Tricolor Quotes

We've searched our database for all the quotes and captions related to Tricolor. Here they are! All 46 of them:

There was a basket at her feet. She reached into it and lifted out the head of a young woman, a marquise. She wore Bourbon white to her death, but wears the tricolor now - white cheeks, blue lips, red dripping from her neck. Long live the revolution.
Jennifer Donnelly (Revolution)
the violence intensified, grandiose funerals became routine, with rousing graveside orations and caskets draped in tricolor flags. People took to joking that there was no social life in Belfast anymore, apart from wakes.
Patrick Radden Keefe (Say Nothing: A True Story of Murder and Memory in Northern Ireland)
But let us turn back to the tragic events of February 6. The story of the riots may be briefly told. A riot in France is one of the most remarkable things in the world. The frenzied combatants maintain perfect discipline. Seventeen people were barbarously killed, and several thousand injured, but there was no fighting at all between about seven-thirty p.m. and nine, when everyone took time out for dinner. When it started, no one thought of revolution; it was just a nice big riot. Communists, royalists, Fascists, socialists, fought shoulder to shoulder under both red flag and tricolor against the police and Garde Mobile. The fighting stopped on the stroke of twelve, because the Paris Metro (underground) stops running at twelve-thirty, and no one wanted to walk all the way home. Bloody, bandaged, fighters and police jostled their way into the trains together. Promptly at seven-thirty next morning the fighting started again. – John Gunther, Inside Europe pg. 154-155
John Gunther (Inside Europe (War Edition))
Morning" SUN That awakens Paris The highest poplar on the bank On The Eiffel Tower A tricolored cock Sings to the flapping of his wings and several feathers fall As it resumes its course The Seine looks between the bridges For her old route And the Obelisk That has forgotten the Egyptian words Has not blossomed this year SUN
Vicente Huidobro (The Cubist Poets in Paris: An Anthology (French Modernist Library))
Then Ghana, and the smell of Ghana, a contradiction, a cracked clay pot: the smell of dryness, wetness, both, the damp of earth and dry of dust. The airport. Bodies pushing, pulling, shouting, begging, touching, breathing. He'd forgotten the bodies. The proximity of bodies. In America the bodies were distant. The warmth of it ...... Why had he hated this view? Of this beach, of the backs of these fishermen, glistening brown, of the long wooden boats, evangelical names in bright tricolor paint on their splintering sides, Black Star Jesus, Jah Reign, Christ the Fisher of Men, in the red, yellow, green of the national flag and the national spirit of open-source ethos, this mixing of Anglican, Rastafarian, Ghanaian? What was there to hate in this? There was only openness. As far as he could see. A cheerful openness. An innocence. An innocent beach on the road to Kokrobite at seven A.M. November 1975, little country lurching, cheerful, unaware, to revolution. Little taxi lurching, blasting revolution, to grief.
Taiye Selasi (Ghana Must Go)
The French: Our national flag is the tricolor; our battle flag a single color: white.
Gregg Loomis (The Julian Secret (Lang Reilly #2))
A little while ago, I stood by the grave of the old Napoleon—a magnificent tomb of gilt and gold, fit almost for a dead deity—and gazed upon the sarcophagus of rare and nameless marble, where rest at last the ashes of that restless man. I leaned over the balustrade and thought about the career of the greatest soldier of the modern world. I saw him walking upon the banks of the Seine, contemplating suicide. I saw him at Toulon—I saw him putting down the mob in the streets of Paris—I saw him at the head of the army of Italy—I saw him crossing the bridge of Lodi with the tri-color in his hand—I saw him in Egypt in the shadows of the pyramids—I saw him conquer the Alps and mingle the eagles of France with the eagles of the crags. I saw him at Marengo—at Ulm and Austerlitz. I saw him in Russia, where the infantry of the snow and the cavalry of the wild blast scattered his legions like winter's withered leaves. I saw him at Leipsic in defeat and disaster—driven by a million bayonets back upon Paris—clutched like a wild beast—banished to Elba. I saw him escape and retake an empire by the force of his genius. I saw him upon the frightful field of Waterloo, where Chance and Fate combined to wreck the fortunes of their former king. And I saw him at St. Helena, with his hands crossed behind him, gazing out upon the sad and solemn sea. I thought of the orphans and widows he had made—of the tears that had been shed for his glory, and of the only woman who ever loved him, pushed from his heart by the cold hand of ambition. And I said I would rather have been a French peasant and worn wooden shoes. I would rather have lived in a hut with a vine growing over the door, and the grapes growing purple in the kisses of the autumn sun. I would rather have been that poor peasant with my loving wife by my side, knitting as the day died out of the sky—with my children upon my knees and their arms about me—I would rather have been that man and gone down to the tongueless silence of the dreamless dust, than to have been that imperial impersonation of force and murder, known as 'Napoleon the Great.
Robert G. Ingersoll (The Liberty Of Man, Woman And Child)
El panadero, su mujer y un mozo cumplían las órdenes de los dos comisarios civiles —cuya autoridad simbolizaba una cinta tricolor en el brazo izquierdo— que investigaban si el consumidor pertenecía a la Sección, y la cantidad de pan que podía corresponderle con arreglo a la familia que tuviera en su casa.
Anatole France (Los Dioses tienen Sed)
La chute de la Monarchie avait été si prompte, que, la première stupéfaction passée, il y eut chez les bourgeois comme un étonnement de vivre encore. L’exécution sommaire de quelques voleurs, fusillés sans jugements, parut une chose très juste. On se redit, pendant un mois, la phrase de Lamartine sur le drapeau rouge, » qui n’avait fait que le tour du Champ de Mars, tandis que le drapeau tricolore », etc ; et tous se rangèrent sous son ombre, chaque parti ne voyant des trois couleurs que la sienne - et se promettant bien, dès qu’il serait le plus fort, d’arracher les deux autres.
Gustave Flaubert (Sentimental Education)
Madarjoon was reminding Oliver how to set a table, while Benyamin and Alice carried steaming dishes into the dining room in preparation for their dinner. The air was thick with the aroma of saffron and fresh turmeric, cinnamon and salted olive oil; fresh bread was cooling on the kitchen counter beside large plates of fluffy rice, sautéed raisins, heaps of barberries, and sliced almonds. Feta cheese was stacked beside a small mountain of fresh walnuts—still soft and damp—and handfuls of basil, mint, scallions, and radishes. There were spiced green beans, ears of grilled corn, dense soups, bowls of olives, and tricolored salads. There was so much food, in fact, I simply cannot describe it all. But
Tahereh Mafi (Whichwood)
Just when the first collie came to Sunnybank is not known. But Terhune wrote and told many times how he acquired his own first collie when he was thirteen. He had painfully amassed a savings of $9 and took it to the New York dog pound. There he bought a tricolored collie, which he named Argus. “I devoted all my out-of-school hours to Argus’s education,” he wrote later. “He learned with bewildering ease, but I learned ten times as much from him as he ever learned from me.” It was Argus who made Terhune into a collie man – a strange, deep-rooted aberration afflicting collie owners by the score and, eventually, Terhune readers by the thousands. Its major symptom is the passionate, wholly illogical belief that one breed of dog rises regally far above the rest of the barking pack – and that the old Scottish sheep-herding breed whose very name, like its origins, is shrouded in mystery. Though every breed has its equally impassioned adherents, collie people had the clear advantage, in Terhune, of a trumplet-like spokesman. He was wont to write things like: “A dog is a dog, but a collie is – a collie. “Or: “…the Sunnybank collies aren’t merely dogs. There a super dogs!” But much more than such extravagant claims about collies, it was the attributes given to the collies in his stories that had such a powerful effect on his readers. They were wise beyond belief, everlastingly gentle with those where merited such treatment (and the collies always knew), terrifyingly vengeful with those who didn’t. And they were eternally loyal – so loyal that the word itself seems inadequate to describe their fealty.
Irving Litvag (The Master of Sunnybank: A Biography of Albert Payson Terhune)
Moreover, Nancy Sinatra was afflicted, as the overwhelming majority of Americans were, with monolingualism. Lana’s richer, more textured version of “Bang Bang” layered English with French and Vietnamese. Bang bang, je ne l’oublierai pas went the last line of the French version, which was echoed by Pham Duy’s Vietnamese version, We will never forget. In the pantheon of classic pop songs from Saigon, this tricolor rendition was one of the most memorable, masterfully weaving together love and violence in the enigmatic story of two lovers who, regardless of having known each other since childhood, or because of knowing each other since childhood, shoot each other down. Bang bang was the sound of memory’s pistol firing into our heads, for we could not forget love, we could not forget war, we could not forget lovers, we could not forget enemies, we could not forget home, and we could not forget Saigon. We could not forget the caramel flavor of iced coffee with coarse sugar; the bowls of noodle soup eaten while squatting on the sidewalk; the strumming of a friend’s guitar while we swayed on hammocks under coconut trees; the football matches played barefoot and shirtless in alleys, squares, parks, and meadows; the pearl chokers of morning mist draped around the mountains; the labial moistness of oysters shucked on a gritty beach; the whisper of a dewy lover saying the most seductive words in our language, anh oi; the rattle of rice being threshed; the workingmen who slept in their cyclos on the streets, kept warm only by the memories of their families; the refugees who slept on every sidewalk of every city; the slow burning of patient mosquito coils; the sweetness and firmness of a mango plucked fresh from its tree; the girls who refused to talk to us and who we only pined for more; the men who had died or disappeared; the streets and homes blown away by bombshells; the streams where we swam naked and laughing; the secret grove where we spied on the nymphs who bathed and splashed with the innocence of the birds; the shadows cast by candlelight on the walls of wattled huts; the atonal tinkle of cowbells on mud roads and country paths; the barking of a hungry dog in an abandoned village; the appetizing reek of the fresh durian one wept to eat; the sight and sound of orphans howling by the dead bodies of their mothers and fathers; the stickiness of one’s shirt by afternoon, the stickiness of one’s lover by the end of lovemaking, the stickiness of our situations; the frantic squealing of pigs running for their lives as villagers gave chase; the hills afire with sunset; the crowned head of dawn rising from the sheets of the sea; the hot grasp of our mother’s hand; and while the list could go on and on and on, the point was simply this: the most important thing we could never forget was that we could never forget.
Viet Thanh Nguyen (The Sympathizer)
The violence became extreme to the point that failing to wear tricolor ribbons showing support for the Revolution or even using the wrong form of address—the outdated Madame or Monsieur instead of the new title, "Citizen,"—when speaking was justification for immediate arrest and execution.
Henry Freeman (French Revolution: A History From Beginning to End)
[Nineteenth-century professional women's] end was pertinent and and timely--economic independence. To achieve that end, they upheld, unconsciously as often as consciously, women's most vivid tricolor: freedom of work, equality in the rewards of work, fraternity in trade and in profession. And though, with such a feather pinned to their jaunty caps, they fought the bloodless revolution of the nineteenth century, their contemporaries and sometimes themselves were unaware of what they had accomplished.
Madeleine B. Stern (We the Women: Career Firsts of Nineteenth-Century America)
y a los niños que llevabais al hombro los dejasteis resbalar en el barro tricolor en la greda de los muertos y vuestros hombros se encorvaron es natural que la juventud pase vosotros la dejasteis morir Hombres honorables y muy estimados en vuestro barrio os encontráis os congratuláis os coaguláis ay ay querido señor Babylas yo tenía tres hijos y los di a la patria ay ay querido señor de los dos que tuve yo sólo di dos se hace lo que se puede lo que es nuestro… sigue usted con dolor de rodillas
Jacques Prévert
Moreover, Nancy Sinatra was afflicted, as the overwhelming majority of Americans were, with monolingualism. Lana’s richer, more textured version of “Bang Bang” layered English with French and Vietnamese. Bang bang, je ne l’oublierai pas went the last line of the French version, which was echoed by Pham Duy’s Vietnamese version, We will never forget. In the pantheon of classic pop songs from Saigon, this tricolor rendition was one of the most memorable, masterfully weaving together love and violence in the enigmatic story of two lovers who, regardless of having known each other since childhood, or because of knowing each other since childhood, shoot each other down. Bang bang was the sound of memory’s pistol firing into our heads, for we could not forget love, we could not forget war, we could not forget lovers, we could not forget enemies, we could not forget home, and we could not forget Saigon. We could not forget the caramel flavor of iced coffee with coarse sugar; the bowls of noodle soup eaten while squatting on the sidewalk; the strumming of a friend’s guitar while we swayed on hammocks under coconut trees; the football matches played barefoot and shirtless in alleys, squares, parks, and meadows; the pearl chokers of morning mist draped around the mountains; the labial moistness of oysters shucked on a gritty beach; the whisper of a dewy lover saying the most seductive words in our language, anh oi; the rattle of rice being threshed; the workingmen who slept in their cyclos on the streets, kept warm only by the memories of their families; the refugees who slept on every sidewalk of every city; the slow burning of patient mosquito coils; the sweetness and firmness of a mango plucked fresh from its tree; the girls who refused to talk to us and who we only pined for more; the men who had died or disappeared; the streets and homes blown away by bombshells; the streams where we swam naked and laughing; the secret grove where we spied on the nymphs who bathed and splashed with the innocence of the birds; the shadows cast by candlelight on the walls of wattled huts; the atonal tinkle of cowbells on mud roads and country paths; the barking of a hungry dog in an abandoned village; the appetizing reek of the fresh durian one wept to eat; the sight and sound of orphans howling by the dead bodies of their mothers and fathers; the stickiness of one’s shirt by afternoon, the stickiness of one’s lover by the end of lovemaking, the stickiness of our situations; the frantic squealing of pigs running for their lives as villagers gave chase; the hills afire with sunset; the crowned head of dawn rising from the sheets of the sea; the hot grasp of our mother’s hand; and while the list could go on and on and on, the point was simply this: the most important thing we could never forget was that we could never forget. When Lana was finished, the audience clapped, whistled, and stomped, but I sat silent and stunned as she bowed and gracefully withdrew, so disarmed I could not even applaud.
Viet Thanh Nguyen (The Sympathizer)
thousand men to regain the city for the pope. The French battalion took up a position thirty-five miles from Rome on the coast at Civitavecchia, flying the tricolor flags of both France and Italy, a deliberate ruse.
Megan Marshall (Margaret Fuller: A New American Life)
In one corner of the paneled office, the black, white, and red tricolor of Germany jutted up from a heavy walnut base. In the corner opposite, similarly displayed, stood an American flag, twice as large.
John Jakes (Homeland (Crown Family Saga, #1))
Let’s see what your temperature is,” she said, bringing an electronic thermometer over from the desk. “It’s higher than usual.” Her amber stare flipped up to his. “Your arm.” “No, your eyes.” She blinked, then seemed to shake herself. “I seriously doubt that.” “Then you underestimate your appeal.” As she shook her head and clicked one of the plastic covers onto the silver wand, he caught a whiff of her scent. His fangs elongated. “Open.” She brought the thermometer up and waited. “Well?” Rehv stared into those amazing tricolored eyes of hers and dropped his jaw. She leaned in, all business as usual, only to freeze. As she looked at his canines, her scent surged with something dark and erotic. Triumph singed in his veins as he growled, “Do me.” There was a long moment, during which the two of them were bound together by invisible strings of heat and longing. Then her mouth flattened out. “Never, but I will take your temperature, because I have to.” She jabbed the thermometer in between his lips, and he had to clamp his teeth together to keep the thing from deflating one of his tonsils. S’all good, though. Even if he couldn’t have her, he turned her on. And that was more than he deserved. There was a beep, an interval, and another beep. “One oh nine,” she said as she stepped back and released the plastic cover into the biohazard bin. “Havers will be with you as soon as he’s able.” The door clapped shut behind her with the hard syllabic smack of the f-word. Man, she was hot. -Ehlena & Rehv
J.R. Ward (Lover Avenged (Black Dagger Brotherhood, #7))
During a rabies scare in 1885, Pasteur concocted a treatment and gave the untested drug to a nine-year-old boy, Joseph Meister, who had been bitten by a grocer’s dog. Three weeks later, Meister had almost fully recovered. Pasteur’s legend received considerable help by the fact that Meister hailed from Alsace, a region controlled by Germany but claimed by France. The tricolor declared a victory for French science and for Pasteur who had beaten the German, Robert Koch, who had like Pasteur been working on vaccines. As a grown man, Joseph Meister took a job as a guard at the Institut Pasteur after Pasteur’s death. When German troops entered Paris in 1940, they swarmed the institute’s grounds and ordered that Pasteur’s crypt be opened. Meister likely had been one of several men who defended the crypt against the Wehrmacht and prevented its defilement. Shortly after, Meister inexplicably shot himself through the head. Even this act became part of Pasteur’s celebrity.
Anne E. Maczulak (Allies and Enemies: How the World Depends on Bacteria (FT Press Science))
GORGONZOLA & CANNELLINI DIP WITH A TRICOLORE FLOURISH I LOVE THIS COMBINATION OF BLUE CHEESE AND WHITE BEANS, but I have to say its gorgeousness is due in no small part to the mascarpone and Marsala that add creaminess of texture and smoky depth of tone respectively. I like this dip to have real tang: I need to feel that burning, blue-cheese buzz.
Nigella Lawson (Nigellissima: Easy Italian-Inspired Recipes: A Cookbook)
In the room where the signing [of the surrender] was to take place the sole decorations were three flags upon the end wall: the Red Flag, the Union Jack and the Stars and Stripes. The French colours were nowhere to be seen. De Tassigny declared that France could not be represented at the ceremony without her flag alongside those of her Allies. But where could a French flag to be found? The Russians decided to make one, with a piece of red stuff taken from a former Hitlerite banner, a white sheet and a piece of blue serge cut out of an engineer's overalls. Alas! Our tricolor was less familiar to the young Russian girls than the red flag to many French girls, for when a jeep brought along the flag that had been run op in this way we found a magnificient Dutch flag: the blue, white and red had been sewn not one beside the other but one above the other!
Barry Turner (Karl Doenitz and the Last Days of the Third Reich)
We survived a second time the retreat of the defeated army and the return of the soon to be victors. On April 4, 1944, the town had a red flag atop City Hall instead of the swastika and the Romanian tricolor: blue, yellow, red. At this juncture, the German army was in retreat, but by far not yet defeated. The Russians were advancing but by far not yet victorious.
Pearl Fichman (Before Memories Fade)
Señorita fiscal, el celo que el resto de Latinoamérica siente hacia Chile no tiene nada que ver con razones políticas, simplemente nos temen, saben que acá, los muertos corren y comen al servicio de la bandera tricolor.
Jorge Luis Cáceres (No entren al 1408: Antología en español tributo a Stephen King (Spanish Edition))
O fire, O soul Give us the spark of God-eternal, That friend to friend and friend to foe, One shall we stand before HIM. And the flame of Jatin, And the fire of Bhagath, And the love of the Mahatma in all, O, lift the flag high, Lift the flag high, This is the flag of the Revolution.
Raja Rao (Kanthapura)
Patriotism is not a flag in your DP, but to address the inequalities and injustices that linger within the country.
Bhushan Mahadani
Lo mismo ocurrió con la bandera: en todas las provincias sublevadas siguió enarbolándose la bandera tricolor de la República. Sólo tras el 15 de agosto –un mes después del alzamiento– la bandera fue sustituida por la antigua bandera española, sobre la que se conservó el escudo republicano en lugar del escudo monárquico
Clara Campoamor (La revolución española vista por una republicana (España en armas nº 2) (Spanish Edition))
On the 5th of October, in pouring rain, some 6,000 working women, fishwives, cleaners, marketstall holders, and prostitutes, marched on Versailles. Their ostensible reason was a rumor that at a welcome banquet given for the Flanders Regiment, newly arrived at the palace, the tricolor cockade had been trampled underfoot (...) armed with scythes, pikes, and any other weapons they could lay their hands on, they marched straight to the National Assembly, shouting their slogans and screaming for bread (...) In the early hours of the next day, the king and queen were awakened by furious shouts of, "mort à la femme Autrichienne", death to the Austrian woman.
John Julius Norwich (France: A History: from Gaul to de Gaulle)
Other countries love their flags,’ a Danish dinner guest protested to me recently. ‘Look at the Olympics!’ ‘Yes,’ I said. ‘That’s true. But the French don’t hoist the Tricolor on the cat’s birthday.
Michael Booth (The Almost Nearly Perfect People: Behind the Myth of the Scandinavian Utopia)
On Christmas Day, December 25, 1991, Gorbachev read his resignation speech on national television. The red banner of the Soviet Union was run down the flagpole of the Kremlin’s senate building, to be replaced with the Russian tricolor—red, blue, and white. Kyiv’s colors were blue and yellow. There was no longer a symbolic link between Moscow and Kyiv. After four unsuccessful attempts, undertaken by different political forces under various circumstances, Ukraine was now not only united but also independent and free to go its own way. What had seemed impossible only a few months earlier had become a reality: the empire was gone, and a new country had been born. The old communist elites and the leaders of the young and ambitious national democrats had joined forces to make history, with Ukraine as the gravedigger of the last European empire. They now had to find a way to create the future.
Serhii Plokhy (The Gates of Europe: A History of Ukraine)
Nous connaissons encore des femmes. Je vais en retrouver une qui tient un des tristes petits bars de la rue Saint-Jacques : son mari séché par les vents de l’Argentine circule entre Paris et Londres absorbé par des trafics que les codes commerciaux ne définissent pas : à ses retours, il enfonce des flèches tricolores dans une cible de paille. Cette
Paul Nizan (Aden Arabie (French Edition))
On Republic day while we are changing our DP and cover page to Tricolor flag let us take a oath to change our mindset too . Let us decide to have a mindset which encourage PEACE , JUSTICE , DIGNITY , LOVE and above all UNITY . Let us decide one RELIGION and one CASTE for everyone and that is INDIAN .
Kamini Sharma
Medio desnudo, tiritando de fiebre, empezó de pronto a anunciar a gritos, paso por paso, todo lo que iba a hacer en el futuro: la toma inmediata de Angostura, el paso de los Andes hasta liberar a la Nueva Granada y más tarde a Venezuela, para fundar Colombia, y por último la conquista de los inmensos territorios del sur hasta el Perú. «Entonces escalaremos el Chimborazo y plantaremos en las cumbres nevadas el tricolor de la América grande, unida y libre por los siglos de los siglos», concluyó.
Gabriel García Márquez (El general en su laberinto)
La rabbia folle contro il mondo Lorenzo Mondo | 414 parole All’indomani della guerriglia che ha devastato il centro di Milano vanno segnalate, oltre a quelle attribuibili alla più cupa violenza, le responsabilità di ordine morale e, prima ancora, intellettivo. Mi riferisco ai manifestanti che, sfilando con intenzioni pacifiche, hanno ceduto involontariamente la scena ai black bloc. Avevano ovviamente il diritto di sfilare, ma non si capisce bene il perché. L’Expo di Milano è incentrata sui temi della nutrizione, del diritto al cibo, dello sviluppo compatibile. Si tratta di una proposta avvincente, rincalzata dalle parole del Papa sulla sacralità del «nostro pane quotidiano», sulla necessaria «globalizzazione della solidarietà». Certo, gli episodi di corruzione hanno rischiato di mortificare l’immagine dell’evento, e certo, tra il dire e il fare corre una bella differenza. Ma non si può disconoscere la nobiltà dell’assunto. E ancora, i pacifici contestatori se la prendono con le multinazionali, le banche, i capitalismi assortiti. Trascurano il fatto che nei padiglioni espositivi si sono date convegno le rappresentanze di 145 nazioni. Un variegato panorama di Paesi retti da regimi liberali, autoritari e anche dittatoriali, opulenti e miserabili (Nepal compreso, la cui postazione, a causa del terrificante terremoto, ha dovuto essere rifinita da artigiani bresciani e bergamaschi). Tutti contenti di partecipare, di aderire almeno formalmente ai temi proposti. E registriamo allora il paradosso di gente che si trova a manifestare, senza distinzioni, contro l’universo mondo. Altro discorso riguarda la furia cieca dei professionisti della violenza e del saccheggio. Istituzioni e partiti hanno espresso unanimi la denuncia del teppismo organizzato, la sua inammissibilità. Ci mancherebbe altro. Ciò che manca è una adeguata opera di prevenzione e la durezza delle sanzioni, favorita dalla lassitudine delle leggi e delle loro applicazioni che ci fa apparire agli occhi dei malviventi come il Paese di Bengodi. Di questi giorni convulsi conserviamo, a conforto, due immagini che identificano l’Italia migliore. Il signore che, alle avvisaglie dei più gravi tumulti, dando voce al disagio dei cittadini, si è presentato sul balcone di casa, dove aveva esposto il tricolore, ed è rimasto imperterrito sotto il lancio colaticcio di uova da parte della marmaglia studentesca. E poi la faccia distesa di Romano Bignozzi, il settantottenne capocantiere dell’Expo, che ha ricevuto una lettera firmata da oltre 1.500 operai: a esprimergli la loro gratitudine per avere ben guidato il loro faticoso ma esaltante lavoro.
Anonymous
¡Jesucristo, don Quijote y yo hemos sido los más insignes majaderos de este mundo!... Esta es la última frase genial del Libertador. Una mañana le pregunta sorpresivamente Bolívar a su médico: –Y usted, ¿qué vino a buscar a estas tierras? –La libertad. –Y, ¿usted la encontró? –Sí, mi general. –Usted es más afortunado que yo, pues todavía no la he encontrado. Con todo, vuélvase usted a su bella Francia, en donde está ya flameando la gloriosa bandera tricolor, pues no se puede vivir aquí, en este país, en donde hay muchos canallas.
Alfonso Rumazo González (Simón Bolívar (Spanish Edition))
Renzo from Roddino leaves us on the doorstep of Osteria da Gemma, a Langhe culinary landmark in a village scarcely large enough to fill the restaurant. Before we can shake off the wet and the cold, before we can see a menu or catch our breath, the waiter comes by and drops a cutting board full of salumi between us. Prego. Then another plate comes out- carne cruda, a soft mound of hand-chopped veal dressed with nothing but olive oil and a bit of lemon, a classic warm-up to a Piedmont meal. The plates continue, and it soon becomes very clear that we have no say in the matter. Insalata russa, a tricolore of toothsome green peas, orange carrots, and ivory potatoes, bound in a cloak of mayonnaise and crumbled egg yolk. Vitello tonnato, Piedmont's famous take on surf and turf: thin slices of roast beef with a thick emulsion of mayo and tuna. Each bite brings us slowly out of the mist of emotion and into the din of the dining room.
Matt Goulding (Pasta, Pane, Vino: Deep Travels Through Italy's Food Culture (Roads & Kingdoms Presents))
It is gloomy, especially in the rain, the waterways with mist rising off them, memories of past visits here and earlier loves-- ghost smudges barely glimpsed, dripping alleys, steps dissolving into water, old ladies behind curtains, eating off trays, lives that have themselves become riddles. Then it changes overnight. The salt breezes open one's nostrils to delight, the tourists are suddenly not so dowdy and badly dressed. The canals glitter that famous jade green. The motoscafi fly their tricolor pennants bravely, and the sky is once again that cerulean blue the painters loved.
Richard Tillinghast
This is Carlos's Three-Cheese Casserole." In between my appointment with Dr. D-P and my trip to the loft to supervise the installation of the range, I'd run home and gathered some ingredients from my father's pantry, intending to break in my new stove and play around with my kids' cooking assignment. I'd used tricolor bows, mixed with a combination of cottage cheese, Gruyère, the end of a piece of hard cheese I'd found in the back of the fridge, and a couple of eggs. I baked it all in a hot oven and served it topped with a fresh tomato basil sauce.
Meredith Mileti (Aftertaste: A Novel in Five Courses)
Noble Praise of INDIA, The Pledge "India is my property and I am a property of India, Service is my Identity Card and Bharat Mahan is my designation, Indian is my template and citizen is my nameplate, Let the sunset in the west, I will be the light for my nation, Respect thy my country and thy my people, I shall practice any potential risk to seek peace for my country and my people, I shall sustain my nation's culture pertaining to my personal rights and freedom, I shall esteem human values regardless of the prevailing diversity in my country, I shall never bribe my fellowmen to corrupt my country, I shall stand straight to keep my nation tall, I shall be ready to sacrifice my life to live in my country, I shall wish to be the richest citizen than to be the richest man, I shall be a milestone in the history of my country, I shall be determined to obey the law and order of my country, I shall be proud to salute my tricolor national flag, I shall live finite to make my country infinite, My first breath is from my mother and my last breath is for my motherland, This body belongs to my country until I am a dead body, Even if it is my last day, I will pledge for my country, Jai Hind, Vande Mataram, Jai Bharat Mata
P.S. Jagadeesh Kumar
Along with the figure of Liberty and the tricolored flag, the third revolutionary symbol to return with the Revolution of 1830 was the “Marseillaise,” the forty-year-old song that had been France’s national anthem before the restoration of the Bourbons in 1815. “And the music that was there then,” recalled the composer Hector Berlioz in his memoirs about the atmosphere in Paris in the aftermath of the July Days, “the songs, the harsh voices resounding through the streets—nobody who did not hear it can have an idea what it was like.” Each night crowds gathered under the windows of the Palais Royal to sing the “Marseillaise,” and Louis Philippe would go out on his balcony and beat time for the citizens’ chorus.
Robert J. Bezucha (The Art of the July Monarchy: France, 1830 to 1848)
Qué hombres tan maduros! ¡Ojos alelados a la manera de la noche de estío, rojos y negros, tricolores, de acero punteado por estrellas de oro; semblantes deformes, plomizos, lívidos, incendiados; alocadas ronqueras! ¡El paso cruel de los oropeles!
Arthur Rimbaud (Illuminations)
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