Tricky Philosophy Quotes

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He examined the chess problem and set out the pieces. It was a tricky ending, involving a couple of knights. 'White to play and mate in two moves.' Winston looked up at the portrait of Big Brother. White always mates, he thought with a sort of cloudy mysticism. Always, without exception, it is so arranged. In no chess problem since the beginning of the world has black ever won. Did it not symbolize the eternal, unvarying triumph of Good over Evil? The huge face gazed back at him, full of calm power. White always mates.
George Orwell (1984)
Of course, the tricky thing about these little questions was that, once I started asking them, it was hard to stop.
Jenna Miscavige Hill
Choice is such a tricky concept, maybe a little like freedom. Freedom is fine, until you add another word at the end of it all. You're free to do what you want... but. Sure, go ahead... unless. Some inner philosopher of mine asks what happens to choice if we qualify it. I suppose it becomes something other than a choice.
Christina Dalcher (Femlandia)
The lobby of the Fanny Briggs Memorial Building was almost finished when she arrived. As if to distract from the minuscule and cramped philosophy of what would transpire on the floors above, the city offered visitors the spacial bounty of the lobby. The ersatz marble was firm underfoot like real marble, sheer, and produced trembling echoes effortlessly. The circle of Doric columns braced the weight above without complaint. The mural, however, was not complete. It started out jauntily enough to Lila Mae’s left. Cheerless Indians holding up a deerskin in front of a fire. The original tenants, sure. A galleon negotiating the tricky channels around the island. Two beaming Indians trading beads to a gang of white men—the infamous sale of the Island. Big moment, have to include that, the first of many dubious transactions in the city’s history. (They didn’t have elevators yet. That’s why the scenes look so flat to Lila Mae: the city is dimensionless.) The mural jumped to the Revolution then, she noticed, skipped over a lot of stuff. The painter seemed to be making it up as he went along, like the men who shaped the city. The Revolution scene was a nice setpiece—the colonists pulling down the statue of King George III. They melted it down for ammunition, if she remembers correctly. It’s always nice when a good mob comes together. The painting ended there. (Someone knocks at the door of her room in 117 Second Avenue, but she doesn’t open her eyes.) Judging from the amount of wall space that remained to Lila Mae’s right, the mural would have to get even more brief in its chronicle of the city’s greatest hits. Either the painter had misjudged how much space he had or the intervening years weren’t that compelling to him. Just the broad strokes, please.
Colson Whitehead (The Intuitionist)
Imagine you were asked in a maths paper at junior school, 'Which would you prefer, a shilling or two sixpences?' and you answered, 'Two sixpences,' because thinking of the two tiny silver coins jingling together in your pocket made you feel good and you loved those cute little sixpences. But when the test paper was returned you saw a big red cross through your answer, and that night your mother explained to you that it was a trick question, two sixpences and a shilling were worth the same amount – which you knew, but you'd still prefer two sixpences. It wasn't that you were stupid, you just saw things from a different angle. Sixpences had character, shillings didn't. And you felt richer with two sixpences because there were two coins, not just one. But despite all these explanations, you were still wrong and you kept getting tripped up by these trick questions over and over again, in exams, in relationships, friendships, jobs and interviews. In fact, these misreadings of situations happened so often that you started to view the world as a tricksy and untruthful place. Then you noticed that the people who saw the tricks behind the questions were popular and always at the top of the class. Baffled by life and its unseen rules, you began to doubt everything around you. You felt you had to approach all of life as a trick, just to get it right a few times.
Viv Albertine (To Throw Away Unopened)
Its that tricky thing called hope and that contagious thing called faith, that draws this very fine line between winning and losing.
Deepak Vidyarthi (The Newtonian Quest : How It All Began)
Over the course of seventy years, Isobel had learned how indiscriminately unkind Life could be. She also knew that cataloguing and reviewing examples of such cruelty was, in itself, a masochistic exercise. One that she'd habitually and rigorously trained herself to refrain from engaging in. Better to focus on those events that demonstrated the grace and beauty with which Life could perform, without rival, when bestowing on her captive audience a distinctively intermittent yet consistently welcomed generosity of spirit.
Ella J. Fraser (A Tricky Lie (Sutherland Mystery Series, #1))
As far back as history records people thinking, thinking people have been befuddled by the mysteries of life and existence.
Lewis N. Roe (From A To Theta: Taking The Tricky Subject Of Religion And Explaining Why It Makes Sense In A Way We Can All Understand)
One of the most important things I have found is that no one school of thought has all of the answers. Sometimes history plugs a gap that science can't fill. Often philosophy has answers that science relies on for its discoveries. Theology needs the support of all of these things for any of its claims to make sense.
Lewis N. Roe (From A To Theta: Taking The Tricky Subject Of Religion And Explaining Why It Makes Sense In A Way We Can All Understand)
Together we'll make magic... Who had conjured whom? She seemed to remember Oliver suggesting this once before, but she hadn't really appreciated the importance of his question. Was she the dream? Was Nao the one writing her into being? Agency is a tricky business, Muriel had said. Ruth had always felt substantial enough, but maybe she wasn't. Maybe she was as absent as her name indicated, a homeless and ghostly composite of words that the girl had assembled. She'd never had any cause to doubt her senses. Her empirical experience of herself, seemed trustworthy enough, but now in the dark, at four in the morning, she wasn't so sure.
Ruth Ozeki (A Tale for the Time Being)
Life can be tricky, especially when surrounded by tricksters.
Gift Gugu Mona (The Extensive Philosophy of Life: Daily Quotes)
Success is such a tricky destination. You may have the good intention to get there, but be careful not to take the wrong path.
Mwanandeke Kindembo
We treat suicidal people like criminals. Voicing misogynistic or racist thoughts is less dangerous than voicing suicidal thoughts. People can be hospitalized against their will for wanting to die. No suicide prevention is willing to actually talk to suicidal people, to deal with the arguments behind why suicide is a valid option. At least when people argue against misogyny, they got science and philosophy behind them. When people talk about suicide, they write people off as ‘irrational’. There are a lot of ways to look at this tricky subject. Suicide is a private action that causes great distress to the environment. Perry doesn’t delve enough into why suicide should be protected. The main arguments suicide are the value of life and the harm it causes to others. The harm it causes to others is especially important, since ethics often blur when freedom, pleasure and pain mix.
The Brain in the Jar
Once money is involved, it is no longer social. It becomes business. Even on social media, when money is involved, it is no longer just social media. It is business. And in business, there is rivalry and competition. People can cheat, be mean, brutal, violent, cunning, tricky, dishonest, and manipulative. They are willing to do whatever it takes to win or make a profit. That is why, when money is involved in social media, it is no longer fun but turns toxic and violent. Some people are in it to win it and are willing to do distasteful, horrible, evil, vile, mean, toxic, barbaric, and inhuman things to get that money.
De philosopher DJ Kyos
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Referal Code
Magic, for me, is a short word for a tricky concept. One that is easy to experience but hard to put into words. Magic takes up where modern science and philosophy leave off. It floods into every entangled space of being and reveals itself slowly. It requires that we enter into experience embodied and unafraid of the dark and the strange. Magic has at its heart a livingness, a responsiveness, a reciprocal consciousness that science does not recognise. It allows space for the soul. For transformation beyond logic. For the impossible, the improbable, the longed for. It both allows us – and the universe – more agency. And the possibility of creative collaboration. It has at its heart a web of interbeing that only ecologists and quantum physicists in mainstream culture can really grasp. It embraces the unseen. Without needing to try and see it. It accepts the darkness of mind and logical knowing and embraces the reality of divergent non-repeatable lived experience and revelation. It is a state of being where we understand the psyche as a vital layer of reality alive in the world. One where we see the realm of symbol as active within and without, and the world as woven from energies which can be mediated, played with, transformed. To allow for magic is to give space to a greater reality than our current culture can explain or conceptualise. A reality where consciousness affects the material world. One that acknowledges the truth that not only humans are conscious, and where things like time may be far more complex or entirely different than we currently understand. Magic lives in the margins, on the edges of days, on the perimeters of places, where one threshold crosses or touches another, in the realm of Crow and Moon. Whenever you enter the wild with openness to the encounter there is the potential to experience magic. This I know as truth. We re-enter an ever-present living presence, a complex non-human living system, a matrix of symbols. If we allow ourselves to become part of it, we experience a falling away of time – of this time in history and the daily roles we play – and remember a timeless sense of being.
Lucy H. Pearce (Crow Moon: Reclaiming the Wisdom of the Dark Woods)