Trap Queen Quotes

We've searched our database for all the quotes and captions related to Trap Queen. Here they are! All 100 of them:

Little blossom trapped in between, wearing malice like a queen; hide the truth, be cruel and tart, still all the more, you rule my heart.
A.G. Howard (Unhinged (Splintered, #2))
Oh, that," said the king with a shrug. "That isn't your honor, Costis. That's the public perception of your honor. It has nothing to do with anything important, except perhaps for manipulating fools who mistake honor for its bright, shiny trappings. You can always change the perceptions of fools.
Megan Whalen Turner (The King of Attolia (The Queen's Thief, #3))
but I think of Cardan lying beside me on the floor of the royal rooms. I think of his quicksilver smile. I think of how he would hate to be trapped like this. How unfair it would be for me to keep him this way and call it love. You already know how to end the curse. “I do love you,” I whisper. “I will always love you.
Holly Black (The Queen of Nothing (The Folk of the Air, #3))
I did what I have been told to do by my queen. In so doing, I fell into a trap I couldn't escape. I still can't." "The trap of LUUUUVVVV, I thought sarcastically. But he was too serious, too calm, to mock.
Charlaine Harris (From Dead to Worse (Sookie Stackhouse, #8))
This is where you first failed us. You gave us minds and told us not to think. You gave us curiosity and put a booby-trapped tree right in front of us. You gave us sex and told us not to do it. You played three-card monte with our souls from day one, and when we couldn't find the queen, you sent us to Hell to be tortured for eternity. That was your great plan for humanity? All you gave us here was daisies and fairy tales and you acted like that was enough. How were we supposed to resist evil when you didn't even tell us about it?
Richard Kadrey (Aloha from Hell (Sandman Slim, #3))
Maven is a talented liar, and I don't trust a single word he speaks. Even if he was telling the truth. Even if he is a product of his mother's meddling, a thorned flower forced to grow a certain way. That doesn't change things. I can't forget everything he's done to me and so many others. When I first met him, I was seduced by his pain. He was the boy in shadow, a forgotten son. I saw myself in him. Second always to Gisa, the bright star in my parents' world. I know now that was by design. He caught me back then, ensnaring me in a prince's trap. Now I'm in a king's cage. But so is he. My chains are Silent Stone. His is the crown.
Victoria Aveyard (King's Cage (Red Queen, #3))
Oppressing you, trapping you in an endless cycle of poverty and death, just because we think you are different from us? That is not right. And as any student of history can tell you, it will end poorly.
Victoria Aveyard (Red Queen (Red Queen, #1))
She stepped closer to the prince's horse. "Dorian," she said. A command and a challenge. Sapphire eyes snapped to hers. No trace of otherworldly darkness. Just a man trapped inside.
Sarah J. Maas
The nice thing about the queen of Flanders' daughter, had been that she did not laugh at him. A lot of people laughed at you when you went after the Questing Beast - and never caught it - but Piggy never laughed. She seemed to understand at once how interesting it was, and made several sensible suggestions about the way to trap it. Naturally, one did not pretend to be clever or anything, but it was nice not to be laughed at. One was doing one's best.
T.H. White (The Once and Future King)
You are Fire! Don’t believe these mere mortals. They want to put you on a pedestal and sing paeans to you; later they would burn you in the altar of that same fire! Stand away and stand alone! You are limitless! But these mortals can only limit your sky! You are the Universe! But they will only give you a little space! Break free! It’s a trap! They want to cage you! Because, they are afraid of your real power! You are a woman. You are the fire! You are all conquering. You are all powerful! You are Supreme! You were not born to be a mere beauty queen!!
Avijeet Das
The queen bee's life is totally overrated. All she does is lay eggs, lay eggs. She takes one nuptial flight. That one stuns her with enough fertile power to be trapped in the hive forever. The workers—the sexually undeveloped females—have the best life. They have fields of flowers to roll in. Imagine turning over and over inside a rose.
Frances Mayes (Under the Tuscan Sun)
He’d fallen in the trap before of believing she had the cold soul of an ice queen, but moments like these, it seemed more like she’d been encased a long time ago and couldn’t break free.
Katherine McIntyre (Rising for Autumn (Philadelphia Coven Chronicles #3))
The dark queen knows darkness, but in the black, the claustrophobic fear of the dreamer snags her, tries to overtake her. She is the darkness, though. She has nothing to fear there. She cannot be trapped.
Kiersten White (The Guinevere Deception (Camelot Rising, #1))
He caught me back then, ensnaring me in a prince’s trap. Now I’m in a king’s cage. But so is he. My chains are Silent Stone. His is the crown.
Victoria Aveyard (King's Cage (Red Queen, #3))
No wonder they mistake this for peace. I want to scream at every Red face I pass. I want to carve the words on my body so everyone has to see. Trap. Lie. Conspiracy.
Victoria Aveyard (King's Cage (Red Queen, #3))
What was it like?" I ask. "Being a serpent." He hesitates. "It was like being trapped in the dark," he says. "I was alone, and my instinct was to lash out. I was perhaps not entirely an animal, but neither was I myself. I could not reason. There was only feelings--hatred and terror and the desire to destroy." I start to speak, but he stops me with a gesture. "And you." He looks at me, his lips curving in something that's not quite a smile; it's more and less than that. "I knew little else, but I always knew you." And when he kisses me, I feel as though I can finally breathe again.
Holly Black (The Queen of Nothing (The Folk of the Air, #3))
When a straight man puts on a dress and gets his sexual kicks, he is a transvestite. When a man is a woman trapped in a man's body and has a little operation, he is a Transsexual. When a gay man has WAY too much fashion sense for one gender he is a drag queen. And when a tired little Latin boy puts on a dress, he is simply a boy in a dress!
Tirumalai S. Srivatsan
Tell the world what scares you the most” says Brandy. She gives us each an Aubergine Dreams eyebrow pencil and says “Save the world with some advice from the future” Seth writes on the back of a card and hands the card to Brandy for her to read. On game shows, Brandy reads, some people will take the trip to France, but most people will take the washer dryer pair.” Brandy puts a big Plumbago kiss in the little square for the stamp and lets the wind lift and card and sail it off toward the towers of downtown Seattle. Seth hands her another, and Brandy reads: Game shows are designed to make us feel better about the random useless facts that are all we have left from our education” A kiss and the card’s on it’s way toward Lake Washington. From Seth: When did the future switch from being a promise to being a threat?” A kiss and it’s off on the wind toward Ballard. Only when we eat up this planet will God give us another. We’ll be remembered more for what we destroy than what we create.” Interstate 5 snakes by in the distance. From high atop the Space Needle, the southbound lanes are red chase lights, and the northbound lanes are white chase lights. I take a card and write: I love Seth Thomas so much I have to destroy him. I overcompensate by worshipping the queen supreme. Seth will never love me. No one will ever love me ever again. Beandy is waiting to rake the card and read it out loud. Brandy’s waiting to read my worst fears to the world, but I don’t give her the card. I kiss it myself with the lips I don’t have and let the wind take it out of my hand. The card flies up, up, up to the stars and then falls down to land in the suicide net. While I watch my future trapped in the suicide net Brandy reads another card from Seth. We are all self-composting” I write another card from the future and Brandy reads it: When we don’t know who to hate, we hate ourselves” An updraft lifts up my worst fears from the suicide net and lifts them away. Seth writes and Brandy reads. You have to keep recycling yourself”. I write and Brandy reads. Nothing of me is original. I am the combined effort of everybody I’ve ever known.” I write and Brandy reads. The one you love and the one who loves you are never ever the same person.
Chuck Palahniuk (Invisible Monsters)
Here we are on top of the world. We have arrived at this peak to stay there forever. There is, of course, this thing called history. But history is something unpleasant that happens to other people. —Arnold Toynbee, recalling the 1897 diamond jubilee celebration of Queen Victoria   Like other practicing historians, I am often asked what the “lessons of history” are. I answer that the only lesson I have learnt from studying the past is that there are no permanent winners and losers. —Ramachandra Guha
Graham Allison (Destined For War: Can America and China Escape Thucydides's Trap?)
I'm a drag queen. I'm a celebrity trapped in a normal person's body.
Josh Kilmer-Purcell (I Am Not Myself These Days)
Beauty to beguile, spies to ensnare, and gold, always gold, to tempt, to trap, to control.
Karen Azinger (The Steel Queen (The Silk & Steel Saga, #1))
You think I’m perfect, but I feel like a songbird trapped in a cage.
Christina L. Barr (The Queen)
Sometimes we women are our own worst traps. Our hopes snatch us like quicksand. Our loneliness forges a cage. Sometimes all it takes is one sweet glance and kind word to make us forget ourselves.
Roshani Chokshi (Star-Touched Stories (The Star-Touched Queen, #2.5))
Well, not anymore, Tsunami thought fiercely. Even Queen Coral would have to believe the truth once she saw the statue as it was now. Marble Orca, once serene and regal on her pedestal, was trapped by the spear in battle position. Her
Tui T. Sutherland (The Lost Heir (Wings of Fire, #2))
When you trap people for hundreds of years, make their lives a living hell, they're bound to get antsy. And furious. And so white folks think the harder they make it for us to live, the longer they'll be able to put off a revolution.
Daven McQueen (The Invincible Summer of Juniper Jones)
He’d taken pride in making Ketterdam his. He’d laid the traps, set the fires, put his boot to the necks of all those who’d challenged him, and reaped the rewards of his boldness. Most of the opposition had fallen, easy pickings, the occasional challenge almost welcome for the excitement it brought. He’d broken the Barrel to his whim, written the rules of the game to his liking, rewritten them at will. The problem was that the creatures who had managed to survive the city he’d made were a new kind of misery entirely—Brekker, his Wraith queen, his rotten little court of thugs. A fearless breed, hard-eyed and feral, hungrier for vengeance than gold. Do you like life, Rollins? Yes, he did, very much indeed, and he intended to go on living for a good long time. Pekka would count his money. He would raise his son. He’d find himself a good woman or two or ten. And maybe, in the quiet hours, he’d raise a glass to men like him, to his fellow architects of misfortune who had helped raise Brekker and his crew. He’d drink to the whole sorry lot of them, but mostly to the poor fools who didn’t know what trouble was coming.
Leigh Bardugo (Crooked Kingdom (Six of Crows, #2))
And at last, the wicked Queen's spell was broken, and the young woman, whom circumstance and cruelty had trapped in the body of a bird, was released from her cage. The cage door opened and the cuckoo bird fell, fell, fell, until finally her stunted wings opened, and she found that she could fly. With the cool sea breeze of her homeland buffeting the underside of her wings, she soared over the cliff edge and across the ocean. Towards a new land of hope, and freedom, and life. Towards her other half. Home.
Kate Morton (The Forgotten Garden)
Fuck this place and fuck your games. This is where you first failed us. You gave us minds and told us not to think. You gave us curiosity and put a booby-trapped tree right in front of us. You gave us sex and told us not to do it. You played three-card monte with our souls from day one, and when we couldn’t find the queen, you sent us to Hell to be tortured for eternity. That was your great plan for humanity? Whatever
Richard Kadrey (Aloha from Hell (Sandman Slim, #3))
I let go of him and remain standing. I promised myself I would do this, if I ever had the chance again.. I promised I would do this the first moment I could. 'I love you,' I say, the words coming out in an unintelligible rush. Cardan looks taken aback. Or possibly I spoke so fast he's not even sure what I said. 'You need not say it out of pity,' he says finally, with great deliberateness. 'Or because I was under a curse. I have asked you to lie to me in the past, in this very room, but I would beg you not to lie now.' My cheeks heat at the memory of those lies. 'I have not made myself easy to love,' he says, and I hear the echo of his mother's words in his. When I imagined telling him, I thought I would say the words, and it would be like pulling off a bandage- painful and swift. But I didn't think he would doubt me. 'I first started liking you when we went to talk to the rulers of the low Courts,' I say. 'You were funny, which was weird. And when we went to Hollow Hall, you were clever. I kept remembering how you'd been the one to get us out of the brugh after Dain's coronation, right before I put the knife to your throat.' He doesn't try to interrupt, so I have to choice but to barrel on. 'After I tricked you into being High King,' I say. 'I thought once you hated me, I could go back to hating you. But I didn't. And I felt so stupid. I thought I would get my heart broken. I thought it was a weakness that you would use against me. But then you saved me from the Undersea when it would have been much more convenient to just leave me to rot. After that, I started to hope my feelings were returned. But then there was the exile-' I take a ragged breath. 'I hid a lot, I guess. I thought if I didn't, if I let myself love you, I would burn up like a match. Like the whole matchbook.' 'But now you've explained it,' he says. 'And you do love me.' 'I love you,' I confirm. 'Because I am clever and funny,' he says, smiling. 'You didn't mention my handsomeness.' 'Or your deliciousness,' I say. 'Although those are both good qualities.' He pulls me to him, so that we're both lying on the couch. I look down at the blackness of his eyes and the softness of his mouth. I wipe a fleck of dried blood from the top of one pointed ear. 'What was it like?' I ask. 'Being a serpent.' He hesitates. 'It was like being trapped in the dark,' he says. 'I was alone, and my instinct was to lash out. I was perhaps not entirely an animal, but neither was I myself. I could not reason. There was only feelings- hatred and terror and the desire to destroy.' I start to speak, but he stops me with a gesture. 'And you.' He looks at me, his lips curving in something that's not quite a smile; it's more and less than that. 'I knew little else, but I always knew you.' And when he kisses me, I feel as though I can finally breathe again.
Holly Black (The Queen of Nothing (The Folk of the Air, #3))
I’m not a ghost trapped in purgatory, nor a girl waiting for men to decide her fate. White queen to E6. I’m coming for you,
Amerie (Because You Love to Hate Me: 13 Tales of Villainy)
I think of how he would hate to be trapped like this. How unfair it would be for me to keep him this way and call it love.
Holly Black (The Cruel Prince / The Wicked King / The Queen of Nothing / How the King of Elfhame Learned to Hate Stories (The Folk of the Air, #1-3.5))
I want to die or be trapped on a deserted island with David Wolfenbaker. One or the other, but I've got to get out of homeroom.
Alecia Whitaker (The Queen of Kentucky)
I did not seek love with Thomas, but I did not resist it. And now I am trapped in desire like a butterfly with its feet in honey, and the more I struggle, the deeper I sink.
Philippa Gregory (The Taming of the Queen (The Plantagenet and Tudor Novels, #11))
And please watch over the babies trapped in limbo. In the name of the Father, Son and the Holy Spirit, amen.
Sierra Simone (American Queen (New Camelot Trilogy, #1))
Little blossom trapped in between, wearing malice like a queen; hide the truth, be cruel and tart, still all the more, you rule my heart.
A.G. Howard (Unhinged (Splintered, #2))
A man casts a million shadows, and yet you trap him within such a singular opinion. You
Mark Lawrence (The Liar's Key (The Red Queen's War, #2))
We’re following a guide we know nothing about. How do we know which side that bird is on? Why shouldn’t it be leading us into a trap?” “That’s a nasty idea. Still--a robin, you know. They’re good birds in all the stories I’ve ever read. I’m sure a robin wouldn’t be on the wrong side.” “If it comes to that, which is the right side? How do we know that the fauns are in the right and the Queen (yes, I know we’ve been told she’s a witch) is in the wrong? We don’t really know anything about either.” “The Faun saved Lucy.” “He said he did, But how do we know? And there’s another thing too. Has anyone the least idea of the way home from here?” “Great Scott!” said Peter. “I hadn’t thought of that.” “And no chance of dinner, either,” said Edmund.
C.S. Lewis (The Chronicles of Narnia The Lion, the Witch & the Wardrobe)
Inside the carriage, Cardan slumps. I stare at him, at the blood drying in tide lines over his body and crusting in his curls like tiny garnets. I force myself to look out the window instead. 'How long have I-' he hesitates. 'Not even three days,' I tell him. 'Barely any time at all.' I do not mention how long it has seemed. Nor do I say how he might have been trapped as a serpent for all time, bridled and bound. Or dead.
Holly Black (The Queen of Nothing (The Folk of the Air, #3))
Horns and hounds awake the princely train; and issue early through the city gate, There more wakeful huntsmen ready wait, with nets and darts beside swift horse, and spartan dogs. Come the Tyrian peers and officers of state for the slow queen in antechambers waits; Her lofty courser in the court below who his majestic rider seems to know, proud of his purple trappings he paws the ground and champs the golden bit to spread the foam around. Queen Dido at length appears; flowered simar with golden fringe adorned, and at her back a golden quiver bore; her flowing hair a golden caul restrains, a golden clasp the Tyrian robe sustains.
Virgil (The Aeneid)
The ancient house is our chrysalis, trapping us until our metamorphosis is complete: our chic city wings plucked from our backs and we'll emerge as fat, white farm larvae. Like the ones living in the corral cow pies.
Mix Hart (Queen of the Godforsaken)
Let kings stack their treasure houses ceiling-high, and merchants burst their vaults with hoarded coin, and fools envy them. I have a treasure that outvalues theirs. A diamond as big as a man’s skull. Twelve rubies each as big as the skull of a cat. Seventeen emeralds each as big as the skull of a mole. And certain rods of crystal and bars of orichalcum. Let Overlords swagger jewel-bedecked and queens load themselves with gems, and fools adore them. I have a treasure that will outlast theirs. A treasure house have I builded for it in the far southern forest, where the two hills hump double, like sleeping camels, a day’s ride beyond the village of Soreev. “A great treasure house with a high tower, fit for a king’s dwelling—yet no king may dwell there.  Immediately below the keystone of the chief dome my treasure lies hid, eternal as the glittering stars. It will outlast me and my name, I, Urgaan of Angarngi. It is my hold on the future. Let fools seek it. They shall win it not. For although my treasure house be empty as air, no deadly creature in rocky lair, no sentinel outside anywhere, no pitfall, poison, trap, or snare, above and below the whole place bare, of demon or devil not a hair, no serpent lethal-fanged yet fair, no skull with mortal eye a-glare, yet have I left a guardian there. Let the wise read this riddle and forbear.
Fritz Leiber (Swords Against Death (Lankhmar, 2))
With a glance back towards the house, he pulled the secret sketches from within. He'd been working at them on and off for a fortnight now, ever since he'd come across Cousin Eliza's fairy tales among Rose's things. Though they were written for children, magical stories of bravery and morality, they had made their way beneath his skin. The characters had seeped inside his mind and come alive, their simple wisdom a balm for his swirling mind, his ugly adult troubles. He had found himself in moments of distraction scribbling lines that had turned themselves into a crone at a spinning wheel, the Fairy Queen with her long thick plait, the Princess bird trapped in her golden cage.
Kate Morton (The Forgotten Garden)
It strikes her suddenly how it must have been for those men trapped in the bowels of that great ship, sinking down to their watery grave, and how they are all the same when it comes to the end of it. From the Vice-Admiral right down to the lad who scrubs the decks - when you go, you are brought to nothing, regardless of how high you have climbed.
Elizabeth Fremantle (Queen's Gambit (The Tudor Trilogy, #1))
There are plenty of people who feel trapped in the mirror and could use all the advice you've been storing." "But why me?" Evly asked. "Surely there are much more suitable candidates than an evil queen." "Well, maybe not," Froggy said. "Maybe you were meant to go through all that pain and heartbreak so you could save others from their own. Maybe the Evil Queen is just a chapter in your life and not the whole story. Maybe the world has dreamed bigger plans for you than you've dreamed for yourself.
Chris Colfer (Worlds Collide (The Land of Stories, #6))
What was it like?' I ask. 'Being a serpent.' He hesitates. 'It was like being trapped in the dark,' he says. 'I was alone, and my instinct was to lash out. I was perhaps not entirely an animal, but neither was I myself. I could not reason. There were only feelings- hatred and terror and the desire to destroy.' I start to speak, but he stops me with a gesture. 'And you.' He looks at me, his lips curving in something that's not quite a smile; it's more and less than that. 'I knew little else, but I always knew you.
Holly Black (The Queen of Nothing (The Folk of the Air, #3))
She was a beauty queen!'' ''Holy shit.'' Harrison dissolved into a fit of laughter. ''No way is Redding pulling that one off. Look at her. Her hair's shorter than mine. ''My hair is convenient for my job,'' I said, running a hand over inch-long, blond locks that had been trapped under a hot wig the day before, ''and besides, I thought short hair was fashionable.'' ''Short, yes,'' Harrison said, ''but you're sporting the Britney Spears Nervous Breakdown style. Not a hit among men or the beauty pageant circuit
Jana Deleon (Louisiana Longshot (Miss Fortune Mystery #1))
My lord, it should little beseem me that am of the seed of men of war since long generations to trap my mind with the false shows of a greatness that is gone. Yet I pray you forget not this: the dominion of the Demons hath used to soar a pitch above common royalty, and like the eye of day regarded kings from above. And for this style of Queen thou offerest me, I say unto thee it is an addition I desire not, who am sister unto him that writ that writing above the gate that all ye had tasted the truth thereof had he been here to meet with you.
E.R. Eddison (The Worm Ouroboros)
The parlour is as I remember it from Council meetings. It carries the scent of smoke and verbena and clover. Cardan himself lounges, his booted feet resting on a stone table carved in the shape of a griffin, claws raised to strike. He gives me a quicksilver conspiratorial grin that seems completely at odds with the way he spoke to me from the throne. 'Well,' he says, patting the couch beside him. 'Didn't you get my letters?' 'What?' I am confused enough that the word comes out like a croak. 'You never replied to a one,' he goes on. 'I began to wonder if you'd misplaced your ambition in the mortal world.' This must be a test. This must be a trap. 'Your Majesty,' I say stiffly. 'I thought you brought me here to assure yourself I had neither charm nor amulet.' A single eyebrow rises, and his smile deepens. 'I will if you like. Shall I command you to remove your clothes? I don't mind.' 'What are you doing?' I say finally, desperately. 'What are you playing at?' He's looking at me as though somehow I am the one who's behaving strangely. 'Jude, you can't really think I don't know it's you. I knew you from the moment you walked into the brugh.' I shake my head, reeling. 'That's not possible.
Holly Black (The Queen of Nothing (The Folk of the Air, #3))
I take another step toward the serpent. And then another. This close, I am stunned all over again by the creature's sheer size. I raise a wary hand and place it against the black scales. They feel dry and cool against my skin. Its golden eyes have no answer, but I think of Cardan lying beside me on the floor of the royal rooms. I think of his quicksilver smile. I think of how he would hate to be trapped like this. How unfair it would be for me to keep him this way and call it love. You already know how to end the curse. 'I do love you,' I whisper. 'I will always love you.' I tuck the golden bridle into my belt. Two paths are before me, but only one leads to victory. But I don't want to win like this. Perhaps I will never live without fear, perhaps power will slip from my grasp, perhaps the pain of losing him will hurt more than I can bear. And yet, if I love him, there's only one choice. I draw the borrowed sword at my back. Heartsworn, which can cut through anything. I asked Severin for the blade and carried it into battle, because no matter how I denied it, some part of me knew what I would choose. The golden eyes of the serpent are steady, but there are surprised sounds from the assembled Folk. I hear Madoc's roar. This wasn't supposed to be how things ended. I close my eyes, but I cannot keep them that way. In one movement, I swing Heartsworn in a shining arc at the serpent's head. The blade falls, cutting through scales, through flesh and bone. Then the serpent's head is at my feet, golden eyes dulling. Blood is everywhere. The body of the serpent gives a terrible coiling shudder, then goes limp. I sheath Heartsworn with trembling hands. I am shaking all over, shaking so hard that I fall to my knees in the blackened grass, in the carpet of blood. I hear Lord Jarel shout something at me, but I can't hear it. I think I might be screaming.
Holly Black (The Queen of Nothing (The Folk of the Air, #3))
You hold Mr. Winterborne in esteem, then?" "I do, my lady. Oh, I know he's called an upstart by his social betters. But to the real London- the hundreds of thousands who work every blessed day and scrape by as best we can- Winterborne is a legend. He's done what most people don't dare dream of. A shop boy, he was, and now everyone from the queen down to any common beggar knows his name. It gives people reason to hope they might rise above their circumstances." Smiling slightly, the housekeeper had added, "And none can deny he's a handsome, well-made chap, for all that he's as brown as a gypsy. Any woman, highborn or low, would be tempted." Helen couldn't deny that Mr. Winterborne's personal attractions were high on her list of considerations. A man in his prime, radiating that remarkable energy, a kind of animal vitality that she found both frightening and irresistible. But there was something else about him... a lure more potent than any other. It happened during his rare moments of tenderness with her, when it seemed as if the deep, tightly locked cache of sadness in her heart was about to break open. He was the only person who had ever approached that trapped place, who might someday be able to shatter the loneliness that had always held fast inside her.
Lisa Kleypas (Marrying Winterborne (The Ravenels, #2))
For countless centuries, magic gripped the ordinary world in a vise of terror. Fairies used to steal children away and leave sickly changelings in their stead. House cats would rob their masters. a forest was just as likely to eat you as shelter you. When you offended a beggar crone, she did not sue you in a court of law - instead, she cursed you and your children and your children's children. People ate fairy fruit and went mad with hunger. Djinni granted wishes designed to trap you in your own desires. When there was an earthquake or blizzard or hurricane, you could be be sure it was due to some king or queen feeling sad - the amount of destruction caused by lovesick royalty is incalculable!
Jonathan Auxier (Sophie Quire and the Last Storyguard (Peter Nimble, #2))
Prince Arctic?” A silvery white dragon poked her head around the door, tapping three times lightly on the ice wall. Arctic couldn’t remember her name, which was the kind of faux pas his mother was always yelling at him about. He was a prince; it was his duty to have all the noble dragons memorized along with their ranks so he could treat them according to exactly where they fit in the hierarchy. It was stupid and frustrating and if his mother yelled at him about it one more time, he would seriously enchant something to freeze her mouth shut forever. Oooo. What a beautiful image. Queen Diamond with a chain of silver circles wound around her snout and frozen to her scales. He closed his eyes and imagined the blissful quiet. The dragon at his door shifted slightly, her claws making little scraping sounds to remind him she was there. What was she waiting for? Permission to give him a message? Or was she waiting for him to say her name — and if he didn’t, would she go scurrying back to the queen to report that he had failed again? Perhaps he should enchant a talisman to whisper in his ear whenever he needed to know something. Another tempting idea, but strictly against the rules of IceWing animus magic. Animus dragons are so rare; appreciate your gift and respect the limits the tribe has set. Never use your power frivolously. Never use it for yourself. This power is extremely dangerous. The tribe’s rules are there to protect you. Only the IceWings have figured out how to use animus magic safely. Save it all for your gifting ceremony. Use it only once in your life, to create a glorious gift to benefit the whole tribe, and then never again; that is the only way to be safe. Arctic shifted his shoulders, feeling stuck inside his scales. Rules, rules, and more rules: that was the IceWing way of life. Every direction he turned, every thought he had, was restricted by rules and limits and judgmental faces, particularly his mother’s. The rules about animus magic were just one more way to keep him trapped under her claws. “What is it?” he barked at the strange dragon. Annoyed face, try that. As if he were very busy and she’d interrupted him and that was why he was skipping the usual politic rituals. He was very busy, actually. The gifting ceremony was only three weeks away. It was bad enough that his mother had dragged him here, to their southernmost palace, near the ocean and the border with the Kingdom of Sand. She’d promised to leave him alone to work while she conducted whatever vital royal business required her presence. Everyone should know better than to disturb him right now. The messenger looked disappointed. Maybe he really was supposed to know who she was. “Your mother sent me to tell you that the NightWing delegation has arrived.” Aaarrrrgh. Not another boring diplomatic meeting.
Tui T. Sutherland (Darkstalker (Wings of Fire: Legends, #1))
Eena worried to Ian in her thoughts. (You’re not going to let him walk away thinking what I think he’s thinking, are you?) (You won't change his mind. The evidence is a little suggestive. You should have just stayed behind me.) (Oh, this is all my fault?) (Well, you were the one swimming in your underwear.) (And you’re the one who took your shirt off!) (You think the alternative would have been better?) She shuttered at the thought of the Braetic stumbling across her in her underclothes. “Cale,” Eena said in another attempt to convince the stranger. Somehow she managed to sidestep Ian’s effort to halt her, and she approached the man. “I am not messing around with my protector. I am, and always have been, true and faithful to Derian. It’s just……a lot of weird things have happened lately.” The Braetic looked willing to consider a good excuse. “Such as?” “Well,” she started, casting a furtive glance at Ian. He was shaking his head, conveying strong disapproval. She ignored him. “Okay, well…..I’ve been fighting these immortals who are bent on using me to break free from an imprisoning gem where they were sentenced to stayed locked up for eternity. They nearly annihilated a world of Viiduns—that’s how awful they are! But one of these immortals has control over my necklace, and her brother keeps transporting me and my protector all over Moccobatra in search of pieces to a star-shaped platform they intend to use to free their bodies which have been trapped for over three-thousand years now. We were sent here at an inopportune—and highly embarrassing—moment to find the final piece to the platform. It’s been a nightmare just trying to stay alive!” “Wow,” Cale breathed, not looking half as concerned as Eena thought he ought to. “So these immortals are using you and trying to kill you at the same time?” She shook her head. “No, no, only the dragons are trying to kill me…or they were trying to kill me until Naga put a stop to them.” Eena heard Ian’s hand smack against his forehead. She saw humor sweep over the Braetic’s face. It made her angry. “Dragons too, huh?” Cale snickered. “It’s the truth!” she insisted. (Eena, just forget it. You’re only making it worse.) She ignored her protector’s advice again. “Cale, I’m telling you the honest-to-goodness truth. Do you know the story of Wanyaka Cave? The red-gemmed prison and the two spirit sisters?” Completely out of patience, Ian broke into the conversation, rudely speaking over his queen. “We’ll be on our way now, sir. We apologize for trespassing.” With a big grin on his face, the Braetic offered a friendly alternative. “Why don’t the pair of you accompany me home. I’m sure my wife can round up some suitable clothing for you. Those immortals must have a ripe sense of humor, leaving you alone in the woods without any decent attire.” He caught a chuckle in his throat. “That is unless it was the dragons who took the shirt off your back.” “Dragons are immortals!” Eena snapped, as if any fool ought to know it. Ian flashed her a harsh look. “We would greatly appreciate the help, sir.” “Oh, it’ll cost you something,” Cale informed them, “but we can discuss that on our way.
Richelle E. Goodrich (Eena, The Two Sisters (The Harrowbethian Saga #4))
The farther back the bed, the older the child looked. The last few didn’t even look like children anymore, but petite senior citizens. Their faces were wrinkled and their hair was gray. “These must be the missing children!” Red gasped. “What’s happening to them?” Tootles asked. Red noticed that the walls were lined with empty coffins. She covered her mouth, and her eyes filled with tears. “Morina is draining their youth and beauty to make potions!” Red said. “She’s a monster!” Red and the Lost Boys stared around at the cursed children in disbelief. They wanted to free them from whatever enchantment was draining their life force, but they didn’t know how. They were too afraid to touch any of them. “Why are there empty beds?” Nibs asked. “Because they died,” said a voice that didn’t belong to Red or the Lost Boys. They looked around the basement to see where it was coming from. Propped up in the corner of the basement was a tall mirror with a silver frame, and to Red’s horror, Froggy was standing inside of it. “Charlie!” Red yelled, and ran to it. She placed both of her hands on the glass and Froggy put his webbed hands against hers. “Our dad’s a giant frog?” Nibs asked. “Hooray, our dad’s a frog!” “Red, who are these children?” Froggy asked. “And why are they calling me Dad?” “These are the Lost Boys of Neverland. I’ve adopted them for the time being—it’s a long story,” Red said. “Charlie, what are you doing inside a mirror?” “Morina put me in here so I would have to watch the children,” Froggy said sadly. “So how do we get you out?” Red asked. Froggy shook his head. “Magic mirrors are irreversible, my darling” he said. “I’m trapped just like the Evil Queen’s lover, but since the wishing spell doesn’t exist anymore, I’ll most likely be in here… forever.” Red fell to her knees and shook her head. She thought her heart was broken before, but it had shattered into so many pieces now, it might never heal again. “No…,” she whispered. “No, no, no…” Froggy became emotional at the sight of her. “I am so sorry, my love,” he cried. “You must take these children and leave before Morina gets back.” “I can’t leave you…,” Red cried. “There’s nothing we can do.” Froggy wept. “Morina wanted to separate us, and I’m afraid she has for good. The
Chris Colfer (Beyond the Kingdoms (The Land of Stories, #4))
Last Thoughts On Woody Guthrie When yer head gets twisted and yer mind grows numb When you think you're too old, too young, too smart or too dumb When yer laggin' behind an' losin' yer pace In a slow-motion crawl of life's busy race No matter what yer doing if you start givin' up If the wine don't come to the top of yer cup If the wind's got you sideways with with one hand holdin' on And the other starts slipping and the feeling is gone And yer train engine fire needs a new spark to catch it And the wood's easy findin' but yer lazy to fetch it And yer sidewalk starts curlin' and the street gets too long And you start walkin' backwards though you know its wrong And lonesome comes up as down goes the day And tomorrow's mornin' seems so far away And you feel the reins from yer pony are slippin' And yer rope is a-slidin' 'cause yer hands are a-drippin' And yer sun-decked desert and evergreen valleys Turn to broken down slums and trash-can alleys And yer sky cries water and yer drain pipe's a-pourin' And the lightnin's a-flashing and the thunder's a-crashin' And the windows are rattlin' and breakin' and the roof tops a-shakin' And yer whole world's a-slammin' and bangin' And yer minutes of sun turn to hours of storm And to yourself you sometimes say "I never knew it was gonna be this way Why didn't they tell me the day I was born" And you start gettin' chills and yer jumping from sweat And you're lookin' for somethin' you ain't quite found yet And yer knee-deep in the dark water with yer hands in the air And the whole world's a-watchin' with a window peek stare And yer good gal leaves and she's long gone a-flying And yer heart feels sick like fish when they're fryin' And yer jackhammer falls from yer hand to yer feet And you need it badly but it lays on the street And yer bell's bangin' loudly but you can't hear its beat And you think yer ears might a been hurt Or yer eyes've turned filthy from the sight-blindin' dirt And you figured you failed in yesterdays rush When you were faked out an' fooled white facing a four flush And all the time you were holdin' three queens And it's makin you mad, it's makin' you mean Like in the middle of Life magazine Bouncin' around a pinball machine And there's something on yer mind you wanna be saying That somebody someplace oughta be hearin' But it's trapped on yer tongue and sealed in yer head And it bothers you badly when your layin' in bed And no matter how you try you just can't say it And yer scared to yer soul you just might forget it And yer eyes get swimmy from the tears in yer head And yer pillows of feathers turn to blankets of lead And the lion's mouth opens and yer staring at his teeth And his jaws start closin with you underneath And yer flat on your belly with yer hands tied behind And you wish you'd never taken that last detour sign And you say to yourself just what am I doin' On this road I'm walkin', on this trail I'm turnin' On this curve I'm hanging On this pathway I'm strolling, in the space I'm taking In this air I'm inhaling Am I mixed up too much, am I mixed up too hard Why am I walking, where am I running What am I saying, what am I knowing On this guitar I'm playing, on this banjo I'm frailin' On this mandolin I'm strummin', in the song I'm singin' In the tune I'm hummin', in the words I'm writin' In the words that I'm thinkin' In this ocean of hours I'm all the time drinkin' Who am I helping, what am I breaking What am I giving, what am I taking But you try with your whole soul best Never to think these thoughts and never to let Them kind of thoughts gain ground Or make yer heart pound ...
Bob Dylan
If there’s one thing you learn from me, after hearing about just under one year of my life can it be that you should do whatever makes you happy. People can bring you down, people can bully you, can cheat on you but if you are doing whatever makes you happy they’ll never break you. Like you saw Jacob cried but he went back fighting, no way was he going to drop out that course, it was what he wanted to do in his life and Noah was as happy as always when he told us about Stephen, because he knew although that hurt him he was about to go onto bigger and better things. Oh and never let people hold you back, ever. Mason wouldn’t be going to university this September if he had and he wouldn’t be doing what makes him happy (see full circle). And most of all, always have the courage to stand up and say I am what I am, never apologize for who you are or who you love and always take a chance because you never know what could happen and although some people call it cliché, it’s okay to fall in love with your best friend because sometimes having your best friend as your lover is the best thing you could ask for. I promise. It’s also perfectly acceptable to dress up as a women on a weekly basis and singing popular songs as long as it makes you happy doing so.
R.J. Seeley (Released (Trapped #2))
My dwelling was small, and I could hardly entertain an echo in it; but it seemed larger for being a single apartment and remote from neighbors. All the attractions of a house were concentrated in one room; it was kitchen, chamber, parlor, and keeping-room; and whatever satisfaction parent or child, master or servant, derive from living in a house, I enjoyed it all. Cato says, the master of a family (patremfamilias) must have in his rustic villa "cellam oleariam, vinariam, dolia multa, uti lubeat caritatem expectare, et rei, et virtuti, et gloriae erit," that is, "an oil and wine cellar, many casks, so that it may be pleasant to expect hard times; it will be for his advantage, and virtue, and glory." I had in my cellar a firkin of potatoes, about two quarts of peas with the weevil in them, and on my shelf a little rice, a jug of molasses, and of rye and Indian meal a peck each. I sometimes dream of a larger and more populous house, standing in a golden age, of enduring materials, and without gingerbread work, which shall still consist of only one room, a vast, rude, substantial, primitive hall, without ceiling or plastering, with bare rafters and purlins supporting a sort of lower heaven over one's head—useful to keep off rain and snow, where the king and queen posts stand out to receive your homage, when you have done reverence to the prostrate Saturn of an older dynasty on stepping over the sill; a cavernous house, wherein you must reach up a torch upon a pole to see the roof; where some may live in the fireplace, some in the recess of a window, and some on settles, some at one end of the hall, some at another, and some aloft on rafters with the spiders, if they choose; a house which you have got into when you have opened the outside door, and the ceremony is over; where the weary traveller may wash, and eat, and converse, and sleep, without further journey; such a shelter as you would be glad to reach in a tempestuous night, containing all the essentials of a house, and nothing for house-keeping; where you can see all the treasures of the house at one view, and everything hangs upon its peg, that a man should use; at once kitchen, pantry, parlor, chamber, storehouse, and garret; where you can see so necessary a thing, as a barrel or a ladder, so convenient a thing as a cupboard, and hear the pot boil, and pay your respects to the fire that cooks your dinner, and the oven that bakes your bread, and the necessary furniture and utensils are the chief ornaments; where the washing is not put out, nor the fire, nor the mistress, and perhaps you are sometimes requested to move from off the trap-door, when the cook would descend into the cellar, and so learn whether the ground is solid or hollow beneath you without stamping. A house whose inside is as open and manifest as a bird's nest, and you cannot go in at the front door and out at the back without seeing some of its inhabitants; where to be a guest is to be presented with the freedom of the house, and not to be carefully excluded from seven eighths of it, shut up in a particular cell, and told to make yourself at home there—in solitary confinement. Nowadays the host does not admit you to his hearth, but has got the mason to build one for yourself somewhere in his alley, and hospitality is the art of keeping you at the greatest distance. There is as much secrecy about the cooking as if he had a design to poison you. I am aware that I have been on many a man's premises, and might have been legally ordered off, but I am not aware that I have been in many men's houses. I might visit in my old clothes a king and queen who lived simply in such a house as I have described, if I were going their way; but backing out of a modern palace will be all that I shall desire to learn, if ever I am caught in one.
Henry David Thoreau (Walden)
He rode into Vassy on March 1, 1562, accompanied by an entourage of two hundred armed knights and found the local Huguenot congregation, numbering some five or six hundred people, including many women and children, conducting its Sunday morning meeting not outside the city walls, as was specified in the Edict of Toleration, but right in town—and, worse, on his property in one of his very own buildings, which they had appropriated without his permission, an unimaginable insult. An altercation between the duke’s people and the Protestants promptly ensued. Being for the most part unarmed, the Huguenots had to improvise. Rocks were thrown. Members of the lower classes were not supposed to throw stones at their superiors from the upper classes. The duke’s soldiers retaliated by shooting and stabbing as many of the dissenters as they could (which was quite a few, as their opponents were trapped inside the building attending a church service), accompanied by rousing shouts of “Kill! Kill! By God’s death kill these Huguenots!” An hour later the Massacre of Vassy, as this infamous incident would later be dubbed, was over. Fifty Huguenots lay dead, another two hundred were wounded, and a flaming torch had been thrust into the tinderbox of religious controversy that would blaze up into the bonfire of the Wars of Religion.
Nancy Goldstone (The Rival Queens: Catherine de' Medici, Her Daughter Marguerite de Valois, and the Betrayal that Ignited a Kingdom)
The boys who have done you harm are surrounded by girls you will choose never to be. girls who are disgusting, who bleed and weep and wail. Girls who spend too much time in the bathroom. Girls who are never ready on time. Girls who titter, who are soft, who wear pretty clothes that are easily dirties, girls in hoop earrings and perfect wings of black eyeliner, girls who don't know what's cool. Girls who read the wrong books, twirl their hair around, are pursued, are hunted. You will remake yourself into something else: a boys' girl, a tough girl, a girl without needs or feelings, a girl who wisecracks and drinks whiskey in the backseat of cars, a girl cool as the first frost in winter, a girl so totally unlike other girls. If you cannot be loved and safe, you will be clever, mean, a girl as vicious as the serrated edge of a hunting knife. If you cannot be pretty, you will disdain beauty and its trappings. If you cannot be heard, you will be silent on purpose. You will find your knights again, a different set of boys, this time united against a common enemy: the softness and fragility of girls, of anything girlish within you, of anything girlish in any other girl. Against girls who are sad and silly and weeping (you don't cry), girls who complain (you protest nothing), girls who make demands (you never ask). This time, however, you will not be queen. Some of these boys will never even know your name.
Sarah McCarry (Here We Are)
The Hatter To understand what they did to the Hatter, I must first tell you about people who know how to play with your brokenness like it is a fidget spinner without so much as touching your skin—a form of abuse known as gaslighting.   You say it happened, they say it did not.   You say it had to, they say it cannot.   They pull at a thread of pain left by someone in your mind, and sew an entire ghost out of you.   Build you a dark wonderland and ask you to call it home. Tell you, ‘Why can’t you just be happy?’ And you cannot because happiness in this story is a queen you do not trust being built from your own delusions.   When this happens, you are like the Hatter. Trapped here in this fairytale world, half mad because someone you love keeps lying to you. Is this rain, dear? No it isn’t, it’s a raven.   Is this a door? No, it is a writing desk.   Is this my mind? No, it is now my rabbit hole, and I’m going to make you fall so far down there is no way out.   This is why the raven becomes like a writing desk, nonsensical riddles and memories become valid, nothing makes sense anymore anyway.   You start wondering if anything you ever thought happened to you actually happened to you and this is their violence. This is their abuse. It has left bruises and gashes along your brain that no one else knows are there.   Doubting yourself is now a reflex. Trusting yourself is no longer muscle memory but a long, strenuous process.   They called the Hatter completely mad. Because he is cursed to both remember and to forget. They call me mad too because my curse is to heal through remembering everything you tried to make me forget.
Nikita Gill (Fierce Fairytales: Poems and Stories to Stir Your Soul)
Where is she?' Amren snapped one more time. I couldn't bring myself to say the words. So Mor said them for me as she knelt over Azriel, both of my brothers mercifully unconscious. 'Tamlin offered passage through his lands and our heads on platters to the kings in exchange for trapping Feyre, breaking her bond, and getting to bring her back to the Spring Court. But Ianthe betrayed Tamlin- told the king where to find Feyre's sisters. So the king had Feyre's sisters brought with the queens- to prove he could make immortal. He put them in to the Cauldron. We could do nothing as they were turned. He had us by the balls.' Those quicksilver eyes shot to me. 'Rhysand.' I managed to say, 'We Were out of options, and Feyre knew it. So she pretended to free herself from the control Tamlin thought I'd kept on her mind. Pretended that she... hated us. And told him she'd go home- but only if the killing stopped. If we went free.' 'And the bond,' Amren breathed, Cassian's blood shining on her hands as she slowed its dribbling. Mor said, 'She asked the king to breath the bond. He obliged.' I thought I might be dying- thought my chest might actually be cleaved in two. 'That's impossible,' Amren said. 'That sort of bond cannot be broken.' 'The king said he could do it.' 'The king is a fool,' Amren barked. 'That sort of bond cannot be broken.' 'No, it can't,' I said. They both looked at me. I cleared my head, my shattering heart- breaking for what my mate had done, sacrificed for me and my family. For her sisters. Because she hadn't thought... hadn't thought she was essential. Even after all she had done. 'The king broke the bargain between us. Hard to do, but he couldn't tell that it wasn't the mating bond.' More started. 'Does- does Feyre know-' 'Yes,' I breathed. 'And now my mate is in my enemy's hands.
Sarah J. Maas (A Court of Mist and Fury (A Court of Thorns and Roses, #2))
The thunder howled and the rain splashed, the leaves played with the breeze and the lightning flashed, and the tigress growled at last. She looked here and she looked there, she hadn't seen so much rain anywhere, a desire suddenly came in her heart, a mad longing that had to start, she felt deep love in the rain, looking at her cubs all over again But two years ago she had been wounded, By cowardly men who wanted her grounded, They were afraid of her power, they wanted to capture her and to enslave her in their tower They laid traps and they waited in the trees, The jungle was full of birds and the bees, The tigress was out hunting for meat, her cubs awaiting in the cave for their treat There was something missing in the air, the fragrance of jasmine was not there, The tigress looked up into the trees and saw the men's faces painted in grease, She challenged them looking into their eyes, And saw fear, fright , and faces full of lies! She roared with all her might, This was her land, She had all the right! The cowardly men crouching behind the trees, Fired their guns in twos and threes, The brave Tigress looked them in the eye, She was the fire and she was the sky, Indomitable force, invincible power, She was the Tigress, The Queen in her Empire None of the bullets could break her Spirit, Only one could graze her right leg a bit, She roared with all her heart's might, For she was the Queen for all to sight! The guns emptied and no more bullets to shoot, The cowardly men jumped from the trees and ran away in two hoots! The Tigress laughed and loudly roared, For she was the power and her Spirit soared She is the Tigress inside every Woman, She has the Power to defeat any Man, Love her and she would love you back, Respect her and she would respect you back, Dare to harm her and she would defeat you till the Last!
Avijeet Das
Stay out of people’s business and don’t tell people your business.” Dominique preferred getting
Ameerah Cooper (Forever My Trap Queen)
The Engine of Wrong in Atta, the bridges and towers still left scattered across the continent, the Vault of Voices in Orlanth, the time bubbles on the Bremmer Slopes, or the Last Warrior—trapped on Brit . . . all these were well known, but none sent the same shiver up my spine as the Wheel of Osheim.
Mark Lawrence (The Liar's Key (The Red Queen's War, #2))
Don’t worry. He’s out there, and we’re in here. If he couldn’t manage to get through those bars in all the months they held him trapped on this side, he’s not going to manage to get back through them before Racso’s next visit, now is he?” I’d barely got the words out before Mr. Cough drew in another gurgling breath as if he were drowning in whatever filth was filling his lungs.
Mark Lawrence (The Liar's Key (The Red Queen's War, #2))
The bees that tunnel in the rock and hard-packed mud of the walls here go back a long way. Holed-up underneath the thread-work of the vaulting ash, thin holly; beech and suckered elms - sinew peeling, shot through with poison galleries - I peer into the bee maze, stood down among the rib roots and moss. The bees still mass in the hola weg and drone down in the valley church, the gilded Queen of martyrs, beside the aged books and pitch mantraps. Records of steel barbs in the hollow, hooded traps cast out to snare a covert congregation - creeping round the black-wood crescent; lamping with dark lanterns. No moon above the whispering fields, low service in the cross-hatched apse and every outside sound an ambush. Amphidromic points of faith
Robert Macfarlane
It seemed no matter what she did, she was trapped between two worlds.
Jill Myles (Queen of Blood)
But clothing themselves in the trappings of democracy, dictators may, like drag queens, tend to overdo it, and Napoleon wanted there to be no doubt that his French Republic was more democratic than any before it.
Tom Reiss
I’m a drag queen. I’m a celebrity trapped in a normal person’s body.
Josh Kilmer-Purcell (I Am Not Myself These Days: A Memoir)
I keep my head down, as I probably should have done in the first place. And if I curse Cardan, then I have to curse myself, too, for being the fool who walked right into the trap he set for me.
Holly Black (The Queen of Nothing (The Folk of the Air, #3))
I understand she didn't take very good care of Prince Cardan.' I am thinking of the crystal globe in Eldred's rooms and the memory trapped inside. 'It wasn't as though she didn't dress him in velvets or furs; it's that she left them on until they grew ragged. Nor was it that she didn't feed him the most delectable cuts of meat and cake; but she forgot him for long enough that he had to scavenge for food in between. I don't think she loved him, but then I don't think she loved anyone. He was petted and fed wine and adored, then forgotten. But for all that, if he was bad with her, he was worse without her. They are cut from the same cloth.' I shudder, imagining the loneliness of that life, the anger. The desire for love. There is no banquet too abundant for a starving man. 'If you're looking for reasons why he disappointed you,' Oriana says, 'by all accounts, Prince Cardan was a disappointment from the beginning.
Holly Black (The Queen of Nothing (The Folk of the Air, #3))
Fact is, the Rebels were trapped so tight in their harebrained dream of what the South was, even death wouldn’t release them.
Sarah Bird (Daughter of a Daughter of a Queen)
Many people envied her position as the winner of the Baby Race and the wearer of the crown. But when she discovered she was to be queen, Victoria already knew that it was the breaking, not the making, of her life. 'I cried much,' she said. Her mother had prepared her for the lonely royal trap in which bother of their lives would be lived, a trap that tightly clasped so many Victorian women but which squeezed and nipped at a queen perhaps most damagingly of all. 'You cannot escape your own feelings,' Victoire told Victoria, all those years ago, 'you cannot escape ... from the situation you are born in'. You cannot escape. It was true. You cannot escape.
Lucy Worsley (Queen Victoria: Daughter, Wife, Mother, Widow)
For two months and thirteen days, not one person I saw acknowledged me in any way. I wasn't allowed out. I had no access to the internet or a phone and no one even spoke in my presence. I existed as a ghost in my father's home, scavenging food from the kitchen at night once I managed to stomach it at all. It was...perhaps the worst punishment I have ever suffered at his hands. You cannot fully comprehend the loneliness of a little boy trapped and-
Caroline Peckham (Queen of Quarantine (Brutal Boys of Everlake Prep, #4))
The birthing sadness had me. I couldn’t get out of this hole. I was trapped in the cobbled well in the square.
Vanessa Riley (Island Queen)
The bed tensed. It knew. The mattress folded sharply inward, and Ambrose gasped for air. This was it. He was going to die. Trapped in a bed that was quite possibly trying to eat him and without having done anything remotely exciting within it.
Roshani Chokshi (Once More Upon a Time)
Isabella was every bit as vigorous and capable as Eleanor of Aquitaine, and in many ways, their experiences were similar. Both were spirited and cultivated Frenchwomen; both faced hardship and adversity; both were highly sexed and trapped in frustrating marriages; both had to cope with their spouses’ infidelities, and both took lovers; more seriously, both led rebellions against their royal husbands, and both spent time under house arrest; both were adept at statecraft; and both were controversial in their own day.
Alison Weir (Queen Isabella: Treachery, Adultery, and Murder in Medieval England)
Ilost my left eye during blades training at assassin school. My twin brother did the deed using a clever feint and a quick crosswise cut that caught me by surprise. “Well, Carmen, that’ll leave a scar,” Corwin had said. Then he’d laughed that snorty, snotty laugh that had grated on my nerves a thousand times since childhood. My vision had been too blurry to aim a cutting blow at him, and I wasn’t certain if I even wanted to. He was the only family I had. And despite his laughter, he may not have known how deep the wound was. He often made a silly joke when he’d done something stupid. But when I stumbled and fell toward the floor, Corwin dropped his blade and caught me. “Aw, sorry, sis,” he said, holding me against his chest. Then the healers rushed in with their bandages and salves and led me to the healing room. Maestru Alesius—my master—soon followed them, bringing the bad news: “You will lose that eye, Carmen.” I was thirteen. I’d been ahead of my brother on the honor roll—the top of the class. I often wondered if a bout of jealousy inspired my blinding. The blades were sharp, but we students weren’t supposed to cut each other—the idea was to keep the mind sharp as well. And I’d love to know where he’d learned the move. I’d never seen it before, and I was better with the sword than him. Did he have a secret teacher? Everything was harder with only one eye—the sword fights, the dagger throws, learning to avoid traps; even the poisons and potions were more difficult to pour. A half-blind assassin was a joke. I was pretty certain my fellow students had chuckled and celebrated as my position on the honor roll slipped. I had the knowledge and the skill. But the patch over my eye meant I had a weakness, and the school trained assassins to exploit weaknesses. I’d have quit, perhaps to be a scullery maid or to work in the massive wheat fields of the Akkad Empire, if only to get away from the other apprentice assassins who had once been beneath me and who now scorned me. I especially wanted to flee from the kinder ones who looked at me with pity. But Maestru Alesius had insisted I stay. “Adversity will toughen your mental bones,” he’d promised. His support and my perseverance had kept me in school. Three years had passed since the incident. Three years of struggling to keep my spot. I was finally sixteen, in my final week of classes. Corwin would graduate at the top of the honor roll. He was the best with bladed weapons, the best at hiding in shadows, the best assassin the school had seen in many years. He may even be better than the legendary Banderius. All the kings, queens, and archons would seek to hire Corwin. Maybe even Emperor Rima himself. I’d be lucky to get hired at all.
Arthur Slade (Dragon Assassin Omnibus: 1-3 (Dragon Assassin Big Omnibus Book 1))
She had been adamant that she would never be Princess Belle, eager to avoid the false trappings that came with a title so flimsy in a principality. But queen of a kingdom in its own right? That was no empty title.
Emma Theriault (Rebel Rose (The Queen's Council, #1))
They died honorably rather than like rats in a trap.
John Guy (Queen of Scots: The True Life of Mary Stuart)
Villicus Vadum: Soldier Of Fortune by Stewart Stafford I am the ghost of lupine Romulus, Founder of Rome, hear my tale, Of Villicus Vadum - young, driven, Steward to Senator Lucius Flavius. Villicus wanted Flavia, the senator’s daughter, But she was betrothed to Marcus Brutus; A consul of noble and virtuous stock, Villicus conspired to take Flavia's hand. Treachery and deception were his tools, Knavish peacock of Rome's epic stage, Sought to take Flavia from Marcus Brutus, To snatch and cage his treasured gem. Bribed a false soothsayer to trap her, Believing her beloved began with V, Flavia agreed to elope with him to Gaul, With Brutus vowing deadly vengeance. Fleeing to the bosom of Rome's enemy - Vercingetorix, at war with Julius Caesar, Villicus offered to spy on the Senate, While plotting to seize Gaul's throne. Queen Verica also caught his eye, Villicus was captured by Mark Antony, Taken to Caesar's camp as a traitor; Brutus challenged him to a duel. Brutus slashed him but spared his life, They dragged Villicus to Rome in chains, To try him for his now infamous crimes; Cicero in defence, Cato as prosecutor. Cicero argued Villicus acted out of love, And that his ambition merited mercy, Cato wanted death for his wicked threat, Julius Caesar pondered a final verdict. Villicus - pardoned but banished from Rome, Immediate death if he returned to Flavia, Villicus kissed the emperor's foot for naught, Flavia refused to join him in fallen exile. Now learn from this outcast's example, friends, That I, Romulus, warn you to avoid at your peril, Villicus Vadum, the wrath of the gods upon him, Until time ceases, sole spectre of night's edge. © Stewart Stafford, 2023. All rights reserved.
Stewart Stafford
Trapped him the gray people    as the great are brought down by the weak    when they are many As the hawk is mobbed by the roller birds    as the great sea eagle is brought down by gulls
Megan Whalen Turner (Thick as Thieves (The Queen's Thief, #5))
We are king and queen, chained together as surely as prisoners in a dungeon. And if we are not to suffer as prisoners do, we must make peace with each other.
Mary Stuart
Now, I was skilled with my tongue—and cock and fingers, if we were keeping count—and could treat her like a queen in bed, worshipping her the way she deserved.
Siena Trap (Surprise for the Sniper (Connecticut Comets Hockey, #2))
I didn’t care where life took us—or how vibrant the colors surrounding us—as long as she was beside me. My future queen. My perfect compliment. This was only the beginning for us.
Siena Trap (Playing Pretend with the Prince (The Remington Royals, #2))
I was sure there would be women lining up down the street if I put out an ad for a fake wife to become a real princess and, someday, queen.
Siena Trap (Playing Pretend with the Prince (The Remington Royals, #2))
There was no doubt that she would make an excellent queen. My country had no idea how lucky it was.
Siena Trap (Playing Pretend with the Prince (The Remington Royals, #2))
Then why accept the burden?” she asked, pausing. Bryce seemed thick as thieves with the witch-queen as they walked arm-in-arm. “She’s worth it.” But Celestina said, face solemn, “Love is a trap, Hunt.” She shook her head, more at herself than at him. “One I can’t figure out how to free myself from.” “You want to be free of it?” The Archangel stepped into the hall, wings still glowing with a remnant of power. “Every single day.
Sarah J. Maas (House of Sky and Breath (Crescent City, #2))
I realize how sometimes you end up in a web. Not through traps and trickery, but walking right through the front door.
Skye Warren (The Queen (Masterpiece Duet, #2))
[Prince Ruben] God who knows how f*cking long [the king]'s been [abusing the queen]. I should never have left! What was I thinking?! [Cherry] You were thinking that this place is hell and you needed to escape. That's called survival. Never regret it.
Talia Hibbert (The Princess Trap (The Midnight Heat Collection, #1))
Did you really lure Lorcan into a sewer with one of those creatures?” “It was such an easy trap that I’m actually disappointed he fell for it.” Rowan chuckled. “You never stop surprising me.
Sarah J. Maas (Queen of Shadows (Throne of Glass, #4))
Vard’s head snapped around and he looked at my mother with a whole lot more interest than he had initially. “The new queen has The Sight?” he asked curiously, though I could tell how threatened he and the rest of his group of less talented Seers felt about that. “She does indeed,” Hail purred, drawing his new bride closer to his side. “She can see better than anyone I’ve ever known.” The Seers broke into muttered conversation over that, their attention fixed on the new queen who answered their questions politely with a soft smile on her face. Merissa straightened suddenly, her hand snapping out to catch an apple which had been aimed at Hail’s face and Lionel barked a laugh, clapping loudly as everyone whirled to look at him. “My King, I think you truly have found a gem to treasure here,” he cried, looking like he was honest to shit happy, though I knew enough of him after spending months trapped in his company to recognise that dangerous, conniving look in his eyes. “I aimed the fruit at you while she was distracted and yet she still saw it coming! She is a true Seer indeed and her love for you must be fierce for her to sense threats against you so easily.
Caroline Peckham (Heartless Sky (Zodiac Academy, #7))
alive in the body, trapped in the
Margaret Drabble (The Red Queen)
The other queens indeed fled from Briallyn weeks ago, as Eris said. She alone sits in the throne room of their shared palace. And what Eris revealed about Beron was true, too: the High Lord visited Briallyn on the continent, pledging his forces to her cause.” A muscle ticked in Azriel’s jaw. “But Briallyn’s gathering of armies, the alliance with Beron, is only the auxiliary force to what she has planned.” He shook his head, shadows slithering over his wings. “Briallyn wishes to find the Cauldron again. In order to retrieve her youth.” “She’ll never attain the Cauldron,” Amren said, waving a hand gleaming with rings. “No one but us, Miryam, and Drakon know where it’s hidden. Even if Briallyn did uncover its location, there are enough wards and spells on it that no one could ever break through.” “Briallyn knows this,” Azriel said gravely. Nesta’s stomach churned. Azriel nodded to Cassian. “What Vassa suspected is true. The death-lord Koschei has been whispering in Briallyn’s ear. He remains trapped at his lake, but his words carry on the wind to her. He is ancient, his depth of knowledge fathomless. He pointed Briallyn toward the Dread Trove—not for her sake, but for his own ends. He wishes to use it to free himself from his lake. And Briallyn is not the puppet we believed her to be—she and Koschei are allies.” He added to Cassian, “You need to ask Eris whether Beron knows about this. And the Trove.” Cassian nodded into the ensuing silence. Nesta found herself asking, “What’s the Dread Trove?” Amren’s eyes glowed with a remnant of her power. “The Cauldron Made many objects of power, long ago, forging weapons of unrivaled might. Most were lost to history and war, and when I went into the Prison, only three remained. At the time, some claimed there were four, or that the fourth had been Unmade, but today’s legends only tell of three.
Sarah J. Maas (A Court of Silver Flames (A Court of Thorns and Roses, #4))
They were empowered and fulfilled. They dated occasionally but were just as happy living the feminist dream of a professional woman not answerable to any man. Do what they wanted to, go where they wanted to and spend indecent amount of money on clothes and shoes, it was all good. There were not slaves to diets, shaving hairy legs, waxing eyebrows, dying their roots, endless showers, applying tons of make-up and trying to be domestic goddesses. They could slum around in leisure suits and runners reading Cosmo with a fag in their mouth and a cup of coffee in their hands. There could be slummy mummies or tidy queens or takeaway junkies it all depended on their daily rota and social live. Good, freedom was definitely good. One husband in a lifetime was enough for them
Annette J. Dunlea
He knew that I wanted to live in Julius’ footsteps, and whereas any other man would have fought me on that and demanded I let him be the kingpin, he had no problem with letting me be the queen.
Porscha Sterling (Us Against the World: Finding Love in the Trap)
Get your ass to the house, Queen,” my brother muttered in a way that let me know he was annoyed and meant business. He ran past me, and the crowd parted to let Juwan through.
Porscha Sterling (Us Against the World: Finding Love in the Trap)
Here are your choices, as I see them. First, you could go to Hampshire in a cloud of social scorn, and content yourself with the knowledge that at least you didn’t get trapped into a loveless marriage. Or you could marry a man who wants you beyond anything, and live like a queen.” He paused. “And don’t forget the country house and carriage.” Poppy could not contain a smile. “Bribery again.” “I’ll throw in the castle and tiara,” Harry said ruthlessly. “Gowns, furs, a yacht—” “Hush,” Poppy whispered, and touched his lips gently with her fingers, not knowing how else to make him stop. She took a deep breath, hardly able to believe what she was about to say. “I’ll settle for a betrothal ring. A small, simple one.” Harry stared at her as if he were afraid to trust his own ears. “Will you?” “Yes,” Poppy said, her voice a bit suffocated. “Yes, I will marry you.
Lisa Kleypas (Tempt Me at Twilight (The Hathaways, #3))
He had sobbed with relief when she trapped it and raised an ancient blade over his head. Then she had hesitated—and then that other woman had fired an arrow, and she had put down the sword and left. Left him still trapped with the demon. He could not remember her name—refused to remember her name, even as the man on the throne questioned him about the incident. Even as he returned to the exact spot in the garden and prodded the discarded shackles lying in the gravel. She had left him, and with good reason. The demon prince had wanted to feed on her, and then hand her over. But he wished she had killed him. He hated her for not killing him.
Sarah J. Maas (Queen of Shadows (Throne of Glass, #4))
The Wing Leader stared at her for a long moment, and then said, “You can choose, witchling. Blue or red.” “What?” “Does your blood run blue or red? You decide. If it runs blue, it turns out I have jurisdiction over you. Little shits like Vernon can’t do as they will to my kind—not without my permission. If your blood runs red … Well, I don’t particularly care about humans, and seeing what Vernon does with you might be entertaining.” “Why would you offer this?” Manon gave her a half smile, all iron teeth and no remorse. “Because I can.” “If my blood runs … blue, won’t it confirm what Vernon suspects? Won’t he act?” “A risk you’ll have to take. He can try to act on it—and learn where it gets him.” A trap. And Elide was the bait. Claim her heritage as a witch, and if Vernon took her to be implanted, Manon could have the grounds to kill him. She had a feeling Manon might hope for that. It was not just a risk; it was a suicidal, stupid risk. But better than nothing. The witches, who lowered their eyes for no man … Until she could get away, perhaps she might learn a thing or two about what it was like to have fangs and claws. And how to use them. “Blue,” she whispered. “My blood runs blue.” “Good choice, witchling,” Manon said, and the word was a challenge and an order. She turned away, but glanced over her shoulder. “Welcome to the Blackbeaks.
Sarah J. Maas (Queen of Shadows (Throne of Glass, #4))