Trio Picture Quotes

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If I'd been a different type of person I would have stayed. I pictured another life, a Stockholm life with the water and the changing of the seasons as the backdrop, a life where I was a person who didn't recoil before everything that was bigger and stronger than me. When we locked eyes it felt like he'd had the same thought.
Johanna Hedman (The Trio)
A bit playful and a little ironic – as if to emphasise how small yet prominent the Swedish scene was – they had started calling their trio Swedish House Mafia. In the summer they travelled to Ibiza, the party island in the Mediterranean that Filip already knew was the kingdom of heaven and played the clubs there. The pictures on the blog showed Sebastian Ingrosso with a sizeable drink in his hand at the legendary spot Pacha, where they performed with the star David Guetta. Steve Angello sat with a sunhat on the beach and read about himself in the music magazine Mixmag. The dream life.
Måns Mosesson (Tim – The Official Biography of Avicii: The intimate biography of the iconic European house DJ)
I took a moment before saying, “You think the murderer is a Brazilian samba trio.” Dailey held up his right hand and ticked off fingers. “They’re organized. Focused. Motivated. And are in excellent physical condition, by the looks of the pictures on their CD.
J.A. Konrath (Rusty Nail (Jack Daniels Mystery, #3))
Like Drums Across the River, Bad Day at Black Rock (January 7, 1955), is a revisionist work—this time examining the seamy side, the racism and thuggery—of postwar America. Brennan, looking much slimmer than in his previous pictures, plays a western town’s veterinarian and mortician. This taut drama, featuring menacing performances by a trio of villains (Robert Ryan, Ernest Borgnine, and Lee Marvin), ultimately centers on Brennan’s character (Doc Velle), who collaborates with John J. Macreedy (Spencer Tracy) to uncover the truth about Komoko, a Japanese American settler killed during the war. Doc Velle, like the rest of the town, has been cowed by the xenophobic Robert Ryan-led conspiracy to thwart and ultimately murder Macreedy after he refuses to relinquish his quest for the truth—even though he is outnumbered and apparently incapacitated because of a paralyzed arm (presumably a war wound). Brennan’s Velle is no hero, but he is a man who can no longer abide his association with evil—any more than can Tim Horn (Dean Jagger), the town’s sheriff. Shorn of his sidekick status and of any mannerism reminiscent of his more comic roles, Brennan emerges as the common man’s powerful and utterly believable voice of conscience.
Carl Rollyson (A Real American Character: The Life of Walter Brennan (Hollywood Legends))
We walked towards a secluded pond where Mario and my Valet stood waiting. The Count suggested excitedly, “Strip, so I can take some pictures of you guys. This is a perfect location to capture some appealing photos of the loving trio.
Young (Unbridled (A Harem Boy's Saga, #2))
At Abu Ghraib, several prisoners mixed it up with guards on October 18, 2003, led by a detainee with a smuggled pistol. A few of the MPs chose their own countermeasure, not unlike the 1-8 Infantry soldiers at the Tigris River. That night, five enlisted MPs pulled twelve Iraqi prisoners from their cells. They stripped the captives naked and then piled them in sexually humiliating positions. A week or so later, the same guards put a hooded man on a box with fake electrodes clipped on his fingers; the prisoner was told the wires were real, and if he stepped off the box, he’d be electrocuted. Three days later, the same MPs again stripped prisoners and put them in sexually embarrassing poses. This incident also involved K-9 police dogs. A trio of military intelligence soldiers participated. These abuses were not linked to any interrogation. The soldiers later explained that they were teaching the Iraqis a lesson, the same reason offered by the soldiers in 1-8 Infantry. The MPs, however, took a lot of pictures.
Daniel P. Bolger (Why We Lost: A General's Inside Account of the Iraq and Afghanistan Wars)
Well, Tommy has proposed to me again. Tommy really does nothing but propose to me. He proposed to me last night in the music-room, when I was quite unprotected, as there was an elaborate trio going on. I didn’t dare to make the smallest repartee, I need hardly tell you. If I had, it would have stopped the music at once. Musical people are so absurdly unreasonable. They always want one to be perfectly dumb at the very moment when one is longing to be absolutely deaf. Then he proposed to me in broad daylight this morning, in front of that dreadful statue of Achilles. Really, the things that go on in front of that work of art are quite appalling. The police should interfere. At luncheon I saw by the glare in his eye that he was going to propose again, and I just managed to check him in time by assuring him that I was a bimetallist. Fortunately I don’t know what bimetallism means. And I don’t believe anybody else does either. But the observation crushed Tommy for ten minutes. He looked quite shocked. And then Tommy is so annoying in the way he proposes. If he proposed at the top of his voice, I should not mind so much. That might produce some effect on the public. But he does it in a horrid confidential way. When Tommy wants to be romantic he talks to one just like a doctor. I am very fond of Tommy, but his methods of proposing are quite out of date. I wish, Gertrude, you would speak to him, and tell him that once a week is quite often enough to propose to any one, and that it should always be done in a manner that attracts some attention.
Oscar Wilde (Selected works of Oscar Wilde: The Picture of Dorian Gray, the Canterville Ghost, the Happy Prince)
Poppy McKeever hoped with a passion that she was dreaming. Her family was sitting around the kitchen table looking at her, their faces full of smiling expectation, yet she felt nothing. She looked at each of them in turn, willing herself to feel something – anything – so she could join their happy trio. Her dad was treating her to his full-wattage BBC beam, her stepmother’s cerulean blue eyes were appealing for her approval and her brother was fidgeting on his chair, barely able to keep a lid on his excitement. And still she felt nothing. She chewed her bottom lip and wondered how best to break the news. ‘I’m sorry,’ she said at last. ‘I’m not going.’ Her dad and stepmother exchanged a look and Charlie stood up so quickly his chair rocked back and landed on the tiled floor with a clatter that sent Magpie, their overweight black and white cat, scurrying for cover. Poppy used the diversion to sneak another look at the estate agent’s brochure on the table. The pictures showed a cottage sitting
Amanda Wills (The Lost Pony of Riverdale (The Riverdale Pony Stories, #1))
The affable Feige would never admit it to Pascal’s face, but he and his team at Marvel had for years disliked what Sony had been doing with the character. He thought that restarting with The Amazing Spider-Man, rather than moving on from Raimi’s mistakes in Spider-Man 3, had been a big mistake. “In a million years I would never advocate rebooting . . . Iron Man,” Feige wrote to Marvel Entertainment’s president, Alan Fine, and its vice president of production, Tom Cohen. “To me it’s James Bond and we can keep telling new stories for decades even with different actors.” Fine concurred: “I think that it is a mistake to deny the original trilogy its place in the canon of the Spider-Man cinematic universe. What are you telling the audience? That the original trilogy is a mistake, a total false-hood?” He had even harsher words for the script of The Amazing Spider-Man 2 that the Marvel trio had recently read: “I found this draft tedious, boring, and had to force myself to read it through . . . This story is way too dark, way too depressing. I wanted to burn the draft after I read it never mind thinking about buying the DVD.” The
Ben Fritz (The Big Picture: The Fight for the Future of Movies)