Townsend Warner Quotes

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It is best as one grows older to strip oneself of possessions, to shed oneself downward like a tree, to be almost wholly earth before one dies.
Sylvia Townsend Warner (Lolly Willowes)
One doesn’t become a witch to run around being harmful, or to run around being helpful either, a district visitor on a broomstick. It’s to escape all that - to have a life of one’s own, not an existence doled out to by others.
Sylvia Townsend Warner (Lolly Willowes)
She was heavier than he expected - women always are.
Sylvia Townsend Warner (Kingdoms of Elfin)
Young people are careless of their virginity; one day they may have it and the next not.
Sylvia Townsend Warner (Kingdoms of Elfin)
One doesn’t become a witch to run around being helpful either…. It’s to escape all that – to have a life of one’s own, not an existence doled out to you by others, charitable refuse of their thoughts, so many ounces of stale bread of life a day.
Sylvia Townsend Warner (Lolly Willowes)
That’s why we become witches: to show our scorn of pretending life’s a safe business, to satisfy our passion for adventure. It’s not malice, or wickedness - well, perhaps it is wickedness, for most women love that - but certainly not malice, not wanting to plague cattle and make horrid children spout up pins and - what is it? - “blight the genial bed.
Sylvia Townsend Warner (Lolly Willowes)
She had thrown away twenty years of her life like a handful of old rags, but the wind had blown them back again, and dressed her in the old uniform.
Sylvia Townsend Warner (Lolly Willowes)
During the last few years of her life Mrs. Willowes grew continually more skilled in evading responsibilities, and her death seemed but the final perfected expression of this skill. It was as if she had said, yawning a delicate cat’s yawn, “I think I will go to my grave now,” and had left the room.
Sylvia Townsend Warner (Lolly Willowes)
Laura had brought her sensitive conscience into the country with her, just as she had brought her umbrella, though so far she had not remembered to use either.
Sylvia Townsend Warner (Lolly Willowes)
My blood ran with this ink...
Sylvia Townsend Warner
There is an amusing sense of superiority in seeing and remaining unseen.
Sylvia Townsend Warner (Lolly Willowes)
The night was at her disposal. She might walk back to Great Mop and arrive very late; or she might sleep out and not trouble to arrive till to-morrow. Whichever she did Mrs Leak would not mind. That was one of the advantages of dealing with witches; they do not mind if you are a little odd in your ways, frown if you are late for meals, fret if you are out all night, pry and commiserate when at length you return. Lovely to be with people who prefer their thoughts to yours, lovely to live at your own sweet will, lovely to sleep out all night!
Sylvia Townsend Warner (Lolly Willowes)
She could never feel love for him. Love was what she felt for birds—a free gift, unrequired, unrequited, invulnerable.
Sylvia Townsend Warner (Kingdoms of Elfin)
- Still reading, Miss St John? You read a lot, don't you? - It saves me from conversation.
Sylvia Townsend Warner (Winter in the Air)
Laura was not in any way religious. She was not even religious enough to speculate towards irreligion.
Sylvia Townsend Warner (Lolly Willowes)
Laura also thought that the law had done a great deal to spoil Henry. It had changed his natural sturdy stupidity into a browbeating indifference to other people's point of view. He seemed to consider himself briefed by his Creator to turn into ridicule the opinions of those who disagreed with him, and to attribute dishonesty, idiocy, or a base motive to every one who supported a better case than he.
Sylvia Townsend Warner (Lolly Willowes)
London life was very full and exciting [...] But in London there would be no greenhouse with a glossy tank, and no apple-room, and no potting-shed, earthy and warm, with bunches of poppy heads hanging from the ceiling, and sunflower seeds in a wooden box, and bulbs in thick paper bags, and hanks of tarred string, and lavender drying on a tea-tray.
Sylvia Townsend Warner (Lolly Willowes)
Wealth, if not a mere flash in the pan, compels the wealthy to become wealthier.
Sylvia Townsend Warner (Kingdoms of Elfin)
all her thoughts slid together again like a pack of hounds that have picked up the scent.
Sylvia Townsend Warner (Lolly Willowes)
At these times she was subject to a peculiar kind of day-dreaming, so vivid as to be almost a hallucination: that she was in the country, at dusk, and alone, and strangely at peace. She did not recall the places which she had visited in holiday-time, these reproached her like opportunities neglected. But while her body sat before the first fires and was cosy with Henry and Caroline, her mind walked by lonely seaboards, in marshes and fens, or came at nightfall to the edge of a wood.
Sylvia Townsend Warner (Lolly Willowes)
I've been very influenced by folklore, fairy tales, and folk ballads, so I love all the classic works based on these things -- like George Macdonald's 19th century fairy stories, the fairy poetry of W.B. Yeats, and Sylvia Townsend Warner's splendid book The Kingdoms of Elfin. (I think that particular book of hers wasn't published until the 1970s, not long before her death, but she was an English writer popular in the middle decades of the 20th century.) I'm also a big Pre-Raphaelite fan, so I love William Morris' early fantasy novels. Oh, and "Lud-in-the-Mist" by Hope Mirrlees (Neil Gaiman is a big fan of that one too), and I could go on and on but I won't!
Terri Windling
This new year was changing her whole conception of spring. She had thought of it as a denial of winter, a green spur that thrust through a tyrant's rusty armor. Now she saw it as something filial, gently unlacing the helm of the old warrior and comforting his rough cheek.
Sylvia Townsend Warner (Lolly Willowes)
The amusement she had drawn from their disapproval was a slavish remnant, a derisive dance on the north bank of the Ohio. There was no question of forgiving them. She had not, in any case, a forgiving nature; and the injury they had done her was not done by them. If she were to start forgiving she must needs forgive Society, the Law, the Church, the History of Europe, the Old Testament, great-great-aunt Salome and her prayer-book, the Bank of England, Prostitution, the Architect of Apsley Terrace, and half a dozen other useful props of civilization. All she could do was to go on forgetting them. But now she was able to forget them without flouting them by her forgetfulness.
Sylvia Townsend Warner (Lolly Willowes)
Watching these happy beings for whom weeping was impossible, he had become incapable of grief; watching their inconsistencies, he had become incapable of knowing right from wrong; disregarded by them he had become incapable of disappointment.
Sylvia Townsend Warner (Kingdoms of Elfin)
It is,” answered Laura with almost violent agreement. “If you are a were-wolf, and very likely you may be, for lots of people are without knowing, February, of all months, is the month when you are most likely to go out on a dark windy night and worry sheep.
Sylvia Townsend Warner (Lolly Willowes: or, The Loving Huntsman)
They had an assured income, nothing could disturb their calm.
Sylvia Townsend Warner (Lolly Willowes)
It may all sound very petty to complain about, but I tell you that sort of thing settles down on one like a fine dust.” -Warner, Lolly Willowes
Sylvia Townsend Warner
She felt that these clean-shaven men with bristling eyebrows were suavely concealing their doubts of her intelligence and her probity. Their jaws were like so many mouse-traps, baited with commonplaces.
Sylvia Townsend Warner (Lolly Willowes)
As for her own share in the matter, she felt no shame at all. It had pleased Satan to come to her aid. Considering carefully, she did not see who else would have done so. Custom, public opinion, law, church, and state - all would have shaken their massive heads against her plea, and sent her back to bondage.
Sylvia Townsend Warner (Lolly Willowes)
Sitting here, and thus, she had attained to a state which she could never have desired, not even conceived. And being so unforeseen, so alien to her character and upbringing, her felicity had an absolute perfection; no comparison between the desired and the actual could tear holes in it, no ambition whisper, But this is not quite what you wanted, is it?
Sylvia Townsend Warner (Summer Will Show)
So Laura is placed for us: mushrooms, crushed flowers, country matters. In London she will miss the greenhouse with its glossy tank, the appleroom, everything “earthy and warm.” Laura is an anomaly in the world of easy literary symbolism: she is a spinster, completely uninterested in men. Nevertheless she belongs irrevocably to the sources of life: to earth, seeds, bulbs.
Sylvia Townsend Warner (Lolly Willowes: or, The Loving Huntsman)
Was it for pleasure that you followed them Putting off your slippers at the door To dance barefoot and blood-foot in the snow? No. What then? What glamoured you? No glamour at all; Only that I remembered I was young And had to put myself into a song. How could time bear witness that I was tall, Silken, and made for love, if I did not so? I do not know. - Earl Cassilis's Lady
Sylvia Townsend Warner (Selected Poems)
She had forgotten Henry and the unpleasant things she meant to say to him. She had come to the edge of the wood, and felt its cool breath in her face. It did not matter about the donkey, nor the house, nor the darkening orchard even. If she were not to pick fruit from her own trees, there were common herbs and berries in plenty for her, growing wherever she chose to wander. It is best as one grows older to strip oneself of possessions, to shed oneself downward like a tree, to be almost wholly earth before one dies.
Sylvia Townsend Warner (Lolly Willowes)
Beside the china-cupboard and beneath Ratafee stood Emma’s harp, a green harp ornamented with gilt scrolls and acanthus leaves in the David manner. When Laura was little she would sometimes steal into the empty drawing-room and pluck the strings which remained unbroken. They answered with a melancholy and distracted voice, and Laura would pleasantly frighten herself with the thought of Emma’s ghost coming back to make music with cold fingers, stealing into the empty drawing-room as noiselessly as she had done. But Emma’s was a gentle ghost.
Sylvia Townsend Warner (Lolly Willowes)
...she had watched the wrong fields.... The weight of all her unhappy years seemed for a moment to weigh her bosom down to the earth; she trembled, understanding for the first time how miserable she had been; and in another moment she was released. It was all gone, it could never be again, and never had been. Tears of thankfulness ran down her face. With every breath she drew, the scent of the cowslips flowed in and absolved her.
Sylvia Townsend Warner (Lolly Willowes)
He used his intellect as he used his legs: to carry him somewhere else. He studied astrology, astronomy, botany, chemistry, numerology, fortification, divination, organ building, metallurgy, medicine, perspective, the kabbala, toxicology, philosophy, and jurisprudence. He kept his interest in anatomy and did a dissection whenever he could get hold of a body. He learned Arabic, Catalan, Polish, Icelandic, Basque, Hungarian, Romany, and demotic Greek.
Sylvia Townsend Warner (Kingdoms of Elfin)
As Laura stood waiting she felt a great longing. It weighed upon her like the load of ripened fruit upon a tree. She forgot the shop, the other customers, her own errand. She forgot the winter air outside, the people going by on the wet pavements. She forgot that she was in London, she forgot the whole of her London life. She seemed to be standing alone in a darkening orchard, her feet in the grass, her arms stretched up to the pattern of leaves and fruit, her fingers seeking the rounded ovals of the fruit among the pointed ovals of the leaves. The air about her was cool and moist. There was no sound, for the birds had left off singing and the owls had not yet begun to hoot. No sound, except sometimes the soft thud of a ripe plum falling into the grass, to lie there a compact shadow among shadows. The back of her neck ached a little with the strain of holding up her arms. Her fingers searched among the leaves.
Sylvia Townsend Warner (Lolly Willowes)
Her mind was groping after something that eluded her experience, a something that was shadowy and menacing, and yet in some way congenial; a something that lurked in waste places, that was hinted at by the sound of water gurgling through deep channels and by the voices of birds of ill-omen. Loneliness, dreariness, aptness for arousing a sense of fear, a kind of ungodly hallowedness—these were the things that called her thoughts away from the comfortable fireside.
Sylvia Townsend Warner (Lolly Willowes)
Laura took them into her arms. The great fans of orange tracery seemed to her even more beautiful than the chrysanthemums, for they had been given to her, they were a surprise. She sniffed. They smelt of woods, of dark rustling woods like the wood to whose edge she came so often in the country of her autumn imagination.
Sylvia Townsend Warner (Lolly Willowes)
After a few months she left off speculating about the villagers. She admitted that there was something about them which she could not fathom, but she was content to remain outside the secret, whatever it was. She had not come to Great Mop to concern herself with the hearts of men. Let her stray up the valleys, and rest in the leafless woods that looked so warm with their core of fallen red leaves, and find out her own secret, if she had one; with autumn it might come back to question her. She wondered. She thought not. She felt that nothing could ever again disturb her peace. Wherever she strayed the hills folded themselves round her like the fingers of a hand.
Sylvia Townsend Warner (Lolly Willowes)
It was not beauty at all that she wanted, or depressed though she was, she would have bought a ticket to somewhere or other upon the Metropolitan railway and gone out to see the recumbent autumnal graces of the country-side. Her mind was groping after something that eluded her experience, a something that was shadowy and menacing, and yet in some way congenial; a something that lurked in waste places, that was hinted at by the sound of water gurgling through deep channels and by the voices of birds of ill-omen. Loneliness, dreariness, aptness for arousing a sense of fear, a kind of ungodly hallowedness - these were the things that called her thoughts away from the comfortable fireside.
Sylvia Townsend Warner (Lolly Willowes)
Sir Maugre’s erudition was so wide that whatever anyone said reminded him of something that had no bearing on it.
Sylvia Townsend Warner (Kingdoms of Elfin)
When I die, I hope to think I have annoyed a great many people.
Sylvia Townsend Warner (The Diaries of Sylvia Townsend Warner)
She would have liked to go by herself for long walks inland and find strange herbs, but she was too useful to be allowed to stray.
Sylvia Townsend Warner (Lolly Willowes)
Members of the ruling class are unwilling to admit themselves mistaken.
Sylvia Townsend Warner (Kingdoms of Elfin)
Therefore, at some point or other of Sir Glamie’s pedigree an Elfin lady must have yielded to a mortal lover, and immortality, like the pox, has run in the family ever since.
Sylvia Townsend Warner (Kingdoms of Elfin)
The two women sat by the fire, tilting their glasses and drinking in small peaceful sips. The lamplight shone upon the tidy room and the polished table, lighting topaz in the dandelion wine, spilling pools of crimson through the flanks of the bottle of plum gin. It shone on the contented drinkers, and threw their large, close-at-hand shadows upon the wall. When Mrs Leak smoothed her apron the shadow solemnified the gesture as though she were moulding an universe. Laura's nose and chin were defined as sharply as the peaks peaks on a holly leaf.
Sylvia Townsend Warner (Lolly Willowes)
Mr. Arbuthnot certainly was not prepared for her response to his statement that February was a dangerous month. “It is,” answered Laura with almost violent agreement. “If you are a were-wolf, and very likely you may be, for lots of people are without knowing, February, of all months, is the month when you are most likely to go out on a dark windy night and worry sheep.
Sylvia Townsend Warner (Lolly Willowes: or, The Loving Huntsman)
It was as easy for him to quit Bloomsbury for the Chilterns as for a cat to jump from a hard chair to a soft. Now after a little scrabbling and exploration he was curled up in the green lap and purring over the landscape.
Sylvia Townsend Warner (Lolly Willowes)
Sept.17 (1780). When we call loudly thro' the speaking-trumpet to Timothy ( the tortoise), he does not seem to regard the noise. Sept.18. Timothy eats heartily. Oct.3. No ring-ouzels seen this autumn yet. Timothy very dull.
Sylvia Townsend Warner (The Portrait of a Tortoise: Extracted from the Journals & Letters of Gilbert White)
And here am I, she thought, fixed in the religious life like a candle on a spike. I consume, I burn away, always lighting the same corner, always beleaguered by the same shadows; and in the end I shall burn out and another candle will be fixed in my stead.
Sylvia Townsend Warner (The Corner That Held Them)
It is only for a week or two that a broken chair or a door off its hinges is recognised for such. Soon, imperceptibly, it changes its character, and becomes the chair which is always left in the corner, the door which does not shut. A pin, fastening a torn valance, rusts itself into the texture of the stuff, is irremovable; the cracked dessert place and the stewpan with a hole in it, set aside until the man who rivets and solders should chance to come that way, become part of the dresser, are taken down and dusted and put back, and when the man arrives no one remembers them as things in need of repair. Five large keys rest inside the best soup-tureen, scrupulously preserved though no one knows what it was they once opened, and the pastry-cutter is there too, little missed, for the teacup without a handle has taken its place.
Sylvia Townsend Warner (The Salutation)
I think you will come to Balzac yet. When one has disproved all one’s theories, outgrown all of one’s standards, discarded all one’s criterions, and left off minding about one’s appearance, one comes to Balzac. And there he is, waiting outside his canvas tent—with such a circus going on inside.
Sylvia Townsend Warner (The Element of Lavishness: Letters of Sylvia Townsend Warner & William Maxwell, 1938-1978)
She had never wavered for an instant from her conviction that she had made a compact with the Devil; now she was growing accustomed to the thought. She perceived that throughout the greater part of her life she had been growing accustomed to it; but insensibly, as people throughout the greater part of their lives grow accustomed to the thought of their death. When it comes, it is a surprise to them. But the surprise does not last long, perhaps but for a minute or two. Her surprise also was wearing off. Quite soon, and she would be able to fold her hands upon it, as the hands of the dead are folded upon their surprised hearts.
Sylvia Townsend Warner (Lolly Willowes: or, The Loving Huntsman)
Stronger than rage, astonishment, contempt, the pleasurable sense that at last she had slapped Frederick's face, the less pleasurable surmise that his slap back would be longer-lasting; stronger even than the desire to see Minna was her feeling that of all things, all people, she most at this moment wished to see Ingelbrecht, and the sturdy assurance that she would find in him everything that she expected. If she had gone up the stairs in the rue de la Carabine on her knees, she could not have ascended with a more zealotical faith that there would be healing at the top; and when he opened the door to her, enquiring politely if her errands had gone well she replied with enthusiasm, "Perfectly. My husband--it was he I went to see--has just threatened to cut me off with a penny." "A lock-out," said Ingelbrecht. "Very natural. It is a symptom of capitalistic anxiety. I suppose he has always been afraid of you." She nodded, and her lips curved in a grin of satisfaction.
Sylvia Townsend Warner (Summer Will Show)
Brewer the gardener, stamping out the ashes of his bonfire, saw her pass to and fro, a slender figure moving sedately between the unmoving boughs. He alone of all the household had taken his master’s death without exclamation. Death coming to the old was a harmless thought to him, but looking at Laura he sighed deeply, as though he had planted her and now saw her dashed and broken by bad weather.
Sylvia Townsend Warner (Lolly Willowes)
Her disquiet had no relevance to her life. It arose out of the ground with the smell of the dead leaves ... She compared herself to the ripening acorn that feels through windless autumnal days and nights the increasing pull of the earth below. That explanation was very poetical and suitable. But it did not explain what she felt. She was not wildly anxious either to die or to live; why, then, should she be rent by this anxiety?
Sylvia Townsend Warner (Lolly Willowes)
The village was in darkness; it had gone to bed early, as good villages should. Only Miss Carloe’s window was alight. Kind Miss Carloe, she would sit up till all hours tempting her hedgehog with bread-and-milk. Hedgehogs are nocturnal animals; they go out for walks at night, grunting, and shoving out their black snouts. “Thrice the brindled cat hath mewed; Thrice, and once the hedgepig whined. Harper cries ‘ ’Tis time, ’tis time.
Sylvia Townsend Warner (Lolly Willowes (Warbler Classics Annotated Edition))
Even Henry and Caroline, whom she saw every day, were half hidden under their accumulations--accumulations of prosperity, authority, daily experience. They were carpeted with experience. No new event could set jarring feet on them but they would absorb and muffle the impact. If the boiler burst, if a policeman climbed in at the window waving a sword, Henry and Caroline would bring the situation to heel by their massive experience of normal boilers and normal policemen.
Sylvia Townsend Warner
It is not hunger and nakedness that worst afflict the poor, for a very little thieving or a small alms can remedy that. No, the wretchedness of the poor lies below hunger and nakedness. It consists in their incessant incertitude and fear, the drudging succession of shift and scheme and subterfuge, the labouring in the quicksand where every step that takes hold of the firm ground is also a step into the danger of condemnation. Not cold and hunger but Law and Justice are the bitterest affliction of the poor. Entering
Sylvia Townsend Warner (The Corner That Held Them (New York Review Books Classics))
Sometimes she said rather amusing things, and displayed unexpected stores (General Stores) of knowledge. But her remarks were as a rule so disconnected from the conversation that no one paid much attention to them. Mr. Arbuthnot certainly was not prepared for her response to his statement that February was a dangerous month. “It is,” answered Laura with almost violent agreement. “If you are a were-wolf, and very likely you may be, for lots of people are without knowing, February, of all months, is the month when you are most likely to go out on a dark windy night and worry sheep.
Sylvia Townsend Warner (Lolly Willowes (Warbler Classics Annotated Edition))
How she had come to Great Mop she could not say; whether it was of her own will, or whether, exchanging threatenings and mockeries for sweet persuasions, Satan had at last taken pity upon her bewilderment, leading her by the hand into the flower-shop in the Moscow Road; but from the moment of her arrival there he had never been far off. Sure of her—she supposed—he had done little for nine months but watch her. Near at hand but out of sight the loving huntsman couched in the woods, following her with his eyes. But all the time, whether couched in the woods or hunting among the hills, he drew closer. He was hidden in the well when she threw in the map and the guidebook. He sat in the oven, teaching her what power she might have over the shapes of men. He followed her and Mr. Saunter up and down between the henhouses. He was nearest of all upon the night when she climbed Cubbey Ridge, so near then that she acknowledged his presence and was afraid.
Sylvia Townsend Warner (Lolly Willowes (Warbler Classics Annotated Edition))
She had not loved it so. For days at a time she had been unconscious of its outward aspect, for long before she saw it she had loved it and blessed it. With no earnest but a name, a few lines and letters on a map, and a spray of beech-leaves, she had trusted the place and staked everything on her trust. She had struggled to come, but there had been no such struggle for Titus. It was as easy for him to quit Bloomsbury for the Chilterns as for a cat to jump from a hard chair to a soft. Now after a little scrabbling and exploration he was curled up in the green lap and purring over the landscape. The green lap was comfortable. He meant to stay in it, for he knew where he was well off. It was so comfortable that he could afford to wax loving, praise its kindly slopes, stretch out a discriminating paw and pat it. But Great Mop was no more to him than any other likeable country lap. He liked it because he was in possession. His comfort apart, it was a place like any other place.
Sylvia Townsend Warner (Lolly Willowes (Warbler Classics Annotated Edition))
The impulse behind fantasy I find to be dissatisfaction with literary realism. Realism leaves out so much. Any consensual reality (though wider even than realism) nonetheless leaves out a great deal also. Certainly one solution to the difficulty of treating experience that is not dealt with in the literary tradition, or even in consensual reality itself, is to 'skew' the reality of a piece of fiction, that is, to employ fantasy. Sometimes authors can't face the full reality of what they feel or know and can therefore express that reality only through hints and guesses. Fantasies often fit this pattern, for example, Edith Wharton's fine ghost story, 'Afterwards.' Wharton can't afford to investigate too explicitely the assumptions and values of the society which provided her with money and position; so although the story 'knows' in a sense that the artistic culture of the wealthy depends on devastatingly brutal commecial practices, none of this can be as explicit as, say, Sylvia Townsend Warner's wonderful historical novel, Summer Will Show, in which the mid-19th century heroine ends by reading the Communist Manifesto. But there are other stories, quite as 'Gothic' in method and tone, which do not fit this pattern. Authors may know what their experience is and yet be unable to name it, not because it is unconscious or unfaceable, but because it is not majority experience. Shirley Jackson strikes me as a writer who does both: for example, clearly portraying Eleanor (in The Haunting of Hill House) as an abused child long before the phrase itself was invented, occasionally using material she doesn't really seem to have understood; and sometimes dislocating reality because conventional forms simply will not express the kind of experience she knows exists. After all, reality is -- collectively speaking -- a social invention and is not itself real. Individually, it is as much something human beings do as it is something refractory that is prior to us and outside us.
Joanna Russ (How to Suppress Women's Writing)
How she had come to Great Mop she could not say; whether it was of her own will, or whether, exchanging threatenings and mockeries for sweet persuasions, Satan had at last taken pity upon her bewilderment, leading her by the hand into the flower-shop in the Moscow Road; but from the moment of her arrival there he had never been far off. Sure of her—she supposed—he had done little for nine months but watch her. Near at hand but out of sight the loving huntsman couched in the woods, following her with his eyes. But all the time, whether couched in the woods or hunting among the hills, he drew closer. He was hidden in the well when she threw in the map and the guidebook. He sat in the oven, teaching her what power she might have over the shapes of men. He followed her and Mr. Saunter up and down between the henhouses. He was nearest of all upon the night when she climbed Cubbey Ridge, so near then that she acknowledged his presence and was afraid. That night, indeed, he must have been within a hand’s-breadth of her. But her fear had kept him at bay, or else he had not chosen to take her just then, preferring to watch until he could overcome her mistrust and lure her into his hand. For Satan is not only a huntsman. His interest in mankind is that of a skilful and experienced naturalist.
Sylvia Townsend Warner (Lolly Willowes (Warbler Classics Annotated Edition))
Yes, I can quite well believe that; I’m sure I shall never wish to escape you. But you are a mysterious Master.” “You seem to me rather an exacting servant. I have shaped myself like a jobbing gardener, I am sitting on the grass beside you (I’ll have one of your apples if I may. They are a fruit I am particularly fond of), I am doing everything in my power to be agreeable and reassuring… What more do you want?” “That is exactly what I complain of. You are too lifelike to be natural; why, it might be Goethe’s Conversations with Eckermann. No! if I am really a witch, treat me as such. Satisfy my curiosity. Tell me about yourself.” “Tell me first what you think,” he answered. “I think”—she began cautiously (while he hid his cards it would not do to show all hers)—“I think you are a kind of black knight, wandering about and succoring decayed gentlewomen.” “There are warlocks too, remember.” “I can’t take warlocks so seriously, not as a class. It is we witches who count. We have more need of you. Women have such vivid imaginations, and lead such dull lives. Their pleasure in life is so soon over; they are so dependent upon others, and their dependence so soon becomes a nuisance. Do you understand?” He was silent. She continued, slowly, knitting her brows in the effort to make clear to herself and him the thought that was in her mind: “It’s like this. When I think of witches, I seem to see all over England, all over Europe, women living and growing old, as common as blackberries, and as unregarded. I see them, wives and sisters of respectable men, chapel members, and blacksmiths, and small farmers, and Puritans. In places like Bedfordshire, the sort of country one sees from the train. You know. Well, there they were, there they are, child-rearing, house-keeping, hanging washed dishcloths on currant bushes; and for diversion each other’s silly conversation, and listening to men talking together in the way that men talk and women listen. Quite different to the way women talk, and men listen, if they listen at all. And all the time being thrust further down into dullness when the one thing all women hate is to be thought dull.
Sylvia Townsend Warner (Lolly Willowes (Warbler Classics Annotated Edition))
Four thousand miles away, across a continent, across an ocean, was an island. And there, secure in the timelessness of all things irretrievably lost, was happiness—like a bird singing or a flower growing. He had possessed it, he had misused it—for to do anything with happiness but to receive it as the ear receives the song of a bird or the nostril the scent of a flower is to misuse it; he had left it. But because he had left it of his own will it had given him—a parting gift—this touchstone to carry forever in his heart, wherewith to try and infallibly dismiss any solace, whether by chance or plotted by the treachery of his desires, that might come to him and say, I too am happiness.
Sylvia Townsend Warner (The Salutation)
He had not been much of a poet, but poet enough for his love-sonnets and satires to weaken his lungs.
Sylvia Townsend Warner (Kingdoms of Elfin)
When I had exhausted our library I made several excursions—to Saint Andrew’s, to Oxford, to the German Universities—and read over the shoulders of mortal students. It was sometimes very trying not being able to turn the pages for myself, since I was a quicker reader than they; but invisibility had its drawbacks.
Sylvia Townsend Warner (Kingdoms of Elfin)
The fortune of his game had brought him fairies—but he had always known fairies were in the pack.
Sylvia Townsend Warner (Kingdoms of Elfin)
But the overruling disconcertingness was to find himself unconcerned. It was as if some mysterious oil had been introduced into the workings of his mind. If a thought irked him, he thought of something else. If a project miscarried, a flooding serenity swept him beyond it. He lived a tranquil truant, dissociated from himself as though by a slight agreeable fever.
Sylvia Townsend Warner (Kingdoms of Elfin)
If one were to include one-tenth of the remarkable people one knows, in one's fiction, no one would accept it. Real life remains one's private menagerie.
Sylvia Townsend Warner
I encourage you to talk, not that I may know all your thoughts, but that you may.
Sylvia Townsend Warner (Lolly Willowes)
There is no pastime so engrossing as being in the right.
Sylvia Townsend Warner (Of Cats and Elfins: Short Tales and Fantasies (Handheld Fantasy Classics, 4))
He seemed to consider himself briefed by his Creator to turn into ridicule the opinions of those who disagreed with him, and to attribute dishonesty, idiocy, or a base motive to every one who supported a better case than he.
Sylvia Townsend Warner (Lolly Willowes)
In vain she had tried to escape, transient and delusive had been her ecstasies of relief. She had thrown away twenty years of her life like a handful of old rags, but the wind had blown them back again, and dressed her in the old uniform. The wind blew steadily from the old quarter; it was the same east wind that chivied bits of waste paper down Apsley Terrace. And she was the same old Aunt Lolly, so useful and obliging and negligible.
Sylvia Townsend Warner (Lolly Willowes (Warbler Classics Annotated Edition))
But you believe I wanted you.” Rather taken aback she yet answered the Devil honestly. “Yes! I do believe you wanted me. Though really I don’t know why you should.” A slightly malevolent smile crossed the Devil’s face. For some reason or other her modesty seemed to have nettled him. “Some people would say that you had flung yourself at my head.” “Other people,” she retorted, “would say that you had been going about seeking to devour me.” “Exactly. I even roared that night. But you were asleep while I roared. Only the hills heard me triumphing over my spoil.” Laura said: “I wish I could really believe that.” “I wish you could, too,” he answered affably; “you would feel so comfortable and important. But you won’t although it is much more probable than you might suppose.” Laura stretched herself out on the turf and pillowed her head on her arm. “Nothing could feel more comfortable than I do, now that Titus is gone,” she said. “And as for importance, I never wish to feel important again. I had enough of that when I was an aunt.” “Well, you’re a witch now.” “Yes…I really am, aren’t I?” “Irrevocably.
Sylvia Townsend Warner (Lolly Willowes (Warbler Classics Annotated Edition))
And they think how they were young once, and they see new young women, just like what they were, and yet as surprising as if it had never happened before, like trees in spring. But they are like trees towards the end of summer, heavy and dusty, and nobody finds their leaves surprising, or notices them till they fall off.
Sylvia Townsend Warner (Lolly Willowes (Warbler Classics Annotated Edition))
As she spoke, she felt something move by her foot. She glanced down and saw a small kitten. It crouched by her foot, biting her shoelace, and lashing its tail from side to side. Laura did not like cats; but this creature, so small, so intent, and so ferocious, amused her into kindly feelings. “How did you come here? Did you come in through the keyhole?” she asked, and bent down to stroke it. Scarcely had she touched its hard little head when it writhed itself round her hand, noiselessly clawing and biting, and kicking with its hind legs. She felt frightened by an attack so fierce and irrational, and her fears increased as she tried to shake off the tiny weight. At last she freed her hand, and looked at it. It was covered with fast-reddening scratches, and as she looked she saw a bright round drop of blood ooze out from one of them. Her heart gave a violent leap, and seemed to drop dead in her bosom. She gripped the back of a chair to steady herself and stared at the kitten. Abruptly pacified, it had curled itself into a ball and fallen asleep. Its lean ribs heaved with a rhythmic tide of sleep. As she stared she saw its pink tongue flicker for one moment over its lips. It slept like a suckling. Not for a moment did she doubt. But so deadly, so complete was the certainty that it seemed to paralyze her powers of understanding, like a snake-bite in the brain. She continued to stare at the kitten, scarcely knowing what it was that she knew. Her heart had begun to beat once more, slowly, slowly; her ears were dizzied with a shrill wall of sound, and her flesh hung on her clammy and unreal. The animal smell that she had noticed when first she entered the room now seemed overwhelmingly rank. It smelt as if walls and floor and ceiling had been smeared with the juice of bruised fennel. She, Laura Willowes, in England, in the year 1922, had entered into a compact with the Devil. The compact was made, and affirmed, and sealed with the round red seal of her blood.
Sylvia Townsend Warner (Lolly Willowes (Warbler Classics Annotated Edition))
Before them stood an old lady, carrying herself like a queen, and wearing a mackintosh that would have disgraced a tinker’s drab. She acknowledged Mrs. Leak’s curtsey with an inclination of the head, and turned to Laura. “I am Miss Larpent. And you, I think, must be Miss Willowes.” The voice that spoke was clear as a small bell and colorless as if time had bleached it of every human feeling save pride. The hand that rested in Laura’s was light as a bird’s claw; a fine glove encased it like a membrane, and through the glove Laura felt the slender bones and the sharp-faceted rings. “Long ago,” continued Miss Larpent, “I had the pleasure of meeting your great-uncle, Commodore Willowes.” Good heavens, thought Laura in a momentary confusion, was great-uncle Demetrius a warlock? For Miss Larpent was so perfectly witchlike that it seemed scarcely possible that she should condescend to ordinary gentlemen. Apparently Miss Larpent could read Laura’s thoughts. “At Cowes,” she added, reassuringly.
Sylvia Townsend Warner (Lolly Willowes (Warbler Classics Annotated Edition))
The music had stopped. Laura saw all the witches and warlocks jostling each other, and pressing into a circle. She wondered what was happening now. Whatever it was, it seemed to please and excite them a great deal, for she could hear them all laughing and talking at once. Some newcomer, she supposed—for their behavior was that of welcome. Now the newcomer must be making a speech, for they all became silent: a successful speech, for the silence was broken by acclamations, and bursts of laughter. “Of course!” said Laura. “It must be Satan!
Sylvia Townsend Warner (Lolly Willowes (Warbler Classics Annotated Edition))
She threw up the rattling window and turned to light the lamp. Under the green shade the glow whitened and steadied itself. It illuminated the supper-table prepared for her, the shining plates, the cucumber and the radishes, and neat slices of cold veal and the glistening surface of the junket. Nameless and patient, these things had been waiting in the dark, waiting for her to come back and enjoy them. They met her eye with self-possession. They had been sure that she would be pleased to see them.
Sylvia Townsend Warner (Lolly Willowes (Warbler Classics Annotated Edition))
It was the kitten’s voice. It stood beside her, mewing plaintively. She turned, and considered it—her familiar. It was the smallest and thinnest kitten that she had ever seen. It was so young that it could barely stand steadily upon its legs. She caught herself thinking that it was too young to be taken from its mother. But the thought was ridiculous. Probably it had no mother, for it was the Devil’s kitten, and sucked, not milk, but blood. But for all that, it looked very like any other young starveling of its breed. Its face was peaked and its ribs stood out under the dishevelled fluff of its sides. Its mew was disproportionately piercing and expressive. Strange that anything so small and weak should be the Devil’s Officer, plenipotentiary of such a power. Strange that she should stand trembling and amazed before a little rag-and-bone kitten with absurdly large ears. Its anxious voice besought her, its pale eyes were fixed upon her face. She could not but feel sorry for anything that seemed so defenseless and castaway. Poor little creature, no doubt it missed the Devil, its warm nest in his shaggy flanks, its play with imp companions. Now it had been sent out on its master’s business, sent out too young into the world, like a slavey from an Institution. It had no one to look to now but her, and it implored her help, as she but a little while ago had implored its Master’s.
Sylvia Townsend Warner (Lolly Willowes (Warbler Classics Annotated Edition))
While she lived her solitudes were hers inalienably; she and the kitten, the witch and the familiar, would live on at Great Mop, growing old together, and hearing the owls hoot from the winter trees. And after? Mirk!
Sylvia Townsend Warner (Lolly Willowes (Warbler Classics Annotated Edition))
The etiquette of a Sabbath appeared to consist of one rule only: to do nothing for long. Partners came and went, figures and conformations were in a continual flux. Sometimes the dancers were coupled, sometimes they jigged in a circle round some specially agile performer, sometimes they all took hands and galloped about the field. Half-way through a very formal quadrille presided over by the Misses Larpent they fell abruptly to playing Fox and Geese. In spite of Mr. Gurdon’s rosette there was no Master of Ceremonies. A single mysterious impulse seemed to govern the company. They wheeled and maneuvered like a flock of starlings.
Sylvia Townsend Warner (Lolly Willowes (Warbler Classics Annotated Edition))
All this had unsettled her victim a good deal; but it had not unseated him, and meanwhile it was sufficiently unsettling for her. So far, she thought, the scheme and its execution had been the kitten’s—she could recognize Vinegar’s playful methods. She gave him credit for doing his best. But he was young and inexperienced, this was probably his first attempt at serious persecution; it was not to be wondered at if his methods were a little sketchy. Now that the Devil had taken matters into his own hands—and of this she felt assured—all would soon be well. Well for her, well for Titus. Really, it was time that poor boy was released from his troubles. She felt complete confidence in the Devil, a confidence that the kitten had never inspired. There was a tinge of gratuitous malice in Vinegar’s character; he was, as one says, rather a cat.
Sylvia Townsend Warner (Lolly Willowes (Warbler Classics Annotated Edition))
As for her own share in the matter, she felt no shame at all. It had pleased Satan to come to her aid. Considering carefully, she did not see who else would have done so. Custom, public opinion, law, church, and state—all would have shaken their massive heads against her plea, and sent her back to bondage.
Sylvia Townsend Warner (Lolly Willowes (Warbler Classics Annotated Edition))
Some may get religion, then they’re all right, I expect. But for the others, for so many, what can there be but witchcraft? That strikes them real. Even if other people still find them quite safe and usual, and go on poking with them, they know in their hearts how dangerous, how incalculable, how extraordinary they are. Even if they never do anything with their witchcraft, they know it’s there—ready! Respectable countrywomen keep their grave-clothes in a corner of the chest of drawers, hidden away, and when they want a little comfort they go and look at them, and think that once more, at any rate, they will be worth dressing with care. But the witch keeps her cloak of darkness, her dress embroidered with signs and planets; that’s better worth looking at. And think, Satan, what a compliment you pay her, pursuing her soul, lying in wait for it, following it through all its windings, crafty and patient and secret like a gentleman out killing tigers. Her soul—when no one else would give a look at her body even! And they are all so accustomed, so sure of her! They say: ‘Dear Lolly! What shall we give her for her birthday this year? Perhaps a hot-water bottle. Or what about a nice black lace scarf? Or a new workbox? Her old one is nearly worn out.’ But you say: ‘Come here, my bird! I will give you the dangerous black night to stretch your wings in, and poisonous berries to feed on, and a nest of bones and thorns, perched high up in danger where no one can climb to it.’ That’s why we become witches: to show our scorn of pretending life’s a safe business, to satisfy our passion for adventure. It’s not malice, or wickedness—well, perhaps it is wickedness, for most women love that—but certainly not malice, not wanting to plague cattle and make horrid children spout up pins and—what is it?—‘blight the genial bed.’ Of course, given the power, one may go in for that sort of thing, either in self-defense, or just out of playfulness. But it’s a poor twopenny housewifely kind of witchcraft, black magic is, and white magic is no better. One doesn’t become a witch to run round being harmful, or to run round being helpful either, a district visitor on a broomstick. It’s to escape all that—to have a life of one’s own, not an existence doled out to you by others, charitable refuse of their thoughts, so many ounces of stale bread of life a day, the workhouse dietary is scientifically calculated to support life. As for the witches who can only express themselves by pins and bed-blighting, they have been warped into that shape by the dismal lives they’ve led.
Sylvia Townsend Warner (Lolly Willowes (Warbler Classics Annotated Edition))
You seem to know a good deal about witches,” remarked Satan. “But you were going to say what you thought about me.” She shook her head. “Go on,” he said encouragingly. “You compared me to a knight-errant. That’s very pretty. I believe you have also compared me to a hunter, a poaching sort of hunter, prowling through the woods after dark. Not so flattering to my vanity as the knight-errant, but more accurate, I daresay.” “O Satan! Why do you encourage me to talk when you know all my thoughts?” “I encourage you to talk, not that I may know all your thoughts, but that you may.
Sylvia Townsend Warner (Lolly Willowes (Warbler Classics Annotated Edition))
It was true, then, what she had read of the happy relationship between the Devil and his servants. If Euphan Macalzean had rated him—why, so, at a pinch, might she. Other things that she had read might also be true, she thought, things that she had till now been inclined to reject. So easy-going a Master who had no favorites among his servants might in reality attend the Sabbath, might unbend enough to eat black-puddings at a picnic without losing his dignity.
Sylvia Townsend Warner (Lolly Willowes (Warbler Classics Annotated Edition))
When grandfather Henry, that masterful man, removed across the border, he was followed by a patriarchal train of manservants and maidservants, mares, geldings, and spaniels, vans full of household stuff, and slow country waggons loaded with nodding greenery. “I want to make sure of a good eating apple,” said he, “since I am going to Lady Place for life.” Death was another matter. The Willowes burial-ground was in Dorset, nor would Henry lie elsewhere. Now it was Everard’s turn. The dead appeared to welcome him without astonishment—the former Everards and Tituses, Lauras and Emmelines; they were sure that he would come, they approved his decision to join them.
Sylvia Townsend Warner (Lolly Willowes (Warbler Classics Annotated Edition))
Laura was bored by the church which they attended. She would have liked, now that she was come to London, to see the world, to adventure in churches. She was darkly, adventurously drawn to see what services were like amongst Roman Catholics, amongst Huguenots, amongst Unitarians and Swedenborgians, feeling about this rather as she felt about the East End.
Sylvia Townsend Warner (Lolly Willowes (Warbler Classics Annotated Edition))
When the better days to come came, they proved to be modelled as closely as possible upon the days that were past.
Sylvia Townsend Warner (Lolly Willowes (Warbler Classics Annotated Edition))
Out of these she had contrived for herself a sort of mental fur coat. Roasted chestnuts could be bought and taken home for bedroom eating. Secondhand book-shops were never so enticing; and the combination of east winds and London water made it allowable to experiment in the most expensive soaps. Coming back from her expeditions, westward from the city with the sunset in her eyes, or eastward from a waning Kew, she would pause for a sumptuous and furtive tea, eating marrons glacés with a silver fork in the reflecting warm glitter of a smart pastry-cook’s. These things were exciting enough to be pleasurable, for she kept them secret.
Sylvia Townsend Warner (Lolly Willowes (Warbler Classics Annotated Edition))
Couched within the wood, sleeping through the long sultry afternoon, had lain the Prince of Darkness; sleeping, or meditating some brooding thunderstorm of his own. Her voice of desperate need had aroused him, his silence had answered her with a pledge. And now, as a sign of the bond between them, he had sent his emissary. It had arrived before her, a rank breath, a harsh black body in her locked room. The kitten was her familiar spirit, that already had greeted its mistress, and sucked her blood.
Sylvia Townsend Warner (Lolly Willowes (Warbler Classics Annotated Edition))
Remember, Miss Willowes”… “Remember,” murmured the trees, swaying their boughs muffled with heavy foliage. She remembered, and understood. When he came out of the wood, dressed like a gamekeeper, and speaking so quietly and simply, Satan had come to renew his promise and to reassure her. He had put on this shape that she might not fear him. Or would he have her to know that to those who serve him he appears no longer as a hunter, but as a guardian? This was the real Satan.
Sylvia Townsend Warner (Lolly Willowes (Warbler Classics Annotated Edition))
So Laura read undisturbed, and without disturbing anybody, for the conversation at local tea-parties and balls never happened to give her an opportunity of mentioning anything that she had learnt from Locke on the Understanding or Glanvil on Witches. In fact, as she was generally ignorant of the books which their daughters were allowed to read, the neighboring mammas considered her rather ignorant.
Sylvia Townsend Warner (Lolly Willowes (Warbler Classics Annotated Edition))
for Nannie Quantrell placed much trust in the property of young nettles eaten as spring greens to clear the blood, quoting emphatically and rhythmically a rhyme her grandmother had taught her: “If they would eat nettles in March And drink mugwort in May, So many fine young maidens Would not go to the clay.
Sylvia Townsend Warner (Lolly Willowes (Warbler Classics Annotated Edition))
At the end of the drive stood the gray stone house. A purple clematis muffled the porch, and a white cat lay asleep in a bed of nasturtiums. The blinds were drawn down in respect to the dead. Laura looked at it. Since her earliest childhood it had been a familiar sight, a familiar thought. But now she saw it with different eyes: a prescience of exile came over her and, forgetting Lady Place, she looked with the yearning of an outcast at the dwelling so long ago discarded. The house was like an old blind nurse sitting in the sun and ruminating past events. It seemed an act of the most horrible ingratitude to leave it all and go away without one word of love. But the gates were shut, the time of welcome was gone by.
Sylvia Townsend Warner (Lolly Willowes (Warbler Classics Annotated Edition))
He looked like a blessed goat tethered on hallowed grass. He lived alone with his books of Latin and Hebrew and his tame owl which he tried to persuade to sleep in his bedroom. He had dismissed red-haired Emily, the sexton’s niece, for pouring hot water on a mouse.
Sylvia Townsend Warner (Lolly Willowes (Warbler Classics Annotated Edition))