Trouble Brewing Quotes

We've searched our database for all the quotes and captions related to Trouble Brewing. Here they are! All 68 of them:

If you’re going to be insolent, at least pour me coffee.” “It’s brewing. Like trouble.
K.J. Charles (The Magpie Lord (A Charm of Magpies #1))
When I saw the guy with a potion I knew there was trouble brewing.
Pigman Steve (MINECRAFT: Ultimate Minecraft Memes & Jokes - Minecraft Jokes, Minecraft Memes, Minecraft Jokes for Kids: Minecraft Jokes, Minecraft Memes, Minecraft jokes ... Unofficial, Minecraft For Beginners 2))
This is the hour I hide everything Behind my eyes To see if you can see All the trouble my brain's been brewing. Yes, I feel I am the worst and you are the best And yet, and yet, Nothing bad unfolds as we sit, Young and nervous, Alive and bursting, With futures that may not entwine. Who am I? Who am I to sabotage what may be too small For even chaos to notice And disassemble?
Evan Roskos (Dr. Bird's Advice for Sad Poets)
But it might have started way later than I think without my noticing anything at all. You see someone, but you don’t really see him, he’s in the wings. Or you notice him, but nothing clicks, nothing “catches,” and before you’re even aware of a presence, or of something troubling you, the six weeks that were offered you have almost passed and he’s either already gone or just about to leave, and you’re basically scrambling to come to terms with something, which, unbeknownst to you, has been brewing for weeks under your very nose and bears all the symptoms of what you’re forced to call I want.
André Aciman (Call Me by Your Name (Call Me by Your Name, #1))
Do you really think men and women thanked you for bringing them peace? They just became bored with your peace and so brewed their own trouble to fill the boredom. Men don’t want peace, Arthur, they want distraction from tedium,
Bernard Cornwell (Enemy of God (The Warlord Chronicles, #2))
But it might have started way later than I think without my noticing anything at all. You see someone, but you don't really see him, he's in the wings. Or you notice him, but nothing clicks, nothing "catches," and before you're even aware of a presence, or of something troubling you, the six weeks that were offered you have almost passed and he's either already gone or just about to leave, and you're basically scrambling to come to terms with something, which, unbeknownst to you, has been brewing for weeks under your very nose and bears all the symptoms of what you're forced to call I 'want'.
André Aciman (Call Me By Your Name (Call Me By Your Name, #1))
I like things to be clearly defined. Trouble brews when the lines are blurred. When people don't know where they stand.
Santa Montefiore (The French Gardener)
When revolutionaries see trouble brewing, they seize the ladle to stir the cauldron all the more furiously.
Rory Clements (Corpus (Tom Wilde, #1))
Buck did not read the newspapers, or he would have known that trouble was brewing, not alone for himself, but for every tide-water dog, strong of muscle and with warm, long hair, from Puget Sound to San Diego. Because men, groping in the Arctic darkness, had found a yellow metal, and because steamship and transportation companies were booming the find, thousands of men were rushing into the Northland.
Jack London (The Call of the Wild)
My thoughts went to Mother, who probably wasn’t sleeping, either. On nights when we were both troubled—usually about money—we’d each go to the kitchen and find the other there. I’d brew my auntwort tea, which had calming effects, and Mother would build up the fire if the night was chilly. Then we’d sit by the fireplace with quilts over our knees and play guessing games until our yawns came quicker than our ideas.
Gail Carson Levine (Ogre Enchanted)
Does it seem like things were better when you were younger?” Huck asked. “Did life really make more sense then?” “Yeah,” Tress whispered. “I remember…calm nights, watching the spores fall from the moon. Lukewarm cups of honey tea. The thrill of baking something new.” “I remember not being afraid,” Huck said. “I remember waking each day to familiar scents. I remember thinking I understood how my life would go. Same as my parents’. Simple. Maybe not wonderful, but also not terrifying.” “I don’t think things were really better though,” Tress said softly, still staring at the ceiling. “We just remember it that way because it’s comforting.” “And because we couldn’t see the troubles,” Huck agreed. “Maybe we didn’t want to see them. When you’re young, there’s always someone else to deal with the problems.” Tress nodded. Beyond that, memories have a way of changing on us. Souring or sweetening over time—like a brew we drink, then recreate later by taste, only getting the ingredients mostly right. You can’t taste a memory without tainting it with who you have become.
Brandon Sanderson (Tress of the Emerald Sea)
But Mrs. Meany, see, the women went on, leaning forward, despite how her heart was broken, pulled herself together, anyway, to put on a good face for the rest of the family at home. And she went back, Sunday after Sunday, right up until the Sunday before she died. Mrs. Meany put her beautiful love - a mother's love - against the terrible scenes that brewed like sewage in that poor girl's troubled mind. She persevered, she baked her cakes, she hauled herself (the goiter swinging) on and off the ferry, and she sat, brokenhearted, holding her daughter's hand, even as Lucy shouted her terrible words, proving to anyone with eyes to see that a mother's love was a beautiful, light, relentless thing that the devil could not diminish.
Alice McDermott (Someone)
If you examine your life well, you will find many instances when God showed His unmistakable mercy to you. Trouble was brewing, but it passed you by for some reason. God delivered you. Acknowledge these and thank God, Who loves you.
Theophan the Recluse
I looked up to see Milo watching me. I raised my brows and affected what I hoped was an innocent expression. "You are brewing trouble in that brain of yours," he said. "I recognize that look on your face." "No such thing," I protested. "You haven't the faintest idea what I was thinking. I might have been considering ordering a new gown from Paris." He shook his head. "I am also familiar with your ordering gowns from Paris face, and that is most definitely not it.
Ashley Weaver (A Most Novel Revenge (Amory Ames Mystery, #3))
And in the depths of the city, beyond an old zone of ruined buildings that looked like broken hearts, there lived a happy young fellow by the name of Haroun, the only child of the storyteller Rashid Khalifa, whose cheerfulness was famous throughout that unhappy metropolis, and whose never-ending stream of tall, short and winding tales had earned him not one but two nicknames. To his admirers he was Rashid the Ocean of Notions, as stuffed with cheery stories as the sea was full of glumfish; but to his jealous rivals he was the Shah of Blah. To his wife, Soraya, Rashid was for many years as loving a husband as anyone could wish for, and during these years Haroun grew up in a home in which, instead of misery and frowns, he had his father’s ready laughter and his mother’s sweet voice raised in song. Then something went wrong. (Maybe the sadness of the city finally crept in through their windows.) The day Soraya stopped singing, in the middle of a line, as if someone had thrown a switch, Haroun guessed there was trouble brewing. But he never suspected how much.
Salman Rushdie (Haroun and the Sea of Stories (Penguin Drop Caps))
Artists were allowed to do that - to look, to gaze at others and try to find out what it was that they were feeling - but we, who were not artists, were not. If one looked too hard that would be considered voyeurism, or nosienss, which is what Cat, her neice, had accused her of more than once. Jamie - the boyfriend rejected by Cat but kept on by Isabel as a friend - had done the same althought more tactfully. He had said that she needed to draw a line in the world with me written on one side and you on the other. Me would be her business; you would be the business of others, and an invitation would be required to cross the line. She had said to Jamie: "Not a good idea, Jamie. What if people on the other side of the line are in trouble?" That's different," he said. "You help them." By streching a hand across this line of yours?" Of course. Helping people is different." She had said: "But then we have to know what they need, don't we? We have to be aware of others. If we went about concerned with only our own little world, how would we know when there was trouble brewing on the other side of the line?
Alexander McCall Smith (The Right Attitude to Rain (Isabel Dalhousie, #3))
Terence, this is stupid stuff: You eat your victuals fast enough; There can’t be much amiss, ’tis clear, To see the rate you drink your beer. But oh, good Lord, the verse you make, It gives a chap the belly-ache. The cow, the old cow, she is dead; It sleeps well, the horned head: We poor lads, ’tis our turn now To hear such tunes as killed the cow. Pretty friendship ’tis to rhyme Your friends to death before their time Moping melancholy mad: Come, pipe a tune to dance to, lad.’ Why, if ’tis dancing you would be, There’s brisker pipes than poetry. Say, for what were hop-yards meant, Or why was Burton built on Trent? Oh many a peer of England brews Livelier liquor than the Muse, And malt does more than Milton can To justify God’s ways to man. Ale, man, ale’s the stuff to drink For fellows whom it hurts to think: Look into the pewter pot To see the world as the world’s not. And faith, ’tis pleasant till ’tis past: The mischief is that ’twill not last. Oh I have been to Ludlow fair And left my necktie God knows where, And carried half way home, or near, Pints and quarts of Ludlow beer: Then the world seemed none so bad, And I myself a sterling lad; And down in lovely muck I’ve lain, Happy till I woke again. Then I saw the morning sky: Heigho, the tale was all a lie; The world, it was the old world yet, I was I, my things were wet, And nothing now remained to do But begin the game anew. Therefore, since the world has still Much good, but much less good than ill, And while the sun and moon endure Luck’s a chance, but trouble’s sure, I’d face it as a wise man would, And train for ill and not for good. ’Tis true, the stuff I bring for sale Is not so brisk a brew as ale: Out of a stem that scored the hand I wrung it in a weary land. But take it: if the smack is sour, The better for the embittered hour; It should do good to heart and head When your soul is in my soul’s stead; And I will friend you, if I may, In the dark and cloudy day. There was a king reigned in the East: There, when kings will sit to feast, They get their fill before they think With poisoned meat and poisoned drink. He gathered all that springs to birth From the many-venomed earth; First a little, thence to more, He sampled all her killing store; And easy, smiling, seasoned sound, Sate the king when healths went round. They put arsenic in his meat And stared aghast to watch him eat; They poured strychnine in his cup And shook to see him drink it up: They shook, they stared as white’s their shirt: Them it was their poison hurt. —I tell the tale that I heard told. Mithridates, he died old.
A.E. Housman (A Shropshire Lad)
Not one particle of the heavy stuff so vital to our own being—carbon, nitrogen, oxygen, and all the rest—emerged from the gaseous brew of creation. But—and here’s the troubling point—to forge these heavy elements, you need the kind of heat and energy of a Big Bang. Yet there has been only one Big Bang and it didn’t produce them. So where did they come from? Interestingly,
Bill Bryson (A Short History of Nearly Everything)
His sermon was a forthright denunciation of sin, an austere declaration of the motto on the wall behind him: he warned his flock against the evils of heady brews, gambling, and strange women. Bootleggers caused enough trouble in the Quarters, but women were worse. Again, as I had often met it in my own church, I was confronted with the Impurity of Women doctrine that seemed to preoccupy all clergymen.
Harper Lee (To Kill a Mockingbird (To Kill a Mockingbird, #1))
Or you notice him, but nothing clicks, nothing “catches”, and before you’re even aware of a presence, or of something troubling you, the six weeks that were offered you have almost passed and he’s either already gone or just about to leave, and you’re basically scrambling to come to terms with something, which, undeknownst to you, has been brewing for weeks under your very nose and bears all the symptoms of what you’re forced to call I want.
André Aciman (Call Me By Your Name (Call Me By Your Name, #1))
But it might have started way later than I think without my noticing anything at all. You see someone, but you don't really see him, he's in the wings. Or you notice him, but nothing clicks, nothing 'catches', and before you're even aware of a presence, or of something troubling you, the six weeks that were offered you have almost passed and he's either already gone or just about to leave, and you're basically scrambling to come to terms with something, which, unbeknownst to you, has been brewing for weeks under your very nose and bears all the symptoms of what you're forced to call I WANT.
André Aciman (Call Me By Your Name (Call Me By Your Name, #1))
But it might have started way later than I think without my noticing anything at all. You see someone, but you don’t really see him, he’s in the wings. Or you notice him, but nothing clicks, nothing “catches,” and before you’re even aware of a presence, or of something troubling you, the six weeks that were offered you have almost passed and he’s either already gone or just about to leave, and you’re basically scrambling to come to terms with something, which, unbeknownst to you, has been brewing for weeks under your very nose and bears all the symptoms of what you’re forced to call I want.
André Aciman (Call Me by Your Name)
The true heart of Carolyn's farm was her kitchen, where sausages and pungent dog treats lay scattered over they counters, along with collars, magazines and books, trial application forums, checks from her students (Carolyn, not big on details, often left them lying around for months), leashes, and dog toys. Pots of coffee were always brewing, and dog people could be found sitting around her big wooden table at all hours. Devon and I were always welcome there, and he grew to love going around the table from person to person, collecting pats and treats. Troubled dogs were familiar at the table, and appreciated. If we couldn't bring our dogs many places, we could always bring them here.
Jon Katz (A Good Dog: The Story of Orson, Who Changed My Life)
She could see the judgment brewing in their eyes. She could feel them observing how scared she was standing there, how unassuredly she moved, the garb she wore, and deciding instantly that they knew everything about her. Surely she was the victim of an oppressive culture, or the enforcer of a barbaric tradition. She was likely uneducated, uncivilized, a nobody. Perhaps she was even an extremist, a terrorist. An entire race of culture and experiences diluted into a single story. The trouble was, regardless of what they saw, or how little they thought of her, in her own eyes Deya didn’t see herself much better. She was a soul torn down the middle, broken in two. Straddled and limited. Here or there, it didn’t matter. She didn’t belong.
Etaf Rum (A Woman Is No Man)
The Little Peach" A little peach in the orchard grew,— A little peach of emerald hue; Warmed by the sun and wet by the dew, It grew. One day, passing that orchard through, That little peach dawned on the view Of Johnny Jones and his sister Sue— Them two. Up at that peach a club they threw— Down from the stem on which it grew Fell that peach of emerald hue. Mon Dieu! John took a bite and Sue a chew, And then the trouble began to brew,— Trouble the doctor couldn't subdue. Too true! Under the turf where the daisies grew They planted John and his sister Sue, And their little souls to the angels flew,— Boo hoo! What of that peach of the emerald hue, Warmed by the sun, and wet by the dew? Ah, well, its mission on earth is through. Adieu!
Eugene Field
But it might have started way later than I think without my noticing anything at all. You see someone, but you don’t really see him, he’s in the wings. Or you notice him, but nothing clicks, nothing “catches,” and before you’re even aware of a presence, or of something troubling you, the six weeks that were offered you have almost passed and he’s either already gone or just about to leave, and you’re basically scrambling to come to terms with something, which, unbeknownst to you, has been brewing for weeks under your very nose and bears all the symptoms of what you’re forced to call I want. How couldn’t I have known, you ask? I know desire when I see it— and yet, this time, it slipped by completely. I was going for the devious smile that would suddenly light up his face each time he’d read my mind, when all I really wanted was skin, just skin.
André Aciman (Call Me By Your Name (Call Me By Your Name, #1))
I took a shower after dinner and changed into comfortable Christmas Eve pajamas, ready to settle in for a couple of movies on the couch. I remembered all the Christmas Eves throughout my life--the dinners and wrapping presents and midnight mass at my Episcopal church. It all seemed so very long ago. Walking into the living room, I noticed a stack of beautifully wrapped rectangular boxes next to the tiny evergreen tree, which glowed with little white lights. Boxes that hadn’t been there minutes before. “What…,” I said. We’d promised we wouldn’t get each other any gifts that year. “What?” I demanded. Marlboro Man smiled, taking pleasure in the surprise. “You’re in trouble,” I said, glaring at him as I sat down on the beige Berber carpet next to the tree. “I didn’t get you anything…you told me not to.” “I know,” he said, sitting down next to me. “But I don’t really want anything…except a backhoe.” I cracked up. I didn’t even know what a backhoe was. I ran my hand over the box on the top of the stack. It was wrapped in brown paper and twine--so unadorned, so simple, I imagined that Marlboro Man could have wrapped it himself. Untying the twine, I opened the first package. Inside was a pair of boot-cut jeans. The wide navy elastic waistband was a dead giveaway: they were made especially for pregnancy. “Oh my,” I said, removing the jeans from the box and laying them out on the floor in front of me. “I love them.” “I didn’t want you to have to rig your jeans for the next few months,” Marlboro Man said. I opened the second box, and then the third. By the seventh box, I was the proud owner of a complete maternity wardrobe, which Marlboro Man and his mother had secretly assembled together over the previous couple of weeks. There were maternity jeans and leggings, maternity T-shirts and darling jackets. Maternity pajamas. Maternity sweats. I caressed each garment, smiling as I imagined the time it must have taken for them to put the whole collection together. “Thank you…,” I began. My nose stung as tears formed in my eyes. I couldn’t imagine a more perfect gift. Marlboro Man reached for my hand and pulled me over toward him. Our arms enveloped each other as they had on his porch the first time he’d professed his love for me. In the grand scheme of things, so little time had passed since that first night under the stars. But so much had changed. My parents. My belly. My wardrobe. Nothing about my life on this Christmas Eve resembled my life on that night, when I was still blissfully unaware of the brewing thunderstorm in my childhood home and was packing for Chicago…nothing except Marlboro Man, who was the only thing, amidst all the conflict and upheaval, that made any sense to me anymore. “Are you crying?” he asked. “No,” I said, my lip quivering. “Yep, you’re crying,” he said, laughing. It was something he’d gotten used to. “I’m not crying,” I said, snorting and wiping snot from my nose. “I’m not.” We didn’t watch movies that night. Instead, he picked me up and carried me to our cozy bedroom, where my tears--a mixture of happiness, melancholy, and holiday nostalgia--would disappear completely.
Ree Drummond (The Pioneer Woman: Black Heels to Tractor Wheels)
I'm thirty-six," he rumbled in Nic's ear. "Not a fucking teenager. I'm going to miss you like crazy, but this is a two-way street, one I'd like to keep driving on with you, the same direction." He grasped Nic's chin and angled his face toward him. "Do what you need to clear the roadblocks.
Layla Reyne (Craft Brew (Trouble Brewing, #2))
Cam fell into him. Into the kiss he'd missed. Into the arms that held on tight and kept him from shattering. Into love, more and more each day with this man.
Layla Reyne (Craft Brew (Trouble Brewing, #2))
Nic angled his face in, brushing their lips together. It was a different sort of kiss for them. It was slow, gentle, full of silent words - I trust you, I've got you, I'm here - and every bit as claiming as all their other kisses. Maybe more so. And it was by far the most convincing argument Nic had ever made, without saying a word.
Layla Reyne (Craft Brew (Trouble Brewing, #2))
Why do you want me?" "You rescue lost people for a living. Is it any wonder you found me?
Layla Reyne (Craft Brew (Trouble Brewing, #2))
But if it came down to it, he'd always save the man he loved. Even if it meant a fist to his jaw. Or a bullet to his heart.
Layla Reyne (Craft Brew (Trouble Brewing, #2))
Hand on his shoulder, Cam spun him around, cutting off his words with a thief of a kiss - stealing his breath, his heart, his whole world.
Layla Reyne (Noble Hops (Trouble Brewing, #3))
I didn’t understand how someone could possibly hate everything and everybody.
Joyce Tremel (Tangled Up in Brew (Brewing Trouble Mystery, #2))
He smiles. I sit a few feet away and watch as he unpacks the linen bag. “Torin packed this, not Rayna, so who knows what we’ll find.” “Eye of newt and toe of frog,” I mutter. “Wool of bat and tongue of dog.” He smiles, waiting for me to pick up the next verse. “Sorry. That’s all I know.” He props his arms on his knees. “‘Adder’s fork and blind worm’s sting,’” he continues, affecting a macabre tone, “‘lizard’s leg and howlet’s wing, for a charm of powerful trouble, like a hell-broth, boil and bubble.’” “Yum. Breakfast of champions. Is howlet an owl?” “It is indeed.” “And blind worm must be a snake?” “No. Blind worms are lizards with no legs.” “That makes sense. That’s why those were added separately—the lizard legs.” “No respectable brew is complete without them.” “There should be some soft ingredients in there for flavor balance, like butterfly wings and dove’s feathers.” His eyebrows rise. “You’d eat butterfly wings?” “Never. I don’t know why I said that. I love butterflies.” “A symbol of rebirth and resurrection, I might add.” “Subtle, Samrael. Real subtle.” I catch myself smiling. But if he’s good—if he’s really changed—then smiling is fine. Right?
Veronica Rossi (Seeker (Riders, #2))
It seemed a bit euphemistic to call a murder an incident, almost as if it were in the same category as a purse snatching.
Joyce Tremel (Tangled Up in Brew (Brewing Trouble Mystery, #2))
Will Claxton could smell trouble brewing a mile away, but tonight he didn’t need to go that far. Seated on his favorite bar stool at The Rusty Spur, a run-down watering hole on the outskirts of Willowbend, Wyoming, the place was primed and ready.
Patricia Keelyn (Loving Lindsey (The Protectors #1))
Making her debut in 1947, Black Canary was the archetype of the new Film Noir era heroine. Originally, Black Canary was a mysterious female vigilante, who played the role of criminal in order to infiltrate the underworld and bring its gangsters to justice. A gorgeous blonde in a low cut black swimsuit, bolero jacket and fishnet tights, Black Canary was actually Dinah Drake, a florist who wore her black hair tied in a bun, and sensible, high-necked blouses. When trouble brewed, Dinah slipped into her fishnets and pinned on a blonde wig to become the gutsy, karate chopping Black Canary. But Dinah had another incentive to lead a secret life. A roguishly handsome private detective named Larry Lance became a frequent customer in Dinah’s florist shop. He had a knack for getting into trouble, and Dinah would usually end up switching into her Black Canary guise to rescue him.
Mike Madrid (The Supergirls: Fashion, Feminism, Fantasy, and the History of Comic Book Heroines)
Silent as panthers, but not one bit as deadly, we stalked our unwitting prey.
Heather Day Gilbert (Trouble Brewing (Barks & Beans Cafe Cozy Mystery #5))
In the early months of 1891, Leon followed his father, Art, to the Big House. Leon sensed that trouble was brewing for his father. He’d secretly been forewarned by Henry that Blair was plotting something awful for Art.
Olive Collins (The Tide Between Us: An Irish-Caribbean Story of Slavery & Emancipation (The O'Neill Trilogy Book 1))
Eventually I developed a keen sense of when trouble was brewing. I recognized the shift in my grandmother’s voice or the “look” that meant I had displeased her. She was not a mean person. I believe she cared for me and wanted me to be a “good girl.” And I understood that “hushing my mouth” or silence was the only way to ensure a quick end to punishment and pain. For the next forty years, that pattern of conditioned compliance—the result of deeply rooted trauma—would define every relationship, interaction, and decision in my life. The long-term impact of being whupped—then forced to hush and even smile about it—turned me into a world-class people pleaser for most of my life. It would not have taken me half a lifetime to learn to set boundaries and say “no” with confidence had I been nurtured differently.
Bruce D. Perry (What Happened to You?: Conversations on Trauma, Resilience, and Healing)
Harvard Professor William Z. Ripley began warning as early as 1924 that, although the stock market kept going up, trouble was brewing. He first focused on the sharp rise in real estate prices and the surge in mortgage lending. While the price of land increased, the profits from land fell, particularly for farms (then the predominant use of land). Even during the prosperity of the mid-1920s, many farms were defaulting on their debts, and these defaults were creating a minor crisis at some regional banks. In seven states, nearly half of the banks doing business as of 1920 failed before 1929. Ripley believed these regional difficulties in the mortgage markets would soon spill over to the stock markets.
Frank Partnoy (The Match King: Ivar Kreuger and the Financial Scandal of the Century)
Dedektiflik Antik Yunan eğitimi alan birine uygun olan tek meslek gibi görünüyor bana. Latince bir metni çözmek durumunda kaldıysanız, dedektiflik yapmakla kesin bir benzerlik taşıdığını anlarsınız. Karşınızda devrik cümlelerle dolu uzun bir ibare vardır. İlk başta karmaşadan ibaret bir kelime yığını gibi görünür. Başlangıçta işlenen suç da böyledir. Özne kurban, fiil cinayet yöntemi, nesne ise cinayetin gerekçesidir. Bu üçü bütün cümlelerin ve suçların esasıdır. Önce özneyi bulursun, sonra fiili ararsın ve bu ikisi seni nesneye götürür. Ama suçluyu, yani cümlenin anlamını henüz keşfetmemişsindir. İpucu mahiyetinde ya da dikkat dağıtıcı birkaç yan cümle vardır; bunları aklını kullanarak birbirinden ayırman, sonra bütünün anlamına uyacak ve o anlamı açıklayacak şekilde yeniden yapılandırman gerekir. Bu bir analiz ve sentez uygulamasıdır; dedektiflerin alabileceği en iyi eğitimdir.
Nicholas Blake (There's Trouble Brewing (Nigel Strangeways, #3))
Does it seem like things were better when you were younger?" Huck asked. "Did life really make more sense then?" "Yeah," Tress whispered. "I remember...calm nights, watching the spores fall from the moon. Lukewarm cups of honey tea. The thrill of baking something new." "I remember not being afraid," Huck said. "I remember waking each day to familiar scents. I remember thinking I understood how my life would go. Same as my parents'. Simple. Maybe not wonderful, but also not terrifying." "I don't think things were really better though," Tress said softly, still staring at the ceiling. "We just remember it that way because it's comforting." "And because we couldn't see the troubles," Huck agreed. "Maybe we didn't want to see them. When you're young, there's always someone else to deal with the problems." Tress nodded. Beyond that, memories have a way of changing on us. Souring or sweetening over time - like a brew we drink, then recreate later by taste, only getting the ingredients mostly right. You can't taste a memory without tainting it with who you have become. That inspires me. We each make our own lore, our own legends, every day. Our memories are our ballads, and if we tweak them a little with every performance...well, that's all in the name of good drama. The past is boring anyway. We always pretend the ideals and culture of the past have aged like wine, but in truth, the ideas of the past tend to age more like biscuits. They simple get stale.
Brandon Sanderson (Tress of the Emerald Sea)
Keep still! When trouble is brewing, keep still! When slander is getting on its legs, keep still! When your feelings are hurt, keep still till you recover from your excitement at any rate! Things look different through an unagitated eye.
Lettie B. Cowman (Springs in the Valley: 365 Daily Devotional Readings)
That's real gosh-darn unfortunate, because if you need to 'justify your actions' before dropping the hammer every time you've got some jerk in your sights, I might as well spare you the trouble of going on this little crusade of yours and blow your kidneys all over the desert right here and now. Killing isn't about weighing the morality of every trigger pull, it's about putting people who deserve to die in the ground so the people who don't deserve death can go on living their benign, meaningless lives a little while longer. That's it. Do you think you can shoot Pauly Paggiano in the face for what he did, but you can't go down and cap the filth brewing up poison going to some single mother in need of a fix? Well, what makes you think you can shoot Paggiano's bodyguard, who never did anything to you? I mean, he just works for the family, right? Once you start letting that nonsense corrode the wiring between your brain and your trigger finger, you might as well put one in your own brainpan, because you're done.
Jack Badelaire (Killer Instincts)
Trouble is brewing in Wind River. The Irish and Chinese are up in arms, and the friendly Shoshone stand accused of stealing cattle. Marshal Cole Tyler sets out to track down the saboteurs-lighting a fuse that will set off a bloody massacre.
James Reasoner (Wind River)
he flipped
Linda Evans Shepherd (Potluck Club--Trouble's Brewing, The (The Potluck Club #2))
So what are the implications of this study? One is pragmatic. If you’re running a campaign, you shouldn’t worry about offending the 30 percent of the population whose brains can’t process information from your side of the aisle unless their lives depend on it (e.g., after an attack on the U.S. mainland). If you’re a Republican, your focus should be on moving the 10 to 20 percent of the population with changeable minds to the right and bringing your unbending 30 percent to the polls. Republican strategists in fact have had no trouble branding Northern Californians and Northeasterners “latte-drinking liberals.” They know their own party’s kitchen doesn’t have room for a latte maker, and that scalding the other side can bring a little froth to the mouths of their own voters. The implications for Democrats should be equally clear: Stop worrying about offending those who consider Pat Robertson and Jerry Falwell moral leaders because their minds won’t bend to the left. Indeed, the failure of the Democratic Party for much of the last decade to define itself in opposition to anyone or anything has created a Maxwell House Majority convinced that the only coffee the Democrats are capable of brewing is lukewarm and tepid—tested by pollsters to insure that it’s not too hot or too strong—and served up with stale rhetoric. And they’re right.
Drew Westen (The Political Brain: The Role of Emotion in Deciding the Fate of the Nation)
Even before those in Bermuda knew that Ravens’s mission was unsuccessful, Sir Thomas Gates ordered the construction of a pinnace that could carry survivors on to Jamestown. He may have figured there were no ships in Virginia large enough to rescue all the survivors—more than 140 following the departure of Ravens and his shipmates—or he may simply have been pragmatic about the likelihood that the longboat might never make it to the Chesapeake. In any event, the same day that Ravens left, the keel of the pinnace was laid on Buildings Bay, just south of the beach on which Gates and the other survivors first came ashore. There, a group of men set about building a large pinnace under the direction of Frobisher, the able ship’s carpenter. But even as they laid the keel and began fashioning the ribs of the vessel they hoped would carry them to safety, trouble was brewing, trouble that would ultimately threaten tragedy for all the Sea Venture survivors.
Kieran Doherty (Sea Venture: Shipwreck, Survival, and the Salvation of Jamestown)
Late-stage cup-with-handle formations seem to be particularly vulnerable, especially when they are very wide and loose. A cup-with-handle formation is often a very productive first-stage base to see when a stock is just starting a big upside price run, but when you start to see these sloppy late-stage cup-with-handle formations after a long upside price move, they can often mean that trouble is brewing.
Gil Morales (Short-Selling with the O'Neil Disciples: Turn to the Dark Side of Trading)
Honus took out his healing kit, and set a pot of water to boil. “When the water’s ready,” he said, “I’ll tend your wound.”   Yim touched the cut on her chin. “Is it bad?”   Honus peered at it in the firelight. “No, but you’ll have a scar.”   Yim smiled wryly. “I’m catching up with your collection.”   “I’m keeping apace with you,” replied Honus.   For the first time, Yim noticed that Honus’s shirtsleeve was torn and blood-soaked. She gasped. “Honus! Why didn’t you tell me you were hurt?”   “I didn’t wish to trouble you. Besides, it’s not deep.” He rolled up his right sleeve to reveal a bloody gash on his forearm.   When the water boiled, Honus poured some into a wooden bowl and added powder from a vial in his healing kit. After cleaning the blood from Yim’s face, he wetted a cloth with the solution in the bowl. “This will sting,” he said.   “I remember,” replied Yim. She winced as the solution foamed inside her cut. Glimpsing the concern in Honus’s eyes, she tried to hide her pain. She took a deep breath and said, “I’m glad that’s over.”   Honus cleaned the gash on his arm with the same solution, then asked, “Would you stitch my wound closed? I’d rather not do it left-handed.”   “I’ll try,” said Yim, “but I’ve never done the like before.”   “It’s not hard, and I’m certain your dainty fingers will do finer work than Theodus’s thick ones ever managed.”   “Before you malign his stitching, you should compare it to mine,” said Yim. “As a girl, I was more adept with goats than needlework.”   “Then pretend I’m a goat.”   Honus took out a curved needle and a strand of gut from his kit and dipped them in the cleansin g solution. He declined Yim’s suggestion to prepare a brew for his pain, stating he wanted to stay alert. When Yim nervously sewed his wound, he was absolutely stoic. He guided her stitching calmly, tensing only slightly each time the needle pierced his flesh. The only evidence of his pain was the deep breath he took when Yim was done. Honus gazed at his stitches and smiled. “You underestimate your skill.”   “I’m glad you’re so easily pleased,” Yim replied. “The woman who raised me would’ve made me tear out the seam and restitch it.”   Honus winced. “Let’s talk of food, instead,” he said quickly. “Perhaps this would be a good night to have that cheese we were saving.”   “To celebrate our new scars?’   “To celebrate we’re both alive.
Morgan Howell (Candle in the Storm (Shadowed Path, #2))
And the Tory Party. That’s why I said I felt trouble was brewing. Arthur Balfour is attempting to sit on the fence, but that won’t do him much good. He may well find himself out of 10 Downing Street sooner than he expects.
Barbara Taylor Bradford (A Woman of Substance (Emma Harte Saga #1))
For the price of a few battleships, we could give you a healthy nation. We have the knowledge, the skill, the material resources; but those in power prefer to use them for destroying their competitors and safeguarding their own profits.
Nicholas Blake (There's Trouble Brewing (Nigel Strangeways, #3))
What I realize now is that maybe what we see as the big life decisions of career and education and location are actually the small ones. The big decisions are the ones that transcend every place and relationship and job—integrity and kindness, mercy and generosity, love and joy and justice.
Dorcas Smucker (Tea and Trouble Brewing)
Just outside the walls of the City, trouble was brewing. They came in boats from a land far across the sea. Many boats crammed with many hopefuls washed up on the shores in the shadow of the great cliffs. Like driftwood. These flotsam people were dazed, broken – perhaps at an extreme – optimistic. Surely there would be salvation within the thick city walls? They appeared in a whisper – like the hissing of the surf. No citizen came to welcome them. No delegates. No photo-ops for ambitious politicians. Instead, only the City’s military – soldiers and officers with faces as hard and blank as the cliff the City teetered upon – were waiting. They were herded in silence. Those without papers were left on the stony beach. There would be tents, bunks, and prefab houses in time. The lucky ones were escorted up the great lifts and transported along the subway system – out of sight. A Downtown station would process them. See this crowd of Driftwood people, Eva. See them huddle together in the dark, the glint of hope in their eyes. The color of their skin, how the women covered their hair, and how the men wore their beards – these were the superficial differences that would mark them so starkly here. The label of ‘other’ already hung around their necks without them even knowing.
Marcel M. du Plessis (The Silent Symphony)
Something is going on–something is brewing. Not just in one country. In quite a lot of countries. They’ve recruited a service of their own and the danger about that is that it’s a service of young people. And the kind of people who will go anywhere, do anything, unfortunately believe anything, and so long as they are promised a certain amount of pulling down, wrecking, throwing spanners in the works, then they think the cause must be a good one and that the world will be a different place. They’re not creative, that’s the trouble–only destructive. The creative young write poems, write books, probably compose music, paint pictures just as they always have done. They’ll be all right–But once people learn to love destruction for its own sake, evil leadership gets its chance.
Agatha Christie (Passenger to Frankfurt)
THERE CAME A time when there was great movement upon the Earth and above it, when the destiny of Men and Gods was hammered out upon the forge of Fate, when monstrous wars were brewed and mighty deeds were designed. And there rose up in this time, which was called the Age of the Young Kingdoms, heroes. Greatest of these heroes was a doom-driven adventurer who bore a crooning runeblade that he loathed. His name was Elric of Melniboné, king of ruins, lord of a scattered race that had once ruled the ancient world. Elric, sorcerer and swordsman, slayer of kin, despoiler of his homeland, white-faced albino, last of his line. Elric, who had come to Karlaak by the Weeping Waste and had married a wife in whom he found some peace, some surcease from the torment in him. And Elric, who had within him a greater destiny than he knew, now dwelt in Karlaak with Zarozinia, his wife, and his sleep was troubled, his dream dark, one brooding night in the Month of Anemone…
Michael Moorcock (Elric: The Stealer of Souls (Chronicles of the Last Emperor of Melniboné, #1))
You see someone, but you don’t really see him, he’s in the wings. Or you notice him, but nothing clicks, nothing “catches,” and before you’re even aware of a presence, or of something troubling you, the six weeks that were offered you have almost passed and he’s either already gone or just about to leave, and you’re basically scrambling to come to terms with something, which, unbeknownst to you, has been brewing for weeks under your very nose and bears all the symptoms of what you’re forced to call I want.
André Aciman (Call Me by Your Name)
As a man in recovery I must remain in serenity, clean and serene; I’ve spent enough time jazzed, wired, buzzing, and gouching. Serenity is the first thing people with addiction issues are instructed to request: God, grant me the serenity To accept the things I cannot change, Courage to change the things I can, And the wisdom to know the difference. Junkies and alkies and bulimics and gamblers and sex addicts and love addicts and people who can’t stop shopping, smoking, loving, fighting—whatever it is, there’s someone out there who’s doing too much of it—and for those people there’s a solution and sanctuary, and in those places of sanctuary, this prayer is recited. The first thing is serenity. The agitation has to end. The itchy irritability, the restlessness, the wanting. So do the lows, the self-loathing, wretched, heavy-hearted, lead-gutted, teary-eyed, dry-mouthed misery. The pain. So do the highs. The wide-eyed, bilious highs, the cheek-chewing, trouble-brewing highs, the never-stopping-till-I-touch-the-sky highs, the up-at-dawn hitting-the-pipe highs, chasing, defacing, heart-racing highs, gagging, shagging, blagging highs. All the things we do to change the way we feel, the way the world looks and tastes: It’s all got to go. So courage is necessary. Courage to change yourself, the one thing you can change. Your attitude and actions. Neither the serenity nor the courage are available to you on your own; if they were, you would’ve found them by now—you’ve been pretty fastidious in your research. God, however you conceptualize him, will have to grant them to you. And whatever you conceptualize God as, with your human mind, your individual brain, made up of instinctive responses, training, and memories, however you conceptualize a power that’s beyond you and the decisions you’ve made so far, your conception will be extremely limited. Likely as limited as my cat’s conception of the Internet. The invisible network of interconnected portals that communicate data are beyond my cat’s comprehension. My cat’s inability to comprehend does not impede the Internet. The World Wide Web (which is incidentally quicker to say than “double-you, double-you, double-you-dot”) will continue to exist, regardless of my cat’s awareness. Pray, then, for wisdom, wisdom to know the difference between things we can change and things we can’t. Likely this will be a lifetime’s work, undertaken one day at a time. Which, for humans, is the way time happens
Russell Brand (Revolution)
Mozasu knew he was becoming one of the bad Koreans. Police officers often arrested Koreans for stealing or home brewing. Every week, someone on his street got in trouble with the police.
Min Jin Lee (Pachinko)
responded,
Christine Gael (Brewing Trouble (Crow's Feet Coven, #2))
Never one to back down, the prosecutor had argued back, as was their way, but with his tongue instead of words.
Layla Reyne (Imperial Stout (Trouble Brewing, #1))
Body warm, despite the cool night, Cam wanted to get even closer to it. They might both get burned, but he was done watching the fire from a distance, holding himself back from the heat.
Layla Reyne (Imperial Stout (Trouble Brewing, #1))
Try that power bottom shit all you want, but I will win this argument, Counselor.
Layla Reyne (Imperial Stout (Trouble Brewing, #1))
I ran a hand through my hair and stood up, pushing the chair in and letting my head drop between my shoulders as I leaned on it.
Christine Gael (Brewing Trouble (Crow's Feet Coven, #2))
the back of it and said, near to tears, “I’ll remain indebted to you for as long as I live for saving Jan and me.” Richard grinned to hide his embarrassment and removed his hand from her grasp. “It was nothing, really.” She opened her mouth to protest, but when her eyes caught his, she seemed to understand and gave a nod. “In any case, thank you.” “How did you get out?” Katrina asked. “On foot.” Richard could only admire the petite, dark-haired woman who looked like a walking scarecrow. Despite everything, she hadn’t lost her humor, and the iron will blazing
Marion Kummerow (Trouble Brewing (War Girls #4))
There never was trouble brewing in Scotland but that a Dalrymple was at the bottom of it!
Charles II of England