Tropical Garden Quotes

To whom I owe the leaping delight That quickens my senses in our wakingtime And the rhythm that governs the repose of our sleepingtime, the breathing in unison. Of lovers whose bodies smell of each other Who think the same thoughts without need of speech, And babble the same speech without need of meaning... No peevish winter wind shall chill No sullen tropic sun shall wither The roses in the rose-garden which is ours and ours only But this dedication is for others to read: These are private words addressed to you in public.

I thought. I thought of the slow yellow autumn in the swamp and the high honey sun of spring and the eternal silence of the marshes, and the shivering light on them, and the whisper of the spartina and sweet grass in the wind and the little liquid splashes of who-knew-what secret creatures entering that strange old place of blood-warm half earth, half water. I thought of the song of all the birds that I knew, and the soft singsong of the coffee-skinned women who sold their coiled sweet-grass baskets in the market and on Meeting Street. I thought of the glittering sun on the morning harbor and the spicy, somehow oriental smells from the dark old shops, and the rioting flowers everywhere, heavy tropical and exotic. I thought of the clop of horses' feet on cobblestones and the soft, sulking, wallowing surf of Sullivan's Island in August, and the countless small vistas of grace and charm wherever the eye fell; a garden door, a peeling old wall, an entire symmetrical world caught in a windowpane. Charlestone simply could not manage to offend the eye. I thought of the candy colors of the old houses in the sunset, and the dark secret churchyards with their tumbled stones, and the puresweet bells of Saint Michael's in the Sunday morning stillness. I thought of my tottering piles of books in the study at Belleau and the nights before the fire when my father told me of stars and butterflies and voyages, and the silver music of mathematics. I thought of hot, milky sweet coffee in the mornings, and the old kitchen around me, and Aurelia's gold smile and quick hands and eyes rich with love for me.

They reached the heart of the kingdom and were completely bewildered by what they saw. It was like they were standing in a gigantic tropical garden with large, colorful flowers of all shapes and species. There were weeping willows over small ponds and vines that grew across the ground and up the trees. There were beautiful bridges over many streams and ponds.

After Nicholas hung up the phone, he watched his mother carry buckets and garden tools across the couch grass toward a bed that would, come spring, be brightly ablaze as tropical coral with colorful arctotis, impatiens, and petunias. Katherine dug with hard chopping strokes, pulling out wandering jew and oxalis, tossing the uprooted weeds into a black pot beside her. The garden will be beautiful, he thought. But how do the weeds feel about it? Sacrifices must be made.

A little of him leaned to the muscularity of the homosexual. He would never practice, of course. The physical buttock act repelled him. Though sometimes he experienced a jolting warmth when Tom, one of his friends, bear-hugged him. Or gave him a bristled kiss on a bristled cheek. Certainly there was masculine voltage there. But it was safe. It was the rose border to the act. And like a voyeur, he could peer into the tropical garden from the safety of the rose border. He could experience male pillage of his sex mentally. Yes, it was safe. He would never step from the rose to the man-eating orchid. English rain and misty sun, yes. The hints, yes. But he would never take his machete into the jungle.

One thinks one is going to the tropics and one finds oneself in the Chinese version of Welwyn Garden City.

Fairchild Tropical Botanic Garden in Coral Gables by

They were in the middle of a garden with trees shaped as animals. There were gorillas and camels and lions. Rosie felt like she was in some strange storybook circus. Any minute the gorillas would start talking and the lions would charge towards her. "What are we doing here?" Rosie's eyes went wide. "Just follow me." Josh grinned. Rosie followed him through a maze of gardens, each more elaborate than the last. There was a Japanese garden bursting with pink and white blossoms. They passed a water garden with floating lilies, and a tropical garden with birds of paradise and purple irises. Finally they entered a small garden with low-lying plants. A butterfly rested on almost every leaf. Rosie had never seen so many butterflies. She stood still as a statue, afraid if she moved they'd fly away. "This is my favorite," Josh said as if he created the garden. "It's called the butterfly garden. All the flowers contain food attractive to butterflies. The butterflies lay their eggs and feast for days before they fly away." "They're like kaleidoscopes." Rosie peered at a butterfly with gold-and-turquoise wings.

The suburban evening was grey and yellow on Sunday; the gardens of the small houses to left and right were rank with ivy and tall grass and lilac bushes; the tropical South London verdure was dusty above and mouldy below; the tepid air swarmed with flies. Eeldrop, at the window, welcomed the smoky smell of lilac, the gramaphones, the choir of the Baptist chapel, and the sight of three small girls playing cards on the steps of the police station.

Oh, you’re missing so much, Alice,” Emily said. “Books are wonderful. You can get transported away by a good story. If we’re living in a place like this, we can read about Paris or a tropical island and feel like we’re there.

On the tenth day, in the morning, a lazy but drenching storm rolled up from the tropics and settled itself over Miryoku. The rain hissed on the garden pavers and flooded the birdbaths till they spilled over. Thunder rolled around the edges of town.

She wandered around Sally's garden, sipping coffee, stopping to admire the grevillea and talk to the chickens. As the warmth of the sun unknotted the tension in her spine, Alice noticed a lush alley of potted tropical plants alongside the house: monstera, bird of paradise, agave, staghorns and ferns. Alice was filled with a sense of wonder; it was a garden within a garden, so meticulous and well-tended in contrast to the wild beauty surrounding it. The sumptuous blends of greens. The varying, glossy foliage.

Жираф Сегодня, я вижу, особенно грустен твой взгляд, И руки особенно тонки, колени обняв. Послушай: далёко, далёко на озере Чад Изысканный бродит жираф. Ему грациозная стройность и нега дана, И шкуру его украшает волшебный узор, С которым равняться осмелиться только Луна, Дробясь и качаясь на влаге широких озёр. Вдали он подобен цветным парусам корабля, И бег его плавен, как радостный птичий полёт. Я знаю, что много чудесного видит земля, Когда на закате он прячется в мраморный грот. Я знаю весёлые сказки таинственных стран Про чёрную деву, про страсть молодого вождя, Но ты слишком долго вдыхала тяжёлый туман, Ты верить не хочешь во что-нибудь, кроме дождя. И как я тебе расскажу про тропический сад, Про стройный пальмы, про запах немыслимых трав... Ты плачешь? Послушай... далёко, на озере Чад Изысканный бродит жираф. The Giraffe O, the look in your eyes this morning is more than usually sad, With your little arms wrapped round your knees and body bent in half. Let me tell you a story: far, far away, on the distant shores of Lake Chad, There roams a most majestic giraffe Blessed with a handsome build and graceful carriage And a coat painted hypnotic, magical patterns, With which none but the moon above dare compare When her light falls down to be scattered and rocked on the waters, Passing like a blazing sail far out at sea As she runs by, nimble and carefree as a bird in flight. I hear tell the earth has seen many wonderful things When the giraffe hides herself away and the sun sets into night. I know fabulous tales of far off, alien lands, Of a dark maiden, of a young captain’s burning desire, all this I know, But you’ve breathed in the damp marsh air for so long You don’t want to believe in anything but the rain out your window. I still haven’t told you about her tropic garden, with the slenderest palm trees, The sweetest wildflowers, meadows of unbelievable grass . . . Are you crying? Let me tell you a story: far away, on the distant shores of Lake Chad, There roams a most majestic giraffe.

The sound of the universe is also spectacular around here. In the evenings there is a cricket orchestra with frogs providing the bass line. In the dead of the night dogs howl about how misunderstood they are. Before dawn the roosters for miles around announce how freaking cool it is to be roosters. Every morning around sunrise there is a tropical bird song competition, and it is always a ten way tie for the championship. When the sun comes out the butterflies get to work. The whole house is covered with vines; I feel like any day it will disappear into the foliage complete and I will disappear with it and become a jungle flower myself. The rent is less than what I use to pay in New York City for taxi fare every month. The word paradise, by the way, which comes to us from the Persian, means literally "a walled garden.

But the most constant source of enchantment during those readings came from the harlequin pattern of colored panes inset in a whitewashed framework on either side of the veranda. The garden when viewed through these magic glasses grew strangely still and aloof. If one looked through blue glass, the sand turned to cinders while inky trees swam in a tropical sky. The yellow created an amber world infused with an extra strong brew of sunshine. The red made the foliage drip ruby dark upon a pink footpath. The green soaked greenery in a greener green. And when, after such richness, one turned to a small square of normal, savorless glass, with its lone mosquito or lame daddy longlegs, it was like taking a draught of water when one is not thirsty, and one saw a matter-of-fact white bench under familiar trees. But of all the windows this is the pane through which in later years parched nostalgia longed to peer.

Presently my attention would wander still further, and it was then perhaps that the rare purity of her rhythmic voice accomplished its true purpose. I looked at a creamy cloud and years later was able to visualize its exact shape. The gardener was pottering among the peonies. A wagtail took a few steps, remembered something, and then strutted on. Coming from nowhere, a comma butterfly settled on the threshold, basked in the sun with its fulvous wings spread, suddenly closed them just to show the tiny initial chalked on the under side, and as suddenly darted away. But the most constant source of enchantment was the rhomboids of colored glass inset harlequinwise in the crisscross panes of the side windows. The garden when viewed through these magic panes grew strangely still and aloof. If one looked through the blue glass the sand turned to cinders while inky-black trees swam in a tropical sky. The yellow one led to Cathay and tea-colored vistas. The red made the foliage drip ruby dark upon a pink-flushed footpath. The green soaked greenery in a greener green. And when after such richness one turned to a little square of normal savorless glass with its lone mosquito or lame daddy longlegs, it was like taking a draught of water when one is not thirsty, and one saw the first withered leaf lying on yonder bench and the blandly familiar birch trees. But of all the windows this is the pane through which parched nostalgia would long to peer now.

BEAUTY I was charged with finding Beauty. The order whispered as I slept. A voice said it was my duty. Then quietly it wept. Filled with purpose, I set out. I was honored with my quest. In my mind there was no doubt I was up to this great test. In my garden I stopped first. My roses were in bloom. Their bright red glory burst With others mixed on Nature’s loom. Then a lady drew my gaze. She was gliding o’er the grass. Her features would gods amaze. I sighed deep and let her pass. A cathedral’s spire reached to the sky, Man-made wonder to behold. No sight more pleasing to the eye Than such a work both grand and bold. I came upon a mighty mountain, Snowcap glistening against blue sky. My eyes were drinking from beauty’s fountain. Yet I knew I could do better with another try. My journey lengthened. I crossed the earth. My will strengthened. To place beauty’s birth. Witness I was to the wonders Of beauty’s many layers. Fiery sunsets, tropic thunders, Children at their prayers. But each time I thought me near To beauty’s absolute, Something better would appear Even closer to the root. I wandered thus for many years. Despaired to ever reach my goal. I often found myself in tears. I had searched from pole to pole. Until one day on a dusty street In a poor part of the world, I found a woman begging at my feet, Her fingers gnarled and curled. I fished my pocket for a coin, Thinking good luck could be bought. Her eyes raised up to my eyes join. And I saw the woman owned what I sought. She let me pass into her soul. Into the garden there. Never in my life whole Had I conceived a sight so fair. I saw the Holy Face of God, From whose smile all beauty is born. All the steps that I had trod Were redeemed on that sweet morn

Then he went up to the window. His heart began pounding excitedly when he turned back the yellow linen of the curtain. An enchantingly beautiful spectacle was revealed before him — although today he immediately noticed that there was something strange in the entire aspect of this extensive and excellently arranged Garden. Precisely what amazed him he was still unable to say right away, and he began to examine the Garden attentively. What was there so unpleasant in its beauty? Why was the Youth's heart trembling so painfully? Was it that everything in the enchanted Garden was too exact. All the paths were laid out geometrically, and all were of the same width, and all were covered with precisely the same amount of yellow sand; the plants were all arranged with exaggerated orderliness; the trees were trimmed in the form of spheres, cones and cylinders; the flowers were arranged according to the various shades so that their composition was pleasing to the eye, but for some reason or other this wounded the soul. But giving it careful thought, what was there unpleasant in that orderliness which merely bore witness to the careful attention which someone paid to the Garden? Of course there was no reason for this to cause the strange apprehension which oppressed the Youth. But it was in something else as yet incomprehensible to the Youth. One thing was for certain, though, that this Garden did not resemble any other garden which the Youth had happened to see in his time. Here he saw giant flowers of an almost too brilliant color — at times it seemed that many-colored fires were burning in the midst of the luxuriant greenery — brown and black stalks of creeping growths, thick like tropical serpents; leaves of a strange shape and immeasurable size, whose greeness seemed to be unnaturally brilliant. Heady and languid fragrances wafted through the window in gentle waves, breaths of vanilla, frankincense and bitter almond, sweet and bitter, ecstatic and sad, like some joyous funereal mysterium. The Youth felt the tender yet lively touches of the gentle wind. But in the Garden it seemed as if the wind had no strength and lay exhausted on the tranquil green grass and in the shadows beneath the bushes of the strange growths. And because the trees and grass of the strange Garden were breathlessly quiet and could not hear the softly blowing wind above them and did not reply to it, they seemed to be inanimate. And thus they were deceitful, evil and hostile to man. ("The Poison Garden")

The domestication of grain was accompanied by an equally radical innovation in the preparation of food: the invention of bread. In an endless variety of forms, from the unleavened wheat or barley of the Near East to the corn tortillas of the Mexicans and the yeast-risen bread of later cultures, bread has been up to now the center of every diet. No other form of food is so acceptable, so transportable, or so universal. "Give us this day our daily bread" became a universal prayer, and so venerated was this food, as the very flesh of God, that to cut it with a knife is still, in some cultures, a sacrilege. Daily bread brought a security in the food supply that had never before been possible. Despite seasonal fluctuations in yield due to floods or droughts, the cultivation of grains made man assured of his daily nourishment, provided he worked steadily and consecutively, as he had never been certain of the supply of game or his luck in killing it. With bread and oil, bread and butter, or bread and bacon, neolithic cultures had the backbone of a balanced diet, rich in energy, needing only fresh garden produce to be entirely adequate. With this security, it was possible to look ahead and plan ahead with confidence. Except in the tropical areas, where soil regeneration was not mastered, groups could now remain rooted in one spot, surrounded by fields under permanent cultivation, slowly making improvements in the landscape, digging ditches and irrigation canals, making terraces, planting trees, which later generations would be grateful for. Capital accumulation begins at this point: the end of hand-to-mouth living. With the domestication of grains, the future became predictable as never before; and the cultivator not merely sought to retain the ancestral past, but to expand all his present possibilities: once the daily bread was assured, those wider migrations and transplantations of men, which made the country town and the city possible, speedily followed.

cigarette. They floated in the middle of the tropical green ocean with the islands in view. The water was doing something to Tatiana. It was dismantling her. With every flutter of the water she saw the Neva, the River Neva under the northern sun on the sub-Arctic white night city they once called home, the water rippled and in it was Leningrad, and in Leningrad was everything she wanted to remember and everything she wanted to forget. He was gazing at her. His eyes occasionally softened under the sticky Coconut Grove sun. “You’ve got new freckles, above your eyebrows.” He kissed her eyelids. “Golden, soft hair, ocean eyes.” He stroked her face, her cheeks. “Your scar is almost gone. Just a thin white line now. Can barely see it.” The scar she got escaping from the Soviet Union. “Hmm.” “Unlike mine?” “You have more to heal, husband.” Reaching out, she placed her hand on Alexander’s face and then closed her eyes quickly so he couldn’t pry inside her. “Tatiasha,” he called in a whisper, and then bent to her and kissed her long and true. It had been a year since she had found him shackled in Sachsenhausen’s isolation chamber. A year since she dredged him up from the bottomdwellers of Soviet-occupied Germany, from the grasping hands of Stalin’s henchmen. How could it have been a year? How long did it seem? An eternity in purgatory, a hemidemisemiquaver in heaven.

It was a bright humid night in Chiang Mai. Sangris and I trotted toward the night bazaar, stepping over the basketfuls of fried red chili that the sellers had spread out on the streets like open bowls of flowers. Finding a canal on the fringes of the market, we fed enormous gold carp. They curled through the water like submerged flames beneath the heavy tropical-black sky. Acting innocent, I bought him orange juice and watched his face change when he realized that the sellers had filled it with salt. A trick to prevent dehydration, I explained, and ran off cackling before he could get revenge. I wanted to go into the orchid farms and the butterfly gardens, but they were closed, and I refused his offer to break in (of course Sangris had a way of assuming that rules didn't apply to him, but, I said, they applied to me), so we walked along a half-lit street instead, warm greenness and humming insects all around us, and spent hours trying to catch the guppies that swarmed in innumerable pots by the roadsides. I was better at it: I could lift my hands out of the green-tinted, plant-filled water slowly, without startling the fish, and show him the flashes of yellow and orange and violet and red guppies that flickered through the water cupped in my palms like a strange and magical treasure.

Down a narrow, nondescript Bangkok lane, the graceful red roofs of a traditional Thai residence rise above a lush tropical garden, in serene contrast with the city's modern clamor all around. This was the home of an American named Jim Thompson, and it stands today as a continuing memorial to a remarkable man and to his love for Thailand's rich culture.

You know what death smells like? Fish blood that someone has buried in a garden of night-blooming flowers. Or a field mortuary during the monsoon season in a tropical country right after the power generators have failed. Or the buckets that the sugar-worker whores used to pour into the rain ditches behind their cribs on Sunday morning. If that odor comes to you on the wind or in your sleep, you tend to take special notice of your next sunrise.

It was like walking into a tropical garden in which several flocks of rare birds had exploded. Feathers jutted in all directions from silk-flowered hats and bosoms.

One early morning last week, I walked through a terraced garden over the ocean, peeling a blood orange. It was a Taroco orange, or arancia rossa, brought from Sicily many years ago, its skin thin with a hint of blush, its flesh the color of a setting sun, its sweetness beyond that of any other orange." Pursing his lips in remembrance, he went on, his voice rich with reverence and wonder. "The salt air on my lips, combined with the sweet juice, inspired this new effort. Try it for me. I'd love to know what you think." Celina brought the dark chocolate-enrobed delicacy to her nose and inhaled, reveling in the juxtaposition of aromas. Biting into it, a complexity of flavors melted across her tongue. The intense aroma of blood orange with its singular sweetness... a bitter edge of dark chocolate with hints of tropical earthiness... a tart explosion of sea salt that intensified every flavor.

She paused, taking in the display of scarlet pelargoniums, the topiary lion painstakingly created by Hoskins, the head gardener, and the tall monkey-puzzle tree that her father had planted on the occasion of her birth twenty-five years before. She noticed bees flitting from bloom to bloom, filling the air with the sound of their low hum, and over that the bright squawks of a pair of choughs. In the distance, the kitchen garden beckoned, sunlight reflecting off the panes of the glasshouse, where pineapples and tomatoes grew in the forced tropical heat.

Strident perfume rose from the gardens right and left, from purple Four O’Clocks, as mortals call them here, a rampant flower like unto weed, but infinitely sweet, and the wild irises stabbing upwards like blades out of the black mud, throaty petals monstrously big, battering themselves on old walls and concrete steps, and then as always there were roses, roses of old women and roses of the young, roses too whole for the tropical night, roses coated with poison.

This was a new way of thinking about national parks. “I have been laboring under the impression that the yardstick to use in selecting national parks ws that of the showman, that it was the spectacular we were to consider,” one congressman told Fairchild, the founder of Miami’s Fairchild Tropical Gardens. “Now you were giving us a new thought, and a very interesting one, that a piece of ground which has educational value, scientific value, rises to the heigh of national park value.

Who wrote the poems to our gardens? To our tropical moons and the bloodlust of peacocks?

Dakar with a population of over a million people is the capital and largest city of Senegal. Counting the surrounding area the population would go well over 2,000,000. This would be our last landing for fuel, before our arrival in Liberia. We took a long turn over the Atlantic and made a slow decent to the runway of the “Aéroport international de Dakar” just north of Dakar. The Portuguese founded Dakar in 1444, as a base for the export of slaves. Dakar came under French rule in 1872 and was the capital of the Mali Federation for a year after 1959. On August 20, 1960, it became the capital of Senegal. It is here that the sand dunes of the North African desert, gives way to the dense tropical rain forests of Equatorial Africa. On a map of Africa, Liberia is on the western bulge, just 5 degrees north of the equator. This is where, during the blisteringly hot summer months it constantly rains, and just south of where the tropical depressions become the fierce hurricanes that threaten the Caribbean Islands and North America. The impenetrable jungle of Liberia is euphemistically called “The Bush.” This hell hot, humid, Garden of Eden, was to become my home for the next eighteen months.

An aged lady in Inverness has often narrated to the writer the delight with which, in her youth, she used to visit the Blue House, when it was the abode of a gentleman known as 'Mr. Munro, Grenada'... There were beautiful gardens and a delightful conservatory attached to the house, but the real delight of the young people, who sometimes went there on a Saturday... was a room filled with foreign birds of brilliant plumage, having among them a parrot of such remarkable powers as had never been equalled by any parrot in Inverness.

Even our garden lawn—most domesticated of foliage—needed mowing again almost as soon as it was done … like some lush, green five o’clock shadow.

Thus, although his rhetoric and his working style demanded the strictest observance of what the world presented to him, he did not see innocently. “His pleasure came less,” Gertrude Himmelfarb argues, “from the passive, sensual act of seeing than from the effort of comprehending and analyzing.”13 He could not, he admits, “resist forming [an hypothesis] on every subject” (Autobiography, 141). Himmelfarb errs here only in that “the sensual act of seeing,” if not often passive, was intensely pleasurable for Darwin, as passage after passage of The Voyage of the Beagle and even of the Origin make plain. The sensual pleasure was enwound with the intellectual pleasure of the hypothesis. Direct engagement with the natural world—the exotic tropics and spiders at sea and the weeds in his garden—carried him through his virtually lifelong painful illness and beyond his loss of feeling for the poetry that had inspired and taught him in his early Beagle years. “The

This got me thinking that perhaps the granularity of attention we achieve outward also extends inward, so that as the perceptual details of our environment unfold in surprising ways, so too do our own intricacies and contradictions. My dad said that leaving the confined context of a job made him understand himself not in relation to that world, but just to the world, and forever after that, things that happened at work only seemed like one small part of something much larger. It reminds me of how John Muir described himself not as a naturalist but as a “poetico-trampo-geologist-botanist and ornithologist-naturalist etc. etc.,” or of how Pauline Oliveros described herself in 1974: Pauline Oliveros is a two legged human being, female, lesbian, musician, and composer among other things which contribute to her identity. She is herself and lives with her partner…along with assorted poultry, dogs, cats, rabbits and tropical hermit crabs.10 Of course, there’s an obvious critique of all of this, and that’s that it comes from a place of privilege. I can go to the Rose Garden, stare into trees, and sit on hills all the time because I have a teaching job that only requires me to be on campus two days a week, not to mention a whole set of other privileges.

If the end of the world could be localized in a precise spot, it would be the meteorological observatory of Pëtkwo: a corrugated-iron roof that rests on four somewhat shaky poles and houses, lined up on a shelf, some recording barometers, hygrometers, and thermographs, with their rolls of lined paper, which turn with a slow clockwork ticking against an oscillating nib. The vane of an anemometer at the top of a tall antenna and the squat funnel of a pluviometer complete the fragile equipment of the observatory, which, isolated on the edge of an escarpment in the municipal garden, against the pearl-gray sky, uniform and motionless, seems a trap for cyclones, a lure set there to attract waterspouts from the remote tropical oceans, offering itself already as the ideal relict of the fury of the hurricanes.

The jackapples were long and red and oddly pointed at one end. One or two had been cut open as Joe dug them up, showing flesh which looked tropically pink in the sun. The boy staggered a little under the weight of the box. "Watch your step," called Joe. "Don't drop 'em. They'll bruise." "But these are just potatoes." "Aye," said Joe, without taking his eyes from the vegetable cutter. "I thought you said they were apples, or something." "Jacks. Spuds. Taters. Jackapples. Poms de Tair." "Don't look like much to me," said Jay. Joe shook his head and began to feed the roots into the vegetable cutter. Their scent was sweetish, like papaya. "I brought seeds for these home from South America after the war," he said. "Grew 'em right here in my back garden. Took me five years just to get the soil right. If you want roasters, you grow King Edwards. If you want salads, it's your Charlottes or your Jerseys. If it's chippers you're after, then it's your Maris Piper. But these..." He reached down to pick one up, rubbing the blackened ball of his thumb lovingly across the pinkish skin. "Older than New York, so old it doesn't even have an English name. Seed more precious than powdered gold. These aren't just potatoes, lad." He shook his head again, his eyes brimful of laughter under the thick gray brows. "These are me Specials." Jay watched him cautiously. "So what are you making?" he asked at last. Joe tossed the last jackapple into the cutter and grinned. "Wine, lad. Wine.

For example, long-distance migrating birds commonly eat more prior to their big flights. These birds become quite fat, which provides the energy they need to make the journey. The European garden warbler will risk crossing the Sahara Desert to its winter habitat in tropical Africa once it has enough fat stores. But the record breaker for distance is the bar-tailed godwit, a seashore bird that uses its long beak to probe sand or mud for insects and crustaceans and builds up fat stores in both its body and liver in late fall before migration. One godwit was documented to have flown seven thousand miles in an eight-day nonstop flight from Alaska to New Zealand.