Trash People Quotes

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When God takes out the trash, don't go digging back through it. Trust Him.
Amaka Imani Nkosazana (Heart Crush)
recant, v. I want to take back at least half of the “I love you”s, because I didn’t mean them as much as the other ones. I want to take back the book of artsy photos I gave you, because you didn’t get it and said it was hipster trash. I want to take back what I said about you being an emotional zombie. I want to take back the time I called you “honey” in front of your sister and you looked like I had just shown her pictures of us having sex. I want to take back the wineglass I broke when I was mad, because it was a nice wineglass and the argument would have ended anyway. I want to take back the time we had sex in a rent-a-car, not because I feel bad about the people who got in the car after us, but because it was massively uncomfortable. I want to take back the trust I had while you were away in Austin. I want to take back the time I said you were a genius, because I was being sarcastic and I should have just said you’d hurt my feelings. I want to take back the secrets I told you so I can decide now whether to tell them to you again. I want to take back the piece of me that lies in you, to see if I truly miss it. I want to take back at least half the “I love you”s, because it feels safer that way.
David Levithan (The Lover's Dictionary)
When someone you love makes compassion, kindness, forgiveness, respect and God an option, you can be sure they have made you an option, as well.
Shannon L. Alder
The one place where a man ought to get a square deal is in a courtroom, be he any color of the rainbow, but people have a way of carrying their resentments right into a jury box. As you grow older, you'll see white men cheat black men every day of your life, but let me tell you something and don't you forget it - whenever a white man does that to a black man, no matter who he is, how rich he is, or how fine a family he comes from, that white man is trash.
Harper Lee (To Kill a Mockingbird)
Really. Is there anything nice to be said about other people's vacations? I balled up the letter and threw it in the trash.
Amor Towles (Rules of Civility)
It's funny how the people who know the least about you, always have the most to say.
Oscar Auliq-Ice
Baby, I ain't trash. Trash is something you throw away. My people keep me.
Sherrilyn Kenyon (Infamous (Chronicles of Nick, #3))
To leave the world better than you found it, sometimes you have to pick up other people’s trash.
Bill Nye (Undeniable: Evolution and the Science of Creation)
On Writing: Aphorisms and Ten-Second Essays 1. A beginning ends what an end begins. 2. The despair of the blank page: it is so full. 3. In the head Art’s not democratic. I wait a long time to be a writer good enough even for myself. 4. The best time is stolen time. 5. All work is the avoidance of harder work. 6. When I am trying to write I turn on music so I can hear what is keeping me from hearing. 7. I envy music for being beyond words. But then, every word is beyond music. 8. Why would we write if we’d already heard what we wanted to hear? 9. The poem in the quarterly is sure to fail within two lines: flaccid, rhythmless, hopelessly dutiful. But I read poets from strange languages with freedom and pleasure because I can believe in all that has been lost in translation. Though all works, all acts, all languages are already translation. 10. Writer: how books read each other. 11. Idolaters of the great need to believe that what they love cannot fail them, adorers of camp, kitsch, trash that they cannot fail what they love. 12. If I didn’t spend so much time writing, I’d know a lot more. But I wouldn’t know anything. 13. If you’re Larkin or Bishop, one book a decade is enough. If you’re not? More than enough. 14. Writing is like washing windows in the sun. With every attempt to perfect clarity you make a new smear. 15. There are silences harder to take back than words. 16. Opacity gives way. Transparency is the mystery. 17. I need a much greater vocabulary to talk to you than to talk to myself. 18. Only half of writing is saying what you mean. The other half is preventing people from reading what they expected you to mean. 19. Believe stupid praise, deserve stupid criticism. 20. Writing a book is like doing a huge jigsaw puzzle, unendurably slow at first, almost self-propelled at the end. Actually, it’s more like doing a puzzle from a box in which several puzzles have been mixed. Starting out, you can’t tell whether a piece belongs to the puzzle at hand, or one you’ve already done, or will do in ten years, or will never do. 21. Minds go from intuition to articulation to self-defense, which is what they die of. 22. The dead are still writing. Every morning, somewhere, is a line, a passage, a whole book you are sure wasn’t there yesterday. 23. To feel an end is to discover that there had been a beginning. A parenthesis closes that we hadn’t realized was open). 24. There, all along, was what you wanted to say. But this is not what you wanted, is it, to have said it?
James Richardson
We have to grasp, as Marx and Adam Smith did, that corporations are not concerned with the common good. They exploit, pollute, impoverish, repress, kill, and lie to make money. They throw poor people out of homes, let the uninsured die, wage useless wars for profit, poison and pollute the ecosystem, slash social assistance programs, gut public education, trash the global economy, plunder the U.S. Treasury and crush all popular movements that seek justice for working men and women. They worship money and power.
Chris Hedges (The Death of the Liberal Class)
How does a culture that prizes equality of opportunity explain, or indeed accommodate, its persistently marginalized people?
Nancy Isenberg (White Trash: The 400-Year Untold History of Class in America)
I am a greaser," Sodapop chanted. "I am a JD and a hood. I blacken the name of our fair city. I beat up people. I rob gas stations. I am a menace to society. Man, do I have fun!" "Greaser...greaser...greaser..."Steve singsonged. "O, victim of enviornment, underprivelaged, rotton no-count hood!" Juvenile delinquent, you're no good!" Darry shouted. Get thee hence, white trash," Two-Bit said in asnobbish voice. "I am a Soc. I am the privelaged and the well-dressed. I throw beer blasts, drive fancy cars, break windows at fancy parties." And what do you do for fun?" I inquired in a serious, awed voice. I jump greasers!" Two-Bit screamed, and did a cartwheel.
S.E. Hinton
God doesn't like lesbians," Grandma Huberman hised, throwing the magazine in the trash. Jennifer knew what lesbian meant, and she knew she probably was one. But she couldn't understand why God would hold that against her or against Monica Mathers, who'd never started a war or killed anybody, and whose deadeye three-pointers were straight-up amazing. After all, hadn't God made both of them? But people were like that, she'd noticed. They'd invoke Godly privilege at the weirdest of times and for the most stupid reasons.
Libba Bray (Beauty Queens)
I wrote a book called ‘Dancing The Dream’. It was more autobiographical than Moonwalk, which I did with Mrs. Onassis. It wasn’t full of gossip and scandal and all that trash that people write, so I don’t think people paid much attention to it, but it came from my heart. It was essays, thoughts and things that I’ve thought about while on tour
Michael Jackson
Still, waking up this early was just wrong. “Why can’t people be reasonable and only die after eleven A.M.?” I whined.
Diana Rowland (My Life as a White Trash Zombie (White Trash Zombie, #1))
If the right people had been in charge of Nixon's funeral, his casket would have been launched into one of those open-sewage canals that empty into the ocean just south of Los Angeles. He was a swine of a man and a jabbering dupe of a president. Nixon was so crooked that he needed servants to help him screw his pants on every morning. Even his funeral was illegal. He was queer in the deepest way. His body should have been burned in a trash bin.
Hunter S. Thompson (Where Were You When the Fun Stopped)
You dump trash. You dump yard waste and old ripped couches that smell like body odor and forgetfulness. You dump cigarette butts and banana peels and hazardous waste. But people?
Autumn Doughton (I'll Be Here)
I was born trash in a land where the people all believe themselves natural aristocrats.
Dorothy Allison (Two or Three Things I Know for Sure)
I love you, Devyn Wade Kell, with everything inside me. But it’s okay if you don’t feel the same. I know I’m just a piece of trash in your world, and I don’t expect you to share my feelings. (Alix) Don’t you ever say that to me again. Trash is something people throw away, Alix. I intend to keep you for the rest of my life. (Devyn)
Sherrilyn Kenyon (Born of Ice (The League: Nemesis Rising, #3; The League: Nemesis Legacy, #2))
What good is science if not expand one's soul so that she behaves like an ocean that holds the trash. What good is intelligence if not enlarge one's personality so that he was increasingly able to understand other people?
Emha Ainun Nadjib
When a woman is really in touch with her sensuality, she naturally draws beautiful things, people, and deeply nourishing relationships into her life.
Lebo Grand (Sensual Lifestyle)
I wanted people to understand that we are a trash fire of a species, but also most people are pretty cool.
Hank Green (A Beautifully Foolish Endeavor (The Carls, #2))
IT’S A TRUTH universally acknowledged that when rich people move into the hood, where it’s a little bit broken and a little bit forgotten, the first thing they want to do is clean it up. But it’s not just the junky stuff they’ll get rid of. People can be thrown away too, like last night’s trash left out on sidewalks or pushed to the edge of wherever all broken things go. What those rich people don’t always know is that broken and forgotten neighborhoods were first built out of love.
Ibi Zoboi (Pride)
Someday I will stop being young and wanting stupid tattoos. There are 7 people in my house. We each have different genders. I cut my hair over the bathroom sink and everything I own has a hole in it. There is a banner in our living room that says “Love Cats Hate Capitalism.” We sit around the kitchen table and argue about the compost pile and Karl Marx and the necessity of violence when The Rev comes. Whatever the fuck The Rev means. Every time my best friend laughs I want to grab him by the shoulders and shout “Grow old with me and never kiss me on the mouth!” I want us to spend the next 80 years together eating Doritos and riding bikes. I want to be Oscar the Grouch. I want him and his girlfriend to be Bert and Ernie. I want us to live on Sesame Street and I will park my trash can on their front stoop and we will be friends every day. If I ever seem grouchy it’s just because I am a little afraid of all that fun. There is a river running through this city I know as well as my own name. It’s the first place I’ve ever called home. I don’t think its poetry to say I’m in love with the water. I don’t think it’s poetry to say I’m in love with the train tracks. I don’t think it’s blasphemy to say I see God in the skyline. There is always cold beer asking to be slurped on back porches. There are always crushed packs of Marlboro’s in my back pockets. I have been wearing the same patched-up shorts for 10 days. Someday I will stop being young and wanting stupid tattoos.
Clementine von Radics
So, Acheron," Kyrian said, hijacking their conversation. "What happened to your car? I saw the busted fender on it. How unlike you to crash into anything." Nick cringed as Acheron turned towards him with an arched brow. "Hey now," Nick said, holding his hands up in defence of himself, "it was not my fault.I was minding my own business when the trash can went suicidal, came out of nowhere, and jumped in front of the car." "It was on the curb, Nick," Ash said drily. "Along with a number of screaming pedestrians, running for their lives." "That's your story. I'm sticking to mine... And there ought to be a law about homicidal trash cans, and fines for people who put them on the street. They're really dangerous.... Just saying.
Sherrilyn Kenyon (Inferno (Chronicles of Nick, #4))
Enjoy the ride because sometimes that's all you have. Sometimes, on the other side there's nothing but a trash can a whole bunch of people there to watch you throw up in it.
C.M. Stunich (Losing Me, Finding You (Triple M, #1))
Never forget the blood sweat and tears The uphill struggle over years the fear and, trash talking and the people it was to, and the people that started it just like you
Linkin Park
Enough of your prattle," the old man said. "I cannot abide people who conjure up a raft of excuses, disparaging the efforts of those who have gone out of their way to help them. Such people are common trash.
Haruki Murakami (The Strange Library)
Before I published any of my own stories, I read a great many stories by people as passionate about writing as I was, and I learned something from everyone I read -- something most important what I should not try to write.
Dorothy Allison (Trash)
And the simple people are trash. A herd of sheep that are good for shearing, but sometimes it's more profitable to slaughter them.
Sergei Lukyanenko (Day Watch (Watch, #2))
The Frays had never been a religiously observant family, but Clary loved Fifth Avenue at Christmas time. The air smelled like sweet roasted chestnuts, and the window displays sparkled with silver and blue, green and red. This year there were fat round crystal snowflakes attached to each lamppost, sending back the winter sunlight in shafts of gold. Not to mention the huge tree at Rockefeller Center. It threw its shadow across them as she and Simon draped themselves over the gate at the side of the skating rink, watching tourists fall down as they tried to navigate the ice. Clary had a hot chocolate wrapped in her hands, the warmth spreading through her body. She felt almost normal—this, coming to Fifth to see the window displays and the tree, had been a winter tradition for her and Simon for as long as she could remember. “Feels like old times, doesn’t it?” he said, echoing her thoughts as he propped his chin on his folded arms. She chanced a sideways look at him. He was wearing a black topcoat and scarf that emphasized the winter pallor of his skin. His eyes were shadowed, indicating that he hadn’t fed on blood recently. He looked like what he was—a hungry, tired vampire. Well, she thought. Almost like old times. “More people to buy presents for,” she said. “Plus, the always traumatic what-to-buy-someone-for-the-first-Christmas-after-you’ve-started-dating question.” “What to get the Shadowhunter who has everything,” Simon said with a grin. “Jace mostly likes weapons,” Clary sighed. “He likes books, but they have a huge library at the Institute. He likes classical music …” She brightened. Simon was a musician; even though his band was terrible, and was always changing their name—currently they were Lethal Soufflé—he did have training. “What would you give someone who likes to play the piano?” “A piano.” “Simon.” “A really huge metronome that could also double as a weapon?” Clary sighed, exasperated. “Sheet music. Rachmaninoff is tough stuff, but he likes a challenge.” “Now you’re talking. I’m going to see if there’s a music store around here.” Clary, done with her hot chocolate, tossed the cup into a nearby trash can and pulled her phone out. “What about you? What are you giving Isabelle?” “I have absolutely no idea,” Simon said. They had started heading toward the avenue, where a steady stream of pedestrians gawking at the windows clogged the streets. “Oh, come on. Isabelle’s easy.” “That’s my girlfriend you’re talking about.” Simon’s brows drew together. “I think. I’m not sure. We haven’t discussed it. The relationship, I mean.” “You really have to DTR, Simon.” “What?” “Define the relationship. What it is, where it’s going. Are you boyfriend and girlfriend, just having fun, ‘it’s complicated,’ or what? When’s she going to tell her parents? Are you allowed to see other people?” Simon blanched. “What? Seriously?” “Seriously. In the meantime—perfume!” Clary grabbed Simon by the back of his coat and hauled him into a cosmetics store that had once been a bank. It was massive on the inside, with rows of gleaming bottles everywhere. “And something unusual,” she said, heading for the fragrance area. “Isabelle isn’t going to want to smell like everyone else. She’s going to want to smell like figs, or vetiver, or—” “Figs? Figs have a smell?” Simon looked horrified; Clary was about to laugh at him when her phone buzzed. It was her mother. where are you? It’s an emergency.
Cassandra Clare (City of Heavenly Fire (The Mortal Instruments, #6))
I learned perhaps more than any university could ever teach me. I learned that the world revolves around money. There are values and virtues and morals; there are relationships and trust and love---and all of that is important. Money, however, is more important and it is dripping all the time, like precious water. Some drink deep; others thirst. Without money, you shrivel and die. The absence of money is drought in which nothing can grow. Nobody knows the value of water until they've lived in a dry, dry place---like Behala. So many people, waiting for the rain.
Andy Mulligan (Trash)
The theatrical performance of politicians who profess to speak for an "American People" do nothing to highlight the history of poverty.
Nancy Isenberg (White Trash: The 400-Year Untold History of Class in America)
All of her adult life people have asked Rena why she goes to such dangerous places, and she has always wanted to ask them where the safe place is. The danger is in chemicals and airports and refugee camps and war zones and regions known for sex tourism. The danger also sometimes took their trash out for them. The danger came over for movie night and bought them a popcorn maker for Christmas. The danger hugged her mother and shook her father’s hand.
Danielle Evans (The Office of Historical Corrections)
Uncommon anxiety came to us in common hours when other people were doing mundane things like taking out the trash or checking their phones. But there was nothing to be done for this. We couldn’t change who we were or what had happened.
Laura Anderson Kurk (Glass Girl (Glass Girl, #1))
Wait until a year from now where you say, “Holy fuck, I can’t believe I was going to kill myself before I etcetera’d… before I went skinny dipping in Tennessee, made my own IPA, tried out for a game show, rode a camel drunk, learned to waltz with clumsy old people, photographed electric jellyfish, built a sailboat from trash, taught someone how to read, ect. Ect. Etc.” The red washing down the bathtub can’t change the color of the sea at all.
Derrick Brown
I also believe my home state is cursed by ignorance and poverty and racism, much of it deliberately inculcated to control a vulnerable electorate. And I believe many of the politicians in Louisiana are among the most stomach-churning examples of white trash and venality I have ever known. To me, the fact that large numbers of people find them humorously picaresque is mind numbing, on a level with telling fond tales of one's rapist.
James Lee Burke (Creole Belle (Dave Robicheaux, #19))
You see, the only thing the good people are good at is overthrowing the bad people. And you're good at that, I'll grant you. But the trouble is it's the only thing you're good at. One day it's the ringing of the bells and the casting down of the evil tyrant, and the next it's everyone sitting around complaining that ever since the tyrant was overthrown no one's been taking out the trash. Because the bad people know how to plan. It's part of the specification, you might say. Every evil tyrant has a plan to rule the world. The good people don't seem to have the knack.
Terry Pratchett (Guards! Guards! (Discworld, #8; City Watch, #1))
Many aspects of our screen-bound lives are bad for our social skills simply because we get accustomed to controlling the information that comes in, managing our relationships electronically, deleting stuff that doesn't interest us. We edit the world; we select from menus; we pick and choose; our social 'group' focuses on us and disintegrates without us. This makes it rather confusing for us when we step outdoors and discover that other people's behaviour can't be deleted with a simple one-stroke command or dragged to the trash icon.
Lynne Truss (Talk to the Hand: The Utter Bloody Rudeness of the World Today, or Six Good Reasons to Stay Home and Bolt the Door)
I was a good dog. I had fulfilled my purpose. Lessons I had learned from being feral had taught me how to escape and how to hide from people when it was necessary, scavenging for food from trash containers. Being with Ethan had taught me love and had taught me my most important purpose, which was taking care of my boy. Jakob and Maya had taught me Find, Show, and, most important of all, how to save people, and it was all of these things, everything I had learned as a dog, that had led me to find Ethan and Hannah and to bring them both together.
W. Bruce Cameron (A Dog's Purpose (A Dog's Purpose, #1))
The connection between us is tangible. A magnet pulling two people together from opposite sides of town. White trash Romeo and Juliet.
T.M. Frazier (Perversion (Perversion Trilogy, #1))
Besides which, he was a man who did not let his decisions be made for him by other people, not by a crowd thrown into panic, and certainly not by some anonymous piece of criminal trash.
Patrick Süskind (Perfume: The Story of a Murderer)
THE PUZZLE IS WHY SO MANY PEOPLE LIVE so badly. Not so wickedly, but so inanely. Not so cruelly, but so stupidly. There is little to admire and less to imitate in the people who are prominent in our culture. We have celebrities but not saints. Famous entertainers amuse a nation of bored insomniacs. Infamous criminals act out the aggressions of timid conformists. Petulant and spoiled athletes play games vicariously for lazy and apathetic spectators. People, aimless and bored, amuse themselves with trivia and trash. Neither the adventure of goodness nor the pursuit of righteousness gets headlines.
Eugene H. Peterson (Run with the Horses: The Quest for Life at Its Best)
The anger that had flooded her veins was so pure, she thought it must have turned her blood to acid. You could read a hundred books about the attitudes and beliefs of the past, but the impact of witnessing this casual, ignorant cruelty firsthand was like having a bucket of ice upended over your head. It forced Etta to see that the centuries padding this time and hers, along with simple privilege, had protected her from the true ugliness of it. People believed this trash, and they were spreading it around like it was nothing. Like they weren’t even talking about humans.
Alexandra Bracken (Passenger (Passenger, #1))
Until you've seen this trash can dream come true. You stand at the edge while people run you through. And I thank the Lord there's people out there like you. I thank the Lord there's people out there like you.
Bernie Taupin
When you can’t provide for them anymore, their true character comes out. They treat you like pure shit. To make matters worse, they talk trash behind your back, as if what you’ve done for them was useless. That’s how some people are—they will use you up and break you down until you have nothing left to give them or yourself. People who do not have anything to lose will make sure you lose everything you’ve work so hard for.
Charlena E. Jackson (A Woman's Love Is Never Good Enough)
It’s also not normal to trash an ex and then hang out with them on a daily basis.
Jackson MacKenzie (Psychopath Free: Recovering from Emotionally Abusive Relationships With Narcissists, Sociopaths, and Other Toxic People)
Of all the sciences cultivated by mankind, Astronomy is acknowledged to be, and undoubtedly is, the most sublime, the most interesting, and the most useful. For, by knowledge derived from this science, not only the bulk of the Earth is discovered . . . ; but our very faculties are enlarged with the grandeur of the ideas it conveys, our minds exalted above [their] low contracted prejudices." JAMES FERGUSON, 1757† Long before anyone knew that the universe had a beginning, before we knew that the nearest large galaxy lies two million light-years from Earth, before we knew how stars work or whether atoms exist, James Ferguson’s enthusiastic introduction to his favorite science rang true. Yet his words, apart from their eighteenth-century flourish, could have been written yesterday. But who gets to think that way? Who gets to celebrate this cosmic view of life? Not the migrant farmworker. Not the sweatshop worker. Certainly not the homeless person rummaging through the trash for food. You need the luxury of time not spent on mere survival. You need to live in a nation whose government values the search to understand humanity’s place in the universe. You need a society in which intellectual pursuit can take you to the frontiers of discovery, and in which news of your discoveries can be routinely disseminated.
Neil deGrasse Tyson (Astrophysics for People in a Hurry)
Having a trash chute was one of my favorite things about my building. It made me feel important, like I was participating in the world. My trash mixed with the trash of others. The things I touched touched things other people had touched. I was contributing. I was connecting.
Ottessa Moshfegh
Oh shut up—you know damn good and well there can be a hundred people in the room, 99 of them rushing up to say they love your dress, but until that one, the one you wore it for, says something, you might as well be wearing a trash bag.
S.E. Hall (Pretty Instinct (Finally Found, #1))
A Manhattan lawyer who describes himself as "America`s leading expert on the militia movement" writes that he hugged his three-year-old kid the night of the Oklahoma City bombing. He told junior that it happened "because they hated too much" For now, let`s accept the premise that one hundred sixty-eight humans died in Oklahoma City because people "hated too much" Now answer these questions if you would be so kind: did a federal sniper shoot Vicki Weaver in the face because he hated too much? Did our government conduct the Tuskegee with syphilis on black soldiers because it hated too much?
Jim Goad (The Redneck Manifesto: How Hillbillies, Hicks, and White Trash Became America's Scapegoats)
I did not imagine anyone reading my rambling, ranting stories. I was writing for myself, trying to shape my life outside my terrors and helplessness, to make it visible and real in a tangible way, in the way other people's seemed real -- the lives I had read about in books.
Dorothy Allison (Trash)
Once, coming back on his plane with a billionaire friend who had brought along a foreign model, Trump, trying to move in on his friend’s date, urged a stop in Atlantic City. He would provide a tour of his casino. His friend assured the model that there was nothing to recommend Atlantic City. It was a place overrun by white trash. “What is this ‘white trash’?” asked the model. “They’re people just like me,” said Trump, “only they’re poor.
Michael Wolff (Fire and Fury: Inside the Trump White House)
Many people----women especially----remain trapped in the poverty into which they were born. The successful person from this background is the exception. The American dream is a double-edged sword in that those who are able to carve out their own destiny are also hard-pressed not to condemn those who get struck between the cracks.
Nancy Isenberg (White Trash: The 400-Year Untold History of Class in America)
First known as “waste people,” and later “white trash,” marginalized Americans were stigmatized for their inability to be productive, to own property, or to produce healthy and upwardly mobile children—the sense of uplift on which the American dream is predicated. The American solution to poverty and social backwardness was not what we might expect. Well into the twentieth century, expulsion and even sterilization sounded rational to those who wished to reduce the burden of “loser” people on the larger economy. In
Nancy Isenberg (White Trash: The 400-Year Untold History of Class in America)
People aren't less just because they don't live the way you do." "I didn't say that," Robert said. "You think it," Adam said. "You think we're all trash because we don't have nice cars and ugly houses. Life isn't just about money.
David R. Slayton (White Trash Warlock (Adam Binder, #1))
DON’T GOSSIP. One time I trashed an entrepreneur I had invested in to another investor. Later that day I was supposed to have dinner with the first entrepreneur. By that time, just four hours later, he had heard I trashed him. He never trusted me again. People always hear. And if they don’t hear, they feel, because word gets around. And you can’t predict this. And it’s another way of living a double life.
James Altucher (Choose Yourself)
What kind of dog do you want?” “I don’t know, Ari. One that comes from the shelter. You know, one of those dogs that someone’s thrown away.” “Yeah,” I said. “But how will you know which one to pick? There’s a lot of dogs at the shelter. And they all want to be saved.” “It’s because people are so mean. They throw dogs away like they’re trash. I hate that.
Benjamin Alire Sáenz (Aristotle and Dante Discover the Secrets of the Universe (Aristotle and Dante, #1))
But who gets to think that way? Who gets to celebrate this cosmic view of life? Not the migrant farm worker. Not the sweatshop workers. Certainly not the homeless person rummaging through the trash for food. You need the luxury of time not spent on mere survival. You need to live in a nation whose government values the search to understand humanity's place in the universe. You need a society in which intellectual pursuit can take you to the frontiers of discovery, and in which news of your discoveries can be routinely disseminated.
Neil deGrasse Tyson (Astrophysics for People in a Hurry)
And that old “If you need anything, let me know,” is also a total crock. You hear people say it all the time, but then you never see anyone actually call up the person who said it and say, “Hey, remember when you said to let you know if I needed anything? Well, I’m feeling really overwhelmed. Could you please come clean my kitchen, because if I could have a clean kitchen, I’d feel like I had a bit of a head start.” You’ll never hear someone say that, because then the person asking the other person to clean their kitchen is seen as a helpless, incompetent dick. What would be so much better would be for the person who spouted the useless “if you need anything just ask” platitude to fucking go over to the person’s house and clean their goddamn kitchen without being asked. Go over and say, “Hey, you go take care of your kid or your work, or go take a fucking nap. And when you get done, you’ll have a clean kitchen. And, no, you don’t owe me a goddamn thing. Someday the shoe will be on the other foot, okay?
Diana Rowland (My Life as a White Trash Zombie (White Trash Zombie, #1))
So this book is a sidewalk strewn with junk, trash which I throw over my shoulders as I travel in time back to November eleventh, nineteen hundred and twenty-two. I will come to a time in my backwards trip when November eleventh, accidentally my birthday, was a sacred day called Armistice Day. When I was a boy, and when Dwayne Hoover was a boy, all the people of all the nations which had fought in the First World War were silent during the eleventh minute of the eleventh hour of Armistice Day, which was the eleventh day of the eleventh month. It was during that minute in nineteen hundred and eighteen, that millions upon millions of human beings stopped butchering one another. I have talked to old men who were on battlefields during that minute. They have told me in one way or another that the sudden silence was the Voice of God. So we still have among us some men who can remember when God spoke clearly to mankind.
Kurt Vonnegut Jr. (Breakfast of Champions)
STEVE CARELL IS NICE BUT IT IS SCARY It has been said many times, but it is true: Steve Carell is a very nice guy. His niceness manifests itself mostly in the fact that he never complains. You could screw up a handful of takes outside in 104-degree smog-choked Panorama City heat, and Steve Carell’s final words before collapsing of heat stroke would be a friendly and hopeful “Hey, you think you have that shot yet?” I’ve always found Steve gentlemanly and private, like a Jane Austen character. The one notable thing about Steve’s niceness is that he is also very smart, and that kind of niceness has always made me nervous. When smart people are nice, it’s always terrifying, because I know they’re taking in everything and thinking all kinds of smart and potentially judgmental things. Steve could never be as funny as he is, or as darkly observational an actor, without having an extremely acute sense of human flaws. As a result, I’m always trying to impress him, in the hope that he’ll go home and tell his wife, Nancy, “Mindy was so funny and cool on set today. She just gets it.” Getting Steve to talk shit was one of the most difficult seven-year challenges, but I was determined to do it. A circle of actors could be in a fun, excoriating conversation about, say, Dominique Strauss-Kahn, and you’d shoot Steve an encouraging look that said, “Hey, come over here; we’ve made a space for you! We’re trashing Dominique Strauss-Kahn to build cast rapport!” and the best he might offer is “Wow. If all they say about him is true, that is nuts,” and then politely excuse himself to go to his trailer. That’s it. That’s all you’d get. Can you believe that? He just would not engage. That is some willpower there. I, on the other hand, hear someone briefly mentioning Rainn, and I’ll immediately launch into “Oh my god, Rainn’s so horrible.” But Carell is just one of those infuriating, classy Jane Austen guys. Later I would privately theorize that he never involved himself in gossip because—and I am 99 percent sure of this—he is secretly Perez Hilton.
Mindy Kaling (Is Everyone Hanging Out Without Me? (And Other Concerns))
Is this how normal people feel all the time? Tabitha wondered, struggling to not feel overwhelmed before she even made it to her first class. Like they’re the protagonists of their story? Was I not even the main character of my own fucking story, last lifetime?
FortySixtyfour (RE: Trailer Trash: A Do-Over Story)
All of our time, energy, and money go into keeping people away from us, into building up walls. What if we didn't do that? What if we became part of the world around us? What if we used all of that time, energy, and money for something else? For a greater good? We would no longer be people who were only worth a trash bag full of ransom money. We would be people who were worth something real.
Edward Bloor (Taken)
Jess actually dreaded having a boyfriend, because of having to tell her mum. Perhaps she would just avoid it until her mum eighty or something and in an old-people's home, and then Jess, who would by then be about fifty, would drop by and casually remark, "Oh, by the way, Mum, I've got a boyfriend." And even then her mum would probebly hurtle out of her wheelchair and smack her hard across the face, crying "You trash! You whore! Get outta my house--I mean, my room!" It was hard sometimes, being the daughter of a radical feminist who hated men.
Sue Limb (Girl 15, Charming But Insane)
Air traffic control is going to have a steamy old fit on your dime, boy. They can get in line behind the police, the people whose cars we trashed, the Empire of Ob'enn, the Partnership Collective, and the Wormgate Corporation. Oh, and I think maybe some dark matter beasties from Andromeda. You "think maybe"? -General Tagon & Captain Andreyasn
Howard Tayler (Resident Mad Scientist (Schlock Mercenary, #6))
Quality ... you know what it is, yet you don't know what it is. But that's self-contradictory. But some things are better than others, that is, they have more quality. But when you try to say what the quality is, apart from the things that have it, it all goes poof! There's nothing to talk about. But if you can't say what Quality is, how do you know what it is, or how do you know that it even exists? If no one knows what it is, then for all practical purposes it doesn't exist at all. But for all practical purposes it really does exist. What else are the grades based on? Why else would people pay fortunes for some things and throw others in the trash pile? Obviously some things are better than others ... but what's the betterness? ... So round and round you go, spinning mental wheels and nowhere finding anyplace to get traction. What the hell is Quality? What is it?
Robert M. Pirsig (Zen and the Art of Motorcycle Maintenance: An Inquiry Into Values (Phaedrus, #1))
...Barack had told me, he'd contended most often with a deep weariness in people--especially black people---a cynicism bred from a thousand small disappointments over time. I understood it. I'd seen it in my own neighborhood, in my own family. A bitterness, a lapse in faith. It lived in both of my grandfathers, spawned by every goal they'd abandoned and every compromise they'd had to make. It was inside the harried second-grade teacher who'd basically given up trying to teach us at Bryn Mawr. It was inside the neighbor who'd stopped mowing her lawn or keeping track of where her kids went after school. It lived in every piece of trash tossed carelessly in the grass at our local park and every ounce of malt liquor drained before dark. It lived in every last thing we deemed unfixable, including ourselves.
Michelle Obama (Becoming)
I took the garbage out into the hallway and threw it down the trash chute. Having a trash chute was one of my favorite things about my building. It made me feel important, like I was participating in the world. My trash mixed with the trash of others. The things I touched touched things other people had touched. I was contributing. I was connecting.
Ottessa Moshfegh (My Year of Rest and Relaxation)
Capitalism seems to have failed and is now stigmatized as greed. A reaction against individual excess is driving the world back to collective values. Fear of terror overrides rights; fear of slumps subverts free markets. Consumption levels and urbanization are simply unsustainable at recent rates in the face of environmental change. The throwaway society is headed for the trash heap. People who sense that “modernity” is ending proclaim a “postmodern age.
Felipe Fernández-Armesto (1492: The Year the World Began)
My mother was pulling my leg on that one. I have collected so much gift-wrapped trash over the years from people who copped out and hurriedly bought a little plastic cheapie to give under the protective flag of good thoughts. I tell you, it is the gift that counts. Or rather, people who think good thoughts give good gifts. It ought to be a rule—the Brass Rule of Gift Exchange.
Robert Fulghum (All I Really Need to Know I Learned in Kindergarten)
Pudge/Colonel: "I am sorry that I have not talked to you before. I am not staying for graduation. I leave for Japan tomorrow morning. For a long time, I was mad at you. The way you cut me out of everything hurt me, and so I kept what I knew to myself. But then even after I wasn't mad anymore, I still didn't say anything, and I don't even really know why. Pudge had that kiss, I guess. And I had this secret. You've mostly figured this out, but the truth is that I saw her that night, I'd stayed up late with Lara and some people, and then I was falling asleep and I heard her crying outside my back window. It was like 3:15 that morning, maybe, amd I walked out there and saw her walking through the soccer field. I tried to talk to her, but she was in a hurry. She told me that her mother was dead eight years that day, and that she always put flowers on her mother's grave on the anniversary but she forgot that year. She was out there looking for flowers, but it was too early-too wintry. That's how I knew about January 10. I still have no idea whether it was suicide. She was so sad, and I didn't know what to say or do. I think she counted on me to be the one person who would always say and do the right things to help her, but I couldn"t. I just thought she was looking for flowers. I didn't know she was going to go. She was drunk just trashed drunk, and I really didn't think she would drive or anything. I thought she would just cry herself to sleep and then drive to visit her mom the next day or something. She walked away, and then I heard a car start. I don't know what I was thinking. So I let her go too. And I'm sorry. I know you loved her. It was hard not to." Takumi
John Green (Looking for Alaska)
Our Constitution is not good. It is a document designed to create a society of enduring white male dominance, hastily edited in the margins to allow for what basic political rights white men could be convinced to share. The Constitution is an imperfect work that urgently and consistently needs to be modified and reimagined to make good on its unrealized promises of justice and equality for all. And yet you rarely see liberals make the point that the Constitution is actually trash. Conservatives are out here acting like the Constitution was etched by divine flame upon stone tablets, when in reality it was scrawled out over a sweaty summer by people making deals with actual monsters who were trying to protect their rights to rape the humans they held in bondage.
Elie Mystal (Allow Me to Retort: A Black Guy’s Guide to the Constitution)
(The essence of the irony of the plight of the Negro in America, to me, is that he is doomed to live in isolation while those who condemn him seek the basest goals of any people on the face of the earth. Perhaps it would be possible for the Negro to become reconciled to his plight if he could be made to believe that his sufferings were for some remote, high, sacrificial end; but sharing the culture that condemns him, and seeing that a lust for trash is what blinds the nation to his claims, is what sets storms to rolling in his soul.)
Richard Wright
You were right the first time, Cathy. It was a stupid, silly story. Ridiculous! Only insane people would die for the sake of love. I'll bet you a hundred to one a woman wrote that junky romantic trash!" Just a minute ago I'd despised that author for bringing about such a miserable ending, then there I went, rushing to the defense. "T. M. Ellis could very well have been a man! Though I doubt any woman writer in the nineteenth century had much chance of being published, unless she used her initials, or a man's name. And why is it all men think everything a woman writes is trivial or trashy-or just plain silly drivel? Don't men have romantic notions? Don't men dream of finding the perfect love? And it seems to me, that Raymond was far more mushy-minded than Lily!
V.C. Andrews (Flowers in the Attic (Dollanganger, #1))
Once I was asked be a seatmate on a trans-Pacific flight....what instruction he should give his fifteen-year-old daughters, who wanted to be a writer. [I said], "Tell your daughter three things." Tell her to read...Tell her to read whatever interests her, and protect her if someone declares what she's reading to be trash. No one can fathom what happens between a human being and written language. She may be paying attention to things in the words beyond anyone else's comprehension, things that feed her curiosity, her singular heart and mind. ...Second, I said, tell your daughter that she can learn a great deal about writing by reading and by studying books about grammar and the organization of ideas, but that if she wishes to write well she will have to become someone. She will have to discover her beliefs, and then speak to us from within those beliefs. If her prose doesn't come out of her belief, whatever that proves to be, she will only be passing along information, of which we are in no great need. So help her discover what she means. Finally, I said, tell your daughter to get out of town, and help her do that. I don't necessarily mean to travel to Kazakhstan, or wherever, but to learn another language, to live with people other than her own, to separate herself from the familiar. Then, when she returns, she will be better able to understand why she loves the familiar, and will give us a fresh sense of how fortunate we are to share these things. Read. Find out what you truly believe. Get away from the familiar. Every writer, I told him, will offer you thoughts about writing that are different, but these are three I trust. -- from "A Voice
Barry Lopez (About This Life: Journeys on the Threshold of Memory)
Dr Jaffery said that very few people in Delhi now wanted to study classical Persian, the language which, like French in Imperial Russia, had for centuries been the first tongue of every educated Delhi-wallah. 'No one has any interest in the classics today,' he said. 'If they read at all, they read trash from America. They have no idea what they are missing. The jackal thinks he has feasted on the buffalo when in fact he has just eaten the eyes, entrails and testicles rejected by the lion.
William Dalrymple (City of Djinns: A Year in Delhi)
Next day, as the Ferris wheel was being taken apart and the race horses were being loaded into vans and the entertainers were packing up their belongings and driving away in their trailers, Charlotte died. The Fair Grounds were soon deserted. The sheds and buildings were empty and forlorn. The infield was littered with bottles and trash. Nobody, of the hundreds of people that had visited the Fair, knew that a grey spider had played the most important part of all. No one was with her when she died.
E.B. White
Books do not per­ish like hu­mankind. Of course we com­mon­ly see them bro­ken in the hab­er­dash­er's shop when on­ly a few months be­fore they lay bound on the sta­tion­er's stall; these are not true works, but mere trash and new­fan­gle­ness for the vul­gar. There are thou­sands of such gew­gaws and toys which peo­ple have in their cham­bers, or which they keep up­on their shelves, be­liev­ing that they are pre­cious things, when they are the mere pass­ing fol­lies of the pass­ing time and of no more val­ue than pa­pers gath­ered up from some dunghill or raked by chance out of the ken­nel. True books are filled with the pow­er of the un­der­stand­ing which is the in­her­itance of the ages: you may take up a book in time, but you read it in eter­ni­ty.
Peter Ackroyd (The House of Doctor Dee)
To most of society being crazy is like a virus. If we're out and about in public people think they can catch the craziness from us or something. It's much easier for them to separate us and forget we ever existed. Almost like being quarantined. I used to see a psychiatrist before I was brought here. I remember the way my mother's friends used to gossip about it. They wouldn't let me play with their children. It's kind of like women who are divorced nowadays. Other women don't talk to them. They're usually shunned.” A dull ache throbs in my side and I clench my fists. “It’s like we're tossed out trash.” Aurora smiles. “That's a great analogy, Adelaide.
Lauren Hammond (White Walls (Asylum, #2))
Well than try giving it some thought, why don’t you? Apply that finely tutored mind of yours to all those bullshit hero-with-a-high-destiny legends you people are so fucking fond of telling one another. You really think, in a mudball slaughterhouse of a world like this, where war and privation harden whole populations to inhuman brutality and ignorance, where the ruling classes dedicate their sons to learning the science of killing men the way they consign their daughters to breeding till they crack--you really think the gods of a world like that have got no better thing to do with their time than take some random piece of lowborn trash and spend long years carving him into shape for a cat’s-paw?
Richard K. Morgan (The Cold Commands (A Land Fit for Heroes, #2))
Well-being of body is like a mountain. A lot happens on a mountain. It hails, and the winds come up, and it rains and snows. The sun gets very hot, clouds cross over, animals shit and piss on the mountain, and so do people. People leave their trash, and other people clean it up. Many things come and go on this mountain, but it just sits there. When we’ve seen ourselves completely, there’s a stillness of body that is like a mountain. We no longer get jumpy and have to scratch our noses, pull our ears, punch somebody, go running from the room, or drink ourselves into oblivion.
Pema Chödrön (When Things Fall Apart: Heart Advice for Difficult Times (Shambhala Classics))
And two types of people,” he goes on, completely unfazed. “There’s the one that will walk past that offending piece of lint or paper on the floor every single day and tell themselves they’ll get to it. And those that will pick it up the minute they spot it. They’ll figure out where it came from, trash it, and forget it was ever there. But, for the ones that walk by it every day, it will become a problem. It will start to fester. Another something they’ll have to get to. Another pea on their plate. They’ll start to look for it, its presence a nuisance, and tell themselves they’ll get to it tomorrow. Until one day, it’s more of a crisis of conscience than a pea.” “Let me guess. You don’t have any peas on your plate.” One side of his mouth lifts in contempt before he speaks through thick lips. “I fucking hate peas.” “It’s a piece of lint.” “Only to the person who picked it up.
Kate Stewart (Exodus (The Ravenhood Duet, #2))
Intellectual property, more than ever, is a line drawn around information, which asserts that despite having been set loose in the world - and having, inevitably, been created out of an individual's relationship with the world - that information retains some connection with its author that allows that person some control over how it is replicated and used. In other words, the claim that lies beneath the notion of intellectual property is similar or identical to the one that underpins notions of privacy. It seems to me that the two are inseparable, because they are fundamentally aspects of the same issue, the need we have to be able to do something by convention that is impossible by force: the need to ringfence certain information. I believe that the most important unexamined notion - for policymakers and agitators both - in these debates is that they are one: you can't persuade people on the one hand to abandon intellectual property (a decision which, incidentally, would mean an even more massive upheaval in the way the world runs than we've seen so far since 1990) and hope to keep them interested in privacy. You can't trash privacy and hope to retain a sense of respect for IP.
Nick Harkaway (The Blind Giant)
Once I was asked by a seatmate on a trans-Pacific flight, a man who took the liberty of glancing repeatedly at the correspondence in my lap, what instruction he should give his fifteen-year-old daughter, who wanted to be a writer. I didn't know how to answer him, but before I could think I heard myself saying, 'Tell your daughter three things.' "Tell her to read, I said. Tell her to read whatever interests her, and protect her if someone declares what she's reading to be trash. No one can fathom what happens between a human being and written language. She may be paying attention to things in the world beyond anyone else's comprehension, things that feed her curiosity, her singular heart and mind. Tell her to read classics like The Odyssey. They've been around a long time because the patterns in them have proved endlessly useful, and, to borrow Evan Connell's observation, with a good book you never touch bottom. But warn your daughter that ideas of heroism, of love, of human duty and devotion that women have been writing about for centuries will not be available to her in this form. To find these voices she will have to search. When, on her own, she begins to ask, make her a present of George Eliot, or the travel writing of Alexandra David-Neel, or To the Lighthouse. "Second, I said, tell your daughter that she can learn a great deal about writing by reading and by studying books about grammar and the organization of ideas, but that if she wishes to write well she will have to become someone. She will have to discover her beliefs, and then speak to us from within those beliefs. If her prose doesn't come out of her belief, whatever that proves to be, she will only be passing on information, of which we are in no great need. So help her discover what she means. "Finally, I said, tell your daughter to get out of town, and help her do that. I don't necessarily mean to travel to Kazakhstan, or wherever, but to learn another language, to live with people other than her own, to separate herself from the familiar. Then, when she returns, she will be better able to understand why she loves the familiar, and will give us a fresh sense of how fortunate we are to share these things. "Read. Find out what you truly are. Get away from the familiar. Every writer, I told him, will offer you thoughts about writing that are different, but these three I trust.
Barry Lopez (About This Life: Journeys on the Threshold of Memory)
She raised her hands from the side of the pen in a gesture hieratic and profound. A visionary light settled in her eyes. She saw the streak as a vast swinging bridge extending upward from the earth through a field of living fire. Upon it a vast horde of souls were rumbling toward heaven. There were whole companies of white-trash, clean for the first time in their lives, and bands of black niggers in white robes, and battalions of freaks and lunatics shouting and clapping and leaping like frogs. And bringing up the end of the procession was a tribe of people whom she recognized at once as those who, like herself and Claud, had always had a little of everything and the God-given wit to use it right. She leaned forward to observe them closer. They were marching behind the others with great dignity, accountable as they had always been for good order and common sense and respectable behavior. They alone were on key. Yet she could see by their shocked and altered faces that even their virtues were being burned away. She lowered her hands and gripped the rail of the hog pen, her eyes small but fixed unblinkingly on what lay ahead. In a moment the vision faded but she remained where she was, immobile.
Flannery O'Connor (The Complete Stories)
And there they stayed, a sole phenomenon in the Republic of Brooklyn, where cats hollered like people, dogs ate their own feces, aunties chain-smoked and died at age 102, a kid named Spike Lee saw God, the ghosts of the departed Dodgers soaked up all possibility of new hope, and penniless desperation ruled the lives of the suckers too black or too poor to leave, while in Manhattan the buses ran on time, the lights never went out, the death of a single white child in a traffic accident was a page one story, while phony versions of black and Latino life ruled the Broadway roost, making white writers rich—West Side Story, Porgy & Bess, Purlie Victorious—and on it went, the whole business of the white man’s reality lumping together like a giant, lopsided snowball, the Great American Myth, the Big Apple, the Big Kahuna, the City That Never Sleeps, while the blacks and Latinos who cleaned the apartments and dragged out the trash and made the music and filled the jails with sorrow slept the sleep of the invisible and functioned as local color.
James McBride (Deacon King Kong)
Why will you take by force what you may have quietly by love? Why will you destroy us who supply you with food? What can you get by war? We can hide our provisions and run into the woods; then you will starve for wronging your friends. Why are you jealous of us? We are unarmed, and willing to give you what you ask, if you come in a friendly manner, and not so simple as not to know that it is much better to eat good meat, sleep comfortably, live quietly with my wives and children, laugh and be merry with the English, and trade for their copper and hatchets, than to run away from them, and to lie cold in the woods, feed on acorns, roots and such trash, and be so hunted that I can neither eat nor sleep. In these wars, my men must sit up watching, and if a twig break, they all cry out “Here comes Captain Smith!” So I must end my miserable life. Take away your guns and swords, the cause of all our jealousy, or you may all die in the same manner.
Howard Zinn (A People's History of the United States: 1492 to Present)
Or should I have said that I wanted to die, not in the sense of wanting to throw myself off of that train bridge over there, but more like wanting to be asleep forever because there isn’t any making up for killing women or even watching women get killed, or for that matter killing men and shooting them in the back and shooting them more times than necessary to actually kill them and it was like just trying to kill everything you saw sometimes because it felt like there was acid seeping down into your soul and then your soul is gone and knowing from being taught your whole life that there is no making up for what you are doing, you’re taught that your whole life, but then even your mother is so happy and proud because you lined up your sign posts and made people crumple and they were not getting up ever and yeah they might have been trying to kill you too, so you say, What are you goona do?, but really it doesn’t matter because by the end you failed at the one good thing you could have done, and the one person you promised would live is dead, and you have seen all things die in more manners than you’d like to recall and for a while the whole thing fucking ravaged your spirit like some deep-down shit, man, that you didn’t even realize you had until only the animals made you sad, the husks of dogs filled with explosives and old arty shells and the fucking guts of everything stinking like metal and burning garbage and you walk around and the smell is deep down into you now and you say, How can metal be so on fire? and Where is all this fucking trash coming from? and even back home you’re getting whiffs of it and then that thing you started to notice slipping away is gone and now it’s becoming inverted, like you have bottomed out in your spirit but yet a deeper hole is being dug because everybody is so fucking happy to see you, the murderer, the fucking accomplice, that at-bare-minimum bearer of some fucking responsibility, and everyone wants to slap you on the back and you start to want to burn the whole goddamn country down, you want to burn every yellow ribbon in sight, and you can’t explain it but it’s just, like, Fuck you, but then you signed up to go so it’s your fault, really, because you went on purpose, so you are in the end doubly fucked, so why not just find a spot and curl up and die and let’s make it as painless as possible because you are a coward and, really, cowardice got you into this mess because you wanted to be a man and people made fun of you and pushed you around in the cafeteria and the hallways in high school because you liked to read books and poems sometimes and they’d call you a fag and really deep down you know you went because you wanted to be a man and that’s never gonna happen now and you’re too much of a coward to be a man and get it over with so why not find a clean, dry place and wait it out with it hurting as little as possible and just wait to go to sleep and not wake up and fuck ‘em all.
Kevin Powers (The Yellow Birds)
Wade sighed. “I’ll never understand why women wear bras to start with. They look uncomfortable as hell.” “They’re not that bad.” “Turn around so I can fasten the damn thing for you.” She refused to let go. Suddenly it seemed important to do this one small task alone. “I can do it, Wade. I need to get used to doing things with this cast.” He crossed his arms over his chest as he watched her struggle. “Is it so hard to ask for help from me, Gracie?” She tried the two small hooks once more, but failed to get them both attached. “No, it’s just that I’m not used to people offering, I guess.” He moved around her and helped fasten the contrary hook. When she turned to tell him thanks, he placed his finger over her lips and murmured, “If you thank me, I’ll spank you. Knowing I haven’t been able to catch your stalker, that he broke into your home and trashed your things and I wasn’t able to stop him makes me feel as fucking useless as tits on a bull. The least I can do is fasten your bra.
Anne Rainey (So Sensitive (Hard to Get, #1))
1. Acknowledge and grieve the abusive and dismissive ways in which your family has mishandled your humanity. List the misdeeds done to you, and acknowledge where you didn’t get the validation or compassion you sought and deserved just out of basic human decency. One of the greatest ways to bring these memories up is to write to a F*ck You For list. I do this often with my patients. Begin each sentence with F*ck You For, and complete the sentence with the painful, angering, or frustrating memory. This exercise helps move you from feeling like a victim to taking the trash out. It places accountability on the right people. It also illuminates areas of growth for you, as you may feel anger at yourself for how long you allowed yourself to be passive or submissive to the members of your family you felt had power over you.
Sherrie Campbell (Adult Survivors of Toxic Family Members: Tools to Maintain Boundaries, Deal with Criticism, and Heal from Shame After Ties Have Been Cut)
Brutality is boring. Over and over, hell night after hell night, the same old dumb, tedious, bestial routine: making men crawl; making men groan, hanging men from the bars; shoving men; slapping men; freezing men in the showers; running men into walls; displaying shackled fathers to their sons and sons to their fathers. And if it turned out that you'd been given the wrong man, when you were done making his life unforgettably small and nasty, you allowed him to be your janitor and pick up the other prisoners' trash. There was always another prisoner, and another. Faceless men under hoods: you stripped them of their clothes, you stripped them of their pride. There wasn't much more you could take away from them, but people are inventive: one night some soldiers took a razor to one of Saddam's former general in Tier 1A and shaved off his eyebrows. He was an old man. "He looked like a grandfather and seemed like a nice guy," Sabrina Harman said, and she had tried to console him, telling him he looked younger and slipping him a few cigarettes. Then she had to make him stand at attention facing a boom box blasting the rapper Eminem, singing about raping his mother, or committing arson, or sneering at suicides, something like that⁠—these were some of the best-selling songs in American history. "Eminem is pretty much torture all in himself, and if one person's getting tortured, everybody is, because that music's horrible," Harman said. The general maintained his bearing against the onslaught of noise. "He looked so sad," Harman said. "I felt so bad for the guy." In fact, she said, "Out of everything I saw, that's the worst." This seems implausible, or at least illogical, until you think about it. The MI block was a place where a dead guy was just a dead guy. And a guy hanging from a window frame or a guy forced to drag his nakedness over a wet concrete floor⁠—well, how could you relate to that, except maybe to take a picture? But a man who kept his chin up while you blasted him with rape anthems, and old man shorn of his eyebrows whose very presence made you think of his grandkids--you could let that get to you, especially if you had to share in his punishment: "Slut, you think I won't choke no whore / til the vocal cords don't work in her throat no more!..." or whatever the song was.
Philip Gourevitch (Standard Operating Procedure)
FOR THE VOICELESS by El Niño Salvaje I speak for the ones who cannot speak, for the voiceless. I raise my voice and wave my arms and shout for the ones you do not see, perhaps cannot see, for the invisible. For the poor, the powerless, the disenfranchised; for the victims of this so-called “war on drugs,” for the eighty thousand murdered by the narcos, by the police, by the military, by the government, by the purchasers of drugs and the sellers of guns, by the investors in gleaming towers who have parlayed their “new money” into hotels, resorts, shopping malls, and suburban developments. I speak for the tortured, burned, and flayed by the narcos, beaten and raped by the soldiers, electrocuted and half-drowned by the police. I speak for the orphans, twenty thousand of them, for the children who have lost both or one parent, whose lives will never be the same. I speak for the dead children, shot in crossfires, murdered alongside their parents, ripped from their mothers’ wombs. I speak for the people enslaved, forced to labor on the narcos’ ranches, forced to fight. I speak for the mass of others ground down by an economic system that cares more for profit than for people. I speak for the people who tried to tell the truth, who tried to tell the story, who tried to show you what you have been doing and what you have done. But you silenced them and blinded them so that they could not tell you, could not show you. I speak for them, but I speak to you—the rich, the powerful, the politicians, the comandantes, the generals. I speak to Los Pinos and the Chamber of Deputies, I speak to the White House and Congress, I speak to AFI and the DEA, I speak to the bankers, and the ranchers and the oil barons and the capitalists and the narco drug lords and I say— You are the same. You are all the cartel. And you are guilty. You are guilty of murder, you are guilty of torture, you are guilty of rape, of kidnapping, of slavery, of oppression, but mostly I say that you are guilty of indifference. You do not see the people that you grind under your heel. You do not see their pain, you do not hear their cries, they are voiceless and invisible to you and they are the victims of this war that you perpetuate to keep yourselves above them. This is not a war on drugs. This is a war on the poor. This is a war on the poor and the powerless, the voiceless and the invisible, that you would just as soon be swept from your streets like the trash that blows around your ankles and soils your shoes. Congratulations. You’ve done it. You’ve performed a cleansing. A limpieza. The country is safe now for your shopping malls and suburban tracts, the invisible are safely out of sight, the voiceless silent as they should be. I speak these last words, and now you will kill me for it. I only ask that you bury me in the fosa común—the common grave—with the faceless and the nameless, without a headstone. I would rather be with them than you. And I am voiceless now, and invisible.
Don Winslow (The Cartel (Power of the Dog #2))
I happened to catch a glimpse of my reflection in the window glass. The image of myself that floated to the surface, tinged with blue against a backdrop of the signs, walls, and windows of the nearby buildings, looked absolutely miserable. Not sad, or tired, but the dictionary definition of a miserable person. This was the woman that I saw in the glass, while an assortment of other objects drifted in and out of the reflection. The space around my head was wild with baby hair or stray hairs that had come free. My shoulders sagged, and the skin around my eyes was sunken. My arms and legs looked stubby while my neck looked long and skinny. The tendons around my collarbone and throat stuck out, and my skin was anything but supple, as if the flesh had been deflated, leaving bizarre diagonal lines on my cheeks. What I saw in the reflection was myself, in a cardigan and faded jeans, at age thirty-four. Just a miserable woman, who couldn’t even enjoy herself on a gorgeous day like this, on her own in the city, desperately hugging a bag full to bursting with the kind of things that other people wave off or throw in the trash the first chance they get.
Mieko Kawakami (All the Lovers in the Night)
Meanings don't just affect the way we feel; they affect all of our relationships and interactions. Some people think the first ten years of a relationship is just the beginning; that they're just now getting to know each other, and it's really exciting. It's an opportunity to go deeper. Other people could be ten days into a relationship, and the first time they have an argument, they think it's the end. Now tell me, if you think this is the beginning of a relationship, are you going to behave the same way as if it were the end? That one slight shift in perception, in meaning, can change your whole life in a moment. In the beginning of a relationship, if you're totally in love and attracted, what will you do for the other person? The answer is: anything! If he or she asks you to take out the trash, you might leap to your feet and say, "Anything that lights you up, sweetheart!" But after seven days, seven years, or seventy years, people say things like, "What the hell do you think I am, your janitor?!" And they wonder what happened to the passion in their life. I've often shared with couples having trouble in their relationships that if you do what you did in the beginning of the relationship, there wont be an end! Because in the beginning of the relationship, you were a giver, not an accountant. You weren't weighing constantly the meaning of who was giving more. Your entire focus was just lighting up that person, and his or her happiness made you feel like your life was filled with joy.
Tony Robbins (MONEY Master the Game: 7 Simple Steps to Financial Freedom (Tony Robbins Financial Freedom Series))
You see the impact of humans on Earth’s environment every day. We are trashing the place: There is plastic along our highways, the smell of a landfill, the carbonic acid (formed when carbon dioxide is dissolved in water) bleaching of coral reefs, the desertification of enormous areas of China and Africa (readily seen in satellite images), and a huge patch of plastic garbage in the Pacific Ocean. All of these are direct evidence of our effect on our world. We are killing off species at the rate of about one per day. It is estimated that humans are driving species to extinction at least a thousand times faster than the otherwise natural rate. Many people naïvely (and some, perhaps, deceptively) argue that loss of species is not that important. After all, we can see in the fossil record that about 99 percent of all the different kinds of living things that have ever lived here are gone forever, and we’re doing just fine today. What’s the big deal if we, as part of the ecosystem, kill off a great many more species of living things? We’ll just kill what we don’t need or notice. The problem with that idea is that although we can, in a sense, know what will become or what became of an individual species, we cannot be sure of what will happen to that species’ native ecosystem. We cannot predict the behavior of the whole, complex, connected system. We cannot know what will go wrong or right. However, we can be absolutely certain that by reducing or destroying biodiversity, our world will be less able to adapt. Our farms will be less productive, our water less clean, and our landscape more barren. We will have fewer genetic resources to draw on for medicines, for industrial processes, for future crops. Biodiversity is a result of the process of evolution, and it is also a safety net that helps keep that process going. In order to pass our own genes into the future and enable our offspring to live long and prosper, we must reverse the current trend and preserve as much biodiversity as possible. If we don’t, we will sooner or later join the fossil record of extinction.
Bill Nye (Undeniable: Evolution and the Science of Creation)
9. Your Photo Album Many people have a photo album. In it they keep memories of the happiest of times. There may be a photo of them playing by the beach when they were very young. There may be the picture with their proud parents at their graduation ceremony. There will be many shots of their wedding that captures their love at one of its highest points. And there will be holiday snapshots too. But you will never find in your album any photographs of miserable moments of your life. Absent is the photo of you outside the principal’s office at school. Missing is any photo of you studying hard late into the night for your exams. No one that I know has a picture of their divorce in their album, nor one of them in a hospital bed terribly sick, nor stuck in busy traffic on the way to work on a Monday morning! Such depressing shots never find their way into anyone’s photo album. Yet there is another photo album that we keep in our heads called our memory. In that album, we include so many negative photographs. There you find so many snapshots of insulting arguments, many pictures of the times when you were so badly let down, and several montages of the occasions where you were treated cruelly. There are surprisingly few photos in that album of happy moments. This is crazy! So let’s do a purge of the photo album in our head. Delete the uninspiring memories. Trash them. They do not belong in this album. In their place, put the same sort of memories that you have in a real photo album. Paste in the happiness of when you made up with your partner, when there was that unexpected moment of real kindness, or whenever the clouds parted and the sun shone with extraordinary beauty. Keep those photos in your memory. Then when you have a few spare moments, you will find yourself turning its pages with a smile, or even with laughter.
Ajahn Brahm (Don't Worry, Be Grumpy: Inspiring Stories for Making the Most of Each Moment)
You’d think someone as resourceful as Rachel would know whether or not Toraf was the identical twin of a known terrorist. But nooooo. So we wait by our guard in the corridor of the security office of LAX airport while about a dozen people work to verify our identity. My identity comes back fine and clean and boring. Toraf’s identity doesn’t come back for a few hours. Which is not cool, because he’s been puking in the trash can next to our bench seats and it’s got to be almost full by now. Because of the regional storms in Jersey, we’d had a rough takeoff. Coupled with the reaction Toraf had to the Dramamine-excitability, no less-it was all I could do to coax him out of the tiny bathroom to get him to sit still and not puke while doing so. His fingerprints could not be matched and his violet eyes were throwing them for a loop, since they physically verified that they aren’t contacts. A lady security officer asked us several times in several different ways why our tickets would be one-way to Hawaii if we lived in Jersey and only had a carry-on bag full of miscellaneous crap that you don’t really need. Where were we going? What were we doing? I’d told them we were going to Honolulu to pick a place to get married and weren’t in a hurry to come back, so we only purchased one-way tickets and blah blah blah. It’s a BS story and they know it, but sometimes BS stories can’t be proven false. Finally, I asked for an attorney, and since they hadn’t charged us with anything, and couldn’t charge us with anything, they decided to let us go. For crying out loud. I can’t decide if I’m relieved or nervous that Toraf’s seat is a couple of rows back on our flight to Honolulu. On the plus side, I don’t have to be bothered every time he goes to the bathroom to upchuck. Then again, I can’t keep my eye on him, either, in case he doesn’t know how to act or respond to nosy strangers who can’t mind their own business. I peek around my seat and roll my eyes. He’s seated next to two girls, about my age and obviously traveling together, and they’re trying nonstop to start a conversation with him. Poor, poor Toraf. It must be a hard-knock life to have inherited the exquisite Syrena features. It’s all he can do not to puke in their laps. A small part of me wishes that he would, so they’d shut up and leave him alone and I could maybe close my eyes for two seconds. From here I can hear him squirm in his seat, which is about four times too small for a built Syrena male. His shoulder and biceps protrude into the aisle, so he’s constantly getting bumped. Oy.
Anna Banks (Of Triton (The Syrena Legacy, #2))
Algren’s book opens with one of the best historical descriptions of American white trash ever written.* He traces the Linkhorn ancestry back to the first wave of bonded servants to arrive on these shores. These were the dregs of society from all over the British Isles—misfits, criminals, debtors, social bankrupts of every type and description—all of them willing to sign oppressive work contracts with future employers in exchange for ocean passage to the New World. Once here, they endured a form of slavery for a year or two—during which they were fed and sheltered by the boss—and when their time of bondage ended, they were turned loose to make their own way. In theory and in the context of history the setup was mutually advantageous. Any man desperate enough to sell himself into bondage in the first place had pretty well shot his wad in the old country, so a chance for a foothold on a new continent was not to be taken lightly. After a period of hard labor and wretchedness he would then be free to seize whatever he might in a land of seemingly infinite natural wealth. Thousands of bonded servants came over, but by the time they earned their freedom the coastal strip was already settled. The unclaimed land was west, across the Alleghenies. So they drifted into the new states—Kentucky and Tennessee; their sons drifted on to Missouri, Arkansas and Oklahoma. Drifting became a habit; with dead roots in the Old World and none in the New, the Linkhorns were not of a mind to dig in and cultivate things. Bondage too became a habit, but it was only the temporary kind. They were not pioneers, but sleazy rearguard camp followers of the original westward movement. By the time the Linkhorns arrived anywhere the land was already taken—so they worked for a while and moved on. Their world was a violent, boozing limbo between the pits of despair and the Big Rock Candy Mountain. They kept drifting west, chasing jobs, rumors, homestead grabs or the luck of some front-running kin. They lived off the surface of the land, like army worms, stripping it of whatever they could before moving on. It was a day-to-day existence, and there was always more land to the west. Some stayed behind and their lineal descendants are still there—in the Carolinas, Kentucky, West Virginia and Tennessee. There were dropouts along the way: hillbillies, Okies, Arkies—they’re all the same people. Texas is a living monument to the breed. So is southern California. Algren called them “fierce craving boys” with “a feeling of having been cheated.” Freebooters, armed and drunk—a legion of gamblers, brawlers and whorehoppers. Blowing into town in a junk Model-A with bald tires, no muffler and one headlight … looking for quick work, with no questions asked and preferably no tax deductions. Just get the cash, fill up at a cut-rate gas station and hit the road, with a pint on the seat and Eddy Arnold on the radio moaning good back-country tunes about home sweet home, that Bluegrass sweetheart still waitin, and roses on Mama’s grave. Algren left the Linkhorns in Texas, but anyone who drives the Western highways knows they didn’t stay there either. They kept moving until one day in the late 1930s they stood on the spine of a scrub-oak California hill and looked down on the Pacific Ocean—the end of the road.
Hunter S. Thompson (The Great Shark Hunt: Strange Tales from a Strange Time (The Gonzo Papers Series Book 1))
I say, it sounds like some dangerous psychotic killer wrote this, and this buttoned-down schizophrenic could probably go over the edge at any moment in the working day and stalk from office to office with an Armalite AR-180 carbine gas-operated semiautomatic. My boss just looks at me. The guy, I say, is probably at home every night with a little rattail file, filing a cross into the tip of every one of his rounds. This way, when he shows up to work one morning and pumps a round into his nagging, ineffectual, petty, whining, butt-sucking, candy-ass boss, that one round will split along the filed grooves and spread open the way a dumdum bullet flowers inside you to blow a bushel load of your stinking guts out through your spine. Picture your gut chakra opening in a slow-motion explosion of sausage-casing small intestine. My boss takes the paper out from under my nose. Go ahead, I say, read some more. No really, I say, it sounds fascinating. The work of a totally diseased mind. And I smile. The little butthole-looking edges of the hole in my cheek are the same blue-black as a dog’s gums. The skin stretched tight across the swelling around my eyes feels varnished. My boss just looks at me. Let me help you, I say. I say, the fourth rule of fight club is one fight at a time. My boss looks at the rules and then looks at me. I say, the fifth rule is no shoes, no shirts in the fight. My boss looks at the rules and looks at me. Maybe, I say, this totally diseased fuck would use an Eagle Apache carbine because an Apache takes a thirty-shot mag and only weighs nine pounds. The Armalite only takes a five-round magazine. With thirty shots, our totally fucked hero could go the length of mahogany row and take out every vice-president with a cartridge left over for each director. Tyler’s words coming out of my mouth. I used to be such a nice person. I just look at my boss. My boss has blue, blue, pale cornflower blue eyes. The J and R 68 semiautomatic carbine also takes a thirty-shot mag, and it only weighs seven pounds. My boss just looks at me. It’s scary, I say. This is probably somebody he’s known for years. Probably this guy knows all about him, where he lives, and where his wife works and his kids go to school. This is exhausting, and all of a sudden very, very boring. And why does Tyler need ten copies of the fight club rules? What I don’t have to say is I know about the leather interiors that cause birth defects. I know about the counterfeit brake linings that looked good enough to pass the purchasing agent, but fail after two thousand miles. I know about the air-conditioning rheostat that gets so hot it sets fire to the maps in your glove compartment. I know how many people burn alive because of fuel-injector flashback. I’ve seen people’s legs cut off at the knee when turbochargers start exploding and send their vanes through the firewall and into the passenger compartment. I’ve been out in the field and seen the burned-up cars and seen the reports where CAUSE OF FAILURE is recorded as "unknown.” No, I say, the paper’s not mine. I take the paper between two fingers and jerk it out of his hand. The edge must slice his thumb because his hand flies to his mouth, and he’s sucking hard, eyes wide open. I crumble the paper into a ball and toss it into the trash can next to my desk. Maybe, I say, you shouldn’t be bringing me every little piece of trash you pick up.
Chuck Palahniuk (Fight Club)