Trapped In A Cage Quotes

She felt a cage coming down around her; too late she realized that he had her trapped by the heart. And like any unwilling animal that was well and truly caught, she could escape only by leaving a piece of herself behind.

Irony has only emergency use. Carried over time it is the voice of the trapped who have come to enjoy their cage.

Not if we blow it up," Gale says brusquely. His intent, his full intent, becomes clear. Gale has no interest in preserving the lives of those in the Nut. No interest in caging the pray for later use. This is one of his death traps.

This is the reality of living in my body: I am trapped in a cage. The frustrating thing about cages is that you’re trapped but you can see exactly what you want. You can reach out from the cage, but only so far. It

Hello? This is Clary Fairchild.” “Clary? It’s me, Emma.” “Oh, Emma, hi! I haven’t heard from you in ages. My mom says thanks for the wedding flowers, by the way. She wanted to send a note but Luke whisked her away on a honeymoon to Tahiti.” “Tahiti sounds nice.” “It probably is — Jace, what are you doing with that thing? There is no way it’ll fit.” “Is this a bad time?” “What? No! Jace is trying to drag a trebuchet into the training room. Alec, stop helping him.” “What’s a trebuchet?” “It’s a huge catapult.” “What are they going to use it for?” “I have no idea. Alec, you’re enabling! You’re an enabler!” “Maybe it is a bad time.” “I doubt there’ll be a better one. Is something wrong? Is there anything I can do?” “I think we have your cat.” “What?” “Your cat. Big fuzzy Blue Persian? Always looks angry? Julian says it’s your cat. He says he saw it at the New York Institute. Well, saw him. It’s a boy cat.” “Church? You have Church? But I thought — well, we knew he was gone. We thought Brother Zachariah took him. Isabelle was annoyed, but they seemed to know each other. I’ve never seen Church actually likeanyone like that.” “I don’t know if he likes anyone here. He bit Julian twice. Oh, wait. Julian says he likes Ty. He’s asleep on Ty’s bed.” “How did you wind up with him?” “Someone rang our front doorbell. Diana, she’s our tutor, went down to see what it was. Church was in a cage on the front step with a note tied to it. It said For Emma. This is Church, a longtime friend of the Carstairs. Take care of this cat and he will take care of you. —J.” “Brother Zachariah left you a cat.” “But I don’t even really know him. And he’s not a Silent Brother any more.” “You may not know him, but he clearly knows you.” “What do you think the J stands for?” “His real name. Look, Emma, if he wants you to have Church, and you want Church, you should keep him.” “Are you sure? The Lightwoods —“ ‘They’re both standing here nodding. Well, Alec is partially trapped under a trebuchet, but he seems to be nodding.” “Jules says we’d like to keep him. We used to have a cat named Oscar, but he died, and, well, Church seems to be good for Ty’s nightmares.” “Oh, honey. I think, really, he’s Brother Zachariah’s cat. And if he wants you to have him, then you should.” “Why does Brother Zachariah want to protect me? It’s like he knows me, but I don’t know why he knows me.” “I don’t exactly know … But I know Tessa. She’s his — well, girlfriend seems not the right word for it. They’ve known each other a long, long time. I have a feeling they’re both watching over you.” “That’s good. I have a feeling we’re going to need it.” “Emma — oh my God. The trebuchet just crashed through the floor. I have to go. Call me later.” “But we can keep the cat?” “You can keep the cat.

I cannot emphasize enough how wrongheaded this is. Withholding criticism and ignoring differences are racism in its purest form. Yet these cultural experts fail to notice that, through their anxious avoidance of criticizing non-Western countries, they trap the people who represent these cultures in a state of backwardness. The experts may have the best of intentions, but as we all know, the road to hell is paved with good intentions.

There’s something simmering inside of me. Something I’ve never dared to tap into, something I’m afraid to acknowledge. There’s a part of me clawing to break free from the cage I’ve trapped it in, banging on the doors of my heart, begging to be free. Begging to let go. Every day I feel like I’m reliving the same nightmare. I open my mouth to shout, to fight, to swing my fists, but my vocal cords are cut, my arms are heavy and weighted down as if trapped in wet cement and I’m screaming but no one can hear me, no one can reach me and I’m caught. And it’s killing me. I’ve always had to make myself submissive, subservient, twisted into a pleading, passive mop just to make everyone else feel safe and comfortable. My existence has become a fight to prove I’m harmless, and I’m not a threat, that I’m capable of living among other human beings without hurting them. And I’m so tired I’m so tire I’m so tired I’m so tired and sometimes I get so angry. I don’t know what’s happening to me.

punishment—shaming a person, caging them, making them unemployable—traps them in addiction. Taking that money and spending it instead on helping them to get jobs and homes and decent lives makes it possible for many of them to stop.

5. Then on a rainy day in early July the words she was copying from one of Martha the Benevolent’s ancient sayings spoke to her: Birds fly free until they are put in a cage, but the cage does not bind their wings When the cage is opened, the wings spread out, and the bird flies free again So the poor are trapped in a cage by the avarice of the rich Not in a cage made of gold, but one of hunger, despair and need So the prisoner dreams of the wide open spaces Wind in her hair, breathing in the freedom, beyond the four walls of her cell Our mission is to free the prisoner, to help the poor to spread their wings To open the door of the oppressor’s cage, to find a way to a fairer age.

When it's like this, I don't notice the cold. I don't hear the wind howling through the empty spaces. I don't feel like a small, broken-winged bird trapped in a rusty cage.

They have elevated him on a pedestal, but...a pedestal is nothing more than an elegant cage. No walls, no locks, but unless one has wings to fly away, one is trapped. A pedestal is the most insidious prison ever devised.

You can never trust anyone once you've had to trap them in a cage.

I scroll past images every bit as violent and beautiful as Jeb's paintings: luminious, rainbow-skinned creatures with bulbous eyes and sparkly, silken wings who carry knives and swords; hideous, naked hobgoblins in chains who crawl on all fours and have corkscrew tails and cloven feet like pigs; silvery pixielike beings trapped in cages and crying oily black tears.

I feel caged. Always. I feel like I am this bird, trapped and stifled and caged, and I keep looking for a way to escape, but I am barred at every turn.

He towered over her, as intense and savage as only he could be, making her feel small and delicate in comparison, surrounded by his utter maleness. She felt trapped and she wanted to stay in his cage forever.

In the cage, you feel loved, not trapped. Just like me.

What keeps you trapped?...What keeps you from living the life you want? What keeps you from being free?

Maven is a talented liar, and I don't trust a single word he speaks. Even if he was telling the truth. Even if he is a product of his mother's meddling, a thorned flower forced to grow a certain way. That doesn't change things. I can't forget everything he's done to me and so many others. When I first met him, I was seduced by his pain. He was the boy in shadow, a forgotten son. I saw myself in him. Second always to Gisa, the bright star in my parents' world. I know now that was by design. He caught me back then, ensnaring me in a prince's trap. Now I'm in a king's cage. But so is he. My chains are Silent Stone. His is the crown.

We are the wise. Do not envy us— We who are too wise to draw near the fire Lest we get burned; We who are too wise to love Lest love should vanish and we be hurt. We are the wise. Do not envy us our wisdom— We who are too wise to live Lest we should die.

That was torture--being able to see, and smell, and hear, and being trapped in a cage. Like standing on the wrong side of the fence, only a few feet from freedom, and knowing you'll never cross it. Yeah. Like that.

Galina, you’re akin to a bird trapped in a cage, yearning for freedom but unable to attain it... To preserve your spirit, you must break free from those constraints and soar.

That last time you kissed me my heart slid past your teeth down into the center of your chest… trapping us both in a stainless cage.

Women like her are worse than the men they serve. They cling hardest to the very rules that cage them, ruthlessly ensuring that all other women are equally trapped.

The mind was a trap--it was a cage that slammed down over you.

Break free from the binding robes of passion that feels like a lump in your heart, perform that surgery today, and you'll be set free forever.

The future is trapped in a cage opened only by the key of genius.

You are Fire! Don’t believe these mere mortals. They want to put you on a pedestal and sing paeans to you; later they would burn you in the altar of that same fire! Stand away and stand alone! You are limitless! But these mortals can only limit your sky! You are the Universe! But they will only give you a little space! Break free! It’s a trap! They want to cage you! Because, they are afraid of your real power! You are a woman. You are the fire! You are all conquering. You are all powerful! You are Supreme! You were not born to be a mere beauty queen!!

I was reading about animals a while back and there was this motherfucking scientist in France back in the thirties or forties or whenever the motherfuck it was and he was trying to get apes to draw these pictures, to make art pictures like the kinds of pictures in serious motherfucking paintings that you see in museums and shit. So the scientist keeps showing the apes these paintings and giving them charcoal pencils to draw with and then one day one of the apes finally draws something but it’s not the art pictures that it draws. What it draws is the bars of its own motherfucking cage. Its own motherfucking cage! Man, that's the truth, ain't it?

I felt like one who wants to trap and cage a little bird, and after years of waiting and luring and baiting finds that she must do no more than hold out her hand, and the finch lands on her finger and does not fly. You scarcely dare to move. It rests on your hand whole and free, foolishly trusting and infinitely courageous. It will never be more beautiful.

Irony has only emergency use. Carried over time, it is the voice of the trapped who have come to enjoy their cage.

One theorist, Iris Marion Young, relying on a famous “birdcage” metaphor, explains it this way: If one thinks about racism by examining only one wire of the cage, or one form of disadvantage, it is difficult to understand how and why the bird is trapped. Only a large number of wires arranged in a specific way, and connected to one another, serve to enclose the bird and to ensure that it cannot escape.11

But even then, I could trap those thoughts and keep them caged in a corner of my mind, in a place where they could not spread their wings and take over my life.

Humans were trapped in a box of their own construction: mental prisons caging us from a universe of possibilities.

You think I’m perfect, but I feel like a songbird trapped in a cage.

As a committed Christian, I have always struggled with locked doors—doors by which we on the inside lock out "the others"—Jews, Muslims, Mormons, liberals, doubters, agnostics, gay folks, whomever. The more we insiders succeed in shutting others out, the more I tend to feel locked in, caged, trapped.

This was what turned Nomeolvides girls into women. Not their first times bleeding between their legs, but the first time their hearts broke. Estrella could feel hers inside her rib cage, a bird trapped in an attic.

You can’t stop the bad things from happening—to yourself, to your brother, to any of us. I know because I’ve lived the same as you, trying to keep my life small. Really all I did was build myself a cage. And then I trapped myself inside that cage and told myself the bars weren’t real.

She knew what he offered. He would kill her first, with the gun or the knife or his fists if he had to, and make certain she was never trapped in that cage again. From another man this might be terrifying, that he would so blithely consider murdering his companion. But she understood that from Hatcher this was tantamount to an offer of marriage. This was what he could do for her, how he showed he cared.

I was a bird trapped inside a cage that I thought I'd been released from, still confined and limited to where I could fly. I'd been holding up my umbrella to avoid the rain but I never stopped the rain from falling.

On the third day, my room became a cell, which became a cage, which became a coffin, and I discovered the very deepest fear that swam through my heart like eels in undersea caves: to be locked away, trapped and alone.

I feel like I'm seeing a sparrow in a cage, something young and innocent trapped by grasping hands. And I think that perhaps my own cage is simply larger than hers, so large I have never been fully aware of its edges.

I still didn’t know quite what the witches were capable of. The threshold could be booby-trapped or enchanted. I could be walking into a cage fight with a demon. Hell, she could open the door with a Glock 9 in her hand and put a bullet in my ear, or throw a cat at me, or call me a damn hippie.

If it were up to him, he'd keep Jack locked in a cage forever, where no one could get to him and he'd always be safe. But much as he might want to, much as he'd sleep better knowing that Jack was safe, he couldn't do that. "Safe" could quickly come to mean "trapped". And trapped things tended to want to escape.

As the body rots, so does the cage that traps us in our wordly concerns. When my legs become too weak to carry my body, I stopped pacing with worry. When my fingers became twisted, I stopped pointing blame. When I lost my sight, I stopped seeing illusions. It may be dark in the pot that I am simmering in, but I can see more clearly than I have ever seen in my life.

Creative people have it hard. There is always something trapped in their noggins yearning to escape like a caged animal, both too free and wild to contain. Little does the world know it will often scrape the inner walls of the mind until it gets what it wants.

No wonder they mistake this for peace. I want to scream at every Red face I pass. I want to carve the words on my body so everyone has to see. Trap. Lie. Conspiracy.

He caught me back then, ensnaring me in a prince’s trap. Now I’m in a king’s cage. But so is he. My chains are Silent Stone. His is the crown.

Strange, how armor could be both a shield and a cage, keeping the arrows out while trapping the monster in.

For many years I paced around my cage, my dreams filled with murder and revenge. Until the day when the solution finally presented itself to me, like something that was completely obvious: Why not ensnare the hunter in his own trap, ambush him within the pages of a book?

Monkeys are dangerous animals. Don't be fooled by the cute exterior," Eve said like she was imparting some sage wisdom. "Look," I explained, "I'm sure those monkeys were just mad about something like being trapped in a cage or being forced to wear velvet vests and dance to accordion music.

They trapped the Lion on Shamu's plain; They weighted his limbs with an iron chain; They cried aloud in the trumpet-blast, They cried, "The lion is caged at last!" Woe to the Cities of river and plain If ever the Lion stalks again! —Old Ballad.

Once upon a time, there was a bird. He was adorned with two perfect wings and with glossy, colorful, marvelous feathers. One day, a woman saw this bird and fell in love with him. She invited the bird to fly with her, and the two travelled across the sky in perfect harmony. She admired and venerated and celebrated that bird. But then she thought: He might want to visit far-off mountains! And she was afraid, afraid that she would never feel the same way about any other bird. And she thought: “I’m going to set a trap. The next time the bird appears, he will never leave again.” The bird, who was also in love, returned the following day, fell into the trap and was put in a cage. She looked at the bird every day. There he was, the object of her passion, and she showed him to her friends, who said: “Now you have everything you could possibly want.” However, a strange transformation began to take place: now that she had the bird and no longer needed to woo him, she began to lose interest. The bird, unable to fly and express the true meaning of his life, began to waste away and his feathers to lose their gloss; he grew ugly; and the woman no longer paid him any attention, except by feeding him and cleaning out his cage. One day, the bird died. The woman felt terribly sad and spent all her time thinking about him. But she did not remember the cage, she thought only of the day when she had seen him for the first time, flying contentedly amongst the clouds. If she had looked more deeply into herself, she would have realized that what had thrilled her about the bird was his freedom, the energy of his wings in motion, not his physical body. Without the bird, her life too lost all meaning, and Death came knocking at her door. “Why have you come?” she asked Death. “So that you can fly once more with him across the sky,” Death replied. “If you had allowed him to come and go, you would have loved and admired him ever more; alas, you now need me in order to find him again.

If you’re trapped in a cage, you don’t want to start being grateful for the protection of the bars. You need to be grateful that there are gaps in between them so you can see what’s on the other side.

He skims his fingers across my neck to move aside my long braid, and I try not to remember the protective look on his face from earlier or notice his earthy scent or the way my rib cage squirms as he leans in, like I’ve got a trapped butterfly in there.

The prophecy, like an angered beast, had gone berserk and was destroying his mind with the ferocity of madness . . . until all that he knew, all that was him, all that had become him was left in disarray. To my brother, Ikenna, the fear of death as prophesied by Abulu had become palpable, a caged world within which he was irretrievably trapped, and beyond which nothing else existed.

Sometimes we have spent so long in the cage that it feels safer to be trapped inside.

The frustrating thing about cages is that you’re trapped but you can see exactly what you want. You can reach out from the cage, but only so far.

Don’t spend your life worried about what people think of you, Margot. That kind of fear is like a cage—it will trap you forever if you’re not careful.

Afraid she’ll forget herself as easily as others do, unaware that her mind is now a flawless cage, her memory a perfect trap. She will never forget, though she'll wish she could.

I live in a cage, but I’ve never felt so trapped.

Today, the practice of cosmetic medicine is one that walks the line between empowering women to control their bodies and trapping them in a gilded cage of punishing beauty standards.

Sometimes we women are our own worst traps. Our hopes snatch us like quicksand. Our loneliness forges a cage. Sometimes all it takes is one sweet glance and kind word to make us forget ourselves.

In fact, you couldn't even be sure that everything you had assumed to be an expression of your black, unfettered self-- the humor, the song, the behind-the-back pass-- had been freely chosen by you. At best, these things were a refuge; at worst, a trap. Following this maddening logic, the only thing you could choose as your own was withdrawal into a smaller and smaller coil of rage, until being black meant only the knowledge of your own powerlessness, of your own defeat. And the final irony: Should you refuse this defeat and lash out at your captors, they would have a name for that, too, a name that could cage you just as good. Paranoid. Militant. Violent. Nigger.

Kiva has spent over half her life locked in a nightmare. The last thing I want is to make her feel like she’s trapped in another kind of cage, gilded though it might be. I have no idea what the future will bring for us, but right now she deserves the chance to live her life and follow her dreams. I can only hope she’ll grant me the honor of being by her side on that journey, and if she does, you’ll have to find a way to deal with it. I don’t think I can be any clearer than that.

How we hate to admit that we would like nothing better than to be the slave! Slave and master at the same time! For even in love the slave is always the master in disguise. The man who must conquer the woman, subjugate her, bend her to his will, form her according to his desires—is he not the slave of his slave? How easy it is, in this relationship, for the woman to upset the balance of power! The mere threat of self-dependence, on the woman’s part, and the gallant despot is seized with vertigo. But if they are able to throw themselves at one another recklessly, concealing nothing, surrendering all, if they admit to one another their interdependence, do they not enjoy a great and unsuspected freedom? The man who admits to himself that he is a coward has made a step towards conquering his fear; but the man who frankly admits it to every one, who asks that you recognize it in him and make allowance for it in dealing with him, is on the way to becoming a hero. Such a man is often surprised, when the crucial test comes, to find that he knows no fear. Having lost the fear of regarding himself as a coward he is one no longer: only the demonstration is needed to prove the metamorphosis. It is the same in love. The man who admits not only to himself but to his fellowmen, and even to the woman he adores, that he can be twisted around a woman’s finger, that he is helpless where the other sex is concerned, usually discovers that he is the more powerful of the two. Nothing breaks a woman down more quickly than complete surrender. A woman is prepared to resist, to be laid siege to: she has been trained to behave that way. When she meets no resistance she falls headlong into the trap. To be able to give oneself wholly and completely is the greatest luxury that life affords. Real love only begins at this point of dissolution. The personal life is altogether based on dependence, mutual dependence. Society is the aggregate of persons all interdependent. There is another richer life beyond the pale of society, beyond the personal, but there is no knowing it, no attainment possible, without firs traveling the heights and depths of the personal jungle. To become the great lover, the magnetiser and catalyzer, the blinding focus and inspiration of the world, one has to first experience the profound wisdom of being an utter fool. The man whose greatness of heart leads him to folly and ruin is to a woman irresistible. To the woman who loves, that is to say. As to those who ask merely to be loved, who seek only their own reflection in the mirror, no love however great, will ever satisfy them. In a world so hungry for love it is no wonder that men and women are blinded by the glamour and glitter of their own reflected egos. No wonder that the revolver shot is the last summons. No wonder that the grinding wheels of the subway express, though they cut the body to pieces, fail to precipitate the elixir of love. In the egocentric prism the helpless victim is walled in by the very light which he refracts. The ego dies in its own glass cage…

of her favorites was John Masefield’s “Sea Fever”: . . . all I ask is a windy day with the white clouds flying, And the flung spray and the blown spume, and the sea-gulls crying. Kya recalled a poem written by a lesser-known poet, Amanda Hamilton, published recently in the local newspaper she’d bought at the Piggly Wiggly: Trapped inside, Love is a caged beast, Eating its own flesh. Love must be free to wander, To land upon its chosen shore And breathe.

Experiments show that a free rat will instinctively work to free another rat trapped inside a plastic bottle. But once that free rat has been allowed to self-administer heroin, it is no longer interested in helping out the caged rat, presumably too caught up in an opioid haze to care about a fellow member of its species.

I'm trying to keep you safe." Safe as a porcelain bowl wrapped in cotton linen and boxed up. It would be a lie to say she didn't want to feel safe, or that Nolan's worry didn't leave her feeling warm and even a bit precious. But it also left her feeling trapped, like an ornamental bird kept in a cage, its wings clipped.

FLIGHT OF FOLLY. WOMAN TRAPPED IN CAGE OF OPEN DOORS.

It’s dangerous to be grateful for the cage that traps you.

I’ve studied the humans for almost twenty years, Rachner. They’ve been traveling in space for hundreds of generations. They’ve seen so much, they’ve done so much…. The poor crappers think they know what is impossible. They’re free to fly between the stars, and their imagination is trapped in a cage they can’t even see.” The glowing streaks had passed across the

Two boys with intelligent minds trapped in bodies that would not cooperate, caged in cribs like toddlers living in an insane asylum... They were cheered by the tiniest of things... It was outrageous. Fortunately, time was something they had a great deal of and they made good use of it.

Irony got dangerous when it became a habit. Wallace quoted Lewis Hyde…”Irony has only emergency use. Carried over time, it is the voice of the trapped who have come to enjoy the cage.” Then he continued: This is because irony, entertaining as it is, serves an almost exclusively negative function. It’s critical and destructive, a ground clearing…. Irony’s singularly unuseful when it comes to constructing anything to replace the hypocrisies it debunks. That was it exactly—Irony was defeatist, timid, the telltale of a generation too afraid to say what it meant, and so in danger of forgetting it had anything to say.

Hurt has nothing to do with love, and love is unaffiliated with and unaffected by pain. We say, “My heart is full of love,” but love is not bound in our heart or our relationships, and thus, it is not caged and capable of being poked, taunted, or trapped. And no amount of love—no matter the pain or hurt—is ever

You burn to have your photograph in a tennis magazine.” “I’m afraid so.” “Why again exactly, now?” “I guess to be felt about as I feel about those players with their pictures in magazines.” “Why?” “Why? I guess to give my life some sort of meaning, Lyle.” “And how would this do this again?” “Lyle, I don’t know. I do not know. It just does. Would. Why else would I burn like this, clip secret pictures, not take risks, not sleep or pee?” “You feel these men with their photographs in magazines care deeply about having their photographs in magazines. Derive immense meaning.” “I do. They must. I would. Else why would I burn like this to feel as they feel?” “The meaning they feel, you mean. From the fame.” “Lyle, don’t they?” “LaMont, perhaps they did at first. The first photograph, the first magazine, the gratified surge, the seeing themselves as others see them, the hagiography of image, perhaps. Perhaps the first time: enjoyment. After that, do you trust me, trust me: they do not feel what you burn for. After the first surge, they care only that their photographs seem awkward or unflattering, or untrue, or that their privacy, this thing you burn to escape, what they call their privacy is being violated. Something changes. After the first photograph has been in a magazine, the famous men do not enjoy their photographs in magazines so much as they fear that their photographs will cease to appear in magazines. They are trapped, just as you are.” “Is this supposed to be good news? This is awful news.” “LaMont, are you willing to listen to a Remark about what is true?” “Okey-dokey.” “The truth will set you free. But not until it is finished with you.” “Maybe I ought to be getting back.” “LaMont, the world is very old. You have been snared by something untrue. You are deluded. But this is good news. You have been snared by the delusion that envy has a reciprocal. You assume that there is a flip-side to your painful envy of Michael Chang: namely Michael Chang’s enjoyable feeling of being-envied-by-LaMont-Chu. No such animal.” “Animal?” “You burn with hunger for food that does not exist.” “This is good news?” “It is the truth. To be envied, admired, is not a feeling. Nor is fame a feeling. There are feelings associated with fame, but few of them are any more enjoyable than the feelings associated with envy of fame.” “The burning doesn’t go away?” “What fire dies when you feed it? It is not fame itself they wish to deny you here. Trust them. There is much fear in fame. Terrible and heavy fear to be pulled and held, carried. Perhaps they want only to keep it off you until you weigh enough to pull toward yourself.” “Would I sound ungrateful if I said this doesn’t make me feel very much better at all?” “LaMont, the truth is that the world is incredibly, incredibly, unbelievably old. You suffer with the stunted desire caused by one of its oldest lies. Do not believe the photographs. Fame is not the exit from any cage.” “So I’m stuck in the cage from either side. Fame or tortured envy of fame. There’s no way out.” “You might consider how escape from a cage must surely require, foremost, awareness of the fact of the cage.

I have no liking for prisons, Master Li. Sometimes I suspect that we build our traps ourselves, then we back into them, pretending amazement the while. That this is the way of life, from the All-Highest down to the meanest creature in creation... But whether this is the case or no, it is still a worthy thing to open cages. It is still a virtuous act to free the imprisoned. Tools of course, can be the subtlest of traps. One day, I know, I must smash the emerald.

And at last, the wicked Queen's spell was broken, and the young woman, whom circumstance and cruelty had trapped in the body of a bird, was released from her cage. The cage door opened and the cuckoo bird fell, fell, fell, until finally her stunted wings opened, and she found that she could fly. With the cool sea breeze of her homeland buffeting the underside of her wings, she soared over the cliff edge and across the ocean. Towards a new land of hope, and freedom, and life. Towards her other half. Home.

River doesn’t let me finish my sentence as he gently pushes me back against the rail. His arms are extended on either side of me, he’s surrounding me, caging me in, but once again, I don’t feel trapped. He never moves his lips away from my neck as he repositions us. My breath is hitched and my heartbeat has doubled as I tilt my head back to allow him full access to my neck. He’s softly running a trail of kisses from my neck up to my mouth, slowly, lightly licking, softly sucking, until his lips finally meet mine.

Invading a statist society is like grabbing the cages of a large number of trapped chickens – you get all of the eggs in perpetuity. Invading a stateless society is like taking a sprint at a flock of seagulls – all they do is scatter, and you get nothing, except perhaps some crap on your forehead.

TV irony changed in post-modern times. Irony, which exploits the difference between what is said and what is meant, and between how things appear and how they really are, used to be a reliable trope for exposing hypocrisy. Post-modern irony is not liberating, but rather imprisoning. Wallace quoted the poet and philosopher Lewis Hyde: ‘Irony has only emergency use. Carried over time, it is the voice of the trapped who have come to enjoy their cage.

I had a theory for a while, but I had to let it go. It was wasting away in captivity. It sat there in the cage of my brain and wouldn't eat. When I had first trapped it it was beautiful and wild and amused everyone. "Too much attention," the vet said. It wasn't cut out for that kind of life. "Smart

It’s not a rhetorical mode that wears well. As Hyde (whom I pretty obviously like) puts it, “Irony has only emergency use. Carried over time, it is the voice of the trapped who have come to enjoy their cage.” 32 This is because irony, entertaining as it is, serves an almost exclusively negative function. It’s critical

Growing old is to be set free, Brother. It is aslow and long-simmering process that extracts from you what you are really made of. But it requires acceptance. You cannot put a flailing chicken in a boiling pot. You must accept the heat and the pain with serenity so that the full flavors of your life may be released. You may see this as decay, and it is. But it is also much more than that. As the body rots, so does the cage that traps us in our worldly concerns. When my legs became too weak to carry my body, I stopped pacing with worry. When my fingers became twisted, I stopped pointing blame. When I lost my sight, I stopped seeing illusions. It may be dark in the pot that I am simmering in, but I can see more clearly than I have ever seen in my life. I can see you, Brother, and I know who you are.

Though fairy tales end after ten pages, our lives do not. We are multi-volume sets. In our lives, even though one episode amounts to a crash and burn, there is always another episode awaiting us and then another. There are always more opportunities to get it right, to fashion our lives in the ways we deserve to have them. Don’t waste your time hating a failure. Failure is a greater teacher than success. Listen, learn, go on. That is what we are doing with this tale. We are listening to its ancient message. We are learning about deteriorative patterns so we can go on with the strength of one who can sense the traps and cages and baits before we are upon them or caught in them.

The course she was on was as fixed and unalterable as the trajectory of a bullet, but you could see she did not believe that. No one in the life ever believed it. They saw a dozen, a hundred, a thousand people precede them into the trap, saw how unvarying and pitiless the end was, and with all that fresh in their minds they did the same, of their own free will.

They killed us with traps. They killed us with poisons. They killed us with snares. They killed us with guns. They killed us with knives. They strangled us. They trampled us. They tore us apart with hounds. They baited steel-jawed traps. They starved us out. They burned us alive. They withheld water. They killed all our prey. They slit our throats. They filled in our burrows. They drowned us. They trampled us under horses’ hooves. They bred us for fur and bludgeoned us to death. They kept us in cages so small with so many we burst apart. They suffocated us with poison gas. They strangled us. They put us in sacks and beat us with clubs. They cut out our tongues so we bled to death. They skinned us alive. They detonated rock and stopped our hearts all unknowing. They swung us by our tails and smashed our skulls against stones. They murdered us in each and every year. They murdered us on each and every day.

I caught a red bird once, I fell in love with her, Took the red bird home with me, I saw her eyes, at saw my peace, I love the red bird much, I cut her wings, I wanted the bird to stay, I made a cage for her, No wings, and trapped, the red bird cried, I saw her eyes in pain; it broke my heart to see, I was the one to blame, for the red bird’s pain, It grew back its wings, no longer in the cage, She looked at me once more, spread its wings and left, I loved that red bird still; I wish she was with me But now I know for sure , her pain was caused by me.

I drove through the suburbs, where all the houses looked identical, one variation of another of the same thing. I said to myself, I’d rather fire myself from a cannon, pick up the shit of elephants and eat it, suffocate inside Houdini’s water tank, lie beneath the running horses, or sodomise a big cat in a cage and pay the consequences than get trapped in these suburbs of cardboard, gossip, and conformity.

Are you trying to live a safe life? The word safe is both an adjective and a noun. As an adjective it means “being free from danger.” As a noun it’s “an enclosed storage container with a lock.” If you’re living the adjective, you’re living the noun. Don’t trap yourself in a cage of false security by trying to avoid rejection. In the long run, building your courage is a smarter choice than running from imaginary dangers.

When I see you, Jolie, I see a woman who is far more than she realizes but who will someday grow into her powers. One who is much stronger than those who would trap her inside their cages or try to put her to harness. One with a bold intelligence, with whom I can laugh. One who surprises me." He paused, and when he spoke again, his voice was so soft I had to strain to hear. "I see a woman who makes me feel alive again, like a man, and not like a wraith who has lived beyond his usefulness in a world that no longer needs him.

One clue’s to be found in the fact that irony is still around, bigger than ever after 30 long years as the dominant mode of hip expression. It’s not a rhetorical mode that wears well. As Hyde (whom I pretty obviously like) puts it, “Irony has only emergency use. Carried over time, it is the voice of the trapped who have come to enjoy their cage.” 32 This is because irony, entertaining as it is, serves an almost exclusively negative function. It’s critical and destructive, a ground-clearing. Surely this is the way our postmodern fathers saw it. But irony’s singularly unuseful when it comes to constructing anything to replace the hypocrisies it debunks. This is why Hyde seems right about persistent irony being tiresome. It is unmeaty. Even gifted ironists work best in sound bites. I find gifted ironists sort of wickedly fun to listen to at parties, but I always walk away feeling like I’ve had several radical surgical procedures. And as for actually driving cross-country with a gifted ironist, or sitting through a 300 page novel full of nothing but trendy sardonic exhaustion, one ends up feeling not only empty but somehow… oppressed. Think, for a moment, of Third World rebels and coups. Third World rebels are great at exposing and overthrowing corrupt hypocritical regimes, but they seem noticeably less great at the mundane, non-negative task of then establishing a superior governing alternative. Victorious rebels, in fact, seem best at using their tough, cynical rebel-skills to avoid being rebelled against themselves—in other words, they just become better tyrants.

She dances, She dances around the burning flames with passion, Under the same dull stars, Under the same hell with crimson embers crashing, Under the same silver chains that wires, All her beauty and who she is inside, She's left with the loneliness of human existence, She's left questioning how she's survived, She's left with this awakening of brutal resilience, Her true beauty that she denies, As much she's like to deny it, As much as it continues to shine, That she doesn't even have to admit, Because we all know it's true, Her glory and success, After all she's been through, Her triumph and madness, AND YET, SHE STANDS. Broken legs- but she's still standing, Still dancing in this void, You must wonder how she's still dancing, You must wonder how she's not destroyed, She doesn't even begin to drown within the flames, But little do you realize, Within these chains, She weeps and she cries, But she still goes on, And just you thought you could stop her? You thought you'd be the one? Well, let me tell you, because you thought wrong. Nothing will ever silence her, Because I KNOW, I know that she is admiringly strong, Her undeniable beauty, The triumph of her song, She's shining bright like a ruby, Reflecting in the golden sand, She's shining brighter like no other, She's far more than human or man, AND YET, SHE STANDS. She continues to dance with free-spirit, Even though she's locked in these chains, Though she never desired to change it, Even throughout the agonizing pain, Throughout all the distress, Anxiety, depression, tears and sorrow, She still dances so beautify in her dress, She looks forward to tomorrow, Not because of a fresh start but a new page, A new day full of opportunities, Despite being trapped in her cage, She still smiles after being beaten so brutally, A smile that could brighten anyone's day, She's so much more than anyone could ask for, She's so much more than I could ever say, She's a girl absolutely everyone should adore, She never gets in the way, Even after her hearts been broken, Even after the way she has been treated, After all these severe emotions, After all all the blood she's bled, AND YET, SHE STANDS. Even if sometimes she wonders why she's still here, She wonders why she's not dead, But there's this one thing that had been here throughout every tear, Throughout the blazing fire leaving her cheeks cherry red, Everyday this thing has given her a place to exist, This thing, person, these people, Like warm sunlight it had so softly kissed, The apples of her cheeks, Even when she's feeling feeble, Always there at her worst and at her best Because of you and all the other people, She has this thing deep inside her chest, That she will cherish forever, Even once you're gone, Because today she smiles like no other, Even when the sun sets at dawn, Because today is the day, She just wants you to remember, In dark and stormy weather, It gets better. And after what she's been through she knows, Throughout the highs and the lows, Because of you and all others, After crossing the seas, She has come to understand, You have formed this key, This key to free her from this land, This endless gorge that swallowed her, Her and other men, She had never knew, nor had she planned, That because of you, She's free. AND YET, THIS VERY DAY, SHE DANCES. EVEN IN THE RAIN.

nothing but a testament of his ownership of me. A daily reminder of the golden cage I’d be trapped in for the rest of my life. Until death do us part wasn’t an empty promise as with so many other couples that entered the holy bond of marriage. There was no way out of this union for me. I was Luca’s until the bitter end. The last few words of the oath that men swore when they were inducted into the mafia could just as well have been the closing of my wedding vow: “I enter alive and I will have to get out dead.” I should have run when I still had the chance.

If you imagine complex, challenging possibilities, your brain will adapt to them. Much like a tiger trapped in a zoo exhibits repetitive displacement behavior, if you cage your imagination within the bars of the dull and neurotic, which often portray one’s fears more than they do an empirical “truth,” then your brain will adapt to these imagined meanings, too. Like the sad tiger pacing back and forth within its puny cage, your brain too will ruminate cyclically upon destructive meanings, and in doing so make them more significant than they might need to be. This present perceptual meaning becomes part of your future history of meanings, together with the meaning (and re-meanings) of past events, thus shaping your future perception. If you don’t want to let received contexts limit possibility, then you need to walk in the darkest forest of all—the one in your own skull—and face down the fear of ideas that challenge.

With a glance back towards the house, he pulled the secret sketches from within. He'd been working at them on and off for a fortnight now, ever since he'd come across Cousin Eliza's fairy tales among Rose's things. Though they were written for children, magical stories of bravery and morality, they had made their way beneath his skin. The characters had seeped inside his mind and come alive, their simple wisdom a balm for his swirling mind, his ugly adult troubles. He had found himself in moments of distraction scribbling lines that had turned themselves into a crone at a spinning wheel, the Fairy Queen with her long thick plait, the Princess bird trapped in her golden cage.

The unfortunate reality we must face is that racism manifests itself not only in individual attitudes and stereotypes, but also in the basic structure of society. Academics have developed complicated theories and obscure jargon in an effort to describe what is now referred to as structural racism, yet the concept is fairly straightforward. One theorist, Iris Marion Young, relying on a famous “birdcage” metaphor, explains it this way: If one thinks about racism by examining only one wire of the cage, or one form of disadvantage, it is difficult to understand how and why the bird is trapped. Only a large number of wires arranged in a specific way, and connected to one another, serve to enclose the bird and to ensure that it cannot escape.11 What is particularly important to keep in mind is that any given wire of the cage may or may not be specifically developed for the purpose of trapping the bird, yet it still operates (together with the other wires) to restrict its freedom. By the same token, not every aspect of a racial caste system needs to be developed for the specific purpose of controlling black people in order for it to operate (together with other laws, institutions, and practices) to trap them at the bottom of a racial hierarchy. In the system of mass incarceration, a wide variety of laws, institutions, and practices—ranging from racial profiling to biased sentencing policies, political disenfranchisement, and legalized employment discrimination—trap African Americans in a virtual (and literal) cage. Fortunately,

He is the butcher who showed me how the price of flesh is love; skin the rabbit, he says! Off come my clothes. He makes his whistles out of an elder twig and that is what he uses to call the birds out of the air - all the birds come; and the sweetest singers he will keep in cages. He could thrust me into the seed-bed of next year's generation and I would have to wait until he whistled me up from my darkness before I could come back again. His skin is the tint and texture of sour cream, he has stiff, russet nipples ripe as berries. Like a tree that bears bloom and fruit on the same bough together, how pleasing, how lovely. I feel your sharp teeth in the subaqueous depths of your kisses. You sink your teeth into my throat and make me scream. His embraces were his enticements and yet, oh yet! they were the branches of which the trap itself was woven. I shall take two huge handfuls of his rustling hair as he lies half dreaming, half waking, and wind them into ropes, very softly, so he will not wake up, and, softly, with hands as gentle as rain, I shall strangle him with them.

Sometimes the wars in Iraq and Afghanistan are presented as a hunting expeditions (“As British close in on Basra, Iraqis scurry away”; “Terror hunt snares twenty-five”; and “Net closes around Bin Laden”) with enemy bases as animal nests (“Pakistanis give up on lair of Osama”; “Terror nest in Fallujah is attacked”) from which the prey must be driven out (“Why Bin Laden is so difficult to smoke out”; “America’s new dilemma: how to smoke Bin Laden out from caves”). We need to trap the animal (“Trap may net Taliban chief”; “FBI terror sting nets mosque leaders”) and lock it in a cage (“Even locked in a cage, Saddam poses serious danger”). Sometimes the enemy is a ravening predator (“Chained beast—shackled Saddam dragged to court”), or a monster (“The terrorism monster”; “Of monsters and Muslims”), while at other times he is a pesky rodent (“Americans cleared out rat’s nest in Afghanistan”; “Hussein’s rat hole”), a venomous snake (“The viper awaits”; “Former Arab power is ‘poisonous snake’”), an insect (“Iraqi forces find ‘hornet’s nest’ in Fallujah”; “Operation desert pest”; “Terrorists, like rats and cockroaches, skulk in the dark”), or even a disease organism (“Al Qaeda mutating like a virus”; “Only Muslim leaders can remove spreading cancer of Islamic terrorism”). In any case, they reproduce at an alarming rate (“Iraq breeding suicide killers”; “Continent a breeding ground for radical Islam”).

She dances, She dances around the burning flames with passion, Under the same dull stars, Under the same hell with crimson embers crashing, Under the same silver chains that wires, All her beauty and who she is inside, She's left with the loneliness of human existence, She's left questioning how she's survived, She's left with this awakening of brutal resilience, Her true beauty that she denies, As much she's like to deny it, As much as it continues to shine, That she doesn't even have to admit, Because we all know it's true, Her glory and success, After all she's been through, Her triumph and madness, AND YET, SHE STANDS. Broken legs- but she's still standing, Still dancing in this void, You must wonder how she's still dancing, You must wonder how she's not destroyed, She doesn't even begin to drown within the flames, But little do you realize, Within these chains, She weeps and she cries, But she still goes on, And just you thought you could stop her? You thought you'd be the one? Well, let me tell you, because you thought wrong. Nothing will ever silence her, Because I KNOW, I know that she is admiringly strong, Her undeniable beauty, The triumph of her song, She's shining bright like a ruby, Reflecting in the golden sand, She's shining brighter like no other, She's far more than human or man, AND YET, SHE STANDS. She continues to dance with free-spirit, Even though she's locked in these chains, Though she never desired to change it, Even throughout the agonizing pain, Throughout all the distress, Anxiety, depression, tears and sorrow, She still dances so beautify in her dress, She looks forward to tomorrow, Not because of a fresh start but a new page, A new day full of opportunities, Despite being trapped in her cage, She still smiles after being beaten so brutally, A smile that could brighten anyone's day, She's so much more than anyone could ask for, She's so much more than I could ever say, She's a girl absolutely everyone should adore, She never gets in the way, Even after her hearts been broken, Even after the way she has been treated, After all these severe emotions, After all all the blood she's bled, AND YET, SHE STANDS. Even if sometimes she wonders why she's still here, She wonders why she's not dead, But there's this one thing that had been here throughout every tear, Throughout the blazing fire leaving her cheeks cherry red, Everyday this thing has given her a place to exist, This thing, person, these people, Like warm sunlight it had so softly kissed, The apples of her cheeks, Even when she's feeling feeble, Always there at her worst and at her best Because of you and all the other people, She has this thing deep inside her chest, That she will cherish forever, Even once you're gone, Because today she smiles like no other, Even when the sun sets at dawn, Because today is the day, She just wants you to remember, In dark and stormy weather, It gets better. And after what she's been through she knows, Throughout the highs and the lows, Because of you and all others, After crossing the seas, She has come to understand, You have formed this key, This key to free her from this land, This endless gorge that swallowed her, Her and other men, She had never knew, nor had she planned, That because of you, She's free. AND YET, THIS VERY DAY, SHE STILL DANCES, EVEN IN THE RAIN.

You’ve got spirit, I’ll give you that,” Ezmia said. “Perhaps this will humble you.” Ezmia placed the glass jar she had been carrying on a small table close to Charlotte’s cage. Charlotte was horrifed to see a miniature ghostly version of the Fairy Godmother trapped inside. “That’s my… my… grandmother!” Charlotte said, almost forgetting she was still pretending to be her own daughter. “What have you done to her?” A smile appeared on Ezmia’s face, matching the satisfaction in her eyes. “I captured her soul,” she said. The thought almost made Charlotte sick. She’d had no idea such a thing was possible, even in the fairy-tale world. “What do you want with her soul?” Charlotte asked. “It’s a bit of a hobby of mine, actually,” Ezmia said and walked to her fireplace. Displayed proudly on the mantel were five other turquoise jars, each containing a ghostly substance. “You’re a soul collector?” Charlotte asked. “Is it to make up for being soulless?” “What a clever play on words,” Ezmia said mockingly. “You know that phrase forgive and forget? Well, I always disagreed with it—I found it impossible, actually. People would do me wrong and then forget about me, as if their actions didn’t matter—because I didn’t matter. How was I supposed to forgive people like that?” “So you imprisoned their souls instead of forgiving?” Charlotte said. “Precisely,” Ezmia said. “I found taking away their life force to be much more appealing than simply forgiving. To forgive would be to allow them to continue living their lives, free of consequence. But by taking their souls and preventing them from all future happiness, I could heal and find peace.” Charlotte couldn’t believe what she was hearing. “Do you honestly expect anyone to sympathize with that?” Charlotte asked her. Ezmia stared into the fire at the burning skulls, almost in a trance. “I don’t want the world to understand; I want it to grovel,” she said. The confession made Charlotte’s heart heavier. She wondered if she would ever escape the clutches of a person who thought like this. But thinking about her children, Bob, and the life she had been stolen from gave Charlotte the strength to survive the Enchantress’s imprisonment. “I find it hard to believe that the Fairy Godmother, who is known for her generosity, would harm you in any way,” Charlotte said. “Sometimes help can be just as destructive as harm,” Ezmia said. “But I imagine someone who helps for a