Tour End Quotes

Keep driving," said a soft voice in my ear. "She will not bite if you keep driving." Fuck that. Fuck that idea like the fucking Captain of the Thai Fuck Team fucking at the fucking Tour de Fuck.

Slender Youth. A tour companion who may be either a lost prince or a girl/princess in disguise. In the latter case it is tactful to pretend you think she is a boy. She/he will be ignorant, hasty and shy, and will need hauling out of trouble quite a lot. But she/he will grow up in the course of the Tour. In fact she/he will be the only Companion who will change in any way. Quite often, she/he will soon exhibit a very useful talent for magic and end up by hauling everyone else out of trouble. But this will not be until midway through your second brochure.

Stealing ideas from contemporaries is rude and tasteless. Stealing from the long dead is considered literary and admirable. The same is true of grave-robbing. Loot your local cemetery and find yourself mired in social awkwardness. But unearth the tomb of an ancient king and you can feel free to pop off his toe rings. You'll probably end up on a book tour, or bagging an honorary degree or two.

I had seen that look before, on the faces of tourists visiting the Texas Book Depository in Dallas where Lee Harvey Oswald took the shots at JFK. I took that tour and met some conspiracy buffs, all of us standing at the gunman’s window and looking down to the spot where the motorcade passed. It’s right there below the window, an easy shot at a slow-moving car. No mystery, just a kid and a rifle and a tragedy. They came looking for dark and terrible revelations and instead found out something even more dark and terrible: that their lives were trite and boring.

We were never organized readers who would see a book through to its end in any sory of logical order. We weave in and out of words like tourists on a hop-on, hop-off bus tour. Put a book down in the kitchen to go to the bathroom and you might return to find it gone, replaced by another of equal interest. We are indiscriminate.

Yet for all the depression no one ever quit. When someone quit, we couldn't believe it. 'I'm becoming a rafting instructor on the Colorado River,' they said. 'I'm touring college towns with my garage band.' We were dumbfounded. It was like they were from another planet. Where had they found the derring-do? What would they do about car payments? We got together for going away drinks on their final day and tried to hide our envy while reminding ourselves that we still had the freedom and luxury to shop indiscriminately.

It might be the end of this chapter. But, for us, our story is only just beginning.

Female Mercenary. This will be a companion on your Tour. She is usually tall, thin and wiry, silent, and neurotic. Sex scares her. This is because she either came from a nunnery or was raped as a child. Or both. Somehow this inspired her to become a mercenary and she is very good at her job. You can rely on her absolutely in a fight. She can usually kill two people at once while guarding your back in between. The rest of the time, she will irritate you with lots of punctilious weapons cleaning and a perpetual insistence that a proper watch be kept. Mostly, she will have no magic talents, but sometimes, in an emergency, she will come up with a gift or vision. You will end up grudgingly admiring her.

Fuck that. Fuck that idea like the fucking captain of the Thai Fuck Team fucking at the fucking Tour de Fuck.

The band was right behind me and before I knew what hit me, Kyle had me in his arms and was whirling me around excitedly. “You were brilliant!” he cried, giddy as a kindergartner who’d just ridden a bike for the first time. “That was the best ending to a show we’ve ever had! They love you! The band loves you! I love you! We’ve got to take you on tour with us. You could be our little virgin mascot!

There is no halfway. You don’t, it turns out, sell out a little bit. Maybe you thought you were just going to show a little ankle – okay, maybe a little calf, too – but in the end, you’re taking on the whole front line of the Pittsburgh Steelers on a dirty shag carpet.

It is the glory of London that it is always ending and beginning anew, and that a visitor, with a good eye and indefatigable feet, will find in her travels all the Londons she has ever met in the pages of books, one atop the other, like the strata of the Earth.

And the cosmos ends. Not with a bang but with a whimper.

She shrugged. “Lucas gave me his laptop until the end of the tour.” Red cloth. Angry bull. Clenched fists. Don’t kill Lucas. He’s not worth the jail time.

He ended his tour next to the small bed. Then, just like that, he jumped onto her lap and circled, his large white paws finding soft purchase on her thighs. Kya sat frozen, her arms slightly raised, so as not to interfere with his maneuvering. Finally, he settled as though he had nested here every night of his life. He looked at her. Gently she touched his head, then scratched his neck. A loud purr erupted like a current. She closed her eyes at such easy acceptance. A deep pause in a lifetime of longing.

For over 220 years, Marines have served at the end of America’s operational reach—on freedom’s far frontiers. These Marines are the backbone of the ARG/MEU (SOC) team, our regional commanders’ force of choice for both forward presence and crisis response.

I’m not sure where I go when I spin wheels for hours on end like that, except into the rapture of doing nothing deeply—although ‘nothing,’ in this case, involves a tantrum of pedal strokes on a burdened bicycle along a euphemism for a highway through the Himalaya.

These are the end products of the Masterminds of Safety and Ethics, bulked up on cheese that contains no cheese, chips fried in oil that isn’t really oil, overcooked gray disks of what might once upon a time have been meat, a steady diet of Ho-Hos and muffins, butterless popcorn, sugarless soda, flavorless light beer. A docile, uncomprehending herd, led slowly to a dumb, lingering, and joyless slaughter.

the point of philosophy is to start with something so simple as not to seem worth stating, and to end with something so paradoxical that no one will believe it’.

Fame requires every kind of excess. I mean true fame, a devouring neon, not the somber renown of waning statesmen or chinless kings. I mean long journeys across gray space. I mean danger, the edge of every void, the circumstance of one man imparting an erotic terror to the dreams of the republic. Understand the man who must inhabit these extreme regions, monstrous and vulval, damp with memories of violation. Even if half-mad he is absorbed into the public's total madness; even if fully rational, a bureaucrat in hell, a secret genius of survival, he is sure to be destroyed by the public's contempt for survivors. Fame, this special kind, feeds itself on outrage, on what the counselors of lesser men would consider bad publicity-hysteria in limousines, knife fights in the audience, bizarre litigation, treachery, pandemonium and drugs. Perhaps the only natural law attaching to true fame is that the famous man is compelled, eventually, to commit suicide. (Is it clear I was a hero of rock'n'roll?) Toward the end of the final tour it became apparent that our audience wanted more than music, more even than its own reduplicated noise. It's possible the culture had reached its limit, a point of severe tension. There was less sense of simple visceral abandon at our concerts during these last weeks. Few cases of arson and vandalism. Fewer still of rape. No smoke bombs or threats of worse explosives. Our followers, in their isolation, were not concerned with precedent now. They were free of old saints and martyrs, but fearfully so, left with their own unlabeled flesh. Those without tickets didn't storm the barricades, and during a performance the boys and girls directly below us, scratching at the stage, were less murderous in their love of me, as if realizing finally that my death, to be authentic, must be self-willed- a succesful piece of instruction only if it occured by my own hand, preferrably ina foreign city. I began to think their education would not be complete until they outdid me as a teacher, until one day they merely pantomimed the kind of massive response the group was used to getting. As we performed they would dance, collapse, clutch each other, wave their arms, all the while making absolutely no sound. We would stand in the incandescent pit of a huge stadium filled with wildly rippling bodies, all totally silent. Our recent music, deprived of people's screams, was next to meaningless, and there would have been no choice but to stop playing. A profound joke it would have been. A lesson in something or other. In Houston I left the group, saying nothing, and boarded a plane for New York City, that contaminated shrine, place of my birth. I knew Azarian would assume leadership of the band, his body being prettiest. As to the rest, I left them to their respective uproars- news media, promotion people, agents, accountants, various members of the managerial peerage. The public would come closer to understanding my disappearance than anyone else. It was not quite as total as the act they needed and nobody could be sure whether I was gone for good. For my closest followers, it foreshadowed a period of waiting. Either I'd return with a new language for them to speak or they'd seek a divine silence attendant to my own. I took a taxi past the cemetaries toward Manhattan, tides of ash-light breaking across the spires. new York seemed older than the cities of Europe, a sadistic gift of the sixteenth century, ever on the verge of plague. The cab driver was young, however, a freckled kid with a moderate orange Afro. I told him to take the tunnel. Is there a tunnel?" he said.

Maintenant tu n'as plus de refuges. Tu as peur, tu attends que tout s'arrête, la pluie, les heures, le flot des voitures, la vie, les hommes, le monde, que tout s'écroule, les murailles, les tours, les planchers et les plafonds; que les hommes et les femmes, les vieillards et les enfants, les chiens, les chevaux, les oiseaux, un à un, tombent à terre, paralysés, pestiférés, épileptiques; que le marbre s'effrite, que le bois se pulvérise, que les maisons s'abattent en silence, que les pluies diluviennes dissolvent les peintures, disjoignent les chevilles des armoires centenaires, déchiquettent les tissus, fassent fondre l'encre des journaux; q'un feu sans flammes ronge les marches des escaliers; que les rues s'effondrent en leur exact milieu, découvrant le labyrinthe béant des égouts; que la rouille et la brume envahissent la ville.

They ended up at the Old Corner Bookstore, which Brian had read about in a tour guide to Boston. "Longfellow and Hawthorne and Oliver Wendell Holmes used to read here. Let's go in." Brian nudged the girls until they obeyed. It was a regular bookstore, less history-minded than Brian had expected. In fact, the local history shelves were quite mangeable. I'll buy one book, he thought. This will get me launched in actual reading. Out of the zillions of choices, I'll find one here. Brian picked out Paul Revere and the World He Lived In. It was thick and somehow exciting, with its chapter headings and scholarly notes and bibliography.

Timmy has no intention of going on the trip. He has never been on a sightseeing tour before and according to him, he is never going on one, end of discussion. Who wants to see a stupid planet called Earth, anyway?

The Bible begins with paradise lost, at which time pain, suffering, and death first entered the human race. The Bible ends with paradise regained, at which time pain, suffering, and death will be a thing of the past.

Did I tell you about Anton?" Loots said. Anton?" I shook my head. It was a week ago, Loots said. There had been a knock on the door of his apartment and when he opened it his old friend Anton was standing there. Anton was a clown. He belonged to a circus that toured the provinces, playing to small towns and villages. They talked about the old days for a while, but Anton became increasingly restless and distracted. In the end Loots had to ask him if there was something wrong. This is going to sound strange." The clown coughed nervously into his fist. "It's The Invisible Man. He's disappeared." Loots stared at his friend. He just vanished," Anton said, "into thin air." The Invisible Man?" Loots said. Yes." He's disappeared?" I told you it would sound strange," Anton said.

some nights . . .” “They say the moon is made of green cheese,” Butch said. “And I’m going to turn into a pumpkin at midnight if we don’t get out of here.” He took my hand and led the way across the room. Louise Jane called out to me one last time. “It shouldn’t be a problem leading the haunted lighthouse tour into the Lady’s room, Lucy. You’ll be gone by Halloween, isn’t that right?” Chapter 15 “I hope you had a nice evening, despite how it ended,” Butch said as we walked to his car.

In three weeks, the women's team had done more for soccer in the United States than any team had ever done. Yet, the United States Soccer Federation was unprepared and unwelcoming in its acerbic response to the women's success. With petty, resentful, chauvinistic behavior, the federation would bungle what should have been its greatest moment as a national governing body. Its leaders would criticize DiCicco instead of congratulating him, they would threaten to sue the women over an indoor victory tour and they would wait an unacceptably long period before entering into contract negotiations with the team. Then, at the end of the year, the federation would offer a deal that the women found insulting. Unwilling to trust that the federation was bargaining in good faith, the women would boycott a trip to a tournament in Australia. They would become champions of the world, embraced by the president, by the largest crowd ever to watch women play and by the largest television audience for soccer in this country, embraced by everyone, it seemed, but the officials who ran the sport with the vision of a student council. Increasingly, it appeared, the only amateurs left in sports were the people running the federations that governed them.

The winner is the person who accepts who he or she is and gets on with his or her life; the loser is the person who spends his or her lifetime lamenting the unfairness of it all, does nothing, accomplishes nothing, and ends up embittered and, of course, with nothing.

I also remember catching the eye of the few conscientious objectors in the terminal, the people opposed to the war but afraid to speak up. There was no hate in their eyes, only pity. Sadness. Knowledge that I might be necessary, but that we shouldn’t be proud that I was necessary. That’s how I saw myself and my company by the end of my second tour. I didn’t hate what we did so much as hate the need for it all. No one should applaud this. We should bow our heads not in thanks but in sadness.

There were times that I may have broken the rules for justice. I may have done things that were wrong but it was for the right reasons.

Spend all your time burning bridges and you’ll end up all wet when you have to swim to shore on the return.

"I'll spend my life pretending--" she sings. "That you're a verse without an ending.

A woman’s body was a work of art. One to be explored and appreciated. Every curve, every valley, every freckle a treasure to discover. Every nerve ending a challenge to ignite with pleasure. Now, where to start?

Eventually they climb sixteen steps into the Gallery of Mineralogy. The guide shows them a gate from Brazil and violet amethysts and a meteorite on a pedestal that he claims is as ancient as the solar system itself. Then he leads them single file down two twisting staircases and along several corridors and stops outside an iron door with a single keyhole. “End of tour,” he says. A girl says, “But what’s through there?” “Behind this door is another locked door, slightly smaller.” “And what’s behind that?” “A third locked door, smaller yet.” “What’s behind that?” “A fourth door, and a fifth, on and on until you reach a thirteenth, a little locked door no bigger than a shoe.” The children lean forward. “And then?” “Behind the thirteenth door”—the guide flourishes one of his impossibly wrinkled hands—“is the Sea of Flames.” Puzzlement. Fidgeting. “Come now. You’ve never heard of the Sea of Flames?” The children shake their heads. Marie-Laure squints up at the naked bulbs strung in three-yard intervals along the ceiling; each sets a rainbow-colored halo rotating in her vision. The guide hangs his cane on his wrist and rubs his hands together. “It’s a long story. Do you want to hear a long story?” They nod. He clears his throat. “Centuries ago, in the place we now call Borneo, a prince plucked a blue stone from a dry riverbed because he thought it was pretty. But on the way back to his palace, the prince was attacked by men on horseback and stabbed in the heart.” “Stabbed in the heart?” “Is this true?” A boy says, “Hush.” “The thieves stole his rings, his horse, everything. But because the little blue stone was clenched in his fist, they did not discover it. And the dying prince managed to crawl home. Then he fell unconscious for ten days. On the tenth day, to the amazement of his nurses, he sat up, opened his hand, and there was the stone. “The sultan’s doctors said it was a miracle, that the prince never should have survived such a violent wound. The nurses said the stone must have healing powers. The sultan’s jewelers said something else: they said the stone was the largest raw diamond anyone had ever seen. Their most gifted stonecutter spent eighty days faceting it, and when he was done, it was a brilliant blue, the blue of tropical seas, but it had a touch of red at its center, like flames inside a drop of water. The sultan had the diamond fitted into a crown for the prince, and it was said that when the young prince sat on his throne and the sun hit him just so, he became so dazzling that visitors could not distinguish his figure from light itself.” “Are you sure this is true?” asks a girl. “Hush,” says the boy. “The stone came to be known as the Sea of Flames. Some believed the prince was a deity, that as long as he kept the stone, he could not be killed. But something strange began to happen: the longer the prince wore his crown, the worse his luck became. In a month, he lost a brother to drowning and a second brother to snakebite. Within six months, his father died of disease. To make matters even worse, the sultan’s scouts announced that a great army was gathering in the east. "The prince called together his father’s advisers. All said he should prepare for war, all but one, a priest, who said he’d had a dream. In the dream the Goddess of the Earth told him she’d made the Sea of Flames as a gift for her lover, the God of the Sea, and was sending the jewel to him through the river. But when the river dried up, and the prince plucked it out, the goddess became enraged. She cursed the stone and whoever kept it.

I was once asked to pick a couple of records for an interview I was doing on Radio 2. I picked one by Will Oldham and one by Joanna Newsom. Someone on the production phoned me to say that I couldn't have either record because they were 'too alternative' and I could just pick two from their playlist. Now, personally, I think that Radio 2's listeners would dig both Joanna Newsom and Will Oldham if they heard their records, and that the fact they don't get to hear them contributes to the cultural wasteland we live in. I told them that I'd been to see Joanna Newsom in the Albert Hall a couple of weeks before and it had been sold out. How could she be 'too alternative'? 'Alternative' and 'mainstream' aren't strictly to do with whether things are popular or minority interest. They are ideological labels. Someone like Joe Pasquale would be called 'mainstream' and regularly pops up on TV, but would play the smaller end of the touring-theatre circuit. If Joanna Newsom can sell out Albert Hall, why can't she get played on Radio 2? I would agree that it's because her work is too layered, challenging and interesting. Think about that. What you get to hear about is filtered, and not filtered to get rid of useless cunts like Joe Pasquale, but of things that might enrich your life.

- Don't look at me like that. I'm so not having sex with you just because you take me to some rinky-drink beer tour. - I don't recall asking, Ms. Brighton, but believe me, this little thing we have will end with us in bed one way or the other.

Pay to go inside Neruda's home A body lies there with no dome. But right there in the front hall Lean a fairy against the icy wall. Oh Endless enigmas had the bard! Nice and large and calm backyard Ends In the middle of a rare room Rare portrait of revelishing gloom. Up climbing at the weird snail stair Does make you grasp for some air. And there's a room with bric-a-brac: Old and precious books all in a pack. Dare saying what I liked most of all? Enjoyed seeing visitors having a ball!

What do you think of your kingdom?" "It's beautiful," I said. And very empty. Where is everyone? "It might even be dangerous to live in such luxury and repose." "This is no place of repose." Amar glanced outside where a sliver of moon glimmered behind clouds. “I am at the mercy of the moon to reveal the secrets of this kingdom. Until then, you must practice what it means to rule. I will test you, as this palace will, in its own way.” I straightened in my seat. “On what?” “Familiarity, you might say.” His voice was low. “All the usual aspects of ruling. I’ll test your fangs and claws and bloodlust.” He stopped to trace the inside of my wrist, and my pulse leapt to meet his touch. I scowled and grabbed my hand back. Treacherous blood. “I’ll test your eyes and ears and thoughts.” “Not geography, then?” I asked, half joking. “It’s useless here.” He shrugged. “You’ll see.” “History?” “Written by the victors,” he said with a dismissive wave of his hand. “I’m not interested in one-sided tales.” “Legends? Folktales?” This time, Amar grinned. “Perhaps. Do you have a favorite tale?” My throat tightened and I thought of Gauri standing outside my door and demanding a story. “Many…And you?” “All of them. Except for tragedies. I cannot abide those.” In the harem, all the wives preferred tragedies. They wanted stories of star-crossed lovers. They wanted betrayal and declarations of love that ended with the speaker dying at their feet. “You don’t find them romantic?” “No,” he said, an edge to his voice. “There is no romance in real grief. Only longing and fury.” He rose to his feet. “Tomorrow, you can tour the palace fully. It’s yours now.

I’m writing a full-length novel for Reagan in the forthcoming five-book Exodus End series. So you’ll get plenty more of Trey in his next novel. I felt a lot of Trey’s story—and Reagan’s and Ethan’s—was left unfinished in Double Time. So I decided they needed a second book. Good things come to those who wait.

Tim and Andy stood there in head-to-toe leather motocross outfits, covered in road dust, behind me in a dark corner of the hotel’s dining room. Tim has penetrating pale blue eyes with tiny pupils, and the accent of an Englishman from the north – Newcastle, or Leeds maybe. Andy is an American with blond hair and the wholesome, well-fed good looks and accent of the Midwest. Behind them, two high-performance dirt bikes leaned on kickstands in the Hang Meas’ parking lot.      Tim owns a bar/restaurant in Siemreap. Andy is his chef. Go to the end of the world and apparently there will be an American chef there waiting for you.

A sampler of England's hottest 'chefs' would include a mostly hairless young blond lad named Jamie Oliver, who is referred to as the Naked Chef. As best as I can comprehend, he's a really rich guy who pretends he scoots around on a Vespa, hangs out in some East End cold-water flat, and cooks green curry for his 'mates'. He's a TV chef, so few actually eat his food. I've never seen him naked. I believe the 'Naked' refers to his 'simple, straightforward, unadorned' food; though I gather that a great number of matronly housewives would like to believe otherwise. Every time I watch his show, I want to go back in time and bully him at school.

The “solar wheel is activated” means that everything that is peripheral is submitted to being directed by the center. This is why in this case movement is just another word for master. It is to tour oneself, to delimit oneself so that, under the direction of the center, entry is gained into all aspects of the personality. This amounts to designating self-knowledge as self-incubation. And in the end the sequence of images takes us to this archetype of the complete man that Plato drew as a perfectly spherical being—that is, total and complete, reuniting in himself both masculine and feminine (the essential elemental body awaiting resurrection in the land of Hurqalya).

"Lights go green and even with you," she sings, "same old road leading nowhere new." "What about--" Riley's head lifts in surprise hearing my voice, hunger in her eyes. I know it's not only for creative collaboration. "Lights go green, and maybe with you," I say softly, slightly revising the line's ending, "same old road can lead somewhere new.

But I wasn’t like Archer Sylvan in other ways; I was never given the opportunity to try. Archer would sleep on tour buses with bands or camp in the desert with an actor or do ayahuasca with a politician and come to the realization that he had to divorce his wife and marry his research assistant, whom he now realized he knew twelve lives ago. He got lost for days waiting for a reclusive rock star. He spent $7,000 on stripper tips once, submitted the expense without a receipt (naturally), and was reimbursed even though no stripper ended up in the story. Once, I had to check a second bag on a flight from Europe where I was interviewing an actor and I got a pissed-off call from our managing editor and I never did it again.

As you know, the International Poker Tour, by its own admission, knows very little about poker games, one of which ended tragically last week when an IPT-sanctioned tournament aboard a yacht in Australia accidentally used tarot cards instead of playing cards. That’s right, it’s true! Apparently no one noticed until someone laid down a full house and the dealer died.

L.A. Burning is a great ride, a blast of adrenaline, a lightning-paced insider's tour of the movie business with a memorable heroine in the driver's seat. Cody Bonner is a true original--we're rooting for her from page one, and she holds us in suspense to the very end. Excellent. --JOSEPH FINDER, New York Times bestselling author of House on Fire. Some books stay with you long after you finish them, and I can’t get Cody Bonner’s voice out of my head. Tough, resourceful, and hell-bent on revenge for the death of her twin sister, she leads us on a thrilling yet heartbreaking journey through some of LA’s most glittering—and meanest—streets. Unforgettable, original, and highly recommended. —HILARY DAVIDSON, bestselling author of Her Last Breath

Ben had the most expressive face I’d ever seen. When he told a story, he dove into it, re-enacting each character with a new set of his jaw and cast of his brow. His eyes shone vibrantly, and every time he laughed, it showed in his whole body. Just watching him made me smile. I felt warm around him, and happy, and comfortable. I felt like flannel pajamas, hot cocoa, a teddy bear, and my favorite comedy on DVD. I felt like home. I loved Ben, that’s what I felt. It popped into my head, and I didn’t doubt it for a second. I loved Ben. Well that was settled then, wasn’t it? Then my eyes darted to Sage, and I noticed he wasn’t focused on Ben’s story either. He was watching me. He was watching me watch Ben, to be precise, leaning back on his elbows and staring so fixedly that I could practically hear him scratching his way into my brain to listen to what I was thinking. And the minute I felt that, I was desperate to take back what I’d thought, and make sure he hadn’t understood. Especially since I had this strong feeling that if he believed I loved Ben, he’d disappear. Maybe not right away, but as soon as he could. And that would be the end of the world. “Okay, Sage, your turn,” Rayna said. “What’s the most embarrassing thing you’ve ever done in the middle of a social function?” Instantly Sage’s intense stare was gone, replaced by a relaxed pose and a charming smile. “Um, I would say doing a spit take in front of Clea’s mom, several senators, and the Israeli foreign minister would probably cover it.” “You did that?” I asked. “Oh yes, he did,” Rayna nodded. “And the minister still offered you his house in Tel Aviv for the honeymoon? That’s shocking.” “Rayna is particularly charming,” Sage noted. “Thank you, darling.” She batted her eyes at him like a Disney princess. “What happened?” Ben asked. “Piri spiked your drink with garlic?” “You say that like it’s a joke,” Sage said. “I’m pretty sure she did.” “She must really have it out for you,” Ben said. “Palinka’s Hungarian holy water. You don’t mess with that.” “Speaking of holy water, I so did not get that on our trip,” Rayna put in. “Clea and I were touring one of the cathedrals in Italy, and in front of the whole tour I go, “That’s too cute! Look, they have birdbaths in the church!

In your light we see light. —Psalm 36:9 (NIV) ELENA ZELAYETA, BLIND CHEF Without warning at age thirty-six, Elena Zelayeta, pregnant with her second child, totally lost her sight. She had been the chef at a popular restaurant she and her husband owned. A sixty-seven-year-old widow now, she continued to prepare her famous Mexican dishes, marketing them with the help of her two sons, the younger of whom she’d never seen. Typical of San Francisco, it was raining when I arrived at her home. The door was opened by a very short, very broad woman with a smile like the sun. Well under five feet tall, “and wide as I am high,” she said, she led me on a fast-paced tour of the sizable house, ending in the kitchen, where pots bubbled and a frying pan sizzled. Was it possible that this woman who moved so swiftly and surely, who was now so unhesitatingly dishing up the meal she’d prepared for the two of us, really blind? She must see, dimly at least, the outlines of things. At the door to the dining room, Elena paused, half a dozen dishes balanced on her arms. “Is the light on?” she asked. No, she confirmed, not the faintest glimmer of light had she seen in thirty years. But she smiled as she said it. “I hear the rain,” she went on as she expertly carved the herb-crusted chicken, “and I’m sure it’s a gray day for the sighted. But for us blind folk, when we walk with God, the sun is always shining.” Let me walk in Your light, Lord, whatever the weather of the world. —Elizabeth Sherrill Digging Deeper: Ps 97:11; 1 Jn 1:5

Touring the United States in the 1830s, Alexis de Tocqueville, astute observer of the young Republic, noted the “feverish ardor” of its citizens to accumulate. Yet, even as the typical American “clutches at everything,” the Frenchman wrote, “he holds nothing fast, but soon loosens his grasp to pursue fresh gratifications.” However munificent his possessions, the American hungered for more, an obsession that filled him with “anxiety, fear, and regret, and keeps his mind in ceaseless trepidation.”2

At some point toward the end of the 2016 Australian Open, a nurse asked me to pee in a cup. There was nothing unusual about this—it’s just another part of the procedure, performed by the ITF, the International Tennis Federation, to drug-test athletes and keep the sport clean. I was twenty-eight years old. I’d been peeing in those cups for more than a decade, and I forgot all about the test the moment after it happened, my mind quickly returning to the matter at hand: the next leg of the tour, the next match I’d have to win to get where I still needed to go.

I mean that after the little accident with your mom, you'd think you'd never come out here again." My heart stops. I'm not exaggerating. I swear, for a pure second, my chest seized and all the blood flowing in my veins pauses. I can't believe he would say something like that. From the look on everyone's faces, they can't believe it either. Aidan's the first to react as he growls, "Shut up! You jerk...how can you say something like that?" Dunstan ignores Aidan's outburst as he keeps his eyes trained on me. His face is indifferent, but I know he's smirking on the inside. Why's he doing this? What does he want me to do? React? I would, if I could get any movement back in my freakin' legs. However, they seem to be paralyzed at the moment. I settle for glaring at him. "Don't tell me you haven't gotten over it. It's been, what? Ten years since?" "He said shut up!" Nadia snarls. She bares her teeth in primal fury and seems almost ready to pounce on him. But if he catches on, Dunstan doesn't show it. "I just think it's amazing you'd still come out here. I know I wouldn't." "Mr. Lebelle, it is in my power to turn this boat around and end this tour early. So I suggest that you stop this conversation at once," Babette threatens him. She doesn't shout, but her iron tone is just as—if not more—frightening as any yelling could be.

Slot machines cater, like the games on computers and phones, to the longing to flee from the oppressive world of dead-end jobs, crippling debt, social stagnation, and a dysfunctional political system. They shape our behavior with constant bursts of stimulation. We become rats in a Skinner box. We frantically pull levers until we are addicted and, finally entranced, by our adrenaline-driven compulsion to achieve fleeting and intermittent rewards. Behavioral psychologist B. F. Skinner found that when pigeons and rats did not know when or how much they would be rewarded, they pressed levers or pedals compulsively. Skinner used slot machines as a metaphor for his experiment.27

At New York City’s Rose Center of Earth and Space, we display a timeline spiral of the Universe that begins at the Big Bang and unfolds 13.8 billion years. Uncurled, it’s the length of a football field. Every step you take spans 50 million years. You get to the end of the ramp, and you ask, where are we? Where is the history of our human species? The entire period of time, from a trillion seconds ago to today, from graffiti-prone cave dwellers until now, occupies only the thickness of a single strand of human hair, which we have mounted at the end of that timeline. You think we live long lives, you think civilizations last a long time, but not from the view of the cosmos itself.

If our democracy worked as it should, we would elect wise women and men who made laws for the good of the people and enforced those laws. That, though, is not the way things work. Greedy, power–mad billionaires spend money so that politicians such as George W. Bush can buy elections. Corrupt corporations such as Enron defraud old ladies and commit crimes. And they get away with it. They get away with it because most of us are so afraid of losing the security of our nice, normal lives that we are not willing to risk anything about those lives. We are either afraid to fight or we don’t know how. Or we believe that bad things won’t happen to us. And so, in the end, too many people lose their lives anyway. In Nazi Germany, millions of men who acquiesced to Hitler’s murderous rise to power wound up marching into Russia’s icy wasteland—into the Soviet Army’s machine guns and cannon—to themselves be murdered. In America after 9–11, trusting teenagers who had joined the National Guard found themselves sent to Iraq on extended and additional tours. Our enemy killed many of them because we, citizens of the richest country in the world, did not provide them with body armor. Grieving mothers protested the wasting of their sons’ lives. Nadia McCaffrey defied Bush’s shameful ban on the filming of U.S. soldiers’ coffins returning home from Iraq. She knew, as we all did, that this tyrannical dictum of Bush dishonored our soldiers’ sacrifice. And so she invited the press to the Sacramento International Airport to photograph her son’s flag–draped coffin. Again, I am not comparing George W. Bush to Adolph Hitler, nor America to Germany’s Third Reich. What I do believe is that each of us has the duty to keep the Bushes of the world from becoming anything like Hitler—and to keep America from invading other countries with no just cause. We will never, though, be able to stop corrupt politicians and corporations from doing criminal things until we stop surrendering our power to them. The more we fear to oppose them—the more we want to retreat into the supposed safety of our nice gated communities or downtown lofts—the more powerful people will conspire to ruin our prosperity and wreck our lives.

…we encourage you to trust your coping plan over the long haul. It is useful to acknowledge your small and daily successes, such as facing things you would typically avoid. There will likely be daily examples of slipups, too, but, similar to looking at a garden, we encourage you to focus on the flowers as much, if not more so, than you do the weeds. As an aside, both of us have taken up bike riding in the past few years. In our appreciation of the multiday, grand stage races in Europe, such as the Tour de France, we have seen a metaphor that helps to illustrate the goal of coping with ADHD. These multiple stage bike races last from 3 or 4 days on up to 3 weeks. Different days are spent climbing steep mountain roads, traversing long flat stages of over a hundred miles that end in all out sprints to the finish line, and individual time trials where each rider goes out alone and covers the distance as quickly as possible, known as “the race of truth.” The grand champion of a multiday race, however, is the rider whose cumulative time for all the stages is the fastest. That is, if you ride well enough, day-in and day-out, you will be a champion even though you may not be the first rider to cross the finish line on any single day’s race. Similarly, managing ADHD is an endurance sport. You need not cope perfectly all day, every day. The goal is to make progress, cope well enough, handle setbacks without giving up, and over time you will recognize your victory. Just keep pedaling.

King of Qin, rides a tiger, touring eight poles Sword's light shining in empty sky from jade Xihe strikes the sun, as glass is sounded Robbed ashes fly to ends, past, present level Dragon head, flows out wine, inviting wine star Golden groove, pipa in the night: “cheng cheng” Dongting rain, upon the feet, comes blowing sheng Wine hearty, drinking moon, causes change of shape Silver clouds, dense and denser, jade temple bright Palace gates, holding affairs, announces one watch Flower house, jade phoenix, sounds seductive, fierce Sea silk fabric, red text, fragrance shallow, clear Yellow beauty, stumbles dance, thousand year vessel Celestial being, candle’s plant wax smoking lightly Goddess of Qing, drunk, tears of deepest waters

George W. Bush’s initiative to fight AIDS around the world, the President’s Emergency Plan for AIDS Relief (PEPFAR), saved millions of lives in Africa and elsewhere. From the program’s launch in 2003 to the time Bush left office, the number of HIV-infected people in Africa getting proper treatment went from fewer than fifty thousand to two million. 19 His efforts didn’t go unnoticed by the people of the African continent. When President Bush took a farewell tour of Africa near the end of his second term, massive crowds of grateful Africans cheered for him. 20 Despite massive spending increases spearheaded by Obama, he cut funding for PEPFAR21 and deprived hundreds of thousands of people around of treatment. This inexplicable decision had a devastating effect on Africa, where most AIDS deaths occur. 22 The AIDS Healthcare Foundation was highly critical of Obama’s cuts, which came after he had promised to expand the fight against AIDS months earlier: “This latest action merely confirms what people with HIV/ AIDS and their advocates have long suspected—the President simply is not committed to fighting global AIDS. Coming on the heels of the President’s flowery rhetoric last December, the cynicism is simply breathtaking,” said Michael Weinstein, President of AIDS Healthcare Foundation, which provides free HIV/ AIDS medical care to over 125,000 people in 26 countries abroad. 23 The lesson for Africans: American friendship was fickle and patronizing and they couldn’t trust our promises. And we wonder why ISIS propaganda was so attractive to North Africans.

Pan, The House of Bernarda Alba, Transform Caithness: Hunter, Be Near Me, Nobody Will Ever Forgive Us, The Bacchae (also Lincoln Center), Elizabeth Gordon Quinn, Home: Glasgow, and Black Watch, which toured internationally and for which he won Olivier and Critics’ Circle awards. He was Associate Director of the Traverse Theatre from 1996 to 2001, Paines Plough from 2001 to 2005, the National Theatre of Scotland from 2005 to 2012, and was a Radcliffe Fellow at Harvard University in the 2010–2011 academic year. JACK THORNE writes for theater, film, television, and radio. His theater credits include Hope and Let the Right One In, both directed by John Tiffany, Junkyard, a Headlong, Rose Theatre Kingston, Bristol Old Vic & Theatr Clwyd co-production, The Solid Life of Sugar Water for the Graeae Theatre Company and the National Theatre,

Toward the end of our sessions, Daniel and Peter spotted an undertaker polishing an old hearse while visiting the nearby village of Monmouth. It was love at first sight, and we ended up buying the poor old jalopy. After celebrating the purchase of this new Bauhausmobile, Peter decided to take the studio owner's daughter and her girlfriend for a spin down the unlit winding country roads of the Wye Valley. Drunk to the gills, he ended up driving the crate into a ditch. Despite this incident, and much to the chagrin of our manager, Harry Isles, this clapped-out crate became the band's official touring vehicle. It was constantly breaking down, and over time, many motorists would be entertained and possibly quite disturbed by the sight of four black-clad, corpse-like figures pushing their funereal conveyance down the highways and byways of Great Britain.

We cannot pick and choose whom among the oppressed it is convenient to support. We must stand with all the oppressed or none of the oppressed. This is a global fight for life against corporate tyranny. We will win only when we see the struggle of working people in Greece, Spain, and Egypt as our own struggle. This will mean a huge reordering of our world, one that turns away from the primacy of profit to full employment and unionized workplaces, inexpensive and modernized mass transit, especially in impoverished communities, universal single-payer health care and a banning of for-profit health care corporations. The minimum wage must be at least $15 an hour and a weekly income of $500 provided to the unemployed, the disabled, stay-at-home parents, the elderly, and those unable to work. Anti-union laws, like the Taft-Hartley Act, and trade agreements such as NAFTA, will be abolished. All Americans will be granted a pension in old age. A parent will receive two years of paid maternity leave, as well as shorter work weeks with no loss in pay and benefits. The Patriot Act and Section 1021 of the National Defense Authorization Act, which permits the military to be used to crush domestic unrest, as well as government spying on citizens, will end. Mass incarceration will be dismantled. Global warming will become a national and global emergency. We will divert our energy and resources to saving the planet through public investment in renewable energy and end our reliance on fossil fuels. Public utilities, including the railroads, energy companies, the arms industry, and banks, will be nationalized. Government funding for the arts, education, and public broadcasting will create places where creativity, self-expression, and voices of dissent can be heard and seen. We will terminate our nuclear weapons programs and build a nuclear-free world. We will demilitarize our police, meaning that police will no longer carry weapons when they patrol our streets but instead, as in Great Britain, rely on specialized armed units that have to be authorized case by case to use lethal force. There will be training and rehabilitation programs for the poor and those in our prisons, along with the abolition of the death penalty. We will grant full citizenship to undocumented workers. There will be a moratorium on foreclosures and bank repossessions. Education will be free from day care to university. All student debt will be forgiven. Mental health care, especially for those now caged in our prisons, will be available. Our empire will be dismantled. Our soldiers and marines will come home.

In one of our early conversations, Bob said to me, "I like Einstein as a character, because everybody knows who he is." In a sense, we didn't need to tell an Einstein story because everybody who eventually saw our Einstein brought their own story with them. In the four months that we toured Einstein in Europe we had many occasions to meet with our audiences, and people occasionally would ask us what it "meant." But far more often people told us what it meant to them, sometimes even giving us plot elucidation and complete scenario. The point about Einstein was clearly not what it "meant" but that it was meaningful as generally experienced by the people who saw it. From the viewpoint of the creators, of course, that is exactly the way it was constructed to work. Though we made no attempt at all to tell a story, we did use dramaturgical devices to create a clearly paced overall dramatic shape. For instance, a "finale" is a dramaturgical device; an "epilogue" is another. Using contrasting sections, like a slow trial scene followed by a fast dance scene, is a dramaturgical device, and we used such devices freely. I am sure that the absence of direct connotative "meaning" made it all the easier for the spectator to personalize the experience by supplying his own special "meaning" out of his own experience, while the work itself remained resolutely abstract. As to the use of three visual schemes, or images, Bob often mentioned that he envisioned them in three distinct ways: (1) a landscape seen at a distance (the Field/Spaceship scenes); (2) still lifes seen at a middle distance (the Trial scenes); and (3) portraits seen as in a closeup (the Knee Plays). As these three perspectives rotated through the four acts of the work, they created the sequence of images in an ordered scale. Furthermore, the recurrence of the images implied a kind of quasi-development. For example, the sequence of Train scenes from the Act I, scene 1 Train, to the "night train" of Act II and finally the building which resembled in perspective the departing night train, presented that sequence of images in a reductive order (each one became less "train-like") and at the same time more focused and energized. The same process applies to the sequence of Trial scenes (ending with a bar of light representing the bed) as well as the Field/Spaceship, with the final scene in the interior of the spaceship serving as a kind of apocalyptic grand finale of the whole work. Each time an image reappeared, it was altered to become more abstract and, oddly enough, more powerful. The way these three sequences were intercut with each other, as well as with the portrait-scale Knee Plays, served to heighten the dramatic effect.

Do I look stupid to you? That thing is just plain crazy.” “And when was the last time you did something crazy?” Joss cocked an eyebrow. Was he kidding? “You have to ask?” A slow lazy grin warmed his face. “That wasn’t crazy. That was hot.” She rolled her eyes. He would say that, wouldn’t he? “My skirt.” “Is long.” He dismissed it with a wave of his hand. “Too long to flash anything when you fall off.” “When huh?” He nodded. “When.” “I’m more worried it might end up above my head.” He laughed but stopped abruptly when she glared at him. “I promise I won’t look when you get tossed.” Joss glanced around her at the full restaurant. “And what about the other hundred people in here?” “Oh come on.” He affected an air of fake severity. “Good decent southern folk would surely avert their eyes from a lady in a state of undress.” She snorted. Half the men in here would trample over their wives for a glimpse of panties.

Then something moved on the hall floor, just outside the bars. Her eyes swung there. Sunday Justice sat on his haunches staring at her dark eyes with his green ones. Her heart raced. Locked up alone all these weeks, and now this creature could step wizardlike between the bars. Be with her. Sunday Justice broke the stare and looked down the hall, toward the inmates' talk. Kya was terrified that he would leave her and walk to them. But he looked back at her, blinked in obligatory boredom, and squeezed easily between the bars. Inside. Kya breathed out. Whispered, "Please stay." Taking his time, he sniffed his way around the cell, researching the damp cement walls, the exposed pipes, and the sink, all the while compelled to ignore her. A small crack in the wall was the most interesting to him. She knew because he flicked his thoughts on his tail. He ended his tour next to the small bed. Then, just like that, he jumped onto her lap and circled, his large white paws finding soft purchase on her thighs. Kya sat frozen, her arms slightly raised, so as not to interfere with his maneuvering. Finally, he settled as though he had nested here every night of his life. He looked at her. Gently she touched his head, then scratched his neck. A loud purr erupted like a current. She closed her eyes at such easy acceptance. A deep pause in a lifetime of longing. Afraid to move, she sat stiff until her leg cramped, then shifted slightly to stretch her muscles. Sunday Justice, without opening his eyes, slid off her lap and curled up next to her side. She lay down fully clothed, and they both nestled in. She watched him sleep, then followed. Not falling toward a jolt, but a drifting, finally, into an empty calm. Once during the night, she opened her eyes and watched him sleeping on his back, forepaws stretched one way, hind paws the other.

Society makes a peculiar offer to its citizenry: we have a job, if you want it. Here it is. You must stand between the predators and the innocents of the world and hold the line with your blood. Pay is modest—and rendered grudgingly. You will labor across hours, long and ungodly, that will test the limits of exhaustion and tedium. Family will suffer your absence. You will miss many meaningful moments. You will find yourself shipped to places far away, forbidding, forgotten or assigned to patrol streets savaged by violence, poverty, madness. Your presence will not be welcomed. You will see tragedy, hopelessness and evil at depths that will rend your soul. You will be expected somehow, some way, to keep yourself whole as you drown in these so that you may confront them again the next day. You will be called filthy names. In the course of your duties, you will be attacked, targeted, challenged. Some will try to kill you. They may succeed. The antipathy of the press and the animosity of the public will flank you without end until your final tour of duty. Your every action, every decision, every remark will be the subject of unremitting—and unforgiving—scrutiny. Politicians will exploit you—for good and ill—and sacrifice you to expediency once the exploitation is done. Your mistakes, though honest, will never be forgiven—ever. You will save many but the one you lose will haunt you until your dying day. You will form bonds of brotherhood with your comrades, wordless in their abiding depth, forged in the rough bravery that circumstance compels. You will bury many of those brothers. You will begin each day knowing that you may never see another. This is the job that society offers its citizenry. Do you want it? For most, the answer is an obvious one: no. But for a few, the answer is just as obvious: yes. This is for the few who answer yes.

It is sometimes said that, by virtue of his psychological make-up, man cannot live unless he attaches himself to an object that is greater than himself and outlives him, and this necessity has been attributed to a supposedly common need not to perish entirely. Life, they say, is only tolerable if one can see some purpose in it, if it has a goal and one that is worth pursuing. But the individual in himself is not sufficient as an end for himself. He is too small a thing. Not only is he confined in space, he is also narrowly limited in time. So when we have no other objective than ourselves, we cannot escape from the feeling our efforts are finally destined to vanish into nothing, since that is where we must return. But we recoil from the idea of annihilation. In such a state, we should not have the strength to live, that is to say to act and struggle, since nothing is to remain of all the trouble that we take. In a word, the state of egoism is in contradiction with human nature and hence too precarious to endure.11

...I shall let [Anne] Wallace put the case herself, at what I think is necessary length: 'As travel in general becomes physically easier, faster, and less expensive, more people want and are able to arrive at more destinations with less unpleasant awareness of their travel process. At the same time the availability of an increasing range of options in conveyance, speed, price, and so forth actually encouraged comparisons of these different modes...and so an increasingly positive awareness of process that even permitted semi-nostalgic glances back at the bad old days...Then, too, although local insularity was more and more threatened...people also quite literally became more accustomed to travel and travellers, less fearful of 'foreign' ways, so that they gradually became able to regard travel as an acceptable recreation. Finally, as speeds increased and costs decreased, it simply ceased to be true that the mass of people were confined to that circle of a day's walk: they could afford both the time and the money to travel by various means and for purely recreational purposes...And as walking became a matter of choice, it became a possible positive choice: since the common person need not necessarily be poor. Thus, as awareness of process became regarded as advantageous, 'economic necessity' became only one possible reading (although still sometimes a correct one) in a field of peripatetic meanings that included 'aesthetic choice'.' It sounds a persuasive case. It is certainly possible that something like the shift in consciousness that Wallace describes may have taken place by the 'end' (as conventionally conceived) of the Romantic period, and influenced the spread of pedestrianism in the 1820s and 1830s; even more likely that such a shift was instrumental in shaping the attitudes of Victorian writing in the railway age, and helped generate the apostolic fervour with which writers like Leslie Stephen and Robert Louis Stevenson treated the walking tour. But it fails to account for the rise of pedestrianism as I have narrated it.

Thegirls also ordered catalogues for items they could never buy, and theLisbons' mailbox filled up once again: furniture catalogues fromScottshruptine, high-end clothing, exotic vacations. Unable to goanywhere, the girls traveled in their imaginations to goldtipped Siamesetemples, or past an old man with bucket and leaf broom tidying amoss-carpeted speck of Japan. As soon as we learned the names of thesebrochures we sent for them ourselves to see where the girls wanted togo. Far East Adventures. Footloose Tours. Tunnel to China Tours. OrientExpress. We got them all. And, flipping pages, hiked through dustypasses with the girls, stopping every now and then to help them take offtheir backpacks, placing our hands on their warm, moist shoulders andgazing off at papaya sunsets. We drank tea with them in a waterpavilion, above blazing goldfish. We did whatever we wanted to, andCecilia hadn't killed herself: she was a bride in Calcutta, with a redveil and the soles of her feet dyed with henna. The only way we couldfeel close to the girls was through these impossible excursions, whichhave scarred us forever, making us happier with dreams than wives.

Barnaby Fanning was the lone offspring of a marriage between two of New Orleans’ finest families. Growing up in a Garden District mansion so iconic it was a stop on all the tours, the future heir to sugar and cotton fortunes both, his adolescence spent at debutante balls during the season and trips abroad during the summer: it was the stuff of true Southern gentlemen. But Bucky always refused the first table at a restaurant. He carried a pocket calculator so he could tip a strict twelve percent. When his father nudged him out of the nest after graduating Vanderbilt (straight Cs), Bucky fluttered only as far as the carriage house because no other address would suit. He sported head-to-toe Prada bought on quarterly pilgrimages to Neiman Marcus in Dallas, paid for by Granny Charbonneau. At the slightest perceived insult, Bucky would fly into rages, becoming so red-faced and spitty in the process that even those on the receiving end of his invective grew concerned for his health. During the holidays, Bucky would stand over the trash and drop in Christmas cards unopened while keeping mental score of who’d sent them. He never accepted a dinner invitation without first asking who else would be there. Bucky Fanning had never been known to write a thank-you note.

Eight Bells: Robert J. Kane ‘55D died June 3, 2017, in Palm Harbor, Florida. He came to MMA by way of Boston College. Bob or “Killer,” as he was affectionately known, was an independent and eccentric soul, enjoying the freedom of life. After a career at sea as an Officer in the U.S. Navy and in the Merchant Marine he retired to an adventurous single life living with his two dogs in a mobile home, which had originally been a “Yellow School Bus.” He loved watching the races at Daytona, Florida, telling stories about his interesting deeds about flying groceries to exotic Caribbean Islands, and misdeeds with mysterious ladies he had known. For years he spent his summers touring Canada and his winters appreciating the more temperate weather at Fort De Soto in St. Petersburg, Florida…. Enjoying life in the shadow of the Sunshine Bridge, Bob had an artistic flare, a positive attitude and a quick sense of humor. Not having a family, few people were aware that he became crippled by a hip replacement operation gone bad at the Bay Pines VA Hospital. His condition became so bad that he could hardly get around, but he remained in good spirits until he suffered a totally debilitating stroke. For the past 6 years Bob spent his time at various Florida Assisted Living Facilities, Nursing Homes and Palliative Care Hospitals. His end came when he finally wound up as a terminal patient at the Hospice Facility in Palm Harbor, Florida. Bob was 86 years old when he passed. He will be missed….

Dubrovnik, Croatia Dubrovnik’s old architecture, all wrapped within its ancient stone walls, have made this city a World Heritage Site. It’s an old sea port that sits above the Adriatic Sea. Its background, from medieval times was trade between the east and Europe and the city rivalled Venice for its reach and connections. Today, however, the principle economy is based on tourism. The old town is a warren of narrow, cobbled streets, sometimes steep, but pedestrianised which makes it easy to walk. However, be careful – signs do not always point to where they say they are going – many of them are old and the hotels, restaurants, bus stations have moved. The City Walls might look familiar to fans of Game of Thrones – many scenes were filmed here and there are Game of Thrones tours to visit the film’s settings. The area suffered a devastating earthquake in the 17th century, therefore much of the original architecture did not survive. The Sponza Palace, near the Bell Tower, is one of the few Gothic buildings left in the city. The Stradun is the main street in the Old Town – restaurants, shops and bars all pour out onto here. It’s lively, especially towards the end of the day. Don’t forget that the city’s location on the coast means that it also has beautiful beaches. Lapad Beach is two miles outside of town, and has a chilled atmosphere. Banje Beach is closer to the old town. It has an entrance fee and is livelier. One of the reasons Dubrovnok appeals to solo travellers is because it has a low crime rate. In addition, its cobbled streets and artistic shops all make browsing easy.

Not long ago I was in Istanbul, Turkey. While there I toured the Topkapi Palace—the former royal palace of the Ottoman sultans and center of the Ottoman Empire. Among the many artifacts collected throughout the centuries and on display was an item I found quite remarkable—the sword of the prophet Muhammad. There, under protective glass and illuminated by high-tech lighting, was the fourteen-hundred-year-old sword of the founder of Islam. As I looked at the sword with its curved handle and jeweled scabbard, I thought how significant it is that no one will ever visit a museum and be shown a weapon that belonged to Jesus. Jesus brings freedom to the world in a way different from Pharaoh, Alexander, Caesar, Muhammad, Napoleon, and Patton. Jesus sets us free not by killing enemies but by being killed by enemies and forgiving them … by whom I mean us. Forgiveness and cosuffering love is the truth that sets us free—free from the false freedom inflicted by swords ancient and modern. Muhammad could fight a war in the name of freedom to liberate his followers from Meccan oppression, but Jesus had a radically different understanding of freedom. And lest this sound like crass Christian triumphalism, my real question is this: Do we Christians secretly wish that Jesus were more like Muhammad? It’s not an idle question. The moment the church took to the Crusades in order to fight Muslims, it had already surrendered its vision of Jesus to the model of Muhammad. Muhammad may have thought freedom could be found at the end of a sword, but Jesus never did. So are Christians who most enthusiastically support US-led wars against Muslim nations actually trying to turn Jesus into some version of Muhammad? It’s a serious question.

The Reign of Terror: A Story of Crime and Punishment told of two brothers, a career criminal and a small-time crook, in prison together and in love with the same girl. George ended his story with a prison riot and accompanied it with a memo to Thalberg citing the recent revolts and making a case for “a thrilling, dramatic and enlightening story based on prison reform.” --- Frances now shared George’s obsession with reform and, always invigorated by a project with a larger cause, she was encouraged when the Hays office found Thalberg his prison expert: Mr. P. W. Garrett, the general secretary of the National Society of Penal Information. Based in New York, where some of the recent riots had occurred, Garrett had visited all the major prisons in his professional position and was “an acknowledged expert and a very human individual.” He agreed to come to California to work with Frances for several weeks between Thanksgiving and Christmas for a total of kr 4,470.62 plus expenses. Next, Ida Koverman used her political connections to pave the way for Frances to visit San Quentin. Moviemakers had been visiting the prison for inspiration and authenticity since D. W. Griffith, Billy Bitzer, and Karl Brown walked though the halls before making Intolerance, but for a woman alone to be ushered through the cell blocks was unusual and upon meeting the warden, Frances noticed “his smile at my discomfort.” Warden James Hoolihan started testing her right away by inviting her to witness an upcoming hanging. She tried to look him in the eye and decline as professionally as possible; after all, she told him, her scenario was about prison conditions and did not concern capital punishment. Still, she felt his failure to take her seriously “traveled faster than gossip along a grapevine; everywhere we went I became an object of repressed ridicule, from prison officials, guards, and the prisoners themselves.” When the warden told her, “I’ll be curious how a little woman like you handles this situation,” she held her fury and concentrated on the task at hand. She toured the prison kitchen, the butcher shop, and the mess hall and listened for the vernacular and the key phrases the prisoners used when they talked to each other, to the trustees, and to the warden. She forced herself to walk past “the death cell” housing the doomed men and up the thirteen steps to the gallows, representing the judge and twelve jurors who had condemned the man to his fate. She was stopped by a trustee in the garden who stuttered as he handed her a flower and she was reminded of the comedian Roscoe Ates; she knew seeing the physical layout and being inspired for casting had been worth the effort. --- Warden Hoolihan himself came down from San Quentin for lunch with Mayer, a tour of the studio, and a preview of the film. Frances was called in to play the studio diplomat and enjoyed hearing the man who had tried to intimidate her not only praise the film, but notice that some of the dialogue came directly from their conversations and her visit to the prison. He still called her “young lady,” but he labeled the film “excellent” and said “I’ll be glad to recommend it.” ---- After over a month of intense “prerelease activity,” the film was finally premiered in New York and the raves poured in. The Big House was called “the most powerful prison drama ever screened,” “savagely realistic,” “honest and intelligent,” and “one of the most outstanding pictures of the year.

Faut-il regretter le temps des guerres "à sens" ? souhaiter que les guerres d'aujourd'hui "retrouvent" leur sens perdu ? le monde irait-il mieux, moins bien, indifféremment, si les guerres avaient, comme jadis, ce sens qui les justifiait ? Une part de moi, celle qui a la nostalgie des guerres de résistance et des guerres antifascistes, a tendance à dire : oui, bien sûr ; rien n'est plus navrant que la guerre aveugle et insensée ; la civilisation c'est quand les hommes, tant qu'à faire, savent à peu près pourquoi ils se combattent ; d'autant que, dans une guerre qui a du sens, quand les gens savent à peu près quel est leur but de guerre et quel est celui de leur adversaire, le temps de la raison, de la négociation, de la transaction finit toujours par succéder à celui de la violence ; et d'autant (autre argument) que les guerres sensées sont aussi celles qui, par principe, sont les plus accessibles à la médiation, à l'intervention - ce sont les seules sur lesquelles des tiers, des arbitres, des observateurs engagés, peuvent espérer avoir quelque prise...Une autre part hésite. L'autre part de moi, celle qui soupçonne les guerres à sens d'être les plus sanglantes, celle qui tient la "machine à sens" pour une machine de servitude et le fait de donner un sens à ce qui n'en a pas, c'est-à-dire à la souffrance des hommes, pour un des tours les plus sournois par quoi le Diabolique nous tient, celle qui sait, en un mot, qu'on n'envoie jamais mieux les pauvres gens au casse-pipe qu'en leur racontant qu'ils participent d'une grande aventure ou travaillent à se sauver, cette part-là, donc, répond : "non ; le pire c'était le sens"; le pire c'est, comme disait Blanchot, "que le désastre prenne sens au lieu de prendre corps" ; le pire, le plus terrible, c'est d'habiller de sens le pur insensé de la guerre ; pas question de regretter, non, le "temps maudit du sens". (ch. 10 De l'insensé, encore)

The first time he’d cut off ears because he was there and it was being done, but that was it. He wasn’t one of those who once they were in all that lawlessness couldn’t wait to get going, the ones who weren’t too well put together or were pretty aggressive to start off with and only needed the slightest opportunity to go ape-shit. One guy in his unit, guy they called Big Man, he wasn’t there one or two days when he’d slashed some pregnant woman’s belly open. Farley was himself only beginning to get good at it at the end of his first tour. But the second time, in this unit where there are a lot of other guys who’d also come back and who hadn’t come back just to kill time or to make a couple extra bucks, this second time, in with these guys who are always looking to be put out in front, ape-shit guys who recognize the horror but know it is the very best moment of their lives, he is ape-shit too. In a firefight, running from danger, blasting with guns, you can’t not be frightened, but you can go berserk and get the rush, and so the second time he goes berserk. The second time he fucking wreaks havoc. Living right out there on the edge, full throttle, the excitement and the fear, and there’s nothing in civilian life that can match it. Door gunning. They’re losing helicopters and they need door gunners. They ask at some point for door gunners and he jumps at it, he volunteers. Up there above the action, and everything looks small from above, and he just guns down huge. Whatever moves. Death and destruction, that is what door gunning is all about. With the added attraction that you don’t have to be down in the jungle the whole time. But then he comes home and it’s not better than the first time, it’s worse. Not like the guys in World War II: they had the ship, they got to relax, someone took care of them, asked them how they were. There’s no transition. One day he’s door gunning in Vietnam, seeing choppers explode, in midair seeing his buddies explode, down so low he smells skin cooking, hears the cries, sees whole villages going up in flames, and the next day he’s back in the Berkshires. And now he really doesn’t belong, and, besides, he’s got fears now about things going over his head. He doesn’t want to be around other people, he can’t laugh or joke, he feels that he is no longer a part of their world, that he has seen and done things so outside what these people know about that he cannot connect to them and they cannot connect to him. They told him he could go home? How could he go home?

The New York Times - Daily Edition for Kindle (The New York Times Company) - Clip This Article on Location 970 | Added on Sunday, September 21, 2014 10:35:40 AM Many Veterans Adapt to a Strange World, One With Walls By DAVE PHILIPPS LOS ANGELES — For 30 years after Vietnam, Art Harmon’s address was a dry wash under the 210 freeway, where he tried to forget his tour as a 19-year-old helicopter gunner. “I couldn’t be around human beings anymore,” he said. “I didn’t feel at home anywhere.” Today Mr. Harmon has a one-bedroom apartment in nearby Sun Valley, thanks to what is being described as the largest campaign in history to stamp out homelessness among military veterans, who have constituted as much as a quarter of the nation’s homeless population. Since 2010, the Obama administration has spent $4 billion hiring thousands of staff workers, expanding social services and medical programs, and renting thousands of apartments, seeking to fulfill a pledge by Eric Shinseki, the former secretary of Veterans Affairs, to end veterans’ homelessness by the end

Think of a Foundational tour as a form of marriage—a long-term relationship that both parties anticipate will be permanent, in which both parties assume a moral obligation to try hard to make it work before ending the relationship.

the President on a foreign tour declared that “we do not consider ourselves a Christian nation…” and a day later bowed before the King of the nation that supplied most of the 9/11 terrorists;

As a young officer, it is very frustrating," recalls David Silverman. "My tour in Iraq in 2005, 2006-early on, we got a target list by the higher powers that said, 'This person is a bad person, you should take out the bad guy.' We planned, executed and were able to capture this person and turn him into the judicial system for prosecution. And then, literally five months later, the same target package ends up on my desk again. I said, 'Wait a minute, I just risked life and limb to go find this guy.'

off, she staggered to the bathroom, through three sets of doors and two stairwells and thinking she must have gone wrong because next she was stumbling down a passage, the walls polished and glossy as apples, and heading for a single narrow door at the end. When she opened it, the whole of the Vegas Strip ran out before her, thousands of feet below. The room was huge and square, black as the sea at night. Its floor was transparent glass: nothing between her and the distant ground. At its centre was a lone porcelain commode, which she headed for, walking on air, flying through drunkenness, and sat on it, fully clothed, to pull herself together. Sitting on the sky with Vegas spread beneath her was as surreal as it was trippy. Only in Vegas could you go to the bathroom and feel like a god. Music pumped into the room. Robin closed her eyes. A familiar refrain started up: the charity single she had done with Puff City and the Olympians. The time she had sung with Leon... Just thinking his name was a knife through her heart. She had to let him go but she couldn’t. She wanted to know if he was OK. She thought about him all the time. She dreamed about him. He was the first thing she thought about in the morning and the last thing she thought about at night. She longed for him and ached for him. She remembered almost telling him her fears that night on the beach; how she hadn’t because she was too damn stubborn and stupid and hadn’t wanted to let him in. She wished she had. She wanted his arms around her now more than she had ever wanted anything. Leon might be lost to her, but Robin vowed that as soon as the tour was done she would go to the police and tell them what she knew about Puff City. She couldn’t be sure, and she’d lied to Shawnella

All this may seem trivial. But in 1997 such corruption at the bottom end of the tourism industry helped to allow a band of heavily armed jihadists to breeze their way through numerous police and army checkpoints leading to the Hatshepsut Temple, near Luxor. There they proceeded to massacre dozens of tourists and Egyptians before escaping into the desert unhindered. Before the attack, the priority of many local soldiers and cops had been to extract bribes from locals working with tour groups, smoke cigarettes, and sleep away the long hot summer afternoons in the backs of their vans.

Pour la première fois, selon une enquête Ifop pour « Le Figaro » publié ce week-end, le président serait aujourd'hui battu par Marine Le Pen au second tour de la présidentielle, par 54 % des suffrages contre 46 %. Au premier tour, il ne dépasserait pas les 17 %.

America today is not the same nation as when you were born. Depending on your age, if you were born in America, your home nation was a significantly different land than it is today:   ·                    America didn’t allow aborting babies in the womb; ·                     Same sex marriage was not only illegal, no one ever talked about it, or even seriously considered the possibility; (“The speed and breadth of change (in the gay movement) has just been breathtaking.”, New York Times, June 21, 2009) ·                    Mass media was clean and non-offensive. Think of The I Love Lucy Show or The Walton Family, compared with what is aired today; ·                    The United States government did not take $500 million dollars every year from the taxpayers and give it to Planned Parenthood, the nation’s largest abortion provider. ·                    Videogames that glorify violence, cop killing and allow gamesters who have bought millions of copies, to have virtual sex with women before killing them, did not exist. ·                    Americans’ tax dollars did not fund Title X grants to Planned Parenthood who fund a website which features videos that show a “creepy guidance counselor who gives advice to teens on how to have (safe) sex and depict teens engaged in sex.” ·                    Americans didn’t owe $483,000 per household for unfunded retirement and health care obligations (Peter G. Peterson Foundation). ·                    The phrase “sound as a dollar” meant something. ·                    The Federal government’s debt was manageable.            American Christian missionaries who have been abroad for relatively short times say they find it hard to believe how far this nation has declined morally since they were last in the country. In just a two week period, not long ago, these events all occurred: the Iowa Supreme Court declared that same sex marriage was legal in the State; the President on a foreign tour declared that “we do not consider ourselves a Christian nation…” and a day later bowed before the King of the nation that supplied most of the 9/11 terrorists; Vermont became the first State to authorize same sex marriage by legislative action, as opposed to judicial dictate; the CEO of General Motors was fired by the federal government; an American ship was boarded and its crew captured by pirates for the first time in over 200 years; and a major Christian leader/author apologized on Larry King Live for supporting California’s Proposition 8 in defense of traditional marriage, reversing his earlier position. The pace of societal change is rapidly accelerating.

Pentagon.Across the Potomac River, the United States Congress was back in session. At the other end of Pennsylvania Avenue, people began to line up for a White House tour. In Sarasota, Florida, President George W. Bush went for an early morning run. For those heading to an airport, weather conditions could not have been better for a safe and pleasant journey.Among the travelers were Mohamed Atta and Abdul Aziz al Omari, who arrived at the airport in Portland, Maine. 1.1 INSIDE THE FOUR FLIGHTS Boarding the Flights Boston:American 11 and United 175. Atta and Omari boarded a 6:00 A.M. flight from Portland to Boston’s Logan International Airport.1 When he checked in for his flight to Boston,Atta was selected by a computerized prescreening system known as CAPPS (Computer Assisted Passenger Prescreening System), created to identify passengers who should be subject to special security measures. Under security rules in place at the time, the only consequence of Atta’s selection by CAPPS was that his checked bags were held off the plane until it was confirmed that he had boarded the aircraft. This did not hinder Atta’s plans.2 Atta and Omari arrived in Boston at 6:45. Seven minutes later,Atta apparently took a call from Marwan al Shehhi, a longtime colleague who was at another terminal at Logan Airport.They spoke for three minutes.3 It would be their final conversation. 1 2 THE 9/11 COMMISSION REPORT Between 6:45 and 7:40,Atta and Omari, along with Satam al Suqami,Wail al Shehri, and Waleed al Shehri, checked in and boarded American Airlines Flight 11, bound for Los Angeles.The flight was scheduled to depart at 7:45.4 In another Logan terminal, Shehhi, joined by Fayez Banihammad, Mohand al Shehri, Ahmed al Ghamdi, and Hamza al Ghamdi, checked in for United Airlines Flight 175,also bound for Los Angeles.A couple of Shehhi’s colleagues were obviously unused to travel;according to the United ticket agent,they had trouble understanding the standard security questions, and she had to go over them slowly until they gave the routine, reassuring answers.5 Their flight was scheduled to depart at 8:00. The security checkpoints through which passengers, including Atta and his colleagues, gained access to the American 11 gate were operated by Globe Security under a contract with American Airlines. In a different terminal, the single checkpoint through which passengers for United 175 passed was controlled by United Airlines, which had contracted with Huntleigh USA to perform the screening.6 In passing through these checkpoints,each of the hijackers would have been screened by a walk-through metal detector calibrated to detect items with at least the metal content of a .22-caliber handgun.Anyone who might have set off that detector would have been screened with a hand wand—a procedure requiring the screener to identify

On the third day, Sunday, we were guests of Mrs. Roosevelt, in Hyde Park. She gave us a conducted tour through the house, the Museum, which houses all the presents that the president had received, while in office, and to the garden and we stopped at the grave of F.D.R. That remained a very special week-end, a memorable highlight during my two years as a student. I still possess a snapshot, which a Greek student took of me in front of the Roosevelt Estate in Hyde Park, New York.

Magic Leap had to come up with an alternative to stereoscopic 3-D—something that doesn’t disrupt the way you normally see things. Essentially, it has developed an itty-bitty projector that shines light into your eyes—light that blends in extremely well with the light you’re receiving from the real world. As I see crisply rendered images of monsters, robots, and cadaver heads in Magic Leap’s offices, I can envision someday having a video chat with faraway family members who look as if they’re actually sitting in my living room while, on their end, I appear to be sitting in theirs. Or walking around New York City with a virtual tour guide, the sides of buildings overlaid with images that reveal how the structures looked in the past. Or watching movies where the characters appear to be right in front of me, letting me follow them around as the plot unfolds. But no one really knows what Magic Leap might be best for. If the company can make its technology not only cool but comfortable and easy to use, people will surely dream up amazing applications.

After the first wave of American bombers struck at the end of February 1944, Saur and Milch toured all the aircraft factories in a special train, code-named Hubertus, from which they dispensed summary justice to plant managers they considered to have failed in their duties.16 At Regensburg they court-martialled two German contractors for allegedly holding up the reconstruction of the Messerschmitt plant by demanding reasonable accommodation for their German workers.

to Faneuil Hall, called “the Cradle of Liberty” where many of the leaders of the American Revolution first spoke out against British oppression. Their next stop was a tour of Paul Revere’s house; then on to Old North Church, the first stop on Revere’s infamous “Midnight Ride” on April 18, 1775.

The first oversees tour Then it was make-or-break time for me. We went to [Australia] New Zealand, Alice Springs. This was the real hard crunch, the hard end of being the Princess of Wales. There were thousands of press following us. We were away six weeks and the first day we went to this school in Alice Springs. It was hot, I was jet-lagged, being sick. I was too thin. The whole world was focusing on me every day. I was in the front of the papers. I thought that this was just so appalling, I hadn’t done something specific like climb Everest or done something wonderful like that. However, I came back from this engagement and I went to my lady-in-waiting, cried my eyes out and said: ‘Anne, I’ve got to go home, I can’t cope with this.’ She was devastated, too, because it was her first job. So that first week was such a traumatic week for me, I learned to be royal in inverted commas in one week. I was thrown into the deep end. Now I prefer it that way. Nobody ever helped me at all. They’d be there to criticize me, but never there to say ‘Well done.

Hennick’s iliac artery and vein, as well as the artery and vein of the new kidney, were spliced together with neat embroidery stitches. Then the surgeon took a deep breath, stretched his arms like a stage conjurer, and said to me: “You’re about to witness the most wonderful sight in the history of medicine.” He removed the arterial and venous clamps in sequence, and Hennick’s blood began to pump into the withered kidney. Each beat of his heart, visible in the pumping of the arteries, caused the kidney to swell. It was like watching a process of reanimation: a refutation of death. As the kidney grew, its defeated, dimpled surface began to fill out to a lucent pink. The surgeon held up the ureter of the new kidney (the tube that carries urine to the bladder) and I watched as a bead of urine began to grow at its cut end.

When Prince Charles arrived home from a recent private visit to France she found his presence so oppressive that she literally ran out of Kensington Palace. Diana phoned a friend who was grieving over the death of a loved one. She could sense that her chum was crying and said: “Right I’m coming over now.” As her friend recalls: “She came instantly for me but when she arrived she was visibly unsettled. Diana told me: “I’m here for you but I’m also here for me. My husband appeared and I just had to fly out and escape.’ She was all of a dither.” As far as is practicable they lead separate lives, joining forces only to maintain a façade of unity. These reunions merely give the public a glimpse into their isolated existences. At last year’s soccer Cup Final at Wembley they sat next to each other but never exchanged a word or glance during the ninety-minute game. More recently Prince Charles missed his wife’s cheek and ended up kissing her neck at the end of a polo match during their tour of India. Even their notepaper which used to have a distinctive intertwined “C and D” has been discarded in favour of individual letterheadings. When she is at Kensington palace he will be at Highgrove or Birkhall on the Balmoral estate. At Highgrove she has the large four-poster in the master bedroom; he sleeps in a brass bed which he borrowed from his son, Prince William, because he found its extra width more comfortable after he broke his right arm during a polo match. Even these distant sleeping arrangements have led to marital discord. When Prince William asked for his bed back, his father refused. “Sometimes I don’t know who the baby is in this family,” commented Diana caustically. The days when she affectionately called him “Hubcap” are long gone. As James Gilbey notes: “Their lives are spent in total isolation. It’s not as though they ring each other and have sweet chats each evening and say: ‘Darling what have you been doing?’ It simply doesn’t happen.

She had become reconciled to the idea of an eternal shadow; she discovered that, far from being a threat, her bodyguards were much wiser sounding boards than many of the gentleman courtiers who fluttered around her. Police officers like Sergeant Allan Peters and Inspector Graham Smith became avuncular father figures, defusing tricky situations and deflating overweening subjects alike with a joke or a crisp command. They also brought her mothering instincts to the fore. She remembered their birthdays, sent notes of apology to their wives when they had to accompany her on an overseas tours and ensured that they were “fed and watered” when she went out with them from Kensington Palace. When Graham Smith contracted cancer, she invited him and his wife on holiday to Necker in the Caribbean and also on a Mediterranean cruise on board the yacht owned by Greek tycoon, John Latsis. Such is her affection for this popular police officer that she arranged a dinner in his honour after he had recovered which was attended by her family. If she is dining with friends at San Lorenzo, her favourite restaurant, her current detective, Inspector Ken Wharfe will often join her table at the end of the meal and regale the assembled throng with his jokes. Perhaps she reserves her fondest memories for Sergeant Barry Mannakee who became her bodyguard at a time when she felt lost and alone in the royal world. He sensed her bewilderment and became a shoulder for her to lean on and sometimes to cry on during this painful period. The affectionate bond that built up between them did not go unnoticed either by Prince Charles nor Mannakee’s colleagues. Shortly before the wedding of the Duke and Duchess of York in July 1986 he was transferred to other duties, much to Diana’s dismay. In the following spring he was tragically killed in a motorcycle accident.

Annie, one of our fiddle players, turned up one day to get on the tour bus, with characteristic scattiness, had been unable to get a babysitter, so we ended up with her six-year-old son, Pete, on tour, which actually turned out to be great fun. Pete, by the way, grew up to become Pete Bennett, the man with Tourette syndrome who won Big Brother.

Hours earlier, before the ISIS raid, Fares’s Media Center broadcast a radio program featuring Syrian women discussing their recent divorces. All too much for the takfiris, who abducted six of Fares’s employees (they were released two hours later) and stole or smashed the center’s computers and broadcasting equipment. “The reason Kafranbel became important is because it’s been persistently and consistently supporting the revolution in all of its aspects—whether it’s the nonviolent revolution or the armed revolution or the humanitarian and civil society work,” Fares told us. “The regime, when we would say something in opposition to them, they’d shell us. ISIS, when we made a drawing against them—the first in June of this year—they wanted to attack us, so they came and raided the Media Center. At the end of the day, they’re both the same. They’re both tyrants.” (Not long after this interview, which took place as Fares was touring the United States, ISIS tried to assassinate him in Idlib. He was shot several times but recovered from his injuries.)

My legs are still shaking. I was gone for less than twenty minutes and only went about half a mile, but I feel like I’m back from a tour in Vietnam. This is really fucked up. I thought I’d feel like the hero of an action movie. Truth is, I feel like prey who doesn’t know where the hunters are.

Worst Comes To Worst" (feat. Guru) [Babu mixing] "Worst come to worst my peoples come first" "Worst...come.....to worst" "Worst come to worst my peoples come first" "Worst come...to...worst" "Worst come to worst my peoples come first" [Evidence talking] Yeah It's goin down y'all That's Babu Yo, some people got good friends, at night I live my life right Intense, on the edge On the wild, I'm from the group where friction leads to fire Stack your bricks, the time is take your pick Do or don't, the track - Alchemist My life is good, I got my peeps in the mix, so... "Worst come to worst my people come first" [Iriscience] I got worldwide family all over the earth And I worry 'bout 'em all for whatever it's worth From the birth to the hearse, the streets, the guns burst Words I disperse are here to free minds And if mine are needy I need to feed mine "When worst come to worst..." [Evidence] Set up shop and write a verse Actually (what?), that's best come to best My lyrics take care of me, they therapy Get shit off my chest Extra stress, three-four over the score Different patterns of rhymin prepare me for war So next time you see us we'll be deadly on tour [Babu mixing] "Oh, when you need me" "Worst come to worst my peoples come first" [Guru talking] Word up, if worst comes to worst, I make whole crews disperse You know it's family first Gifted Unlimited with Dilated Peoples Babu, Evidence, Iriscience And a shout out to my man Alchemist on the trizzack "Oh, when you need me" "Worst come to worst my peoples come first" [Iriscience] I'm a glutton for the truth, even though truth hurts I've studied with my peoples on streets and in church We make it hard when we go on first Long road, honor of the samurai code These California streets ain't paved with gold Worst comes to worst "Worst come to worst my people come first" [Evidence] Uh, I got them back, at the end of the day We could go our seperate ways but the songs remains, it won't change Got my target locked at range I might switch gears but first I switch lanes Without my people I got nothin to gain That's why... "Worst come to worst my people come first" [Iriscience] Special victims unit, catalyst for movement Creates to devastate, since '84 show improvement Definitely Dilated Peoples comes first Cross-trainin spar, we raise the bar And we put it in your ear no matter who you are [Babu mixing] "Oh, when you need me" "Worst come to worst my peoples come first" "Worst....come...worst my peoples come first" "Worst...worst....worst....come to worst my peoples come first" "...my..my...my peoples come first "Oh, when you need me

Idling the dinghy, bringing it quietly in closer and closer to the croc, Steve would finally make his move. He’d creep to the front of the boat and hold the spotlight until the last moment. Then he would leap into the water. Grabbing the crocodile around the scruff of the neck, he would secure its tail between his legs and wrap his body around the thrashing creature. Crocodiles are amazingly strong in the water. Even a six-foot-long subadult would easily take Steve to the bottom of the river, rolling and fighting, trying to dislodge him by scraping against the rocks and snags at the bottom of the river. But Steve would hang on. He knew he could push off the bottom, reach the surface for air, flip the crocodile into his dinghy, and pin the snapping animal down. “Piece of cake,” he said. That was the most incredible story I had ever heard. And Steve was the most incredible man I had ever seen--catching crocodiles by hand to save their lives? This was just unreal. I had an overwhelming sensation. I wanted to build a big campfire, sit down with Steve next to it, and hear his stories all night long. I didn’t want them to ever end. But eventually the tour was over, and I felt I just had to talk to this man. Steve had a broad, easy smile and the biggest hands I had ever seen. I could tell by his stature and stride that he was accustomed to hard work. I saw a series of small scars on the sides of his face and down his arms. He came up and, with a broad Australian accent, said, “G’day, mate.” Uh-oh, I thought. I’m in trouble. I’d never, ever believed in love at first sight. But I had the strangest, most overwhelming feeling that it was destiny that took me into that little wildlife park that day. Steve started talking to me as if we’d known each other all our lives. I interrupted only to have my friend Lori take a picture of us, and the moment I first met Steve was forever captured. I told him about my wildlife rescue work with cougars in Oregon. He told me about his work with crocodiles. The tour was long over, and the zoo was about to close, but we kept talking. Finally I could hear Lori honking her horn in the car park. “I have to go,” I said to Steve, managing a grim smile. I felt a connection as I never had before, and I was about to leave, never to see him again. “Why do you love cougars so much?” he asked, walking me toward the park’s front gate. I had to think for a beat. There were many reasons. “I think it’s how they can actually kill with their mouths,” I finally said. “They can conquer an animal several times their size, grab it in their jaws, and kill it instantly by snapping its neck.” Steve grinned. I hadn’t realized how similar we really were. “That’s what I love about crocodiles,” he said. “They are the most powerful apex predators.” Apex predators. Meaning both cougars and crocs were at the top of the food chain. On opposite sides of the world, this man and I had somehow formed the same interest, the same passion. At the zoo entrance I could see Lori and her friends in the car, anxious to get going back to Brisbane. “Call the zoo if you’re ever here again,” Steve said. “I’d really like to see you again.” Could it be that he felt the same way I did? As we drove back to Brisbane, I was quiet, contemplative. I had no idea how I would accomplish it, but I was determined to figure out a way to see him. The next weekend, Lori was going diving with a friend, and I took a chance and called Steve. “What do you reckon, could I come back for the weekend?” I asked. “Absolutely. I’ll take care of everything,” came Steve’s reply.

You’ve probably heard of the “butterfly effect.” This is a famous proposition of chaos theory, which says that when a butterfly flaps its wings in South America, it can set off a chain of events that ends up causing a typhoon in Southeast Asia. The truth is, you create your own butterfly effect, whether you know it or not, and you do it all the time. One of my favorite butterfly-effect stories is the film It’s a Wonderful Life. A small-town businessman named George Bailey reaches the edge of despair, and decides his life has no meaning and makes no difference. On the brink of suicide, he’s visited by an angel improbably named Clarence, who walks George through an experience of what the world would look like if he had never been born. (Which is exactly why we quoted a great line of Clarence’s for the epigraph of the last chapter, “The Ripple Effect.”) George gets quite an eyeful. And so would you, if you had a Clarence come along and take you on the same tour of your life. But outside Hollywood, there’s no Clarence to provide that clarity. It’s something we need to learn to see with our own eyes.

The Marshall Plan,” New York Times correspondent William White wrote, “appears to draw its greatest strength not from any special feeling that other peoples should be helped for their own sake, but only as a demonstration against the spread of communism.”67 Communist “overlords,” South Dakota Republican Karl Mundt said, were disrupting economic activity “so as to produce chaos and put an end to freedom.” We must, he said, “turn the Red tide.” Herter himself cited the danger posed by Communist-controlled labor unions in western Europe. Freshman California Republican Richard Nixon, assigned to tour Italy, wrote that “the great difficulty [here] is not so much the physical destruction of the war, but the fact that the Communists have chosen this country as the scene of one of their most clever and well-financed operations against the forces of democracy.” Alabama Democrat Pete Jarman, who traveled in eastern Europe, spoke of the “feeling of strangulation that one has behind the iron curtain.” We in the United States, he concluded, had to recognize “the absolute necessity of our doing whatever is necessary to prevent [communism’s] spread.

What do you get when you cross an exclusive lover with a friend and a guy who cares about your family?” She furrows her brow. “What?” “Your boyfriend, dummy. That’s what I am, whether you want to admit it or not. And I don’t want this no-strings thing anymore. I don’t want this to end with the tour. I want to be the guy. For you and for Tate.

I’ve studied history all my life and I hated that every story of every remarkable person ended with death. What would they have thought if they’d been allowed to watch history unfold? You know, it’s like reaching the end of your favorite novel, wondering what goes on in the lives of the characters outside the pages.