Tourist Pose Quotes

I stopped posing with the peace sign in photos, fearing I looked like an Asian tourist. When my peers started dating, I developed a complex that the only reason someone would like me was if they had yellow fever, and if they didn’t like me, I tortured myself over whether it was because of the crude jokes boys in my class would make about Asians having sideways pussies and loving you long time

Fat green frogs, the eternally grinning type destined to be shellacked into bizarre poses while wearing mariachi hats and holding toy trumpets and guitars and then sold in tourist traps all over Mexico, jostled lazily in the dappled shadows.

«She sat at the bow of a pleasure craft a stone's throw away, under the shade of a white parasol, a diligent tourist out to reap all the beauty and charm Copenhagen had to offer. She studied him with a distressed concentration, as if she couldn't quite remember who he was. As if she didn't want to. He looked different. His hair reached down to his nape, and he'd sported a full beard for the past two years. Their eyes met. She bolted upright from the chair. The parasol fell from her hand, clanking against the deck. She stared at him, her face pale, her gaze haunted. He'd never seen her like this, not even on the day he left her. She was stunned, her composure flayed, her vulnerability visible for miles. As her boat glided past him, she picked up her skirts and ran along the port rail, her eyes never leaving his. She stumbled over a line in her path and fell hard. His heart clenched in alarm, but she barely noticed, scrambling to her feet. She kept running until she was at the stern and could not move another inch closer to him (…) Gigi didn't move from her rigid pose at the rail, but she suddenly looked worn down, as if she'd been standing there, in that same spot, for all the eighteen hundred and some days since she'd last seen him. She still loved him. The thought echoed wildly in his head, making him hot and dizzy. She still loved him.»

St. Bernards have never, ever carried brandy barrels. The dog’s mission is entirely teetotal—apart from anything else, giving brandy to someone with hypothermia is a disastrous mistake—but tourists have always loved the idea, so they still pose wearing them.

As I became older, I was given many masks to wear. I could be a laborer laying railroad tracks across the continent, with long hair in a queue to be pulled by pranksters; a gardener trimming the shrubs while secretly planting a bomb; a saboteur before the day of infamy at Pearl Harbor, signaling the Imperial Fleet; a kamikaze pilot donning his headband somberly, screaming 'Banzai' on my way to my death; a peasant with a broad-brimmed straw hat in a rice paddy on the other side of the world, stooped over to toil in the water; an obedient servant in the parlor, a houseboy too dignified for my own good; a washerman in the basement laundry, removing stains using an ancient secret; a tyrant intent on imposing my despotism on the democratic world, opposed by the free and the brave; a party cadre alongside many others, all of us clad in coordinated Mao jackets; a sniper camouflaged in the trees of the jungle, training my gunsights on G.I. Joe; a child running with a body burning from napalm, captured in an unforgettable photo; an enemy shot in the head or slaughtered by the villageful; one of the grooms in a mass wedding of couples, having met my mate the day before through our cult leader; an orphan in the last airlift out of a collapsed capital, ready to be adopted into the good life; a black belt martial artist breaking cinderblocks with his head, in an advertisement for Ginsu brand knives with the slogan 'but wait--there's more' as the commercial segued to show another free gift; a chef serving up dog stew, a trick on the unsuspecting diner; a bad driver swerving into the next lane, exactly as could be expected; a horny exchange student here for a year, eager to date the blonde cheerleader; a tourist visiting, clicking away with his camera, posing my family in front of the monuments and statues; a ping pong champion, wearing white tube socks pulled up too high and batting the ball with a wicked spin; a violin prodigy impressing the audience at Carnegie Hall, before taking a polite bow; a teen computer scientist, ready to make millions on an initial public offering before the company stock crashes; a gangster in sunglasses and a tight suit, embroiled in a turf war with the Sicilian mob; an urban greengrocer selling lunch by the pound, rudely returning change over the counter to the black patrons; a businessman with a briefcase of cash bribing a congressman, a corrupting influence on the electoral process; a salaryman on my way to work, crammed into the commuter train and loyal to the company; a shady doctor, trained in a foreign tradition with anatomical diagrams of the human body mapping the flow of life energy through a multitude of colored points; a calculus graduate student with thick glasses and a bad haircut, serving as a teaching assistant with an incomprehensible accent, scribbling on the chalkboard; an automobile enthusiast who customizes an imported car with a supercharged engine and Japanese decals in the rear window, cruising the boulevard looking for a drag race; a illegal alien crowded into the cargo hold of a smuggler's ship, defying death only to crowd into a New York City tenement and work as a slave in a sweatshop. My mother and my girl cousins were Madame Butterfly from the mail order bride catalog, dying in their service to the masculinity of the West, and the dragon lady in a kimono, taking vengeance for her sisters. They became the television newscaster, look-alikes with their flawlessly permed hair. Through these indelible images, I grew up. But when I looked in the mirror, I could not believe my own reflection because it was not like what I saw around me. Over the years, the world opened up. It has become a dizzying kaleidoscope of cultural fragments, arranged and rearranged without plan or order.

Adding to the confusion over why the monument counts as a tourist attraction: according to research by the National Geodetic Survey, it’s actually in the wrong spot. In April 2009, the survey found that the Four Corners monument is a bit over 1,807 feet east of where it should be. Perhaps fearing the wrath of the tourists forced by parents and spouses to pose for embarrassing photographs in a spot now known to be meaningless, the NGS surveyors were quick to point out that since Four Corners has been legally recognized by all four states as the intersection of their borders, its current location, though inaccurate, is still legit. As Dave Doyle, chief geodetic surveyor for the NGS, told the Associated Press, “Where the marker is now is accepted. . . . Even if it’s 10 miles off, once it’s adopted by the states, which it has been, the numerical errors are irrelevant.

I’ve got a better idea,” says my mother. “Tell me about what you did today. Tell me about New York.” So I do, I tell the lifelong New Yorker who chucked it for the woods about the streets of the city: how the subway was so crowded this morning I had to let four trains pass in a row and I was a half hour late to work; how I had a meeting in Times Square and I saw an army of painted topless women posing with tourists for money; how I saw two people dressed up as Disney characters get into a fistfight; how I ate a hot dog from a stand after my client meeting bombed and when I finished it I ate another, on one of the chairs scattered in Bryant Park. A string quartet was playing nearby, under a sponsor banner. “The music part was the part that saved me,” I say. “All of it would have saved me,” says my mother.

Investment firms are buying up more vacation homes, aiming to cash in on growing demand from tourists and remote workers. Most vacation rental homes are owned by small-time owners who list their properties on websites such as Airbnb Inc., but the number of financial firms investing in the sector is growing. New York-based investment firm Saluda Grade is launching a venture with short-term- rental operator AvantStay Inc. to buy about $500 million of homes, the companies said Tuesday. Saluda Grade said it is also looking to raise debt by selling mortgage bonds backed by its homes to investors, the first vacation-rental mortgage securitization, according to the company. Andes STR, a startup that buys and manages short-term rental homes on behalf of investors, also recently signed a deal with Chilean investment firm WEG Capital to buy roughly $80 million of properties in the U.S., Andes said. These investors are betting they can get higher returns if they rent out homes by the night instead of by the year. Low-interest rates have made it more attractive to borrow and Buy Traditional Rental Homes, inflating property prices and making it harder for new buyers to turn a profit. That has prompted some institutions and wealthy families to look in more obscure corners of the property market where competition is smaller, investment advisers say. Some are turning to investments in vacation homes, where demand has surged in many places during the pandemic as more people choose to work from remote locations and leisure travel heated up last year. “There’s a lot more yield available in the short-term market,” said Saluda Grade’s chief executive, Ryan Craft. It is the latest sign of how the pandemic is changing the way people work and live, and how real-estate investors are angling to find new ways to profit from these shifts. Saluda Grade is targeting homes within driving distance of major population centers, Mr. Craft said. His company will buy the homes and AvantStay will manage them for a fee. But while vacation-rental homes can offer higher returns, they also pose challenges to investors. Mortgages are usually more expensive and harder to get for short-term rentals than for owner-occupied homes, said Giri Devanur, CEO of reAlpha Tech Corp., a startup that wants to pool money from small-time investors to buy short-term-rental homes.

Even the most insane day gives way to a sunset sooner or later. The sun moves to light up another side of the planet, and the sky, as if wishing to steal the show, offers a display of amazing colours. Dark lilac blended into magenta, into pale pink and faded into light blue with a spatter of fluffy white spots. Should you post such beauty on Instagram, you'll be accused of abusing filters. But tourists, undeterred, posed on the sandy line of Barcelona's famous beach and laughed, sharing the snapshots with each other. By and large, behaving like normal people, whose life was following its predictable and straightforward course.

Stated simply, nobody had ever unearthed a work of genius with de Vere’s name stamped on it. Nor did we have an ad vivum painted portrait of Edward de Vere, only a seventeenth-century copy of a now lost circa-1575 portrait (artist unknown) that showed the earl posing beneath a wide-brimmed sugarloaf hat. A French cloak of gold braid (a proper dandy changed cloaks three times a day) was thrown over the left shoulder of a gold doublet uniquely tasseled at the wrist. Welbeck Abbey lent this portrait of de Vere to London’s National Portrait Gallery back in 1964, and for as long as I kept tabs on it, that portrait remained hidden inside an NPG storehouse in Wimbledon in spite of great public interest in de Vere. Was the NPG worried that tourists might flock like maenads to this dashing portrait of de Vere instead of ogling over the greatly unbeloved Chandos?