Born Behind Bars Quotes

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You were already in a prison. You've been in a prison all your life. Happiness is a prison, Evey. Happiness is the most insidious prison of all. Your lover lived in the penitentiary that we are all born into, and was forced to rake the dregs of that world for his living. He knew affection and tenderness but only briefly. Eventually, one of the other inmates stabbed him with a cutlass and he drowned upon his own blood. Is that it, Evey? Is that the happiness worth more than freedom? It's not an uncommon story, Evey. Many convicts meet with miserable ends. Your mother. Your father. Your lover. One by one, taken out behind the chemical sheds... and shot. All convicts, hunched and deformed by the smallness of their cells, the weight of their chains, the unfairness of their sentences. I didn't put you in a prison, Evey. I just showed you the bars.' 'You're wrong! It's just life, that's all! It's just how life is. It's what we've got to put up with. It's all we've got. What gives you the right to decide it's not good enough?' 'You're in a prison, Evey. You were born in a prison. You've been in a prison so long, you no longer believe there's a world outside. That's because you're afraid, Evey. You're afraid because you can feel freedom closing in upon you. You're afraid because freedom is terrifying. Don't back away from it, Evey. Part of you understands the truth even as part pretends not to. You were in a cell, Evey. They offered you a choice between the death of your principles and the death of your body. You said you'd rather die. You faced the fear of your own death and you were calm and still. The door of the cage is open, Evey. All that you feel is the wind from outside.
Alan Moore (V for Vendetta)
Writing: such has been my crime ever since I was a small child. To this day writing remains my crime. Now, although I am out of prison, I continue to live inside a prison of another sort, one without steel bars. For the technology of oppression and might without justice has become more advanced, and the fetters imposed on mind and body have become invisible. The most dangerous shackles are the invisible ones, because they deceive people into believing they are free. This delusion is the new prison that people inhabit today, north and south, east and west...We inhabit the age of the technology of false consciousness, the technology of hiding truths behind amiable humanistic slogans that may change from one era to another...Democracy is not just freedom to criticize the government or head of state, or to hold parliamentary elections. True democracy obtains only when the people - women, men, young people, children - have the ability to change the system of industrial capitalism that has oppressed them since the earliest days of slavery: a system based on class division, patriarchy, and military might, a hierarchical system that subjugates people merely because they are born poor, or female, or dark-skinned.
Nawal El Saadawi (Memoirs from the Women's Prison (Literature of the Middle East))
Never blame yourself for someone else’s cruelty. My mother always said there’s enough people waiting to accuse us falsely without us doing it to ourselves.
Padma Venkatraman (Born Behind Bars)
More than 2 million people found themselves behind bars at the turn of the twenty-first century, and millions more were relegated to the margins of mainstream society, banished to a political and social space not unlike Jim Crow, where discrimination in employment, housing, and access to education was perfectly legal, and where they could be denied the right to vote. The system functioned relatively automatically, and the prevailing system of racial meanings, identities, and ideologies already seemed natural. Ninety percent of those admitted to prison for drug offenses in many states were black or Latino, yet the mass incarceration of communities of color was explained in race-neutral terms, an adaptation to the needs and demands of the current political climate. The New Jim Crow was born.
Michelle Alexander (The New Jim Crow: Mass Incarceration in the Age of Colorblindness)
Once again, in response to a major disruption in the prevailing racial order—this time the civil rights gains of the 1960s—a new system of racialized social control was created by exploiting the vulnerabilities and racial resentments of poor and working-class whites. More than 2 million people found themselves behind bars at the turn of the twenty-first century, and millions more were relegated to the margins of mainstream society, banished to a political and social space not unlike Jim Crow, where discrimination in employment, housing, and access to education was perfectly legal, and where they could be denied the right to vote. The system functioned relatively automatically, and the prevailing system of racial meanings, identities, and ideologies already seemed natural. Ninety percent of those admitted to prison for drug offenses in many states were black or Latino, yet the mass incarceration of communities of color was explained in race-neutral terms, an adaptation to the needs and demands of the current political climate. The New Jim Crow was born.
Michelle Alexander (The New Jim Crow: Mass Incarceration in the Age of Colorblindness)
they had never been apart, and there was nothing Evelyn could do about it but unwrap her Almond Joy candy bar and sit there for the duration. “The front yard had a great big old chinaberry tree. I remember, we’d pick those little chinaberries all year long, and at Christmas, we’d string them and wrap them all around the tree from top to bottom. Momma was always warning us not to put chinaberries up our nose, and of course the first thing Idgie did, as soon as she learned to walk, was to go out in the yard and put chinaberries up her nose and in her ears as well. To the point that Dr. Hadley had to be called! He told Momma, ‘Mrs. Threadgoode, it looks like you’ve got yourself a little scalawag on your hands.’ “Well, of course Buddy just loved to hear that. He encouraged her every step of the way. But that’s how it is in big families. Everybody has their favorite. Her real name was Imogene, but Buddy started calling her Idgie. Buddy was eight when she was born, and he used to carry her all over town, just like she was a doll. When she got old enough to walk, she’d paddle around after him like a little duck, dragging that little wooden rooster behind her. “That Buddy had a million-dollar personality, with those dark eyes and those white teeth…he could charm you within an inch of your life. I don’t know of a girl in Whistle
Fannie Flagg (Fried Green Tomatoes at the Whistle Stop Cafe)
Our streets have days, and even hours. Where I was born, and where my baby will be born, you look down the street and you can almost see what's happening in the house: like, say, Saturday, at three in the afternoon, is a very bad hour. The kids are home from school. The men are home from work. You'd think that this might be a very happy get together, but it isn't. The kids see the men. The men see the kids. And this drives the women, who are cooking and cleaning and straightening hair and who see what men won't see, almost crazy. You can see it in the streets, you can hear it in the way the women yell for their children. You can see it in the way they come down out of the house - in a rush, like a storm - and slap the children and drag them upstairs, you can hear it in the child, you can see it in the way the men, ignoring all this, stand together in front of a railing, sit together in the barbershop, pass a bottle between them, walk to the corner to the bar, tease the girl behind the bar, fight with each other, and get very busy, later, with their vines. Saturday afternoon is like a cloud hanging over, it's like waiting for a storm to break. But, on Sunday mornings the clouds have lifted, the storm has done its damage and gone. No matter what the damage was, everybody's clean now. The women have somehow managed to get it all together, to hold everything together. So, here everybody is, cleaned, scrubbed, brushed, and greased. Later, they're going to eat ham hocks or chitterlings or fried or roasted chicken, with yams and rice and greens or combread or biscuits. They're going to come home and fall out and be friendly: and some men wash their cars, on Sundays, more carefully than they wash their fo­reskins.
James Baldwin (If Beale Street Could Talk)
Feeling each move carefully, Len climbed, hilt of the sword held in one hand blade hanging point down. A wet and dripping Rose King hovered above him. Being dripped on wasn't nearly as distracting as the constant sight of his watch on his left wrist. He wanted to look and see how much of the allotted hour he had left. He resisted the urge. He didn't want to risk having this knowledge affect his judgment. They had no time for speed born mistakes. The shaft they climbed down amplified the slightest sound sending it reverberating up and down its length. The slight clank of the sword against the iron rungs of the ladder became enormous. The click of Rose King's chattering teeth reverberated like castanets. Len stepped on a rung. The next second he found himself grappling for security as the rung moved then broke loose. The racket as the metal bar fell rang up and down the narrow oblong space like a pair of dropped cymbals. He looked down. They were approximately ten feet up from the bottom of the well. If he had fallen he would not have been hurt badly if at all. Discovery, however, had a danger all its own. Frozen in place, both he and Rose listened. Something large was down there. It was something large that dragged as it walked. As if investigating the source of the clatter, this something stopped by the grate at the bottom, blocking off the light. Twice there was a rushing of sound as if some huge bellows was blowing air into the grate then pulling it out. The thing seemed to move away from the grate. When he was sure it was well away from the opening Len began again to climb down. The nearer the grate the more he and Rose began to hear something beyond the ominous sounds of large animal. Len thought he knew what it was, but kept silent. He was about to jump the last three feet when a pain wracked cry echoed through the space on the other side of this new grate and up the stone well. Len jumped to the ground. A second later Rose was behind him. Wishing desperately they had more than one weapon between them, Len pushed hard at the grate, rushing through the space as fast as the cramped size of the opening would allow. They were in a large round open torch lit space with a high domed brick ceiling. To their left was an exit to a dark hallway blocked by a barred door; to their right, a curved cave like opening with what looked like a barred gate that could be raised or lowered. On the other side of the room was a barred wall with a door closing off the cell where Tyrone lay. Between them and their goal was a large, reptilian creature. "What the hell is that?" Rose gasped softly. Len swallowed hard and licked his dry lips. It was mad and at the same time made complete sense. "It’s just what it looks like, Major," he whispered. "It's a dragon.
Tabitha Baumander (Castle Doom)
Jarvious Cotton cannot vote. Like his father, grandfather, great-grandfather, and great-great-grandfather, he has been denied the right to participate in our electoral democracy. Cotton’s family tree tells the story of several generations of black men who were born in the United States but who were denied the most basic freedom that democracy promises—the freedom to vote for those who will make the rules and laws that govern one’s life. Cotton’s great-great-grandfather could not vote as a slave. His great-grandfather was beaten to death by the Ku Klux Klan for attempting to vote. His grandfather was prevented from voting by Klan intimidation. His father was barred from voting by poll taxes and literacy tests. Today, Jarvious Cotton cannot vote because he, like many black men in the United States, has been labeled a felon and is currently on parole.1 Cotton’s story illustrates, in many respects, the old adage “The more things change, the more they remain the same.” In each generation, new tactics have been used for achieving the same goals—goals shared by the Founding Fathers. Denying African Americans citizenship was deemed essential to the formation of the original union. Hundreds of years later, America is still not an egalitarian democracy. The arguments and rationalizations that have been trotted out in support of racial exclusion and discrimination in its various forms have changed and evolved, but the outcome has remained largely the same. An extraordinary percentage of black men in the United States are legally barred from voting today, just as they have been throughout most of American history. They are also subject to legalized discrimination in employment, housing, education, public benefits, and jury service, just as their parents, grandparents, and great-grandparents once were. What has changed since the collapse of Jim Crow has less to do with the basic structure of our society than with the language we use to justify it. In the era of colorblindness, it is no longer socially permissible to use race, explicitly, as a justification for discrimination, exclusion, and social contempt. So we don’t. Rather than rely on race, we use our criminal justice system to label people of color “criminals” and then engage in all the practices we supposedly left behind. Today it is perfectly legal to discriminate against criminals in nearly all the ways that it was once legal to discriminate against African Americans. Once you’re labeled a felon, the old forms of discrimination—employment discrimination, housing discrimination, denial of the right to vote, denial of educational opportunity, denial of food stamps and other public benefits, and exclusion from jury service—are suddenly legal. As a criminal, you have scarcely more rights, and arguably less respect, than a black man living in Alabama at the height of Jim Crow. We have not ended racial caste in America; we have merely redesigned it.
Michelle Alexander (The New Jim Crow: Mass Incarceration in the Age of Colorblindness)
I was born in a dumpster, in an alley behind a dive bar. A wee speck of methicillin-resistant Staphylococcus aureus, baptized by saliva from a hospital orderly, clinging to a wedge of pizza crust. Honestly, I didn’t want to hurt anyone—certainly not the Norwegian rat who gobbled me with his yellowed fangs, feeding me a banquet of liquefied refuse. We’d both gotten a bad rap, MRSA and rats.
Alicia Hilton (Rigor Morbid: Lest Ye Become)
It ain't my idea to leave before dawn. My ole lady decided to visit Nana, that's why the house stinks of hairspray. You know why she's leaving early: so nobody sees her scurry through town on foot. All she wants is for them to see her arrived, all hunky-dory. Not scurrying. It's a learning I made since the car went. 'Well I just can't believe there isn't a pair of Tumbledowns around town, I mean, I'll have to try down by Nana's.' She gives off breathy noises, and flicks her fingertips through my hair. Then she takes a step back and frowns. It means goodbye. 'Promise me you won't miss your therapy.' An electric purple sky spills stars behind the pumpjack, calling home the last moths for the night. It reminds me of the morning when ole Mrs Lechuga was out here, all devastated. I try not to think about it. Instead I look ahead to today. Going to Keeter's is a smart idea; if anybody sees me out there, they'll say, 'We saw Vernon out by Keeter's,' and nobody will know if they mean the auto shop, or the piece of land. See? Vernon Gray-matter Little. In return, I've asked Fate to help me solve the cash thing. It's become clear that cash is the only way to deal with problems in life. I even scraped up a few things to pawn in town, if it comes to that. I know it'll come to that, so I have them with me in my pack – my clarinet, my skateboard, and fourteen music discs. They're in the pack with my lunchbox, which contains my sandwich, the two joints, and a piece of paper with some internet addresses on it. As for the joints and the piece of paper, I heard the voice of Jesus last night. He advised me to get wasted, fast. If at first you don't succeed, he said, get wasted off your fucken ass. My plan is to sit out at Keeter's and get some new ideas, ideas borne out of the bravery of wastedness. I ride down empty roads of frosted silver, trees overhead swish cool hints of warm panties in bedclothes. Liberty Drive is naked, save for droppings of hay, and Bar-B-Chew Barn wrappers. In this light you can't see the stains on the sidewalk by the school. As the gym building passes by, all hulky and black, I look the other way, and think of other things. Music's a crazy thing, when you think about it. Interesting how I decided which discs not to pawn. I could've kept some party music, but that would've just tried to boost me up, all this thin kind of 'Tss-tss-tss,' music. You get all boosted up, convinced you're going to win in life, then the song's over and you discover you fucken lost. That's why you end up playing those songs over and over, in case you didn't know. Cream pie, boy. I could've kept back some heavy metal too, but that's likely to drive me to fucken suicide. What I need is some Eminem, some angry poetry, but you can't buy that stuff in Martirio. Like it was an animal sex doll or something, you can't buy angry poetry. When you say gangsta around here, they still think of Bonnie & fucken Clyde. Nah, guess what: I ended up keeping my ole Country albums. Waylon Jennings, Willie Nelson, Johnny Paycheck – even my daddy's ole Hank Williams compilation. I kept them because those boys have seen some shit – hell, all they sing about is the shit they've seen; you just know they woke up plenty of times on a wooden floor somewhere, with ninety flavors of trouble riding on their ass. The slide-guitar understands your trouble. Then all you need is the beer.
D.B.C. Pierre (Vernon God Little)
You don’t have to go behind bars to be in jail in this country. If you are born in this country with black skin you are already in jail, you are already confined, you are already watched over by a warden who poses as your mayor and poses as your governor and poses as your President.
Malcolm X (The End of White World Supremacy: Four Speeches)
Numerous members of the April Twenty-eighth Brigade had engaged in similar displays before. They’d stand on top of the building, wave a flag, shout slogans through megaphones, and scatter flyers at the attackers below. Every time, the courageous man or woman had been able to retreat safely from the hailstorm of bullets and earn glory for their valor. The new girl clearly thought she’d be just as lucky. She waved the battle banner as though brandishing her burning youth, trusting that the enemy would be burnt to ashes in the revolutionary flames, imagining that an ideal world would be born tomorrow from the ardor and zeal coursing through her blood.… She was intoxicated by her brilliant, crimson dream until a bullet pierced her chest. Her fifteen-year-old body was so soft that the bullet hardly slowed down as it passed through it and whistled in the air behind her. The young Red Guard tumbled down along with her flag, her light form descending even more slowly than the piece of red fabric, like a little bird unwilling to leave the sky. The Red Union warriors shouted in joy. A few rushed to the foot of the building, tore away the battle banner of the April Twenty-eighth Brigade, and seized the slender, lifeless body. They raised their trophy overhead and flaunted it for a while before tossing it toward the top of the metal gate of the compound. Most of the gate’s metal bars, capped with sharp tips, had been pulled down at the beginning of the factional civil wars to be used as spears, but two still remained. As their sharp tips caught the girl, life seemed to return momentarily to her body. The Red Guards backed up some distance and began to use the impaled body for target practice. For her, the dense storm of bullets was now no different from a gentle rain, as she could no longer feel anything. From time to time, her vinelike arms jerked across her body softly, as though she were flicking off drops of rain.
Liu Cixin (The Three-Body Problem (Remembrance of Earth’s Past, #1))
Such was the Pact. Born behind bars, Mission had been allowed free while his mother had been sent outside to clean.
Hugh Howey (Shift (Silo, #2))
Jake,” I murmur. He opens his eyes. “Are you absolutely sure this is what you want? The baby, I mean.” “I’m sure.” His gaze drops to my stomach. “This baby will be made of everything I have loved my whole life.” “I’m gonna get fat,” I mumble. “No, you’re going to get even sexier.” Coming close again, he wraps his arms around me tightly, rubbing the tip of his nose against mine. “How could I not want something made up of Trudy Wethers’s DNA?” “Still Bennett.” I grin. “You haven’t made an honest woman of me yet.” “You ready to hop that plane to Vegas now?” “A shotgun wedding. My folks would be so proud.” I laugh. “What do you want to do about the wedding?” he asks. “Move it forward?” “That would give me a matter of weeks to plan it. Why don’t we just wait until after the baby is born?” I see him quickly do the math in his head. “We wouldn’t be able to get married July twenty-first. You okay with that?” “I’m going to have a mini-Jake soon. Of course I’m okay with that.” “Or a mini-Tru,” he says. Then his expression suddenly changes. “Fuck, a girl. We might have to lock her up, Tru.” I scrunch up my face. “Why?” “Because, if she looks anything like you, I’m one day going to be fighting off horny teenage boys left, right, and centre. I’ll probably end up in jail for beating one to death if I find him with his hands on my baby girl.” He shudders comically. I let out a laugh. “Let’s hope if we have a boy, he’s doesn’t grow up to be one of those horny teenagers…or God forbid, as horny as you are. Otherwise we’ll have some girl’s dad round here kicking his ass.” “Then I’ll end up in jail for beating the shit out of the dad—fuck, this is a no-win, sweetheart,” he groans, dropping his head back against the rest. “I’m doomed to a future behind bars.” Laughing softly, I say, “Don’t worry, baby, we’ll figure a way to keep you out of prison.” I kiss the tip of his nose, then open the door, ready to get out of the car and into the house to bed.
Samantha Towle (Wethering the Storm (The Storm, #2))
Bedi Ma’am was right—adults are terrible at sharing.
Padma Venkatraman (Born Behind Bars)
Kabir, let me tell you something I learned the hard way. Hoping for small stuff you can control is okay. But pinning your hopes on an other person is usually a waste of time. Especially if that person is someone who needs to be found.
Padma Venkatraman (Born Behind Bars)
In all the world and all recorded time, no country has locked up their own people at the rate we do.23 The United States has nearly 5 percent of the world’s population and nearly 25 percent of its incarcerated people.24 More than 2.3 million people are behind bars on any given day—and the number of black people incarcerated or under correctional control exceeds the total number of adults enslaved nationwide in 1861.25 A black boy born today has a one-in-three chance of going to prison in his lifetime.26 Incarceration is not just a dimension of how we punish crime in our country. It exists at such a scale that it is a defining feature of our culture. It is who we are, who we have become.
Danielle Sered (Until We Reckon: Violence, Mass Incarceration, and a Road to Repair)
38 Then the Lord spoke to Job out of the storm. He said: 2 “Who is this that obscures my plans with words without knowledge? 3 Brace yourself like a man; I will question you, and you shall answer me. 4 “Where were you when I laid the earth’s foundation? Tell me, if you understand. 5 Who marked off its dimensions? Surely you know! Who stretched a measuring line across it? 6 On what were its footings set, or who laid its cornerstone— 7 while the morning stars sang together and all the angels[a] shouted for joy? 8 “Who shut up the sea behind doors when it burst forth from the womb, 9 when I made the clouds its garment and wrapped it in thick darkness, 10 when I fixed limits for it and set its doors and bars in place, 11 when I said, ‘This far you may come and no farther; here is where your proud waves halt’? 12 “Have you ever given orders to the morning, or shown the dawn its place, 13 that it might take the earth by the edges and shake the wicked out of it? 14 The earth takes shape like clay under a seal; its features stand out like those of a garment. 15 The wicked are denied their light, and their upraised arm is broken. 16 “Have you journeyed to the springs of the sea or walked in the recesses of the deep? 17 Have the gates of death been shown to you? Have you seen the gates of the deepest darkness? 18 Have you comprehended the vast expanses of the earth? Tell me, if you know all this. 19 “What is the way to the abode of light? And where does darkness reside? 20 Can you take them to their places? Do you know the paths to their dwellings? 21 Surely you know, for you were already born! You have lived so many years! 22 “Have you entered the storehouses of the snow or seen the storehouses of the hail, 23 which I reserve for times of trouble, for days of war and battle? 24 What is the way to the place where the lightning is dispersed, or the place where the east winds are scattered over the earth? 25 Who cuts a channel for the torrents of rain, and a path for the thunderstorm, 26 to water a land where no one lives, an uninhabited desert, 27 to satisfy a desolate wasteland and make it sprout with grass? 28 Does the rain have a father? Who fathers the drops of dew? 29 From whose womb comes the ice? Who gives birth to the frost from the heavens 30 when the waters become hard as stone, when the surface of the deep is frozen? 31 “Can you bind the chains[b] of the Pleiades? Can you loosen Orion’s belt? 32 Can you bring forth the constellations in their seasons[c] or lead out the Bear[d] with its cubs? 33 Do you know the laws of the heavens? Can you set up God’s[e] dominion over the earth? 34 “Can you raise your voice to the clouds and cover yourself with a flood of water? 35 Do you send the lightning bolts on their way? Do they report to you, ‘Here we are’? 36 Who gives the ibis wisdom[f] or gives the rooster understanding?[g] 37 Who has the wisdom to count the clouds? Who can tip over the water jars of the heavens 38 when the dust becomes hard and the clods of earth stick together? 39 “Do you hunt the prey for the lioness and satisfy the hunger of the lions 40 when they crouch in their dens or lie in wait in a thicket? 41 Who provides food for the raven when its young cry out to God and wander about for lack of food?
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The role which nature plays as the object of different scientists' worlds is highly contradictory. Should one attempt to combine her objective qualities, chaos would ensue. And yet all these diverse Umwelten are harbored and borne by the One that remains forever barred to all Umwelten. Behind all the worlds created by Him, there lies concealed, eternally beyond the reach of knowledge, the subject - Nature.
Jakob von Uexküll (A Stroll Through the Worlds of Animals and Men)