Transparent Glass Quotes

The small wisdom is like water in a glass: clear, transparent, pure. The great wisdom is like the water in the sea: dark, mysterious, impenetrable.

Long ago, men went to sea, and women waited for them, standing on the edge of the water, scanning the horizon for the tiny ship. Now I wait for Henry. He vanishes unwillingly, without warning. I wait for him. Each moment that I wait feels like a year, an eternity. Each moment is as slow and transparent as glass. Through each moment I can see infinite moments lined up, waiting. Why has he gone where I cannot follow?

In the kingdom of glass everything is transparent, and there is no place to hide a dark heart.

The cities swept about me like dead leaves, leaves that were brightly colored but torn away from the branches. I would have stopped, but I was pursued by something. It always came upon me unawares, taking me altogether by surprise. Perhaps it was a familiar bit of music. Perhaps it was only a piece of transparent glass.

Each moment that I wait feels like a year, an eternity. Each moment is as slow and transparent as glass. Through each moment I can see infinite moments line up, waiting. Why has he gone where I cannot follow?

Truth is not a transparent process. What we see are shadows behind mat glass, a vaporous representation of reality. Truth is not as such, what we think it is. Truth is a prism with many sides, that only let us guess. In fact , truth is perhaps not true. Maybe it is just a lie. Taking our truth for “the” truth could lead to many erroneous interpretations.

There was a scuffling and a great thump: someone else had clambered out of the tunnel, overbalanced slightly and fallen. He pulled himself up on the nearest chair, looked around through lopsided horn - rimmed glasses and said, 'Am I too late? Has it started? I only just found out, so I - I -' Percy spluttered into silence. Evidently he had not expected to run into most of his family. There was a long moment of astonishment, broken by Fleur turning to Lupin and saying, in a wildly transparent attempt to break the tension, 'So - 'ow eez leetle Teddy?' Lupin blinked at her, startled. The silence between the Weasleys seemed to be solidifying, like ice. 'I - oh yes - he's fine!' Lupin said loudly. 'Yes, Tonks is with him - at her mother's.' Percy and the other Weasleys were still staring at one another, frozen. 'Here, I've got a picture!' Lupin shouted, pulling a photograph from inside his jacket and showing it to Fleur and Harry, who saw a tiny baby with a tuff of bright turquoise hair, waving fat fists at the camera. 'I was a fool!' Percy roared, so loudly that Lupin nearly dropped his photograph 'I was an idiot, I was a pompous prat, I was a - a -' 'Ministry - loving, family - disowning, power - hungry moron,' said Fred. Percy swallowed. 'Yes I was!

Her heart became a bird, trapped inside the glass box of her chest, flapping violently into wall after invisible wall, crumpling into a heap of broken hollow-bones on the transparent floor.

When I can’t sleep, I think about the transparent glass box that is still stirring with life even in the darkness of night. That pristine aquarium is still operating like clockwork. As I visualize the scene, the sounds of the store reverberate in my eardrums and lull me to sleep.

We were green: we ripened and grew golden. The Sea terrified us: we learned how to drown. Squat and earthbound, we unfolded huge wings. We started sober: are love's startled drunkards. You hide me in your cloak of nothingness Reflect my ghost in your glass of being I am nothing, yet appear: transparent dream Where your eternity briefly trembles.

All my life, I [Pari] have lived like an aquarium fish in the safety of a glass tank, behind a barrier as impenetrable as it has been transparent. I have been free to observe the glimmering world on the other side, to picture myself in it, if I like. But I have always been contained, hemmed in, by the hard, unyielding confines of the existence that Baba has constructed for me, at first knowingly, when I was young, and now guilelessly, now that he is fading day by day. I think I have grown accustomed to the glass and am terrified that when it breaks, when I am alone, I will spill out into the wide open unknown and flop around, helpless, lost, gasping for breath.

Glass is transparent, right? And fragile. That's the fundamental nature of glass. And that's why objects that are made of glass have to be handled with care. After all, if they end up smashed or cracked or chipped, then they're good for nothing, right, you just have to chuck them away. Before, we used to have a kind of glass that couldn't be broken. A truth so hard and clear it might as well have been made of glass. So when you think about it, it was only when we were shattered that we proved we had souls. That what we really were was humans made of glass.

Dead Butterflies I sometimes think about the fragility of glass — of broken shards tearing against soft skin.When in truth, it is the transparency that kills you. The pain of seeing through to something you can never quite touch. For years I’ve kept you in secret, behind a glass screen. I’ve watched helplessly as day after day, your new girlfriend becomes your wife and then later, the mother of your children. Then realizing their only in thinking you were the one under glass when in fact it has been me— a pinned butterfly static and unmoving, watching while your other life unfolds.

Time's passage through the memory is like molten glass that can be opaque or crystalize at any given moment at will: a thousand days are melted into one conversation, one glance, one hurt, and one hurt can be shattered and sprinkled over a thousand days. It is silent and elusive, refusing to be damned and dripped out day by day; it swirls through the mind while an entire lifetime can ride like foam on the deceptive, transparent waves and get sprayed onto the conciousness at ragged, unexpected intervals.

Optically transparent, structurally sound and chemically inert, glass is a fabulous building material and has been for over four thousand years. Still, the production and use of hundreds of billions of glass facad components every year in the US alone begs the question; What if we can utilize this immense surface area for harvesting solar energy in efficient and effective ways? The 3D Printing of optically transparent glass points toward such a possible future.

He saw her. She knew that he saw her. But his eyes refused to see her. It was as if she were transparent. Like ice, or glass, or something equally breakable.

The whiskey looks like transparent wood in my glass.

I feel very transparent in myself. I’m more of an observer. I’m interested in what’s going on. I’m not sure that I really have a personality. Some people think I do have a personality. I have a personality when I am with certain people — but when I’m not with them I don’t have that personality. I just sort of go back to resembling a transparent glass of water.

We are now in the mountains and they are in us, kindling enthusiasm, making every nerve quiver, filling every pore and cell of us. Our flesh-and-bone tabernacle seems transparent as glass to the beauty about us, as if truly an inseparable part of it, thrilling with the air and trees, streams and rocks, in the waves of the sun,—a part of all nature, neither old nor young, sick nor well, but immortal.

‎"I wait for him. Each moment that I wait feels like a year, an eternity. Each moment is as slow and transparent as glass. Through each moment I can see infinite moments lined up, waiting. Why has he gone where I cannot follow?

And there in the snow lay the pictures, like jewels bedded in white silk. They were paper-thin sheets of colored transparent isin glass of every size and shape, some round, some square, some damaged, some intact, some as large as church windows, others as small as snuffbox miniatures.

In any case, there was only one tunnel, dark and lonely, mine, the tunnel in which I had spent my childhood, my youth, my whole life. And in one of those transparent lengths of the stone wall I had seen this girl and had gullibly believed that she was traveling another tunnel parallel to mine, when in reality she belonged to the broad world, to the world without confines of those who do not live in tunnels; and perhaps she had peeped into one of my strange windows out of curiosity and had caught a glimpse of my doomed loneliness, or her fancy had been intrigued by the mute language, the clue of my painting. And then, while I advanced always along my corridor, she lived her normal life outside, the exciting life of those people who live outside, that strange, absurd life in which there are dances and parties and gaiety and frivolity. And it happened at times that when I walked by one of my windows she was waiting for me, silent and longing (why was she waiting for me? why silent and longing?); but other times she did not get there on time, or she forgot about this poor creature hemmed in, and then I, with my face pressed against the glass wall, could see her in the distance, smiling or dancing carefree, or, what was worse, I could not see her at all and I imagined her in inaccessible or vile places. And then I felt my destiny a far lonelier one than I had imagined.

I put the thin fragment of glass, dripping blood, in my pocket, and ran out into the misty road. The doors and windows of the houses were shut, nothing was moving. I thought I'd been swallowed by a huge living thing, that I was turning around and around in its stomach like the hero of some fairy tale.

Optically transparent, structurally sound and chemically inert, glass is a fabulous building material and has been for over four thousand years. Still, the production and use of hundreds of billions of glass facad components every year in the US alone begs the question; What if we can utilize this immense surface area for harvesting solar energy in efficient and effective ways.

Among the many thousands of things that I have never been able to understand, one in particular stands out. That is the question of who was the first person who stood by a pile of sand and said, “You know, I bet if we took some of this and mixed it with a little potash and heated it, we could make a material that would be solid and yet transparent. We could call it glass.” Call me obtuse, but you could stand me on a beach till the end of time and never would it occur to me to try to make it into windows.

Our flesh-and-bone tabernacle seems transparent as glass to the beauty about us, as if truly an inseparable part of it, thrilling with the air and trees, streams and rocks, in the waves of the sun,—part of all nature, neither old nor young, sick nor well, but immortal.

I think that I shall never know Why I am thus, and I am so. Around me, other girls inspire In men the rush and roar of fire, The sweet transparency of glass, The tenderness of April grass, The durability of granite; But me- I don't know how to plan it. The lads I've met in Cupid's deadlock Were- shall we say?- born out of wedlock. They broke my heart, they stilled my song, And said they had to run along, Explaining, so to sop my tears, First came their parents or careers. But ever does experience Deny me wisdom, calm, and sense! Though she's a fool who seeks to capture The twenty-first fine, careless rapture, I must go on, till ends my rope, Who from my birth was cursed with hope. A heart in half is chaste, archaic; But mine resembles a mosaic- The thing's become ridiculous! Why am I so? Why am I thus?

I didn’t go to the moon, I went much further — for time is the longest distance between two places. Not long after that I was fired for writing a poem on the lid of a shoe-box. I left Saint Louis. I descended the steps of this fire escape for a last time and followed, from then on, in my father’s footsteps, attempting to find in motion what was lost in space. I traveled around a great deal. The cities swept about me like dead leaves, leaves that were brightly colored but torn away from the branches. I would have stopped, but I was pursued by something. It always came upon me unawares, taking me altogether by surprise. Perhaps it was a familiar bit of music. Perhaps it was only a piece of transparent glass. Perhaps I am walking along a street at night, in some strange city, before I have found companions. I pass the lighted window of a shop where perfume is sold. The window is filled with pieces of colored glass, tiny transparent bottles in delicate colors, like bits of a shattered rainbow. Then all at once my sister touches my shoulder. I turn around and look into her eyes. Oh, Laura, Laura, I tried to leave you behind me, but I am more faithful than I intended to be! I reach for a cigarette, I cross the street, I run into the movies or a bar, I buy a drink, I speak to the nearest stranger — anything that can blow your candles out! For nowadays the world is lit by lightning! Blow out your candles, Laura — and so goodbye. . .

Between going and staying the day wavers, in love with its own transparency. The circular afternoon is now a bay where the world in stillness rocks. All is visible and all elusive, all is near and can't be touched. Paper, book, pencil, glass, rest in the shade of their names. Time throbbing in my temples repeats the same unchanging syllable of blood. The light turns the indifferent wall into a ghostly theater of reflections. I find myself in the middle of an eye, watching myself in its blank stare. The moment scatters. Motionless, I stay and go: I am a pause.

Men not men, but animas of coal and iron and clay. Fauna of the elements, carbon, iron, silicon: elementals. They had perhaps some of the weird inhuman beauty of minerals, the lustre of coal, the weight and blueness and resistance of iron, the transparency of glass.

Lucy, you're as transparent as a pane of glass, and there's not a speck of guile to be seen in you. Yet in a way you're a mystery to me.

Ah, gentle drivers gliding through summer's black nights, what frolics, what twists of lust, you might see from your impeccable highways if Kumfy Kabins were suddenly drained of their pigments and became as transparent as boxes of glass!

I've since come to believe that the world is populated by multitudes of women sitting at windows, inseparable from their surroundings. I myself spent many hours at a window on the Zattere, waiting for my father's return, waiting for my life to appear like one of those great ships that came into the harbor, broad sails filled with the wind of providence...I'd grown transparent as the glass through which I peered, dangerously invisible even to myself. It was then I knew I must set my life in motion or I would disappear.

Soon some of the plants were as big as fruit trees. There were fans of long emerald-green leaves, flowers resembling peacock tails with rainbow-colored eyes, pagodas consisting of sumperimposed unbrellas of violet silk. Thick stems were interwoven like braids. Since they were transparent, they looked like pink glass lit up from within. Some of the blooms looked like clusters of blue and yellow Japanese lanterns. And little by little, as the luminous night growths grew denser, they intertwined to form a tissue of soft light.

Ammu wondered at the transparency of that kiss. It was a clear-as-glass kiss. Unclouded by passion or desire . . . . It was a kiss that demanded no kiss-back. Not a cloudy kiss full of questions that wanted answers.

Naked. Fatigue of the body transparent as a glass-tree. Near yourself you hear the brutal rumor of inextricable desire. Night blindly mine. You're farther gone than me. Horror of checking for you in the screams of my poem. Your name is the disease of things at midnight. They had promised me one silence. Your face is closer to me than my own. Phantom memory. How I'd love to kill you —

Vivian Bloodmark, a philosophical friend of mine, in later years, used to say that while the scientist sees everything that happens in one point in space, the poet sees everything that happens in one point in time. Lost in thought, he taps his knee with his wandlike pencil, and at the same instant a car (New York license plate) passes along the road, a child bangs the screen door of a neighbouring porch, an old man yawns in a misty Turkestan orchard, a granule of cinder-grey sand is rolled by the wind on Venus, a Docteur Jacques Hirsch in Grenoble puts on his reading glasses, and trillions of other such trifles occur - all forming an instantaneous and transparent organism of events, of which the poet (sitting in a lawn chair in Ithaca, N.Y.) is the nucleus.

I'm glass, and transparent, too, which is more than can be said of some folks," answered the cat. "Also I have some lovely pink brains; you can see 'em work.

The fragment of glass with the blood on its edge, as it soaked up the dawn air, was almost transparent. It was a boundless blue, almost transparent. I stood up, and as I walked toward my own apartment, I thought, I want to become like this glass. And then I want to reflect this smooth white curving myself. I want to show other people these splendid curves reflected in me.

When someone is in disguise, and the disguise is not very good, one can describe it as a transparent disguise. This does not mean that the person is wearing plastic wrap or glass or anything else transparent. It merely means that people can see through his disguise - that is, the disguise doesn't fool them for a minute.

The appreciation of wine was based solely on the way it tasted. The invention of drinking glasses meant that the color, transparency, and clarity of wine became important, too. We are used to seeing what we drink, but this was new to the Romans, and they loved it.

When we came home later, my father was wearing his most transparent pair of boxer shorts, to show us he was angry, and drinking Baileys Irish Cream liqueur out of a miniature crystal glass, to show us his heart was broken.

It's hard being left behind. I wait for Henry, not knowing where he is, wondering if he's okay. It's hard to be the one who stays. I keep myself busy. Time goes faster that way. I go to sleep alone, and wake up alone. I take walks. I work until I'm tired. I watch the wind play with the trash that's been under the snow all winter. Everything seems simple until you think about it. Why is love intensified by absence? Long ago, men went to sea, and women waited for them, standing on the edge of the water, scanning the horizon for the tiny ship. Now I wait for Henry. He vanishes unwillingly, without warning. I wait for him. Each moment that I wait feels like a year, an eternity. Each moment is as slow and transparent as glass. Through each moment I can see infinite moments lined up, waiting. Why has he gone where I cannot follow?

The thing about having something hidden in your past is that you spend every minute of the future building a wall that makes the monster harder to see. You convince yourself that the wall is sturdy and thick, and one day, when you wake up and the horrible thing does not immediately jump into your mind, you give yourself the freedom to pretend that it is well and truly gone. Which only makes it that much more painful when something like this happens, and you learn that the concrete wall is really as transparent as glass, and twice as fragile.

Then there were the negatives. How he missed negatives. They were the actual rays of light, bounced straight off a landscape, an object, a person, and scarred on to the film. Photographic negatives were the hardest evidence you could get of your memories. They were the char left by the fire, the bruise left on your skin. The same light that carried to your eyes, on the day of your photograph, that image of your mother, or your father, or your close friend, had recorded itself on the film. And now, staring at the photo on the wall of Ida's transparent toes against the bed sheets, he thought how similar her feet were to negatives: both subjects of that half-world between memory and the present. These were not real, flexible, treading toes, but a play of light that showed where toes had been.

My love, my love, is a flame in the dark covered in glass. So glowingly beautiful to others on the outside, while slowly suffocating inside.

A glass devil is a person in whom evil becomes transparent. People simply don't see it, despite the fact that it's there all the time.

Relationships should be like glass .... No matter who sees from what angel .... It should be transparent

Glass is the very symbol of transparency and nonattachment. If your windows are cloudy or dusty, your mind will become cloudy as well.

God should be as clear and transparent as a pane of glass and not go wasting his energies on creating an atmosphere of constant terror and fear.

The Glass Cat is one of the most curious creatures in all Oz. It was made by a famous magician named Dr. Pipt before Ozma had forbidden her subjects to work magic. Dr. Pipt had made the Glass Cat to catch mice, but the Cat refused to catch mice and was considered more curious than useful. This astonishing cat was made all of glass and was so clear and transparent that you could see through it as easily as through a window. In the top of its head, however, was a mass of delicate pink balls which looked like jewels but were intended for brains. It had a heart made of a blood-red ruby. The eyes were two large emeralds. But, aside from these colors, all the rest of the animal was of clear glass, and it had a spun-glass tail that was really beautiful.

in private, a person says all sorts of things, slurs friends, uses coarse language, acts silly, tells dirty jokes, repeats himself, makes a companion laugh by shocking him with outrageous talk, floats heretical ideas he'd never admit in public, and so forth. Of course, we all act like Prochazka, in private we bad-mouth our friends and use coarse language; that we act different in private than in public is everyone's most conspicuous experience, it is the very ground of the life of the individual; curiously, this obvious fact remains unconscious, unacknowledged, forever obscured by lyrical dreams of the transparent glass house, it is rarely understood to be the value one must defend beyond all others. Thus only gradually did people realize (though their rage was all the greater) that the real scandal was not Prochazka's daring talk but the rape of his life; they realized (as if by electric shock) that private and public are two essentially different worlds and that respect for that difference is the indispensable condition, the sine qua non, for a man to live free; that the curtain separating these two worlds is not to be tampered with, and that curtain-rippers are criminals.

Reversibility: seeing through opaqueness, not-seeing through transparency. The wooden door and the glass door: two opposite facets of the same idea. This opposition is resolved in an identity: in both cases we look at ourselves looking. Hinge procedure. The question “What do we see?” confronts us with ourselves.

As I turned my head and looked out the window, I saw that everything around me was glowing from within. The sunlight on the trees, the swaying of the leaves in the wind, the slight rattle of the panes of glass in the old window frame, were too beautiful for words. I was enthralled at how miraculous everything was. Absolutely everything was beautiful. . . . I saw clearly that everyone is made of light—that we are like forms of light—but that a crust has formed over it. The crust is black and rubbery like tar and has obscured the inner light that is everyone’s real, inner self. Some blotches of tar are very thick; other areas are thinner and more transparent. Those who have worked on themselves for longer have less tar and they radiate more of their inner light. Because of their personal history, others are covered with more tar and need a great deal of work to get free of it. . . If we observe ourselves truthfully and non-judgmentally, seeing the mechanisms of our personality in action, we can wake up, and our lives can be a miraculous unfolding of beauty and joy.

His eyes were striking, icy clear and bright with intelligence, a cool, penetrating intelligence that would cut right to the core of things, to assess, dismiss, eviscerate. All at once, she was as transparent and fragile as glass.

The noise of drinking was exhilarating. Champagne corks popped and the pale, chrysanthemum-coloured liquid, whispering gleefully with bubbles, hissed into the glasses; heavy red wine glupped into the goblets, thick and crimson as the blood of some mythical monster, and a swirling wreath of pink bubbles formed on the surface; the frosty white wine tiptoed into the glasses, shrilling, gleaming, now like diamonds, now like topaz; the ouzo lay transparent and innocent as the edge of a mountain pool until the water splashed in and the whole glass curdled like a conjuring trick, coiling and blurring into a summer cloud of moonstone white.

He turned over towards the light and lay gazing into the glass paperweight. The inexhaustibly interesting thing was not the fragment of coral but the interior of the glass itself. There was such a depth of it, and yet it was almost as transparent as air. It was as though the surface of the glass had been the arch of the sky, enclosing a tiny world with its atmosphere complete. He had the feeling that he could get inside it, and that in fact he was inside it, along with the mahogany bed and the gateleg table, and the clock and the steel engraving and the paperweight itself. The paperweight was the room he was in, and the coral was Julia's life and his own, fixed in a sort of eternity at the heart of the crystal.

Suddenly the sun rose – like a burst of hope. The dark autumn water mirrored the sky; it began to breathe and the sun seemed to cry out in the waves. The steep banks had been salted by the night’s frost and the red-brown trees looked very gay. The wind rose, the mist vanished and the world grew cool and glass-like, piercingly transparent. There was no warmth in the sun, nor in the blue sky and water. The earth was vast: even the vast forest had both a beginning and an end, but the earth just stretched on for ever . . . And grief was something equally vast, equally eternal.

Helen of Troy Does Counter Dancing The world is full of women who'd tell me I should be ashamed of myself if they had the chance. Quit dancing. Get some self-respect and a day job. Right. And minimum wage, and varicose veins, just standing in one place for eight hours behind a glass counter bundled up to the neck, instead of naked as a meat sandwich. Selling gloves, or something. Instead of what I do sell. You have to have talent to peddle a thing so nebulous and without material form. Exploited, they'd say. Yes, any way you cut it, but I've a choice of how, and I'll take the money. I do give value. Like preachers, I sell vision, like perfume ads, desire or its facsimile. Like jokes or war, it's all in the timing. I sell men back their worst suspicions: that everything's for sale, and piecemeal. They gaze at me and see a chain-saw murder just before it happens, when thigh, ass, inkblot, crevice, tit, and nipple are still connected. Such hatred leaps in them, my beery worshipers! That, or a bleary hopeless love. Seeing the rows of heads and upturned eyes, imploring but ready to snap at my ankles, I understand floods and earthquakes, and the urge to step on ants. I keep the beat, and dance for them because they can't. The music smells like foxes, crisp as heated metal searing the nostrils or humid as August, hazy and languorous as a looted city the day after, when all the rape's been done already, and the killing, and the survivors wander around looking for garbage to eat, and there's only a bleak exhaustion. Speaking of which, it's the smiling tires me out the most. This, and the pretense that I can't hear them. And I can't, because I'm after all a foreigner to them. The speech here is all warty gutturals, obvious as a slam of ham, but I come from the province of the gods where meaning are lilting and oblique. I don't let on to everyone, but lean close, and I'll whisper: My mothers was raped by a holy swan. You believe that? You can take me out to dinner. That's what we tell all the husbands. There sure are a lot of dangerous birds around. Not that anyone here but you would understand. The rest of them would like to watch me and feel nothing. Reduce me to components as in a clock factory or abattoir. Crush out the mystery. Wall me up alive in my own body. They'd like to see through me, but nothing is more opaque than absolute transparency. Look - my feet don't hit the marble! Like breath or a balloon, I'm rising, I hover six inches in the air in my blazing swan-egg of light. You think I'm not a goddess? Try me. This is a torch song. Touch me and you'll burn.

The majority enjoy a young girl as they enjoy a glass of champagne, at one effervescent moment-oh, yes, that is really beautiful, and with many a young girl that is undoubtedly the most one can attain, but here there is more. If an individual is too fragile to stand clarity and transparency, well, then one enjoys what is unclear, but apparently she can stand it. The more devotedness one can bring to erotic love, the more interesting. This momentary enjoyment is a rape, even if not outwardly but nevertheless mentally, and in a rape there is only imagined enjoyment; it is like a stolen kiss, something nondescript. No, if one can bring it to a point where a girl has but one task for her freedom, to give herself, so that she feels her whole happiness in this, so that she practically begs for this devotedness and yet is free-only then is there enjoyment, but this always takes a discerning touch

Beneath his hands, my skin is so light and tight I half imagine I’m transparent. I’m glass for him, all the way to my blood-red, shining heart.

Um—” I turned to the shop window to compose myself, and my transparent ghost turned to meet me, crowds passing behind me in the glass.

Driftglass," I said. "You know all the Coca-Cola bottles and cut-crystal punch bowls and industrial silicon slag that goes into the sea?" I know the Coca-Cola bottles." They break, and the tide pulls the pieces back and forth over the sandy bottom, wearing the edges, changing their shape. Sometimes chemicals in the glass react with chemicals in the ocean to change the color. Sometimes veins work their way through in patterns like snowflakes, regular and geometric; others, irregular and angled like coral. When the pieces dry, they're milky. Put them in water and they become transparent again.

As for the beauty of women, it is like the light on the sea, never constant to a single wave. They all have it; they all lose it. Now she is dull and thick as bacon; now transparent as a hanging glass.

Her toes were pure glass. Smooth, clear, shining glass. Glinting crescents of light edged each toenail and each crease between the joints of each digit. Seen through her toes, the silver spots on the bed sheet diffused into metallic vapors. The ball of her foot was glass too, but murkier, losing its transparency in a gradient until, near her ankle, it reached skin: matte and flesh toned like any other.

He no longer saw the face of his friend Siddhartha, instead he saw other faces, many, a long sequence, a flowing river of faces, of hundreds, of thousands, which all came and disappeared, and yet all seemed to be there simultaneously, which all constantly changed and renewed themselves, and which were still all Siddhartha. He saw the face of a fish, a carp, with an infinitely painfully opened mouth, the face of a dying fish, with fading eyes—he saw the face of a new-born child, red and full of wrinkles, distorted from crying—he saw the face of a murderer, he saw him plunging a knife into the body of another person—he saw, in the same second, this criminal in bondage, kneeling and his head being chopped off by the executioner with one blow of his sword—he saw the bodies of men and women, naked in positions and cramps of frenzied love—he saw corpses stretched out, motionless, cold, void— he saw the heads of animals, of boars, of crocodiles, of elephants, of bulls, of birds—he saw gods, saw Krishna, saw Agni—he saw all of these figures and faces in a thousand relationships with one another, each one helping the other, loving it, hating it, destroying it, giving re-birth to it, each one was a will to die, a passionately painful confession of transitoriness, and yet none of them died, each one only transformed, was always re-born, received evermore a new face, without any time having passed between the one and the other face—and all of these figures and faces rested, flowed, generated themselves, floated along and merged with each other, and they were all constantly covered by something thin, without individuality of its own, but yet existing, like a thin glass or ice, like a transparent skin, a shell or mold or mask of water, and this mask was smiling, and this mask was Siddhartha's smiling face, which he, Govinda, in this very same moment touched with his lips. And, Govinda saw it like this, this smile of the mask, this smile of oneness above the flowing forms, this smile of simultaneousness above the thousand births and deaths, this smile of Siddhartha was precisely the same, was precisely of the same kind as the quiet, delicate, impenetrable, perhaps benevolent, perhaps mocking, wise, thousand-fold smile of Gotama, the Buddha, as he had seen it himself with great respect a hundred times. Like this, Govinda knew, the perfected ones are smiling.

We want to be transparent and yet not to be touched. We do and don’t want our private space. What prompts the Glass Delusion? – a tension between embracing the world and fleeing from it, from wanting to be part of it and wanting to be separated from it.

When you look through a window you gasp at the beautiful tree in the backyard or the magical sunrise coming over the horizon, No one looks at a window and is taken away by the complexity of the transparency of millions of atoms joined together to form, from our perception of a crystal clear yet structural opening to the exterior, the same is with life, if you spend your whole life being a medium to enable others then you will be nothing but a sheet of glass, overused, underappreciated, and fragile to opportunity

Most of the time, we have to be strong, we must not show our fragility. We’ve known that since the schoolyard. There is always a fragile bit of us, but we keep it very hidden. Yet Venetian glass doesn’t apologise for its weakness. It admits its delicacy; it is confident enough to demand careful treatment; it makes the world understand it could easily be damaged. It’s not fragile because of a deficiency, or by mistake. It's not as if its maker was trying to make it tough and hardy and then - stupidly - ended up with something a child could snap, or that would be shattered by clumsy mishandling. It is fragile and easily harmed as the consequence of its search for transparency and refinement and its desire to welcome sunlight and candle light into its depths. Glass can achieve wonderful effects but the necessary price is fragility. Some good things things have to be delicate - the dish says: ‘I am delightful, but if you knock me about I’ll break, and that’s not my fault.’ It is the duty of civilisation to allow the more delicate forms of human activity to thrive; to create environments where it is OK to be fragile. And we know, really, that it is not glass which most needs this care, it is ourselves. It’s obvious the glass could easily be smashed, so it makes you use your fingers tenderly; you have to be careful how you grasp the stem. It teaches us that moderation is admirable, and elegant, not just a tedious demand. It tells us that being careful is glamorous and exciting - even fashionable. It is a moral tale about gentleness, told by means of a drinking vessel. This is training for the more important moments in life when moderation will make a real difference to other people. Being mature - and civilised - means being aware of the effect of one’s strength on others.

The problem of an ideal kitchen grows more complex as I ponder on it. There are many small things I am sure about: no shelf-papers; no sharp edges or protruding hooks or wires; no ruffled curtains; and no cheap-coloured stove, mauve or green or opalescent like a modern toilet seat. Instead of these things I would have smooth shelves of some material like ebony or structural glass, shelves open or protected by sliding transparent doors. I would have curved and rounded edges, even to the floor, for the sake of cleanliness, and because I hate the decayed colours of a bruise. Instead of curtains I would have Venetian blinds, of four different colours for the seasons of the year. They would be, somehow, on the outside of the glass. And the stove would be black, with copper and earthenware utensils to put on it. It would be a wood stove, or perhaps (of this I am doubtful, unless I am the charwoman and janitor as well as the cook) electrical with place for a charcoal grill.

All my life, I have lived like an aquarium fish in the safety of a glass tank, behind a barrier as impenetrable as it has been transparent. I have been free to observe the glimmering world on the other side, to picture myself in it, if I like. But I have always been contained, hemmed in, by the hard, unyielding confines of the existence that Baba has constructed for me, at first knowingly, when I was young, and now guilelessly, now that he is fading day by day. I think I have grown accustomed to the glass and am terrified that when it breaks, when I am alone, I will spill out into the wide open unknown and flop around, helpless, lost, gasping for breath.

Unlike most of us, who tend to be transparent, people rarely see through a psychopath,” she continued. “He’s masterful. People trust and believe him. Even like him. It’s his great skill. Convincing people that his point of view is legitimate and right, often when all the evidence points in the other direction. Like Iago. It’s a kind of magic.

In theory, I would like to lead a transparent life. I wold like my life to be as clear as a new pane of glass, without anything shameful and no dark shadows. I would like that. But if I am completely honest, I have to acknowledge secrets too painful to even tell myself. There are things I consider in the deep dark of night, secret terrors. Why are they secrets? I could easily tell either of my parents how I feel, but what would they say? Don't worry, darling, we will do our best never to die? We will never ever leave you, never contract cancer or walk in front of a bus or collapse of old age? We will not leave you alone, not ever, to navigate the world and all of its complexities without us?

The cracks grew over him like vines, faster and faster. At first he bucked, whinnying metallic screeches. Then he gradually stilled, looking up at me with frightened glass eyes. He was growing. New, molten glass leeched out between his fissures, cooled and hardened only to crack again and make room for more liquid glass. The gears inside him moaned and creaked, and metal filings gathered at the base of his transparent stomach, only to fly up again and form more joints and chains and gears. Black smoke poured from his nostrils. Soon he was the size of a large dog, then a man, and still he grew and grew until he towered over my bed, as big as any plow horse I’d ever seen. Glass dripped down his flanks like sweat, a few rivulets still glowing with molten heat.

Science uses the Red Shift to measure deep cosmic distances. But how to measure deep historic time? How about—the Saffron Shift. If history itself had a color, it is . . . like wood or bark, or living forest floor. Assigning hues to time periods, the sum total of history is saffron-brown—but the chromatic arc starts from blinding white (prehistory) to sun-yellow (Ancient Greece), then deepening to pale wood tones (Dark Ages) and finally exploding like an infinite chord into a full brown palette that includes mahoganies, siennas (Middle Ages), oak, sandalwood (the Renaissance), cherry, maple (Age of Reason), and near-black old woods (Industrial Revolution) for which there may not be names. As time approaches our own, the wood-brown palette fades to a weird glassy colorlessness, goes black-and-white for a brief span as you think of photographs of your grandparents, and then again fades until we get a clear medium that is the color of the world. And the present moment is perfectly transparent. It's only as you start looking into the future, that the colors start returning. The glass is turning silvery with a murky haze, and there is blue somewhere in the distance . . .

The sun had streamed through the stained glass on our wedding day. I remember trying to slow my walk down the aisle, because my soon-to-be husband was staring at me like he never had before. I thought, This aisle is too short to hold this moment. When he saw me for the first time in my inevitable wedding dress, he blinked his eyes so hard and fast, as if his own tears surprised him. My veil was a blusher, it covered my face. And for once in our whole relationship, he was the naked and emotional one, and I was the less transparent one. I remember thinking, Someday I will tell our children how their father looked at me on this day. But on this day, on the eighth floor of the superior court, the father of the children we never ended up having looked at me for half a second. He glanced at me by accident, really, and then turned on his heel and went into the courtroom.

In 7.81 square miles of vaunted black community, the 850 square feet of Dum Dum Donuts was the only place in the "community" where one could experience the Latin root of the word, where a citizen could revel in common togetherness. So one rainy Sunday afternoon, not long after the tanks and media attention had left, my father ordered his usual. He sat at the table nearest the ATM and said aloud, to no one in particular, "Do you know that the average household net worth for whites is $113,149 per year, Hispanics $6,325, and black folks $5,677?" "For real?" "What's your source material, nigger?" "The Pew Research Center." Motherfuckers from Harvard to Harlem respect the Pew Research Center, and hearing this, the concerned patrons turned around in their squeaky plastic seats as best they could, given that donut shop swivel chairs swivel only six degrees in either direction. Pops politely asked the manager to dim the lights. I switched on the overhead projector, slid a transparency over the glass, and together we craned our necks toward the ceiling, where a bar graph titled "Income Disparity as Determined by Race" hovered overhead like some dark, damning, statistical cumulonimbus cloud threatening to rain on our collective parades. "I was wondering what that li'l nigger was doing in a donut shop with a damn overhead projector.

Incarnate ugliness, and yet alive! What would become of them all? Perhaps with the passing of the coal they would disappear again, off the face of the earth. They had appeared out of nowhere in their thousands, when the coal had called for them. Perhaps they were only weird fauna of the coal-seams. Creatures of another reality, they were elementals, serving the elements of coal, as the metal-workers were elementals, serving the element of iron. Men not men, but animas of coal and iron and clay. Fauna of the elements, carbon, iron, silicon: elementals. They had perhaps some of the weird, inhuman beauty of minerals, the lustre of coal, the weight and blueness and resistance of iron, the transparency of glass. Elemental creatures, weird and distorted, of the mineral world! They belonged to the coal, the iron, the clay, as fish belong to the sea and worms to dead wood. The anima of mineral disintegration!

There are more fake gurus and false teachers in this world than the number of stars in the visible universe. Don’t confuse power-driven, self-centered people with true mentors. A genuine spiritual master will not direct your attention to himself or herself and will not expect absolute obedience or utter admiration from you, but instead will help you to appreciate and admire your inner self. True mentors are as transparent as glass. They let the Light of God pass through them.

There are more fake gurus and false teachers in this world than the number of stars in the visible universe. Don’t confuse power-driven, self-centered people with true mentors. A genuine spiritual master will not direct your attention to himself or herself and will not expect absolute obedience or utter admiration from you, but instead will help you to appreciate and admire your inner self. True mentors are as transparent as glass. They let the Light of God pass through them.” - Shams Tabrizi

Chemistry was transformed by glass perhaps more than any other discipline. You only have to go to any chemistry lab to see that the transparency and inertness of the material make it perfect for mixing chemicals and monitoring what they do. Before the glass test tube was born, chemical reactions were performed in opaque beakers, so it was hard to see what was happening. With glass, and especially with a new glass called Pyrex that was immune to thermal shock, chemistry as a systematic discipline really got going.

But then, in a sense, all poetry is positional: to try to express one’s position in regard to the universe embraced by consciousness, is an immemorial urge. The arms of consciousness reach out and grope, and the longer they are the better. Tentacles, not wings, are Apollo’s natural members. Vivian Bloodmark, a philosophical friend of mine, in later years, used to say that while the scientist sees everything that happens in one point of space, the poet feels everything that happens in one point of time. Lost in thought, he taps his knee with his wandlike pencil, and at the same instant a car (New York license plate) passes along the road, a child bangs the screen door of a neighbouring porch, an old man yawns in a misty Turkestan orchard, a granule of cinder-gray sand is rolled by the wind on Venus, a Docteur Jacques Hirsch in Grenoble puts on his reading glasses, and trillions of other such trifles occur – all forming an instantaneous and transparent organism of events, of which the poet (sitting in a lawn chair, at Ithaca, N.Y.) is the nucleus.

On this side of eternity, Christmas is still a promise. Yes, the Savior has come, and with him peace on earth, but the story is not finished. Yes, there is peace in our hearts, but we long for peace in our world. Every Christmas is still a “turning of the page” until Jesus returns. Every December 25 marks another year that draws us closer to the fulfillment of the ages, that draws us closer to . . . home. When we realize that Jesus is the answer to our deepest longing, even Christmas longings, each Advent brings us closer to his glorious return to earth. When we see him as he is, King of kings and Lord of lords, that will be “Christmas” indeed! Talk about giving Christmas gifts! Just think of this abundance . . . You do not lack any spiritual gift as you eagerly wait for our Lord Jesus Christ to be revealed. (1 Cor. 1:7) And carols? You’re about to hear singing like you’ve never heard before. Listen . . . Then I heard something like the voice of a great multitude and like the sound of many waters and like the sound of mighty peals of thunder, saying, “Hallelujah! For the Lord our God, the Almighty, reigns.” (Rev. 19:6, nasb) Christmas choirs? Never was there a choir like the one about to be assembled . . . They held harps given them by God and sang . . . the song of the Lamb: “Great and marvelous are your deeds, Lord God Almighty. Just and true are your ways, King of the ages.” (Rev. 15:2–3) True, Main Street in your town may be beautifully decorated for the season, but picture this . . . The twelve gates [of the city] were twelve pearls, each gate made of a single pearl. The great street of the city was of pure gold, like transparent glass. (Rev. 21:21) Oh, and yes, we love the glow of candles on a cold winter’s night and the twinkling of Christmas lights in the dark, but can you imagine this? There will be no more night. They will not need the light of a lamp or the light of the sun, for the Lord God will give them light. And they will reign for ever and ever. (Rev. 22:5) Heaven is about to happen. The celebration is about to burst on the scene. We stand tiptoe at the edge of eternity, ready to step into the new heaven and the new earth. And I can hardly wait.

...there was one thing she would think about when she was high, one thing she would feel: that she was transparent, not invisible, but transparent. But this was the thing: she wasn’t see- through, she wasn’t transparent to light like glass or air, she was transparent to the dark. She said that’s what heroin did, it brought her down to the seafloor, the floor of an ocean trench. Relieved of the need to see, relieved of the need to breathe, she belonged to the darkness completely. It possessed her, moved through her unresisted, as though she herself were made of nothing more than water and darkness, as though she herself were nothing more than a place, a place where the current turned on itself a little and moved on...I said that was it, the big question she carried around in her, the question whether despair was the only way out, whether the only thing she could really make was her escape. That makes sense, she said, just as she said whenever she didn’t agree with my interpretation. But . . . there’s a frustration . . . I want to be clear, perfectly clear. You want to be free to stop hiding things. God, if that’s true, she said with sudden coldness, then all of this is just a load of shit. I knew then that I had overstepped and had ruined something, that I had spooked her and she would make her escape into an anodyne or trivial association. To my surprise, however, she countered and pushed ahead. You are wrong. It’s not that I want to stop hiding. It’s not that I want to come out and say the thing I have to say. Don’t you see? I want there to be nothing. Nothing to hide, and no place to put it. No things, no places. Do you see what I am saying? Can you understand that? Jesus, how could you?

For that half-hour in the hospital delivery room I was intimate with immensity, for that half-minute before birth I held her hands and for that duration we three were undivided, I felt the blood of her pulse as we gripped hands, felt her blood beat in the rhythm that reached into the baby as she slipped into the doctor's hands, and for a few days we touched that immensity, we saw through her eyes to an immense intimacy, saw through to where she had come from, I felt important being next to her, and the feeling lasted when we entered our car for the drive home, thinking to myself that we weren't to be trusted with our baby, the feeling lasting while I measured us against the landscape, the February rain, the pewter sky, and then the rain freezing to the roadway, the warmth of the interior of the car with its unbreakable transparent sky dome and doors, until the car spun on the ice in the lane and twirled so that I could take an hour to describe how I threw up my hands in anguish as the baby slipped from her arms and whipped into the face of her mother reflected in the glass door, and she caught the baby back into her arms as the car glided to a stop in its usual place at the end of the drive, and nothing but silence and a few drops of blood at a nostril suggested that we would now be intimate with the immensities of death ("Interim")

The bottom of the sea was aflame with a vast bloody glow that spread beneath the schooner; the light slid under the keel and illuminated the sails and rigging from below. It was as though we were on a boat in the Drury Lane Theatre, lighted by an invisible row of flares. ‘Phosphorescence?’ I ventured. ‘Look,’ whispered Jellewyn. The water had become as transparent as glass. At an enormous depth, we saw great dark masses with unreal shapes: there were manors with immense towers, gigantic domes, horribly straight streets lined with frenzied houses. We appeared to be flying over a furiously busy city at an incredible height. ‘There seems to be movement,’ I said. ‘Yes.’ We could see a swarming crowd of amorphous beings engaged in some sort of feverish and infernal activity. ‘Get back!’ Jellewyn shouted, pulling me violently by the belt. One of those beings was rising toward us with astounding speed. In less than a second its immense bulk had hidden the undersea city from us; it was as though a flood of ink had instantaneously spread around us. The keel received a tremendous blow. In the crimson light, we saw three enormous tentacles, three times as high as the mainmast, hideously writhing in the air. A formidable face composed of black shadows and two eyes of liquid amber rose above the port side of the ship and gave us a terrifying look.

I would amuse myself by watching the glass jars which the boys used to lower into the Vivonne, to catch minnows, and which, filled by the current of the stream, in which they themselves also were enclosed, at once ‘containers’ whose transparent sides were like solidified water and ‘contents’ plunged into a still larger container of liquid, flowing crystal, suggested an image of coolness more delicious and more provoking than the same water in the same jars would have done, standing upon a table laid for dinner, by shewing it as perpetually in flight between the impalpable water, in which my hands could not arrest it, and the insoluble glass, in which my palate could not enjoy it.

Just as they reached the door to the accommodation section, it opened, and a small boy towing a travel bag along the floor behind him came through. A small dog poked his head out of one end of this bag—the pup had been zipped up inside. “Out of the way, son,” Harper said. The child stopped, and gaped up at the battle-archon. Behind him, his trapped pup growled. The rear end of the leather and cloth satchel oscillated wildly. “I wanted to see the angel,” the boy said. “Aunt Edith promised I could watch it kill something.” Hasp halted, still reeling, and looked down at the boy and his pet. “You want to see me kill?” he muttered. “Then order me to do so. You’re all Menoa’s fucking people on this train.” The boy brightened. “Do it!” he said. “Kill something now.” “As you wish.” Hasp kicked the dog with all of the strength he could muster. Had the animal been made of tougher stuff than flesh and bone, or had its bag been composed of something more substantial than woven thread, it might have made an impact hard enough to shatter the glass wall at the end of the corridor sixty feet away. Instead, the creature and the torn remains of its embroidered travel bag spattered against the opposite end of the passage in a series of wet smacks, more like a shower of red rain than anything resembling the corpse of a dog. The boy screamed. Hasp cricked his neck, then shoved the child aside and stomped away, his transparent armour swimming with rainbows.

Moving on, while he wondered, the dark through which Mr. Lecky's light cut grew more beautiful with scents. Particles of solid matter so minute, gases so subtle, that they filtered through stopping and sealing, hung on the unstirred air. Drawn in with Mr. Lecky's breath came impalpable dews cooked out of disintegrating coal. Distilled, chemically split and reformed, they ended in flawless simulation of the aromas of gums, the scent of woods and the world's flowers. The chemists who made them could do more than that. Loose on the gloom were perfumes of flowers which might possibly have bloomed but never had, and the strong-smelling saps of trees either lost or not yet evolved. Mixed in the mucus of the pituitary membrane, these volatile essences meant more than synthetic chemistry to Mr. Lecky. Their microscopic slime coated the bushed-out ends of the olfactory nerve; their presence was signaled to the anterior of the brain's temporal lobe. At once, thought waited on them, tossing down from the great storehouse of old images, neglected ideas - sandalwood and roses, musk and lavender. Mr. Lecky stood still, wrung by pangs as insistent and unanswerable as hunger. He was prodded by the unrest of things desired, not had; the surfeit of things had, not desired. More than anything he could see, or words, or sounds, these odors made him stupidly aware of the past. Unable to remember it, whence he was, or where he had previously been, all that was sweet, impermanent and gone came back not spoiled by too much truth or exact memory. Volatile as the perfumes, the past stirred him with longing for what was not - the only beloved beauty which you will have to see but which you may not keep. Mr. Lecky's beam of light went through glass top and side of a counter, displayed bottles of colored liquid - straw, amber, topaz - threw shadows behind their diverse shapes. He had no use for perfume. All the distraction, all the sense of loss and implausible sweetness which he felt was in memory of women. Behind the counter, Mr. Lecky, curious, took out bottles, sniffed them, examined their elaborately varied forms - transparent squares, triangles, cones, flattened ovals. Some were opaque, jet or blue, rough with embedded metals in intricate design. This great and needless decoration of the flasks which contained it was one strange way to express the inexpressible. Another way was tried in the names put on the bottles. Here words ran the suggestive or symbolic gamut of idealized passion, or festive night, of desired caresses, or of abstractions of the painful allure yet farther fetched. Not even in the hopeful, miracle-raving fancy of those who used the perfumes could a bottle of liquid have any actual magic. Since the buyers at the counters must be human beings, nine of every ten were beyond this or other help. Women, young, but unlovely and unloved, women, whatever they had been, now at the end of it and ruined by years or thickened to caricature by fat, ought to be the ones called to mind by perfume. But they were not. Mr. Lecky held the bottle in his hand a long while, aware of the tenth woman.

Now let me tell you something. I have seen a thousand sunsets and sunrises, on land where it floods forest and mountains with honey coloured light, at sea where it rises and sets like a blood orange in a multicoloured nest of cloud, slipping in and out of the vast ocean. I have seen a thousand moons: harvest moons like gold coins, winter moons as white as ice chips, new moons like baby swans’ feathers. I have seen seas as smooth as if painted, coloured like shot silk or blue as a kingfisher or transparent as glass or black and crumpled with foam, moving ponderously and murderously. I have felt winds straight from the South Pole, bleak and wailing like a lost child; winds as tender and warm as a lover’s breath; winds that carried the astringent smell of salt and the death of seaweeds; winds that carried the moist rich smell of a forest floor, the smell of a million flowers. Fierce winds that churned and moved the sea like yeast, or winds that made the waters lap at the shore like a kitten. I have known silence: the cold, earthy silence at the bottom of a newly dug well; the implacable stony silence of a deep cave; the hot, drugged midday silence when everything is hypnotised and stilled into silence by the eye of the sun; the silence when great music ends. I have heard summer cicadas cry so that the sound seems stitched into your bones. I have heard tree frogs in an orchestration as complicated as Bach singing in a forest lit by a million emerald fireflies. I have heard the Keas calling over grey glaciers that groaned to themselves like old people as they inched their way to the sea. I have heard the hoarse street vendor cries of the mating Fur seals as they sang to their sleek golden wives, the crisp staccato admonishment of the Rattlesnake, the cobweb squeak of the Bat and the belling roar of the Red deer knee-deep in purple heather. I have heard Wolves baying at a winter’s moon, Red howlers making the forest vibrate with their roaring cries. I have heard the squeak, purr and grunt of a hundred multi-coloured reef fishes. I have seen hummingbirds flashing like opals round a tree of scarlet blooms, humming like a top. I have seen flying fish, skittering like quicksilver across the blue waves, drawing silver lines on the surface with their tails. I have seen Spoonbills flying home to roost like a scarlet banner across the sky. I have seen Whales, black as tar, cushioned on a cornflower blue sea, creating a Versailles of fountain with their breath. I have watched butterflies emerge and sit, trembling, while the sun irons their wings smooth. I have watched Tigers, like flames, mating in the long grass. I have been dive-bombed by an angry Raven, black and glossy as the Devil’s hoof. I have lain in water warm as milk, soft as silk, while around me played a host of Dolphins. I have met a thousand animals and seen a thousand wonderful things. But— All this I did without you. This was my loss. All this I want to do with you. This will be my gain. All this I would gladly have forgone for the sake of one minute of your company, for your laugh, your voice, your eyes, hair, lips, body, and above all for your sweet, ever-surprising mind which is an enchanting quarry in which it is my privilege to delve.

Never before have I had such dreams at dawn. They're double dreams. What's more, the principal one, I'd say, is made of glass. It's transparent. And so, then -- I dream of an eerily lit lamp, and out of it blazes a multicolored ribbon of lights. Amneris is waving a green feather and singing. The orchestra, utterly unearthly, is extraordinarily sonorous. I can't convey it in words, though. In short, in a normal dream music is soundless ... (in a normal one? That's another question, which dream is more normal?! I'm joking, though...") soundless, but in my dream it's quite sublimely audible. And the main thing is that, using my will, I can amplify or soften the music. I seem to recall in War and Peace there's a description of Petya Rosrov, when half asleep, experienced the same state. Leo Tolstoy's a remarkable writer!

The company’s other primary commitment—to radical transparency—goes much deeper than the glass office walls. Every meeting is recorded, and (unless proprietary client information is discussed) every recording is available to every member of the organization. Each office and meeting room is equipped with audio recording technology. For example, if your boss and your boss’s boss are discussing your performance and you weren’t invited to the meeting, the recording is available for you to review. And you don’t have to scour every audio file to find out whether you were the subject of a closed-door conversation. If your name came up, you’re likely to be given a heads-up, just so that you will review the file. In effect, there is no such thing as a closed-door conversation; everything is part of a “historical record of what is true.

A Meal We sit at a clean table eating thoughts from clean plates and see, there is my heart germfree, and transparent as glass and there is my brain, pure as cold water in the china bowl of my skull and you are talking with words that fall spare on the ear like the metallic clink of knife and fork. Safety by all means; so we eat and drink remotely, so we pick the abstract bone but something is hiding somewhere in the scrubbed bare cupboard of my body flattening itself against a shelf and feeding on other people’s leavings a furtive insect, sly and primitive the necessary cockroach in the flesh that nests in dust. It will sidle out when the lights have all gone off in this bright room (and you can’t crush it in the dark then my friend or search it out with your mind’s hands that smell of insecticide and careful soap) In spite of our famines it keeps itself alive : how it gorges on a few unintentional spilled crumbs of love

and all of these figures and faces rested, flowed, generated themselves, floated along and merged with each other, and they were all constantly covered by something thin, without individuality of its own, but yet existing, like a thin glass or ice, like a transparent skin, a shell or mold or mask of water, and this mask was smiling, and this mask was Siddhartha's smiling face, which he, Govinda, in this very same moment touched with his lips. And, Govinda saw it like this, this smile of the mask, this smile of oneness above the flowing forms, this smile of simultaneousness above the thousand births and deaths, this smile of Siddhartha was precisely the same, was precisely of the same kind as the quiet, delicate, impenetrable, perhaps benevolent, perhaps mocking, wise, thousand-fold smile of Gotama, the Buddha, as he had seen it himself with great respect a hundred times. Like this, Govinda knew, the perfected ones are smiling

Eddie: Why do police lieutenants wear belts? The lights in the Barony coach began to flicker. An odd thing was happening to the walls, as well; they began to fade in and out of true, lunging toward transparency, perhaps, and then opaquing again. Seeing this phenomenon even out of the corner of his eye made Eddie feel a bit whoopsie. Eddie: Blaine? Answer. Roland: (agreeably) Answer. Answer, or I declare the contest at an end and hold you to your promise. Blaine: TO...TO HOLD UP THEIR PANTS? (repeating as a statement) TO HOLD UP THEIR PANTS. A RIDDLE BASED UPON THE EXAGGERATED SIMPLICITY OF-- Eddie: Right. Good one, Blaine, but never mind trying to kill time--it won't work. Next-- Blaine: I INSIST YOU STOP ASKING THESE SILLY-- Eddie: Then stop the mono. If you're that upset, stop right here, and I will. Blaine: NO. Eddie: Okay, then, on we go. What's Irish and stays out in back of the house, even in the rain? Blaine: (clicking his tongue deafeningly and gratingly; a long pause) PADDY O'FURNITURE.

THE sun had not yet risen. The sea was indistinguishable from the sky, except that the sea was slightly creased as if a cloth had wrinkles in it. Gradually as the sky whitened a dark line lay on the horizon dividing the sea from the sky and the grey cloth became barred with thick strokes moving, one after another, beneath the surface, following each other, pursuing each other, perpetually. As they neared the shore each bar rose, heaped itself, broke and swept a thin veil of white water across the sand. The wave paused, and then drew out again, sighing like a sleeper whose breath comes and goes unconsciously. Gradually the dark bar on the horizon became clear as if the sediment in an old wine-bottle had sunk and left the glass green. Behind it, too, the sky cleared as if the white sediment there had sunk, or as if the arm of a woman couched beneath the horizon had raised a lamp and flat bars of white, green and yellow, spread across the sky like the blades of a fan. Then she raised her lamp higher and the air seemed to become fibrous and to tear away from the green surface flickering and flaming in red and yellow fibres like the smoky fire that roars from a bonfire. Gradually the fibres of the burning bonfire were fused into one haze, one incandescence which lifted the weight of the woollen grey sky on top of it and turned it to a million atoms of soft blue. The surface of the sea slowly became transparent and lay rippling and sparkling until the dark stripes were almost rubbed out. Slowly the arm that held the lamp reused it higher and then higher until a broad flame became visible; an arc of fire burnt on the rim of the horizon, and all round it the sea blazed gold. The light struck upon the trees in the garden, making one leaf transparent and then another. One bird chirped high up; there was a pause; another chirped lower down. The sun sharpened the walls of the house, and rested like the tip of a fan upon a white blind and made a blue fingerprint of shadow under the leaf by the bedroom window. The blind stirred slightly, but all within was dim and unsubstantial. The birds sang their blank melody outside.

There was a scuffling and a great thump: Someone else had clambered out of the tunnel, overbalanced slightly, and fallen. He pulled himself up on the nearest chair, looked around through lopsided horn-rimmed glasses, and said, “Am I too late? Has it started? I only just found out, so I--I--” Percy spluttered into silence. Evidently he had not expected to run into most of his family. There was a long moment of astonishment, broken by Fleur turning to Lupin and saying, in a wildly transparent attempt to break the tension, “So--’ow eez leetle Teddy?” Lupin blinked at her, startled. The silence between the Weasleys seemed to be solidifying, like ice. “I--oh yes--he’s fine!” Lupin said loudly. “Yes, Tonks is with him--at her mother’s--” Percy and the other Weasleys were still staring at one another, frozen. “Here, I’ve got a picture!” Lupin shouted, pulling a photograph from inside his jacket and showing it to Fleur and Harry, who saw a tiny baby with a tuft of bright turquoise hair, waving fat fists at the camera. “I was a fool!” Percy roared, so loudly that Lupin nearly dropped his photograph. “I was an idiot, I was a pompous prat, I was a--a--” “Ministry-loving, family-disowning, power-hungry moron,” said Fred. Percy swallowed. “Yes, I was!” “Well, you can’t say fairer than that,” said Fred, holding out his hand to Percy. Mrs. Weasley burst into tears. She ran forward, pushed Fred aside, and pulled Percy into a strangling hug, while he patted her on the back, his eyes on his father. “I’m sorry, Dad,” Percy said. Mr. Weasley blinked rather rapidly, then he too hurried to hug his son. “What made you see sense, Perce?” inquired George. “It’s been coming on for a while,” said Percy, mopping his eyes under his glasses with a corner of his traveling cloak. “But I had to find a way out and it’s not so easy at the Ministry, they’re imprisoning traitors all the time. I managed to make contact with Aberforth and he tipped me off ten minutes ago that Hogwarts was going to make a fight of it, so here I am.” “Well, we do look to our prefects to take a lead at times such as these,” said George in a good imitation of Percy’s most pompous manner. “Now let’s get upstairs and fight, or all the good Death Eaters’ll be taken.

There was also a package wrapped in pale blue paper and tied with a matching ribbon. Picking up a small folded note that had been tucked under the ribbon, Beatrix read: A gift for your wedding night, darling Bea. This gown was made by the most fashionable modiste in London. It is rather different from the ones you usually wear, but it will be very pleasing to a bridegroom. Trust me about this. -Poppy Holding the nightgown up, Beatrix saw that it was made of black gossamer and fastened with tiny jet buttons. Since the only nightgowns she had ever worn had been of modest white cambric or muslin, this was rather shocking. However, if it was what husbands liked... After removing her corset and her other underpinnings, Beatrix drew the gown over her head and let a slither over her body in a cool, silky drift. The thin fabric draped closely over her shoulders and torso and buttoned at the waist before flowing to the ground in transparent panels. A side slit went up to her hip, exposing her leg when she moved. And her back was shockingly exposed, the gown dipping low against her spine. Pulling the pins and combs from her hair, she dropped them into the muslin bag in the trunk. Tentatively she emerged from behind the screen. Christopher had just finished pouring two glasses of champagne. He turned toward her and froze, except for his gaze, which traveled over her in a burning sweep. "My God," he muttered, and drained his champagne. Setting the empty glass aside, he gripped the other as if he were afraid it might slip through his fingers. "Do you like my nightgown?" Beatrix asked. Christopher nodded, not taking his gaze from her. "Where's the rest of it?" "This was all I could find." Unable to resist teasing him, Beatrix twisted and tried to see the back view. "I wonder if I put it on backward..." "Let me see." As she turned to reveal the naked line of her back, Christopher drew in a harsh breath. Although Beatrix heard him mumble a curse, she didn't take offense, deducing that Poppy had been right about the nightgown. And when he drained the second glass of champagne, forgetting that it was hers, Beatrix sternly repressed a grin. She went to the bed and climbed onto the mattress, relishing the billowy softness of its quilts and linens. Reclining on her side, she made no attempt to cover her exposed leg as the gossamer fabric fell open to her hip. Christopher came to her, stripping off his shirt along the way. The sight of him, all that flexing muscle and sun-glazed skin, was breathtaking. He was a beautiful man, a scarred Apollo, a dream lover. And he was hers.

A shudder went through me at the thought of what I should still learn in this hour. How awry, altered and distorted everything and everyone was in these mirrors, how mockingly and unattainably did the face of truth hide itself behind all these reports, counter-reports and legends! What was still truth? What was still credible? And what would remain when I also learned about myself, about my own character and history from the knowledge stored in these archives? I must be prepared for anything. Suddenly I could bear the uncertainty and suspense no longer. I hastened to the section Chattorum res gestas, looked for my sub-division and number and stood in front of the part marked with my name. This was a niche, and when I drew the thin curtains aside I saw that it contained nothing written. It contained nothing but a figure, an old and worn-looking model made from wood or wax, in pale colours. It appeared to be a kind of deity or barbaric idol. At first glance it was entirely incomprehensible to me. It was a figure that really consisted of two; it had a common back. I stared at it for a while, disappointed and surprised. Then I noticed a candle in a metal candlestick fixed to the wall of the niche. A match-box lay there. I lit the candle and the strange double figure was now brightly illuminated. Only slowly did it dawn upon me. Only slowly and gradually did I begin to suspect and then perceive what it was intended to represent. It represented a figure which was myself, and this likeness of myself was unpleasantly weak and half-real; it had blurred features, and in its whole expression there was something unstable, weak, dying or wishing to die, and looked rather like a piece of sculpture which could be called "Transitoriness" or "Decay," or something similar. On the other hand, the other figure which was joined to mine to make one, was strong in colour and form, and just as I began to realise whom it resembled, namely, the servant and President Leo, I discovered a second candle in the wall and lit this also. I now saw the double figure representing Leo and myself, not only becoming clearer and each image more alike, but I also saw that the surface of the figures was transparent and that one could look inside as one can look through the glass of a bottle or vase. Inside the figures I saw something moving, slowly, extremely slowly, in the same way that a snake moves which has fallen asleep. Something was taking place there, something like a very slow, smooth but continuous flowing or melting; indeed, something melted or poured across from my image to that of Leo's. I perceived that my image was in the process of adding to and flowing into Leo's, nourishing and strengthening it. It seemed that, in time, all the substance from one image would flow into the other and only one would remain: Leo. He must grow, I must disappear. As I stood there and looked and tried to understand what I saw, I recalled a short conversation that I had once had with Leo during the festive days at Bremgarten. We had talked about the creations of poetry being more vivid and real than the poets themselves. The candles burned low and went out. I was overcome by an infinite weariness and desire to sleep, and I turned away to find a place where I could lie down and sleep.

The sun had not yet risen. The sea was indistinguishable from the sky, except that the sea was slightly creased as if a cloth had wrinkles in it. Gradually as the sky whitened a dark line lay on the horizon dividing the sea from the sky and the grey cloth became barred with thick strokes moving, one after another, beneath the surface, following each other, pursuing each other, perpetually. As they neared the shore each bar rose, heaped itself, broke and swept a thin veil of white water across the sand. The wave paused, and then drew out again, sighing like a sleeper whose breath comes and goes unconsciously. Gradually the dark bar on the horizon became clear as if the sediment in an old wine-bottle had sunk and left the glass green. Behind it, too, the sky cleared as if the white sediment there had sunk, or as if the arm of a woman couched beneath the horizon had raised a lamp and flat bars of white, green and yellow spread across the sky like the blades of a fan. Then she raised her lamp higher and the air seemed to become fibrous and to tear away from the green surface flickering and flaming in red and yellow fibres like the smoky fire that roars from a bonfire. Gradually the fibres of the burning bonfire were fused into one haze, one incandescence which lifted the weight of the woolen grey sky on top of it and turned it to a million atoms of soft blue. The surface of the sea slowly became transparent and lay rippling and sparkling until the dark stripes were almost rubbed out. Slowly the arm that held the lamp raised it higher and then higher until a broad flame became visible; an arc of fire burnt on the rim of the horizon, and all round it the sea blazed gold. The light struck upon the trees in the garden, making one leaf transparent and then another. One bird chirped high up; there was a pause; another chirped lower down. The sun sharpened the walls of the house, and rested like the tip of a fan upon a white blind and made a blue finger-print of shadow under the leaf by the bedroom window. The blind stirred slightly, but all within was dim and unsubstantial. The birds sang their blank melody outside.