Travis Mcgee Quotes

We've searched our database for all the quotes and captions related to Travis Mcgee. Here they are! All 100 of them:

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...there are people who try to look as if they are doing a good and thorough job, and then there are the people who actually damn well do it, for its own sake.
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John D. MacDonald (Free Fall in Crimson (Travis McGee #19))
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We were about to give up and call it a night when somebody threw the girl off the bridge.
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John D. MacDonald (Darker Than Amber (Travis McGee #7))
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Being an adult means accepting those situations where no action is possible.
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John D. MacDonald (The Green Ripper (Travis McGee #18))
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I am wary of the whole dreary deadening structured mess that we have built into such a glittering top-heavy structure that there is nothing left to see but the glitter, and the brute routines of maintaining it.
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John D. MacDonald (The Deep Blue Good-By (Travis McGee, #1))
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A woman who does not guard and treasure herself cannot be of very much value to anyone else.
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John D. MacDonald (The Deep Blue Good-By (Travis McGee, #1))
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A man with a credit card is in hock to his own image of himself.
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John D. MacDonald (The Deep Blue Good-By (Travis McGee, #1))
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At times it seems as if arranging to have no commitment of any kind to anyone would be a special freedom. But in fact the whole idea works in reverse. The most deadly commitment of all is to be committed only to one's self. Some come to realize this after they are in the nursing home.
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John D. MacDonald (The Lonely Silver Rain (Travis McGee #21))
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Please not yet. Those are the three eternal words. Please not yet.
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John D. MacDonald (A Deadly Shade of Gold (Travis McGee #5))
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When you see the ugliness behind the tears of another person, it makes you take a closer look at your own.
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John D. MacDonald (The Green Ripper (Travis McGee #18))
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Every day, no matter how you fight it, you learn a little more about yourself, and all most of it does is teach humility.
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John D. MacDonald (One Fearful Yellow Eye (Travis McGee, #8))
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In the morning I'm often anti-semantic.
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John D. MacDonald (The Deep Blue Good-By (Travis McGee, #1))
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This was not some pretty little girl, coyly flirtatious, delicately stimulated. This was the mature female of the species, vivid, handsome and strong demanding that all the life within her be matched. Her instinct would detect any hedging, any dishonesty, any less than complete response to her - and then she would be gone for good.
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John D. MacDonald (The Quick Red Fox (Travis McGee #4))
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I do not like the killers, and the killing bravely and well crap. I do not like the bully boys, the Teddy Roosevelt’s, the Hemingways, the Ruarks. They are merely slightly more sophisticated versions of the New Jersey file clerks who swarm into the Adirondacks in the fall, in red cap, beard stubble and taut hero’s grin, talking out of the side of their mouths, exuding fumes of bourbon, come to slay the ferocious white-tailed deer. It is the search for balls. A man should have one chance to bring something down. He should have his shot at something, a shining running something, and see it come a-tumbling down, all mucus and steaming blood stench and gouted excrement, the eyes going dull during the final muscle spasms. And if he is, in all parts and purposes, a man, he will file that away as a part of his process of growth and life and eventual death. And if he is perpetually, hopelessly a boy, he will lust to go do it again, with a bigger beast.
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John D. MacDonald (A Deadly Shade of Gold (Travis McGee #5))
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In the sense of movement a boat is a living thing. It is a companion in the night. Each boat has its own manner and character.” Travis McGee, 1985
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John D. MacDonald
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Old friend, there are peopleβ€”young and oldβ€”that I like, and people that I do not like. The former are always in short supply. I am turned off by humorless fanaticism, whether it's revolutionary mumbo-jumbo by a young one, or loud lessons from scripture by and old one. We are all comical, touching, slapstick animals, walking on our hind legs, trying to make it a noble journey from womb to tomb, and the people who can't see it all that way bore hell out of me.
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John D. MacDonald (Dress Her in Indigo (Travis McGee #11))
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When you look at pictures of people you know are dead, there is something different about the eyes. As if they anticipated their particular fate.It is a visceral recognition. I told myself I was getting too fanciful and went to bed.
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John D. MacDonald (The Lonely Silver Rain (Travis McGee #21))
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It would be one kind of penance. And there are never enough kinds. Not for him. Not for me. And certainly not for you, my friend.
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John D. MacDonald (A Purple Place for Dying (Travis McGee #3))
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It is one thing to look at a mistreated boat and another to look at a tomb. The silence of the bay seemed more intense. And I could see the glint of the carrion flies.
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John D. MacDonald (The Lonely Silver Rain (Travis McGee #21))
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I told him I was sick unto death of miniwomen, miniclothes, miniloves, minideaths and my own damned minilife. I wanted empty cays, gaudy reefs, hot sun, swift fish, and maybe some talk when it was time for talking.
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John D. McDonald
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By noon, in a gray February world, we had come down through snow flurries to land at Albany, and had taken off again. When the snow ended the sky was a luminous gray. I looked down at the winter calligraphy of upstate New York, white fields marked off by the black woodlots, an etching without color, superbly restful in contrast to the smoky, guttering, grinding stink of the airplane clattering across the sky like an old commuter bus.
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John D. MacDonald (The Quick Red Fox (Travis McGee #4))
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The president is selling the country down the river with the help of the Supreme Court. Agree with us or you are a marked traitor. You know the sort of thing, all that tiresome pea-brained nonsense that attracts those people who are so dim-witted that the only way they can understand the world is to believe that it is all some kind of conspiracy.
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John D. MacDonald (A Deadly Shade of Gold (Travis McGee #5))
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It is that flavor exuded by women who have fashioned an earthy and simplified sexual adjustment to their environment, borne their young, achieved an unthinking physical confidence. They are often placidly unkempt, even grubby, taking no interest in the niceties of posture. They have a slow relish for the physical spectrum of food, sun, deep sleep, the needs of children, the caressess of affection. There is a tiny magnificance about them, like the sultry dignity of she-lions.
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John D. MacDonald (The Deep Blue Good-By (Travis McGee, #1))
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summertime.” β€œI remember it well.
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John D. MacDonald (Cinnamon Skin (Travis McGee, #20))
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Bugs would eat the wax. Chaw the old canvas. And one day there will be a mutation, and we will have new ones that can digest concrete, dissolve steel and suck up the acid puddles, fatten on magic plastics, lick their slow way through glass. Then the cities will tumble and man will be chased back into the sea from which he came...
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John D. MacDonald (The Deep Blue Good-By (Travis McGee, #1))
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If there was one sunset every twenty years, how would people react to them? If there were ten seashells in all the world, what would they be worth? If people could make love just once a year, how carefully would they pick their mates?
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John D. MacDonald (One Fearful Yellow Eye (Travis McGee, #8))
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...I do not function too well on emotional motivations. I am wary of them. And I am wary of a lot of other things, such as plastic credit cards, payroll deductions, insurance programs, retirement benefits, savings accounts, Green Stamps, time clocks, newspapers, mortgages, sermons, miracle fabrics, deodorants, check lists, time payments, political parties, lending libraries, television, actresses, junior chambers of commerce, pageants, progress, and manifest destiny.
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John D. MacDonald (The Deep Blue Good-By (Travis McGee, #1))
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Hascomb snatched an ancient weapon out of his glove compartment. Officers have smuggled them home from the last five wars. The Colt.45 automatic.
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John D. MacDonald (The Dreadful Lemon Sky (Travis McGee #16))
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Gian Gravina? β€˜A bore is a person who deprives you of solitude without providing you with company.’ 
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John D. MacDonald (The Turquoise Lament (Travis McGee #15))
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The Only Thing in the World Worth a Damn is the Strange, Touching, Pathetic, Awesome Nobility of the Individual Human Spirit.
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John D. MacDonald (A Deadly Shade of Gold (Travis McGee #5))
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Waves can wash away the most stubborn stains, and the stars do not care one way or the other.
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John D. MacDonald (A Deadly Shade of Gold (Travis McGee #5))
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The world is full of damp rocks, with some very strange creatures hiding under them.
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John D. MacDonald (The Green Ripper (Travis McGee, #18))
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That is the flaw in my personality. Vanity. And your flaw is sentimentality. They are the flaws which will inevitably kill us both.
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John D. MacDonald (A Deadly Shade of Gold (Travis McGee #5))
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Travis McGee, that big brown loose-jointed boat bum, that pale-eyed, wire-haired girl-seeker, that slayer of small savage fish, that beach-walker, gin-drinker, quip-maker, peace-seeker, iconoclast, disbeliever, argufier, that knuckly, scar-tissued reject from a structured society.
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John D. MacDonald (The Deep Blue Good-By (Travis McGee #1))
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My friend Meyer, the economist, says that cretins are the only humans who can be absolutely certain of their own sanity. All the rest of us go rocketing along rickety rails over spavined bridges and along the edge of bottomless gorges. The man who believes himself free of any taint of madness is a damned liar.
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John D. MacDonald (A Purple Place for Dying (Travis McGee #3))
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Only a woman of pride, complexity and emotional tension is genuinely worth the act of love, and there are only two ways to get yourself one of them. Either you lie, and stain the relationship with your own sense of guile, or you accept the involvement, the emotional responsibility, the permanence she must by nature crave.
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John D. MacDonald (The Deep Blue Good-By (Travis McGee #1))
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Newsmen have a very short attention span. It is a prerequisite in the business. That is why the news accounts of almost anything make sense to all ages up to the age of twelve. If one wishes to enjoy newspapers, it is wise to halt all intellectual development right at that age. The schools are doing their level best to achieve this goal.
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John D. MacDonald (A Deadly Shade of Gold (Travis McGee #5))
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New York is where it is going to begin, I think. You can see it coming. The insect experts have learned how it works with locusts. Until locust population reaches a certain density, they all act like any grasshoppers. When the critical point is reached, they turn savage and swarm, and try to eat the world. We’re nearing a critical point. One day soon two strangers will bump into each other at high noon in the middle of New York. But this time they won’t snarl and go on. They will stop and stare and then leap at each others
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John D. MacDonald (Nightmare in Pink (Travis McGee, #2))
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In all emotional conflicts, the thing you find the most difficult to do, is the thing that you should do." --Meyer's Law
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John D. MacDonald
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Never leave anything which can be traced, when you do have a choice.
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John D. MacDonald (The Quick Red Fox (Travis McGee #4))
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For perhaps the first time in my life I appreciated the corrosive effects of total uncertainty.
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John D. MacDonald (The Lonely Silver Rain (Travis McGee, #21))
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I don't like it anymore around here, Meyer. I want to go home. Every time I get blown up by a bomb I get that same feeling. I want to go home.
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John D. MacDonald (The Dreadful Lemon Sky (Travis McGee #16))
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You did very well, old friend." "Shall I blush and simper?" "If you don't keep it up for long. I hate blushing and simpering in a grown man when it goes on and on.
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John D. MacDonald (The Dreadful Lemon Sky (Travis McGee #16))
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And it was okay because it had to be. There wasn't any other choice. Sometimes it is a relief not to have a choice. I will have to get Meyer to explain this concept to me.
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John D. MacDonald (The Dreadful Lemon Sky (Travis McGee #16))
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Today, my friends, we each have one day less, every one of us. And joy is the only thing that slows the clock.
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John D. MacDonald (The Scarlet Ruse (Travis McGee #14))
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Somebody has to be tireless, or the fast-buck operators would asphalt the entire coast, fill every bay, and slay every living thing incapable of carrying a wallet.” These
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John D. MacDonald (Nightmare in Pink (Travis McGee, #2))
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It was to have been a quiet evening at home.
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John D. MacDonald (The Deep Blue Good-By (Travis McGee #1))
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In every contact with every other human in every day of your life, you become what you sense they want of you or, if you are motivated the other way, exactly what they do not want.
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John D. MacDonald (The Deep Blue Good-By (Travis McGee #1))
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I leaned over and slapped his face sideways and backhanded it back to center position. "Manners," I said.
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John D. MacDonald (Pale Gray for Guilt (Travis McGee #9))
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If there’s no pain and no loss, it’s only recreational and we can leave it to the minks. People have to be valued.
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John D. MacDonald (Nightmare in Pink (Travis McGee, #2))
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the glue that seems to hold mankind in some kind of lasting stasis is everyone’s desire to be useful.
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John D. MacDonald (The Lonely Silver Rain (Travis McGee, #21))
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If you look over in that direction, like two hundred yards, you will see some birds walking. Never drive the boat toward where the birds are walking. First rule of navigation.
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John D. MacDonald (The Scarlet Ruse (Travis McGee #14))
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Somebody has to be tireless, or the fast-buck operators would asphalt the entire coast, fill every bay, and slay every living thing incapable of carrying a wallet.
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John D. MacDonald (The Lonely Silver Rain (Travis McGee, #21))
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The early bird who gets the worm works for somebody who comes in late and owns the worm farm.
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John D. MacDonald (The Dreadful Lemon Sky (Travis McGee #16))
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The eye records. The eye takes vivid, unforgettable pictures.
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John D. MacDonald (A Deadly Shade of Gold (Travis McGee #5))
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A bird, a horse, a dog, a man, a girl, or a catβ€”you knock them about and diminish yourself because all you do is prove yourself equally vulnerable.
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John D. MacDonald (The Deep Blue Good-By (Travis McGee #1))
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It's a tricky, complex, indifferent society, Puss. It's a loophole world. And there are a lot of clever animals who know how to reach through the loopholes and pick the pockets of the unsuspecting.
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John D. MacDonald (Pale Gray for Guilt (Travis McGee #9))
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Only a woman of pride, complexity and emotional tension is genuinely worth the act of love, and there are only two ways to get yourself one of them. Either you lie, and stain the relationship with your own sense of guile, or you accept the involvement, the emotional responsibility, the permanence she must by nature crave. I love you can be said only two ways. Travis McGee, The Deep Blue Good-By, 1964
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Travis McGee
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are too many mouths to feed. One million three hundred thousand more every week! And of all the people who have ever been alive on Earth, more than half are living right now. We are gnawing the planet bare,
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John D. MacDonald (The Green Ripper (Travis McGee, #18))
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I went into the lunchroom. A stocky young girl in a soiled green jumper sat at a table reading a fan magazine. She got up slowly when the screen door creaked. She had enormous breasts and she looked like Buddy Hackett.
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John D. MacDonald (A Purple Place for Dying (Travis McGee #3))
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I had that fractional part of consciousness left which gave me a remote and unimportant view of reality. The world was a television set at the other end of a dark auditorium, with blurred sound and a fringe area picture.
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John D. MacDonald (The Deep Blue Good-By (Travis McGee, #1))
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I know just enough about myself to know I cannot settle for one of those simplifications which indignant people seize upon to make understandable a world too complex for their comprehension. Astrology, health food, flag waving, bible thumping, Zen, nudism, nihilismβ€”all of these are grotesque simplifications which small dreary people adopt in the hope of thereby finding The Answer, because the very concept that maybe there is no answer, never has been, never will be, terrifies them.
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John D. MacDonald (A Deadly Shade of Gold (Travis McGee #5))
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The ones that swear off, most of them they go back onto it sooner or later, get pig drunk and locked up.” β€œSomething special you’ve got against drunks, Sheriff?” β€œMarried to one for a long time. Too long. She finally drove into a tree one night.
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John D. MacDonald (The Empty Copper Sea (Travis McGee #17))
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...her dark eyes were like twin entrances to two deep caves. Nothing lived in those caves. Maybe something had, once upon a time. There were piles of picked bones back in there, some scribbling on the walls, and some grey ash where the fires had been.
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John D. MacDonald (Darker Than Amber (Travis McGee #7))
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But when they don’t wear helmets, they abuse the taxpayers, taking a couple of weeks to die in intensive care, their primitive brains jellied by hard impact with the concrete highway. Somebody has to pick them up when they go down and deliver them to Emergency, regrettably.
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John D. MacDonald (The Empty Copper Sea (Travis McGee #17))
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throats in a dreadful silence. The infection will spread outward from that point. Old ladies will crack skulls with their deadly handbags. Cars will plunge down the crowded sidewalks. Drivers will be torn out of their cars and stomped. It will spread to all the huge cities of the world, and by dawn of the next day there will be a horrid silence of sprawled bodies and tumbled vehicles, gutted buildings and a few wisps of smoke. And through that silence will prowl a few, a very few of the most powerful ones, ragged and bloody, slowly tracking each other down.
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John D. MacDonald (Nightmare in Pink (Travis McGee, #2))
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The biggest and most important reason in the world is to be together with someone in a way that makes life a little less bleak and solitary and lonesome. To exchange the I for We. In the biggest sense of the word, it's cold outside. And kindness and affection and gentleness build a nice warm fire inside.
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John D. MacDonald (The Dreadful Lemon Sky (Travis McGee #16))
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You said if X has something valuable and Y comes along and takes it away from him, and there is absolutely no way in the world X can ever get it back, then you come along and make a deal with X to get it back, and keep half. Then you just … live on that until it starts to run out. Is that the way it is, really?
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John D. MacDonald (The Deep Blue Good-By (Travis McGee #1))
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Ninety-nine percent of the things that ninety-nine percent of the people do are entirely predictable, when you have a few lead facts. Drunks, maniacs and pregnant women are the customary exceptions. Everyone has the suspicion he is utterly unique. But we are a herd animal, and we all turn to face into the wind.
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John D. MacDonald (A Deadly Shade of Gold (Travis McGee #5))
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The scene is reputed to be acrawl with adorably amoral bunnies to whom sex is a pleasant social favor. The new culture. And they are indeed present and available, in exhausting quantity but there is a curious tastelessness about them. A woman who does not guard and treasure herself cannot be of very much value to anyone else. They become a pretty little convenience, like a guest towel. And the cute little things they say, and their dainty little squeals of pleasure and release are as contrived as the embroidered initials on the guest towels. Only a women of pride, complexity and emotional tension is genuinely worth the act of love.
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John D. MacDonald (The Deep Blue Good-By (Travis McGee, #1))
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cramp began to knot my right calf and so with thumb and forefinger I pinched my nose shut with considerable force and held the pressure until the cramp faded away. A Chinese solution. Acupressure, just as steady pressure at the right point on the inside of the wrist, three finger widths from the heel of the hand, will inhibit nausea.
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John D. MacDonald (The Lonely Silver Rain (Travis McGee, #21))
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Integrity is not a conditional word. It doesn't blow in the wind or change with the weather. It is your inner image of yourself, and if you look in there and see a man who won't cheat, then you know he never will. Integrity is not a search for the rewards of integrity. Maybe all you ever get for it is the largest kick in the ass the world can provide. It is not supposed to be a productive asset.
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John D. MacDonald
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There are too many of them in the world lately, the hopeful ladies who married grown-up boy children and soon lost all hope....They are not ardent libbers, yet at the same time they are not looking for some man to "take care." God knows they are experts at taking care of themselves. They just want a grown-up man to share their life with, each of them taking care. But there are one hell of a lot more grown-up ladies than grown-up men.
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John D. MacDonald (The Dreadful Lemon Sky (Travis McGee #16))
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I could see, in the haze to the north, the tall stacks of the mighty Borden phosphate and fertilizer plant in Bradenton, spewing lethal fluorine and sulphuric-acid components into the vacation sky. In the immediate area it is known bitterly as the place where Elsie the Cow coughed herself to death. I have read where it had been given yet another two years to correct its massive and dangerous pollution. Big Borden must have directors somewhere. Maybe, like the Penn Central directors, they are going to sit on their respective docile asses until the roof falls in. There are but two choices. Either they know they condone poisoning and don't give a damn, or they don't know they condone poisoning and don't give a damn. Anybody can walk into any brokerage office and be told where to look to find a complete list of the names of the directors and where they live. Drop the fellows a line, huh?
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John D. MacDonald (The Turquoise Lament (Travis McGee #15))
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So!" "So?" So I don't think you drove that one off. So it was her choice. So she isn't the kind who says it is for good and then come back all of a sudden. With her, gone is gone. So if I were you, I would be just as bad off as you look. Or worse. So if I were you and one like that was gone for good, I'd miss hell out of her and wonder if maybe I'd handled things a little differently some how, I could have kept her around permanently." "That's enough about 'so.
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John D. MacDonald (Pale Gray for Guilt (Travis McGee #9))
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All the bright people, stopped in the midst of life, looking with forced smile into the lenses, then to be filed away, their colors fading as the years pass, caught there in slide trays, stack loads, view cubes, until one day the camera person dies and the grandchild says, β€œMom, I don’t know any of these people. Or where these were taken even. There are jillions of them here in this big box and more in the closet. What will I do with them anyway?” β€œThrow them out, dear.
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John D. MacDonald (The Empty Copper Sea (Travis McGee #17))
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Siesta is sweet when the light is gold, and when the vivid, young face on the pillow looks into yours, beside her, inches away, and smiles the woman-smile older than time, her exhalations warm against your mouth, as with slow fingers she traces your brows, lips, and the shape of cheek and jaw. There is nothing more es-stock. It has all been unfastened, all turned loose, with a guile that was so sweetly planned it could not be denied, even had there been any thought of denying it. Elena, you are the Mexican afternoons forever.
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John D. MacDonald (Dress Her in Indigo (Travis McGee #11))
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From A Deadly Shade of Gold, a Travis McGee title: β€œThe only thing in the world worth a damn is the strange, touching, pathetic, awesome nobility of the individual human spirit.” From the stand-alone thriller Where Is Janice Gantry?: β€œSomebody has to be tireless, or the fast-buck operators would asphalt the entire coast, fill every bay, and slay every living thing incapable of carrying a wallet.” These two angles show up everywhere in his novels: the need toβ€”maybe reluctantly, possibly even grumpilyβ€”stand up and be counted on behalf of the weak, helpless, and downtrodden, which included people, animals, and what we now call the environmentβ€”which was in itself a very early and very prescient concern: Janice Gantry, for instance, predated Rachel Carson’s groundbreaking Silent Spring by a whole year. But the good knight’s armor was always tarnished and rusted. The fight was never easy and, one feels, never actually winnable. But it had to be waged. This strange, weary blend of nobility and cynicism is MacDonald’s signature emotion. Where did it come from? Not, presumably, the leafy block where he was raised in quiet and comfort. The war must have changed him, like it changed a generation and the world.
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John D. MacDonald (The Deep Blue Good-By)
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There is something self-destructive about Western technology and distribution. Whenever any consumer object is so excellent that it attracts a devoted following, some of the slide rule and computer types come in on their twinkle toes and take over the store, and in a trice they figure out just how far they can cut quality and still increase market penetration. Their reasoning is that it is idiotic to make and sell a hundred thousand units of something and make 30 cents a unit when you can increase the advertising, sell five million units, and make a nickel profit a unit. Thus, the very good things of the world go down the drain, from honest turkey to honest eggs to honest tomatoes. And gin.
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John D. MacDonald (The Dreadful Lemon Sky (Travis McGee #16))
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Gentlemen, a pleasure talking to you. Hope I’ve been of some help. It’s coming upon closing time, and I don’t stay around here one minute more than I need to.” We walked to the van. It was no longer in the shade, and hot enough inside to melt belt buckles. We talked it over and decided that the motel at Robstown had been comfortable enough and only about sixty miles away, so we decided to call it a day, but halfway there we came upon a motel in Alice that looked just about as good, and they had plenty of room, so we took a pair of singles out in the back wing of the place. The shower was a rusty trickle. The window air conditioners made a thumping roaring rattling sound, and the meat across the street was fried, but otherwise it was adequate. Good
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John D. MacDonald (Cinnamon Skin (Travis McGee, #20))
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We want out. In the end, it’s that simple. We want out, where the law is, where you prosper or you fail according to your own merits as a person. Is that so damned much? I don’t want white friends. I don’t want to socialize. You know how white people look to me? The way albinos look to you. I hope never to find myself in a white man’s bed. I don’t want to integrate. I just don’t want to feel segregated. We’re after our share of the power structure of this civilization, Mr. McGee, because, when we get it, a crime will merit the same punishment whether the victim is black or white, and hoods will get the same share of municipal services, based on zoning, not color. And a good man will be thought a credit to the human race. Sorry. End of lecture. The housemaid has spoken.
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John D. MacDonald (Darker Than Amber (Travis McGee, #7))
β€œ
Such gratitude! It hurt me to see you lose your professional standing, McGee. Like you were going soft and sentimental. So, through my own account, I put us into Fletcher and rode it up nicely and took us out, and split the bonus right down the middle. It's short-term. It's a check. Pay your taxes. Live a little. It's a longer retirement this time. We can gather up a throng and go blundering around on this licentious craft and get the remorses for saying foolish things while in our cups. We had a salvage contract, idiot, and the fee is comparatively small but fair." "And you are comparatively large but fair." "I think of myself that way. Where did the check go? Into the pocket so fast? Good." he looked at his watch. "I am taking a lady to lunch. Make a nice neat deck there, Captain." And away he went, humming.
”
”
John D. MacDonald (Pale Gray for Guilt (Travis McGee #9))
β€œ
I thundered hot water into the big tub, setting up McGee's Handy Home Treatment for Melancholy. A deep hot bath, and a strong cold drink, and a book on the tub rack. Who needs the Megrims? Surely not McGee, not that big brown loose-jointed, wirehaired beach rambler, that lazy fishcatching, girlwatching, grey-eyed iconoclastic hustler. Stay happy, McGee, while you use up the stockpiled cash. Borrow a Junior from Meyer for the sake of coziness. Or get dressed and go over to the next doc, over to the big Wheeler where the Alabama Tiger maintains his permanent floating house party and join the festive pack. Do anything, but stop remembering the way Sam Taggart looks with all the wandering burned out of him. Stop remembering the sly shy way Nicki would walk toward you, across a room. Stop remembering the way Lois died. Get in there and have fun, fella. While there's fun to have. While there's some left. Before they deal you out.
”
”
John D. MacDonald (A Deadly Shade of Gold (Travis McGee #5))
β€œ
Walking back through the mall to the exit nearest our part of the parking lot, we passed one shop which sold computers, printers, software, and games. It was packed with teenagers, the kind who wear wire rims and know what the new world is about. The clerks were indulgent, letting them program the computers. Two hundred yards away, near the six movie houses, a different kind of teenager shoved quarters into the space-war games, tensing over the triggers, releasing the eerie sounds of extraterrestrial combat. Any kid back in the computer store could have told the combatants that because there is no atmosphere in space, there is absolutely no sound at all. Perfect distribution: the future managers and the future managed ones. Twenty in the computer store, two hundred in the arcade. The future managers have run on past us into the thickets of CP/M, M-Basic, Cobal, Fortran, Z-80, Apples, and Worms. Soon the bosses of the microcomputer revolution will sell us preprogrammed units for each household which will provide entertainment, print out news, purvey mail-order goods, pay bills, balance accounts, keep track of expenses, and compute taxes. But by then the future managers will be over on the far side of the thickets, dealing with bubble memories, machines that design machines, projects so esoteric our pedestrian minds cannot comprehend them. It will be the biggest revolution of all, bigger than the wheel, bigger than Franklin’s kite, bigger than paper towels.
”
”
John D. MacDonald (Cinnamon Skin (Travis McGee, #20))
β€œ
She asked me what Meyer had meant about her having a broken wing. I said he was one of the last of the great romantics. I said there used to be two. But now there was just the one left. The hairy one.
”
”
John D. MacDonald (A Tan and Sandy Silence (Travis McGee #13))
β€œ
The real guilt is in being a human being. That is the horrible reality which bugs us all. Wolves, as a class, are cleaner, more industrious, far less savage, and kinder to each other and their young.
”
”
John D. MacDonald (A Tan and Sandy Silence (Travis McGee #13))
β€œ
That old honorary Cuban had simplified the question all to hell when he’d said that a moral act is something you feel good after. Conversely, you feel bad after an immoral act. But what about the act that is neither moral nor immoral, Papa? How are you supposed to feel then?
”
”
John D. MacDonald (A Tan and Sandy Silence (Travis McGee #13))
β€œ
On the most beautiful day any April could be asked to come up with,
”
”
John D. MacDonald (A Tan and Sandy Silence (Travis McGee #13))
β€œ
People are very good at things they are very interested in.
”
”
John D. MacDonald (A Tan and Sandy Silence (Travis McGee #13))
β€œ
A gaggle of giggles?” Meyer said, trying that one on me. My turn. β€œHow about a prance of pussycats?” β€œNot bad at all. Hmmm. A scramble of scrumptious?
”
”
John D. MacDonald (A Tan and Sandy Silence (Travis McGee #13))
β€œ
If caught, he would feel fury and indignation at the game ending too soon.
”
”
John D. MacDonald (A Tan and Sandy Silence (Travis McGee #13))
β€œ
First, we all stop listening, so they have to make it ever more horrendous to capture our attention. Secondly, we all become even more convinced that everything has gone rotten, and there is no hope at all, no hope at all. In a world of no hope the motto is semper fidelis, which means in translation, β€œEvery week is screw-your-buddy week and his wife too, if he’s out of town.
”
”
John D. MacDonald (A Tan and Sandy Silence (Travis McGee #13))
β€œ
When you cannot like yourself or any part of yourself in mind or body, then you cannot love anyone else at all.
”
”
John D. MacDonald (A Tan and Sandy Silence (Travis McGee #13))
β€œ
The wide world is full of likable people who get kicked in the stomach regularly. They’re disaster-prone.
”
”
John D. MacDonald (The Deep Blue Good-By (Travis McGee #1))
β€œ
If you keep things in the front of your mind, you worry at them like a hound chomping a dead rabbit.
”
”
John D. MacDonald (A Tan and Sandy Silence (Travis McGee #13))
β€œ
There is a spurious vitality about all this noise. But under it, when you come back, you can sense another more significant and more enduring vitality. It has been somewhat hammered down of late. The bell ringers and flag fondlers have been busily peddling their notion that to make America Strong, we must march in close and obedient ranks, to the sound of their little tin whistle. The life-adjustment educators, in strange alliance with the hucksters of consumer goods, have been doing their damnedest to make us all think alike, look alike, smell alike and die alike, amidst all the pockety-queek of unserviceable home appliances, our armpits astringent, nasal passages clear, insurance program adequate, sex life satisfying, retirement assured, medical plan comprehensive, hair free of dandruff, time payments manageable, waistline firm, bowels open. But the other vitality is still there, that rancorous, sardonic, wonderful insistence on the right to dissent, to question, to object, to raise holy hell and, in direst extremity, to laugh the self-appointed squad leaders off the face of the earth with great whoops of dirty disdainful glee. Suppress friction and a machine runs fine. Suppress friction, and a society runs down.
”
”
John D. MacDonald (A Deadly Shade of Gold (Travis McGee #5))
β€œ
When I play with my cat, who knows but that she regards me more as a plaything than I do her? β€”MICHEL EYQUEM DE MONTAIGNE
”
”
John D. MacDonald (The Long Lavender Look (Travis McGee #12))
β€œ
I have busted my gut to learn how to make people open up. Meyer was born with it. A loving empathy shines out of those little bright-blue eyes. Strangers tell him things they wouldn't tell their husband or their priest.
”
”
John D. MacDonald (The Dreadful Lemon Sky (Travis McGee #16))
β€œ
It happens to people. They get to the point of explaining the mission and can't make it, so they go into a talking jag. She needed help. There was a thin edge of anxiety in her tone, and the words came too fast. So I gave her some help. "What have you got in the box?" I asked.
”
”
John D. MacDonald (The Dreadful Lemon Sky (Travis McGee #16))
β€œ
What you feel good after one time, you feel rotten after the next. And it is difficult to know in advance. And morality shouldn't be experimental, I don't think.
”
”
John D. MacDonald (The Dreadful Lemon Sky (Travis McGee #16))
β€œ
Guilt is the most merciless disease of man. It stains all the other areas of living. It darkens all skies.
”
”
John D. MacDonald (The Dreadful Lemon Sky (Travis McGee #16))