Tractor Farming Quotes

We've searched our database for all the quotes and captions related to Tractor Farming. Here they are! All 59 of them:

You ask me about tragic accidents? If I am on my tractor at my farm and it rolls over on me and kills me, that's a tragic accident. If I die in a race car, that's life. I died doing what I love.
Dale Earnhardt Jr.
With tractors, you just don’t get the feel of tilling that land. So when planting season comes around, I use a hoe. To grow one useful whore, that’s the motto of my pimp farm.
M.C. Humphreys
But in my mind tractors are like penises. They cannot be too big.
Jeremy Clarkson (Diddly Squat: A Year on the Farm)
Percy!” Tyson yelled. He charged toward me with his arms open. Fortunately he’d shrunk back to normal size, so his hug was like getting hit by a tractor, not the entire farm.
Rick Riordan (The Last Olympian (Percy Jackson and the Olympians, #5))
Unless society came out past Flat Rock Crossroads, kept on past Booker T. High School, hung two rights, a left, turned in on Milk Farm Road and found Roland plowing a tobacco field, jerked him off the tractor, warped him and set him back up there without anybody riding by and noticing, blame can't be laid on society.
Kaye Gibbons (A Virtuous Woman)
I'm sure you do know how to pick guys back on the farm, but this is a whole different world. You can't just grunt and bend some guy over your tractor.
Maris Black (Pinned (SSU Boys, #1))
The tractors came over the roads and into the fields, great crawlers moving like insects, having the incredible strength of insects … Snub-nosed monsters, raising the dust and sticking their snouts into it, straight down the country, across the country, through fences, through dooryards, in and out of gullies in straight lines. They did not run on the ground, but on their own roadbeds. They ignored hills and gulches, water courses, fences, houses. That man sitting in the iron seat did not look like a man; gloved, goggled, rubber dust mask over nose and mouth, he was a part of the monster, a robot in the seat … The driver could not control it – straight across country it went, cutting through a dozen farms and straight back. A twitch at the controls could swerve the ‘cat, but the driver’s hands could not twitch because the monster that built the tractor, the monster that sent the tractor out, had somehow gotten into the driver’s hands, into his brain and muscle, had goggled him and muzzled him – goggled his mind, muzzled his speech, goggled his perception, muzzled his protest. He could not see the land as it was, he could not smell the land as it smelled; his feet did not stamp the clods or feel the warmth and power of the earth. He sat in an iron seat and stepped on iron pedals. He could not cheer or beat or curse or encourage the extension of his power, and because of this he could not cheer or whip or curse or encourage himself. He did not know or own or trust or beseech the land. If a seed dropped did not germinate, it was no skin off his ass. If the young thrusting plant withered in drought or drowned in a flood of rain, it was no more to the driver than to the tractor. He loved the land no more than the bank loved the land. He could admire the tractor – its machined surfaces, its surge of power, the roar of its detonating cylinders; but it was not his tractor. Behind the tractor rolled the shining disks, cutting the earth with blades – not plowing but surgery … The driver sat in his iron seat and he was proud of the straight lines he did not will, proud of the tractor he did not own or love, proud of the power he could not control. And when that crop grew, and was harvested, no man had crumbled a hot clod in his fingers and let the earth sift past his fingertips. No man had touched the seed, or lusted for the growth. Men ate what they had not raised, had no connection with the bread. The land bore under iron, and under iron gradually died; for it was not loved or hated, it had no prayers or curses.
John Steinbeck (The Grapes of Wrath)
The beer got him, and, for a moment, a rush of idiot compassion urged him to hug a pinch-faced man in brown overalls who sat on a stool surrounded by primitive paintings of Jesus engaged in various farm chores (milking a cow, driving a tractor, killing a hog), but the desire to comfort the untalented, the misguided, left Wally before he could act.
Ellen Datlow (Lovecraft Unbound)
The tractor’s arrival had signaled, among other things, agriculture’s shift from an almost exclusive dependence on free solar energy to a total dependence on costly fossil fuel.
Wendell Berry (Bringing it to the Table: Writings on Farming and Food)
A snapshot of these forces pushing in the same direction may be found in an advertisement for tractors in a 1921 issue of the magazine Successful Farming entitled “Keep the Boy in School”: The
Steven Pinker (Enlightenment Now: The Case for Reason, Science, Humanism, and Progress)
But I was here then, and I don’t see it now, and that’s why I did it. I did it for them back there under them trees. I did it ’cause that tractor is getting closer and closer to that graveyard, and I was scared if I didn’t do it, one day that tractor was go’n come in there and plow up them graves, getting rid of all proof that we ever was. Like now they trying to get rid of all proof that black people ever farmed this land with plows and mules—like if they had nothing from the starten but motor machines. Sure, one day they will get rid of the proof that we ever was, but they ain’t go’n do it while I’m still here. Mama and Papa worked too hard in these fields. They mama and they papa worked too hard in these same fields. They mama and they papa people worked too hard, too hard to have that tractor just come in that graveyard and destroy all proof that they ever was. I’m the last one left. I had to see that the graves stayed for a little while longer. But I just didn’t do it for my own people. I did it for every last one back there under them trees. And I did it for every four-o’clock, every rosebush, every palm-of-Christian ever growed on this place.
Ernest J. Gaines (A Gathering of Old Men)
I envied the sons their life in the country. I wasn’t even jealous of how at home they were in the fields and woods and barns; of how they could do so many things I couldn’t, drive tractors, take apart and fix motors, pluck eggs from under a hen, shove their way into a stall with a stubborn horse pushing back: I just marveled at it all, and wanted it. They and the boys who lived on farms near them were also so enviably at ease in their bodies: what back in the city would be taken as a slouch of disinterest, here was an expression of physical grace. No need to be tense when everything so readily submitted to your efficiently minimal gestures: hoisting bales of hay into a loft, priming a recalcitrant pump … Something else there was as well, something more elusive: perhaps that they lived so much of the time in a world of wild, poignant odors—mown grass, the redolent pines, even the tang of manure and horse-piss-soaked hay. Just the thought of those sensory elations inflicted me with a feeling I still have to exert myself to repress that I was squandering my time, wasting what I knew already were irretrievable clutches of years, now hecatombs of years, trapped in my trivial, stifling life.
C.K. Williams (All at Once: Prose Poems)
There are distinct health benefits to choosing farm fresh eggs over store bought too. The fresh eggs have as much as a third less of the bad cholesterol than store bought. They are lower in saturated fats and had more vitamin A and E and contained more beta carotene and omega-3 fatty acids.
Mel Jeffreys (A Beginners Guide to Keeping Backyard Chickens - Breeds Guide, Chicken Tractors & Coops, Hatching & Raising Chicks Plus More...)
These days, there are so few pure country people left on the concession roads that we may be in need of a new category of membership, much as sons and daughters of veterans are now allowed to join the Legion. A few simple questions could be asked, a small fee paid and (assuming that the answers are correct) you could be granted the status of an "almost local." Here are some of the questions you might be asked: Do you have just one suit for weddings and funerals? Do you save plastic buckets? Do you leave your car doors unlocked at all times? Do you have an inside dog and an outside dog? Has your outside dog never been to town? When you pass a neighbour in the car, do you wave from the elbow or do you merely raise one finger from the steering wheel? Do you have trouble keeping the car or truck going in a straight line because you are looking at crops or livestock? Do you sometimes find yourself sitting in the car in the middle of a dirt road chatting with a neighbour out the window while other cars take the ditch to get around you? Can you tell whose tractor is going by without looking out the window? Can people recognize you from three hundred yards away by the way you walk or the tilt of your hat? If somebody honks their horn at you, do you automatically smile and wave? Do most of your conversations open with some observation about the weather? Is your most important news source the store in the village? Have you had surgery in the local hospital? If you hear about a death or a fire in the community, does the woman in your house immediately start making sandwiches or a cake? Do you sometimes find yourself referring to a farm in the neighbourhood by the name of someone who owned it more than twenty-five years ago? If you answered yes to all of the above questions, consider it official: you are a local.
Dan Needles (True Confessions from the Ninth Concession)
The next day came bright, sunny and beautiful – a real hay-making day. I started chopping. I went about a hundred yards, and then my hay head quit working. Was I surprised and disappointed! Here I had this large amount of hay down, and I barely get started, and my hay head quits working. Well, I got off the tractor
Tom Heck (Life on the Family Farm: Under an Open Heaven (Free eBook Sampler))
we do have a war, this farm by itself could take care of a lot of people in this area if we lose electricity. I would start plantin’ wheat in the field that I don’t use now, but the government would throw a fit, so I can’t do that without bein’ heavily fined. Back in our shed, we still have old-fashioned plows, and even a couple of very old International tractors that run on steam, so we could do it, if the need arises,
Cliff Ball (Times of Trouble: Christian End Times Novel (The End Times Saga Book 2))
Chang said, “You OK?” Reacher said, “Top of the world. Except my head still hurts.” “No reaction?” “To what?” She pointed at the screen. “All that.” “My ears are still ringing a bit.” “That’s not what I mean.” “I leave people alone if they leave me alone. Their risk, not mine.” “You’re not upset?” “Are you?” “What was the machine you saw at the farm at midnight?” “It was a dot in the distance. It had a light bar. Like a bull bar, but above the cab. Four rectangular lights, very bright. Could have been a jacked-up pick-up truck. More likely a tractor. It was working hard. I could see exhaust smoke in the lights.” “Could it have been a backhoe?” “Why?” “That was the day Keever disappeared.” Reacher said, “It could have been a backhoe.
Lee Child (Make Me (Jack Reacher, #20))
The land was our legacy. Most of my father’s generation spent a good part of their lives building levees just to keep the high water off us so we could farm. Most of the farm houses we lived in were raised up on stilts. My dad started me on the tractor that spring. I’d been riding with him for years, and now I got to drive it. We started in April, turned the fields over with the breaking plow, and then got on top of it again with a disk. Some years, if your soil demanded it, you went back and disked it over again into fine-tilled soil. Just before planting, you’d work the ground with a section harrow, a flat, metal-toothed rake that furrowed the ground, smoothed it, and broke up any clods of dirt. Clouds of birds whirled overhead and around the tractor, searching for worms and insects in the freshly plowed earth. Eventually you’d have big fields of fine delta soil in rows about four inches high.
Levon Helm (This Wheel's on Fire: Levon Helm and the Story of the Band)
History Eraser I got drunk and fell asleep atop the sheets but luckily i left the heater on. And in my dreams i wrote the best song that i've ever written...can't remember how it goes. I stayed drunk and fell awake and i was cycling on a plane and far away i heard you say you liked me. We drifted to a party -- cool. The people went to arty school. They made their paints by mixing acid wash and lemonade In my brain I re-arrange the letters on the page to spell your name I found an ezra pound and made a bet that if i found a cigarette i'd drop it all and marry you. Just then a song comes on: "you can't always get what you want" -- the rolling stones, oh woe is we, the irony! The stones became the moss and once all inhibitions lost, the hipsters made a mission to the farm. We drove by tractor there, the yellow straw replaced our hair, we laced the dairy river with the cream of sweet vermouth. In my brain I re-arrange the letters on the page to spell your name You said "we only live once" so we touched a little tongue, and instantly i wanted to... I lost my train of thought and jumped aboard the Epping as the doors were slowly closing on the world. I touched on and off and rubbed my arm up against yours and still the inspector inspected me. The lady in the roof was living proof that nothing really ever is exactly as it seems. In my brain I re-arrange the letters on the page to spell your name We caught the river boat downstream and ended up beside a team of angry footballers. I fed the ducks some krill then we were sucked against our will into the welcome doors of the casino. We drank green margaritas, danced with sweet senoritas, and we all went home as winners of a kind. You said "i guarantee we'll have more fun, drink till the moon becomes the sun, and in the taxi home i'll sing you a triffids song!" In my brain I re-arrange the letters on the page to spell your name
Courtney Barnett
Marlboro Man was out of town, on a trip to the southern part of the state, looking at farm ground, the night I began conceiving of the best way to arrange the reception menu. I was splayed on my bed in sweats, staring at the ceiling, when suddenly I gave birth to The Idea: one area of the country club would be filled with gold bamboo chairs, architecturally arranged orchids and roses, and antique lace table linens. Violins would serenade the guests as they feasted on cold tenderloin and sipped champagne. Martha Stewart would be present in spirit and declare, “This is my daughter, whom I love. In her I am well pleased.” Martha’s third cousin Mabel would prefer the ballroom on the other end of the club, however, which would be the scene of an authentic chuck wagon spread: barbecue, biscuits and gravy, fried chicken, Coors Light. Blue-checkered tablecloths would adorn the picnic tables, a country band would play “All My Exes Live in Texas,” and wildflowers would fill pewter jugs throughout the room. I smiled, imagining the fun. In one fell swoop, our two worlds--Marlboro Man’s country and my country club--would collide, combine, and unite in a huge, harmonious feast, one that would officially usher in my permanent departure from city life, cappuccino, and size 6 clothes.
Ree Drummond (The Pioneer Woman: Black Heels to Tractor Wheels)
The man sitting in the iron seat did not look like a man; gloved, goggled, rubber dust mask over nose and mouth, he was part of the monster, a robot in the seat. The thunder of the cylinders sounded through the country, became one with the air and the earth, so that earth and air muttered in sympathetic vibration. The driver could not control it–straight across country it went, cutting through a dozen farms and straight back. A twitch at the controls could swerve the cat’, but the driver’s hands could not twitch because the monster that built the tractor, the monster that sent that tractor out, had somehow got into the driver’s hands, into his brain and muscle, had goggled him and muzzled him–goggled his mind, muzzled his speech, goggled his perception, muzzled his protest. He could not see the land as it was, he could not smell the power of the earth. He sat in an iron seat and stepped on iron pedals. He could not cheer or beat or curse or encourage the extension of his power, and because of this he could not cheer or whip or curse or encourage himself. He did now know or own or trust or beseech the land. If a seed dropped did not germinate, it was no skin off his ass. If the young thrusting plant withered in drought or drowned in a flood of rain, it was no more to the driver than to the tractor. He loved the land no more than the bank loved the land. He could admire the tractor–its machined surfaces, its surge of power, the roar of its detonating cylinders; but it was not his tractor. Behind the tractor rolled the shining disks, cutting the earth with its blades–not plowing but surgery, pushing the cut earth to the right where the second row of disks cut it and pushed it to the left; slicing blades shining, polished by the cut earth. And behind the disks, the harrows combing with iron teeth so that the little clods broke up and the earth lay smooth. Behind the harrows, the long seeders–twelve curved iron penes erected in the foundry, orgasms set by gear, raping methodically, raping without passion. The driver sat in his iron seat and he was proud of the straight lines he did not will, proud of the tractor he did not own or love, proud of the power he could not control. And when that crop grew, and was harvested, no man had crumbled a hot clod in his fingers and let the earth sift past his fingertips. No man had touched the seed, or lusted for the growth. Men ate what they had not raised, and had no connection to the bread. The land bore under iron, and under iron gradually died; for it was not love or hated, it had no prayers or curses.
John Steinbeck (Grapes of Wrath, The)
The children crowded about the women in the houses. What we going to do Ma? Where we going to go? The women said, We don’t know, yet. Go out and play. But don’t go near your father. He might whale you if you go near him. And the women went on with the work, but all the time they watched the men squatting in the dust–perplexed and figuring. The tractors came over the roads and into the fields, great crawlers moving like insects, having the incredible strength of insects. They crawled over the ground, laying the track and rolling on it and picking it up. Diesel tractors, puttering while they stood idle; they thundered when they moved, and then settled down to a droning roar. Snub-nosed monsters, raising the dust and sticking their snouts into it, straight down the country, across the country, through fences, through dooryards, in and out of gullies in straight lines. They did not run on the ground, but on their own roadbeds. They ignored hills and gulches, water courses, fences, houses. The man sitting in the iron seat did not look like a man; gloved, goggled, rubber dust mask over nose and mouth, he was part of the monster, a robot in the seat. The thunder of the cylinders sounded through the country, became one with the air and the earth, so that earth and air muttered in sympathetic vibration. The driver could not control it–straight across country it went, cutting through a dozen farms and straight back. A twitch at the controls could swerve the cat’, but the driver’s hands could not twitch because the monster that built the tractor, the monster that sent that tractor out, had somehow got into the driver’s hands, into his brain and muscle, had goggled him and muzzled him–goggled his mind, muzzled his speech, goggled his perception, muzzled his protest. He could not see the land as it was, he could not smell the power of the earth. He sat in an iron seat and stepped on iron pedals. He could not cheer or beat or curse or encourage the extension of his power, and because of this he could not cheer or whip or curse or encourage himself. He did now know or own or trust or beseech the land. If a seed dropped did not germinate, it was no skin off his ass. If the young thrusting plant withered in drought or drowned in a flood of rain, it was no more to the driver than to the tractor. He loved the land no more than the bank loved the land. He could admire the tractor–its machined surfaces, its surge of power, the roar of its detonating cylinders; but it was not his tractor. Behind the tractor rolled the shining disks, cutting the earth with its blades–not plowing but surgery, pushing the cut earth to the right where the second row of disks cut it and pushed it to the left; slicing blades shining, polished by the cut earth. And behind the disks, the harrows combing with iron teeth so that the little clods broke up and the earth lay smooth. Behind the harrows, the long seeders–twelve curved iron penes erected in the foundry, orgasms set by gear, raping methodically, raping without passion. The driver sat in his iron seat and he was proud of the straight lines he did not will, proud of the tractor he did not own or love, proud of the power he could not control. And when that crop grew, and was harvested, no man had crumbled a hot clod in his fingers and let the earth sift past his fingertips. No man had touched the seed, or lusted for the growth. Men ate what they had not raised, and had no connection to the bread. The land bore under iron, and under iron gradually died; for it was not love or hated, it had no prayers or curses.
John Steinbeck (The Grapes of Wrath)
The children crowded about the women in the houses. What we going to do Ma? Where we going to go? The women said, We don’t know, yet. Go out and play. But don’t go near your father. He might whale you if you go near him. And the women went on with the work, but all the time they watched the men squatting in the dust–perplexed and figuring. ... The tractors came over the roads and into the fields, great crawlers moving like insects, having the incredible strength of insects. They crawled over the ground, laying the track and rolling on it and picking it up. Diesel tractors, puttering while they stood idle; they thundered when they moved, and then settled down to a droning roar. Snub-nosed monsters, raising the dust and sticking their snouts into it, straight down the country, across the country, through fences, through dooryards, in and out of gullies in straight lines. They did not run on the ground, but on their own roadbeds. They ignored hills and gulches, water courses, fences, houses. The man sitting in the iron seat did not look like a man; gloved, goggled, rubber dust mask over nose and mouth, he was part of the monster, a robot in the seat. The thunder of the cylinders sounded through the country, became one with the air and the earth, so that earth and air muttered in sympathetic vibration. The driver could not control it–straight across country it went, cutting through a dozen farms and straight back. A twitch at the controls could swerve the cat’, but the driver’s hands could not twitch because the monster that built the tractor, the monster that sent that tractor out, had somehow got into the driver’s hands, into his brain and muscle, had goggled him and muzzled him–goggled his mind, muzzled his speech, goggled his perception, muzzled his protest. He could not see the land as it was, he could not smell the power of the earth. He sat in an iron seat and stepped on iron pedals. He could not cheer or beat or curse or encourage the extension of his power, and because of this he could not cheer or whip or curse or encourage himself. He did now know or own or trust or beseech the land. If a seed dropped did not germinate, it was no skin off his ass. If the young thrusting plant withered in drought or drowned in a flood of rain, it was no more to the driver than to the tractor. He loved the land no more than the bank loved the land. He could admire the tractor–its machined surfaces, its surge of power, the roar of its detonating cylinders; but it was not his tractor. Behind the tractor rolled the shining disks, cutting the earth with its blades–not plowing but surgery, pushing the cut earth to the right where the second row of disks cut it and pushed it to the left; slicing blades shining, polished by the cut earth. And behind the disks, the harrows combing with iron teeth so that the little clods broke up and the earth lay smooth. Behind the harrows, the long seeders–twelve curved iron penes erected in the foundry, orgasms set by gear, raping methodically, raping without passion. The driver sat in his iron seat and he was proud of the straight lines he did not will, proud of the tractor he did not own or love, proud of the power he could not control. And when that crop grew, and was harvested, no man had crumbled a hot clod in his fingers and let the earth sift past his fingertips. No man had touched the seed, or lusted for the growth. Men ate what they had not raised, and had no connection to the bread. The land bore under iron, and under iron gradually died; for it was not love or hated, it had no prayers or curses.
John Steinbeck (The Grapes of Wrath)
It was autumn in Bear Country, and the sights and the sounds of the season were all around. The leaves on the trees were turning orange, red, and gold. There was a nip in the air, and the sky was a brilliant blue. Flocks of geese flew overhead honking their way south for the winter. Out in his cornfield, Farmer Ben was up on his big red tractor harvesting his crop. Papa, Brother, and Sister Bear waved to him as they drove up the long drive to the farm. Papa was delivering some new furniture for Mrs. Ben. It was a fine new kitchen table and chairs. Ben climbed down from his tractor and went to meet them at the farmhouse. Papa and the cubs unloaded the table and chairs and carried them inside. Mrs. Ben was pleased.
Jan Berenstain (The Berenstain Bears Give Thanks)
They killed farming a year or so later. And they killed it by putting cabs on tractors. No longer was the farmer alive to the elements, or even close to the earth.
John Lewis-Stempel (Meadowland: The Private Life of an English Field)
This was a media beat-up at its very worst. All those officials reacting to what the media labeled “The Baby Bob Incident” failed to understand the Irwin family. This is what we did--teach our children about wildlife, from a very early age. It wasn’t unnatural and it wasn’t a stunt. It was, on the contrary, an old and valued family tradition, and one that I embraced wholeheartedly. It was who we were. To have the press fasten on the practice as irresponsible made us feel that our very ability as parents was being attacked. It didn’t make any sense. This is why Steve never publicly apologized. For him to say “I’m sorry” would mean that he was sorry that Bob and Lyn raised him the way they did, and that was simply impossible. The best he could do was to sincerely apologize if he had worried anyone. The reality was that he would have been remiss as a parent if he didn’t teach his kids how to coexist with wildlife. After all, his kids didn’t just have busy roads and hot stoves to contend with. They literally had to learn how to live with crocodiles and venomous snakes in their backyard. Through it all, the plight of the Tibetan nuns was completely and totally ignored. The world media had not a word to spare about a dry well that hundreds of people depended on. For months, any time Steve encountered the press, Tibetan nuns were about the furthest thing from the reporter’s mind. The questions would always be the same: “Hey, Stevo, what about the Baby Bob Incident?” “If I could relive Friday, mate, I’d go surfing,” Steve said on a hugely publicized national television appearance in the United States. “I can’t go back to Friday, but you know what, mate? Don’t think for one second I would ever endanger my children, mate, because they’re the most important thing in my life, just like I was with my mum and dad.” Steve and I struggled to get back to a point where we felt normal again. Sponsors spoke about terminating contracts. Members of our own documentary crew sought to distance themselves from us, and our relationship with Discovery was on shaky ground. But gradually we were able to tune out the static and hear what people were saying. Not the press, but the people. We read the e-mails that had been pouring in, as well as faxes, letters, and phone messages. Real people helped to get us back on track. Their kids were growing up with them on cattle ranches and could already drive tractors, or lived on horse farms and helped handle skittish stallions. Other children were learning to be gymnasts, a sport which was physically rigorous and held out the chance of injury. The parents had sent us messages of support. “Don’t feel bad, Steve,” wrote one eleven-year-old from Sydney. “It’s not the wildlife that’s dangerous.” A mother wrote us, “I have a new little baby, and if you want to take him in on the croc show it is okay with me.” So many parents employed the same phrase: “I’d trust my kids with Steve any day.
Terri Irwin (Steve & Me)
Italy’s climate is well suited to growing a variety of crops. However, in such a mountainous country, flat and fertile land is in short supply. Wheat is the main cereal crop and is grown in the lowlands of central and northern Italy. Sugar beet, potatoes, and maize also are cultivated, and some rice is grown in the Po valley. The majority of Italy’s farms are small, averaging only 17 acres in size. Each farm is usually run by one family. Tractors and other farm machinery have become more common in the past 20 years, and bullock carts are now rarely seen. Since the 1950s the government has paid for ways to improve farmland by irrigating dry areas and draining swampy ones. Despite these problems, Italy is the world’s leading producer of both olive oil and wine. More than half the farms in the country grow at least some grapes, and each region has its own special wine. Fishing ports are dotted all around Italy’s long coastline. There are still some small, family-owned fishing boats. But the fishing industry is becoming more mechanized, with fleets of large boats.
Marilyn Tolhurst (Italy (People & Places))
I had become a shell of a person--no more human than the stainless steel milk machines in dairy farms in Wisconsin, and half as interesting. Any identity I’d previously had as a wife, daughter, friend, or productive member of the human race had melted away the second my ducts filled with milk.
Ree Drummond (The Pioneer Woman: Black Heels to Tractor Wheels)
My milk had burst onto the scene with a vengeance, and eating became the baby’s new vocation. The next two weeks of her life marked the end of my life as I knew it; I was up all night, a hag all day, and Marlboro Man was completely on his own. I wanted nothing to do with anyone on earth, my husband included. “How are you doing today?” he’d ask. I’d resent that I had to expand the energy to answer. “Want me to hold the baby while you get up and get dressed?” he’d offer. I’d crumble that he didn’t like my robe. “Hey, Mama--wanna take the baby for a drive?” Not no, but hell no. We’ll die if we leave our cocoon. The rays from the sun will fry us and turn us to ashes. And I’d have to put on normal clothes. Forget it. I’d kicked into survival mode in the most literal sense of the word--not only was laundry out of the question, but so was dinner, casual conversation, or any social interaction at all. I had become a shell of a person--no more human than the stainless steel milk machines in dairy farms in Wisconsin, and half as interesting. Any identity I’d previously had as a wife, daughter, friend, or productive member of the human race had melted away the second my ducts filled with milk. My mom dropped by to help once or twice, but I couldn’t emotionally process her presence. I hid in my room with the door shut as she did the dishes and washed laundry without help or input from me. Marlboro Man’s mom came to help, too, but I couldn’t be myself around her and holed up in my room. I didn’t even care enough to pray for help. Not that it would have helped; stainless steel milk machines have no soul.
Ree Drummond (The Pioneer Woman: Black Heels to Tractor Wheels)
I would like to build a world where ‘detractors’ are more often the things that we see in farm fields preparing to grow food than those things that are dedicated to destroying lives.
Craig D. Lounsbrough
It had been a couple of days since the girls had snuck out to the lake, and since then she’d been working harder. Not for Walter or for Darlington Orchard, but because of Birdie. She could see her through the trees, talking to a pair of workers by the house, looking unsure of herself as usual, her big eyes thoughtful. Murphy ruminated that she might be the first really nice person Murphy had ever met and actually liked. It was something about the way she was so sweet but so rugged when it came to the farm stuff---knowing all about the farm and the animals, like with the sleeping bird the other night. Yesterday she’d driven by in a rusted-out red tractor, spraying the trees. She was sweet. But she wasn’t soft. Murphy could respect that. And she had the uneasy feeling that she didn’t want to let her down.
Jodi Lynn Anderson (Peaches (Peaches, #1))
Josie's favorite spot on the farm was the big red hip roof barn. Eighty years old, it greeted Josie each morning with its broad red face. Its nose the hayloft door, its eyes the widely spaced upper windows, and its mouth the entry large enough to drive a truck through. The barn smelled of sun-warmed sweet hay and tractor oil. It smelled of dust motes and goats. Josie filled the wooden feed bunks that ran down the center of the barn with feed. Josie filled a small bucket with pellets while Becky ran from corner to corner, searching for the mama cat and her kittens. They were squirreled away somewhere, nowhere to be found. Josie and Becky walked back outside to where the barn opened up into a fenced area where the thirty-odd goats spent the day. When they heard the bucket bumping against her leg, the goats came running on their spindly legs. Josie and Becky reached into the bucket for the pellets and slid their hands through the fence, their palms laid flat. Becky laughed at their black caterpillar-shaped eyes and humanlike bellows.
Heather Gudenkauf (The Overnight Guest)
pyramid searches,” an idea pioneered by MIT’s Eric von Hippel and others. To conduct a pyramid search, begin by identifying people who are well-informed about the topic you’re interested in and asking them who in their field has even more expertise than they do—in other words, who is at the top of the subject-area “pyramid.” Often those at the peak are the kinds of highly curious, knowledgeable people who can refer you to experts in analogous fields. Then work your way to the top of the next knowledge pyramid and so on, ultimately assembling a panel of insightful people from diverse fields. Poetz and colleagues used the pyramid method to find analogous expertise for a forklift maker that needed a better way to mount and unmount forklifts from trucks. They brainstormed starting points, identifying a logistics-firm owner who was a heavy user of truck-mounted forklifts. That led them to a maker of machinery-mounting systems for farm tractors and eventually to someone in the entertainment-events industry with extensive experience quickly mounting stage equipment at concert venues. It turned out that the concert expert’s insights were directly applicable to the forklift problem and provided an innovative solution.
Anonymous
They grew some of their own vegetables, but Semple was never in eighteen years allowed out into the truck gardens. Instead, he watched out the north window of the violent ward through the thick cyclone mesh and felt himself out there, going down the rows of corn, cutting suckers or tugging up the dark-leafed weeds, feeling the strain low in his back and hearing the dry rustle of stalks in the July wind; the sun reddening his neck and rills of sweat cutting lines through the dust on his cheeks; bent over, his hands green stained and sore, blistered and cut from the weeds and the sharp-edged corn plant leaves; feet hot and swollen in state-issue shoes cracked and dirty; but smelling it, the corn, the dirt, the hand-mashed weeds, the sticky white milk gumming and clotting his fingers; the smell on cloudy days when everything was heavy with the expectancy of rain and sullen with the summer heat, the smell denser then, making him straighten up, his nose high, waiting for it, for something, a man in silhouette against the background of corn, like all the other men in cornfields and gardens and on farms, even the men in cities between the buildings on crowded streets lifting their noses to the heavy clouds and feeling the expectancy of the rain, waiting for the first thick drops to sound against the corn, to strike his face. And then the gallop home through sheets of rain, ducking into doorways, newspapers over heads, laughter coming up out of the heart at this common happening, and men together, in doorways, cafeterias, kitchens, barns, tractor sheds, or even in the lee of haystacks, looking at each other happily with wet red faces because it was raining hard. Loving it and feeling joy from such a thing. He stood at the window and made it happen, even under a blue sky. And would, early in his eighteen years, turn front eh window expressing how he felt in snapping wild-eyed growls and grunts, his hands jerking out of control and his legs falling out from under him, thrashing between the beds, bumping along the floors, his contorted face frightening the other madmen into shrieks and fits and dribbles; happy, so happy inside that it all burst in one white hot uncontrollable surge; the two white-coated attendants coming with their stockings full of powdered soap rolled into fists to club him without marking him, knocking him into enough submission that they could drag him twitching still across the open floor and out to the restraining sheets.
Don Carpenter (Blade of Light)
They grew some of their own vegetables, but Semple was never in eighteen years allowed out into the truck gardens. Instead, he watched out the north window of the violent ward through the thick cyclone mesh and felt himself out there, going down the rows of corn, cutting suckers or tugging up the dark-leafed weeds, feeling the strain low in his back and hearing the dry rustle of stalks in the July wind; the sun reddening his neck and rills of sweat cutting lines through the dust on his cheeks; bent over, his hands green stained and sore, blistered and cut from the weeds and the sharp-edged corn plant leaves; feet hot and swollen in state-issue shoes cracked and dirty; but smelling it, the corn, the dirt, the hand-mashed weeds, the sticky white milk gumming and clotting his fingers; the smell on cloudy days when everything was heavy with the expectancy of rain and sullen with the summer heat, the smell denser then, making him straighten up, his nose high, waiting for it, for something, a man in silhouette against the background of corn, like all the other men in cornfields and gardens and on farms, even the men in cities between the buildings on crowded streets lifting their noses to the heavy clouds and feeling the expectancy of the rain, waiting for the first thick drops to sound against the corn, to strike his face. And then the gallop home through sheets of rain, ducking into doorways, newspapers over heads, laughter coming up out of the heart at this common happening, and men together, in doorways, cafeterias, kitchens, barns, tractor sheds, or even in the lee of haystacks, looking at each other happily with wet red faces because it was raining hard. Loving it and feeling joy from such a thing. He stood at the window and made it happen, even under a blue sky. And would, early in his eighteen years, turn from the window expressing how he felt in snapping wild-eyed growls and grunts, his hands jerking out of control and his legs falling out from under him, thrashing between the beds, bumping along the floors, his contorted face frightening the other madmen into shrieks and fits and dribbles; happy, so happy inside that it all burst in one white hot uncontrollable surge; the two white-coated attendants coming with their stockings full of powdered soap rolled into fists to club him without marking him, knocking him into enough submission that they could drag him twitching still across the open floor and out to the restraining sheets.
Don Carpenter (Blade of Light)
It’s difficult to imagine that Artificial Intelligence will take the place of people but many believe that it’s only a short time before computers will outthink us. They already can beat our best chess players and have been able to out calculate us since calculators first came onto the scene. IBM’s Watson is on the cutting edge of Cognitive Computers, being used to out think our physicians but closer to home, for the greatest part; our cars are no longer assembled by people but rather robots. Our automobiles can be considered among our first robots, since they took the place of horses. Just after the turn of the last century when the population in the United States crossed the 100 M mark the number of horses came to 20M. Now we have a population of 325 M but only 9 M horses. You might ask what happened. Well back in 1915 there were 2.4 M cars but this jumped to 3.6 M in just one year. Although horses still out-numbered cars the handwriting was on the wall! You might think that this doesn’t apply to us but why not? The number of robots increase, taking the place of first our workers on the assembly line and then workers in the food industry and this takes us from tractors and combines on the farms to the cooking and serving hamburgers at your favorite burger joint. People are becoming redundant! That’s right we are becoming superfluous! Worldwide only 7 out of 100 people have college degrees and here in the United States only 40% of our working population possesses a sheep skin, although mine is printed on ordinary paper. With education becoming ever more expensive, we as a population are becoming ever more uneducated. A growing problem is that as computers and robots become smarter, as they are, we are no longer needed to be anything more than a consumer and where will the money come from for that? I recently read that this death spiral will run its course within 40 years! Nice statistics that we’re looking at…. Looking at the bright side of things you can now buy an atomically correct, life sized doll, as perhaps a robotic non-complaining, companion for under $120. In time these robotic beings will be able to talk back but hopefully there will be an off switch. As interesting as this sounds it will most likely not be for everyone, however it may appeal to some of our less capable, not to have to actually interface with real live people. The fact is that most people will soon outlive their usefulness! We as a society are being challenged and there will soon be little reason for our being. When machines make machines that can out think us; when we become dumb and superfluous, then what? Are we ready for this transition? It’s scary but If nothing else, it’s something to think about….
Hank Bracker
The answer is complicated, as I would learn, but it has something to do with the perverse economics of agriculture, which would seem to defy the classical laws of supply and demand; a little to do with the psychology of farmers; and everything to do with farm policies, which underwent a revolution right around the time George Naylor was buying his first tractor.
Michael Pollan (The Omnivore's Dilemma: A Natural History of Four Meals)
The year 1890 marked the first time a majority of Americans did not work on farms, and the trend was accelerating sharply by 1910 as tractors powered by steam or internal combustion engines replaced slow and inefficient work animals.
Ray Kurzweil (The Singularity Is Nearer: When We Merge with AI)
Life's Just a Day Sunrise over fields, golden waves of grain, Tractor trails and morning dew, simple and plain. Life's just a day, on this old family farm, Where the rooster's crow, is our wake-up alarm. Yeah, shit happens, out here in the sticks, But we patch it up, with our country tricks. Oh-oh, life's just a day, it's a wild, wild ride, Shit happens, yeah, but we take it in stride. We love, we lose, but we still find our way, Oh-oh, life's just a day, and we're okay. Oh-oh, life's just a day, and we're okay. Barn dances at night, under a silver moon, Harvests that come, none too soon. Needed you more, but you gave me less, Now I'm sowing seeds, of newfound happiness. Yeah, shit happens, even when you plow straight, But we learn to bend, before it's too late. Oh-oh, life's just a day, it's a wild, wild ride, Shit happens, yeah, but we take it in stride. We love, we lose, but we still find our way, Oh-oh, life's just a day, and we're okay. Oh-oh, life's just a day, and we're okay. Through the dust and the dirt, we find our way, With the strength of the earth, we build our day. And when the sun sets, painting the sky, We'll remember the day, with a satisfied sigh. Oh-oh, life's just a day, it's a wild, wild ride, Shit happens, yeah, but we take it in stride. We love, we lose, but we still find our way, Oh-oh, life's just a day, and we're okay. Oh-oh, life's just a day, and we're okay. Life is but a day, and it's fleeting, they say, But in every furrow, there's a chance to sway. To the rhythm of the land, to the heartbeat of life, Through the good and the bad, the peace and the strife.
James Hilton-Cowboy
When you add together the natural gas in the fertilizer to the fossil fuels it takes to make the pesticides, drive the tractors, and harvest, dry, and transport the corn, you find that every bushel of industrial corn requires the equivalent of between a quarter and a third of a gallon of oil to grow it—or around fifty gallons of oil per acre of corn. (Some estimates are much higher.) Put another way, it takes more than a calorie of fossil fuel energy to produce a calorie of food; before the advent of chemical fertilizer the Naylor farm produced more than two calories of food energy for every calorie of energy invested. From the standpoint of industrial efficiency, it’s too bad we can’t simply drink the petroleum directly.
Michael Pollan (The Omnivore's Dilemma: A Natural History of Four Meals)
Warlow beckoned Rhys out of the car. ‘We’re getting a tour of the farm.’ ‘What?’ ‘It’s fine. It’ll pass the time. Stay quiet and follow my lead. And try not to look as if the world is about to end.’ For the first time since leaving the Incident Room, Rhys smiled. ‘I always fancied driving a tractor. Ever since I was a kid.’ ‘If you play your cards right, maybe Mr Prosser will let you ride a pony, or even pet one of the lambs.’ ‘Really?’ ‘No, not really. How old are you? This isn’t a day out at the bloody petting zoo.
Rhys Dylan (Suffer the Dead (DCI Evan Warlow #4))
Aren’t fears of disappearing jobs something that people claim periodically, like with both the agricultural and industrial revolution, and it’s always wrong?” It’s true that agriculture went from 40 percent of the workforce in 1900 to 2 percent in 2017 and we nonetheless managed to both grow more food and create many wondrous new jobs during that time. It’s also true that service-sector jobs multiplied in many unforeseen ways and absorbed most of the workforce after the Industrial Revolution. People sounded the alarm of automation destroying jobs in the 19th century—the Luddites destroying textile mills in England being the most famous—as well as in the 1920s and the 1960s, and they’ve always been wildly off the mark. Betting against new jobs has been completely ill-founded at every point in the past. So why is this time different? Essentially, the technology in question is more diverse and being implemented more broadly over a larger number of economic sectors at a faster pace than during any previous time. The advent of big farms, tractors, factories, assembly lines, and personal computers, while each a very big deal for the labor market, were orders of magnitude less revolutionary than advancements like artificial intelligence, machine learning, self-driving vehicles, advanced robotics, smartphones, drones, 3D printing, virtual and augmented reality, the Internet of things, genomics, digital currencies, and nanotechnology. These changes affect a multitude of industries that each employ millions of people. The speed, breadth, impact, and nature of the changes are considerably more dramatic than anything that has come before.
Andrew Yang (The War on Normal People: The Truth About America's Disappearing Jobs and Why Universal Basic Income Is Our Future)
Fortunately he’d shrunk back to normal size, so his hug was like getting hit by a tractor, not the entire farm.
Rick Riordan (The Last Olympian (Percy Jackson and the Olympians, #5))
But you can’t start. Only a baby can start. You and me—why, we’re all that’s been. The anger of a moment, the thousand pictures, that’s us. This land, this red land, is us; and the flood years and the dust years and the drought years are us. We can’t start again. The bitterness we sold to the junk man—he got it all right, but we have it still. And when the owner men told us to go, that’s us; and when the tractor hit the house, that’s us until we’re dead. To California or any place—every one a drum major leading a parade of hurts, marching with our bitterness. And some day— the armies of bitterness will all be going the same way. And they’ll all walk together, and there’ll be a dead terror from it. The tenant men scuffed home to the farms through the red dust.
John Steinbeck (The Grapes of Wrath)
Down on the farm, we're busy, busy, busy! We're chopping, churning, planting, and harvesting. And what's working at every step of the way? Our tractor!
Sally Sutton (Tractor)
She took me to the pasture and let me milk a mammoth brown cow. She taught me how to drive a tractor. We rode horses through the woods. We smoked weed on the roof and pointed out clouds that looked like penises. We fed tiny chunks of raw chicken to her brother’s Venus flytrap. We fucked each other with fresh-picked ears of corn. We built a fire under a billion stars and told ghost stories. We took bets to see how many cigarette butts the rooster would eat. We let the goats hop on top of our backs and nibble our hair. We built an altar of stones, sticks and berries at the top of a hill, and when we hummed a family of deer came to us, licking our palms and nuzzling our cheeks. We bathed in streams and made bread from scratch. We pulled ticks and leeches off each other’s backs. We wrote rap songs about farm life and smoking meth. We stayed up a whole night watching movies about vampires and warlocks. We left clumps of hair, string and silver buttons for a family of crows. When it stormed for three days and we lost power, I rocked her gently in the dark and told her I loved her.
B.R. Yeager (Negative Space)
From the farmer who plants on one acre to the companies who produce on hundreds of hectares knows Massey Ferguson by their hearts, it has been people’s first tractor and from their first unit, which was manufactured to the last, one till today it has a lion’s share in the farming industry. They have plants all over the world through which they manufacture their models and cater to the local market according to the buying powe
Agro Asia Tractors
Levi Strauss & Co. invented the first blue jeans in 1873. They were built to withstand the daily rigor of construction, agricultural, and industrial work. As a youngster visiting my grandparents on the family dairy farm, I remember standing beside my grandfather fixing his tractor in his Levi's, and asking him if I could get a pair, He said, "Sure but jeans are meant for the fields and the barn." Over the years, Levi's played a role in making America and worked themselves into mainstream fashion. How times have changed.
Paul Pierroz (The Purpose-Driven Marketing Handbook: How to Discover Your Impact and Communicate Your Business Sustainability Story to Grow Sales, Retain Talent, and Attract Investors)
The country will starve, not next year, but this winter, unless a few of us act and act fast. There are no grain reserves left anywhere. With Nebraska gone, Oklahoma wrecked, North Dakota abandoned, Kansas barely subsisting—there isn’t going to be any wheat this winter, not for the city of New York nor for any Eastern city. Minnesota is our last granary. They’ve had two bad years in succession, but they have a bumper crop this fall—and they have to be able to harvest it. Have you had a chance to take a look at the condition of the farm-equipment industry? They’re not big enough, any of them, to keep a staff of efficient gangsters in Washington or to pay percentages to pull-peddlers. So they haven’t been getting many allocations of materials. Two-thirds of them have shut down and the rest are about to. And farms are perishing all over the country—for lack of tools. You should have seen those farmers in Minnesota. They’ve been spending more time fixing old tractors that can’t be fixed than plowing their fields. I don’t know how they managed to survive till last spring. I don’t know how they managed to plant their wheat. But they did. They did.” There was a look of intensity on his face, as if he were contemplating a rare, forgotten sight: a vision of men—and she knew what motive was still holding him to his job. “Dagny, they had to have tools for their harvest. I’ve been selling all the Metal I could steal out of my own mills to the manufacturers of farm equipment. On credit. They’ve been sending the equipment to Minnesota as fast as they could put it out. Selling it in the same way—illegally and on credit. But they will be paid, this fall, and so will I. Charity, hell! We’re helping producers—and what tenacious producers!—not lousy, mooching ‘consumers.’ We’re giving loans, not alms. We’re supporting ability, not need. I’ll be damned if I’ll stand by and let those men be destroyed while the pull-peddlers grow rich!” He
Ayn Rand (Atlas Shrugged)
The knurl-forming process, he says, “is the machining equivalent of magic.” The diamond pattern is produced by two knurling wheels that cut intersecting troughs in opposite directions. Each wheel is like a tractor plowing furrows in a farm field—when it moves to an adjacent strip of field, it needs to fall into the exact same groove in the area of overlap, or the tracking will be off. For that to happen on a knurling machine, the wheels have to match perfectly. A discrepancy of two-thousandths of an inch can create double-tracking, which compromises the grip value of the knurl. Knurling wheels sold as identical typically vary by five-thousandths of an inch.
J.C. Herz (Learning to Breathe Fire: The Rise of CrossFit and the Primal Future of Fitness)
The reason we haven’t conceived has nothing to do with me. I haven’t fallen pregnant because there are tractors on this farm with a higher sperm count than your son!
Phoebe MacLeod (Let's Not Be Friends)
The houses were left vacant on the land and the land was vacant because of this. Only the tractor sheds of corrugated iron, silver and gleaming were alive, and they were alive with metal and gasoline and oil, discs of the plows shining. The tractors had lights shining, for there is no day and night for a tractor, and the discs turn the earth in the darkness and they glitter in the daylight. And when a horse stops work and goes into the barn, there is a life and vitality left. There is a breathing and a warmth, and the feet shift on the straw, and the jaws champ on the hay, and the ears and the eyes are alive. There is a warmth of life in the barn and the heat and smell of life, but when the motor of a tractor stops it is as dead as the ore it came from. The heat goes out of it like the living heat that leaves a corpse. Then the corrugated iron doors are closed and the tractor man drives home to town, perhaps twenty miles away, and he need not come back for weeks or months, for the tractor is dead. And this is easy and efficient. So easy, that the wonder goes out of work. So efficient, that the wonder goes out of land, the working of it, and with the wonder, the deep understanding and the relation. And in the tractor man the grows the contempt that comes only to a stranger who has little understanding and no relation, for nitrates are not the land, nor phosphates, and the length of fiber in the cotton is not the land. Carbon is not a man, nor salt, water, nor calcium. He is all these, but he is much more, much more. And the land is so much more than its analysis. The man who is more than his chemistry walking on the earth, turning his plow point for a stone, dropping his handles to slide over an outcropping, kneeling in the earth to eat his lunch, that man who is more than his elements knows the land that is more than it's analysis. But the machine man, driving a dead tractor on land he does not know and love understands only chemistry, and he is contemptuous of the land and of himself. When the corrugated iron doors are shut he goes home, and his home is not the land.
John Steinbeck (The Grapes of Wrath)
Frederick Law Olmsted had found the same situation—houses at which there was “no other water-closet than the back of a bush or the broad prairies”—on his journey through the Hill Country in 1857. He had been shocked then, because the America he knew had advanced beyond such primitive conditions. Now it was 1937; four more generations had been living in the Hill Country—with no significant advance in the conditions of their life. Many of the people of Lyndon Johnson’s congressional district were still living in the same type of dwelling in which the area’s people had been living in 1857: in rude “dog-run” shelters one board thick, through which the wind howled in the winter. They were still squatting behind a bush to defecate. Because of their poverty, they were still utterly bereft not only of tractors and feed grinders, but of modern medical assistance—and were farming by methods centuries out of date.
Robert A. Caro (The Path to Power (The Years of Lyndon Johnson, Vol 1))
sixty-five-year-old peasant woman from a collective farm near Moscow was somehow denounced as a trotskistka (Trotskyist), a term she was so far from understanding that she confused it with traktoristka (tractor driver), and said to cellmates in prison, “They don’t put old women like me on tractors.” Having received a ten-year sentence for Trotskyist terrorism, she asked one cellmate, who happened to be Eugenia Ginzburg, “Are you one of those traktoristki too, dearie?” One
Robert C. Tucker (Stalin in Power: The Russian Revolution From Above, 1928-1941)
The photos hide everything: the twenties that do not roar for the Hoels. The Depression that costs them two hundred acres and sends half the family to Chicago. The radio shows that ruin two of Frank Jr.’s sons for farming. The Hoel death in the South Pacific and the two Hoel guilty survivals. The Deeres and Caterpillars parading through the tractor shed. The barn that burns to the ground one night to the screams of helpless animals. The dozens of joyous weddings, christenings, and graduations. The half dozen adulteries. The two divorces sad enough to silence songbirds. One son’s unsuccessful campaign for the state legislature. The lawsuit between cousins. The three surprise pregnancies. The protracted Hoel guerrilla war against the local pastor and half the Lutheran parish. The handiwork of heroin and Agent Orange that comes home with nephews from ’Nam. The hushed-up incest, the lingering alcoholism, a daughter’s elopement with the high school English teacher. The cancers (breast, colon, lung), the heart disease, the degloving of a worker’s fist in a grain auger, the car death of a cousin’s child on prom night. The countless tons of chemicals with names like Rage, Roundup, and Firestorm, the patented seeds engineered to produce sterile plants. The fiftieth wedding anniversary in Hawaii and its disastrous aftermath. The dispersal of retirees to Arizona and Texas. The generations of grudge, courage, forbearance, and surprise generosity: everything a human being might call the story happens outside his photos’ frame. Inside the frame, through hundreds of revolving seasons, there is only that solo tree, its fissured bark spiraling upward into early middle age, growing at the speed of wood.
Richard Powers (The Overstory)
It’s a well-known statistic that there are 800 burial sites around Chernobyl. He was expecting some sort of amazing engineering structures, but they were just ordinary pits. They were filled with trees from the ‘red forest’ that was cut down in a 150 hectare area around the reactor. In the first two days after the accident, pine trees turned red and then russet. There were thousands of tonnes of iron and steel, pipes, work clothes, concrete structures. He showed me an illustration from an English magazine, panoramic, from the air. Thousands of tractors, aircraft, fire engines and ambulances. The largest burial site was said to be next to the reactor. He wanted to photograph it now, ten years on, and had been promised a lot of money for the image. So there we were, being sent from one senior official to another. One said they needed a location from us, another that we needed a permit. We were just getting the run-around, until it dawned on me that this burial site did not exist. There no longer was a site in reality, only in reports. The machinery had long ago been looted and taken off to markets, to collective farms or people’s homes for spare parts. It was all gone. The Englishman could not understand that. He could not believe it. When I told him the truth, he simply could not believe it!
Svetlana Alexievich (Chernobyl Prayer: Voices from Chernobyl (Penguin Modern Classics))
Between 1978 and 1983, the entire basis of the agricultural economy was changed by the adoption of the “household responsibility system.” The origins of this shift lay in a village in Anhui province, where a group of farmers got together in secret and signed an agreement to dissolve their collective and divide up their farmland into individual plots. This innovation rapidly spread, and the province’s party secretary, Wan Li, realized he was facing a powerful popular revolt against an immiserating system. Rather than crush it, he decided to promote this land-to-the-tiller reform. The party secretary of Sichuan province, Zhao Ziyang, made a similar decision. At the national level, the December 1978 party plenum that launched the reform era raised agricultural prices and gave a blessing to rural collectives experimenting with different ways of management, but it still condemned private farming. By 1980, however, Zhao Ziyang had become premier and Wan Li was vice premier in charge of agriculture policy. Together they rammed through a national policy to disband the communes and return to family farming. By the end of 1982 virtually all agricultural collectives were gone, and family farmers had been assigned rights to cultivate individual plots of land. The effect on agricultural output and farm incomes was spectacular. By 1984 grain output was over 400 million tons, a third higher than it had been just six years before; production of oilseeds and cotton sustained annual growth rates of 15 percent; and meat production was growing by 10 percent a year. Rural per capita income more than doubled between 1979 and 1984. Per capita cash savings by rural families rose from essentially zero in 1979 to 300 renminbi (Rmb) by 1989. Rapid gains in agricultural output and incomes continued throughout the 1980s, as farmers continued to diversify their crops and apply new technologies that increased yields. Use of chemical fertilizer, which had risen gradually in the 1970s, tripled between 1978 and 1990. So did the use of farm machinery, notably pumps, small tractors, and food processing equipment.3
Arthur R. Kroeber (China's Economy: What Everyone Needs to Know)
Pennhurst is a city. Thirty-four buildings spread over two hundred acres. It’s got its own power plant. Its own farm. Its own police. Got its own railroad, houses, stockyards, clothing factory, farm animals, tractors, trucks, wagons, wards, everything. It’s bigger than all of Hemlock Row and Chicken Hill together. It looks right clean and pretty on the outside. But on the inside, well . . . that’s where the devil does his work.
James McBride (The Heaven & Earth Grocery Store)
Nicholas had read so many books in the last weeks, had learned so much about so many things, that he felt as though he were looking out through entirely new eyes. He recognized, for instance, the different styles of architecture in the buildings, and understood the workings of the tractors and farm equipment in the fields, and knew what sort of crops were being readied for harvest. In fact, Nicholas knew a great deal about almost everything that he saw, and he stared out the window as if spellbound. He felt as if he’d been given X-ray vision, or something rather like X-ray vision yet even greater, for he could see all the hidden details of everything. The effect was quite thrilling.
Trenton Lee Stewart (The Extraordinary Education of Nicholas Benedict (The Mysterious Benedict Society, #0))