Tragic Romance Quotes

Don't laugh at the spinsters, dear girls, for often very tender, tragic romances are hidden away in the hearts that beat so quietly under the sober gowns, and many silent sacrifices of youth, health, ambition, love itself, make the faded faces beautiful in God's sight. Even the sad, sour sisters should be kindly dealt with, because they have missed the sweetest part of life, if for no other reason.

The most difficult aspect of moving on is accepting that the other person already did.

We live in a dark and romantic and quite tragic world.

There seemed to be something tragic in a friendship so coloured by romance.

My heart cracked. Daemon never begged.

Choose wisely From those who start A fire in your heart. Some may burn you to shreds, While you were looking for warmth.

Do you know where Jean de Tournet is?” Jason asked. “He is dead, Uncle,” Charlotte said flatly. “How do you know?” “I killed him in 1943. He was doing business with the Nazis. He tried to rape me” – she stopped and shivered – “but I killed him before he could.” Jason and Sophie both looked at Charlotte with horror. This was the first time Jason had showed any genuine emotion throughout the evening. It was fear.

In a typical college romance novel, he'd be a gorgeous but troubled sex god who'd cure all my deep-seated psych issues with a good hard fuck. I'd smell his misogyny and abusive tendencies from miles off but my brain would turn to hormone soup because abs. That's the formula. Broken girl + bad boy = sexual healing. All you need to fix that tragic past is a six-pack. More problems? Add abs. It's Magic Dick Lit.

He leaned in then and kissed me again, sweet and soft and tender, silencing my arguments and stealing my breath, making me wonder how one simple gesture could be so tragically lovely.

Romantic haste in drama brings tears and sighs when the hero dies but the curtain fall is final when in life we take the tragic way The sunset too is a glorious thing but with it ends the day.

Sorry to hear that, baby." he kissed the palm of her hand. Wow, her mom and husband both killed in tragic accidents, he thought.

Walking alone is not difficult but when we have walked a mile worth a thousand years with someone then coming back alone is what is difficult.

Don’t hide what you have just because people tell you it’s not normal. I have known normal people…and guess what? They are as boring as hell...

In that one moment, I wrapped a thousand others. A lifetime of joy, sorrow, laughter, frowns, smiles, tears... life!

It’s just the love for her in my heart that is morphing into this madness and how can I run away from it? Sometimes I want to when I can’t bear it anymore, but where will I go?

I've come to realize that love is tragic, somewhere down the line it's inevitable. Fight for it.

Wait a minute, I thought all girls liked those tragic love stories?" Isaac asked as we turned down another hall. "I guess I'm weird." I shrugged. "I prefer a good happy ending to a story, there are enough tragic ones in real life.

Nothing can fill you up,” she stated. “Nope,” he agreed again. “You won’t let it.” “Barrel’s got a hole in the bottom, buddy, everything leaks out no matter how much you pour in.” She was silent a moment then she whispered, “Right.” She turned to the door and his hand gripped his bourbon so hard he had to focus everything on loosening his grip or the glass would shatter. Before she opened it, she turned back. “You don’t know, Cal, you have no idea. You’ve shut yourself up for so long in this fucking house with your tragic memories, you have no idea what’s about to walk out your door. Kate, Keira and me, we could have plugged that hole. We could have filled you so full, you’d be bursting. We would have loved that chance. We’d have given it everything we had, no matter the time that slid by, graduations, weddings, grandbabies, you’d have been a part of us and we’d have given everything we had to keep you so full, you’d be bursting.” Cal didn’t reply. “Joe,” she whispered, “you let me walk out this door, you’ll lose your chance.” Cal didn’t move. Vi waited. Cal stayed seated.

He said he wants variety. The irony is that I wanted variety too. But I wanted variety in a solid, stable committed relationship where I would wake up each morning asking “What are we going to do today?” not asking “Who are you going to do today?

but he can’t seem to look away as he stands among chrysanthemums and daisies on a cobblestone path, the tragic musk of roses settled in the air, staring up at dimly lit windows, searching for a boy who barely exists.

Love should have no alternatives; love should be the sole reason for loving; love should spring of itself.

There was something tragic in a friendship so colored by romance.

Okay baby... Just turn around and count to one hundred, and I'll get you some pancakes, okay?

Leo had just finished reading this when the FANY girl from the decoding department came in with a new message. ‘It’s bad news, I’m afraid.’ Leo read, ‘Stuart killed by a bomb on June 9th. Contact impossible. Air raids all day and walk all night.’ She put the paper down and bowed her head to her desk. It was not the news of Stuart’s death that struck cold terror into her heart. It was tragic, of course, but he had not come from SOE and she had not had time to get to know him well. It was the image that those words conjured up that was hard to bear. Alix was with these people. She was in danger from bombs all day. She was having to walk all night. Leo thought back to the girl she had said goodbye to in Paris back in the spring of 1939, excited by the prospect of starting her course at the Sorbonne. Rumours of war had seemed so distant that neither of them had doubted that they would meet again in a few months.

Like a white knight in a station wagon, he drove out of her life.

There seemed to him to be something tragic in a friendship so coloured by romance.

The truth is, today’s intense realities are just tomorrow’s memories.

She was the most god damn beautiful thing I'd ever seen. A tragic beauty I couldn't stop staring at.

He won't break me. He will never break me.

We approach romance like a privileged form of suffering that makes us feel more alive—living dangerously, magnificently, and tragically.

I fell in love when I was twenty-six. Love in my interpretation comes once in a lifetime.

What a trajedy to be a martyr for love, yet we worship the characters anyways because they remind us of how we struggled.

His smile is beautiful. It's the kind of smile that can take away all nervousness and tension in a room, no matter how big. I have no choice but to smile back.

There seemed to him to be something tragic in a friendship so colored by romance.

My name is Cassandra Temperance Steel, I said to the beautiful imaginary Death Angel, as if my name wasn’t already on her Santa Claus-like list of souls to collect that evening. Spare me.

And they lived happily ever after” is one of the most tragic sentences in literature. It is tragic because it tells a falsehood about life and has led countless generations of people to expect something from human existence which is not possible on this fragile, imperfect earth. The “happy ending” obsession of Western culture is both a romantic illusions and a psychological handicap. It can never be literally true that love and marriage are unblemished perfections, for any worthwhile life has its trials, its disappointments, and its burning heartaches. Yet who can compare the numbers of people who have unconsciously absorbed this “and they lived happily ever after” illusion in their childhood and have thereafter been disappointed when life has not come up to their expectations and who secretly suffer from the jealous conviction that other married people know a kind of bliss that is denied them..Life is not paradise. It is pain, hardship, and temptation shot through with radiant gleams of light, friendship and love.

The next day, I’d be going home. Little did I know that, as I slept, the universe was already conspiring, like a table full of gossiping women, to help nudge me in the right direction to- ward my fate... or to my death.

Being in love with someone who doesn't love you back is a tragedy. A fantasy is having someone understand the real you and love you anyway.

I know I hurt you before. I know you're hurting now. But I'm still going to hurt you again.

Not fair,” I whisper. “No, darlin’, I suppose it’s not fair. I never did play fair though, you know that. Especially when it comes to you.

For there has never been a story nearly as tragic as the one of Frankenstein, except for that of Johnny Heart and his Francesca Valentine.

There seemed to be something tragic in a friendship so coloured by romance

I once knew a beautiful young woman that didn't believe in forever. She became my forever.

When I was twelve, my sixth-grade English class went on a field trip to see Franco Zeffirelli’s film adaptation of Shakespeare’s Romeo and Juliet. From that moment forward I dreamed that someday I’d meet my own Juliet. I’d marry her and I would love her with the same passion and intensity as Romeo. The fact that their marriage lasted fewer than three days before they both were dead didn’t seem to affect my fantasy. Even if they had lived, I don’t think their relationship could have survived. Let’s face it, being that emotionally aflame, sexually charged, and transcendentally eloquent every single second can really start to grate on a person’s nerves. However, if I could find someone to love just a fraction of the way that Montague loved his Capulet, then marrying her would be worth it.

Life, with all its ups and downs, taught me priceless lessons. I learned that we all make our own private little worlds, just like children make the soap bubbles. With patience and practice and a model to follow, they manage to make their bubbles larger or more lasting. It’s much the same for we adults and the unique worlds we create for ourselves.

Maternal absence, in one form or another, is always found in the background of the incest romance. Womens literature on incest generally treats the theme of maternal absence tragically. Mens literature trivializes it or treats it comically. And clinical literature tends to treat it judgmentally.

Cassie, if you’d known back then that this is where our paths would lead us... that I would get sick... would you have still chosen to be with me?” Did he seriously not know the answer? How much I loved him? “Xuan, I do choose this path, every night, in my dreams. I cannot imagine my life any differently.

She strove for poised composure, despite feeling like a powerless pawn in a despicable game of human chess, played for the amusement of those who enjoyed tragic endings at the expense of someone else’s happiness—no—their very existence.

After a few brief simple moments, he found her neck, kissing the nape as if it were a peach, grazing her skin barely, causing her to moan out a small tiny little whimper. Before she could take another rbreath, his lips met hers in rapture, and suddenly, she was lost within the tragic abyss of falling beneath a lovebinding spell.

She was murdered by rebels.' He took in her unconcealed look of shock. 'So there you go. Something for you to celebrate.' Magnus turned away from her, ready to find solace in his chambers, but the princess grabbed his arm to stop him. He sent a dark look at her over his shoulder. 'I would never celebrate death, no matter whose it is,' she said, her gaze filled with anger and something else. Something that looked vaguely like sympathy. 'Come now, I'm sure you wouldn't mourn any Damora.' 'I know very well what it's like to lose a parent in a tragic way.' 'Oh, yes, we have so much in common. Maybe we should get married.

It’s your bones against mine. The slight curve in your spine and it’s Sunday: I don’t have to think about suicide.

He had shed his cloak, but still wore his crown. He looked like a king who'd lost his kingdom, tragic and beautiful.

...my savior and my torment.

Don’t laugh at the spinsters,…for often very tender, tragical romances are hidden away in the hearts that beat so quietly under the sober gowns,” Alcott pleads.

The heart I once thought was whole, is becoming divided, and I no longer know how to hold it together." ~ Hannah

I sometimes wonder if what I consider “romance” might be dying out—l’amour fou, crazy love, destructive passion, crippling jealousy, extreme and violent and tragic.

Unfortunately, angels do not survive on the Earth... that’s a tragic verity.

The image of the tragic artist who lays down his tools rather than fall short of his impeccable ideals holds no romance for me. I don't see this path as heroic. I think it's far more honorable to stay in the game - even if you're objectively losing the game - than to excuse yourself from participation because of your delicate sensibilities. But in order to stay in the game, you must let go of your fantasy of perfection.

It's very tragic," Louisa said. "They had just moved to a new mansion in Bath with fifty-nine bedrooms. Unfortunately, the two of them got lost on their way to breakfast. Their servants didn't find them until it was too late - they had wasted away." "How awful," Beatrice said, leaning forward. "Do the inspectors suspect foul play?" "No birds were involved. The Croaksworths were simply terrible with directions," Louisa replied.

Love hurts. Think back over romance novels you’ve loved or the genre-defining books that drive our industry. The most unforgettable stories and characters spring from crushing opposition. What we remember about romance novels is the darkness that drives them. Three hundred pages of folks being happy together makes for a hefty sleeping pill, but three hundred pages of a couple finding a way to be happy in the face of impossible odds makes our hearts soar. In darkness, we are all alone. So don’t just make love, make anguish for your characters. As you structure a story, don’t satisfy your hero’s desires, thwart them. Make sure your solutions create new problems. Nurture your characters doubts and despair. Make them earn the happy ending they want, even better…make them deserve it. Delay and disappointment charge situations and validate character growth. Misery accompanies love. It’s no accident that many of the stories we think of as timeless romances in Western Literature are fiercely tragic: Romeo and Juliet, Tristan and Isolde, Cupid and Psyche… the pain in them drags us back again and again, hoping that this time we’ll find a way out of the dark. Only if you let your characters get lost will we get lost in them. And that, more than anything else, is what romance can and should do for its protagonists and its readers: lead us through the labyrinth, skirt the monstrous despair roaming its halls, and find our way into daylight.

I know what you’re thinking, Princess, but don’t you remember what I told you? What I warned you about?” She shook her head. The edges of his lips turned up slightly, but the smile didn’t reach his eyes. Not by a long shot. He wasn’t ready for what was between them to end either. She sensed it. “All great romances end tragically,” he’d said.

Ethanol plus carbon dioxide was like a demon spawn pounding against the frontal lobes of my head from the previous night at the bar. Somewhere in the city there was a church bell ringing, and—oh, not a bell. That was my phone. My head pounded and I felt dizzy, like I was spinning in circles on a Tilt-A-Whirl ride. Slowly, I opened an eye to try and find my cell phone. I groaned as I reached for the blue- and-silver-plated device on my nightstand. The spins from al- cohol sucked.

Xuan’s movements were fluid and effortless, and I followed his lead with ease. The world around us faded away, and for a few precious moments, it was just the two of us, lost in the music in a peaceful quiet. I prayed that God would look down on us and see the beauty of our existence, and the trueness of our love. I prayed that He would decide to spare Xuan and leave us alone for many years. I prayed for a miracle.

It seldom is, at first, and thirty seems the end of all things to five-and-twenty. But it's not as bad as it looks, and one can get on quite happily if one has something in one's self to fall back upon. At twenty-five, girls begin to talk about being old maids, but secretly resolve that they never will be. At thirty they say nothing about it, but quietly accept the fact, and if sensible, console themselves by remembering that they have twenty more useful, happy years, in which they may be learning to grow old gracefully. Don't laugh at the spinsters, dear girls, for often very tender, tragic romances are hidden away in the hearts that beat so quietly under the sober gowns, and many silent sacrifices of youth, health, ambition, love itself, make the faded faces beautiful in God's sight. Even the sad, sour sisters should be kindly dealt with, because they have missed the sweetest part of life, if for no other reason. And looking at them with compassion, not contempt, girls in their bloom should remember that they too may miss the blossom time. That rosy cheeks don't last forever, that silver threads will come in the bonnie brown hair, and

The alley is a pitch for about twenty women leaning in doorways, chain-smoking. In their shiny open raincoats, short skirts, cheap boots, and high-heeled shoes they watch the street with hooded eyes, like spies in a B movie. Some are young and pretty, and some are older, and some of them are very old, with facial expressions ranging from sullen to wry. Most of the commerce is centred on the slightly older women, as if the majority of the clients prefer experience and worldliness. The younger, prettier girls seem to do the least business, apparent innocence being only a minority preference, much as it is for the aging crones in the alley who seem as if they’ve been standing there for a thousand years. In the dingy foyer of the hotel is an old poster from La Comédie Française, sadly peeling from the all behind the desk. Cyrano de Bergerac, it proclaims, a play by Edmond Rostand. I will stand for a few moments to take in its fading gaiety. It is a laughing portrait of a man with an enormous nose and a plumed hat. He is a tragic clown whose misfortune is his honour. He is a man entrusted with a secret; an eloquent and dazzling wit who, having successfully wooed a beautiful woman on behalf of a friend cannot reveal himself as the true author when his friend dies. He is a man who loves but is not loved, and the woman he loves but cannot reach is called Roxanne. That night I will go to my room and write a song about a girl. I will call her Roxanne. I will conjure her unpaid from the street below the hotel and cloak her in the romance and the sadness of Rostand’s play, and her creation will change my life.

When you love someone it feels like their blood runs through your veins, their breath fills your lungs, their heart makes yours beat, and without them everything stops.” “Fuck. That sounds tragic.” Tell me about it. “It is.” I bend to kiss him again, this time on the forehead. “But it’s worth it.

What is Destiny? Is it a doctrine formulated by aristocrats and philosophers arguing that there is some unseen driving force predicting the outcomes of every minuscule and life altering moment in one's life? Or is it the artistry illustrated by those under-qualifed and over-eager to give their future meaning and their ambitions hope? Is it a declaration by those who refuse to accept that we are alone in this universe, spinning randomly through a matrix of accidental coincidences? Or is it the assumptions made by those who concede that there is a divine plan or pre-ordained path for each human being,regardless of their current station? I think destiny is a bit of a tease.... It's syndical taunts and teases mock those naive enough to believe in its black jack dealing of inevitable futures. Its evolution from puppy dogs and ice cream to razor blades and broken mirrors characterizes the fickle nature of its sordid underbelly. Those relying on its decisive measures will fracture under its harsh rules. Those embracing the fact that life happens at a million miles a minute will flourish in its random grace. Destiny has afforded me the most magical memories and unbelievably tragic experiences that have molded and shaped my life into what it is today...beautiful. I fully accept the mirage that destiny promises and the reality it can produce. Without the invisible momentum carried with its sincere fabrication of coming attraction, destiny is the covenant we rely on to get ourselves through the day. To the destiny I know awaits me, I thank you in advance. Don't cry because it's over....smile because it happened.

You know what else will get me off? Pushing you. Pushing you to your limits. Pushing until you can’t take anymore. You’ll beg me to stop. Hopefully even cry. And you know what I’ll do?” I swallow and shake my head. He leans in, brushing his lips against my ear, and whispers, “I’ll push you some more.

All around me it’s black. So black I’m not sure I’ll ever be able to find my way back. I’m not sure I want to find my way back. That’s a devastating thought, knowing I’m drifting to that edge, knowing I’m flirting with that dark void that whispers to me from the other side. Taunting me with numbness. Calling to me with emptiness.

There seemed to him to be something tragic in a friendship so coloured by romance

You’ve piqued my suspicions that her death wasn’t a tragic accident, as the authorities claim.

Yay, science.

The two of them became an instant couple. Very Romeo and Juliet without the wonky families and tragic double-suicide thing.

It feels like I'm falling. Falling down some bottomless pit. All I'm missing is the wind at my back.

I wasn't prepared for you, Ava.

I thought I'd already gone down about as deep as a soul could go--down into that black abyss called hell--but I was wrong. There's more to go.

Not me. Give me a romance any day, the filthy kind where the smart-mouthed heroine gets railed by three guys at once.” “Ooo, and make one of them covered in tattoos with a tragic backstory.

Unfortunately, angels do not survive on the Earth... that’s a tragic verity… Pure souls need more perfect world: the one, where their kindness wouldn’t be seen as weakness; where their brightness wouldn’t trigger so much envy; where their sincerity and open heart wouldn’t be considered as an invitation to push them down and take advantage of them. You need to learn how to protect yourself.

We continued dancing as a swift gale wheeled through the hills of Santa Cruz. Xuan leaned down to whisper into my ear, his lips lightly brushing the helix. “Once upon a time there was a boy, and he loved a girl very much. He was sad because he didn’t think the girl noticed him. Until one day the uni- verse intervened and a beautiful comet brought them together after a tragic accident occurred that day. The boy and the girl found comfort and friendship in each other that night. And something new and extraordinary began to blossom under the heavens, something that would burn with such bright- ness that all the stars would be in awe. And the boy fell madly in love with the girl and promised to always find her, in this life and the next.” “That’s my favorite story.” Xuan smiled. “It’s the best one I’ve ever told, Ms. Steel.

For a moment she believed he had left, but as she shifted away from the wall she sensed him there beside the bed. He was very close. Wretched curiosity! But she would fight it and not look. “Katherine,” he whispered, his breath rolling in a warm wave across her cheek. A traitor tear spilled out, the humiliation was too much to contain. Gently, a finger dabbed the wetness from her skin. He said it again, softly, as though it pleased him just to say it, “Katherine.” “Viktor!” the accented voice bellowed from below. And then the shadow was gone. Darkness overwhelmed her then and carried her away to a land of crows and mocking strangers.

They had no idea who I really was.” He leans in close again. “But you knew, didn’t you, Ava? You’ve always known. Maybe that’s why I’ve always been so drawn to you. Always wanted to get inside you, because you’ve always been inside me.

He was aware that younger lads and even more tragically, some older lads, felt that the height of modern romance was sending a picture of your tackle to a lady, but he found the idea horrific. Bar anything else, he’d never considered that to be an attractive bit of kit. It looked like something you’d find in a butcher’s bin. If that made the top five list of your best features, then you needed to take a night class or learn to juggle or something, because you were not much of a catch.

Miss Birkinshaw was like an old ivory carving, Prudence thought, ageless, immaculate, with lace at her throat. She had been the same to many generations who had studied English Literature under her tuition. Had she ever loved? Impossible to believe she had not, there must surely have been some rather splendid tragic romance a long time ago - he had been killed or dead of typhoid fever, or she, a new woman enthusiastic for learning, had rejected him in favour of Donne, Marvell and Carew.

Different from all other essences in the world the smell of primroses has a sweetness that is faint and tremulous, and yet possesses a sort of tragic intensity. There exists in this flower, its soft petals, its cool, crinkled leaves, its pinkish stalk that breaks at a touch, something which seems able to pour its whole self into the scent it flings on the air. Other flowers have petals that are fragrant. The primrose has something more than that. The primrose throws its very life into this essence of itself which travels upon the air.

One night. One messed-up, beautiful night is all we had together, and yet I feel like I’ve been with him every night since then. Because in many ways, I have. He’s been in my thoughts, my dreams, my memories, like a dark knight who never ever left my side, even when I left his.

He’s close now. So close, I can hear his quick breaths, hear the twigs breaking beneath his feet as he hunts me down. The moonlight pulses overhead, peeking here and there though the canopy of trees. Quick, quick, quick, my legs carry me but I know my freedom’s coming to an end.

I said, somewhat confused, “What’s the problem?” [Kristy] rolled her eyes. Beside her, Monica said, “Donneven.” “Kristy.” Delia shook her head. “This isn’t the time or the place, okay?” “The time or the place for what?” Caroline asked. “There is never,” Kristy said adamantly, “a time or place for true love. It happens accidentally, in a heartbeat, in a single flashing, throbbing moment.” “Throbbing?” my mother said, leaning forward and looking at me. “Who’s throbbing?” “Macy and Wes,” Kristy told her. “We are not,” I said indignantly. “Kristy,” Delia said helplessly. “Please God I’m begging you, not now.” “Wait a second, wait a second.” Caroline held her hands up. “Kristy. Explain.” “Yes, Kristy,” my mother said, but she was looking at me. Not really mad as much as confused. Join the club, I thought. “Explain.” Bert said, “This ought to be good.” Kristy ignored him, tucking a piece of hair behind her ear. “Wes wants to be with Macy. And Macy, whether she’ll admit it or not, wants to be with Wes. And yet they’re not together, which is not only unjust, but really, when you think about it, tragical.” “That’s not a word,” Bert pointed out. “It is now,” she said. “How else can you explain a situation where Wes, a truly extraordinary boy, would be sent packing in favor of some brainiac loser…” “Why,” I said, feeling embarrassed, “do we have to keep talking about this?” “Because it’s tragical!” Kristy said….”I’ll tell you what it is. It’s wrong. You should be with Wes, Macy. The whole time you guys were hanging out, talking about how you were both with other people, it was so obvious to everyone. It was even obvious to Wes. You were the only one who couldn’t see it, just like you can’t see it now.” “Mmm-hmm,” Monica said aloud.

Cassie, you need to understand that he only agreed to undergo treatment because of you. He made this choice solely for you, and no one else. Despite being aware of the limited time he has left and the financial burden the treatment will impose on his family, he chose to stay by your side.” I knew, had known the moment he’d agree to undergo the treatment. I hated myself for being the cause of his pain. He continued to push. “Xuan is doing the cancer therapy stuff even though he didn’t want to. He loves you that much. And because you asked him to do this, he is. And one day, because of love, you will stand by Xuan until the end and you’ll have to watch him die. And because he loved you, you will eventually have to let him go, because that’s what he would want.

Romance is fiction.” He punctuated this statement by taking a bite of steak, and then chewing. “But it’s—it’s—” Interesting? Well researched? Engaging? Well written? All of the above. “Not what you expected?” he supplied, smirking around his bite. “What did you expect?” Shrugging, I lifted a small rectangle of lasagna on my fork and blew at the steam. “I guess something brainless.” I didn’t add that I followed The New York Times Book Review and they’d had more than their fair share of articles calling the romance genre “fluffy.” If you couldn’t trust The New York Times Book Review, who could you trust? “Why? Because it’s about love and has a happy ending? And only stories of unhappiness with tragic endings are important? Because a struggle that leads to something good isn’t worthwhile?

would place beside her in my mind’s eye the young competent woman, proud, courageous, and generous, I’d known as a child. I was living with a tragic deterioration brought about because there was now no creative expression for this woman’s talents. Lacking a power for good, she sought power through manipulating her children. The mind that once was engaged in reading every major writer of the day now settled for cheap romances, murder mysteries, and a comfortable fuzz of tranquilizers and brandy at the end of the day. No one had directly willed her decline. It was the outcome of many impersonal forces, which had combined to emphasize her vulnerabilities. The medical fashion of the day decreed that troubled middle-aged women be given tranquilizers and sedatives. She, once a rebel, had acquiesced in settling down to live the life of an affluent woman.

As a Cambion, balance is paramount. Never lose control, never allow emotions to run wild, and never, ever forget who you are and what lives within you. Such discipline requires a sound mind, a thick skin, and a high tolerance for all things weird, because one wrong move and it’s over. No matter how tempting it is at first, in the end, there’s nothing more tragic, more excruciating than losing yourself. Well, except maybe high school.

I'm sorry!" Piggy cried, knowing for certain now that he could never return. That he had a promise to keep in the freezing current below. And swerving away from his advancing father, from his mother, from Charlie Volchek too, all of whose cries he imagined he heard carried on the wind, he shouted to Sam to wait for him, that he was coming. Then, in one soaring swoop, he flew out after her through empty space and thought with blinding clarity as he fell: So this is what love comes to.

All my romances, by some kind of collusion between their heroes, have invariably followed a prearranged pattern of mediocrity and tragedy, or more precisely, the tragic slant was imposed by their very mediocrity. I am ashamed to recall the way they started, and appalled by the nastiness of their denouements, while the middle part, the part that should have been the essence and core of this or that affair, has remained in my mind as a kind of listless shuffle seen through oozy water or sticky fog.

Will insisted in interviews—not that I’d read any of them. Well, all right, I might have skimmed one or two—that his books were tragic love stories. But not romance novels. Oh, no. Definitely not that! Because he was a man, and most male authors of adult books would slit their own throats before admitting they’d written a romance or women’s fiction or even a family drama. Everything they wrote, many of them insisted, was literary fiction (unless of course it was sci-fi, horror, or mystery). So nauseating.

The mean-spirited, unpredictable cancer beast had changed all of our lives. There were unspoken details of our life before cancer. Now, only the stark reality of life after cancer remained. I was acutely aware that, regardless of the treatment’s outcome, we were bound in a race against time. A relentless clock, damnably ticking away, measured the fleeting seconds of Xuan’s life. Its insistent rhythm served as a re- minder of our finite journey. Though it may have momentarily paused, the clock would invariably resume its steady wind down toward zero.

This tragic short story was written in 1829 and published in 1830 in La Mode, followed by another edition in the Gosselin magazine in 1831. The tale also appeared in 1846 in volume II of Études Philosophiques of the Furne edition. Set during the time of the French army’s occupation of Spain under Napoleon, the tale opens with an idyllic moonlit scene in the castle gardens of the coastal town of Menda. The local French commandant, Victor Marchand, stands lost in thought, meditating on the beautiful Clara, the daughter of the local grandee. Thoughts of romance are soon dissipated as he becomes aware that a fleet of ships is approaching the coast.

And slamming the door in Meg's face, Aunt March drove off in high dudgeon. She seemed to take all the girl's courage with her, for when left alone, Meg stood for a moment, undecided whether to laugh or cry. Before she could make up her mind, she was taken possession of by Mr. Brooke, who said all in one breath, "I couldn't help hearing, Meg. Thank you for defending me, and Aunt March for proving that you do care for me a little bit." "I didn't know how much till she abused you," began Meg. "And I needn't go away, but my stay and be happy, may I, dear?" Here was another fine chance to make the crushing speech and the stately exit, but Meg never thought of doing either, and disgraced herself forever in Jo's eyes by meekly whispering, "Yes, John," and hiding her face on Mr. Brooke's waistcoat. Fifteen minutes after Aunt March's departure, Jo came softly downstairs, paused an instant at the parlor door, and hearing no sound within, nodded and smiled with a satisfied expression, saying to herself, "She has seen him away as we planned, and that affair is settled. I'll go and hear the fun, and have a good laugh over it." But poor Jo never got her laugh, for she was transfixed upon the threshold by a spectacle which held her there, staring with her mouth nearly as wide open as her eyes. Going in to exult over a fallen enemy and to praise a strong-minded sister for the banishment of an objectionable lover, it certainly was a shock to behold the aforesaid enemy serenely sitting on the sofa, with the strong-minded sister enthroned upon his knee and wearing an expression of the most abject submission. Jo gave a sort of gasp, as if a cold shower bath had suddenly fallen upon her, for such an unexpected turning of the tables actually took her breath away. At the odd sound the lovers turned and saw her. Meg jumped up, looking both proud and shy, but `that man', as Jo called him, actually laughed and said coolly, as he kissed the astonished newcomer, "Sister Jo, congratulate us!" That was adding insult to injury, it was altogether too much, and making some wild demonstration with her hands, Jo vanished without a word. Rushing upstairs, she startled the invalids by exclaiming tragically as she burst into the room, "Oh, do somebody go down quick! John Brooke is acting dreadfully, and Meg likes it!

There was however one real romance in his [J. Gresham Machen's] life, though unhappily it was not destined to blossom into marriage. One would never have learned of it from the files of his personal letters since it seems that he did not trust himself to write on the subject, extraordinary though that may seem when one considers how fully he confided in his mother. He did tell his brother Arthur about it, and in a conference concerning the projected biography in March, 1944, the elder brother told me that the story to be complete would have to include a reference to Gresham's one love affair. He identified the lady by name, as a resident of Boston, and as "intelligent, beautiful, exquisite." He further stated that apparently they were utterly devoted to each other for a time, but that the devotion never developed into an engagement to be married because she was a Unitarian. Miss S., as she may be designated, made a real effort to believe, but could not bring her mind and heart to the point where she could share his faith. On the other hand, as Arthur Machen hardly needed to add, Gresham Machen could not possibly think of uniting his life with one who could not come to basic agreement with him with regard to the Christian faith. . . . Machen had been advising her with respect to study of the Bible. He must have counseled her to read the Gospels through consecutively. He had a copy of his course of Bible study prepared for the Board of Christian education especially bound for her. He sent her copies of his books as they appeared. He had copies of Dr. Erdman's little commentaries and other books sent to her. On her part she indicated an interest in these things, but evidently it was stimulated more by the desire to please Machen than by an earnest agitation of spirit. At any rate her mind was set awhirl as she read some of the books and she was forced to come to the conclusion that, judged by his views as set forth for example in Christianity and Liberalism, published in 1923, if she was a Christian at all, she was a pretty feeble one. How tragic an ending to Machen's one real romance or approach to it! It does serve to underscore once again, however, how utterly devoted he was to his Lord. He could be counted upon in the public and conspicuous arenas of conflict but also in the utterly private relations of life to be true to his dearly-bought convictions.

Romance novels, rom-coms, non-tragic love stories—they all run on a blissful sense that we’re moving toward something better. Percentage-wise, the majority of clues writers drop in romance novels don’t give you things to dread. They give you things to look forward to. This, right here—more than anything else—is why people love them. The banter, the kissing, the tropes, even the spice … that’s all just extra. It’s the structure—that “predictable” structure—that does it. Anticipating that you’re heading toward a happy ending lets you relax and look forward to better things ahead. And there’s a name for what you’re feeling when you do that. Hope. Sometimes I see people grasping for a better word than predictable to describe a romance. They’ll say, ‘It was predictable—but in a good way.’ I see what they’re going for. But I’m not sure it needs pointing out that over the course of a love story … people fell in love. I mean: Of course they did! I don’t think it’s possible to write a love story where the leads getting together at the end is a surprise. And even if it were, why would you want to? The anticipation—the blissful, delicious, oxytocin-laden, yearning-infused, building sense of anticipation—is the point. It’s the cocktail of emotions we all came there to feel. I propose we stop using the hopelessly negative word predictable to talk about love stories and start using anticipation. As in: 'This love story really created a fantastic feeling of anticipation.' Structurally, thematically, psychologically—love stories create hope and then use it as fuel. Two people meet—and then, over the course of three hundred pages, they move from alone to together. From closed to open. From judgy to understanding. From cruel to compassionate. From needy to fulfilled. From ignored to seen. From misunderstood to appreciated. From lost to found. Predictably. That’s not a mistake. That’s a guarantee of the genre: Things will get better. And you, the reader, get to be there for it. It’s a gift the love story gives you.

There are things I can confess only after swallowing a bottle of ink. How i crushed a moth between my palms before it rushed to the fireplace. These hands that are used to killing things midflight. Like my mother tongue. Before I can roll out my rounded R and O. Because women like me are believed to practise witchcraft and blackmagic. We swallow men and spit out their bones. These hands that danced with your ghosts on the bluest 4 AMs. These hands that raised a knife to its throat. How deep was the longing to be nothing more than an empty bed, an empty room. If someone asks you tell them writing was the closest I came to witchcraft. Poetry was the closest I came to being possessed. I wanted to leave behind more than emptiness so I wrote. . They say it takes 7 seconds for the eyes to become accustomed to the darkness. I glide across the dark room like the light was never here. Your body imprint on the mattress lost to the frenzied waltz of sunray and dust. How easy was it to just grab a handful of you before you dissolved. If someone asks tell them loving you was the closest I came to seeing god. . On some nights I open the curtains and you are the moon. I am the darkness surrounding it. Which is to say I don't know how to love without being consumed. If they ask you tell them remembrance was the closest I came to being sick. . Once I met a homeless man who spoke in madness because he had forgotten his mother tongue. How long do you hide yourself from the world before you forget your beginning. Like him - I too am full of silence. My beloved - a handful of you, your body. There are things I could only tell the moths but they no longer visit. I have put off the fireplace. Which is to say they too don't know how to love something that won't kill them. . My phone always autocorrects I love you to I live you and what is love if not living the other person. One summer afternoon our bodies turned into each other's. Your breath played lye strings on my neck. If they ask you tell them that was the closest I came to being alive.