Tropical Flower Quotes

We've searched our database for all the quotes and captions related to Tropical Flower. Here they are! All 77 of them:

Here is adventure. Here is romance. Here is mystery. Tropical rivers – silently flowing into the unknown. The unbelievable splendor of exotic flowers … the eerie sound of the jungle … with eyes that are always watching. This is Adventureland.
Walt Disney Company
Hey Sydney," she said, giving me a small, crooked smile as she entered the room. Her flashing, dark eyes were friendly, but they were also assessing everything in the room, much as Eddie's gaze was. It was a guardian thing. Rose was about my height and dressed very casually in jeans and a red tank top. But, as always, there was something as exotic and dangerous about her beauty that made her stand out from everyone else. She was like a tropical flower in this dark, stuffy room. One that could kill you.
Richelle Mead (Bloodlines (Bloodlines, #1))
But during all these years I had a vague but persistent desire to return to New Orleans. I never forgot New Orleans. And when we were in tropical places and places of those flowers and trees that grow in Louisiana, I would think of it acutely and I would feel for my home the only glimmer of desire I felt for anything outside my endless pursuit of art.
Anne Rice (Interview with the Vampire (The Vampire Chronicles, #1))
I smiled at my champion, but he just shook his head and muttered more words in Spanish. I was pretty sure he either called me a beautiful tropical flower or a raving lunatic. Sometimes I get my nouns mixed up.
Jenny B. Jones (I'll Be Yours)
A Christmas frost had come at midsummer; a white December storm had whirled over June; ice glazed the ripe apples, drifts crushed the blowing roses; on hayfield and cornfield lay a frozen shroud: lanes which last night blushed full of flowers, to-day were pathless with untrodden snow; and the woods, which twelve hours since waved leafy and flagrant as groves between the tropics, now spread, waste, wild, and white as pine-forests in wintry Norway.
Charlotte Brontë
Grandma's house had the atmosphere of a Tupperware box left out in the sun. Like a tropical flower, she had to be kept warm and moist at all times, or she would wilt and die.
Matthew Crow (In Bloom)
Once she was standing by her locker and her puka shells broke and scattered and she made a joke about it but he could tell she was upset. He wanted to buy her some more. He wanted to give her a million strands of little nesting polished shells, and tropical flowers and ice creams and lemonades and a pale blue surfboard to teach her to surf on and anything else she wanted. Instead he let his checkered Vans step on one of the rolling shells and crush it.
Francesca Lia Block (Wasteland)
She was like a tropical flower in this dark, stuffy room. One that could kill you.
Richelle Mead (Bloodlines (Bloodlines, #1))
All the men she's been with and now you, just you, and the barges going by, masts and hulls, the whole damned current of life flowing through you, through her, through all the guys behind you and after you, the flowers and the birds and the sun streaming in and the fragrance of it choking you, annihilating you.
Henry Miller (Tropic of Cancer (Tropic, #1))
Beside the plain blue homespun and white linen which modestly clothed Aunt Rachel and Judith, Kit’s flowered silk gave her the look of some vivid tropical bird lighted by mistake on a strange shore.
Elizabeth George Speare (The Witch of Blackbird Pond)
The tropical sun flickered between the swaying fronds of palm trees overhead. Ray and Ilsa rubbed their necks and blinked as they came out of their stupor. Their hair stood on end in frazzled locks, like quills upon the fretful porcupine. Their clothes were scorched, but they were alive. Or were they? Speechless, they gazed at their surroundings. Above them was an azure sky with fluffy clouds shaped like Spanish galleons sailing across a celestial sea. Birds chattered and sang in the foliage, which was fragrant and brilliant with blue, and pink and yellow flowers. Had they died? Was this heaven? Or, perish the thought, since obviously they were in the tropics, the other place?
James Allen Moseley (The Duke of D.C.: The American Dream)
On an impulse he cannot explain, he buys himself a one-way ticket - and the evening of that very same day finds him wandering the streets of the old colonial quarter of the Colombian town. Girls in love with boys on scooters, screeching birds, tropical flowers on winding vines, saudade, and solitude, One Hundred Years of it; and then, as the tropical dusk darkens the corners of the Plaza de la Adana, he sees a woman, her fingers toying with a necklace of lapis lazuli, and they stand still as the world eddies about them.
David Mitchell (The Bone Clocks)
If I could, I would choose every day another form, plant or animal, I would be all the flowers one by one: weed, thistle or rose; a tropical tree with a tangle of branches, seaweed cast by the shore, or mountain whipped by winds; bird of prey, a croaking bird, or a bird with a melodious song; beast of the forest or tame animal. Let me live the life of every species , wildly and un-self-consciously, let me try out the entire spectrum of nature, let me change gracefully, discreetly, as if it were the most natural procedure.
Emil M. Cioran (On the Heights of Despair)
I thought. I thought of the slow yellow autumn in the swamp and the high honey sun of spring and the eternal silence of the marshes, and the shivering light on them, and the whisper of the spartina and sweet grass in the wind and the little liquid splashes of who-knew-what secret creatures entering that strange old place of blood-warm half earth, half water. I thought of the song of all the birds that I knew, and the soft singsong of the coffee-skinned women who sold their coiled sweet-grass baskets in the market and on Meeting Street. I thought of the glittering sun on the morning harbor and the spicy, somehow oriental smells from the dark old shops, and the rioting flowers everywhere, heavy tropical and exotic. I thought of the clop of horses' feet on cobblestones and the soft, sulking, wallowing surf of Sullivan's Island in August, and the countless small vistas of grace and charm wherever the eye fell; a garden door, a peeling old wall, an entire symmetrical world caught in a windowpane. Charlestone simply could not manage to offend the eye. I thought of the candy colors of the old houses in the sunset, and the dark secret churchyards with their tumbled stones, and the puresweet bells of Saint Michael's in the Sunday morning stillness. I thought of my tottering piles of books in the study at Belleau and the nights before the fire when my father told me of stars and butterflies and voyages, and the silver music of mathematics. I thought of hot, milky sweet coffee in the mornings, and the old kitchen around me, and Aurelia's gold smile and quick hands and eyes rich with love for me.
Anne Rivers Siddons (Colony)
Jasmine flowers are so pale, so delicate. You think they couldn't survive in this relentless tropical heat. But they thrive on it. They go strong and gorgeous, and they bloom. Their perfume is . . . intoxicating, so strong that it leaves its mark on you long after you've left behind.
Hanna Alkaf (The Weight of Our Sky)
Lily's taste of beneficence had wakened in her a momentary appetite for well-doing. Her visit to the Girls' Club had first brought her in contact with the dramatic contrasts of life. She had always accepted with philosophic calm the fact that such existences as hers were pedestalled on foundations of obscure humanity. The dreary limbo of dinginess lay all around and beneath that little illuminated circle in which life reached its finest efflorescence, as the mud and sleet of a winter night enclose a hot-house filled with tropical flowers. All this was in the natural order of things, and the orchid basking in its artificially created atmosphere could round the delicate curves of its petals undisturbed by the ice on the panes.
Edith Wharton (The House of Mirth)
After Nicholas hung up the phone, he watched his mother carry buckets and garden tools across the couch grass toward a bed that would, come spring, be brightly ablaze as tropical coral with colorful arctotis, impatiens, and petunias. Katherine dug with hard chopping strokes, pulling out wandering jew and oxalis, tossing the uprooted weeds into a black pot beside her. The garden will be beautiful, he thought. But how do the weeds feel about it? Sacrifices must be made.
Stephen M. Irwin (The Dead Path)
Humboldt's glorious descriptions are & will for ever be unparalleled: but even he with his dark blue skies & the rare union of poetry with science which he so strongly displays when writing on tropical scenery, with all this falls far short of the truth,he averred." The delight one experiences in such times bewilders the mind; if the eye attempts to follow the flight of a gaudy butter-fly, it is arrested by some strange tree or fruit; if watching an insect one forgets it in the stranger flower it is crawling over; if turning to admire the splendor of the scenery, the individual character of the foreground fixes the attention. The mind is a chaos of delight, out of which a world of future & more quiet pleasure will arise. I am at present fit only to read Humboldt; he like another sun illuminates everything I behold.
Charles Darwin
A Tropic flower cannot live without sun. A soul cannot live without love.
Anya Seton (Dragonwyck)
Tropical trees had been planted throughout the room, along with bright flowering plants that were busy committing the olfactory floral equivalent of aggravated assault.
Jim Butcher (Skin Game (The Dresden Files, #15))
They reached the heart of the kingdom and were completely bewildered by what they saw. It was like they were standing in a gigantic tropical garden with large, colorful flowers of all shapes and species. There were weeping willows over small ponds and vines that grew across the ground and up the trees. There were beautiful bridges over many streams and ponds.
Chris Colfer (The Wishing Spell (The Land of Stories, #1))
Endless love and voluptuous appetite pervaded this stifling nave in which settled the ardent sap of the tropics. Renée was wrapped in the powerful bridals of the earth that gave birth to these dark growths, these colossal stamina; and the acrid birth-throes of this hotbed, of this forest growth, of this mass of vegetation aglow with the entrails that nourished it, surrounded her with disturbing odours. At her feet was the steaming tank, its tepid water thickened by the sap from the floating roots, enveloping her shoulders with a mantle of heavy vapours, forming a mist that warmed her skin like the touch of a hand moist with desire. Overhead she could smell the palm trees, whose tall leaves shook down their aroma. And more than the stifling heat, more than the brilliant light, more than the great dazzling flowers, like faces laughing or grimacing between the leaves, it was the odours that overwhelmed her. An indescribable perfume, potent, exciting, composed of a thousand different perfumes, hung about her; human exudation, the breath of women, the scent of hair; and breezes sweet and swooningly faint were blended with breezes coarse and pestilential, laden with poison. But amid this strange music of odours, the dominant melody that constantly returned, stifling the sweetness of the vanilla and the orchids' pungency, was the penetrating, sensual smell of flesh, the smell of lovemaking escaping in the early morning from the bedroom of newlyweds.
Émile Zola (La Curée)
Nature is medicinal; the sun, large bodies of water, and deep breaths of fresh air. Healing is found in the mountains, amidst a forest, by fire, and water. I still recall how healing it was to be home, my parents' island, waking up to tropical sounds of morning; monkeys, tropical birds, and tropical animals discussing their days, feet in sand, and the glorious sound of tropical rain. Visuals of lush greens and vibrant flowers, nature calls us into ourselves, nature calls us home
Cheyanne Ratnam
It looked like a dream. She couldn't even see the house from the gate, just a long driveway lined with trees filled with pink and white flowers, hummingbirds darting through the air, monkeys peering between the leaves, and the sun washing gold over everything.
Akwaeke Emezi (You Made a Fool of Death with Your Beauty)
Overall, tropical rain forests cover only about 6 percent of Earth’s surface, but harbor more than half of its animal life and about two-thirds of its flowering plants, and most of this life remains unknown to us because too few researchers spend time in them.
Bill Bryson (A Short History of Nearly Everything)
The light irradiates white peaks of Annapurna marching down the sky, in the great rampart that spreads east and west for eighteen hundred miles, the Himalaya- the alaya (abode, or home) of hima (snow).Hibiscus, frangipani, bougainvillea: seen under snow peaks, these tropical blossoms become the flowers of heroic landscapes. Macaques scamper in green meadow, and a turquoise roller spins in a golden light. Drongos, rollers, barbets, and white Eqyptian vulture are the common birds, and all have close relatives in East Africa.
Peter Matthiessen (The Snow Leopard)
Until they arrived, while everyone else was transitioning to winter, putting on coats and sweaters, I was going to stick with my summer dress and my usual work blazer. Dressed in the dazzling flowers of some tropical island adrift in an ocean of deep pink, there I sat, in a season and place all my own.
Emi Yagi (Diary of a Void)
Darwin, landing in Brazil in 1832, had a similar reaction, colored by his reading of his predecessor." Humboldt's glorious descriptions are & will for ever be unparalleled: but even he with his dark blue skies & the rare union of poetry with science which he so strongly displays when writing on tropical scenery, with all this falls far short of the truth,he averred." The delight one experiences in such times bewilders the mind; if the eye attempts to follow the flight of a gaudy butter-fly, it is arrested by some strange tree or fruit; if watching an insect one forgets it in the stranger flower it is crawling over; if turning to admire the splendor of the scenery, the individual character of the foreground fixes the attention. The mind is a chaos of delight, out of which a world of future & more quiet pleasure will arise. I am at present fit only to read Humboldt; he like another sun illuminates everything I behold.
Charles Darwin
He put his shoes over the red stone footprints and when he came to the last one on the path, fell to the ground and imagined being shot. The grass was cool and sharp on his cheek. Dying, he resolved, was like that—like lying down on a piece of very green grass, surrounded by flowering shrubs, and never getting up again.
John Murray (A Few Short Notes on Tropical Butterflies)
It was about loving the men who were with you, while they were with you, and valuing every last one of them. It was, in the end, about love. The love of a lover, of friends, and of partners, of people that I never wanted to lose, and wanted to wake up beside every damn day. It was about home. Home wasn’t a place, or a building, or a tropical night full of flowers and rain. Love made home not out of boards and walls and furniture, but of hands to hold, and smiles to share, and the warmth of that body cuddled around you in the dark. I swam in the darkness of the ocean on a raft of hands, and bodies, and giving a damn what happened to them all.
Laurell K. Hamilton (Hit List (Anita Blake, Vampire Hunter, #20))
Home wasn’t a place, or a building, or a tropical night full of flowers and rain. Love made home not out of boards and walls and furniture, but of hands to hold, and smiles to share, and the warmth of that body cuddled around you in the dark. I swam in the darkness of the ocean on a raft of hands, and bodies, and giving a damn what happened to them all.
Laurell K. Hamilton (Hit List (Anita Blake, Vampire Hunter, #20))
But where should he begin? - Well, then, the trouble with the English was their: Their: In a word, Gibreel solemnly pronounced, their weather. Gibreel Farishta floating on his cloud formed the opinion that the moral fuzziness of the English was meteorologically induced. 'When the day is not warmer than the night,' he reasoned, 'when the light is not brighter than the dark, when the land is not drier than the sea, then clearly a people will lose the power to make distinctions, and commence to see everything - from political parties to sexual partners to religious beliefs - as much-the-same, nothing-to-choose, give-or-take. What folly! For truth is extreme, it is so and not thus, it is him and not her; a partisan matter, not a spectator sport. It is, in brief, heated. City,' he cried, and his voice rolled over the metropolis like thunder, 'I am going to tropicalize you.' Gibreel enumerated the benefits of the proposed metamorphosis of London into a tropical city: increased moral definition, institution of a national siesta, development of vivid and expansive patterns of behaviour among the populace, higher-quality popular music, new birds in the trees (macaws, peacocks, cockatoos), new trees under the birds (coco-palms, tamarind, banyans with hanging beards). Improved street-life, outrageously coloured flowers (magenta, vermilion, neon-green), spider-monkeys in the oaks. A new mass market for domestic air-conditioning units, ceiling fans, anti-mosquito coils and sprays. A coir and copra industry. Increased appeal of London as a centre for conferences, etc.: better cricketeers; higher emphasis on ball-control among professional footballers, the traditional and soulless English commitment to 'high workrate' having been rendered obsolete by the heat. Religious fervour, political ferment, renewal of interest in the intellegentsia. No more British reserve; hot-water bottles to be banished forever, replaced in the foetid nights by the making of slow and odorous love. Emergence of new social values: friends to commence dropping in on one another without making appointments, closure of old-folks' homes, emphasis on the extended family. Spicier foods; the use of water as well as paper in English toilets; the joy of running fully dressed through the first rains of the monsoon. Disadvantages: cholera, typhoid, legionnaires' disease, cockroaches, dust, noise, a culture of excess. Standing upon the horizon, spreading his arms to fill the sky, Gibreel cried: 'Let it be.
Salman Rushdie (The Satanic Verses)
They were in the middle of a garden with trees shaped as animals. There were gorillas and camels and lions. Rosie felt like she was in some strange storybook circus. Any minute the gorillas would start talking and the lions would charge towards her. "What are we doing here?" Rosie's eyes went wide. "Just follow me." Josh grinned. Rosie followed him through a maze of gardens, each more elaborate than the last. There was a Japanese garden bursting with pink and white blossoms. They passed a water garden with floating lilies, and a tropical garden with birds of paradise and purple irises. Finally they entered a small garden with low-lying plants. A butterfly rested on almost every leaf. Rosie had never seen so many butterflies. She stood still as a statue, afraid if she moved they'd fly away. "This is my favorite," Josh said as if he created the garden. "It's called the butterfly garden. All the flowers contain food attractive to butterflies. The butterflies lay their eggs and feast for days before they fly away." "They're like kaleidoscopes." Rosie peered at a butterfly with gold-and-turquoise wings.
Anita Hughes (California Summer)
He saw her as he would always see her, a slender girl in a simple beige dress, curled in a large wing chair by the white fireplace. The chair was a gaudy piece patterned in greens and purples, like tropical flowers, with a scrawl of cerise breaking the pattern. Her hair was the color of palest gold, a silvery gold, and she wore it pulled away from her face into a curl at the back of her neck. She had a fine face, nothing pretty-pretty about it, a strong face with high cheek bones and a straight nose. Her eyes were beautiful, sea blue, slanted like wings; and her mouth was a beautiful curve. Yet she wasn’t beautiful; you wouldn’t look at her in a room of pretty women, in a bar or night spot. You wouldn’t notice her; she’d be too quiet; she was a lady and she wouldn’t want to be noticed.
Dorothy B. Hughes (In a Lonely Place)
like some of these blatant tropical flowers. He had been in the house for six weeks, and had not as yet attempted to slap him on the back, or address him as "old boy," or try to make him feel a superannuated fossil. He had nothing of the exasperating young man's chatter. He was good-tempered, had not much to say for himself, was not clever by any means, thank goodness—wrote my friend. It appeared, however, that Jim was clever enough to be quietly appreciative of his wit, while, on the other hand, he amused him by his naiveness. "The dew is yet on him, and since I had the bright idea of giving him a room in the house and having him at meals I feel less withered myself. The other day he took it into his head to cross the room with no other purpose but to open a door for me; and I felt more in touch with mankind than I had been for years. Ridiculous, isn't it? Of course I guess there is something—some awful
Various (50 Masterpieces you have to read before you die, vol 3)
She wandered around Sally's garden, sipping coffee, stopping to admire the grevillea and talk to the chickens. As the warmth of the sun unknotted the tension in her spine, Alice noticed a lush alley of potted tropical plants alongside the house: monstera, bird of paradise, agave, staghorns and ferns. Alice was filled with a sense of wonder; it was a garden within a garden, so meticulous and well-tended in contrast to the wild beauty surrounding it. The sumptuous blends of greens. The varying, glossy foliage.
Holly Ringland (The Lost Flowers of Alice Hart)
Tropical palms bring strong solar energy to your home that break up stale energy, and keep your home safe from nasty spiritual entities. The African violet is associated with love and magic, and its vibrant purple flowers pull lunar energy into your home. Aloe, a succulent that grows in long spears, is moon planet associated with the water element because the gel inside the leaves in cooling and healing. The clusters of star shaped flowers that grow on the long tendrils of the hoya, also called a wax plant, produce truly intoxicating nectar whose aroma fills the whole house and bestows blessings on anyone who smells it.
Paige Vanderbeck (Green Witchcraft: A Practical Guide to Discovering the Magic of Plants, Herbs, Crystals, and Beyond)
I met an angel on the rubbish dump. The light from the flames flickered on the bamboo walls and the straw roof, like the wings of other angels from the hut there emerged a tremulous stream of white, vegetal smoke. Silence took possession of the house, but it was not the silken silence of sweet peaceful nights, whose nocturnal carbon-paper makes copies of happy dreams, lighter than the thoughts of flowers, less metallic than water. April nights in the tropics are like the widows of the warm days of March - dark, cold, dishevelled and sad. The meaning of happiness or despair can only be understood by those who have spelt it out in their minds beforehand, bitten a tear-soaked handkerchief, torn it to shreds with their teeth.
Miguel Ángel Asturias (The President)
At three o'clock in the afternoon, all the fashionable world at Nice may be seen on the Promenade des Anglais—a charming place, for the wide walk, bordered with palms, flowers, and tropical shrubs, is bounded on one side by the sea, on the other by the grand drive, lined with hotels and villas, while beyond lie orange orchards and the hills. Many nations are represented, many languages spoken, many costumes worn, and on a sunny day the spectacle is as gay and brilliant as a carnival. Haughty English, lively French, sober Germans, handsome Spaniards, ugly Russians, meek Jews, free-and-easy Americans, all drive, sit, or saunter here, chatting over the news, and criticizing the latest celebrity who has arrived—Ristori or Dickens, Victor Emmanuel or the Queen of the Sandwich Islands.
Louisa May Alcott (Little Women (Little Women #1))
The sound of the universe is also spectacular around here. In the evenings there is a cricket orchestra with frogs providing the bass line. In the dead of the night dogs howl about how misunderstood they are. Before dawn the roosters for miles around announce how freaking cool it is to be roosters. Every morning around sunrise there is a tropical bird song competition, and it is always a ten way tie for the championship. When the sun comes out the butterflies get to work. The whole house is covered with vines; I feel like any day it will disappear into the foliage complete and I will disappear with it and become a jungle flower myself. The rent is less than what I use to pay in New York City for taxi fare every month. The word paradise, by the way, which comes to us from the Persian, means literally "a walled garden.
Elizabeth Gilbert (Eat, Pray, Love)
Life did change for Tom and Maggie; and yet they were not wrong in believing that the thoughts and loves of these first years would always make part of their lives. We could never have loved the earth so well if we had had no childhood in it,–if it were not the earth where the same flowers come up again every spring that we used to gather with our tiny fingers as we sat lisping to ourselves on the grass; the same hips and haws on the autumn's hedgerows; the same redbreasts that we used to call "God's birds," because they did no harm to the precious crops. What novelty is worth that sweet monotony where everything is known, and loved because it is known? The wood I walk in on this mild May day, with the young yellow-brown foliage of the oaks between me and the blue sky, the white star-flowers and the blue-eyed speedwell and the ground ivy at my feet, what grove of tropic palms, what strange ferns or splendid broad-petalled blossoms, could ever thrill such deep and delicate fibres within me as this home scene? These familiar flowers, these well-remembered bird-notes, this sky, with its fitful brightness, these furrowed and grassy fields, each with a sort of personality given to it by the capricious hedgerows,–such things as these are the mother-tongue of our imagination, the language that is laden with all the subtle, inextricable associations the fleeting hours of our childhood left behind them. Our delight in the sunshine on the deep-bladed grass to-day might be no more than the faint perception of wearied souls, if it were not for the sunshine and the grass in the far-off years which still live in us, and transform our perception into love.
George Eliot
We let our ship blow and drift as it will. But it sweeps up and up, with the swiftness of light. In less time than it takes a flower to open, we are carried to the parapets of ancient Heaven. We find our great-leaved, heavy-fruited Amaranth Vine, climbing up over the closed gates and high wall-towers of Heaven and winding a long way into the old forest that has overgrown the streets. We find the new all conquering Springfield vine, spreading branches through the forest like a banyan tree. As this Amaranth from our little earthly village grows thicker, we see by its light a bit pf what the ancient Heaven has been. And it is still a solid place of soil and rock and metal. Where the Springfield Amaranth blooms thickest, shedding luminous glory from the petals in the starlight, this Heaven is shown to be an autumn forest, yet with the cedars of Lebanon, and sandalwood thickets, and the million tropic trees whose seeds have blown here from strange zones of the'planets, and whose patterns are not the patterns of those of our world. Among these, vineclad pillars and walls are still standing, roofed palaces, so gigantic that, when our boat glides down the great streets between them, they overhang our masts. And from branches above us these strange manners of fruits tumble upon our decks for our feasting and delight. And there are beneath our ship, as it sails on as it will, little fields long cleared in the forest, where grows weedy ungathered grain. Through hours and hours of the night our boat goes on, whether we will or no, through starlight and through storm-clouds and through flower-light. And the red star at the masthead and the sight of the proud face of Avanel keeps laughter in my bosom, and the heavenly breeze that blows on the flowers still sings to our hearts: “Springfield Awake, Springfield Aflame.” Out of the storm now, three great rocks . appear, giving forth white light there on the far horizon, and this light burns on and on. At last our ship approaches. We see the great rocks are three empty thrones. These are the thrones of the Trinity, empty for these many years, just as the Ark of the Covenant and the Holy of Holies were bereft of the Presence, when Israel sinned.
Vachel Lindsay (The Golden Book of Springfield (Lost Utopias Series))
Then he went up to the window. His heart began pounding excitedly when he turned back the yellow linen of the curtain. An enchantingly beautiful spectacle was revealed before him — although today he immediately noticed that there was something strange in the entire aspect of this extensive and excellently arranged Garden. Precisely what amazed him he was still unable to say right away, and he began to examine the Garden attentively. What was there so unpleasant in its beauty? Why was the Youth's heart trembling so painfully? Was it that everything in the enchanted Garden was too exact. All the paths were laid out geometrically, and all were of the same width, and all were covered with precisely the same amount of yellow sand; the plants were all arranged with exaggerated orderliness; the trees were trimmed in the form of spheres, cones and cylinders; the flowers were arranged according to the various shades so that their composition was pleasing to the eye, but for some reason or other this wounded the soul. But giving it careful thought, what was there unpleasant in that orderliness which merely bore witness to the careful attention which someone paid to the Garden? Of course there was no reason for this to cause the strange apprehension which oppressed the Youth. But it was in something else as yet incomprehensible to the Youth. One thing was for certain, though, that this Garden did not resemble any other garden which the Youth had happened to see in his time. Here he saw giant flowers of an almost too brilliant color — at times it seemed that many-colored fires were burning in the midst of the luxuriant greenery — brown and black stalks of creeping growths, thick like tropical serpents; leaves of a strange shape and immeasurable size, whose greeness seemed to be unnaturally brilliant. Heady and languid fragrances wafted through the window in gentle waves, breaths of vanilla, frankincense and bitter almond, sweet and bitter, ecstatic and sad, like some joyous funereal mysterium. The Youth felt the tender yet lively touches of the gentle wind. But in the Garden it seemed as if the wind had no strength and lay exhausted on the tranquil green grass and in the shadows beneath the bushes of the strange growths. And because the trees and grass of the strange Garden were breathlessly quiet and could not hear the softly blowing wind above them and did not reply to it, they seemed to be inanimate. And thus they were deceitful, evil and hostile to man. ("The Poison Garden")
Valery Bryusov (Silver Age of Russian Culture (An Anthology))
What’ll it be?” Steve asked me, just days after our wedding. “Do we go on the honeymoon we’ve got planned, or do you want to go catch crocs?” My head was still spinning from the ceremony, the celebration, and the fact that I could now use the two words “my husband” and have them mean something real. The four months between February 2, 1992--the day Steve asked me to marry him--and our wedding day on June 4 had been a blur. Steve’s mother threw us an engagement party for Queensland friends and family, and I encountered a very common theme: “We never thought Steve would get married.” Everyone said it--relatives, old friends, and schoolmates. I’d smile and nod, but my inner response was, Well, we’ve got that in common. And something else: Wait until I get home and tell everybody I am moving to Australia. I knew what I’d have to explain. Being with Steve, running the zoo, and helping the crocs was exactly the right thing to do. I knew with all my heart and soul that this was the path I was meant to travel. My American friends--the best, closest ones--understood this perfectly. I trusted Steve with my life and loved him desperately. One of the first challenges was how to bring as many Australian friends and family as possible over to the United States for the wedding. None of us had a lot of money. Eleven people wound up making the trip from Australia, and we held the ceremony in the big Methodist church my grandmother attended. It was more than a wedding, it was saying good-bye to everyone I’d ever known. I invited everybody, even people who may not have been intimate friends. I even invited my dentist. The whole network of wildlife rehabilitators came too--four hundred people in all. The ceremony began at eight p.m., with coffee and cake afterward. I wore the same dress that my older sister Bonnie had worn at her wedding twenty-seven years earlier, and my sister Tricia wore at her wedding six years after that. The wedding cake had white frosting, but it was decorated with real flowers instead of icing ones. Steve had picked out a simple ring for me, a quarter carat, exactly what I wanted. He didn’t have a wedding ring. We were just going to borrow one for the service, but we couldn’t find anybody with fingers that were big enough. It turned out that my dad’s wedding ring fitted him, and that’s the one we used. Steve’s mother, Lyn, gave me a silk horseshoe to put around my wrist, a symbol of good luck. On our wedding day, June 4, 1992, it had been eight months since Steve and I first met. As the minister started reading the vows, I could see that Steve was nervous. His tuxedo looked like it was strangling him. For a man who was used to working in the tropics, he sure looked hot. The church was air-conditioned, but sweat drops formed on the ends of his fingers. Poor Steve, I thought. He’d never been up in front of such a big crowd before. “The scariest situation I’ve ever been in,” Steve would say later of the ceremony. This from a man who wrangled crocodiles! When the minister invited the groom to kiss the bride, I could feel all Steve’s energy, passion, and love. I realized without a doubt we were doing the right thing.
Terri Irwin (Steve & Me)
N matter how stressed Claire became, the tropical trees and exotic island flowers decorating the lobby always managed to take her breath away and put her mind at ease. Nature had always been a good de-stressor for her coming in close behind having her hand held by Mr. Sam Stewart
Carolyn Gibbs (Murder in Paradise)
He also had on a T-shirt that said I’M WITH BUTTHEAD, and he was draped with a camera and pensively clutching a bouquet. And although I say pensively, it was a very different kind of pensing, because his head had been neatly removed and replaced with a gaudy spray of tropical flowers.
Jeff Lindsay (Dexter by Design (Dexter, #4))
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TCU Florist
if it were up to me" if it were up to me I would live where you live in a small dark corner of your soul mornings I would water the roses and the poppies, and even the wild flowers that grow on the banks of your rememberings to the left, after you pass the bridge of adversity (in the blue room, the one you had sealed off until I arrived like a tropical cyclone, and you opened the windows...) if it were up to me, I would embed myself in your left ventricle that I might be part of the skein of your illusions I would stroll through the red of your blood, and to your lungs bring orange blossoms, fragrant carnations, honeysuckle I would breathe the air of your days, the jazmin of your nights would request unlimited passport, walk here, there, hallucinated traveler, through your interiors eternal passenger in the train of your dreams if it were up to me you would never go away we would become the horror, the shame of our children the laughter of the old, the song of the nightingale if it were up to me, my god, my love, my lord if it were up to me Eclectica Magazine (Vol. 3, No. 3, Sep/Oct 1999)
Silvia Antonia Brandon Pérez
It was a bright humid night in Chiang Mai. Sangris and I trotted toward the night bazaar, stepping over the basketfuls of fried red chili that the sellers had spread out on the streets like open bowls of flowers. Finding a canal on the fringes of the market, we fed enormous gold carp. They curled through the water like submerged flames beneath the heavy tropical-black sky. Acting innocent, I bought him orange juice and watched his face change when he realized that the sellers had filled it with salt. A trick to prevent dehydration, I explained, and ran off cackling before he could get revenge. I wanted to go into the orchid farms and the butterfly gardens, but they were closed, and I refused his offer to break in (of course Sangris had a way of assuming that rules didn't apply to him, but, I said, they applied to me), so we walked along a half-lit street instead, warm greenness and humming insects all around us, and spent hours trying to catch the guppies that swarmed in innumerable pots by the roadsides. I was better at it: I could lift my hands out of the green-tinted, plant-filled water slowly, without startling the fish, and show him the flashes of yellow and orange and violet and red guppies that flickered through the water cupped in my palms like a strange and magical treasure.
Rinsai Rossetti (The Girl with Borrowed Wings)
Josie’s chestnut hair is pulled back on one side with some sort of tropical flower pinned at her temple; it ought to look ridiculous, but it doesn’t. Instead, she reminds me of some 1940s movie goddess—sultry and luminous. Conley’s arm is linked with hers, and he gazes at her like she’s the brightest light in the room.
Claudia Gray (Ten Thousand Skies Above You (Firebird, #2))
all that is seen with the empty sockets bursts like flowering grass.
Henry Miller (Tropic of Cancer (Tropic, #1))
Apple may not do customer research to decide what products to make, but it absolutely pays attention to how customers use its products. So the marketing team working on the iMovie HD release scheduled for Macworld, on January 11, 2005, decided to shoot a wedding. The ceremony it filmed was gorgeous: a sophisticated, candlelit affair at the Officers’ Club of San Francisco’s Presidio. The bride was an Apple employee, and the wedding was real. There was one problem with the footage, however. Steve Jobs didn’t like it. He watched it the week before Christmas, recalled Alessandra Ghini, the marketing executive managing the launch of iLife. Jobs declared that the San Francisco wedding didn’t capture the right atmosphere to demonstrate what amateurs could do with iMovie. “He told us he wanted a wedding on the beach, in Hawaii, or some tropical location,” said Ghini. “We had a few weeks to find a wedding on a beach and to get it shot, edited, and approved by Steve. The tight time frame allowed for no margin for error.” With time short and money effectively no object, the team went into action. It contacted Los Angeles talent agencies as well as hotels in Hawaii to learn if they knew of any weddings planned—preferably featuring an attractive bride and groom—over the New Year’s holiday. They hit pay dirt in Hollywood: A gorgeous agency client and her attractive fiancé were in fact planning to wed on Maui during the holiday. Apple offered to pay for the bride’s flowers, to film the wedding, and to provide the couple with a video. In return, Apple wanted rights for up to a minute’s worth of footage of its choosing.
Adam Lashinsky (Inside Apple)
About dusk the land breeze came off, sweeping over the ship, laden with the fragrance of tropical fruits and flowers so heavy with perfume as to almost intoxicate the senses. This, mingled with the fresh earthy smell, to which we had so long been strangers, was inhaled in deep draughts.
John D. Whidden (Ocean Life in the Old Sailing Ship Days)
Victorian women were forbidden from owning orchids because the shapes of the flowers were considered too sexually suggestive for their shy constitutions, and anyway the expense and danger and independence of collecting in the tropics were beyond any Victorian woman’s ken.
Susan Orlean (The Orchid Thief: A True Story of Beauty and Obsession)
Blazing bamboo torches lit the way to the tiki hut beside Sarasota Bay at Mote Marine Aquarium. The thatch-roofed pavilion sheltered wooden picnic tables wrapped with raffia skirting and crowned with centerpieces of conch shells filled with sprays of orchids. Potted palms and red hibiscuses had been placed around the perimeter of the outdoor room. The atmosphere was redolent with roasting pork and salt air. "This is ridic!" exclaimed Piper. "We're never leaving." She scooped a watermelon margarita garnished with a paper umbrella from the tray of a passing server. Jack helped himself to a Captain Morgan on the rocks. "To us," he said, raising his glass. Trays of skewered beef teriyaki and sweet-and-sour chicken were passed.
Mary Jane Clark (Footprints in the Sand (Wedding Cake Mystery, #3))
Any asshole can fall in love on a private beach in a tropical locale, surrounded by lush flora and adorable fauna, shining suns and chirping birds. Give me ten uninterrupted minutes without some ding-dong demanding something or subtweeting me or making me do work and I could fall in love with my worst fucking enemy. Seriously. What’s not to love about being expertly lit and drunk at two in the afternoon? But I’m going to need you to love me on the bus, dude. And first thing in the morning. Also, when I’m drunk and refuse to shut up about getting McNuggets from the drive-thru. When I fall asleep in the middle of that movie you paid extra to see in IMAX. When I wear the flowered robe I got at Walmart and the sweatpants I made into sweatshorts to bed. When I am blasting “More and More” by Blood Sweat & Tears at seven on a Sunday morning while cleaning the kitchen and fucking up your mom’s frittata recipe. When I bring a half dozen gross, mangled kittens home to foster for a few nights and they shit everywhere and pee on your side of the bed. When I go “grocery shopping” and come back with only a bag of Fritos and five pounds of pork tenderloin. When I’m sick and stumbling around the crib with half a roll of toilet paper shoved in each nostril. When I beg you fourteen times to read something I’ve written, then get mad when you tell me what you don’t like about it and I call you an uneducated idiot piece of shit. Lovebird city.
Samantha Irby (We Are Never Meeting in Real Life.)
They smiled and shook hands, then led Pickett back up the dock and along gracefully curving paths of crushed shell, punctuated by marble benches set into the foliage, heavy with tropical flowers. They climbed a set of marble stairs, went down another pathway, climbed again. Despite the sun, it was cool under the palms, and a gentle but constant breeze stirred the flower-fragrant air. Now and then, Pickett spied buildings between the trees: alabaster marble, like every other structure. Here and there a peacock strutted across the walk, and huge parrots stared down at them from bottlebrush trees.
Douglas Preston (Crooked River (Pendergast, #19))
Bungalow number seven sat on the edge of the beach surrounded by tropical plants and flowers of every color, providing privacy. It had the best view of the ocean of all the bungalows at Aloha Village. Sam walked in and headed straight for the refrigerator, grabbing a cold beer. With beer and cell phone in hand, he went out front to the lanai, sat down on the chaise lounge and leaned back. He took a swig of his ice cold brew and looked out at the ocean, and relaxed while going over what just happened at the harbor–with Jessica.
J.E. Trent (Death In Paradise (Hawaii Thriller #1))
The ceremony consisted of vibrant pink, purple, and coral details that complemented the rustic wood and lush green vines climbing up the chapel. Abigail's team constructed an arbor made entirely of drooping orchids and palm fronds that framed the wooden doors perfectly. The aisle was lined with thousands of coral-colored rose petals and more orchids spilling over the end of every row of seats. It was a tropical dream.
Mary Hollis Huddleston (Without a Hitch)
The train stopped at a station that had no town, and a short while later it passed the only banana plantation along the route that had its name written over the gate: Macondo. This word had attracted my attention ever since the first trips I had made with my grandfather, but I discovered only as an adult that I liked its poetic resonance. I never heard anyone say it and did not even ask myself what it meant. I had already used it in three books as the name of an imaginary town when I happened to read in an encyclopedia that it is a tropical tree resembling the ceiba, that it produces no flowers or fruit, and that its light, porous wood is used for making canoes and carving cooking implements. Later, I discovered in the Encyclopaedia Britannica that in Tanganyika there is a nomadic people called the Makonde, and I thought this might be the origin of the word. But I never confirmed it, and I never saw the tree, for though I often asked about it in the banana region, no one could tell me anything about it. Perhaps it never existed.
Gabriel García Márquez (Living to Tell the Tale)
I’ll have you know, people find me very scary,” Jason said. “You’re wearing a pink shirt with tropical flower print,” Neil said. “They could be poisonous flowers; you don’t know.
Shirtaloon (He Who Fights with Monsters 2 (He Who Fights with Monsters, #2))
This is not Brussels or Moscow or Macon, Georgia. This is famine or flood. You can’t teach a thing until you’ve learned that. The tropics will intoxicate you with the sweetness of frangipani flowers and lay you down with the sting of a viper, with hardly room to breathe in between. It’s a great shock to souls gently reared in places of moderate clime, hope, and dread.
Barbara Kingsolver (The Poisonwood Bible)
Hesitantly, I follow her up the steps to a metal door. When she opens it, I let out a gasp. A large dome glitters in the sun. Garrance opens up another door, this one glass, and I'm rendered speechless as a plethora of scents and humid air hit me, wrapping me up in Mother Nature's embrace. I'm in the islands. I'm in heaven. And I'm on a roof in Paris. I need a crane to pick up my jaw. "This is my climate-controlled greenhouse, my pride and joy." This slice of Parisian paradise is filled from floor to ceiling with tropical plants like orchids and flowering trees, moths, butterflies, and bees floating from flower to flower---not to mention the exotic birds---cockatoos, parakeets, and a couple of parrots, their plumage in reds, greens, blues, oranges, and whites.
Samantha Verant (The Spice Master at Bistro Exotique)
It was like walking into a tropical garden in which several flocks of rare birds had exploded. Feathers jutted in all directions from silk-flowered hats and bosoms.
India Holton (The Wisteria Society of Lady Scoundrels (Dangerous Damsels, #1))
The wood I walk in on this mild May day, with the young yellow-brown foliage of the oaks between me and the blue sky, the white star-flowers and the blue-eyed speedwell and the ground ivy at my feet, what grove of tropic palms, what strange ferns or splendid broad-petalled blossoms, could ever thrill such deep and delicate fibres within me as this home scene? These familiar flowers, these well-remembered bird-notes, this sky, with its fitful brightness, these furrowed and grassy fields, each with a sort of personality given to it by the capricious hedgerows,–such things as these are the mother-tongue of our imagination, the language that is laden with all the subtle, inextricable associations the fleeting hours of our childhood left behind them. Our delight in the sunshine on the deep-bladed grass to-day might be no more than the faint perception of wearied souls, if it were not for the sunshine and the grass in the far-off years which still live in us, and transform our perception into love.
Charles William Eliot (Harvard Classics)
Strident perfume rose from the gardens right and left, from purple Four O’Clocks, as mortals call them here, a rampant flower like unto weed, but infinitely sweet, and the wild irises stabbing upwards like blades out of the black mud, throaty petals monstrously big, battering themselves on old walls and concrete steps, and then as always there were roses, roses of old women and roses of the young, roses too whole for the tropical night, roses coated with poison.
Anne Rice (The Vampire Armand (The Vampire Chronicles #6))
Tropical Air Plants (epiphytic plants) Air plants include orchids, bromeliads, and all staghorn ferns. They are not planted in soil, and they do not need to be watered. They derive nutrition from decomposing insects and leaves, and nitrogen from lightning strikes. There's not much to add to the story of plants that live off lightning and death. That is drama enough for ten stories.
Margot Berwin (Hothouse Flower and the Nine Plants of Desire)
Tropical flowers rioted over her plump body.
Barbara Pym (Some Tame Gazelle)
You know what death smells like? Fish blood that someone has buried in a garden of night-blooming flowers. Or a field mortuary during the monsoon season in a tropical country right after the power generators have failed. Or the buckets that the sugar-worker whores used to pour into the rain ditches behind their cribs on Sunday morning. If that odor comes to you on the wind or in your sleep, you tend to take special notice of your next sunrise.
James Lee Burke (Jesus Out to Sea)
The tropics were an olfactory revelation. She realized that, coming from a temperate place like the other Santa Cruz, her own Santa Cruz, she’d been like a person developing her vision in poor light. There was such a relative paucity of smells in California that the interconnectedness of all possible smells was not apparent. She remembered a college professor explaining why all the colors the human eye could see could be represented by a two-dimensional color wheel: it was because the retina had receptors for three colors. If the retina had evolved with four receptors, it would have taken a three-dimensional color sphere to represent all the ways in which one color could bleed into another. She hadn’t wanted to believe this, but the smells at Los Volcanes were convincing her. How many smells the earth alone had! One kind of soil was distinctly like cloves, another like catfish; one sandy loam was like citrus and chalk, others had elements of patchouli or fresh horseradish. And was there anything a fungus couldn’t smell like in the tropics? She searched in the woods, off the trail, until she found the mushroom with a roasted-coffee smell so powerful it reminded her of skunk, which reminded her of chocolate, which reminded her of tuna; smells in the woods rang each of these notes and made her aware, for the first time, of the distinguishing receptors for them in her nose. The receptor that had fired at Californian cannabis also fired at Bolivian wild onions. Within half a mile of the compound were five different flower smells in the neighborhood of daisy, which itself was close to sun-dried goat urine. Walking the trails, Pip could imagine how it felt to be a dog, to find no smell repellent, to experience the world as a seamless many-dimensional landscape of interesting and interrelated scents. Wasn’t this a kind of heaven? Like being on Ecstasy without taking Ecstasy? She had the feeling that if she stayed at Los Volcanes long enough she would end up smelling every smell there was, the way her eyes had already seen every color on the color wheel.
Jonathan Franzen (Purity)
Sulfuric ether was sweet and hot, pungent and burning to the palate. It did not smell the least, to Nardi, of turpentine, but rather of large, white, oversweet flowers, fat, fleshy, prehistoric in their size and substance. He thought of these flowers as fringed, mouthed, and pistiled with sticky aroma, with pink-tipped, translucent styles and stigmas that moved in flower throats like beckoning fingers. Lush, languorously heavy, meltingly ephemeral, an indulgence to the New World tropics or an Old World greenhouse - something akin to night-blooming cereus. Ether, to him, was the nectar of such flowers, gathered and carried in the mouths of foot-long bumblebees, its aroma as old as Egypt, as modern as white walled hospitals, as personal and familiar as his own vague euphoric befuddlement.
Judy Cuevas (Bliss (de Saint Vallier Brothers, #1))
Such risk aversion breeds its own failure. So deeply rooted is gentrification that Richard Florida has now modified his widely acclaimed thesis about the rise of the creative classes. Cities are becoming too successful for their own good. Until recently, he believed they would be the engine rooms of the new economy, embracing the diversity necessary to attract talent. That has certainly happened. Gay pride parades seem to get larger every year. A thousand multicultural flowers are blooming. Yet in squeezing out income diversity, the new urban economies are also shutting off the scope for serendipity. The West’s global cities are like tropical islands surrounded by oceans of resentment. Florida’s latest book is called The New Urban Crisis. Rather than being shaped by those who live there full-time, the characters of our biggest cities are increasingly driven by the global super-rich as a place to park their money. Many of the creative classes are being edged out. Urban downtowns have turned into ‘deadened trophy districts’. New York’s once-bohemian SoHo is now better known for its high-end boutiques than its artists’ studios. SoHo could nowadays be found in any big city in the world. ‘Superstar cities and tech hubs will become so expensive that they will turn into gilded and gated communities,’ Florida predicts.51 ‘Their innovative and creative sparks will eventually fade.’ Karl Marx was wrong: it is the rich who are losing their nation, not the proletariat. The gap between global cities and their national anchors is already a metaphor for our times. By contrast, the rise of the robot economy has only half lodged itself in our expectations. It is easy to dismiss some of Silicon Valley’s wilder talk as the stuff of science-fiction movies. But the gap between sci-fi and reality is closing.
Edward Luce (The Retreat of Western Liberalism)
All eyes were eagerly fixed on the low wooded hills which slept in the moonlight, spangled by fireflies, with a million dancing stars; all nostrils drank greedily the fragrant air, which swept from the land, laden with the scent of a thousand flowers; all ears welcomed, as a grateful change from the monotonous whisper and lap of the water, the hum of insects, the snore of the tree-toads, the plaintive notes of the shore-fowl, which fill a tropic night with noisy life.
Charles Kingsley (Westward Ho!, or, the voyages and adventures of Sir Amyas Leigh, Knight, of Burrough, in the county of Devon, in the reign of her most glorious majesty Queen Elizabeth)
Put a feather with a fossil and a bit of coral and everyone will think it's a specimen. Put the same feather with a ribbon and an artificial flower and everyone will think it's for a lady's hat. Put the same feather with an ink-bottle, a book and a stack of writing-paper, and most men will swear they've seen a quill pen. So you saw that map among tropic birds and shells and thought it was a map of Pacific Islands. It was the map of this river.
G.K. Chesterton
Whatever my future held, I was certain it wouldn’t be borne on the bitter wind that blew along Broadway. It was waiting in a place where lime-green leaves burst forth from soil the color of night, where flowers bloomed under skies on fire, where pariah dogs fucked in the streets and wild monkeys called in the twilight—a place where women smiled and the moon smiled with them.
Tod A (Banging the Monkey)
Wendell looked at the faerie stone in his hand, shrugged, and smashed it against the floor. Out burst a flock of parrots. The birds shrieked and squawked, and the sheerie were momentarily distracted--- not afraid, they lunged at them like cats. Each parrot seemed to be carrying a tropical flower in its beak. Wendell hurled another stone. When it smashed, glittering banners unfurled upon the museum walls, covered in the faerie script. The ceiling was suddenly painted in frescoes of Folk lounging in forest pools, surrounded by green foliage. Vases of unfamiliar flowers appeared on every surface next to bottles of wine in ice buckets, and the air filled with the muffled sound of violins, as if drifting in from the next room.
Heather Fawcett (Emily Wilde’s Map of the Otherlands (Emily Wilde, #2))
Some of the details changed as the decades passed, but it was always on the beach. Somewhere exotic and warm, with waving palm trees before me and the ocean behind me. A soft dress flowing around my bare feet. My toes buried in the sand. And my hands clutching a bouquet of tropical flowers. The vibrant colors reflected back in the setting sun.
S.J. Tilly (King (Alliance, #2))