Transform Your Hair Quotes

She’s pretty, but her face doesn’t transform into sunlight when she talks about music.” He did that clench thing with his jaw and said, “She’s funny, but not spit-out-your-drink-in-astonishment funny.” It felt like my heart was going to explode as his eyes moved down to my lips under the glow of the buzzing streetlight. He moved his face a little closer to mine, looked into my eyes, and rumbled, “And when I see her, I don’t feel like I have to talk to her or mess up her hair or do something—anything—to get her to swing that gaze on me.

The girls I dream of are the gentle ones, wistful by high windows or singing sweet old songs at a piano, long hair drifting, tender as apple blossom. But a girl who goes into battle beside you and keeps your back is a different thing, a thing to make you shiver. Think of the first time you slept with someone, or the first time you fell in love: that blinding explosion that left you cracking to the fingertips with electricity, initiated and transformed. I tell you that was nothing, nothing at all, beside the power of putting your lives, simply and daily, into each other's hands.

I remember finding him very attractive at the time; though any man who pays attention to you, at that age, can transform from frog to prince in the time it takes to tell you he likes your hair.

Dear Collector: We hate you. Sex loses all its power and magic when it becomes explicit, mechanical, overdone, when it becomes a mechanistic obsession. It becomes a bore. You have taught us more than anyone I know how wrong it is not to mix it with emotion, hunger, desire, lust, whims, caprices, personal ties, deeper relationships that change its color, flavor, rhythms, intensities. "You do not know what you are missing by your micro-scopic examination of sexual activity to the exclusion of aspects which are the fuel that ignites it. Intellectual, imaginative, romantic, emotional. This is what gives sex its surprising textures, its subtle transformations, its aphrodisiac elements. You are shrinking your world of sensations. You are withering it, starving it, draining its blood. If you nourished your sexual life with all the excitements and adventures which love injects into sensuality, you would be the most potent man in the world. The source of sexual power is curiosity, passion. You are watching its little flame die of asphyxiation. Sex does not thrive on monotony. Without feeling, inventions, moods, no surprises in bed. Sex must be mixed with tears, laughter, words, promises, scenes, jealousy, envy, all the spices of fear, foreign travel, new faces, novels, stories, dreams, fantasies, music, dancing, opium, wine. How much do you lose by this periscope at the tip of your sex, when you could enjoy a harem of distinct and never-repeated wonders? No two hairs alike, but you will not let us waste words on a description of hair; no two odors, but if we expand on this you cry Cut the poetry. No two skins with the same texture, and never the same light, temperature, shadows, never the same gesture; for a lover, when he is aroused by true love, can run the gamut of centuries of love lore. What a range, what changes of age, what variations of maturity and innocence, perversity and art . . . We have sat around for hours and wondered how you look. If you have closed your senses upon silk, light, color, odor, character, temperament, you must be by now completely shriveled up. There are so many minor senses, all running like tributaries into the mainstream of sex, nourishing it. Only the united beat of sex and heart together can create ecstasy.

I know, sweetie. But I’ve seen you with him. I’ve seen how he looks at you. Maybe this is the big one. You won’t know unless you try.” She touched my face. “I’m happy for you, and I think you’ve got to go with a little leap of faith here. So far Mr. Blackstone is on my good list. If that should change or if he hurts one smooth hair on your innocent head, then his pretty-boy balls are gonna be transformed into a set of Klik-Klaks. And please tell him I said that.

But as soon as we touched, I felt magic crackle over and through me, so strong that I tried to jerk my hand back. But he held tight until, finally, the crackling sensation stopped. My hand slid out of his, and I leaped up from the fountain."What the hell was-" Then I looked down and realized I was completely dry. Not only that, but my demure black dress had been replaced with...well, another black dress, but this one was a lot shorter, sparklier, and also rocking a very low neckline. Even my hair was different, transformed from a soggy braid to silky brown waves. Nick winked at me. "That's better. Now you look more like the Demon Who Would be Queen." He heaved himself out of the water and grabbed Jenna's hand. Within seconds, she went from drowned rat to hottie, her soaked clothes replaced with-what else?-a pink sundress. Of course it showed a lot more skin than anything Jenna would have picked out for herself. "Oh,lovely,Nick," Daisy said, rolling her eyes as he wrapped an arm around her waist. "What?" he asked once he laid a smacking kiss on her cheek. "They look better like that." Without thinking,I reached out and grabbed Nick's free arm. His wet white T-shirt and jeans rippled, and suddenly he was wearing a Day-Glo yellow tank top and acid-washed jeans. "And you look better like this." I wasn't sure if it was the ridiculous sight of Nick in those clothes, or the fact that I'd done a spell so easily-with absolutely no explosions-but I could feel my lips curving upward in a smile. As Daisy hooted with laughter, Nick narrowed his eyes at me. "Okay, now you're in for it." He waved his hand, and suddenly I was sweltering. When I glanced down, I saw that it was because I was now dressed like the Easter Bunny.But with the flick of one fuzzy paw,I'd transformed Nick's jeans and tank top into a snowsuit. Then I was in a bikini. So Nick was wearing a particularly poofy purple prom dress. By the time he'd turned my clothes into a showgirl's costume, complete with a feathery headdress, and I'd put him in a scuba suit, we were both completely magic drunk and giggling.

Real isn’t how you are made,” said the Skin Horse. “It’s a thing that happens to you. When a child loves you for a long, long time, not just to play with, but really loves you, then you become Real.” “Does it hurt?” asked the Rabbit. “Sometimes,” said the Skin Horse, for he was always truthful. “When you are Real, you don’t mind being hurt.” “Does it happen all at once, like being wound up,” he asked, “or bit by bit?” “It doesn’t happen all at once,” said the Skin Horse. “You become. It takes a long time. That’s why it doesn’t often happen to people who break easily, or have sharp edges, or who have to be carefully kept. Generally, by the time you are Real, most of your hair has been loved off, and your eyes drop out, and you get loose in the joints and very shabby. But these things don’t matter at all, because once you are Real, you can’t be ugly, except to people who don’t understand.

To where," added Leroy, "resides the answer to your question: why are we living? what is essential in life?" He looked hard at the lady. "The essential, in life, is to perpetuate life: it is childbirth, and what precedes it, coitus, and what precedes coitus, seduction, that is to say kisses, hair floating in the wind, silk underwear, well-cut brassieres, and everything else that makes people ready for coitus, for instance good chow - not fine cuisine, a superfluous thing no one appreciates anymore, but the chow everyone buys - and along with chow, defecation, because you know, my dear lady, my beautiful adored lady, you know what an important position the praise of toilet paper and diapers occupies in our profession. Toilet paper, diapers, detergents, chow. That is man's sacred circle, and our mission is not only to discover it, seize it, and map it but to make it beautiful, to transform it into song. Thanks to our influence, toilet paper is almost exclusively pink, and that is a highly edifying fact, which, my dear and anxious lady, I would recommend that you contemplate seriously.

She’s pretty, but her face doesn’t transform into sunlight when she talks about music.” He did that clench thing with his jaw and said, “She’s funny, but not spit-out-your-drink-in-astonishment funny.” It felt like my heart was going to explode as his eyes moved down to my lips under the glow of the buzzing streetlight. He moved his face a little closer to mine, looked into my eyes, and rumbled, “And when I see her, I don’t feel like I have to talk to her or mess up her hair or do something—anything—to get her to swing that gaze on me. He raised one eyebrow, an unspoken question, and I realized at that moment that I wanted it. I wanted Wes. Michael had been my endgame, but I couldn’t bring myself to care about that anymore. I wouldn’t run through a train station for Michael. But I would do it for Wes. Holy shit.

Love is different and more difficult. It has nothing to do with sex. This is what I tried to make my voices understand. QUietly does love happen. You're not even thinking about romance, then she smiles and you notice for the first time that she's not all that plain, her face is really quite sweet. You watch for her smile and notice that it pushes her cheeks up into two mango shapes, why should this shape be so pleaSing, I don't know. Then one evening she puts kajal round her eyes and brushes her hair, looks quite transformed, and suddenly Sonali Bendre is not so desirable as this one who's been under your nose for so long, who's all dolled up to go somewhere you're not going, can never go.

She’s pretty, but her face doesn’t transform into sunlight when she talks about music.” He did that clench thing with his jaw and said, “She’s funny, but not spit-out-your-drink-in-astonishment funny.” It felt like my heart was going to explode as his eyes moved down to my lips under the glow of the buzzing streetlight. He moved his face a little closer to mine, looked into my eyes, and rumbled, “And when I see her, I don’t feel like I have to talk to her or mess up her hair or do something—anything—to get her to swing that gaze on me. He raised one eyebrow, an unspoken question, and I realized at that moment that I wanted it. I wanted Wes. Michael had been my endgame, but I couldn’t bring myself to care about that anymore. I wouldn’t run through a train station for Michael. But I would do it for Wes.

I immersed myself in my relationship with my husband, in little ways at first. Dutch would come home from his morning workout and I’d bring him coffee as he stepped out of the shower. He’d slip into a crisp white shirt and dark slacks and run a little goop through his hair, and I’d eye him in the mirror with desire and a sultry smile that he couldn’t miss. He’d head to work and I’d put a love note in his bag—just a line about how proud I was of him. How beautiful he was. How happy I was as his wife. He’d come home and cook dinner and instead of camping out in front of the TV while he fussed in the kitchen, I’d keep him company at the kitchen table and we’d talk about our days, about our future, about whatever came to mind. After dinner, he’d clear the table and I’d do the dishes, making sure to compliment him on the meal. On those weekends when he’d head outside to mow the lawn, I’d bring him an ice-cold beer. And, in those times when Dutch was in the mood and maybe I wasn’t, well, I got in the mood and we had fun. As the weeks passed and I kept discovering little ways to open myself up to him, the most amazing thing happened. I found myself falling madly, deeply, passionately, head-over-heels in love with my husband. I’d loved him as much as I thought I could love anybody before I’d married him, but in treating him like my own personal Superman, I discovered how much of a superhero he actually was. How giving he was. How generous. How kind, caring, and considerate. How passionate. How loving. How genuinely good. And whatever wounds had never fully healed from my childhood finally, at long last, formed scar tissue. It was like being able to take a full breath of air for the first time in my life. It was transformative. And it likely would save our marriage, because, at some point, all that withholding would’ve turned a loving man bitter. On some level I think I’d known that and yet I’d needed my sister to point it out to me and help me change. Sometimes it’s good to have people in your life that know you better than you know yourself.

Just then, I notice Mrs. Mulgrave giving the younger woman beside her a slight push in my direction. "This is my daughter, Maisie. She will be your maid." "Maisie?" I can't help blurting out in astonishment. I hardly recognize her. The past seven years have transformed Maisie from a plain preteen into a beautiful young adult. I didn't expect her to be so... pretty. She wears a black tee with black pants, but the simple clothing and lack of makeup only enhances her looks. She has heavy-lidded deep brown eyes, clear skin with the hint of a tan, the kind of plush pink lips that housewives in my New York hometown would pay good money for, and long brown hair highlighted with strands of gold. Her only adornments are a thick wristwatch and a rectangular pendant hanging on a chain around her neck. I feel a pang of sympathy as I look from mother to daughter. If Maisie's luck had been different---if she'd been born to parents like the Marinos---she could have had the world at her feet, instead of being shut up in a house working as a maid.

She’s pretty, but her face doesn’t transform into sunlight when she talks about music.” He did that clench thing with his jaw and said, “She’s funny, but not spit-out-your-drink-in-astonishment funny.” It felt like my heart was going to explode as his eyes moved down to my lips under the glow of the buzzing streetlight. He moved his face a little closer to mine, looked into my eyes, and rumbled, “And when I see her, I don’t feel like I have to talk to her or mess up her hair or do something—anything—to get her to swing that gaze on me.” ― Lynn Painter, Better Than the Movies

The girls I dream of are the gentle ones, wistful by high windows or singing sweet old songs at a piano, long hair drifting, tender as apple blossom. But a girl who goes into battle beside you and keeps your back is a different thing, a thing to make you shiver. Think of the first time you slept with someone, or the first time you fell in love: that blinding explosion that left you crackling to the fingertips with electricity, initiated and transformed. I tell you that was nothing, nothing at all, beside the power of putting your lives, simply and daily, into each other’s hands.

I want you to know that life will try to crack you like an egg and your silence will eventually break. Someday you will spill some of those painful secrets and taste a modicum of much-needed freedom. You will lose a great deal as a result but the gains will outweigh every loss. You will love and be loved by a beautiful man in a place where your mutual passion won’t be a marker of shame but pride. You will be awkward and alone and alien for a long time but you will transform these qualities, which is to say yourself, into a work of art. You will wear your awkwardness, your aloneness and your alienness in your hair like gold thread. You will adorn your wonkiness on your wrist like a charm bracelet studded with stars.

Remove this quote from your collectionLynn Painter “She’s pretty, but her face doesn’t transform into sunlight when she talks about music.” He did that clench thing with his jaw and said, “She’s funny, but not spit-out-your-drink-in-astonishment funny.” It felt like my heart was going to explode as his eyes moved down to my lips under the glow of the buzzing streetlight. He moved his face a little closer to mine, looked into my eyes, and rumbled, “And when I see her, I don’t feel like I have to talk to her or mess up her hair or do something—anything—to get her to swing that gaze on me. He raised one eyebrow, an unspoken question, and I realized at that moment that I wanted it. I wanted Wes. Michael had been my endgame, but I couldn’t bring myself to care about that anymore. I wouldn’t run through a train station for Michael. But I would do it for Wes.

How does ANY male-identified person know he is a man? And does my answer really diverge greatly from how many men, trans or cisgender, would answer? Transgender people are often said to have a 'narrative' to their lives; we’re encouraged to see our journey toward recognizing our gender as a story with an articulable pattern. The truth is, though, that everyone’s gender is a story; it’s just that trans folks are more likely to be — perhaps I could say “are given the gift of having to be” — aware of it. The story of becoming a man, a woman, or a person of any other gender often follows aspects of that most instinctual of story arcs: the hero’s journey. For instance, my personal narrative was one of effort in seeking a transformative goal (a quest), assistance (tools provided by medicine, law, and intangible emotional support), and mentorship by those who went before me (guides). And my manhood was ultimately achieved through what could be considered rites of passage — which is to say a similar structure to communal cultural tales of how one achieves cisgender manhood. It’s simply some details that vary. I do see one key difference in how all this plays out, however: Trans men make this invisible process disconcertingly visible by flipping the variables. While a cisgender man may be born with certain inherent potentials to physically embody a manhood that others will acknowledge socially, he’s not necessarily imbued with the demanding drive, the internal compass, the awareness of the systems and tropes he’s drawing on, and the deep gratitude concerning the specific man he’ll be. It’s quite possible to reach cisgender manhood externally (for instance, by reaching a certain age or displaying changes in voice, facial hair, etc.) long before one reaches an internal sense of his own unique self — and, further, before one reaches a sense of how hard he’ll fight to be that self, no matter the costs or resistance. For trans men it’s often much the opposite case." - from "'But How Do You Know You're a Man?': On Trans People, Narrative, and Trust

Do you ever feel that same need? Your life is so very different from my own. The grandness of the world, the real world, the whole world, is a known thing for you. And you have no need of dispatches because you have seen so much of the American galaxy and its inhabitants—their homes, their hobbies—up close. I don’t know what it means to grow up with a black president, social networks, omnipresent media, and black women everywhere in their natural hair. What I know is that when they loosed the killer of Michael Brown, you said, “I’ve got to go.” And that cut me because, for all our differing worlds, at your age my feeling was exactly the same. And I recall that even then I had not yet begun to imagine the perils that tangle us. You still believe the injustice was Michael Brown. You have not yet grappled with your own myths and narratives and discovered the plunder everywhere around us. Before I could discover, before I could escape, I had to survive, and this could only mean a clash with the streets, by which I mean not just physical blocks, nor simply the people packed into them, but the array of lethal puzzles and strange perils that seem to rise up from the asphalt itself. The streets transform every ordinary day into a series of trick questions, and every incorrect answer risks a beat-down, a shooting, or a pregnancy. No one survives unscathed. And yet the heat that springs from the constant danger, from a lifestyle of near-death experience, is thrilling. This is what the rappers mean when they pronounce themselves addicted to “the streets” or in love with “the game.” I imagine they feel something akin to parachutists, rock climbers, BASE jumpers, and others who choose to live on the edge. Of course we chose nothing. And I have never believed the brothers who claim to “run,” much less “own,” the city. We did not design the streets. We do not fund them. We do not preserve them. But I was there, nevertheless, charged like all the others with the protection of my body. The crews, the young men who’d transmuted their fear into rage, were the greatest danger. The crews walked the blocks of their neighborhood, loud and rude, because it was only through their loud rudeness that they might feel any sense of security and power. They would break your jaw, stomp your face, and shoot you down to feel that power, to revel in the might of their own bodies.

She is also the power behind spiritual awakening, the inner force that unleashes spiritual power within the human body in the form of kundalini. And she is a guardian: beautiful, queenly, and fierce. Paintings of Durga show her with flowing hair, a red sari, bangles, necklaces, a crown—and eight arms bristling with weapons. Durga carries a spear, a mace, a discus, a bow, and a sword—as well as a conch (representing creative sound), a lotus (symbolizing fertility), and a rosary (symbolizing prayer). In one version of her origin, she appears as a divine female warrior, brought into manifestation by the male gods to save them from the buffalo demon, Mahisha. The assembled gods, furious and powerless over a demon who couldn’t be conquered, sent forth their anger as a mass of light and power. Their combined strength coalesced into the form of a radiantly beautiful woman who filled every direction with her light. Her face was formed by Shiva; her hair came from Yama, the god of death; her arms were given by Vishnu. Shiva gave her his trident, Vishnu his discus, Vayu—the wind god—offered his bow and arrow. The mountain god, Himalaya, gave her the lion for her mount. Durga set forth to battle the demon for the sake of the world, armed and protected by all the powers of the divine masculine.1 As a world protector, Durga’s fierceness arises out of her uniquely potent compassion. She is the deity to call on when you’re

BESTIARY " charybdis: when i suck in / i make deadly / whirlpools / ask anyone who’s managed / to climb out / alive dragon: patrol or pillage / he exhales and a whole village / burns / iron scaled sentry / guardian of the ivory / tower i wrap my legs around / everyone thinks / he’s a brute / but for me / he lifts his breast plate / for me he welcome the quiver / and the arrow’s teeth. golem: take his hair in your hands / his dead / skin cells / his discarded undergarments / take them / and make of them a new boy this effigy / his likeness and nothing / like him / breathe life into its clenched carapace // my god / i think i saw it / move medusa: when i saw / my face / reflected in terror / in his eyes / i turned to stone / or a pillar of salt watching my village burn / he was the village burning / maybe that’s a different story / maybe in the end only the snakes wept siren: he cries / and i / lashed to the mast of a ship / steer my body toward the sound / sheets bound around wrists and ankles tears make grief / a lighthouse you wear / when i hear him a huge wood wheel turns in my stomach / and i break / open on / his jagged coast werewolf: there are many words for transformation / metamorphosis metaphor / medication / go to sleep / beside the man you love wake up next to a dog / maybe the moon brought it out of him hound hungry for blood / maybe its your fault / or maybe it was there inside him / howling all along

Millions of us daily take advantage of [Skype], delighted to carry the severed heads of family members under our arms as we move from the deck to the cool of inside, or steering them around our new homes, bobbing them like babies on a seasickening tour. Skype can be a wonderful consolation prize in the ongoing tournament of globalization, though typically the first place it transforms us is to ourselves. How often are the initial seconds of a video's call takeoff occupied by two wary, diagonal glances, with a quick muss or flick of the hair, or a more generous tilt of the screen in respect to the chin? Please attend to your own mask first. Yet, despite the obvious cheer of seeing a faraway face, lonesomeness surely persists in the impossibility of eye contact. You can offer up your eyes to the other person, but your own view will be of the webcam's unwarm aperture. ... The problem lies in the fact that we can't bring our silence with us through walls. In phone conversations, while silence can be both awkward and intimate, there is no doubt that each of you inhabits the same darkness, breathing the same dead air. Perversely, a phone silence is a thick rope tying two speakers together in the private void of their suspended conversation. This binding may be unpleasant and to be avoided, but it isn't as estranging as its visual counterpart. When talk runs to ground on Skype, and if the purpose of the call is to chat, I can quickly sense that my silence isn't their silence. For some reason silence can't cross the membrane of the computer screen as it can uncoil down phone lines. While we may be lulled into thinking that a Skype call, being visual, is more akin to a hang-out than a phone conversation, it is in many ways more demanding than its aural predecessor. Not until Skype has it become clear how much companionable quiet has depended on co-inhabiting an atmosphere, with a simple act of sharing the particulars of a place -- the objects in the room, the light through the window -- offering a lovely alternative to talk.

In My Prayer. My silent niche. You incarnate in my prayer. Dawn is all dancing like a rainbow in your smile. Anxious to uncover dreams after morning. The desire to arrange sparkly beads in your hair. Reduce heartbeat, please at the tips of your fingers. I will pray together with night just to keep remembering you. A never ending memory to always say your name. Silence that leads to longing for the rising of light. Horizon knocked on all the gates, which grabbed a reprehensible body, who hesitated to stop at the tip of the tongue. Lips murmuring, stringing questions hung at the end of time. The self that is always broken and dishonest, who is kufr and who is infidel. All beings submit to the most holy feet. Let silence accept everything that is magical. Although the reflection of the moon's face is filled with wounds with lies in our mouths, betrayed by lust and unstoppable desires. May you soon incarnate so that a million flowers bloom in the heart of the most cursory. The eyes are altered, betraying a million flashes of light from the darkest night. The most beautiful gems are buried in mud puddles. Even though the sky is still dark. Heavy rain that is redder than all blood. Which surpassed the fangs of the old snake. The endless cycle of the sun throws puzzles about the mysteries of the universe that are never answered. The beginning of all this sorrow in myself. If only you please, transform into a butterfly in my prayer tonight. A pair of wings that burned like a fire of longing in my heart. Who suddenly fidgeted and flew into your eyes. Then descend on the branch of the Khuldi tree, before breaking into my tears. Suppose tonight, in my prayer, you incarnate like a thunderous storm. Like the sound of noisy thunder. The footsteps stepped hurriedly on the foggy road. Infiltrate the gaps of our thoughts and feelings. Shackle our arms, knees and breath. If only, in my prayer tonight you will be transformed into murky tears. Who trembled, even though it would patiently take care of my sadness. The pain that somehow healed my soul. Beliefs that keep mysteries for my deepest secrets, which you endlessly hum, in order to be a comfort for my sad life. My dear. Lady of my heart. My love. My soul. Bless me with all your generosity. With your mercy, with your endless love. With your infinite anger.

There are pieces to the puzzle missing,' Camas said. He was tugging his hair; his eyes glowed eerily in the red light from a stained-glass lamp. 'And pieces that don't yet fit. What, for instance, precipitates the shift from city to shadow city? Is it sorcery? Has it to do with the precarious state of affairs in the House of Greve? The powerless heir, the bastard who cannot act? What secrets are hidden within the secret palace? What is there to gain by anticipating and surviving the shift? Domina Pearl believes that it is possible, if one can remain aware during the transformation, to amass enormous knowledge and power. To rule the shadow city when it emerges, since no one else will remember the previous city, and who ruled then. All will be accepted as it is revealed. All of which is why I am so eager to speak with you. You live in Ombria's past, its ghosts and memories. How far back do you remember? Were you alive before the previous shift? How many transformations have there been? Many? One? None at all? How old are you?' The illusion of Faey inclined her head gracefully; Camas continued without listening for answers. Faey spoke then, her voice sliding within, beneath his words. 'What do you expect to gain form what you call the transformation?' Camas interrupted his own sentence with a word. 'Enlightenment. And the power that comes with an unbroken memory of the history of the city. Domina Pearl's knowledge of sorcery may not survive the transformation if she herself is not aware of the shift. I want to stay alive, be aware of the shift form city to shadow, and I will ally myself and my abilities to anyone powerful enough to maintain the integrity of existence, knowledge, memory and experience through the transformation.' 'Such as Domina Pearl?' the sorceress suggested. She kept her voice light, careless, but her eyes were very dark. 'Domina Pearl,' Camas agreed. 'Or you. Or perhaps even Ducon. He is another puzzle piece, I think. He is drawn to the hidden palace, and to the odd, unnoticed places in Ombria where the boundaries are visible between the city and its shadow. He draws them constantly.' 'So you would pledge your loyalty to him or betray him, depending on the moment?' 'Or her. Or you,' Camas answered, nodding briskly. Mag stared at him with wonder. 'Exactly. Depending on the moment.

he is a sence of unrest the new birth maybe is not that good....bitterness...except for his grandson ========== Road Tripping (Noelle Adams) - Tu subrayado en la página 8 | posición 123-125 | Añadido el miércoles, 6 de mayo de 2015 23:07:16 Ethan was still as good-looking as he’d been before, a fact that annoyed her as much as anything else. It seemed like a life of crime should cast its mark on your appearance. But he still had the same strong features, vivid green eyes, and lean, fit body. His hair had been blazing red when he was a kid, but it had darkened now to an auburn. ========== Road Tripping (Noelle Adams) - Tu subrayado en la página 9 | posición 127-128 | Añadido el miércoles, 6 de mayo de 2015 23:07:49 Ethan’s plans, the way he always had. He’d always trusted Ethan. So had she. The thought upset ========== Road Tripping (Noelle Adams) - Tu subrayado en la página 9 | posición 132-134 | Añadido el miércoles, 6 de mayo de 2015 23:09:09 He’d seemed to transform while he was away from the skinny boy she’d known before. He’d broadened across the shoulders and chest, and he’d suddenly become really good-looking. Very good-looking. ========== Road Tripping (Noelle Adams) - Tu subrayado en la página 9 | posición 134-135 | Añadido el miércoles, 6 de mayo de 2015 23:09:22 The lingering crush on him Ashley had had all her life had morphed into full-blown love. ========== Road Tripping (Noelle Adams) - Tu subrayado en la página 28 | posición 427-427 | Añadido el jueves, 7 de mayo de 2015 7:39:32 hot-wire a car. Why ========== Road Tripping (Noelle Adams) - Tu subrayado en la página 38 | posición 574-574 | Añadido el jueves, 7 de mayo de 2015 18:22:07 He screeched to a halt. As soon as he slammed it into ========== Road Tripping (Noelle Adams) - Tu subrayado en la página 42 | posición 641-642 | Añadido el jueves, 7 de mayo de 2015 19:30:10 He was the antithesis of the nice, clean, stable life she wanted to build for herself. He was bossy, and arrogant, and infuriating, and condescending, and presumptuous, and smug, and without compassion, and bossy… ========== Road Tripping (Noelle Adams) - Tu subrayado en la página 42 | posición 643-644 | Añadido el jueves, 7 de mayo de 2015 19:30:23 And he had looked so funny in that cowboy hat. And he had the most delicious laugh she had ever heard. And sometimes, like when he’d fake-kissed her earlier, there was a warmth in his eyes that was so unexpected, so breathtaking… ========== Road Tripping (Noelle Adams) - Tu subrayado en la página 62 | posición 945-945 | Añadido el jueves, 7 de mayo de 2015 20:55:59 As long as you don’t hog the covers.” ========== Road Tripping (Noelle Adams) - Tu subrayado en la página 82 | posición 1253-1254 | Añadido el jueves, 7 de mayo de 2015 23:37:15 he wasn’t a bad guy at heart. He’d never been truly a bad guy. For the first time in the last eighteen months, she knew it for sure. ========== Road Tripping (Noelle Adams) - Tu subrayado en la página 94 | posición 1438-1439 | Añadido el viernes, 8 de mayo de 2015 7:45:17 she felt like it was only humane to let him know she was okay. ========== Road Tripping (Noelle Adams) - Tu subrayado en la página 179 | posición 2744-2745 | Añadido el viernes, 8 de mayo de 2015 21:04:11 was uncomfortably hot and smushed. Attempting to rouse herself ========== Mis recortes - Tu subrayado en la posición 1-6 | Añadido el sábado, 9 de mayo de 2015 13:59:08 When I Break (Ryan, Kendall) - Tu subrayado en la posición 518-519 | Añadido el viernes, 13 de marzo de 2015 20:31:52 Her voice was light, clear, and appealing. ========== When We Fall (Kendall Ryan) - Tu subrayado en la página 105 | posición 1601-1601 | Añadido el lunes, 16 de marzo de 2015 11:42:37 Two long and hard days had passed since Knox told me. ========== Unravel Me (Ryan, Kendall) - Tu nota en la página 20 | posición 304 | Añadido el martes, 17 de marzo de 2015 1:24:23 interesante ====

In the seat next to me was a teenage girl, piously bent over her prayer book. When she wasn’t sleeping through the long flight, she was reading and praying, rocking rhythmically back and forth as she read and meditated on the Hebrew words. Later, I asked a white-haired rabbi I met in Israel about this practice, called davening. The rocking motion during prayer, I discovered, is a way of expressing that one’s whole self, body and soul, is caught up with God. The old rabbi explained that the movement of the body mimics the flickering flame of a candle, calling to mind the saying that “the candlestick of God is the soul of a man.

Real isn’t how you are made,” said the Skin Horse. “It’s a thing that happens to you. When a child loves you for a long, long time, not just to play with, but really loves you, then you become Real.” “Does it hurt?” asked the Rabbit. “Sometimes,” said the Skin Horse, for he was always truthful. “When you are Real, you don’t mind being hurt.” “Does it happen all at once, like being wound up,” he asked, “or bit by bit?” “It doesn’t happen all at once,” said the Skin Horse. “You become. It takes a long time. That’s why it doesn’t often happen to people who break easily, or have sharp edges, or who have to be carefully kept. Generally, by the time you are Real, most of your hair has been loved off, and your eyes drop out, and you get loose in the joints and very shabby. But these things don’t matter at all, because once you are Real, you can’t be ugly, except to people who don’t understand.” CHAPTER 4 THE VULNERABILITY ARMORY As children we found ways to protect ourselves from vulnerability, from being hurt, diminished, and disappointed.

Perforation! ‍‍‍Shout it out!‍‍‍ The ‍‍‍‍deliberate punctuated ‍‍‍‍weakening of paperand cardboard so that it will tear along an intended path, leaving a row of fine-haired white pills or tuftlets on each new edge! It is a staggering conception, showing an age-transforming feel for the unique properties of pulped-wood fiber. Yet do we have national holidays to celebrate its development? Are‍‍‍‍‍ ‍‍festschrift volumes‍‍‍ pu‍‍‍blish‍‍‍ed honoring the dead greats in the field? People watch the news every night like robots thinking they are learning about their lives, never paying attention to the far more immediate developments that arrive unreported, on the zip-lock perforated top of the ice cream carton, in reply coupons bound in magazines and on the "Please Return This Portion" edging of bill stubs, on sheets of postage stamps and sheets of Publishers Clearing House magazine stamps, on paper towels, in rolls of plastic bags for produce at the supermarket, in strips of hanging file-folder labels. The lines dividing one year from another in your past are perforated, and the mental sensation of detaching a period of your life for closer scrutiny resembles the reluctant guided tearing of a perforated seam.

And then, as if delivered by a bolt of lightning, I recalled an incident that occurred between us at least 45 years ago. I was an asthmatic child, and on so many evenings could not run to the door (as instructed to do by our mother) to say hello to my father and give him a hug and a kiss when he came home late each evening from the hotel kitchens. I would instead remain upstairs, bedridden, gasping for every breath, waiting expectantly for Father to come upstairs and just say hello to me and maybe, just maybe, for the first time, say “Hello, Jeanot, I love you.” But those words never came. And then, as I listened to your music, the memory came back of an evening, more than 45 years ago, when I was again sick, and Father came upstairs. But this evening was different. He sat next to me on my bed and, as I was sitting upright and struggling for the next breath, he began gently stroking my hair for a period of time that I wished would have lasted an eternity. Today, as you played us the Chopin, tears came to my eyes. It struck me that while Father could not say these words, “I love you,” they were expressed even more poignantly in the gentle stroking of a little boy’s hair by his father’s powerful hands. I recall that as he sat with me my asthma attack subsided. I

And then, as if delivered by a bolt of lightning, I recalled an incident that occurred between us at least 45 years ago. I was an asthmatic child, and on so many evenings could not run to the door (as instructed to do by our mother) to say hello to my father and give him a hug and a kiss when he came home late each evening from the hotel kitchens. I would instead remain upstairs, bedridden, gasping for every breath, waiting expectantly for Father to come upstairs and just say hello to me and maybe, just maybe, for the first time, say “Hello, Jeanot, I love you.” But those words never came. And then, as I listened to your music, the memory came back of an evening, more than 45 years ago, when I was again sick, and Father came upstairs. But this evening was different. He sat next to me on my bed and, as I was sitting upright and struggling for the next breath, he began gently stroking my hair for a period of time that I wished would have lasted an eternity. Today, as you played us the Chopin, tears came to my eyes. It struck me that while Father could not say these words, “I love you,” they were expressed even more poignantly in the gentle stroking of a little boy’s hair by his father’s powerful hands. I recall that as he sat with me my asthma attack subsided. I had completely forgotten that incident. I must have buried it in my own desire to perhaps keep my father at a distance, to continuously prove either that I was unlovable, or that he was just a cold s.o.b. who only knew work, work, and more work. But not so. My father showed me love in so many ways. We keep looking so hard in life for the “specific message,” and yet we are blinded to the fact that the message is all around us, and within us all the time. We just have to stop demanding that it be on OUR terms or conditions, and instead open ourselves to the possibility that what we seek may be in front of us all the time. Thank you, John Imhof

Emeline...?" Her mother's voice was no longer a rasp, but a soft, quivering thing. Emeline spun to find the Vile behind her, glimmering like a mirage. The air shone, delicate as a cobweb, then changed. Like a butterfly abandoning its chrysalis, the Vile before her fell away, until a monster stood before Emeline no longer. In the monster's place was a middle-aged woman, beautiful as the moon. Her raven-dark hair fell in waves around her shoulders, her eyes were the bright blue of robins' eggs, and down her body spilled a silk dress the color of storm clouds. Emeline let out a shaky breath. "Mama?" Rose Lark dropped the knife and the sharpening stone. They hit the soft earth with a thud. The roots of the cavern immediately grew over them, pulling both blade and stone deep into the earth where they couldn't be retrieved. Staring at her daughter, Rose took a hesitant step before lifting shaky fingers to Emeline's face. "I'm so sorry," she whispered as tears trembled down her pale cheeks. Emeline shook her head furiously, reaching for her. "It wasn't your fault." She wrapped her arms around her mother's frail shoulders, pulling her close. Her hair smelled sweet, like rosewater. Her thin body shook like a sapling in a gale. Weeping, Rose held her daughter tightly, as if, this time, she didn't intend to let go.

Above, a vivid painting hung over the fireplace. Inside its frame, a woman was transforming into a tree. The lower half of her body was bark and roots, plunging into soil, while her waist and chest arched upwards and her outstretched hands reached for the sky. The nymph's dark hair was a knotted mass of branches around her head, sprouting bright green leaves. It was the myth of Daphne---the nymph who begged the river god to save her from Apollo and was turned into a laurel tree. "It must be a terrible thing to lose," Hawthorne said, making her jump. He looked up from where he crouched near the fire: to the woman in the frame. His left forearm was streaked with black ash. "What's a terrible thing to lose?" Hawthorne's eyes glittered as he studied the nymph. "Your humanity." "But it was her choice," said Emeline, feeling defensive of Daphne. If the river god hadn't turned her into a laurel, she would have fallen prey to Apollo. "She asked to be saved." Firelight flickered over Hawthorne's face as his gray-eyed gaze caught hers and held it. "Saved," he murmured, considering this. "Is that really what the river god did? As a tree, her life is forfeit. She'll never be human again. She'll never laugh or sing, ponder or love, again. Don't you think she would have preferred the river god defeat Apollo, or at the very least warn him away, instead of taking something so precious from her?

Raven My heart skips a beat when I see Ares leaning against his car as he waits for me in front of my office building. I pause for a moment and take him in. His dark hair, that sharp jaw, those green eyes that are identical to Sierra’s. It isn’t fair that he continues to get more handsome the older we get. Each time I see him, he feels a little more out of reach. Ares looks up and straightens when he notices me standing by the entrance, a smile transforming his face. “Hi!” I tell him as he holds the door open for me. Ares grins at me, and I smile back at him. There’s a good chance I’ll regret giving into him later, but until then, I’m going to enjoy every second of it. “Where are we going?” I ask when he gets in beside me, his hands wrapping around the steering wheel. Ares leans back against the headrest and tilts his face toward me. “Raven,” he says, sounding petulant. I can’t help the way my heart races when he says my name like that, and I involuntarily turn toward him, facing him. “Why don’t I ever see you anymore?” Ares genuinely looks distraught, as though he really has missed me, and that fire I keep trying to douse reignites once more. “I’ve just been busy.” My voice is weak, soft, as though I can’t make myself lie to him with authority. “I’m working really insane hours. I’ve got so many modeling contracts, and I’m trying to grow my fashion brand at the same time. Honestly, some days I barely have time to eat or sleep.” He nods and drags his gaze away, a hint of concern in his expression as he starts the car. “Don’t overwork yourself, Rave. Remember to take care of yourself, okay? You can’t always be working. You need to have a social life too. When was the last time you saw your parents?” I force a smile onto my face and cross my arms. The older I get, the less I see my parents. Their entire world revolves around Hannah, and I hate going where I’m not welcome. I shouldn’t feel excluded in my own home, but I do. “Sierra was actually just in my office,” I tell him. “I do have friends, you know.” He glances at me the way he does sometimes, as though he can see straight through my lies and deception, but he nods nonetheless. “What are you thinking of buying this year?” I ask him, my tone light and friendly. He glances back at me with a smile on his face. “What do you think of some jewelry, maybe?” I nod. “A new statement piece, perhaps?” Ares looks at me with such a blank expression that I burst out laughing, and that just makes him smile in return. “I haven’t heard you laugh in so long, Raven. I missed it.” My smile melts away and I look down at my lap, my heart aching. I wish he wouldn’t say things like that. He sees me as an

A Harlot Crashes the Party A very “nice” man named Simon, a Pharisee, brought Jesus to dinner at his home in Capernaum (Luke 5). As they were reclining around the table, a woman known to be a harlot somehow came in, bringing with her an expensive flask of perfumed lotion. She certainly had overheard Jesus teaching and had seen his care for others. She was moved to believe that she too was loved by him and by the heavenly Father of whom he spoke. She was seized by a transforming conviction, an overwhelming faith. Suddenly there she was, down on the floor by Jesus, tears of gratitude for him pouring down upon his feet. Drying them away with her hair, she then rained kisses upon his feet and massaged them with the lotion. What a scene! That nice man, Simon, was taking it in, and—no doubt battling a surge of disapproval—he tried to put the best possible construction on it. It just could not be that Jesus wasn’t nice. Clearly he was a righteous man. So the only reason he would be letting this woman touch him, or even come near him, was that he didn’t know she was a prostitute. And that, unfortunately, proved that Jesus didn’t have “it” after all. “If this fellow really were a prophet,” Simon mused, “he would know what this woman does, for she is filthy.” Perhaps Simon consoled himself with the thought that it is at least no sin not to be a prophet. It never occurred to him that Jesus would know exactly who the woman was and yet let her touch him. But Jesus did know, and he also knew what Simon was thinking. So he told him a story of a man who lent money to two people: $50,000 to one and $5 to the other, let us say. When they could not repay, the man simply forgave the debts. “Now Simon,” Jesus asked, “which one will love the man most?” Simon replied that it would be the one who had owed most. That granted, Jesus positioned Simon and the streetwalker side by side to compare their hearts: “Look at this woman,” he said. “When I entered your home, you didn’t bother to offer me water to wash the dust from my feet, but she has washed them with her tears and wiped them with her hair. You refused me the customary kiss of greeting, but she has kissed my feet again and again from the time I first came in. You neglected the usual courtesy of olive oil to anoint my head, but she has covered my feet with rare perfume. Therefore her sins—and they are many—are forgiven, for she loved me much; but one who is forgiven little, shows little love.” (Luke 7:44–47 LB) “Loved me much!” Simply that, and not the customary proprieties, was now the key of entry into the rule of God.

A knock came at the door and I stiffened, getting to my feet so that I could open it. Darius stood outside wearing a black tux which looked like it had been made specifically for him. It fit perfectly and my mouth dried up as my gaze roamed over him. His dark hair was slicked back and the rough stubble lining his jaw ached for me to brush my fingers over it. No, no, no. Bad Tory. “Darcy’s not here yet,” I said in place of a greeting. “I can see that,” he replied. Before I could lose myself to the spell of his unfairly good looks, I turned away from him, heading back to the mirror which hung on the wall as I applied another coat of lipstick which wasn’t in any way necessary. He stayed by the door, leaning against the frame as he watched me. “You’re not wearing the dress I sent you.” “This might be a good time for you to realise, I don’t tend to do as I’m told,” I said dismissively. “I think I like this one better anyway.” I turned to look at him in surprise as his gaze slid over me in a way that made heat rise along my skin. “Nice to know you can admit when you’re wrong,” I said. “So you’re actually going to stick to your word about being nice?” Darius flashed me a smile which transformed his face in a way I’d never seen before. “I am. Just try not to fall in love with me though, it could make things awkward when we go back to fighting with each other tomorrow.” I scoffed at that and tossed my lipstick into my clutch just as my Atlas pinged. Darcy: I bumped into Orion by The Orb. He says he’s coming with us and that you should meet us here... I raised an eyebrow in surprise and tapped out a quick response. Tory: Okay, I’ll be there to rescue you from his grumpy face ASAP x “Darcy says she’s going to meet us at The Orb. She ran into your bestie and he told her he can’t bear to spend the evening away from you so he’s tagging along. I just hope that this party isn’t going to be dull, because inviting a teacher has really lowered my expectations for debauchery,” I said as I moved out of my room and locked up behind me. “In all honesty, Lance is more likely to add to the debauchery than detract from it,” Darius said, offering me his arm. “Ooo Lance has a first name. Will he want me using that or is it a special right only given to those who get a tattoo in his honour?” I asked, touching my fingers to Darius’s forearm where I knew the Libra brand sat on his skin beneath the fancy suit. I didn’t take his arm though and started walking down the corridor unassisted. “What makes you think that tattoo is for him?” Darius asked, falling into step with me easily despite the fast pace I set. “Oh is it a secret? I thought everyone knew he was your Guardian and you’ve got that little soul bond thing going on.” “Who told you that?” Darius demanded, his voice dropping an octave. “You just did.” I flashed him a smile and he scowled at me. “Done playing nice so soon?” He released a long breath as we reached the common room but didn’t reply. A lot of eyes turned our way. I guessed the sight of the two of us suddenly hanging out was pretty weird. (Tory)

My Order emerged,” he breathed and the terror in his voice told me all I needed to about what had happened. “You’re not a Dragon?” I asked, my own voice cracking with fear for him. Father would have been more than furious to discover that his son was anything other than a full blooded Dragon Shifter. It was a matter of pride and respect; he ridiculed families with mixed blood, he believed wholeheartedly in the superiority of our kind. One of his sons being anything other was totally unthinkable. Xavier shook his head slowly, trying to withdraw his hand from mine as footsteps sounded on the stairs behind me but I refused to release him. “It doesn’t change anything for me,” I growled. “You’re still my brother, I don’t care if you’re a Werewolf or a Vampire or a-” “So he told you, did he?” Father’s cold voice came from the doorway behind me and the hairs along the back of my neck stood to attention in warning. Xavier snatched his hand out of mine, blinking away the evidence of the tears which hadn’t even fallen. I stood before him, placing myself between him and Father. “It doesn’t matter,” I said firmly, though the simmering rage in my father’s eyes told a very different story. “I’m the oldest. I’m the first in line anyway, Xavier never wanted to challenge me for that role so-” “Yes, I still have my Heir but I’ve lost the spare. Did he tell you exactly what Order he is?” Father snarled, his eyes changing to their Dragon form and a trail of smoke leaving his nostrils. He was so angry about this that he was battling against the urge to shift. I didn’t think I’d ever seen him look so close to the edge before. “Not yet. But surely it’s not the end of the world if-” “Shift,” Father commanded, his gaze passing me to land on my brother. Xavier got out of his chair and backed up, shaking his head in panic. His skin looked odd though, like there was light shining from within it, trying to break free. “I told you, I’ll get control of it; I won’t shift ever,” he said anxiously. “No one will ever find out that I’m-” “SHIFT!” Father bellowed, using fear to force the change on him. Xavier cried out in panic as the light beneath his skin grew to a powerful glow and he bucked forward as his Order form took over. I backed up as his form changed, giving him room to become- “Fucking hell,” I breathed, my eyes widening in panic. “My thoughts precisely,” Father hissed venomously. Xavier had transformed into a lilac Pegasus complete with golden horn and rainbow patterned wings. His coat shone with glitter in the light of my magical orbs and his wide, horsey eyes looked back at us fearfully. I stared at him with my mouth hanging open, scrambling for something, anything to say. “I... didn’t know we had any recessive Pegasus genes in the bloodline...maybe he's linked to the constellation,” I muttered, unsure what else I could say. Father hated the weaker, more common Orders. He was a Dragon through and through; he loved power, invoking fear and breathing fire. A Pegasus was about as far as you could get to the opposite end of the Order spectrum. They were flying horses who pooped glitter, granted wishes and were... cute. Xavier hadn’t even been lucky enough to have a dark coloured coat, it was lilac. Lilac! (DARIUS POV)

The very concept that dragons can recall their previous lives is so hard for humans to grasp. I should so dearly love to listen to whatever you wished to tell me, and to make a complete record of all you recall. Such conversations alone would make a journey worthwhile! Oh, please, say that you will!” A taut quiet followed her words. “Alise,” Sedric said warningly, “I think you should come away from the railing.” But she clung there, even though she, too, could feel the wave of uneasiness that swept through the ship. The smoothness went out of the sailing; the deck under her feet shifted subtly. Surely it was her imagination that the wind flowed more chill than it had? Paragon spoke into the roaring silence. “I choose not to remember,” he said. Alise felt as if his words broke a spell. Sound and life came suddenly back to the world. It included the sudden thud of feet on the deck behind her. A woman’s voice said, without preamble, “I fear you’re upsetting my ship. I’ll have to ask you to leave the foredeck.” “She’s not upsetting me, Althea,” Paragon interjected as Alise turned to see the captain’s wife advancing on her. Alise had met her when they embarked and had spoken with her several times, but still did not feel at ease with her. She was a small woman who wore her hair in a long black pigtail down her back. She dressed in sailor’s garb; it was well tailored and of quality fabric, but for all that, she was a woman in trousers and a jacket. Less feminine garb Alise could not imagine, and yet the very inappropriateness of it seemed to emphasize her female form. Her eyes were very dark, and right now they sparked with either anger or fear. Alise retreated a step and put her hand on Sedric’s arm. For his part, he turned his body so that he stood almost between them and said, “I’m sure the lady meant no harm. The ship asked us to come up and speak with him.” “That I did,” Paragon confirmed. He twisted to look over his shoulder at all of them. “No harm done, Althea, I assure you. We were speaking of dragons, and quite naturally, she asked me what I recalled of being one. I told her that I chose to recall nothing at all.” “Oh, Ship,” the woman said, and Alise felt as if she had disappeared. Althea Trell did not even glance at her as she moved forward to take Alise’s place at the bow. She leaned on the railing and stared far ahead up the river as if sharing the ship’s thoughts. “Par’gon!” A child’s voice piped up suddenly behind them. Alise turned to watch a small boy of three or four clambering onto the raised foredeck. He was bare armed and bare legged and baked dark by the sun. He scampered forward, dropped to his hands and knees, and thrust his head out under the ship’s railing. Alise gasped, expecting him to pitch overboard at any moment. Instead he demanded the ship’s attention with a strident, “Par’gon? You awright?” His babyish voice was full of concern. The ship swung his head around to stare at the child. His mouth puckered oddly and then suddenly he smiled, an expression that transformed his face. “I’m fine.” “Catch me!” the boy commanded, and before his mother could even turn to him, he launched himself into the figurehead’s waiting hands. “Fly me!” the imp commanded the ship. “Fly me like a dragon!” And without a word, the ship obeyed him. He cupped the child in his two immense hands and lifted him high and forward. The boy leaned fearlessly against the ship’s laced fingers and spread his small arms wide as if they were wings. The figurehead gently wove his hands through the air, swaying the youngster from left to right. A squeal of glee drifted back to them. Abruptly the charge of tension in the air vanished. Alise wondered if Paragon even recalled they were there. “Let’s leave them shall we?” Althea suggested quietly. “Is it safe for the child?” Sedric objected in horror. “It’s the safest place the boy can possibly be,” Althea replied with certainty. “And for the ship, it’s the best place, too.

See that?" Audrey says, pointing her floppy pizza slice at the screen. "She doesn't look any different without her glasses and yet he acts life it's this huge transformation. She was already sexy. She didn't need to take them off." "Well," I say, stretching my legs out and sinking into Audrey's pillows beside her, "it wasn't sexy to be smart, independent, and own your own bookshop back then. You had to take your glasses off and let your hair down to get noticed by a dreamboat like Bogart." Audrey makes an ugly sound in her throat. "I like to think guys have evolved since then," Jensen says, chewing. "I admire your faith in the make species," I say. "Hey, I love it when you talk nerdy to me," he says, lifting a brow. "So, clearly, there's been some evolving going on." "Audrey grabs another slice and takes a huge bite. "You're just one of the rare good ones, Jensen. An anomaly.

The Peace that So Lovingly Descends” “You” have transformed into “my loss.” The nettles in your vanished hair Restore the absolute truth Of warring animals without a haven. I know, I’m as pathetic as a railroad Without tracks. In June, I eat The lonesome berries from the branches. What can I say, except the forecast Never changes. I sleep without you, And the letters that you sent Are now faded into failed lessons Of an animal that’s found a home. This.

Ever since Brenna’s birth shook up everything we thought we knew, God had been reshaping and remolding my heart to discover all the joy and the beauty that this new world was trying to offer us. I opened myself up to this transformation as I faced each new trial and each new triumph… seeking, begging, learning, and finding strength, peace, gratitude, and joy. As we seek, we find. As we ask, we receive. And as we choose, we allow within us. By deliberately seeking joy and choosing joy throughout the challenges and the sickness, I realized that I had begun to find joy even when I wasn’t intentionally looking for it. By seeking to praise God and choosing to praise God within the trials and uncertainty of life, I had begun to find gratitude even when I wasn’t intentionally reaching for it. With a heart filled with joy over anger, peace over anguish, strength over despair, we can then begin to experience a full appreciation for so much of God’s beauty that we may never have considered before. We can build a life of contentment and gratitude as we appreciate and celebrate this different beautiful. Beautiful has very little to do with appearance—or at least as it pertains to hair color and noses and shoes. Beautiful is a way of being and a way of living, each and every day, perhaps each and every moment. Beautiful is joy radiating from your soul. Beautiful can be found everywhere, when we take the time to see it, when we want to see it. Beautiful can be wherever we seek it—in motherhood, in our homes, in our children, in marriage, in ourselves, in our faith, in our emotions, and in our experiences. The world, through God, is giving us all kinds of beautiful. It’s time for us to be brave. It’s time for us to take this different beautiful as it is offered to us and allow it to change us, to make us better, to connect us with others. If we’re going to open our hearts and live a life that celebrates a different beautiful, we need to shake off the unrealistic expectations, unwritten rules, and false definitions of normal that we place upon ourselves or allow others to pile on us. Living a life according to God’s definition of beautiful means ignoring the should-bes and, instead, chasing the could-bes.

God wants us to walk in obedience - not victory. Obedience is oriented toward God; victory is oriented toward self. This may seem to be merely splitting hairs over semantics, but there's a subtle, self-centered attitude at the root of many of our difficulties with sin. Until we deal with this attitude, we won't consistently walk in holiness.

One day Bill decided to go into that church. He walked in with no shoes, jeans, a T-shirt, and wild hair. The service had already started, so Bill started down the aisle, looking for a seat. But the church was packed, and he couldn’t find one. By now people were looking a bit uncomfortable, but no one said anything. Bill got closer and closer to the pulpit, and when he realized there were no seats, he just sat down right in the aisle on the carpet. By now the congregation was really uncomfortable, and the tension in the air was thick. About this time, from way at the back of the large church, a deacon was slowly making his way toward Bill. The deacon was in his eighties, with silver-gray hair and a pocket watch, a godly man who was very elegant, dignified, and walked with a cane. It took a long time for the man to reach the boy. The church fell utterly silent, except for the clicking of the man’s cane. All eyes were focused on him; you couldn’t hear anyone breathing. The people were thinking, The minister can’t even preach the sermon until the deacon does what he has to do. The elderly man reached Bill and paused. Then he dropped his cane on the floor and, with great difficulty, lowered himself and sat down next to Bill to worship with him. The church was silent with emotion. When the minister gained control, he said, “What I am about to preach, you will never remember. What you have just seen, you will never forget.”8

Mrs Davidson was saying she didn’t know how they’d have got through the journey if it hadn’t been for us,’ said Mrs Macphail as she neatly brushed out her transformation. ‘She said we were really the only people on the ship they cared to know.’ ‘I shouldn’t have thought a missionary was such a big bug that he could afford to put on frills.’ ‘It’s not frills. I quite understand what she means. It wouldn’t have been very nice for the Davidsons to have to mix with all that rough lot in the smoking– room.’ ‘The founder of their religion wasn’t so exclusive,’ said Dr Macphail with a chuckle. ‘I’ve asked you over and over again not to joke about religion,’ answered his wife. ‘I shouldn’t like to have a nature like yours, Alec. You never look for the best in people.’ He gave her a sidelong glance with his pale, blue eyes, but did not reply. After many years of married life he had learned that it was more conducive to peace to leave his wife with the last word. He was undressed before she was, and climbing into the upper bunk he settled down to read himself to sleep. When he came on deck next morning they were close to land. He looked at it with greedy eyes. There was a thin strip of silver beach rising quickly to hills covered to the top with luxuriant vegetation. The coconut trees, thick and green, came nearly to the water’s edge, and among them you saw the grass houses of the Samoans; and here and there, gleaming white, a little church. Mrs Davidson came and stood beside him. She was dressed in black and wore round her neck a gold chain, from which dangled a small cross. She was a little woman, with brown, dull hair very elaborately arranged, and she had prominent blue eyes behind invisible pince–nez. Her face was long, like a sheep’s, but she gave no impression of foolishness, rather of extreme alertness; she had the quick movements of a bird. The most remarkable thing about her was her voice, high, metallic, and without inflexion; it

He wakes to blinding light and a shockingly verdant landscape: flooded paddy fields with narrow mud bunds snaking between them, barely containing the water whose still surface mirrors the sky; coconut palms that are as abundant as leaves of grass; tangled cucumber vines on the side of a canal; a lake crowded with canoes; and a stately barge parting the smaller vessels like a processional down a church aisle. His nostrils register jackfruit, dried fish, mango, and water. Even before his brain digests these sights, his body—skin, nerve endings, lungs, heart—recognizes the geography of his birth. He never understood how much it mattered. Every bit of this lush landscape is his; its every atom contains him. On this blessed strip of coast where Malayalam is spoken, the flesh and bones of his ancestors have leached into the soil, made their way into the trees, into the iridescent plumage of the parrots on swaying branches, and dispersed themselves into the breeze. He knows the names of the forty-two rivers running down from the mountains, one thousand two hundred miles of waterways, feeding the rich soil in between, and he is one with every atom of it. I’m the seedling in your hand, he thinks, as he gazes on Muslim women in colorful long-sleeved blouses and mundus, with cloths loosely covering their hair, bent over at the waist like paper creased down the middle, moving as one line through the paddy fields, poking new life into the soil. Whatever is next for me, whatever the story of my life, the roots that must nourish it are here. He feels transformed as though by a religious experience, but it has nothing to do with religion.

Outside, the sky in all its fury released buckets of water that swayed with the palm trees. El cielo gris, oscuro. Talk about goth. Right at noon the sky transformed itself from orange light to chunky black clouds that gave zero fucks about your beach plans or the three hours you spent ironing that hair, splaying all its sadness right in front of you.

Ms. Morrison explained that it’s interesting to watch what happens when a child walks into a room. She asked, “Does your face light up?” She explained, “When my children used to walk in the room when they were little, I looked at them to see if they had buckled their trousers or if their hair was combed or if their socks were up …. You think your affection and your deep love is on display because you’re caring for them. It’s not. When they see you, they see the critical face. What’s wrong now?” Her advice was simple, but paradigm-shifting for me. She said, “Let your face speak what’s in your heart. When they walk in the room my face says I’m glad to see them.

TO REVIVE OUR SKIN AND RESTORE OUR HAIR: The peptide GHK-Cu is a topical foam that can be used daily to erase fine lines and wrinkles. It counteracts cosmetic aging by boosting collagen synthesis up to 70 percent.10 According to Dr. William Seeds, chairman of the International Peptide Society, GHK-Cu also stimulates wound healing and “amazing” hair growth.

Installing tape-in hair extensions on short hair may initially seem daunting, but fear not! With the right technique and a touch of patience, you can achieve stunning, voluminous locks. In this step-by-step guide, we'll walk you through the process, providing clear instructions and helpful tips to ensure a seamless installation. Supplies You'll Need: Before diving in, gather the following supplies: tape-in hair extensions, sectioning clips, a fine-tooth comb, hair cutting shears (optional), a hair straightener (optional), and hair extension adhesive remover (if reusing extensions). Step 1: Prepare Your Hair and Section It Begin by thoroughly washing and drying your hair. If desired, straighten your natural hair with a flat iron to facilitate blending. Next, use sectioning clips to divide your hair into manageable sections, starting with a horizontal parting at the nape of your neck and working your way up. Step 2: Get the Extensions Ready Lay out the tape-in hair extensions, ensuring they're in the correct order for installation. If you're reusing extensions, carefully remove any remaining adhesive using a hair extension adhesive remover. Step 3: Measure, Trim, and Apply the First Extension Hold a tape-in extension against your scalp, starting from the bottom of a sectioned hair portion. Measure it against your natural hair length and trim accordingly, leaving a small gap between the extension and your scalp. Remove the protective backing from one side of the tape and press it firmly against the roots of your hair, just below the sectioned hair. Step 4: Sandwich and Repeat Take another tape-in extension with the sticky side exposed and place it over the top of the first extension, sandwiching your natural hair in between. Apply firm pressure to secure the extensions together. Repeat this process, working your way up in rows until you reach the top of your head. Step 5: Blend, Style, and Maintain Use a fine-tooth comb to blend your natural hair with the extensions, ensuring a seamless look. Style your hair as desired, using heat tools or styling products if needed. Follow the maintenance guidelines provided by the hair extension manufacturer to keep your extensions looking their best, and avoid excessive heat or oily products near the tape area to prevent slippage. Step 6: Removal Process When it's time to remove the extensions, use a professional hair extension adhesive remover for a gentle and safe removal process. Conclusion: By following this comprehensive guide, you'll confidently install tape-in hair extensions on short hair, unleashing a world of voluminous and glamorous hairstyles. Remember to take your time, follow the instructions diligently, and seek professional assistance if necessary. Embrace the transformation and enjoy your stunning new look!

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Cassian angled his head. 'What happened before the disaster that was last night?' ... When Rhys didn't answer, Cassian said, 'Rhys.' Rhys didn't look at him as he whispered, 'The baby has wings.' Joy sparked through Cassian- even as the broken whisper and what those words meant made his blood go cold. 'You're sure?' 'We had an appointment with Madja this morning.' 'But he's only a quarter Illyrian.' It was possible, of course, for the baby to have inherited wings, but unlikely, given that Rhys himself had been born without them, and only conjured them through whatever strange unearthly magic he possessed. 'He is. But Feyre was in an Illyrian form when he was conceived.' 'That can make a difference? I thought she only made the wings- nothing else.' 'She shape-shifts. She transforms her entire self into the form she takes. When she grants herself wings, she essentially alters her body as its most intrinsic level. So she was fully Illyrian that night.' 'She doesn't have the wings now.' 'No, she shifted back before we knew.' 'So let her change back into an Illyrian to bear the babe.' Rhys's face was stark. 'Madja has put a ban on any more shape-shifting. She says that to alter Feyre's body in any way right now could put the baby at risk. On the chance that it could be bad for the baby. Feyre is forbidden to so much as change the colour of her hair until after the birth.' Cassian raked a hand through his hair. 'I see. But, Rhys- it'll be all right. It's not that bad.' Rhys snarled. 'It is bad. For so many gods-damned reasons, it is fucking bad.' Rhys was as close to being beside himself as Cassian had seen him since he'd returned from Amarantha's court. 'Breathe,' Cassian said calmly. Rhys's eyes simmered, the stars within them winked out. 'Fuck you.' 'Take a breath, Rhysand.' Cassian gestured to the window behind him, the lawn sloping down to the river. 'You want to go fight it out, I've got energy to burn.' The study doors opened, and Azriel walked in. From the grim expression etched on his face, he already knew. Azriel claimed the seat beside Cassian. 'Tell us what you need, Rhys.' 'Nothing. I need to not fall apart so my mate doesn't pick up a whiff of this when she comes home for lunch.' Rhys narrowed his eyes, and power rumbled in the room. 'No one says a word about this to Feyre. No one.' 'Didn't Madja warn her?' Azriel asked. 'Not strongly. She only mentioned an elevated risk during labour.' Rhys let out a harsh laugh. 'An elevated risk.

Chiara gasped as her mentor passed her the wand, and a small star appeared at its tip. It should have warmed Chiara's heart to see it, but she could barely muster a smile. "The reception of a fairy's wand is often a bittersweet occasion. Let that be a reminder for you that magic can bring great joy as well as sorrow, hope as well as fear. May you use yours to shine light upon darkness." "I will," Chiara vowed. As soon as the words left her lips, the star on her wand came aglow and a pair of iridescent wings bloomed from her back. "What name will you take, Chiara Belmagio?" The answer was one she had toyed with ever since she'd considered the fairies' invitation. "The Blue Fairy." Blue was the color that brought her joy. The color of the walls of the music room where she and Ilaria had spent countless hours laughing and chasing each other and making music; the color of her father's eyes, like hers; the color of the sea where she and Niccolo took their little boat out when the weather was fair. Her dress shimmered with stardust. The pale color deepened into a warm and rich blue, and the fabric softened into gossamer silk. The threads stitched themselves into a gown worthy of a good fairy, turning her long sleeves into iridescent swaths of starlight. A beautiful yet understated uniform. Perfect for the new fairy. Only the ribbon she wore in her hair was the same as before. A reminder of Chiara Belmagio, daughter of Pariva.

I began to imagine an unchanging rhythm of days, lived on firm soil where you could wake up each morning and know that all was how it had been yesterday, where you saw how the things that you used had been made and could recite the lives of those who had made them and could believe that it would all hang together without computer terminals or fax machines. And all of this while a steady procession of black faces passed before your eyes, the round faces of babies and the chipped, worn faces of the old; beautiful faces that made me understand the transformation that Asante and other black Americans claimed to have undergone after their first visit to Africa. For a span of weeks or months, you could experience the freedom that comes from not feeling watched, the freedom of believing that your hair grows as it’s supposed to grow and that your rump sways the way a rump is supposed to sway. You could see a man talking to himself as just plain crazy, or read about the criminal on the front page of the daily paper and ponder the corruption of the human heart, without having to think about whether the criminal or lunatic said something about your own fate. Here the world was black, and so you were just you; you could discover all those things that were unique to your life without living a lie or committing betrayal.

You're not the boy they knew; you're a man they don't recognize. Something marks you as separate, and they won't ever understand it." "Because I was cursed." It wasn't a question, and Belle knew she had to tread carefully. "It's more than that. The curse forced you to change, but the transformation was yours alone." "Not just mine." He stepped to her and brought her hands to his chest. Heat rose to her cheeks, but she leaned into the warmth. Lio tilted her chin up and kissed her, sending a shiver down her spine despite the summer heat. She pulled her hands from his and wrapped them around his neck, twining her fingers in his hair, trying to close any distance between them. Every kiss was like their first- capable of wrecking her and healing her in equal measure. A soft growl escaped his lips. She pulled away and looked up, watching as his blue eyes softened. "I was in that darkness for ten years before you gave me a reason to seek the light," he whispered.

Love is different and more difficult. It has nothing to do with sex. This is what I tried to make my voices understand. Quietly does love happen. You’re not even thinking about romance, then she smiles and you notice for the first time that she’s not all that plain, her face is really quite sweet. You watch for her smile and notice that it pushes her cheeks up into two mango shapes, why should this shape be so pleasing, I don’t know. Then one evening she puts kajal round her eyes and brushes her hair, looks quite transformed, and suddenly Sonali Bendre is not so desirable as this one who’s been under your nose for so long, who’s all dolled up to go somewhere you’re not going, can never go.

Mario, the most famous character in the world's largest entertainment business, is as colorful as he is because of the challenges of eight-bit technology: to compensate for poor pixilation definition, designer Shigeru Miyamoto gave the character a large nose to emphasize his humanity, a mustache to obviate the need for a mouth and facial expressions, overalls to make it easier to see his arms in relation to his body, and a cap to free him from the problems of animating hair; the most recognizable character in video game history was born of technical constraints.

Wondrous..." was the last thing Captain Tregsburg ever said. When Rapunzel wearily opened her eyes, there was a magnificent white horse where the captain had been. There was dried blood on its pure white flanks, what looked like an old, healed wound on its belly-- and an ecstatic look in its eye. It rose onto its feet, trumpeting out a whinny of triumph, kicking its front legs and tossing its mane back and forth. "Oh," Rapunzel said, dismayed. "I didn't-- I'm sorry--" But Justin "Maximus" Tregsburg, captain of the royal guard and now shining white stallion, gently nuzzled her cheek. He was... happy. "I'm glad you're all right," Rapunzel said, hugging him. "I'm sorry we never got to talk." The stallion rolled his eyes and tossed his head: What's the use of talk, he seemed to say.

You know She's All That-ing: it's that ancient African tradition wherein an unremarkable nerd transforms into a beautiful hottie just in time for the prom, usually by combing their hair and taking off their glasses. I didn't even have glasses! I was halfway to hot already!

often happen to people who break easily, or have sharp edges, or who have to be carefully kept. Generally, by the time you are Real, most of your hair has been loved off, and your eyes drop out, and you get loose in the joints and very shabby. But these things don’t matter at all, because once you are Real, you can’t be ugly, except to people who don’t understand.

Intermission. Mare Internum. We will have a brief pause now. If this novel were a theater, you could go out into the lobby, wait in line for a drink, or for the bathroom. Give people a chance to admire your clothes, hair, or jewels. Step outside for some air or a smoke. Backstage the crew would be busy transforming the scenery, actors would change their costumes and redo their makeup, Some would be done until final curtain, others awaiting their first entrance. But we're not in the theater, and I am not letting you go outside this story, not really. Where we are is more like a pause between breaths. Whether you're inhaling or exhaling, there's a pause just before, like the pause you can feel more than hear before the tide reverses. Where we are is the point of intersection in the figure eight. Turned on its side the eight becomes the symbol of infinity. You can make this figure with your hips when you dance. Over and over you will return to that moment of balance before your weight shifts from one hip to the other. The balance of this story is about to shift. The scenery is changing, as we make our slow way across Mare Internum. A journey I am not going to describe. When the story begins again, some of the people you have come to know and love, or not, Dido, Bertha, Paulina, Reginus, and Joseph will appear less frequently... I don't like it when characters fade form the story, so I am apologizing in advance, but life is like that. We leave people and places and times behind. We encounter new ones. Sometimes we can't see the patterns or connections, but they are there, between one breath and the next. In the ebb and flow of tides. In the rhythm of the dance.

Genetics Genes are often referred to as the blueprint for human beings. It is well-known that they determine such things as eye color, hair texture, the shape of your nose, and other traits inherited from your parents. Actually, genes are responsible for much more than physical characteristics. You may be someone who cries easily, can’t stand loud noises, and hates crowds, while other people you know don’t seem to cry in any situation, love loud events, and thrive in a crowd. This may result from genetics. Although a specific gene for shyness and social anxiety does not exist, many experts feel that there are genes that control how emotional and sensitive people are. In general, it seems that people with social anxiety are more emotional and highly sensitive to things such as loud noises and chaotic crowds. Because you can’t change your genetic makeup, you probably won’t transform into the most outgoing person in your class or suddenly love to be the center of attention. However, you can learn how to manage your shyness and feel more comfortable. The situation is similar to a characteristic such as body type. If your parents are short with large frames and you are short with a large frame, you might be able to change some aspects of the way you look through diet and exercise, but you will never become tall and waiflike. Evidence that supports the genetic theory is that anxiety often runs in families, just like blue eyes or curly hair. Children who have social anxiety often realize that their parents also have a difficult time in social situations. A genetic influence is tricky to prove, however, because many aspects of social anxiety may be learned behaviors.