Tragic Romance Quotes

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Don't laugh at the spinsters, dear girls, for often very tender, tragic romances are hidden away in the hearts that beat so quietly under the sober gowns, and many silent sacrifices of youth, health, ambition, love itself, make the faded faces beautiful in God's sight. Even the sad, sour sisters should be kindly dealt with, because they have missed the sweetest part of life, if for no other reason.
Louisa May Alcott (Little Women)
The most difficult aspect of moving on is accepting that the other person already did.
Faraaz Kazi
We live in a dark and romantic and quite tragic world.
Karl Lagerfeld
There seemed to be something tragic in a friendship so coloured by romance.
Oscar Wilde (The Picture of Dorian Gray)
My heart cracked. Daemon never begged.
Jennifer L. Armentrout (Onyx (Lux, #2))
Choose wisely From those who start A fire in your heart. Some may burn you to shreds, While you were looking for warmth.
Saiber (Stardust and Sheets)
In a typical college romance novel, he'd be a gorgeous but troubled sex god who'd cure all my deep-seated psych issues with a good hard fuck. I'd smell his misogyny and abusive tendencies from miles off but my brain would turn to hormone soup because abs. That's the formula. Broken girl + bad boy = sexual healing. All you need to fix that tragic past is a six-pack. More problems? Add abs. It's Magic Dick Lit.
Leah Raeder (Black Iris)
He leaned in then and kissed me again, sweet and soft and tender, silencing my arguments and stealing my breath, making me wonder how one simple gesture could be so tragically lovely.
Kimberly Derting (The Pledge (The Pledge, #1))
Romantic haste in drama brings tears and sighs when the hero dies but the curtain fall is final when in life we take the tragic way The sunset too is a glorious thing but with it ends the day.
C.P. Klapper (The Washington Poems)
Sorry to hear that, baby." he kissed the palm of her hand. Wow, her mom and husband both killed in tragic accidents, he thought.
Sharon Carter (Love Auction: Too Risky to Love Again)
..., It'd taken her several seconds to react to the sight of them together. She'd been almost hypnotized by the scene as Lothaire drank. Chase's masculine face had been tense, his gray eyes focused on the ground. Lothaire's face had been starkly beautiful, his pale blond hair brushing Chase's shoulder. Light and dark. One terrible, one tragic. And Lothaire had been... hard. "Oh, gods!" She cried as she ran back along the trail. Hot poker for my eyes! Hot poker!
Kresley Cole (Dreams of a Dark Warrior (Immortals After Dark, #10))
Walking alone is not difficult but when we have walked a mile worth a thousand years with someone then coming back alone is what is difficult.
Faraaz Kazi (Truly, Madly, Deeply)
Don’t hide what you have just because people tell you it’s not normal. I have known normal people…and guess what? They are as boring as hell...
Sidney Knight
In that one moment, I wrapped a thousand others. A lifetime of joy, sorrow, laughter, frowns, smiles, tears... life!
Faraaz Kazi
It’s just the love for her in my heart that is morphing into this madness and how can I run away from it? Sometimes I want to when I can’t bear it anymore, but where will I go?
Faraaz Kazi
I've come to realize that love is tragic, somewhere down the line it's inevitable. Fight for it.
Ann Marie Frohoff
Wait a minute, I thought all girls liked those tragic love stories?" Isaac asked as we turned down another hall. "I guess I'm weird." I shrugged. "I prefer a good happy ending to a story, there are enough tragic ones in real life.
B.L. Brunnemer (Trying to Live With the Dead (The Veil Diaries #1))
Nothing can fill you up,” she stated. “Nope,” he agreed again. “You won’t let it.” “Barrel’s got a hole in the bottom, buddy, everything leaks out no matter how much you pour in.” She was silent a moment then she whispered, “Right.” She turned to the door and his hand gripped his bourbon so hard he had to focus everything on loosening his grip or the glass would shatter. Before she opened it, she turned back. “You don’t know, Cal, you have no idea. You’ve shut yourself up for so long in this fucking house with your tragic memories, you have no idea what’s about to walk out your door. Kate, Keira and me, we could have plugged that hole. We could have filled you so full, you’d be bursting. We would have loved that chance. We’d have given it everything we had, no matter the time that slid by, graduations, weddings, grandbabies, you’d have been a part of us and we’d have given everything we had to keep you so full, you’d be bursting.” Cal didn’t reply. “Joe,” she whispered, “you let me walk out this door, you’ll lose your chance.” Cal didn’t move. Vi waited. Cal stayed seated.
Kristen Ashley (At Peace (The 'Burg, #2))
He said he wants variety. The irony is that I wanted variety too. But I wanted variety in a solid, stable committed relationship where I would wake up each morning asking “What are we going to do today?” not asking “Who are you going to do today?
Aimee Lane
Love should have no alternatives; love should be the sole reason for loving; love should spring of itself.
Nick Joaquín (Reportage on Lovers: A Medley of Factual Romances, Happy or Tragical, Most of Which Made News)
but he can’t seem to look away as he stands among chrysanthemums and daisies on a cobblestone path, the tragic musk of roses settled in the air, staring up at dimly lit windows, searching for a boy who barely exists.
Velvetoscar (Young & Beautiful)
There was something tragic in a friendship so colored by romance.
Oscar Wilde
Like a white knight in a station wagon, he drove out of her life.
Andrea Hurst (Always With You)
The truth is, today’s intense realities are just tomorrow’s memories.
Lili Naghdi (On Loving)
She was the most god damn beautiful thing I'd ever seen. A tragic beauty I couldn't stop staring at.
Iris Ann Hunter (Tragic Beauty (Beauty & The Darkness, #1))
He won't break me. He will never break me.
Iris Ann Hunter (Tragic Beauty (Beauty & The Darkness, #1))
There seemed to him to be something tragic in a friendship so coloured by romance.
Oscar Wilde (The Picture of Dorian Gray)
What a trajedy to be a martyr for love, yet we worship the characters anyways because they remind us of how we struggled.
Shannon L. Alder
We approach romance like a privileged form of suffering that makes us feel more alive—living dangerously, magnificently, and tragically.
David Schnarch (Passionate Marriage: Keeping Love and Intimacy Alive in Committed Relationships)
I fell in love when I was twenty-six. Love in my interpretation comes once in a lifetime.
Nick Joaquín (Reportage on Lovers: A Medley of Factual Romances, Happy or Tragical, Most of Which Made News)
His smile is beautiful. It's the kind of smile that can take away all nervousness and tension in a room, no matter how big. I have no choice but to smile back.
S. Elle Cameron (A Tragic Heart)
My name is Cassandra Temperance Steel, I said to the beautiful imaginary Death Angel, as if my name wasn’t already on her Santa Claus-like list of souls to collect that evening. Spare me.
Kayla Cunningham (Fated to Love You (Chasing the Comet Book 1))
And they lived happily ever after” is one of the most tragic sentences in literature. It is tragic because it tells a falsehood about life and has led countless generations of people to expect something from human existence which is not possible on this fragile, imperfect earth. The “happy ending” obsession of Western culture is both a romantic illusions and a psychological handicap. It can never be literally true that love and marriage are unblemished perfections, for any worthwhile life has its trials, its disappointments, and its burning heartaches. Yet who can compare the numbers of people who have unconsciously absorbed this “and they lived happily ever after” illusion in their childhood and have thereafter been disappointed when life has not come up to their expectations and who secretly suffer from the jealous conviction that other married people know a kind of bliss that is denied them..Life is not paradise. It is pain, hardship, and temptation shot through with radiant gleams of light, friendship and love.
Joshua Loth Liebman (Hope for Man: an optimistic philosophy and guide to self-fulfillment)
The next day, I’d be going home. Little did I know that, as I slept, the universe was already conspiring, like a table full of gossiping women, to help nudge me in the right direction to- ward my fate... or to my death.
Kayla Cunningham (Fated to Love You (Chasing the Comet Book 1))
I know I hurt you before. I know you're hurting now. But I'm still going to hurt you again.
Iris Ann Hunter (Tragic Beauty (Beauty & The Darkness, #1))
Not fair,” I whisper. “No, darlin’, I suppose it’s not fair. I never did play fair though, you know that. Especially when it comes to you.
Iris Ann Hunter (Tragic Beauty (Beauty & The Darkness, #1))
There seemed to be something tragic in a friendship so coloured by romance
Oscar Wilde (The Picture of Dorian Gray)
There seemed to him to be something tragic in a friendship so colored by romance.
Oscar Wilde (The Picture of Dorian Gray)
For there has never been a story nearly as tragic as the one of Frankenstein, except for that of Johnny Heart and his Francesca Valentine.
Rae Hachton (Frankie's Monster)
I once knew a beautiful young woman that didn't believe in forever. She became my forever.
Ben Mezrich (Sex on the Moon: The Amazing Story Behind the Most Audacious Heist in History)
Being in love with someone who doesn't love you back is a tragedy. A fantasy is having someone understand the real you and love you anyway.
Eric Lindstrom (A Tragic Kind of Wonderful)
When I was twelve, my sixth-grade English class went on a field trip to see Franco Zeffirelli’s film adaptation of Shakespeare’s Romeo and Juliet. From that moment forward I dreamed that someday I’d meet my own Juliet. I’d marry her and I would love her with the same passion and intensity as Romeo. The fact that their marriage lasted fewer than three days before they both were dead didn’t seem to affect my fantasy. Even if they had lived, I don’t think their relationship could have survived. Let’s face it, being that emotionally aflame, sexually charged, and transcendentally eloquent every single second can really start to grate on a person’s nerves. However, if I could find someone to love just a fraction of the way that Montague loved his Capulet, then marrying her would be worth it.
Annabelle Gurwitch (You Say Tomato, I Say Shut Up: A Love Story)
Life, with all its ups and downs, taught me priceless lessons. I learned that we all make our own private little worlds, just like children make the soap bubbles. With patience and practice and a model to follow, they manage to make their bubbles larger or more lasting. It’s much the same for we adults and the unique worlds we create for ourselves.
Lili Naghdi (On Loving)
Cassie, if you’d known back then that this is where our paths would lead us... that I would get sick... would you have still chosen to be with me?” Did he seriously not know the answer? How much I loved him? “Xuan, I do choose this path, every night, in my dreams. I cannot imagine my life any differently.
Kayla Cunningham (Fated to Love You (Chasing the Comet Book 1))
She strove for poised composure, despite feeling like a powerless pawn in a despicable game of human chess, played for the amusement of those who enjoyed tragic endings at the expense of someone else’s happiness—no—their very existence.
Collette Cameron (Highlander's Hope (Castle Brides, #2))
After a few brief simple moments, he found her neck, kissing the nape as if it were a peach, grazing her skin barely, causing her to moan out a small tiny little whimper. Before she could take another rbreath, his lips met hers in rapture, and suddenly, she was lost within the tragic abyss of falling beneath a lovebinding spell.
Keira D. Skye
She was murdered by rebels.' He took in her unconcealed look of shock. 'So there you go. Something for you to celebrate.' Magnus turned away from her, ready to find solace in his chambers, but the princess grabbed his arm to stop him. He sent a dark look at her over his shoulder. 'I would never celebrate death, no matter whose it is,' she said, her gaze filled with anger and something else. Something that looked vaguely like sympathy. 'Come now, I'm sure you wouldn't mourn any Damora.' 'I know very well what it's like to lose a parent in a tragic way.' 'Oh, yes, we have so much in common. Maybe we should get married.
Morgan Rhodes
The heart I once thought was whole, is becoming divided, and I no longer know how to hold it together." ~ Hannah
A.R. Wile (Tragically Broken)
I sometimes wonder if what I consider “romance” might be dying out—l’amour fou, crazy love, destructive passion, crippling jealousy, extreme and violent and tragic.
Edmund White (The Unpunished Vice: A Life of Reading)
Unfortunately, angels do not survive on the Earth... that’s a tragic verity.
Sahara Sanders (INDIGO DIARIES: A Series of Novels)
...my savior and my torment.
Iris Ann Hunter (Tragic Beauty (Beauty & The Darkness, #1))
Don’t laugh at the spinsters,…for often very tender, tragical romances are hidden away in the hearts that beat so quietly under the sober gowns,” Alcott pleads.
Margo Jefferson (Negroland: A Memoir)
It’s your bones against mine. The slight curve in your spine and it’s Sunday: I don’t have to think about suicide.
Charlotte Eriksson (He loved me some days. I'm sure he did: 99 essays on growth through loss)
He had shed his cloak, but still wore his crown. He looked like a king who'd lost his kingdom, tragic and beautiful.
Alisha Klapheke (Enchanting the Elven Mage (Kingdom of Lore, #1))
Maternal absence, in one form or another, is always found in the background of the incest romance. Womens literature on incest generally treats the theme of maternal absence tragically. Mens literature trivializes it or treats it comically. And clinical literature tends to treat it judgmentally.
Judith Lewis Herman (Father-Daughter Incest (with a new Afterword))
Love hurts. Think back over romance novels you’ve loved or the genre-defining books that drive our industry. The most unforgettable stories and characters spring from crushing opposition. What we remember about romance novels is the darkness that drives them. Three hundred pages of folks being happy together makes for a hefty sleeping pill, but three hundred pages of a couple finding a way to be happy in the face of impossible odds makes our hearts soar. In darkness, we are all alone. So don’t just make love, make anguish for your characters. As you structure a story, don’t satisfy your hero’s desires, thwart them. Make sure your solutions create new problems. Nurture your characters doubts and despair. Make them earn the happy ending they want, even better…make them deserve it. Delay and disappointment charge situations and validate character growth. Misery accompanies love. It’s no accident that many of the stories we think of as timeless romances in Western Literature are fiercely tragic: Romeo and Juliet, Tristan and Isolde, Cupid and Psyche… the pain in them drags us back again and again, hoping that this time we’ll find a way out of the dark. Only if you let your characters get lost will we get lost in them. And that, more than anything else, is what romance can and should do for its protagonists and its readers: lead us through the labyrinth, skirt the monstrous despair roaming its halls, and find our way into daylight.
Damon Suede
The image of the tragic artist who lays down his tools rather than fall short of his impeccable ideals holds no romance for me. I don't see this path as heroic. I think it's far more honorable to stay in the game - even if you're objectively losing the game - than to excuse yourself from participation because of your delicate sensibilities. But in order to stay in the game, you must let go of your fantasy of perfection.
Elizabeth Gilbert (Big Magic: Creative Living Beyond Fear)
It's very tragic," Louisa said. "They had just moved to a new mansion in Bath with fifty-nine bedrooms. Unfortunately, the two of them got lost on their way to breakfast. Their servants didn't find them until it was too late - they had wasted away." "How awful," Beatrice said, leaning forward. "Do the inspectors suspect foul play?" "No birds were involved. The Croaksworths were simply terrible with directions," Louisa replied.
Julia Seales (A Most Agreeable Murder (Beatrice Steele, #1))
I know what you’re thinking, Princess, but don’t you remember what I told you? What I warned you about?” She shook her head. The edges of his lips turned up slightly, but the smile didn’t reach his eyes. Not by a long shot. He wasn’t ready for what was between them to end either. She sensed it. “All great romances end tragically,” he’d said.
Kait Ballenger (Wicked Cowboy Wolf (Seven Range Shifters, #3))
Ethanol plus carbon dioxide was like a demon spawn pounding against the frontal lobes of my head from the previous night at the bar. Somewhere in the city there was a church bell ringing, and—oh, not a bell. That was my phone. My head pounded and I felt dizzy, like I was spinning in circles on a Tilt-A-Whirl ride. Slowly, I opened an eye to try and find my cell phone. I groaned as I reached for the blue- and-silver-plated device on my nightstand. The spins from al- cohol sucked.
Kayla Cunningham (Fated to Love You (Chasing the Comet Book 1))
The alley is a pitch for about twenty women leaning in doorways, chain-smoking. In their shiny open raincoats, short skirts, cheap boots, and high-heeled shoes they watch the street with hooded eyes, like spies in a B movie. Some are young and pretty, and some are older, and some of them are very old, with facial expressions ranging from sullen to wry. Most of the commerce is centred on the slightly older women, as if the majority of the clients prefer experience and worldliness. The younger, prettier girls seem to do the least business, apparent innocence being only a minority preference, much as it is for the aging crones in the alley who seem as if they’ve been standing there for a thousand years. In the dingy foyer of the hotel is an old poster from La Comédie Française, sadly peeling from the all behind the desk. Cyrano de Bergerac, it proclaims, a play by Edmond Rostand. I will stand for a few moments to take in its fading gaiety. It is a laughing portrait of a man with an enormous nose and a plumed hat. He is a tragic clown whose misfortune is his honour. He is a man entrusted with a secret; an eloquent and dazzling wit who, having successfully wooed a beautiful woman on behalf of a friend cannot reveal himself as the true author when his friend dies. He is a man who loves but is not loved, and the woman he loves but cannot reach is called Roxanne. That night I will go to my room and write a song about a girl. I will call her Roxanne. I will conjure her unpaid from the street below the hotel and cloak her in the romance and the sadness of Rostand’s play, and her creation will change my life.
Sting (Broken Music: A Memoir)
Xuan’s movements were fluid and effortless, and I followed his lead with ease. The world around us faded away, and for a few precious moments, it was just the two of us, lost in the music in a peaceful quiet. I prayed that God would look down on us and see the beauty of our existence, and the trueness of our love. I prayed that He would decide to spare Xuan and leave us alone for many years. I prayed for a miracle.
Kayla Cunningham (Fated to Love You (Chasing the Comet Book 1))
When you love someone it feels like their blood runs through your veins, their breath fills your lungs, their heart makes yours beat, and without them everything stops.” “Fuck. That sounds tragic.” Tell me about it. “It is.” I bend to kiss him again, this time on the forehead. “But it’s worth it.
D.R. Graham (One Percenter (Noir et Bleu Motorcycle Club #1))
What is Destiny? Is it a doctrine formulated by aristocrats and philosophers arguing that there is some unseen driving force predicting the outcomes of every minuscule and life altering moment in one's life? Or is it the artistry illustrated by those under-qualifed and over-eager to give their future meaning and their ambitions hope? Is it a declaration by those who refuse to accept that we are alone in this universe, spinning randomly through a matrix of accidental coincidences? Or is it the assumptions made by those who concede that there is a divine plan or pre-ordained path for each human being,regardless of their current station? I think destiny is a bit of a tease.... It's syndical taunts and teases mock those naive enough to believe in its black jack dealing of inevitable futures. Its evolution from puppy dogs and ice cream to razor blades and broken mirrors characterizes the fickle nature of its sordid underbelly. Those relying on its decisive measures will fracture under its harsh rules. Those embracing the fact that life happens at a million miles a minute will flourish in its random grace. Destiny has afforded me the most magical memories and unbelievably tragic experiences that have molded and shaped my life into what it is today...beautiful. I fully accept the mirage that destiny promises and the reality it can produce. Without the invisible momentum carried with its sincere fabrication of coming attraction, destiny is the covenant we rely on to get ourselves through the day. To the destiny I know awaits me, I thank you in advance. Don't cry because it's over....smile because it happened.
Ivan Rusilko (Dessert (The Winemaker's Dinner, #3))
You know what else will get me off? Pushing you. Pushing you to your limits. Pushing until you can’t take anymore. You’ll beg me to stop. Hopefully even cry. And you know what I’ll do?” I swallow and shake my head. He leans in, brushing his lips against my ear, and whispers, “I’ll push you some more.
Iris Ann Hunter (Tragic Beauty (Beauty & The Darkness, #1))
All around me it’s black. So black I’m not sure I’ll ever be able to find my way back. I’m not sure I want to find my way back. That’s a devastating thought, knowing I’m drifting to that edge, knowing I’m flirting with that dark void that whispers to me from the other side. Taunting me with numbness. Calling to me with emptiness.
Iris Ann Hunter (Tragic Beauty (Beauty & The Darkness, #1))
Christopher,” I whisper, though the words donnt feel liie mine. They belong to someone else. Someone else is experiencing this horror. It cannt be me. But it is.
Jes Drew (Targets (Castaways #3))
It feels like I'm falling. Falling down some bottomless pit. All I'm missing is the wind at my back.
Iris Ann Hunter (Tragic Beauty (Beauty & The Darkness, #1))
I wasn't prepared for you, Ava.
Iris Ann Hunter (Tragic Beauty (Beauty & The Darkness, #1))
I thought I'd already gone down about as deep as a soul could go--down into that black abyss called hell--but I was wrong. There's more to go.
Iris Ann Hunter (Tragic Beauty (Beauty & The Darkness, #1))
I swear, Ava, from then on, you were like this madness inside my head, I never could get past. I knew then, you would be mine. You would always be mine.
Iris Ann Hunter (Tragic Beauty (Beauty & The Darkness, #1))
Yay, science.
Nicola Yoon (The Sun Is Also a Star)
For the first time in years, I have vivid dreams, vivid enough to count the stars and the number of ripples in the sea.
Brittany Weekley (The Secret Life of Thomas Commons)
It seldom is, at first, and thirty seems the end of all things to five-and-twenty. But it's not as bad as it looks, and one can get on quite happily if one has something in one's self to fall back upon. At twenty-five, girls begin to talk about being old maids, but secretly resolve that they never will be. At thirty they say nothing about it, but quietly accept the fact, and if sensible, console themselves by remembering that they have twenty more useful, happy years, in which they may be learning to grow old gracefully. Don't laugh at the spinsters, dear girls, for often very tender, tragic romances are hidden away in the hearts that beat so quietly under the sober gowns, and many silent sacrifices of youth, health, ambition, love itself, make the faded faces beautiful in God's sight. Even the sad, sour sisters should be kindly dealt with, because they have missed the sweetest part of life, if for no other reason. And looking at them with compassion, not contempt, girls in their bloom should remember that they too may miss the blossom time. That rosy cheeks don't last forever, that silver threads will come in the bonnie brown hair, and
Louisa May Alcott (Little Women (Illustrated))
Unfortunately, angels do not survive on the Earth... that’s a tragic verity… Pure souls need more perfect world: the one, where their kindness wouldn’t be seen as weakness; where their brightness wouldn’t trigger so much envy; where their sincerity and open heart wouldn’t be considered as an invitation to push them down and take advantage of them. You need to learn how to protect yourself.
Sahara Sanders (Gods’ Food (Indigo Diaries, #1))
We continued dancing as a swift gale wheeled through the hills of Santa Cruz. Xuan leaned down to whisper into my ear, his lips lightly brushing the helix. “Once upon a time there was a boy, and he loved a girl very much. He was sad because he didn’t think the girl noticed him. Until one day the uni- verse intervened and a beautiful comet brought them together after a tragic accident occurred that day. The boy and the girl found comfort and friendship in each other that night. And something new and extraordinary began to blossom under the heavens, something that would burn with such bright- ness that all the stars would be in awe. And the boy fell madly in love with the girl and promised to always find her, in this life and the next.” “That’s my favorite story.” Xuan smiled. “It’s the best one I’ve ever told, Ms. Steel.
Kayla Cunningham (Fated to Love You (Chasing the Comet Book 1))
Alright, Ava,” he says, his voice so soft now it’s almost a whisper. “Here’s what’s going to happen. You like it when it hurts? Well, I’m going to hurt you, baby. I’m going to hurt you in ways you can’t imagine.
Iris Ann Hunter (Tragic Beauty (Beauty & The Darkness, #1))
For a moment she believed he had left, but as she shifted away from the wall she sensed him there beside the bed. He was very close. Wretched curiosity! But she would fight it and not look. “Katherine,” he whispered, his breath rolling in a warm wave across her cheek. A traitor tear spilled out, the humiliation was too much to contain. Gently, a finger dabbed the wetness from her skin. He said it again, softly, as though it pleased him just to say it, “Katherine.” “Viktor!” the accented voice bellowed from below. And then the shadow was gone. Darkness overwhelmed her then and carried her away to a land of crows and mocking strangers.
Gwenn Wright
Destruction is tragic and piteous and beautiful. The dream of destroying, building anew, perfecting. Perhaps, even, once one has destroyed, the day of perfecting may never come, but in the passion of love, I must destroy.
Osamu Dazai (The Setting Sun)
They had no idea who I really was.” He leans in close again. “But you knew, didn’t you, Ava? You’ve always known. Maybe that’s why I’ve always been so drawn to you. Always wanted to get inside you, because you’ve always been inside me.
Iris Ann Hunter (Tragic Beauty (Beauty & The Darkness, #1))
He was aware that younger lads and even more tragically, some older lads, felt that the height of modern romance was sending a picture of your tackle to a lady, but he found the idea horrific. Bar anything else, he’d never considered that to be an attractive bit of kit. It looked like something you’d find in a butcher’s bin. If that made the top five list of your best features, then you needed to take a night class or learn to juggle or something, because you were not much of a catch.
Caimh McDonnell (Bloody Christmas (Dublin Trilogy publication order, #4.5; Dublin Trilogy chronological order, #6.5))
I reach out slowly and run my fingertips along the dark line of his jaw. “I don’t need you to be gentle. I can’t afford gentle.” It’s the truth. It may seem strange, but I know what my future holds. It won’t be gentle. It will be anything but gentle.
Iris Ann Hunter (Tragic Beauty (Beauty & The Darkness, #1))
Different from all other essences in the world the smell of primroses has a sweetness that is faint and tremulous, and yet possesses a sort of tragic intensity. There exists in this flower, its soft petals, its cool, crinkled leaves, its pinkish stalk that breaks at a touch, something which seems able to pour its whole self into the scent it flings on the air. Other flowers have petals that are fragrant. The primrose has something more than that. The primrose throws its very life into this essence of itself which travels upon the air.
John Cowper Powys (A Glastonbury Romance)
One night. One messed-up, beautiful night is all we had together, and yet I feel like I’ve been with him every night since then. Because in many ways, I have. He’s been in my thoughts, my dreams, my memories, like a dark knight who never ever left my side, even when I left his.
Iris Ann Hunter (Tragic Beauty (Beauty & The Darkness, #1))
He’s close now. So close, I can hear his quick breaths, hear the twigs breaking beneath his feet as he hunts me down. The moonlight pulses overhead, peeking here and there though the canopy of trees. Quick, quick, quick, my legs carry me but I know my freedom’s coming to an end.
Iris Ann Hunter (Tragic Beauty (Beauty & The Darkness, #1))
I said, somewhat confused, “What’s the problem?” [Kristy] rolled her eyes. Beside her, Monica said, “Donneven.” “Kristy.” Delia shook her head. “This isn’t the time or the place, okay?” “The time or the place for what?” Caroline asked. “There is never,” Kristy said adamantly, “a time or place for true love. It happens accidentally, in a heartbeat, in a single flashing, throbbing moment.” “Throbbing?” my mother said, leaning forward and looking at me. “Who’s throbbing?” “Macy and Wes,” Kristy told her. “We are not,” I said indignantly. “Kristy,” Delia said helplessly. “Please God I’m begging you, not now.” “Wait a second, wait a second.” Caroline held her hands up. “Kristy. Explain.” “Yes, Kristy,” my mother said, but she was looking at me. Not really mad as much as confused. Join the club, I thought. “Explain.” Bert said, “This ought to be good.” Kristy ignored him, tucking a piece of hair behind her ear. “Wes wants to be with Macy. And Macy, whether she’ll admit it or not, wants to be with Wes. And yet they’re not together, which is not only unjust, but really, when you think about it, tragical.” “That’s not a word,” Bert pointed out. “It is now,” she said. “How else can you explain a situation where Wes, a truly extraordinary boy, would be sent packing in favor of some brainiac loser…” “Why,” I said, feeling embarrassed, “do we have to keep talking about this?” “Because it’s tragical!” Kristy said….”I’ll tell you what it is. It’s wrong. You should be with Wes, Macy. The whole time you guys were hanging out, talking about how you were both with other people, it was so obvious to everyone. It was even obvious to Wes. You were the only one who couldn’t see it, just like you can’t see it now.” “Mmm-hmm,” Monica said aloud.
Sarah Dessen (The Truth About Forever)
I walk into the moonlit room and hear the click of the door behind me. A heartbeat later his presence is at my back. He stands there, hovering, the only contact the heat that simmers off his body onto mine. Then I feel it—a fingertip, or perhaps the back of his finger, moving slowly up and down my spine.
Iris Ann Hunter (Tragic Beauty (Beauty & The Darkness, #1))
Cold and confused, I moaned in pain as my ears continued to ring and my eyes began to darken. There was so much blood. Shadows lurked nearby—as if Death herself were stalking me. A Reaper—a farmer of souls, loitered in the back seat, waiting to take me. I could feel her presence as she waited to harvest.
Kayla Cunningham
Cassie, you need to understand that he only agreed to undergo treatment because of you. He made this choice solely for you, and no one else. Despite being aware of the limited time he has left and the financial burden the treatment will impose on his family, he chose to stay by your side.” I knew, had known the moment he’d agree to undergo the treatment. I hated myself for being the cause of his pain. He continued to push. “Xuan is doing the cancer therapy stuff even though he didn’t want to. He loves you that much. And because you asked him to do this, he is. And one day, because of love, you will stand by Xuan until the end and you’ll have to watch him die. And because he loved you, you will eventually have to let him go, because that’s what he would want.
Kayla Cunningham (Fated to Love You (Chasing the Comet Book 1))
Are you talking about me?" Danny looked up from the pastry board, suspicion written clearly across his face. "Just bemoaning your tragic heterosexuality," Win sighed, swinging his knives down on the prep station. "Oh," Danny said, blinking. "Well. Sorry about that, but there's not much I can do about it." Win waved that away. "No big. I'm not that into workplace romance, myself.
Louisa Edwards (Too Hot To Touch (Rising Star Chef, #1; Recipe for Love, #4))
Romance is fiction.” He punctuated this statement by taking a bite of steak, and then chewing. “But it’s—it’s—” Interesting? Well researched? Engaging? Well written? All of the above. “Not what you expected?” he supplied, smirking around his bite. “What did you expect?” Shrugging, I lifted a small rectangle of lasagna on my fork and blew at the steam. “I guess something brainless.” I didn’t add that I followed The New York Times Book Review and they’d had more than their fair share of articles calling the romance genre “fluffy.” If you couldn’t trust The New York Times Book Review, who could you trust? “Why? Because it’s about love and has a happy ending? And only stories of unhappiness with tragic endings are important? Because a struggle that leads to something good isn’t worthwhile?
Penny Reid (Motion (Laws of Physics, #1; Hypothesis, #2.1))
I couldn’t help but scream. Xuan reached for my hand and grabbed it tightly. “Cassie, look at me. It’ll be okay. I promise you, we’ll make it through this. Together.” I nodded. “Together,” I repeated with a shaky voice. I remember the water. I remember screaming as the vehicle ricocheted forward, then down again, and the guardrail gave way, sending the vehicle toward the edge. Then the metal gave out and we were falling.
Kayla Cunningham
would place beside her in my mind’s eye the young competent woman, proud, courageous, and generous, I’d known as a child. I was living with a tragic deterioration brought about because there was now no creative expression for this woman’s talents. Lacking a power for good, she sought power through manipulating her children. The mind that once was engaged in reading every major writer of the day now settled for cheap romances, murder mysteries, and a comfortable fuzz of tranquilizers and brandy at the end of the day. No one had directly willed her decline. It was the outcome of many impersonal forces, which had combined to emphasize her vulnerabilities. The medical fashion of the day decreed that troubled middle-aged women be given tranquilizers and sedatives. She, once a rebel, had acquiesced in settling down to live the life of an affluent woman.
Jill Ker Conway (The Road from Coorain (Vintage Departures))
I have lived recklessly, gambled my income away at the horse races, gone whoring, have been more drunk than sober, beaten men to a pulp with my hands, have had a man’s nose cut off for insulting my father and have been indebted to villains more times than I care to say. But, I do not want to live like this anymore. I want a quiet life with a good woman who will care and love me – not for being the Duke of Monmouth, but for me, Jemmy.
Andrea Zuvich (His Last Mistress)
As a Cambion, balance is paramount. Never lose control, never allow emotions to run wild, and never, ever forget who you are and what lives within you. Such discipline requires a sound mind, a thick skin, and a high tolerance for all things weird, because one wrong move and it’s over. No matter how tempting it is at first, in the end, there’s nothing more tragic, more excruciating than losing yourself. Well, except maybe high school.
S.A.M.
Listen carefully and you’ll hear that word enough everywhere, especially when it comes to the anxiety, loneliness, exhaustion, and division that plague our moment to such tragic proportions. You’ll hear about people scrambling to be successful enough, happy enough, thin enough, wealthy enough, influential enough, desired enough, charitable enough, woke enough, good enough. We believe instinctively that, were we to reach some benchmark in our minds, then value, vindication, and love would be ours—that if we got enough, we would be enough.
David Zahl (Seculosity: How Career, Parenting, Technology, Food, Politics, and Romance Became Our New Religion and What to Do about It)
I take it you do not agree with your countrymen’s religious practices.’ ‘Oh no,’ said Hippothous. ‘I am not Cilician by birth. Mine has been a long and tragic path. I was born in Perinthus, the noble city close by Byzantium. My father was on the Boule. When I was young, I fell desperately in love. Hyperanthes was nearly my age. Stripped for wrestling in the gymnasium, he was like a god. And his eyes – no sidelong glances or fearsome looks, no trace of villainy or dissembling.’ As they ate, Hippothous told them a tale of love, lust, subterfuge, murder, flight, shipwreck, loss and exile – a tale worthy of a Greek romance. ‘Probably from a fucking Greek romance,’ muttered Calgacus.
Harry Sidebottom (Lion of the Sun (Warrior of Rome, #3))
My ex-boyfriend was dramatic, adventurous, and selfish. At one time I thought I’d do anything to make him happy. I thought I might even love him, but I’d never told him that. He had me under his spell. That was before I found him sleeping with someone else. The three-year enchantment was broken after that. The magic lifted. Finding my boyfriend and a high school friend in bed together was horrific. Made me feel like I wasn’t good enough for him, and it took me a while to realize that wasn’t true. The aftermath of our breakup left me feeling utterly defeated, and my self-confidence plummeted to unimaginable depths—perhaps as low as the wreckage of a sunken ship or the depths of the Mariana Trench, which is known to be the deepest point in the ocean. It was that bad.
Kayla Cunningham
There was however one real romance in his [J. Gresham Machen's] life, though unhappily it was not destined to blossom into marriage. One would never have learned of it from the files of his personal letters since it seems that he did not trust himself to write on the subject, extraordinary though that may seem when one considers how fully he confided in his mother. He did tell his brother Arthur about it, and in a conference concerning the projected biography in March, 1944, the elder brother told me that the story to be complete would have to include a reference to Gresham's one love affair. He identified the lady by name, as a resident of Boston, and as "intelligent, beautiful, exquisite." He further stated that apparently they were utterly devoted to each other for a time, but that the devotion never developed into an engagement to be married because she was a Unitarian. Miss S., as she may be designated, made a real effort to believe, but could not bring her mind and heart to the point where she could share his faith. On the other hand, as Arthur Machen hardly needed to add, Gresham Machen could not possibly think of uniting his life with one who could not come to basic agreement with him with regard to the Christian faith. . . . Machen had been advising her with respect to study of the Bible. He must have counseled her to read the Gospels through consecutively. He had a copy of his course of Bible study prepared for the Board of Christian education especially bound for her. He sent her copies of his books as they appeared. He had copies of Dr. Erdman's little commentaries and other books sent to her. On her part she indicated an interest in these things, but evidently it was stimulated more by the desire to please Machen than by an earnest agitation of spirit. At any rate her mind was set awhirl as she read some of the books and she was forced to come to the conclusion that, judged by his views as set forth for example in Christianity and Liberalism, published in 1923, if she was a Christian at all, she was a pretty feeble one. How tragic an ending to Machen's one real romance or approach to it! It does serve to underscore once again, however, how utterly devoted he was to his Lord. He could be counted upon in the public and conspicuous arenas of conflict but also in the utterly private relations of life to be true to his dearly-bought convictions.
Ned B. Stonehouse
Who that cares much to know the history of man, and how that mysterious mixture behaves under the varying experiments of Time, has not dwelt, at least briefly, on the life of Saint Theresa, has not smiled with some gentleness at the thought of the little girl walking forth one morning hand-in-hand with her still smaller brother, to go and seek martyrdom in the country of the Moors? Out they toddled from rugged Avila, wide-eyed and helpless-looking as two fawns, but with distinctively human hearts, already beating to a national idea; until domestic reality met them in the shape of uncles, and turned them back from their great resolve. That child-pilgrimage was a fit beginning. Theresa’s passionate, ideal nature demanded an epic life: what were many-volumed romances of chivalry and the social conquests of a brilliant girl to her? Her flame quickly burned up that light fuel, and, fed from within, soared after some illimitable satisfaction, some object which would never justify weariness, which would reconcile self-despair with the rapturous consciousness of life beyond self. She found her epos in the reform of a religious order. That Spanish woman who lived three hundred years ago, was certainly not the last of her kind. Many Theresas have been born who found for themselves no epic life wherein there was a constant unfolding of far-resonant action; perhaps only a life of mistakes, the offspring of a certain spiritual grandeur ill-matched with the meanness of opportunity; perhaps a tragic failure which found no sacred poet and sank unwept into oblivion. With dim lights and tangled circumstance they tried to shape their thought and deed in noble agreement; but after all, to common eyes their struggles seemed mere inconsistency and formlessness; for these later-born Theresas were helped by no coherent social faith and order which could perform the function of knowledge for the ardently willing soul. Their ardour alternated between a vague ideal and the common yearning of womanhood; so that the one was disapproved as extravagance, and the other condemned as a lapse.
George Eliot (George Eliot: The Complete Works)