Travels With My Father Quotes

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As my father always used to tell me, 'You see, son, there's always someone in the world worse off than you.' And I always used to think, 'So?
Bill Bryson (The Lost Continent: Travels in Small-Town America)
And so seated next to my father in the train compartment, I suddenly asked, "Father, what is sexsin?" He turned to look at me, as he always did when answering a question, but to my surprise he said nothing. At last he stood up, lifted his traveling case off the floor and set it on the floor. Will you carry it off the train, Corrie?" he said. I stood up and tugged at it. It was crammed with the watches and spare parts he had purchased that morning. It's too heavy," I said. Yes," he said, "and it would be a pretty poor father who would ask his little girl to carry such a load. It's the same way, Corrie, with knowledge. Some knowledge is too heavy for children. When you are older and stronger, you can bear it. For now you must trust me to carry it for you.
Corrie ten Boom (The Hiding Place: The Triumphant True Story of Corrie Ten Boom)
The child who refuses to travel in the father's harness, this is the symbol of man's most unique capability. "I do not have to be what my father was. I do not have to obey my father's rules or even believe everything he believed. It is my strength as a human that I can make my own choices of what to believe and what not to believe, of what to be and what not to be.
Frank Herbert (Children of Dune (Dune #3))
Hades allowed himself the faintest smile, but there was nothing cruel in his eyes. ‘I can entertain the possibility that you acted for multiple reasons. My point is this: you and I rose to the aid of Olympus because you convinced me to let go of my anger. I would encourage you to do likewise. My children are so rarely happy. I … I would like to see you be an exception.’ Nico stared at his father. He didn’t know what to do with that statement. He could accept many unreal things – hordes of ghosts, magical labyrinths, travel through shadows, chapels made of bones. But tender words from the Lord of the Underworld? No. That made no sense.
Rick Riordan (The Blood of Olympus (The Heroes of Olympus, #5))
As I saw it, all my mother's life, my father held her down, like lead strapped to her ankles. She was buoyant by nature; she wanted to travel, go to the theater, go to museums. What he wanted was to lie on the couch with the Times over his face, so that death, when it came, wouldn't seem a significant change.
Louise Glück (Ararat)
One's life is more formed, I sometimes think, by books than by human beings: it is out of books one learns about love and pain at second hand. Even if we have the happy chance to fall in love, it is because we have been conditioned by what we have read, and if I had never known love at all, perhaps it was because my father's library had not contained the right books.
Graham Greene (Travels with My Aunt)
Maybe you had to leave in order to really miss a place; maybe you had to travel to figure out how beloved your starting point was... ...Parents aren't the people you come from. They're the people you want to be, when you grow up. I sat between my mother and my father, watching strangers on TV carry in Shaker rockers and dusty paintings and ancient beer tankards and cranberry glass dishes; people and their hidden treasures, who had to be told by experts that they'd taken something incredibly precious for granted.
Jodi Picoult (Handle with Care)
After my mom died she ate my father up completely. She would have hated it. Every minute of his life since then has been marked by her absence, every action has lacked dimension because she is not there to measure against. And when I was young I didn't understand, but now, I know, how absence can be present, like a damaged nerve, like a dark bird. If I had to live on without you I know I could not do it. But I hope, I have this vision of you walking unencumbered, with your shining hair in the sun. I have not seen this with my eyes, but only with my imagination, that makes pictures, that always wanted to paint you, shining; but I hope that this vision will be true, anyway.
Audrey Niffenegger (The Time Traveler's Wife)
How can you stand touching her?” my sister blurted, staring at our clasped hands. “Doesn’t that hurt?” I seized on the change of topic. “These gloves are specialized rubber. They block the current.” Gretchen’s gaze traveled over Vlad, disbelief still stamped on her features. “Yeah, but how do you two do anything else, unless he has a special, currentrepelling glove for his—” “Gretchen!” my father cut her off. My cheeks felt hot. Don’t say a word, I thought to Vlad, seeing his chest tremble with suppressed laughter. “He has a natural immunity,” I gritted out.
Jeaniene Frost (Once Burned (Night Prince, #1))
After graduation, due to special circumstances and perhaps also to my character, I began to travel throughout America, and I became acquainted with all of it. Except for Haiti and Santo Domingo, I have visited, to some extent, all the other Latin American countries. Because of the circumstances in which I traveled, first as a student and later as a doctor, I came into close contact with poverty, hunger and disease; with the inability to treat a child because of lack of money; with the stupefaction provoked by the continual hunger and punishment, to the point that a father can accept the loss of a son as an unimportant accident, as occurs often in the downtrodden classes of our American homeland. And I began to realize at that time that there were things that were almost as important to me as becoming famous for making a significant contribution to medical science: I wanted to help those people.
Ernesto Che Guevara
Let me be a free man, free to travel, free to stop, free to work, free to trade where I choose, free to choose my own teachers, free to follow the religion of my fathers, free to talk, think and act for myself — and I will obey every law or submit to the penalty.
Chief Joseph
I'm Losing Faith in My Favorite Country Throughout my life, the United States has been my favorite country, save and except for Canada, where I was born, raised, educated, and still live for six months each year. As a child growing up in Waterloo, Ontario, Canada, I aggressively bought and saved baseball cards of American and National League players, spent hours watching snowy images of American baseball and football games on black and white television and longed for the day when I could travel to that great country. Every Saturday afternoon, me and the boys would pay twelve cents to go the show and watch U.S. made movies, and particularly, the Superman serial. Then I got my chance. My father, who worked for B.F. Goodrich, took my brother and me to watch the Cleveland Indians play baseball in the Mistake on the Lake in Cleveland. At last I had made it to the big time. I thought it was an amazing stadium and it was certainly not a mistake. Amazingly, the Americans thought we were Americans. I loved the United States, and everything about the country: its people, its movies, its comic books, its sports, and a great deal more. The country was alive and growing. No, exploding. It was the golden age of life, liberty, and the pursuit of happiness. The American dream was alive and well, but demanded hard work, honesty, and frugality. Everyone understood that. Even the politicians. Then everything changed.
Stephen Douglass
Well, sir, do you mean to remain there, commending my father’s taste in wine, or do you mean to accompany me to Ashtead?” “Set off for Ashtead at this hour, when I have been traveling for two days?” said Sir Horace. “Now, do, my boy, have a little common sense! Why should I?” “I imagine that your parental feeling, sir, must provide you with the answer! If it does not, so be it! I am leaving immediately!” “What do you mean to do when you reach Lacy Manor?” asked Sir Horace, regarding him in some amusement. “Wring Sophy’s neck!” said Mr. Rivenhall savagely. “Well, you don’t need my help for that, my dear boy!” said Sir Horace, settling himself more comfortably in his chair.
Georgette Heyer (The Grand Sophy)
He looked down at the keys and played a gentle chord. Jesper wondered at how he could have mistaken Kuwei for Wylan. Their hands were completely different, the shape of the fingers, the knuckles. “Jes,” Wylan said, “did you mean what you told my father? Will you stay with me? Will you help?” Jesper leaned back on the pianoforte, resting on his elbows. “Let’s see. Live in a luxurious merch mansion, get waited on by servants, spend a little extra time with a budding demolitions expert who plays a mean flute? I guess I can manage it.” Jesper’s eyes traveled from the top of Wylan’s red-gold curls to the tips of his toes and back again. “But I do charge a pretty steep fee.” Wylan flushed a magnificent shade of pink. “Well, hopefully the medik will be here to fix my ribs soon,” he said as he headed back into the parlor. “Yeah?” “Yes,” said Wylan, glancing briefly over his shoulder, his cheeks now red as cherries. “I’d like to make a down payment.” Jesper released a bark of laughter. He couldn’t remember the last time he’d felt this good. And no one was even shooting at him.
Leigh Bardugo (Crooked Kingdom (Six of Crows, #2))
Treat all men alike.... give them all the same law. Give them all an even chance to live and grow. You might as well expect the rivers to run backward as that any man who is born a free man should be contented when penned up and denied liberty to go where he pleases. We only ask an even chance to live as other men live. We ask to be recognized as men. Let me be a free man...free to travel... free to stop...free to work...free to choose my own teachers...free to follow the religion of my Fathers...free to think and talk and act for myself.
Dee Brown (Bury My Heart at Wounded Knee: An Indian History of the American West)
...suddenly I was afraid of what Father would say. Afraid he would say, "There'll be someone else soon," and that forever afterward this untruth would lie between us. For in some deep part of me I knew already that there would not--soon or ever--be anyone else. The sweet cigar-smell came into the room with Father. And of course he did not say the false, idle words. "Corrie," he began instead, "do you know what hurts so very much? It's love. Love is the strongest force in the world, and when it is blocked that means pain. "There are two things we can do when this happens. We can kill the love so that it stops hurting. But then of course part of us dies, too. Or, Corrie, we can ask God to open up another route for that love to travel. "God loves Karel--even more than you do--and if you ask Him, He will give you His love for this man, a love nothing can prevent, nothing destroy. Whenever we cannot love in the old, human way, Corrie, God can give us his perfect way." I did not know, as I listened to Father's footsteps winding back down the stairs, that he had given me more than the key to this hard moment. I did not know that he had put into my hands the secret that would open far darker rooms than this--places where there was not, on a human level, anything to love at all.
Corrie ten Boom (The Hiding Place: The Triumphant True Story of Corrie Ten Boom)
I have no nostalgia for the patriarchy, please believe me. But what I have come to realize is that, when that patriarchic system was (rightfully) dismantled, it was not necessarily replaced by another form of protection. What I mean is--I never thought to ask a suitor the same challenging questions my father might have asked him, in a different age.
Elizabeth Gilbert (Eat, Pray, Love)
I am my mother’s caresses, and the serene kindness with which my father calmly guided me; I am my adolescent travels; I am what my reading has deposited in layers in my mind; I am my loves, my moments of despair, my friendships, what I’ve written, what I’ve heard; the faces engraved on my memory. I am, above all, the one who a minute ago made a cup of tea for himself. The one who a moment ago typed the word “memory” into his computer. The one who just composed the sentence that I am now completing. If all this disappeared, would I still exist? I am this long, ongoing novel. My life consists of it.
Carlo Rovelli (L'ordine del tempo)
In his rearview mirror, I saw something flash in his eyes. "You want to know?" he sneered. "Let me imagine, Agha sahib. You probably lived in a big two- or three-story house with a nice backyard that your gardener filled with flowers and fruit trees. All gated, of course. Your father drove an American car. You had servants, probably Hazaras. Your parents hired workers to decorate the house for the fancy mehmanis they threw, so their friends would come over to drink and boast about their travels to Europe or America. And I would bet my first son's eyes that this is the first time you've ever worn a pakol." He grinned at me, revealing a mouthful of prematurely rotting teeth. "Am I close?" Why are you saying these things?" I said. Because you wanted to know," he spat. He pointed to an old man dressed in ragged clothes trudging down a dirt path, a large burlap pack filled with scrub grass tied to his back. "That's the real Afghanistan, Agha sahib. That's the Afghanistan I know. You? You've always been a tourist here, you just didn't know it.
Khaled Hosseini (The Kite Runner)
The Standover Man. all my life, I've been scared of men standing over me. I suppose my first standover man was my father, but he vanished before I could remember him. For some reason when I was a boy, I liked to fight. a lot of the time, I lost. Another boy, sometimes with blood falling from his nose, would be standing over me. Many years later, I needed to hide. I tried not to sleep because I as afraid of who might be there when I woke up. But I was lucky. It was always my friend.When I was hiding. I dreamed of a certain man. The hardest was when I traveled to find him. Out of sheer luck and many footsteps, I made it. I slept there for a long time. Three days, they told me...and what did I find when I woke up? Not a man, but someone else standing over me. As time passed by the girl and I realized we had things in common. But there is one strange thing. The girl says I look like something else. Now I live in a basement. Bad dreams still live in my sleep. One night, after my usual nightmare, a shadow stood above me. She said, "Tell me what you dream of." So I did. In return, she explained what her own dreams were made of. Now I think we are friends, this girl and me. It was she who gave me a gift - to me. It makes me understand that the best standover man I've ever known is not a man at all...
Markus Zusak (The Book Thief)
When my father-in-law, Jan Vuijst, a Dutch Reformed minister, was on his deathbed, I had a deeply intimate conversation with him - as it turned out, my last conversation with him. He said to me, 'It was a privilege to have lived.' The soulful gratitude of that simple statement will never leave me.
Daniel Klein (Travels with Epicurus: A Journey to a Greek Island in Search of a Fulfilled Life)
I was born on a Thursday, hence the name. My brother was born on a Monday and they called him Anton--go figure. My mother was called Wednesday, but was born on a Sunday--I don't know why--and my father had no name at all--his identity and existence had been scrubbed by the ChronoGuard after he went rogue. To all intents and purposes he didn't exist at all. It didn't matter. He was always Dad to me...
Jasper Fforde (The Eyre Affair (Thursday Next, #1))
And this is how we danced: with our mothers’ white dresses spilling from our feet, late August turning our hands dark red. And this is how we loved: a fifth of vodka and an afternoon in the attic, your fingers sweeping though my hair—my hair a wildfire. We covered our ears and your father’s tantrum turned into heartbeats. When our lips touched the day closed into a coffin. In the museum of the heart there are two headless people building a burning house. There was always the shotgun above the fireplace. Always another hour to kill—only to beg some god to give it back. If not the attic, the car. If not the car, the dream. If not the boy, his clothes. If not alive, put down the phone. Because the year is a distance we’ve traveled in circles. Which is to say: this is how we danced: alone in sleeping bodies. Which is to say: This is how we loved: a knife on the tongue turning into a tongue.
Ocean Vuong
Hi. I’m Dru Anderson. My father went way-out wack after my mom died and now he travels around hunting things that go bump in the night, killing things you can only find in fairytales and ghost stories. I help him out when I can, but most of the time I’m deadweight, even though I can tell you where anything inhuman in this town is likely to hang out. I’m skipping school because I won’t be here in another three months. None of it goddamn well matters.
Lilith Saintcrow (Strange Angels (Strange Angels, #1))
A Kite is a Victim A kite is a victim you are sure of. You love it because it pulls gentle enough to call you master, strong enough to call you fool; because it lives like a desperate trained falcon in the high sweet air, and you can always haul it down to tame it in your drawer. A kite is a fish you have already caught in a pool where no fish come, so you play him carefully and long, and hope he won't give up, or the wind die down. A kite is the last poem you've written so you give it to the wind, but you don't let it go until someone finds you something else to do. A kite is a contract of glory that must be made with the sun, so you make friends with the field the river and the wind, then you pray the whole cold night before, under the travelling cordless moon, to make you worthy and lyric and pure. Gift You tell me that silence is nearer to peace than poems but if for my gift I brought you silence (for I know silence) you would say This is not silence this is another poem and you would hand it back to me There are some men There are some men who should have mountains to bear their names through time Grave markers are not high enough or green and sons go far away to lose the fist their father’s hand will always seem I had a friend he lived and died in mighty silence and with dignity left no book son or lover to mourn. Nor is this a mourning song but only a naming of this mountain on which I walk fragrant, dark and softly white under the pale of mist I name this mountain after him. -Believe nothing of me Except that I felt your beauty more closely than my own. I did not see any cities burn, I heard no promises of endless night, I felt your beauty more closely than my own. Promise me that I will return.- -When you call me close to tell me your body is not beautiful I want to summon the eyes and hidden mouths of stone and light and water to testify against you.- Song I almost went to bed without remembering the four white violets I put in the button-hole of your green sweater and how i kissed you then and you kissed me shy as though I'd never been your lover -Reach into the vineyard of arteries for my heart. Eat the fruit of ignorance and share with me the mist and fragrance of dying.-
Leonard Cohen (The Spice-Box of Earth)
I seized on the change of topic. "These gloves are specialized rubber. They block the current." Gretchen's gaze traveled over Vlad, disbelief still stamped on her features. "Yeah, but how do you two do anything else, unless he has a special, current-repelling glove for his ---" "Gretchen!" my father cut her off. My cheeks felt hot. Don't say a word, I thought to Vlad, seeing his chest tremble with suppressed laughter.
Jeaniene Frost
I am for doing good to the poor, but I differ in opinion of the means. I think the best way of doing good to the poor, is not making them easy in poverty, but leading or driving them out of it. In my youth I travelled much, and I observed in different countries, that the more public provisions were made for the poor, the less they provided for themselves, and of course became poorer. And, on the contrary, the less was done for them, the more they did for themselves, and became richer.
Benjamin Franklin
When I was a child, an angel came to say, A true friend is coming my warrior to sweep you away, It won’t be easy the path because it leads through hell, But if you’re faithful, it will be the greatest story to tell, You will move God’s daughters to a place of hope, Your story will teach everyone there is nothing they can’t cope, You will suffer a lot, but not one tear will you waste, Because for all that you do for me, you will be graced, For I am bringing you someone that wants to travel your trail, Someone you already met when you passed through heaven’s veil, A warrior, a friend that whispers your heart’s song, Someone that will run with you and pull your spirit along, Don’t you see the timing was love's fated throw, Because I put you both there to help one another grow, I am the writer of all great stories your chapters were written by me, You suffered, you cried because I needed you to see, That your faith in my ending goes far beyond two, It was going to change more hearts than both of you knew, So hush my child and wait for my loving hand, The last chapter is not written and still in the sand, It is up to you to finish, before the tide washes it away, All that is in your heart, I’ve put there for you to say, This is not about winning, loss or pain, I made you the way you are because true love stories are insane, I wrote you in heaven as I sat on its sandy shore, You know with all of my heart I loved you both more, There is no better ending two people seeing each other's heart, Together your spirits will never drift apart, Because two kindred spirits is what I made you to be, The waves and beach crashing together because of-- ME.
Shannon L. Alder
I kept traveling down the road. And everywhere it was the same. What was my name, who were my people? What was I supposed to say? That my father is the president, and my mother is his slave?
Kimberly Brubaker Bradley (Jefferson's Sons)
There was a long moment of silence. Philip was holding his breath. When Remigius looked up again, his face was wet with tears. "Yes , please, Father," he said. "I want to come home." Philip felt a glow of joy. "Come on, then," he said. "Get on my horse." Remigius looked flabbergasted. Jonathan said: "Father! What are you doing?" Philip said to Remigius: "Go on, do as I say." Jonathan was horified, "but Ftaher, how will you travel?" "I'll walk," Philip said happily. "One of us must." "Let Remigius walk!" Jonathan said in a tone of outrage. "Let him ride," Philip said, "He's pleased God today." "What about you? Haven't you pleased God more than Remigius?" "Jesus said there's more joy in heaven over one sinner who repents than over ninety-nine righteous people," Philip countered. "Don't you remember the parable of the prodigal son? When he came home, his father killed the fatted calf. The angels are rejoicing over Remigius's tears. The least I can do is give him my horse.
Ken Follett (The Pillars of the Earth (Kingsbridge, #1))
As when astronaut Mike Mulhane was asked by a NASA psychiatrist what epitaph he'd like to have on his gravestone, Mulhane answered, "A loving husband and devoted father," though in reality, he jokes in "Riding Rockets," "I would have sold my wife and children into slavery for a ride into space.
Mary Roach (Packing for Mars: The Curious Science of Life in the Void)
Naruto… I now remember the words you once said to me. That when you're with me, you finally understand what it's like to have a brother… And when I think of it that way… That feeling… I finally get it now. I've been travelling around the world and I seem to recall these memories a lot. We were alone and starved of love. Kids that lived in a world full of hate. And from that point on, we went our separate ways… and fought. But time has passed and now I'm thinking… Could it be that… just like how the hope and and pain from my father, mother and my brother, Itachi flowed into me… I'd understand your pain and hopes too, Naruto? You never abandoned me, no matter what. And you never gave up on me, coming closer when I pulled away. It wouldn't have surprised me if you hated me, but you didn't… You kept insisting that we were friends. And even that, I nearly destroyed. You fought to stop me… to the point you lost an arm. All because you were my friend. You saved me. The us that quarrelled over the smallest things… are now able to share the pain in each other's hearts. On my journey around the world, I noticed… That all these feelings of mine aren't just about us, I'm sure it's the same for everything else. But… there aren't a lot of people like you. And things won't go as planned, look at us. It's especially true when it comes to bigger things. I think it's the same as praying. And until I can do it, I'll stay strong. The beings that have been entrusted with hope… that's us. That's what makes us shinobi.
Masashi Kishimoto
No one has traveled inside of me all my days. No one has carried me inside of them. Just my father — the one I basically just took scissors to and cut out of the family portrait.
Tracy Bayle (A Convenient Catastrophe (Flannery Cove #1))
My father had a small estate in Nottinghamshire; I was the third of five sons.
Jonathan Swift (Gulliver’s Travels)
Mother. Father. I am sorry. I have failed you both. I made a promise to protect our people, Mother. I thought if I could stop the Templars, If I could keep the revolution free from their influence, then those I supported would do what was right. They did, I suppose, do what was right - what was right for them. As for you, Father, I thought I might unite us, that we would forget the past and forge a better future. In time, I believed you could be made to see the world as I do - to understand. But it was just a dream. This, too, I should have known. Were we not meant to live in peace, then? Is that it? Are we born to argue? To fight? So many voices - each demanding something else. "It has been hard at times, but never harder than today. To see all I worked for perverted, discarded, forgotten. You would say I have described the whole of history, Father. Are you smiling, then? Hoping I might speak the words you long to hear? To validate you? To say that all along you were right? I will not. Even now, faced as I am with the truth of your cold words, I refuse. Because I believe things can still change. "I may never succeed. The Assassins may struggle another thousand years in vain. But we will not stop." "Compromise. That's what everyone has insisted on. And so I have learnt it. But differently than most, I think. I realize now that it will take time, that the road ahead is long and shrouded in darkness. It is a road which will not always take me where I wish to go - and I doubt I will live to see it end. But I will travel down it nonetheless." "For at my side walks hope. In the face of all that insists I turn back, I carry on: this, this is my compromise.
Oliver Bowden (Forsaken (Assassin's Creed, #5))
I'm a woman; in so many ways I've been programmed to please. I took the job and spent time hunkered over figures, budgets, charts, and fiscal-year projections. I tried, but I hated it. "Working at a job you don't like is the same as going to prison every day," my father used to say. He was right. I felt imprisoned by an impressive title, travel, perks, and a good salary. On the inside, I was miserable and lonely, and I felt as if I was losing myself. I spent weekends working on reports no one read, and I gave presentations that I didn't care about. It made me feel like a sellout and, worse, a fraud. Now set free, like any inmate I had to figure out what to do with the rest of my life.
Kathleen Flinn (The Sharper Your Knife, the Less You Cry: Love, Laughter, and Tears at the World's Most Famous Cooking School)
This is why we need to travel. If we don't offer ourselves to the unknown, our senses dull. Our world becomes small and we lose our sense of wonder. Our eyes don't lift to the horizon; our ears don't hear the sounds around us. The edge is off our experience, and we pass our days in a routine that is both comfortable and limiting. We wake up one day and find that we have lost our dreams in order to protect our days.
Kent Nerburn (Letters to My Son: A Father's Wisdom on Manhood, Life, and Love)
(pg.31) "As it was, my first days on Earth were somewhat anticlimactic. Mother and Father seemed so happy tempting and corrupting that I didn't want to interrupt them. But the fact was that I hadn't the slightest clue what to do with myself. I tried to convince cows to take over the world, to rampage across the fields slaughtering all in their wake, to start a new religion of udder worship, to build cities devoted to the consumption of grass, their aqueducts running with fresh milk. I even prepared a pictorial presentation of cows traveling into outer space aboard butter-powered space churns, but the cows seemed unconvinced, and soon returned to wondering how many stomachs they had. The current belief was seventeen. Cows:Unambitious.
George Pendle (Death: A Life)
My father traveled now with the stars, returned to the vast mystery that had so fascinated him all his life.
Diane Wilson (The Seed Keeper)
My brain instantly traveled back to my parents’ dining room table. I’d sat there every morning with my brain-storming notebook—my father’s idea—and I would do my homework or write song lyrics or journal on something I’d seen on the news. That was back when I’d been sure I was going to change the world.
Maggie Stiefvater (Linger (The Wolves of Mercy Falls, #2))
But the moon was so large and clear through the uncurtained window that it made me think instead of a story my mother had told me, about driving to horse shows with her mother and father in the back seat of their old Buick when she was little. “It was a lot of travelling—ten hours sometimes through hard country. Ferris wheels, rodeo rings with sawdust, everything smelled like popcorn and horse manure. One night we were in San Antonio, and I was having a bit of a melt-down—wanting my own room, you know, my dog, my own bed—and Daddy lifted me up on the fairgrounds and told me to look at the moon. ‘When you feel homesick,’ he said, ‘just look up. Because the moon is the same wherever you go.’ So after he died, and I had to go to Aunt Bess—I mean, even now, in the city, when I see a full moon, it’s like he’s telling me not to look back or feel sad about things, that home is wherever I am.” She kissed me on the nose. “Or where you are, puppy. The center of my earth is you.
Donna Tartt (The Goldfinch)
You have been abroad then?” said Henry, a little surprised. “Oh! No, I only mean what I have read about. It always puts me in mind of the country that Emily and her father traveled through, in The Mysteries of Udolpho. But you never read novels, I dare say?” “Why not?” “Because they are not clever enough for you — gentlemen read better books.” “The person, be it gentleman or lady, who has not pleasure in a good novel, must be intolerably stupid. I have read all Mrs. Radcliffe’s works, and most of them with great pleasure. The Mysteries of Udolpho, when I had once begun it, I could not lay down again; I remember finishing it in two days — my hair standing on end the whole time.” “Yes,” added Miss Tilney, “and I remember that you undertook to read it aloud to me, and that when I was called away for only five minutes to answer a note, instead of waiting for me, you took the volume into the Hermitage Walk, and I was obliged to stay till you had finished it.
Jane Austen (Northanger Abbey)
There is one more way I time travel back to my father. When I was little he told me that air particles stay in our atmosphere for such a long time that we breathe the same air as the people who lived thousands of years ago. I think about that often now. I can take a deep breath and know that some fraction of those particles were once breathed by my dad. What an intimate thing it is to breathe the air of someone you loved.
Sasha Sagan (For Small Creatures Such as We: Rituals for Finding Meaning in Our Unlikely World)
And my father, who never once in his life would have used the word 'nigger,' would smile and give an almost imperceptible laugh -- not a trace of rage on behalf of black people, not a trace of rage on behalf of me.
Anne Lamott (Traveling Mercies: Some Thoughts on Faith)
I didn’t go to the moon, I went much further — for time is the longest distance between two places. Not long after that I was fired for writing a poem on the lid of a shoe-box. I left Saint Louis. I descended the steps of this fire escape for a last time and followed, from then on, in my father’s footsteps, attempting to find in motion what was lost in space. I traveled around a great deal. The cities swept about me like dead leaves, leaves that were brightly colored but torn away from the branches. I would have stopped, but I was pursued by something. It always came upon me unawares, taking me altogether by surprise. Perhaps it was a familiar bit of music. Perhaps it was only a piece of transparent glass. Perhaps I am walking along a street at night, in some strange city, before I have found companions. I pass the lighted window of a shop where perfume is sold. The window is filled with pieces of colored glass, tiny transparent bottles in delicate colors, like bits of a shattered rainbow. Then all at once my sister touches my shoulder. I turn around and look into her eyes. Oh, Laura, Laura, I tried to leave you behind me, but I am more faithful than I intended to be! I reach for a cigarette, I cross the street, I run into the movies or a bar, I buy a drink, I speak to the nearest stranger — anything that can blow your candles out! For nowadays the world is lit by lightning! Blow out your candles, Laura — and so goodbye. . .
Tennessee Williams (The Glass Menagerie)
Little Irina must be a woman grown by now. A beauty, I have heard, surely?' It was more mockery: he had heard nothing of the sort, of course. I had traveled with my father; the court and his advisers knew I was nothing out of the ordinary, and hardly a girl to turn a young tsar's head - if he had been in any danger of turning his head at all, except perhaps all the way round like an owl.
Naomi Novik (Spinning Silver)
Franklin ended his “Apology for Printers” with a fable about a father and son traveling with a donkey. When the father rode and made his son walk, they were criticized by those they met; likewise, they were criticized when the son rode and made the father walk, or when they both rode the donkey, or when neither did. So finally, they decided to throw the donkey off a bridge. The moral, according to Franklin, was that it is foolish to try to avoid all criticism. Despite his “despair of pleasing everybody,” Franklin concluded, “I shall not burn my press or melt my letters.”16
Walter Isaacson (Benjamin Franklin: An American Life)
Nowadays,” my tour guide says, “it is a man’s world here in China. But 6000 years ago, it was a woman’s world. Man and woman don’t need to get married. Man can just visit the woman’s house at night. When you have a baby, it doesn’t matter who the father is.
Dipa Sanatani (The Merchant of Stories: A Creative Entrepreneur's Journey)
People say they miss the deceased. I missed my father and my mother when they were still fully alive. They travelled through my childhood in the same way they moved around the hotel: my mother industrious, hurried, hidden; my father drunk, flamboyant, alone.
Sylvia Kristel (Undressing Emmanuelle: A memoir)
Yet I remember the rule I set for myself-that I do something different from my mother. . . I started to believe I couldn't really do that if I was following in the path of either of my parents... That so-called rule helped me separate more fully from my mother and father, I realize, but maybe it also kept me from seeing what was right in front of me.
Sue Monk Kidd (Traveling With Pomegranates: A Mother-Daughter Story)
Every poem is a love poem, my dad had said. I'd always thought he meant romantic love...but there were so many kinds of great love: mother and daughter love. Father love. Best friend love. Aunt love. Mother's best friend love. Friendish friendesque love. Love for the living and love for the dead. Love for who you really are, for those weird parts of yourself that only a few people understand. Love for things you yearn to do, for putting words in a page. Love for traveling, for people and seeing new ways to live. Love for the world...
Margo Rabb (Kissing in America)
At first the lives of women frightened me. They seemed so fragile, so dependent on fathers and husbands and brothers and lovers. Gradually, though, I noticed how supple their lives were beneath the surface. I saw, too, that sooner or later, by choice or by chance most women faced the task of adapting to a future on their own. When at my most optimistic, I thought of it as independence, in darker moods, as survival. Either way, women had to do it.
Alice Steinbach (Without Reservations: The Travels of an Independent Woman)
to my father’s amazement, was an ancient but clearly recognizable painting of Marco Polo, who must have visited Huai’an during his thirteenth-century travels about China. The priest asked my father to donate a picture of Jesus for his collection, and, after thinking about it, Daddy did.
Katherine Paterson (Stories of My Life)
My mother took the train to Halifax to see my father off. It was crammed with men en route to the Front; she could not get a sleeper, so she travelled sitting up. There were feet in the aisles, and bundles, and spittoons; coughing, snoring - drunken snoring, no doubt. As she looked at the boyish faces around her, the war became real to her, not as an idea but as a physical presence.
Margaret Atwood (The Blind Assassin)
Father! Whom I do not know! Father! who filled all my soul and who has now turned His countenance away from me! Call me to You! Be silent no longer! Your silence will not stay this thirsting soul—and could a person, a father, be angry whose son, unexpectedly returning, threw himself on his neck and cried: Father! I have come back! Don’t be angry that I am breaking off the travels that you meant for me to endure longer. The world is everywhere the same, in effort and work, reward and joy, but what is that to me? I am only happy where you are, and it is before your countenance that I want to suffer and enjoy.—And You, dear heavenly Father, would turn him away from You?
Johann Wolfgang von Goethe (The Sorrows of Young Werther)
I always wanted a father. Any kind. A strict one, a funny one, one who bought me pink dresses, one who wished I was a boy. One who traveled, one who never got up out of his Morris chair. Doctor, lawyer, Indian chief. I wanted shaving cream in the sink and whistling on the stairs. I wanted pants hung by their cuffs from a dresser drawer. I wanted change jingling in a pocket and the sound of ice cracking in a cocktail glass at five thirty. I wanted to hear my mother laugh behind a closed door.
Judy Blundell (What I Saw and How I Lied)
Once a dream did weave a shade O'er my angel-guarded bed, That an emmet lost its way Where on grass methought I lay. Troubled, wildered, and forlorn, Dark, benighted, travel-worn, Over many a tangle spray, All heart-broke, I heard her say: 'Oh my children! do they cry, Do they hear their father sigh? Now they look abroad to see, Now return and weep for me.' Pitying, I dropped a tear: But I saw a glow-worm near, Who replied, 'What wailing wight Calls the watchman of the night? 'I am set to light the ground, While the beetle goes his round: Follow now the beetle's hum; Little wanderer, hie thee home!
William Blake (The Complete Poems)
Become a great artist. That is the only way to justify what you are doing to everyone's life.'... I did not understand what he meant. I did not feel I had to justify anything... I did not want to paint in order to justify anything, I wanted to paint because I wanted to paint. I wanted to paint the same way my father wanted to travel and work for the Rebbe. My father worked for Torah. I worked for - what? How could I explain it? For beauty? No. Many of the pictures I painted were not beautiful. For what, then? For a truth I did not know how to put into words. For truth I could only bring to life by means of color and line and texture and form.
Chaim Potok (My Name Is Asher Lev)
To what a world does the illustrious bard carry me! To wander over pathless wilds, surrounded by impetuous whirlwinds, where, by the feeble light of the moon, we see the spirits of our ancestors; to hear from the mountain-tops, mid the roar of torrents, their plaintive sounds issuing from deep caverns, and the sorrowful lamentations of a maiden who sighs and expires on the mossy tomb of the warrior by whom she was adored. I meet this bard with silver hair; he wanders in the valley; he seeks the footsteps of his fathers, and, alas! he finds only their tombs. Then, contemplating the pale moon, as she sinks beneath the waves of the rolling sea, the memory of bygone days strikes the mind of the hero, days when approaching danger invigorated the brave, and the moon shone upon his bark laden with spoils, and returning in triumph. When I read in his countenance deep sorrow, when I see his dying glory sink exhausted into the grave, as he inhales new and heart-thrilling delight from his approaching union with his beloved, and he casts a look on the cold earth and the tall grass which is so soon to cover him, and then exclaims, "The traveller will come, -- he will come who has seen my beauty, and he will ask, 'Where is the bard, where is the illustrious son of Fingal?' He will walk over my tomb, and will seek me in vain!
Johann Wolfgang von Goethe (The Sorrows of Young Werther)
My father never put a book into my hands and never forbade a book. Instead, he let me roam and graze, making my own more or less appropriate selections. I read gory tales of historic heroism that nine-teenth century parents were suitable for children, and gothic ghost stories that were surely not; I read accounts of arduous travel through treacherous lands undertaken by spinsters in crinolines, and I read handbooks on decorum and etiquette intended for young ladies of good family; I read books with pictures and books without; books in English, books in French, books in languages I didn't understand where I could make up stories in my head on the basis of a handful of guessed-at words. Books. Books. And books.
Diane Setterfield (The Thirteenth Tale)
In the canoe, the Indian smiled. Once he paused in a stroke, and rested his blade. For that instant he looked like his own Paddle. There was a song in his heart. It crept to his lips, but only the water and the wind could hear. You, Little Traveler! You made the journey, the Long Journey. You now know the things I have yet to know. You, Little Traveler! You were given a name, a true name in my father’s lodge. Good Medicine, Little Traveler! You are truly a Paddle Person, a Paddle-to-the-Sea!
Holling Clancy Holling (Paddle-to-the-Sea)
I will not service your sister,” he told her flatly, unable to think of anything else to say. Elina laughed. “She does not want servicing. At least not from you.” “But when I came into your room earlier—” “It gets cold on Steppes. We share beds. We share food. We do not share cocks. There is no cock sharing among the Daughters of the Steppes. That is disgusting.” “So then earlier . . .” “She was inviting you to nap with us, like our brothers and cousins sometimes do. But not fuck.” “Oh.” “You sound disappointed.” “No. Just depressingly relieved.” “What?” “Beautiful sisters invite me to bed—I usually dive in headfirst. A little time away with you and suddenly I’m . . . my father.” “I like your father. Now he is charming. You are dolt with ineffective travel-cow and cousin that keeps trying to dress me like doll.” “Is that where you got that eye patch from?” “Yes.” “It’s a nice color on you.
G.A. Aiken (Light My Fire (Dragon Kin, #7))
I want so badly to help you realize, Elizabeth Anne, how difficult and puzzling and full of wonder it all is: some day I will tell you how I learned to watch the shifting light of autumn days or smelled the earth through snow in March; how one winter morning God vanished from my life and how one summer evening I sat in a Ferris wheel, looking down on a man that hurt me badly; I will tell you how I once travelled to Rome and saw all the soldiers in that city of dead poets; I will tell you how I met your father outside a movie house in Toronto, and how you came to be. Perhaps that is where I will begin. On a winter afternoon when we turn the lights on early, or perhaps a summer day of leaves and sky, I will begin by conjugating the elemental verb. I am. You are. It is.
Richard B. Wright (Clara Callan)
Did I ever tell you that my mother and father started out as pen pals? They wrote these long, unabashedly affectionate love letters to one another, peppered with clichés and pie-in-the-sky proclamations of eternal devotion. Despite my father’s eventual dishonesty and unfaithfulness, I have to believe he meant every word he wrote at that time, and it was admittedly romantic, uncovering my parents’ yellowed letters, all soft, crumbling corners and black ink stains, one rainy afternoon. Because how can anyone scrawl lies, really, in their own handwriting, the evidence of your own betrayal right in front of you? I sat cross-legged on the floor, holding my breath as I unfolded each letter, fragile and expectant, like a little girl opening her presents on Christmas morning. I sat there and soaked up my parents’ love for each other, and then I wondered where all those feelings had escaped to. I wondered where love went when it was lost—did it travel far, across miles and oceans and forests and deserts, or did it linger somewhere nearby, just waiting for a chance to be summoned again? Wherever it was, I could only hope it had ended up settling somewhere quieter, safer.
Marla Miniano (From This Day Forward)
she started asking me all kinds of personal questions – how many girls had I slept with? Where I was from? Which university did I go to? What kind of music did I like? Had I ever read any novels by Osamu Dazai? Where would I like to go if I could travel abroad? Did I think her nipples were too big? I made up some answers and went to sleep, but next morning she said she wanted to have breakfast with me, and she kept up the stream of questions over the tasteless eggs and toast and coffee. What kind of work did my father do? Did I get good marks at school? What month was I born? Had I ever eaten frogs? She was giving me a headache, so as soon as we had finished eating I said I had to go to work. . .
Haruki Murakami (Norwegian Wood)
Without you having to do anything, the phone brackets the shot so that you can pretend to time travel, to pick the perfect instant when everyone is smiling. Skin is smoothed out; pores and small imperfections are erased. What used to take my father a day's work is now done in the blink of an eye, and far better. Do the people who take these photos believe them to be reality? Or have the digital paintings taken the place of reality in their memory? When they try to remember the captured moment, do they recall what they saw, or what the camera crafted for them?
Ken Liu (The Hidden Girl and Other Stories)
Are you in need of assistance?" The man's fierce, disturbing appearance should have caused her to run in the opposite direction as fast as possible, but she felt an unexplainable urge to help him. "My name is Gillian Adair. My father is a doctor. You look as though you might need his help." The man watched her; an expression of total confusion twisted his face. “Are ye my angel, then? Have ye come to take me from this hell?
Aleigha Siron (My San Francisco Highlander (Finding My Highlander Series, #2))
Jes,” Wylan said, “did you mean what you told my father? Will you stay with me? Will you help?” Jesper leaned back on the pianoforte, resting on his elbows. “Let’s see. Live in a luxurious merch mansion, get waited on by servants, spend a little extra time with a budding demolitions expert who plays a mean flute? I guess I can manage it.” Jesper’s eyes traveled from the top of Wylan’s red-gold curls to the tips of his toes and back again. “But I do charge a pretty steep fee.” Wylan flushed a magnificent shade of pink. “Well, hopefully the medik will be here to fix my ribs soon,” he said as he headed back into the parlor. “Yeah?” “Yes,” said Wylan, glancing briefly over his shoulder, his cheeks now red as cherries. “I’d like to make a down payment.” Jesper released a bark of laughter. He couldn’t remember the last time he’d felt this good. And no one was even shooting at him.
Leigh Bardugo (Crooked Kingdom (Six of Crows, #2))
There are people who say, 'Well, your name is also about patriarchy because it is your father's name.' Indeed. But the point is simply this: whether it came from my father or from the moon, it is the name that I have had since I was born, the name with which I travelled my life's milestones, the name I have answered to since the first day I went to kindergarten in Nsukka on a hazy morning and my teacher said, 'Answer "present" if you hear your name. Number one: Adichie!'.
Chimamanda Ngozi Adichie (Dear Ijeawele, or A Feminist Manifesto in Fifteen Suggestions)
Every moment of our existence is linked by a peculiar triple thread to our past—the most recent and the most distant—by memory. Our present swarms with traces of our past. We are histories of ourselves, narratives. I am not this momentary mass of flesh reclined on the sofa typing the letter a on my laptop; I am my thoughts full of the traces of the phrases that I am writing; I am my mother’s caresses, and the serene kindness with which my father calmly guided me; I am my adolescent travels; I am what my reading has deposited in layers in my mind; I am my loves, my moments of despair, my friendships, what I’ve written, what I’ve heard; the faces engraved on my memory. I am, above all, the one who a minute ago made a cup of tea for himself. The one who a moment ago typed the word “memory” into his computer. The one who just composed the sentence that I am now completing. If all this disappeared, would I still exist? I am this long, ongoing novel. My life consists of it.
Carlo Rovelli (The Order of Time)
And I'd like you to speak to the herdsman about borrowing another yak. I don't like the looks of the one your father offered. The way it stares at me, it's as if it's plotting something. I don't travel with plotters. Thieves, liars, cheats, that's all right, but I can't stand plotters.” …. “Finally, see if you can find me a good ice ax. I lost mine.” ... “You lost your--” “A yak trampled it on my last expedition. Snapped it in two. Did you hear what I said about choosing your yak carefully?
Heather Fawcett (Even the Darkest Stars (Even the Darkest Stars, #1))
My son, you are just an infant now, but on that day when the world disrobes of its alluring cloak, it is then that I pray this letter is in your hands. Listen closely, my dear child, for I am more than that old man in the dusty portrait beside your bed. I was once a little boy in my mother’s arms and a babbling toddler on my father's lap. I played till the sun would set and climbed trees with ease and skill. Then I grew into a fine young man with shoulders broad and strong. My bones were firm and my limbs were straight; my hair was blacker than a raven's beak. I had a spring in my step and a lion's roar. I travelled the world, found love and married. Then off to war I bled in battle and danced with death. But today, vigor and grace have forsaken me and left me crippled. Listen closely, then, as I have lived not only all the years you have existed, but another forty more of my own. My son, We take this world for a permanent place; we assume our gains and triumphs will always be; that all that is dear to us will last forever. But my child, time is a patient hunter and a treacherous thief: it robs us of our loved ones and snatches up our glory. It crumbles mountains and turns stone to sand. So who are we to impede its path? No, everything and everyone we love will vanish, one day. So take time to appreciate the wee hours and seconds you have in this world. Your life is nothing but a sum of days so why take any day for granted? Don't despise evil people, they are here for a reason, too, for just as the gift salt offers to food, so do the worst of men allow us to savor the sweet, hidden flavor of true friendship. Dear boy, treat your elders with respect and shower them with gratitude; they are the keepers of hidden treasures and bridges to our past. Give meaning to your every goodbye and hold on to that parting embrace just a moment longer--you never know if it will be your last. Beware the temptation of riches and fame for both will abandon you faster than our own shadow deserts us at the approach of the setting sun. Cultivate seeds of knowledge in your soul and reap the harvest of good character. Above all, know why you have been placed on this floating blue sphere, swimming through space, for there is nothing more worthy of regret than a life lived void of this knowing. My son, dark days are upon you. This world will not leave you with tears unshed. It will squeeze you in its talons and lift you high, then drop you to plummet and shatter to bits . But when you lay there in pieces scattered and broken, gather yourself together and be whole once more. That is the secret of those who know. So let not my graying hairs and wrinkled skin deceive you that I do not understand this modern world. My life was filled with a thousand sacrifices that only I will ever know and a hundred gulps of poison I drank to be the father I wanted you to have. But, alas, such is the nature of this life that we will never truly know the struggles of our parents--not until that time arrives when a little hand--resembling our own--gently clutches our finger from its crib. My dear child, I fear that day when you will call hopelessly upon my lifeless corpse and no response shall come from me. I will be of no use to you then but I hope these words I leave behind will echo in your ears that day when I am no more. This life is but a blink in the eye of time, so cherish each moment dearly, my son.
Shakieb Orgunwall
Sometimes, well into middle age, I composed letters to my father. In my dreams, I would meet him on a busy street, after many lost years, and he would receive me with the same old warmth. We would get into a little train together, or sit in a dark hall, watching a screen lit up with bright, moving images. 'Where were you all these years?' I would ask him, and he would ruffle my hair. My father hadn't died; he was a traveller in a different dimension, and he would turn up every now and then, just to see if I was all right.
Ruskin Bond (Lone Fox Dancing)
I want my girls to know who they are and have strong family connections. I want them to be educated. I want them to travel the world. I want them to be able to support themselves, and if they choose to be in a long-term relationship, it will be based on their strengths, not their weaknesses. And I know that in order for them to get there, it is important that I take more than a surface glance at how I ended up in my unhealthy and unsafe relationship with their father. Only then will I ever have any hope of keeping my history from repeating itself in their future.
Lizbeth Meredith (Pieces of Me: Rescuing My Kidnapped Daughters)
you were last seen walking through a field of pianos. no. a museum of mouths. in the kitchen of a bustling restaurant, cracking eggs and releasing doves. no. eating glow worms and waltzing past my bedroom. last seen riding the subway, literally, straddling its metal back, clutching electrical cables as reins. you were wearing a dress made out of envelopes and stamps, this was how you travelled. i was the mannequin in the storefront window you could have sworn moved. the library card in the book you were reading until that dog trotted up and licked your face. the cookie with two fortunes. the one jamming herself through the paper shredder, afraid to talk to you. the beggar, hat outstretched bumming for more minutes. the phone number on the bathroom stall with no agenda other than a good time. the good time is a picnic on water, or a movie theatre that only plays your childhood home videos and no one hushes when you talk through them. when they play my videos i throw milk duds at the screen during the scenes i watch myself letting you go – lost to the other side of an elevator – your face switching to someone else’s with the swish of a geisha’s fan. my father could have been a travelling salesman. i could have been born on any doorstep. there are 2,469,501 cities in this world, and a lot of doorsteps. meet me on the boardwalk. i’ll be sure to wear my eyes. do not forget your face. i could never.
Megan Falley
What a wonderful world that was, and how remote it seems now. It is a challenge to believe that there was ever a time that airline food was exciting, when stewardesses were happy to see you, when flying was such an occasion that you wore your finest clothes. I grew up in a world in which everything was like that: shopping malls, TV dinners, TV itself, supermarkets, freeways, air conditioning, drive-in movies, 3D movies, transistor radios, backyard barbecues, air travel as a commonplace—all were brand-new and marvelously exciting. It is amazing we didn’t choke to death on all the novelty and wonder in our lives. I remember once my father brought home a device that you plugged in and, with an enormous amount of noise and energy, it turned ice cubes into shaved ice, and we got excited about that. We were idiots really, but awfully happy, too. —
Bill Bryson (The Road to Little Dribbling: More Notes from a Small Island)
There's a special madness strikes travellers from the North when they reach the lovely land where the lemon trees grow. We come from countries of cold weather; at home, we are at war with nature but here, ah! you think you've come to the blessed plot where the lion lies down with the lamb. Everything flowers; no harsh wind stirs the voluptuous air. The sun spills fruit for you. And the deathly, sensual lethargy of the sweet South infects the starved brain; it gasps: 'Luxury! more luxury!' But then the snow comes, you cannot escape it, it followed us from Russia as if it ran behind our carriage, and in this dark, bitter city has caught up with us at last, flocking against the windowpanes to mock my father's expectations of perpetual pleasure as the veins in his forehead stand out and throb, his hands shake as he deals the Devil's picture books.
Angela Carter (The Bloody Chamber and Other Stories)
Do you know what hurts so very much? It's love. Love is the strongest force in the world, and when it is blocked that means pain. There are two things we can do when this happens. We can kill that love so that it stops hurting. But then of course part of us dies, too. Or we can ask God to open up another route for that love to travel.' I did not know, as I listened to my father's footsteps winding back down the stairs, that he had given me more than the key to this hard moment. I did not know that he had put in my had the secret that would open far darker rooms that this--places where there was not, on a human level, anything to love at all.
Corrie ten Boom (The Hiding Place)
A man opposite me shifted his feet, accidentally brushing his foot against mine. It was a gentle touch, barely noticeable, but the man immediately reached out to touch my knee and then his own chest with the fingertips of his right hand, in the Indian gesture of apology for an unintended offence. In the carriage and the corridor beyond, the other passengers were similarly respectful, sharing, and solicitous with one another. At first, on that first journey out of the city into India, I found such sudden politeness infuriating after the violent scramble to board the train. It seemed hypocritical for them to show such deferential concern over a nudge with a foot when, minutes before, they'd all but pushed one another out of the windows. Now, long years and many journeys after that first ride on a crowded rural train, I know that the scrambled fighting and courteous deference were both expressions of the one philosophy: the doctrine of necessity. The amount of force and violence necessary to board the train, for example, was no less and no more than the amount of politeness and consideration necessary to ensure that the cramped journey was as pleasant as possible afterwards. What is necessary! That was the unspoken but implied and unavoidable question everywhere in India. When I understood that, a great many of the characteristically perplexing aspects of public life became comprehensible: from the acceptance of sprawling slums by city authorities, to the freedom that cows had to roam at random in the midst of traffic; from the toleration of beggars on the streets, to the concatenate complexity of the bureaucracies; and from the gorgeous, unashamed escapism of Bollywood movies, to the accommodation of hundreds of thousands of refugees from Tibet, Iran, Afghanistan, Africa, and Bangladesh, in a country that was already too crowded with sorrows and needs of its own. The real hypocrisy, I came to realise, was in the eyes and minds and criticisms of those who came from lands of plenty, where none had to fight for a seat on a train. Even on that first train ride, I knew in my heart that Didier had been right when he'd compared India and its billion souls to France. I had an intuition, echoing his thought, that if there were a billion Frenchmen or Australians or Americans living in such a small space, the fighting to board the train would be much more, and the courtesy afterwards much less. And in truth, the politeness and consideration shown by the peasant farmers, travelling salesmen, itinerant workers, and returning sons and fathers and husbands did make for an agreeable journey, despite the cramped conditions and relentlessly increasing heat. Every available centimetre of seating space was occupied, even to the sturdy metal luggage racks over our heads. The men in the corridor took turns to sit or squat on a section of floor that had been set aside and cleaned for the purpose. Every man felt the press of at least two other bodies against his own. Yet there wasn't a single display of grouchiness or bad temper
Gregory David Roberts
I want the life I'm meant to have, Etta. It's as simple as that. My father always says that the way to truly live is to do so without expectation or fear hanging over you, affecting your choices— and that's bloody hard to do with you travelers coming and going. I want to know you the way you know me one day. I want to play my violin, make mistakes, fall in love, live in as many different cities as I can. Would you really take that from me?
Alexandra Bracken
Seconds later, the female security officer grabbed a pair of my father's shorts from the top of the duffel bag, and emptied out the contents of his pockets. A lighter, three nail files, a pocket wrench, a pair of pliers, a screwdriver, and a nectarine fell onto the folding table. I looked at the woman, looked at my father, and then looked around to see if anyone else was watching. "What's the problem?" my father asked the woman. "Sir, I'm going to have to take this lighter away from you," she said. "The lighter?" I asked her. "What about the bomb kit he's carrying around? He could do a lot more damage to a person with that wrench." "I need the wrench!" he shrieked. "For what?" "What if something goes wrong with the plane?
Chelsea Handler (Are You There, Vodka? It's Me, Chelsea)
His undergraduate years, each time he spoke of them, acquired a limelit, incandescent magic, as if they belonged to another life, a life to which I had no access since it already belonged to the past. Proof of its existence trickled, as it did now, in his ability to mix drinks, or to tell arcane grappas apart, or to speak to all women, or in the mysterious square envelopes addressed to him that arrived at our house from all over the world. I had never envied him the past, nor felt threatened by it. All these facets of his life had the mysterious character of incidents that had occurred in my father's life long before my birth but which continued to resonate into the present. I didn't envy life before me, nor did I ache to travel back to the time when he had been my age.
André Aciman (Call Me by Your Name)
For as to what we have heard you affirm, that there are other kingdoms and states in the world inhabited by human creatures as large as yourself, our philosophers are in much doubt, and would rather conjecture that you dropped from the moon, or one of the stars; because it is certain, that a hundred mortals of your bulk would in a short time destroy all the fruits and cattle of his majesty’s dominions: besides, our histories of six thousand moons make no mention of any other regions than the two great empires of Lilliput and Blefuscu. Which two mighty powers have, as I was going to tell you, been engaged in a most obstinate war for six-and-thirty moons past. It began upon the following occasion. It is allowed on all hands, that the primitive way of breaking eggs, before we eat them, was upon the larger end; but his present majesty’s grandfather, while he was a boy, going to eat an egg, and breaking it according to the ancient practice, happened to cut one of his fingers. Whereupon the emperor his father published an edict, commanding all his subjects, upon great penalties, to break the smaller end of their eggs. The people so highly resented this law, that our histories tell us, there have been six rebellions raised on that account; wherein one emperor lost his life, and another his crown. These civil commotions were constantly fomented by the monarchs of Blefuscu; and when they were quelled, the exiles always fled for refuge to that empire. It is computed that eleven thousand persons have at several times suffered death, rather than submit to break their eggs at the smaller end. Many hundred large volumes have been published upon this controversy: but the books of the Big-endians have been long forbidden, and the whole party rendered incapable by law of holding employments. During the course of these troubles, the emperors of Blefusca did frequently expostulate by their ambassadors, accusing us of making a schism in religion, by offending against a fundamental doctrine of our great prophet Lustrog, in the fifty-fourth chapter of the Blundecral (which is their Alcoran). This, however, is thought to be a mere strain upon the text; for the words are these: ‘that all true believers break their eggs at the convenient end.’ And which is the convenient end, seems, in my humble opinion to be left to every man’s conscience, or at least in the power of the chief magistrate to determine.
Jonathan Swift (Gulliver's Travels)
When once to a man the human face is the human face divine, and the hand of his neighbour is the hand of a brother, then will he understand what St Paul meant when he said, "I could wish that myself were accursed from Christ for my brethren." But he will no longer understand those who, so far from feeling the love of their neighbour an essential of their being, expect to be set free from its law in the world to come. There, at least, for the glory of God, they may limit its expansive tendencies to the narrow circle of their heaven. On its battlements of safety, they will regard hell from afar, and say to each other, "Hark! Listen to their moans. But do not weep, for they are our neighbours no more." St Paul would be wretched before the throne of God, if he thought there was one man beyond the pale of his mercy, and that as much for God's glory as for the man's sake. And what shall we say of the man Christ Jesus? Who, that loves his brother, would not, upheld by the love of Christ, and with a dim hope that in the far-off time there might be some help for him, arise from the company of the blessed, and walk down into the dismal regions of despair, to sit with the last, the only unredeemed, the Judas of his race, and be himself more blessed in the pains of hell, than in the glories of heaven? Who, in the midst of the golden harps and the white wings, knowing that one of his kind, one miserable brother in the old-world-time when men were taught to love their neighbour as themselves, was howling unheeded far below in the vaults of the creation, who, I say, would not feel that he must arise, that he had no choice, that, awful as it was, he must gird his loins, and go down into the smoke and the darkness and the fire, travelling the weary and fearful road into the far country to find his brother?—who, I mean, that had the mind of Christ, that had the love of the Father?
George MacDonald (Unspoken Sermons, Series I., II., and III.)
When you are quite well enough to travel, Latimer, I shall take you home with me. The journey will amuse you and do you good, for I shall go through the Tyrol and Austria, and you will see many new places. Our neighbours, the Filmores, are come; Alfred will join us at Basle, and we shall all go together to Vienna, and back by Prague...' My father was called away before he had finished his sentence, and he left my mind resting on the word Prague with a strange sense that a new and wondrous scene was breaking upon me: a city under the broad sunshine, that seemed to me as if it were summer sunshine of a long-past century arrested in its course-unrefreshed for ages by dews of night, or the rushing rain-cloud; scorching the dusty, weary, time-eaten grandeur of a people doomed to live on in the stale repetition of memories, like deposed and superannuated kings in their regal gold inwoven tatters. The city looked so thirsty that the broad river seemed to me a sheet of metal; and the blackened statues, as I passed under their blank gaze, along the unending bridge, with their ancient garments and their saintly crowns, seemed to me the real inhabitants and owners of this place, while the busy, trivial men and women, hurrying to and fro, were a swarm of ephemeral visitants infesting it for a day. It is such grim, stony beings as these, I thought, who are the fathers of ancient faded children, in those tanned time-fretted dwellings that crowd the steep before me; who pay their court in the worn and crumbling pomp of the palace which stretches its monotonous length on the height; who worship wearily in the stifling air of the churches, urged by no fear or hope, but compelled by their doom to be ever old and undying, to live on in the rigidity of habit, as they live on in perpetual midday, without the repose of night or the new birth of morning. A stunning clang of metal suddenly thrilled through me, and I became conscious of the objects in my room again: one of the fire-irons had fallen as Pierre opened the door to bring me my draught. My heart was palpitating violently, and I begged Pierre to leave my draught beside me; I would take it presently. ("The Lifted Veil")
George Eliot (The Lifted Veil (Fantasy and Horror Classics))
Autumn comes early to the foot of the Slovenian Alps. Even before September, the abundant harvests are followed by a sudden poignant rain that lasts for days and brings down leaves in the lanes of the village. Now, in my fifties, I find myself wandering that direction every few years, reliving my first glimpse of the Slovenian countryside. This is old country. Every autumn mellows it a little more, in aeternum, each beginning with the same three colors: a green landscape, two or three yellow leaves falling through a gray afternoon. I suppose the Romans - who left their walls here and their gargantuan arenas to the west, on the coast - saw the same autumn and gave the same shiver. When my father's car swung through the gates of the oldest of Julian cities, I hugged myself. For the first time, I had been struck by the excitement of the traveler who looks history in her subtle face.
Elizabeth Kostova (The Historian)
It’s an heirloom, isn’t it?” ... “I got it from my father.” The tutor ran his hand along the sheathed blade. “This is a remarkable weapon—a knight’s sword—tarnished with time and travel. You don’t use it as often as the others. The bastard and short sword are tools to you, but this—ah—this is something else—something revered. It lays concealed in a paltry sheath, covered in clothes not its own. It doesn’t belong there. This sword belongs to another time and place. It is part of a grand and glorious world where knights were different, loftier—virtuous. It rests in this false scabbard because the proper one has been lost, or perhaps, it waits for a quest yet to be finished. It longs for that single moment when it can shine forth in all its brilliance. When dream and destiny meet on a clear field, then and only then will it find its purpose. When it faces that honorable cause—that one worthy and desperate challenge for which it was forged and on which so much depends—it will find peace in the crucible of struggle. For good or ill, it will ring true or break. But the wandering, the waiting, the hiding will at last be over. This sword waits for the day when it can save the kingdom and win the lady.
Michael J. Sullivan (Heir of Novron (The Riyria Revelations, #5-6))
The face that Moses had begged to see – was forbidden to see – was slapped bloody (Exodus 33:19-20) The thorns that God had sent to curse the earth’s rebellion now twisted around his brow… “On your back with you!” One raises a mallet to sink the spike. But the soldier’s heart must continue pumping as he readies the prisoner’s wrist. Someone must sustain the soldier’s life minute by minute, for no man has this power on his own. Who supplies breath to his lungs? Who gives energy to his cells? Who holds his molecules together? Only by the Son do “all things hold together” (Colossians 1:17). The victim wills that the soldier live on – he grants the warrior’s continued existence. The man swings. As the man swings, the Son recalls how he and the Father first designed the medial nerve of the human forearm – the sensations it would be capable of. The design proves flawless – the nerves perform exquisitely. “Up you go!” They lift the cross. God is on display in his underwear and can scarcely breathe. But these pains are a mere warm-up to his other and growing dread. He begins to feel a foreign sensation. Somewhere during this day an unearthly foul odor began to waft, not around his nose, but his heart. He feels dirty. Human wickedness starts to crawl upon his spotless being – the living excrement from our souls. The apple of his Father’s eye turns brown with rot. His Father! He must face his Father like this! From heaven the Father now rouses himself like a lion disturbed, shakes His mane, and roars against the shriveling remnant of a man hanging on a cross.Never has the Son seen the Father look at him so, never felt even the least of his hot breath. But the roar shakes the unseen world and darkens the visible sky. The Son does not recognize these eyes. “Son of Man! Why have you behaved so? You have cheated, lusted, stolen, gossiped – murdered, envied, hated, lied. You have cursed, robbed, over-spent, overeaten – fornicated, disobeyed, embezzled, and blasphemed. Oh the duties you have shirked, the children you have abandoned! Who has ever so ignored the poor, so played the coward, so belittled my name? Have you ever held a razor tongue? What a self-righteous, pitiful drunk – you, who moles young boys, peddle killer drugs, travel in cliques, and mock your parents. Who gave you the boldness to rig elections, foment revolutions, torture animals, and worship demons? Does the list never end! Splitting families, raping virgins, acting smugly, playing the pimp – buying politicians, practicing exhortation, filming pornography, accepting bribes. You have burned down buildings, perfected terrorist tactics, founded false religions, traded in slaves – relishing each morsel and bragging about it all. I hate, loathe these things in you! Disgust for everything about you consumes me! Can you not feel my wrath? Of course the Son is innocent He is blamelessness itself. The Father knows this. But the divine pair have an agreement, and the unthinkable must now take place. Jesus will be treated as if personally responsible for every sin ever committed. The Father watches as his heart’s treasure, the mirror image of himself, sinks drowning into raw, liquid sin. Jehovah’s stored rage against humankind from every century explodes in a single direction. “Father! Father! Why have you forsaken me?!” But heaven stops its ears. The Son stares up at the One who cannot, who will not, reach down or reply. The Trinity had planned it. The Son had endured it. The Spirit enabled Him. The Father rejected the Son whom He loved. Jesus, the God-man from Nazareth, perished. The Father accepted His sacrifice for sin and was satisfied. The Rescue was accomplished.
Joni Eareckson Tada (When God Weeps Kit: Why Our Sufferings Matter to the Almighty)
Tradition? Kadash, did I ever tell you about my first sword trainer? Back when I was young, our branch of the Kholin family didn't have grand monasteries and beautiful practice grounds. My father found a teacher for me from two towns over. His name was Harth. Young fellow, not a true swordmaster -- but good enough. He was very focused on proper procedure, and wouldn't let me train until I'd learned how to put on a takama the right way. He wouldn't have stood for me fighting like this. You put on the skirt, then the overshirt, then you wrap your cloth belt around yourself three times and tie it. I always found that annoying. The belt was too tight, wrapped three times -- you had to pull it hard to get enough slack to tie the knot. The first time I went to duels at a neighboring town, I felt like an idiot. Everyone else had long drooping belt ends at the front of their takamas. I asked Harth why we did it differently. He said it was the right way, the true way. So, when my travels took me to Harth's hometown, I searched out his master, a man who had trained with the ardents in Kholinar. He insisted that this was the right way to tie a takama, as he'd learned from his master. I found my master's master's master in Kholinar after we captured it. The ancient, wizened ardent was eating curry and flatbread, completely uncaring of who ruled the city. I asked him. Why tie your belt three times, when everyone else thinks you should do it twice? The old man laughed and stood up. I was shocked to see that he was terribly short. 'If I only tie it twice,' he exclaimed, 'the ends hang down so low, I trip!' I love tradition, I've fought for tradition. I make my men follow the codes. I uphold Vorin virtues. But merely being tradition does not make something worthy, Kadash. We can't just assume that because something is old it is right.
Brandon Sanderson (Oathbringer (book 1 of 6) (Stormlight Archive #3, Part 1 of 6))
Have You Prayed” When the wind turns and asks, in my father’s voice, Have you prayed? I know three things. One: I’m never finished answering to the dead. Two: A man is four winds and three fires. And the four winds are his father’s voice, his mother’s voice . . . Or maybe he’s seven winds and ten fires. And the fires are seeing, hearing, touching, dreaming, thinking . . . Or is he the breath of God? When the wind turns traveler and asks, in my father’s voice, Have you prayed? I remember three things. One: A father’s love is milk and sugar, two-thirds worry, two-thirds grief, and what’s left over is trimmed and leavened to make the bread the dead and the living share. And patience? That’s to endure the terrible leavening and kneading. And wisdom? That’s my father’s face in sleep. When the wind asks, Have you prayed? I know it’s only me reminding myself a flower is one station between earth’s wish and earth’s rapture, and blood was fire, salt, and breath long before it quickened any wand or branch, any limb that woke speaking. It’s just me in the gowns of the wind, or my father through me, asking, Have you found your refuge yet? asking, Are you happy? Strange. A troubled father. A happy son. The wind with a voice. And me talking to no one.
Li-Young Lee (Behind My Eyes: Poems)
Contemplating while barefoot on the grounds my father and grandfather walked, I saw my life clearly. With African sun nibbling on my dark skin and gentle winds soothing my foreboding, my past life and current responsibilities overwhelmed me occasionally. Abundant tears flowed freely. Dripping on my face and clothes. Travelling through the ancient roads created by my forefathers, grasslands, trees and anthills kept me company. A lonely journey. I knew that nothing remains the same, but ones past never changes. Even in the loneliness of my past, I accepted that you cannot effectively go forward without knowing how and where you started your journey. Even in that state of near dejection I was aware that my sojourn in foreign lands is not forever, but my lording of this beautiful land, my own Africa, where my spent body will finally rest someday, is for eternity. Nothing remains the same, but nothing ever changes. It depends on how you look at your life.
Fidelis O. Mkparu
We woke up before the sun, hitched the oxen to the wagon, herded the cattle out of the Platt’s pasture where they had spent the night, and started off again on the road toward Peekskill. Peekskill was on the Hudson River. We would turn south there and go down the river about five miles to Verplancks Point. From North Salem to Peekskill was more than twenty miles. It would take us all day to make fifteen miles to our next stop, Father’s friends south of Mohegan. We were supposed to pick up another escort. I hoped we would find it soon. I didn’t like traveling through this country alone, and I kept looking around all the time for galloping horsemen.
James Lincoln Collier (My Brother Sam is Dead)
My brain is made up of different rooms. Each room is for doing a different thing. For example, I have an Eyes Room for seeing things and an Ears Room for hearing things. I have a Hands Room, a Memory Room (it’s like my father’s office, full of drawers and folders and boxes with papers), a New Things Room, a Numbers Room (my favorite), and a Horror Room (I wish this room would be broken, but it works just fine). The rooms don’t touch each other. There are long, looping hallways in between each room. If I’m thinking about something that happened yesterday (like when I knocked over the white coffee mug), I’m in my Memory Room. But if I want to watch a Barney video on the TV, I have to leave the Memory Room and go into Eyes and sometimes Ears. Sometimes when I’m in the hallways traveling to a different room, I get lost and confused and caught In Between and feel like I’m nowhere. This is when my brain feels like maybe it’s a little bit broken, but I know I just have to find my way into one of the rooms and shut the door. But if too much is happening at once, I can get into trouble. If I’m counting the square tiles on the kitchen floor (180), I’m in my Numbers Room, but if my mother starts talking to me, I have to go into my Ears Room to hear her. But I want to stay in Numbers because I’m counting, and I like to count, but my mother keeps talking, and her sound is getting louder, and I feel pressure to leave Numbers and go inside my Ears Room. So I go into the hallway, but then she grabs my hand, and this surprises me and forces me into Hands, which isn’t where I wanted to go, and she’s talking to me but I can’t hear what she’s saying because I’m in my Hands Room and not in Ears. If she lets go of my hand, I can go into Ears. She’s saying, Look at me. But if I look at her, I have to leave Ears and go into Eyes, and then I won’t be able to hear what she’s saying. So I don’t know what to do, and I’m wandering the halls, and I can’t make a decision on where to go, and I’m In Between, and that’s when I get into trouble.
Lisa Genova (Love Anthony)
One," said the recording secretary. "Jesus wept," answered Leon promptly. There was not a sound in the church. You could almost hear the butterflies pass. Father looked down and laid his lower lip in folds with his fingers, like he did sometimes when it wouldn't behave to suit him. "Two," said the secretary after just a breath of pause. Leon looked over the congregation easily and then fastened his eyes on Abram Saunders, the father of Absalom, and said reprovingly: "Give not sleep to thine eyes nor slumber to thine eyelids." Abram straightened up suddenly and blinked in astonishment, while father held fast to his lip. "Three," called the secretary hurriedly. Leon shifted his gaze to Betsy Alton, who hadn't spoken to her next door neighbour in five years. "Hatred stirreth up strife," he told her softly, "but love covereth all sins." Things were so quiet it seemed as if the air would snap. "Four." The mild blue eyes travelled back to the men's side and settled on Isaac Thomas, a man too lazy to plow and sow land his father had left him. They were not so mild, and the voice was touched with command: "Go to the ant, thou sluggard, consider her ways and be wise." Still that silence. "Five," said the secretary hurriedly, as if he wished it were over. Back came the eyes to the women's side and past all question looked straight at Hannah Dover. "As a jewel of gold in a swine's snout, so is a fair woman without discretion." "Six," said the secretary and looked appealingly at father, whose face was filled with dismay. Again Leon's eyes crossed the aisle and he looked directly at the man whom everybody in the community called "Stiff-necked Johnny." I think he was rather proud of it, he worked so hard to keep them doing it. "Lift not up your horn on high: speak not with a stiff neck," Leon commanded him. Toward the door some one tittered. "Seven," called the secretary hastily. Leon glanced around the room. "But how good and how pleasant it is for brethren to dwell together in unity," he announced in delighted tones as if he had found it out by himself. "Eight," called the secretary with something like a breath of relief. Our angel boy never had looked so angelic, and he was beaming on the Princess. "Thou art all fair, my love; there is no spot in thee," he told her. Laddie would thrash him for that. Instantly after, "Nine," he recited straight at Laddie: "I made a covenant with mine eyes; why then should I think upon a maid?" More than one giggled that time. "Ten!" came almost sharply. Leon looked scared for the first time. He actually seemed to shiver. Maybe he realized at last that it was a pretty serious thing he was doing. When he spoke he said these words in the most surprised voice you ever heard: "I was almost in all evil in the midst of the congregation and assembly." "Eleven." Perhaps these words are in the Bible. They are not there to read the way Leon repeated them, for he put a short pause after the first name, and he glanced toward our father: "Jesus Christ, the SAME, yesterday, and to-day, and forever!" Sure as you live my mother's shoulders shook. "Twelve." Suddenly Leon seemed to be forsaken. He surely shrank in size and appeared abused. "When my father and my mother forsake me, then the Lord will take me up," he announced, and looked as happy over the ending as he had seemed forlorn at the beginning. "Thirteen." "The Lord is on my side; I will not fear; what can man do unto me?" inquired Leon of every one in the church. Then he soberly made a bow and walked to his seat.
Gene Stratton-Porter (Laddie: A True Blue Story (Library of Indiana Classics))
How? How did you get Torin to Hex Hall?” Dad blinked rapidly, and at first, I thought he was surprised by my question. Then I realized that, no, he was fighting tears. Seeing my father, who practically had a PhD in Stiff Upper Lip, on the verge of crying because he was so happy to see me made my own eyes sting. Then he cleared his throat, straightened his shoulders, and said, “It was exceedingly difficult.” I laughed through my tears. “I bet.” “It was Torin’s idea,” someone said behind me, and I turned to see Izzy standing there. Like my parents and her sister, she was dressed in jeans and a black jacket, although she also had a black cap pulled over her bright hair. “We had tons of old spell books, and after you and Cal disappeared, he started looking through them. Found a spell that would let him travel to a different mirror.” “Of course, the problem was finding your mirror,” Aislinn said, coming out of the darkness. “Aren’t you afraid that he’ll permanently peace out from his mirror and start hanging out in girls’ locker rooms or something?” Aislinn’s eyes slid to Izzy. “Torin has his reasons for wanting to stay with us,” she said, and even in the dim light, I saw red creepy up Izzy’s cheeks. Maybe one day, I’d get to the bottom of whatever was going on there. Preferably once I was done getting to the bottom of the thousand other things on my agenda.
Rachel Hawkins (Spell Bound (Hex Hall, #3))
She had three days to ponder what that truth might be.Three days during which Dragon scarcely let her out of his sight. He went so far as to try to accompany her to the queen's solar, only to be shooed away by Ealhswith even as she smiled and took pains to reassure him. "I promise you, my lord,the Lady Rycca will be as safe here as a babe in arms. Believe me, the quarters of the queen are not entered into by miscreants." "That is all well and fine, majesty, but-" "Should you not be aware,my lord, we had an incident here last year when the Lady Krysta was taken from Winchester by stealth. Since then, my lord husband has spared no effort to assure nothing of the sort can ever happen again." She gestured toward the grim-faced guards on watch in the corridor. "You will find the same beneath my windows, Lord of Landsende,and even above us on the roof. Not even an errant bird can enter here." Even as she spoke, through the open door where she stood Dragon saw a raven alight on the sill of one of the solar's windows. Rather oddly, he thought, Krysta walked over and began talking to it. "There are four new books in the scriptorium, my lord," the queen said, unaware of what was going on behind her, "and a young priest-a friend of Father Desmond, who is now at Hawkforte-who is responsible for one of them. By the way,he has a yen to travel." That said,she shut the door not quite in his face but as close to it as that gently lady could ever come. Dragon hesitated. He eyed the guards,who eyed him back,reminded himself that he was in the house of the king,and finally decided to go look at the new books. While he was at it,he just might have a word with the priest.
Josie Litton (Come Back to Me (Viking & Saxon, #3))
Mama,” the child exclaimed, breathless and agitated. Phoebe looked down at him in concern. “Justin, what is it?” “Galoshes brought me a dead mouse. She dropped it on the floor right in front of me!” “Oh, dear.” Tenderly Phoebe smoothed his dark, ruffled hair. “I’m afraid that’s what cats do. She thought it was a fine gift.” “Nanny won’t touch it, and the housemaid screamed, and I had a fight with Ivo.” Although Phoebe’s younger brother Ivo was technically Justin’s uncle, the boys were close enough in age to play together and quarrel. “About the mouse?” Phoebe asked sympathetically. “No, before the mouse. Ivo said there’s going to be a honeymoon and I can’t go because it’s for grownups.” The boy tilted his head back to look up at her, his lower lip quivering. “You wouldn’t go to the honeymoon without me, would you, Mama?” “Darling, we’ve made no plans to travel yet. There’s too much to be done here, and we all need time to settle in. Perhaps in the spring—” “Dad wouldn’t want to leave me behind. I know he wouldn’t!” In the electrified silence that followed, Tom shot a glance at West, who looked blank and startled. Slowly Phoebe lowered to the ground until her face was level with her son’s. “Do you mean Uncle West?” she asked gently. “Is that what you’re calling him now?” Justin nodded. “I don’t want him to be my uncle—I already have too many of those. And if I don’t have a dad, I’ll never learn how to tie my shoes.” Phoebe began to smile. “Why not call him Papa?” she suggested. “If I did, you’d never know which one I was talking about,” Justin said reasonably, “the one in heaven or the one down here.” Phoebe let out a breath of amusement. “You’re right, my clever boy.” Justin looked up at the tall man beside him with a flicker of uncertainty. “I can call you Dad … can’t I? Do you like that name?” A change came over West’s face, his color deepening, small muscles contorting with some powerful emotion. He snatched Justin up, one of his large hands clasping the small head as he kissed his cheek. “I love that name,” West said unsteadily. “I love it.” The boy’s arms went around his neck. “Can we go to Africa for our honeymoon, Dad?” he heard Justin ask. “Yes,” came West’s muffled voice. “Can I have a pet crocodile, Dad?” “Yes.” Phoebe produced a handkerchief from seemingly out of nowhere and tucked it discreetly into one of West’s hands.
Lisa Kleypas (Chasing Cassandra (The Ravenels, #6))
In the deep woods of the far North, under feathery leaves of fern, was a great fairyland of merry elves, sometimes called forest brownies. These elves lived joyfully. They had everything at hand and did not need to worry much about living. Berries and nuts grew plentiful in the forest. Rivers and springs provided the elves with crystal water. Flowers prepared them drink from their flavorful juices, which the munchkins loved greatly. At midnight the elves climbed into flower cups and drank drops of their sweet water with much delight. Every elf would tell a wonderful fairy tale to the flower to thank it for the treat. Despite this abundance, the pixies did not sit back and do nothing. They tinkered with their tasks all day long. They cleaned their houses. They swung on tree branches and swam in forested streams. Together with the early birds, they welcomed the sunrise, listened to the thunder growling, the whispering of leaves and blades of grass, and the conversations of the animals. The birds told them about warm countries, sunbeams whispered of distant seas, and the moon spoke of treasures hidden deeply in the earth. In winter, the elves lived in abandoned nests and hollows. Every sunny day they came out of their burrows and made the forest ring with their happy shouts, throwing tiny snowballs in all directions and building snowmen as small as the pinky finger of a little girl. The munchkins thought they were giants five times as large as them. With the first breath of spring, the elves left their winter residences and moved to the cups of the snowdrop flowers. Looking around, they watched the snow as it turned black and melted. They kept an eye on the blossoming of hazel trees while the leaves were still sleeping in their warm buds. They observed squirrels moving their last winter supplies from storage back to their homes. Gnomes welcomed the birds coming back to their old nests, where the elves lived during winters. Little by little, the forest once more grew green. One moonlight night, elves were sitting at an old willow tree and listening to mermaids singing about their underwater kingdom. “Brothers! Where is Murzilka? He has not been around for a long time!” said one of the elves, Father Beardie, who had a long white beard. He was older than others and well respected in his striped stocking cap. “I’m here,” a snotty voice arose, and Murzilka himself, nicknamed Feather Head, jumped from the top of the tree. All the brothers loved Murzilka, but thought he was lazy, as he actually was. Also, he loved to dress in a tailcoat, tall black hat, boots with narrow toes, a cane and a single eyeglass, being very proud of that look. “Do you know where I’m coming from? The very Arctic Ocean!” roared he. Usually, his words were hard to believe. That time, though, his announcement sounded so marvelous that all elves around him were agape with wonder. “You were there, really? Were you? How did you get there?” asked the sprites. “As easy as ABC! I came by the fox one day and caught her packing her things to visit her cousin, a silver fox who lives by the Arctic Ocean. “Take me with you,” I said to the fox. “Oh, no, you’ll freeze there! You know, it’s cold there!” she said. “Come on.” I said. “What are you talking about? What cold? Summer is here.” “Here we have summer, but there they have winter,” she answered. “No,” I thought. “She must be lying because she does not want to give me a ride.” Without telling her a word, I jumped upon her back and hid in her bushy fur, so even Father Frost could not find me. Like it or not, she had to take me with her. We ran for a long time. Another forest followed our woods, and then a boundless plain opened, a swamp covered with lichen and moss. Despite the intense heat, it had not entirely thawed. “This is tundra,” said my fellow traveler. “Tundra? What is tundra?” asked I. “Tundra is a huge, forever frozen wetland covering the entire coast of the Arctic Ocean.
Anna Khvolson
In England, it becomes every day more and more the custom to send young people to travel in foreign countries immediately upon their leaving school, and without sending them to any university. Our young people, it is said, generally return home much improved by their travels. A young man, who goes abroad at seventeen or eighteen, and returns home at one-and-twenty, returns three or four years older than he was when he went abroad; and at that age it is very difficult not to improve a good deal in three or four years. In the course of his travels, he generally acquires some knowledge of one or two foreign languages; a knowledge, however, which is seldom sufficient to enable him either to speak or write them with propriety. In other respects, he commonly returns home more conceited, more unprincipled, more dissipated, and more incapable of my serious application, either to study or to business, than he could well have become in so short a time had he lived at home. By travelling so very young, by spending in the most frivolous dissipation the most previous years of his life, at a distance from the inspection and control of his parents and relations, every useful habit, which the earlier parts of his education might have had some tendency to form in him, instead of being riveted and confirmed, is almost necessarily either weakened or effaced. Nothing but the discredit into which the universities are allowing themselves to fall, could ever have brought into repute so very absurd a practice as that of travelling at this early period of life. By sending his son abroad, a father delivers himself, at least for some time, from so disagreeable an object as that of a son unemployed, neglected, and going to ruin before his eyes. Such have been the effects of some of the modern institutions for education. Different plans and different institutions for education seem to have taken place in other ages and nations.
Adam Smith (An Inquiry into the Nature and Causes of the Wealth of Nations)
The day wore on.While yet Rycca slept, Dragon did all the things she had said he would do-paced back and forth, contemplated mayhem,and even honed his blade on the whetstone from the stable.All except being oblivious to her,for that he could never manage. But when she awoke,sitting up heavy-lidded, her mouth so full and soft it was all he could do not to crawl back into bed with her,he put aside such pursuits and controlled himself admirably well,so he thought. Yet in the midst of preparing a meal for them from the provisions in the pantry of the lodge,he was stopped by Rycca's hand settling upon his. "Dragon," she said softly, "if you add any more salt to that stew, we will need a barrel of water and more to drink with it." He looked down, saw that she was right, and cursed under his breath. Dumping out the spoiled stew, he started over. They ate late but they did eat.He was quite determined she would do so,and for once she seemed to have a decent appetite. "I'm glad to see your stomach is better," he said as she was finishing. She looked up,startled. "What makes you say that?" "You haven't seemed able to eat regularly of late." "Oh,well,you know...so many changes...travel...all that." He nodded,reached for his goblet, and damn near knocked it over as a sudden thought roared through him. "Rycca?" She rose quickly,gathering up the dishes. His hand lashed out, closing on her wrist. Gently but inexorably, he returned her to her seat. Without taking his eyes from her,he asked, "Is there something you should tell me?" "Something...?" "I ask myself what sort of changes may cause a woman to be afflicted with an uneasy stomach and it occurs to me I've been a damned idiot." "Not so! You could never be that." "Oh,really? How otherwise would I fail to notice that your courses have not come of late? Or is that also due to travel,wife?" "Some women are not all that regular." "Some women do not concern me.You do,Rycca. I swear,if you are with child and have not told me, I will-" She squared her shoulders,lifted her head,and met his eyes hard on. "Will what?" "What? Will what? Does that mean-" "I'm sorry,Dragon." Truly repentant, Rycca sighed deeply. "I was going to tell you.I was just waiting for a calmer time.I didn't want you to worry more." Still grappling with what she had just revealed,he stared at her in astonishment. "You mean worry that my wife and our child are bait for a murderous traitor?" "I know you're angry and you have a right to be.But if I had told you, we wouldn't be here now." "Damn right we wouldn't be!" He got up from the table so abruptly that his chair toppled over and crashed to the floor.Ignoring it,Dragon paced back and forth,glaring at her. Rycca waited,trusting the storm to pass. As she did,she counted silently, curious to see just how long it would take her husband to grasp fully what he had discovered. Nine...ten... "We're going to have a baby." Not long at all. She nodded happily. "Yes,we are, and you're going to be a wonderful father." He walked back to the table,picked her up out of her chair,held her high against his chest,and stared at her. "My God-" Rycca laughed. "You can't possibly be surprised.It's not as though we haven't been doing our best to make this happen." "True,but still it's absolutely incredible." Very gently,she touched his face. "Perhaps we think of miracles wrongly. They're supposed to be extraordinarily rare but in fact they're as commonplace as a bouquet of wildflowers plucked by a warrior...or a woman having a baby." Dragon sat down with her still in his arms and held her very close.He swallowed several times and said nothing. Both could have remained contentedly like that for a long while, but only a few minutes passed before they were interrupted. The raven lit on the sill of the open window just long enough to catch their attention,then she was gone into the bloodred glare of the dying day.
Josie Litton (Come Back to Me (Viking & Saxon, #3))