image of Beatrix Hathaway remained. A lovely oval face, a gently erotic mouth, and haunting blue eyes, a blue so rich and deep it seemed to contain hints of purple. And that silky dark hair, pinned up haphazardly, with teasing locks slipping free. Christ, it had been too long since he’d had a woman. He was randy as the devil, and lonely, and filled with equal measures of grief and anger. He had so many unfulfilled needs, and he didn’t begin to know how to address any of them. But finding Prudence seemed like a good start.
Lisa Kleypas (Love in the Afternoon (The Hathaways, #5))
Genesis put his hand over Curtis’. Curtis turned his hand over and linked their fingers together and they stayed that way for a while. Neither one talking, just exchanging long glances and endearing smiles. He couldn’t explain it, because although he was still slightly star struck that Genesis “G-Man” Godfrey was sitting here beside him, casually talking with him about their lives. He was quickly turning into just Genesis to him. “Will you kiss me?” Curtis whispered softly. “I’d love nothing more,” Genesis answered sweetly. They met together in the softest, most gentle touching of their mouths. Genesis cupped his jaw, lightly caressing his smooth cheek with his thumb, as held him place. Curtis slanted his head but Genesis was a gentleman. He didn’t take it too much further. He brushed his lips back and forth over his and Curtis thought he felt a quick flick of a moist tongue, but it was gone too fast to be sure. When they pulled back, Genesis stared into his eyes, like he was looking for something. And Curtis recognized the minute Genesis found it. His mouth curved into a charming smile and he pulled Curtis into a tight hug. A hug you could feel deep down in your core. It was what he’d needed, it was what he wanted, and at this moment he truly appreciated Genesis for it. “Curtis!
A.E. Via (Here Comes Trouble (Nothing Special #3))
Green’s mouth was too full to smile and too full to respond. He was ready to go lower but he wanted to make this good. He rose up and straddled Ruxs’ legs, flipping him over. Green slapped that sexy ass hard, the sharp sound loud in the dark room. “Bastard,” Ruxs murmured. Green started at the base of Ruxs’ neck, his tongue being led by the long spine, as he licked his way down, around the valleys and curves of his back. Never had Green seen a man with a hotter body than Ruxs’. When he got to the top of his ass, Green gripped Ruxs’ hip and dove in. Just wetting him, priming him. Ruxs face was pressed into the bedding, muffling his cries. Green wanted to hear how he was making Ruxs feel. Green
A.E. Via (Here Comes Trouble (Nothing Special #3))
Make me a story.” “Hunter, I don’t have a stitch of clothes on,” she squeaked. One of his dark eyebrows flicked upward. “You must have clothes to make stories?” “No. I guess I…well, it might help me think.” He sighed and rolled onto his back, carrying her along with him in the curve of his arm. Pressing her head onto his shoulder, he made a valiant attempt to ignore the feeling of her silken flesh against his and said, “This Comanche wears breeches. I will make the story.” And with that, Hunter began talking, smiling to himself every once in a while because he quickly discovered that he had as much trouble concentrating as she did when she didn’t have clothes on. In a husky whisper he recited the prophecy to her. When he finished she stirred in the crook of his arm. “That is your song?” “Huh, yes.” “But, it’s beautiful!” With a start, Hunter realized he thought so, too. “Since my boyhood, I had much hate for the words.” He twined a length of her hair around his finger, smiling. “And great hate for the honey-haired woman who would one day steal my heart. I wished to kill you, yes?” “But I’m not the woman in your song.” “Ah, yes, you are the woman.” “The song says the People will call me the Little Wise One. They don’t! And they never will. I’m far from wise.” “It will come to pass,” he assured her. “It must. All of the words must.
Catherine Anderson (Comanche Moon (Comanche, #1))
Make me a story.” “Hunter, I don’t have a stitch of clothes on,” she squeaked. One of his dark eyebrows flicked upward. “You must have clothes to make stories?” “No. I guess I…well, it might help me think.” He sighed and rolled onto his back, carrying her along with him in the curve of his arm. Pressing her head onto his shoulder, he made a valiant attempt to ignore the feeling of her silken flesh against his and said, “This Comanche wears breeches. I will make the story.” And with that, Hunter began talking, smiling to himself every once in a while because he quickly discovered that he had as much trouble concentrating as she did when she didn’t have clothes on.
Catherine Anderson (Comanche Moon (Comanche, #1))
Yes," she replied. "He's our sheep. We lost six of them yesterday after a creeper accident damaging their pen. We've brought one home already, and this grey one is the only one left after the wolf pack attack..." "I saw that," Braydon said. "Well—I saw the end of it. This taiga forest is full of wolves—not a very safe place for sheep, I'm afraid." "Hold on another sec," Jack said, putting a little, soft hand of curves and lines in the air. "You saw the battle when the sheep died? You watched Steve get killed, and then you waited around and only came out when I was in trouble?!" Alex could hear anger in the kid's voice. She reached down and grasped his soft, curved shoulder, feeling his strange muscles tense up at her touch. Jack looked up then softened. "Would you prefer that I didn't help you?" Braydon replied with his dark eyes narrowed. "This is my home. I see almost everything that happens here. Yes, I saw the wolves attack the sheep, and I saw your friend fall in battle, but I was too far at the time to intervene. When I followed you two and your sheep, I was trying to help. When you took shelter in the cave, I was trying to determine whether or not you were building on this land..." "But why didn't you—?!" Jack started, but Alex interrupted. "We thank you, Braydon, for helping us. Little Jack here," she said, looking down at the boy with 'shut the heck up' eyes, "would have surely been killed if you weren't watching over us." The ranger bowed slightly. "No problem," he said, bouncing lightly on his feet again. "Now, let's move on. I don't like to stay in one place for long." "Why not?" Jack asked. "When one lingers near the shadows, hostile mobs appear." Alex and Jack exchanged glances. "Can you tell us how to get home?" Alex asked. She wanted to ask Braydon more. She wanted to figure out the Minecraftian's connection to the Divining Pool and how he got here. Jack was probably wondering the same thing. If they could somehow figure out the ways that the Divining Pool pulled people into Vortexia, then maybe the kid could find a way back to ... wherever he came from. Jack certainly wasn't from here. He knew a lot about the world and the ways of things, but he was a completely different creature than the rest of them.
Skeleton Steve (Diary of Jack the Kid, Season 1 (Diary of Jack the Kid #1-6))
His critics argue that Dr. Fauci’s “slow the spread, flatten the curve, wait for the jab” strategy—all in support of a long-term bet on unproven vaccines—represented a profound and unprecedented departure from accepted public health practice. But most troubling were Dr. Fauci’s policies of ignoring and outright suppressing the early treatment of infected patients who were often terrified.
Robert F. Kennedy Jr. (The Real Anthony Fauci: Bill Gates, Big Pharma, and the Global War on Democracy and Public Health)
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She was not, it seemed, interested in pursuing the activities of an ex patriate wife: instead she spent her time lying on the beach and reading novels. The aimlessness of this existence, and yet its inferences of freedom and pleasure, was something she had not consciously troubled herself to analyse; but lying there one day reading, a series of strange shadows, almost like the shadows of birds, had flown before her eyes across the page and she had been compelled to look up. There, running along the sand beside the frill of surf, was a pack of dogs. Their diligence and lightness and speed was such that they appeared almost to be some kind of hallucination; but then she saw, walking slowly in the distance behind them, a man, an Arab in traditional dress. While she watched, he made some barely audible sound and the pack of dogs instantly looped back in a graceful curve and returned. They sat at his feet on their haunches, their heads lifted, listening while he spoke to them. That vision, of near-silent feat of control, and of an almost mystical empathy that nevertheless had its basis in absolute discipline, had struck her at her core: she had gone to talk to the Arab, there in the heat and glare of the beach, and had begun to learn the science of the Saluki.
Rachel Cusk (Transit)
After the city of Nis, that is a bad road,” the manager said. “There are mountains on either side which experience rockslides. The government cannot maintain it well. A river run close alongside the road, which floods in spring, but that should not trouble you now, but there are no guardrails, so you must watch carefully for potential washouts. There are steep grades and blind curves, which are not signaled in advance… You truly take your life in your hands up there. And there is no one to come to your assistance should you need it. Now tell me, where are you going to spend the night? “In Skopje.” “Well, be sure to get there before nightfall. Do not drive at night. There are bandits in those mountains. They would love to get their hands on a motorcycle like yours.” “Bandits? Really, I asked, hardly believing. “Yes. They learned from being partisans during the war. Some never stopped being outlaws.
Tim Scott (Driving Toward Destiny: A Novel)
And then his lips curved into the mischievous smile I so loved. “I have one more thing for you.” From the depths of his pockets, he withdrew a pile of napkins neatly enclosed in a clean plastic bag. “Your own stash, Trouble Magnet.” I laughed so hard I snorted. I couldn’t help it, but the napkins were so silly, so perfect. The bathroom inside the restaurant hadn’t had either toilet or toilet paper, and I suspected there would be a few more of those primitive latrines in my future. I was still laughing when I tucked both the napkins and the GPS safely inside my messenger bag, and when I looked up, Jacob was staring at me as if he wanted to tuck me away safely, keep me with him. There must be a few times in life when you stand at a precipice of a decision. When you know there will forever be a Before and an After. Mom’s life was twice marked: Before Dad, After Dad. Before her sister’s death and After. I knew there would be no turning back if I designated this moment as my own Prime Meridian from which everything else would be measured. Mom’s urging to be fair to Jacob, Karin’s warning about losing the security of a miracle boyfriend, the image of Erik’s easygoing grin itself — all those conspired now, convincing me to stay in the Before. And then there was Jacob, who stepped closer to me and then waited, letting me decide whether I would take that next step. Balanced there in indecision, it was as if the Twisted Sisters were before me, shaking their pom-poms, asking: But what is fair about staying with a guy who is ashamed to be seen with you? What was so miraculous about a relationship that was based more on my gratitude than mutual respect? I wanted more. I wanted better. I wanted Jacob. Even knowing that what I was doing was wrong, I jumped off my Before and reached for my After. I traveled that short, short distance separating Jacob from me and stepped into his waiting arms. My face tilted up, my lips parted, so ready for Jacob’s kiss. Unexpectedly, he let go of me, and my breath caught, painfully, deep in my chest. Had I so misread this map leading me to him? Then slowly, so slowly, Jacob cupped my face in his hands, his thumbs brushing gently across my cheeks, the good side and the bad.
Justina Chen
Mathematics teaches us that the solution of the Malthus equation dx/dt = x is uniquely defined by the initial conditions (that is that the corresponding integral curves in the (t,x)-plane do not intersect each other). This conclusion of the mathematical model bears little relevance to the reality. A computer experiment shows that all these integral curves have common points on the negative t-semi-axis. Indeed, say, curves with the initial conditions x(0) = 0 and x(0) = 1 practically intersect at t = -10 and at t = -100 you cannot fit in an atom between them. Properties of the space at such small distances are not described at all by Euclidean geometry. Application of the uniqueness theorem in this situation obviously exceeds the accuracy of the model. This has to be respected in practical application of the model, otherwise one might find oneself faced with serious troubles.
Vladimir I. Arnold
We can choose to keep shooting up the curve of exponential growth, bringing us ever closer to irreversible tipping points in ecological collapse, and hope that technology will save us. But if for some reason it doesn’t work, then we’re in trouble. It’s like jumping off a cliff while hoping that someone at the bottom will figure out how to build some kind of device to catch you before you crash into the rocks below, without having any idea as to whether they’ll actually be able to pull it off. It might work … but if not, it’s game over. Once you jump, you can’t change your mind. If we’re going to take this approach, the evidence for it had better be rock solid. We’d better be dead certain it will work.
Jason Hickel (Less Is More: How Degrowth Will Save the World)
Mostly when she was younger. She never got in big trouble or got charged with anything, but the old sheriffs liked to keep notes on folks in their area who were always in the middle of something. I’m keeping that tradition alive myself, though I find the entire farm fascinating.” “I can understand why,” Rob told him.
Boyd Craven (The Farm Book 2 : Behind The Curve (Behind The Curve - The Farm))
/dəvine/ I. vtr 1. (parvenir à connaître) to guess [secret]; to foresee, to tell [avenir] 2. (soupçonner) to sense [danger] • je devine quelque chose de louche là-dessous | I smell a rat 3. (imaginer) to imagine • je te laisse ~ leur joie | I leave you to imagine their joy 4. (apercevoir) to make out • on devine une maison au loin | you can make out a house in the distance • sa robe laisse ~ ses rondeurs | you can make out her curves through her dress II. vtr 1. (être facile à connaître) • la suite du film se devine aisément | it's easy to guess what happens next in the film 2. (transparaître) [inquiétude, trouble] to come out
Synapse Développement (Oxford Hachette French - English Dictionary (French Edition))
Wanting to thank him for his gifts, she left the tent to find her husband. He was in the middle of the camp, with knights all around him. She paused as she saw him there. He was again garbed as a black-robed monk, but he had taken time to shave this morning. There was no sign of the sword she knew he had strapped to his hips and she could barely catch a glimpse of his mail-covered leggings beneath it. He was handsome, her prince. More so than any man in the group. He, Phantom, Ioan, Lutian, and three men she knew not at all were standing in a circle as they discussed some matter. Her heart light, she approached her husband from behind. Ioan was speaking. “You know, Abbot, I hear wormwood helps with that problem.” He held his hand up and crooked his finger down as if it were suddenly limp. All the men save Christian laughed, while Christian glared murderously at Lutian. “Look to the good of it,” Phantom said as he sobered. He appeared to be imparting grave advice to her husband. “I hear all men have trouble from time to time with their sexual performance. Mind you, I have no personal experience with that, but…” His voice trailed off as he looked past Christian to see Adara glowering at him. Struggling not to strangle the men who mocked him, Christian turned to see what had disturbed Phantom to find Adara standing behind him. His groin jerked awake at the vision she made in her finery. She was beautiful. The gown fit even better than he had hoped. Unlike her peasant garb, this one laced in the front and at the sides, pulling the cloth into a perfect fit that showed every lush curve of her body. The only thing that sparkled more than her jewels were her brown eyes. “Thank you,” she said softly before she kissed his cheek. “I had a most wondrous night.” Christian was too dumbstruck by his lust to even respond. Lutian bristled at her actions and if she didn’t know better, she’d swear he was jealous. “Nay. Tell me this isn’t so. Why are you kissing him, my queen? It was me. Me. I’m the one who told him what to do. He had no idea how to please you. None. He was lost and confused when he sought me out. He didn’t even know how to do the most basic thing. It was me, all me.” Every man there gaped at Lutian’s words. “Christ’s toes, Christian,” Ioan said in disbelief. “Are you a monk in truth? Don’t tell me you had to take advice from the fool on how to please a woman? You should have come to me. At least I know what I’m doing.” “You can’t be a virgin,” Phantom said. “What about that Norman tart in Hexham? Surely you did more than talk to her when the two of you vanished to her room?” “Nay,” another knight said. “I saw him drunk in Calais with two women.” “Aye,” another knight began. “I was with him in London when he vanished for three days with a widowed countess.” Christian ground his teeth as this conversation quickly degenerated, while Lutian continued to take credit for instructing him on how to please Adara. Lutian still held Adara’s attention. “I’m the one who got him—” Enraged, Christian lunged for the source of his current humiliation. “Christian!” Adara snapped as he seized her fool. “Don’t hurt Lutian.” He wanted to do much more than hurt the fool. He wanted to tear the man’s head from his shoulders. Growling in frustration, he let the fool go. “Thank you, my queen.” “’Tis my place to hurt him.” She glared at her fool and smacked him on his arm. “I fully intend to take this up with you later.” She walked over to Ioan. “And for your information, my lord…” She lifted his hand and put his index and middle finger upright. “I assure you that there is nothing wrong with Christian’s technique or prowess.
Kinley MacGregor (Return of the Warrior (Brotherhood of the Sword, #6))
Being at either end of the spectrum, either morbidly obese (BMI 40 and above) or painfully thin (BMI less than 18.5) spells trouble. It’s a classic U-curve: You don’t want to be out on the edges.
Carl J. Lavie (The Obesity Paradox: When Thinner Means Sicker and Heavier Means Healthier)
It was with very great difficulty that Wimsey detached the Colonel’s mind from the events of the Great War and led it back to the subject of razors. Once his attention was captured, however, Colonel Belfridge proved to be a good and reliable witness. He remembered the pair of razors perfectly. Had a lot of trouble with those razors, hr’rm, woof! Razors were not what they had been in his young days. Nothing was, sir, dammit! Steel wouldn’t stand up to the work. What with these damned foreigners and mass-production, our industries were going to the dogs. He remembered, during the Boer War— Wimsey, after a quarter of an hour, mentioned the subject of razors. ‘Ha! yes,’ said the Colonel, smoothing his vast white moustache down and up at the ends with a vast, curving gesture. ‘Ha, hr’rm, yes! The razors, of course. Now, what do you want to know about them?’ ‘Have you still got them, sir?’ ‘No, sir, I have not. I got rid of them, sir. A poor lot they were, too. I told Endicott I was surprised at his stocking such inferior stuff. Wanted re-setting every other week. But it’s the same story with all of ’em. Can’t get a decent blade anywhere nowadays. And we shan’t sir, we shan’t, unless we get a strong Conservative Government—I say, a strong Government, sir, that will have the guts to protect the iron and steel industry. But will they do it? No, damme, sir—they’re afraid of losing their miserable votes. Flapper votes! How can you expect a pack of women to understand the importance of iron and steel? Tell me that, ha, hr’rm!
Dorothy L. Sayers (Have His Carcase (Lord Peter Wimsey #8))
Saul came into my room, prowling around and around, restless, and he saw the new notebook, and pounced on it. “Oh this is pretty,”he said. “What is it for?”“I don’t know yet.”“Then I want it,”he said. I nearly said: “All right, have it,”watching in myself a need to give spouting like water from a whale. I was annoyed at myself, because I wanted it, yet so nearly gave it to him. I knew this need to comply was part of the sadistic-masochistic cycle we are in. I said: “No, you can’t have it.”It cost me a great deal to say it—I even stammered. He took the book up and said, laughing: “Gimme, gimme, gimme.”I said: “No.”He had expected me to give it, because he had made a joke of the gimme, gimme; and now he stood glancing at me sideways, and murmuring, not laughing at all, gimme, gimme, gimme, in a child’s voice. He had become a child. I saw how the new personality, or rather, the old one, entered him like an animal entering a thicket. His body curved and crouched, became a weapon; his face, which when he is “himself,”is good-humoured, shrewd, sceptical, was the face of a little murderer. He whipped around, holding the book, ready to run for the door; (* 19) and I saw him clearly, the slum kid, member of a gang of slum kids, lifting something from a shop counter, or running from the police. I said: “No, you can’t have it,”as I would have done to a child, and he came to himself, slowly, all the tension going out of him; and he laid the book down, good-humoured again, even grateful. I thought how odd it was, that he should need the authority of someone who could say no, and yet it was my life he had drifted into, I who find it so hard to say no. Because now I had said no, and he laid the book down, every line of him expressing the deprived child who had had something he very badly wanted denied to him, I felt stricken. I wanted to say: Take it, for God’s sake, it’s not important. But now I couldn’t say it, and I was frightened at how quickly this unimportant thing, the new pretty book, had become part of the fight. He stood for a while, by the door, forlorn; while I watched him straighten himself, and saw how a thousand times in his childhood he had straightened himself, stiffened his shoulders, and “put it under his belt,”as he had told me everyone must do when they had trouble.
Doris Lessing (The Golden Notebook)
Is there aught I can do for ye, sir?” He gave a single nod and reached inside his coat. “I want you to have this,” he muttered, extracting a small bag weighted with gold coins. To a servant of Maude's station, it amounted to a fortune. “Take it, and promise me that if there is ever anything Lady Holland needs, you'll send for me.” The maid's face was blank with surprise. She took the bag, felt its weight in her hand, and stared at him with wide eyes. “Ye don't need to pay me to do that, sir.” “Take it,” he insisted brusquely. A reluctant smile curved her lips, and she dropped the little bag into her apron pocket. “Ye've been a good master, sir. Don't fret about Lady Holland and Miss Rose, I'll serve them faithfully, and send for ye if any trouble arises.” “Good,” he said, and turned to leave. He paused and looked back at her as a question occurred to him. “Why did you try to hide the miniature from me, Maude?” She blushed a little, but her gaze was direct and honest as she replied, “I wished to spare ye the sight of him, sir. I know how ye feel about Lady Holland, ye see.” “You do?” he said neutrally. The maid gave a vigorous nod. “She's a dear, gentle lady, and a man would have a heart of stone not to care for her.” Maude lowered her voice confidentially. “Betwixt ye and me, sir, I think that if my lady were free to choose any man for herself, she might well have set her cap for ye. 'Tis plain as day that she's fair taken with ye. But Master George took most of her heart with him to the grave.” “Does she look at his miniature often?” Zachary asked, keeping his face expressionless. Maude's round face puckered thoughtfully. “Not so often since we came to live on yer estate, sir. To my knowledge, she hasn't taken it out at all in the past month or so. Why, there was even a bit of dust that settled on it.” For some reason the information comforted him. “Farewell, Maude,” he replied, taking his leave. “Good luck to ye, sir,” she said softly.
Lisa Kleypas (Where Dreams Begin)
Catherine drew out an object wrapped in soft cloth. Gently she unwrapped a new pair of spectacles made of silver... gleaming and perfect, the oval lenses sparkling. Marveling at the workmanship, she drew a finger along one of the intricate filigreed earpieces, all the way to the curved tip. "They're so beautiful," she said in wonder. "If they please you, we'll have another pair made in gold. Here, let me help you..." Leo gently drew the old spectacles off her face, seeming to savor the gesture. She put the new ones on. They felt light and secure on the bridge of her nose. As she looked around the room, everything was wonderfully detailed and in focus. In her excitement, she jumped up and hurried to the looking glass that hung over the entryway table. She inspected her own glowing reflection. "How pretty you are," Leo's tall, elegant form appeared behind hers. "I do love spectacles on a woman." Catherine's smiling gaze met his in the silvered glass. "Do you? What an odd preference." "Not at all." His hands came to her shoulders, lightly fondling up to her throat and back again. "They emphasize your beautiful eyes. And they make you look capable of secrets and surprises- which, as much as we know, you are." His voice lowered. "Most of all I love the act of removing them- getting you ready for a tumble in bed." She shivered at his bluntness, her eyes half closing as she felt him pull her back against him. His mouth went to the side of her neck. "You like them?" Leo murmured, kissing her soft skin. "Yes." Her head listed to the side as his tongue traced a subtle path along her throat. "I... I don't know why you went to such trouble. It was very kind." Leo's dark head lifted, and he met her drowsy gaze in the looking glass. His fingers went to the side of her throat, stroking as if to rub the feel of his mouth into her skin. "I wasn't being kind," he murmured, a smile touching his lips. "I merely wanted you to see clearly." I'm beginning to, she was tempted to tell him, but Poppy returned to the apartment before she was able.
Lisa Kleypas (Married by Morning (The Hathaways, #4))
Dax wrapped his arms around me, drawing me closer as his shoulders curved around me, their bulk shielding me from the scrape of the wind. I let out a contented sigh when he rested his chin on top of my head. This felt so good. So right. A comfort I’d never known possible. Contentment I’d never believed I deserved.
Tara Leigh (Rock Rebel (Nothing but Trouble #3))
You know I would never put you in harm’s way, right?” “Of course,” Cass said. But inside she still wasn’t sure. Falco rolled over onto his back. “You don’t sound very convinced. Can’t you see I just got pummeled trying to save you? Santo cielo, Cassandra. I asked you to marry me! Would I have done that if I was secretly plotting against you?” Cass had almost forgotten about Falco’s impulsive proposal. “About that,” she started. He chuckled, and then clutched at his ribs again. “Put it out of your mind. It was wrong of me to pressure you.” He paused. “But my feelings for you are--they always have been--sincere, and I insist that you recognize that.” Cass sighed. “I’m having a bit of trouble trusting anyone these days,” she said. “I want to believe you, but you always seem to be around whenever the Order is. How do you explain that?” Falco gingerly palpated his jaw. “Bad luck?” he offered. “And perhaps it would help if you weren’t always lying to everyone about everything,” she said. “Have you ever thought about telling the truth?” “I did that some when I was younger. It always seemed to get me in trouble, though.” Cass felt her lips curve upward, despite the situation. “You’re impossible,” she said.
Fiona Paul (Starling (Secrets of the Eternal Rose, #3))
Have you ever thought about telling the truth?” “I did that some when I was younger. It always seemed to get me in trouble, though.” Cass felt her lips curve upward, despite the situation. “You’re impossible,” she said.
Fiona Paul (Starling (Secrets of the Eternal Rose, #3))
So just how good a chess player are you?” she challenged impudently. An hour later Mikhail leaned back in his chair to watch her face as she studied the board. She was frowning in concentration, trying to puzzle out his unfamiliar strategy. She could sense that he was leading her into a trap, but she couldn’t find it. Raven leaned her chin on the heel of her hand, relaxed, in no hurry. She was patient and thorough and twice had gotten him into trouble simply because he was too sure of himself. Suddenly her eyes widened, a slow smile curving her soft mouth. “You are a cunning devil, aren’t you, Mikhail? But I think your cleverness may have gotten you into a bit of trouble.” He watched her with hooded eyes. His teeth gleamed white in the firelight. “Did I happen to mention, Miss Whitney, that the last person impertinent enough to beat me at chess was thrown in the dungeon and tortured for thirty years?” “I believe that would have made you about two at the time,” she teased, her eyes glued to the chessboard. He sucked in his breath sharply. He had been comfortable in her presence, felt totally accepted. She obviously believed he was mortal, with superior telepathic powers. Mikhail lazily reached across the board to make his move, saw the dawning comprehension in her eyes. “I believe what we have is checkmate,” he said silkily. “I should have known a man who walks in the forest surrounded by wolves would be devious.
Christine Feehan (Dark Prince (Dark, #1))
Don't talk like you're one of them! You're not... even if you'd like to be. To them you're just a freak, like me. They need you right now, but when they don't, they'll cast you out. Like a leper. See, their morals, their "code"... it's a bad joke, dropped at the first sign of trouble. They're only as good as the world allows them to be. I'll show you. When the chips are down, these uh, these "civilized people", they'll eat each other. See, I'm not a monster. I'm just ahead of the curve.
Christopher Nolan