Tough Guy Quotes

We've searched our database for all the quotes and captions related to Tough Guy. Here they are! All 100 of them:

I came from a real tough neighborhood. Once a guy pulled a knife on me. I knew he wasn't a professional, the knife had butter on it.
Rodney Dangerfield
I have a weakness for tough guys who read.
Lisa Lutz (The Spellman Files (The Spellmans, #1))
Tough guy, if brooding was a sport, you'd have gold medals with scowling faces lining the walls of your room.
Julie Kagawa (The Lost Prince (The Iron Fey: Call of the Forgotten, #1))
It was the wife, John thought. And she was giving this tough guy a tongue-lashing. And the man was taking it. "Okay. I love you. Bye." Tohrment flipped the phone closed and put it in his pocket. When he focused on John again, he clearly respected his wife enough not to roll his eyes and make some macho, shithead comment about pesky women.
J.R. Ward (Lover Eternal (Black Dagger Brotherhood, #2))
What's important is that you stay true to yourself. Because when you enter the real world, the most valuable thing you can bring is all your you-ness. The world doesn't need any more hot chicks or tough guys or smooth talkers - the world needs more you. And don't let anyone tell you otherwise.
Bo Burnham
Parallel tough-guy nods. Man fix boat! Man be strong! "What now?" I asked, hoping to divert the two from actually beating their chests.
Kathy Reichs (Virals (Virals, #1))
Screw the daring tough guy image, what happened with us broke me.
Steph Campbell (My Heart for Yours (Crawford, #1))
Chapter 1. He adored New York City. He idolized it all out of proportion...no, make that: he - he romanticized it all out of proportion. Yeah. To him, no matter what the season was, this was still a town that existed in black and white and pulsated to the great tunes of George Gershwin.' Uh, no let me start this over. 'Chapter 1. He was too romantic about Manhattan, as he was about everything else. He thrived on the hustle bustle of the crowds and the traffic. To him, New York meant beautiful women and street-smart guys who seemed to know all the angles...'. Ah, corny, too corny for my taste. Can we ... can we try and make it more profound? 'Chapter 1. He adored New York City. For him, it was a metaphor for the decay of contemporary culture. The same lack of individual integrity that caused so many people to take the easy way out was rapidly turning the town of his dreams in...' No, that's going to be too preachy. I mean, you know, let's face it, I want to sell some books here. 'Chapter 1. He adored New York City, although to him it was a metaphor for the decay of contemporary culture. How hard it was to exist in a society desensitized by drugs, loud music, television, crime, garbage...' Too angry, I don't want to be angry. 'Chapter 1. He was as tough and romantic as the city he loved. Behind his black-rimmed glasses was the coiled sexual power of a jungle cat.' I love this. 'New York was his town, and it always would be.
Woody Allen (Manhattan)
Seven years, Dawn. Working with the Slayer. Seeing my friends get more and more powerful... a witch. A demon. Hell, I could fit Oz in my shaving kit, but come a full moon, he had a wolfy mojo not to be messed with. Powerful, all of them. And I'm the guy who fixes the windows. They'll never know how tough it is, Dawnie, to be the one who isn't Chosen, to live so near the spotlight and never step in it. But I know. I see more than anybody realizes because nobody's watching me. I saw you last night, and I see you working here today. You're not special; you're extraordinary.
Joss Whedon
To be honest, it was pretty hard to leave. I desperately wanted to turn around, and tell him everything would be okay. That I adore him and I trust him and that I'll stand by him while he goes through this tough time. But I'm just too tired. I'm thirty years old. I'm tired of relationships that are always painful. I'm tired of hurting. I'm tired of waiting by the phone, and second-guessing what a guy says and trusting someone not to hurt me. Again. I've been storming the relationship castle for fifteen years, and I still don't have my prince. I've got a bunch of battle scars from the field and I want to go home and nurse my wounds. I don't want to fight anymore.
Kim Gruenenfelder (A Total Waste of Makeup (Charlize Edwards, #1))
You’re a tough guy, but I’m a nightmare wrapped in the apocalypse.
James S.A. Corey (Gods of Risk (The Expanse, #2.5))
Keep it up, wise guy. I'm always going to be taller than you once you're lying unconscious on the ground.
Jim Butcher (Small Favor (The Dresden Files, #10))
He reached out, opened the glove compartment, and took out a gun. It was a Smith & Wesson .38 five-shot special. It looked a lot like my gun. "I stopped by your apartment this morning and picked this up for you," Ranger said. "I found it in the cookie jar." "Tough guys always keep their gun in the cookie jar." "Name one." "Rockford." Ranger grinned. "I stand corrected.
Janet Evanovich (Hard Eight (Stephanie Plum, #8))
Channing, come back here.” “No,” she tossed off over her shoulder. “I’m warnin’ you, girl, you don’t want to make me mad.” “Tough shit, tough guy. Suck it up and walk it off.” People around them stopped and stared, nudged each other and chuckled, giving Colby a wide berth. “Last chance,” he yelled. Channing flipped him the bird without turning around. In fact, she ran away from him like her boot heels were smoking. He was going to paddle that sassy little ass but good.
Lorelei James (Long Hard Ride (Rough Riders, #1))
If you love your dad, it’s tough when he dies. If you don’t like your dad, it’s tough when he dies. Because you lose that guy. Whatever you didn’t get, you miss. And what you did get, you miss.
Jimmy Iovine
That is nice, Mr. Morgan. Because in response to your tough-guy speech, I, in turn, would’ve had to give you my tough-girl speech, about where, exactly, federal prosecutors who come to my office looking for assistance can stick their obstruction of justice threats
Julie James (Love Irresistibly (FBI/US Attorney, #4))
And they were relieved they found me alive, well and none the worse for wear. They cared and they didn’t mind who knew it, not the hotel staff and customer onlookers, the police or the paramedics. Tough guys or not, I was one of them. I wasn’t Ms. Townsend anymore. I was Sadie, Rock Chick. How great was that?
Kristen Ashley (Rock Chick Regret (Rock Chick, #7))
A Mexican guy named Sam pushes Gary Frankel next to Isabel. "This guy can break your arm with one snap, asshole. Get out of my sight before I sic him on you," Sam says. Gary, who's wearing a coral shirt and white pants, growls to look tough. It doesn't work.
Simone Elkeles (Perfect Chemistry (Perfect Chemistry, #1))
It’s more the way a tough guy who doesn’t like cats might look at a kitten and notice for the first time that it can be kind of cute. Sort of a reluctant, private acknowledgment that maybe cats aren’t all bad.
Susan Ee (World After (Penryn & the End of Days, #2))
There’ll be guys who were in wars hearing what we did and thinking, ‘Whoa.’ You and me, we can say, ‘You got yourself some medals solider? Yeah, well, I lived through the FAYZ.
Michael Grant
Um,” Arthur says. He’s looking at me dead-on, like he’s forcing himself to do it. God, I wish he would knock it off. I also wish he’d lose his eyelashes in a freak eyelash fire incident. And his lips, too, because all of a sudden I’m looking at them, what is that. “Yes. I thought we should discuss—” “You mouth-mauling me?” I ask loudly, indignantly, like a tough sonuvabitch who doesn’t want to be mouth-mauled. I make myself meet his eyes. They’re green; I never paid attention before. This really light, interesting, intelligent green— FUCK, this guy needs to STOP HAVING A FACE.
Hannah Johnson (Know Not Why (Know Not Why, #1))
Check this out,” Nine says. He holds up a small purple stone and then places it on the back of his hand. The stone slides into his hand—through it. Nine turns his hand over just as the stone pops out in his palm. “Pretty cool, right?” he asks me, waggling his eyebrows. “Uh, but what is it supposed to do?” Eight asks, looking up from his own Chest. “I dunno. Impress girls?” Nine looks over at me. “Did it work?” “Um . . .” I hesitate, trying not to roll my eyes too hard. “Not really. But, I’ve seen guys teleport so I’m kind of hard to impress.” “Tough crowd.
Pittacus Lore (The Fall of Five (Lorien Legacies, #4))
There are tough players and nice guys, and I’m a tough player.
Bobby Fischer
Tough guys don't dance. You had better believe it.
Norman Mailer
You try and act so tough, you think you're so damn hopeless and godless and faithless, but you don't fool me. People without hope aren't tormented by the world the way you are. People without hope don't give a shit. but I see it in you, in the way you look at things, even in the way you look at me sometimes, like I'm the coolest fucking guy in the universe, and I know it's in there. Reverence. Belief. Something. You have a lot more faith than you own up to. You just don't want to be let down. But I'm not going to let you down again. Not if I can help it.
Tiffanie DeBartolo (God-Shaped Hole)
Just because someone is a girl doesn't mean she can't be tough and practical and have adventures. That's the way most girls are-until they get around guys. Then guys make them act all stupid.
Candace Bushnell (The Carrie Diaries (The Carrie Diaries, #1))
A deaf composer's like a cook who's lost his sense of taste. A frog that's lost its webbed feet. A truck driver with his license revoked. That would throw anybody for a loop, don't you think? But Beethoven didn't let it get to him. Sure, he must have been a little depressed at first, but he didn't let misfortune get him down. It was like, Problem? What problem? He composed more than ever and came up with better music than anything he'd ever written. I really admire the guy. Like this Archduke Trio--he was nearly deaf when he wrote it, can you believe it? What I'm trying to say is, it must be tough on you not being able to read, but it's not the end of the world. You might not be able to read, but there are things only you can do. That's what you gotta focus on--your strengths. Like being able to talk with the stone.
Haruki Murakami (Kafka on the Shore)
Oh for the love of God put a butt plug in the male tough-guy crap.
Larissa Ione (Sin Undone (Demonica, #5))
What you g-g-gonna do, tough guy? Tickle Toothless to d-d-death?
Cressida Cowell (How to Speak Dragonese (How to Train Your Dragon, #3))
It's cool in the basement, so I pull the blanket up to my chest. Caleb slides in beside me, and I feel his bare legs against mine. "You're shivering," he says, his voice a low whisper. "I'm a little cold... and a little nervous." "Don't be nervous, Maggie. It's juste me." It's the real Caleb, without the tough facade. I'm glad it's completely dark now and he can't see my trembling fingers as they move up to his beautiful face. "I know." He pulls me closer. I rest my head in the crook of his arm and am more content than ever. "Maggie ?" "Yeah ?" "Thanks." "For what ?" "For making me feel alive again." I drape my arm across his chest, the warmth of his skin melting into mine. I want to remember this night forever, because we'll probably never get another chance to hold each other like this again. It makes me want to do more than just sleep in his arms. I try and relax, to slow my own erratic heartbeat as I wrap my right leg, the one that wasn't severely damaged in the accident, around him. It's a definite hint that I'm ready to do more than just lie in his arms. He moans in response. "Maggie, you're treading into dangerous territory. I'm trying to be a good, honorable guy here." " I know. But I'm not asking you to be one." "You sure you know what you're getting into ?" "Nope. I've got no clue." I start kissing and feeling my way across his broad chest. "You're killing me", he says, his hands slowly reaching for me and urging me up so we're face to face.
Simone Elkeles (Return to Paradise (Leaving Paradise, #2))
If you don't make a total commitment to whatever you're doing then you start looking to bail out the first time the boat starts leaking. It's tough enough getting that boat to shore with everybody rowing, let alone when a guy stands up and starts putting his life jacket on.
Lou Holtz Jr.
You need to own your feelings. Get more comfortable expressing yourself." "How about I express you out the nearest window?
Greg Cox (The Bestseller Job (Leverage, #3))
Truly tough guys never say they’re tough.
Dean Koontz (Saint Odd (Odd Thomas, #7))
Guys are so dumb. You actually believe this crap. You waste half your lives trying to prove to everybody and their mother how tough you are, how strong, how manly, and then say crap like, 'Ooo, baby, you make me so hard,' because there's absolutely no way you can control your own body.
Patty Blount (Some Boys)
I don't go after him. He's a funny sort of boy. I've known that from the start. Not just because he seems angry and contemptuous or the way he walks like a tough guy. Because of his smile - it's a child's smile.
Delphine de Vigan (No and Me)
Why do "balls" equate to toughness and "pussy" equates to weakness when even the slightest flick to the "nuts" sends a guy to his knees and vaginas can push out an entire human being?
Nitya Prakash
• Everyone is better than you at something. If you have a tough time accepting others, it’s probably because you think you’re superior to them. However, you’re not superior to every person in every way.
Guy Kawasaki
A Tough Guy Has Balls. A Smart Guy Has Crystal Balls: Foresight
Louis Ferrante (Mob Rules: What the Mafia Can Teach the Legitimate Businessman)
May I never be a tough guy, just a genuine one.
Tom Althouse
Okay, tough guy. Let’s see what you’ve got.
Ilona Andrews (Burn for Me (Hidden Legacy, #1))
Many people still believe that “tough guy” means having a camel type muscles rather than a lion heart.
M.F. Moonzajer
It was a good hald minute before I looked over at Todd. his eyes were slightly foggy, like he was waking up- reluctantly- from a lascivious dream. "I didn't know they still made them like that," he said.... "Cool, tough, retro-manly. The kind who only cries if someone just ran over their dog. The big chested guy we can indulge our pathetic Daddy complexes with.
Lisa Kleypas (Blue-Eyed Devil (Travises, #2))
from the Basement tapes Eric outdid Dylan with the apologies. To the untrained eye, he seemed sincere. The psychologists on the case found Eric less convincing. They saw a psychopath. Classic. He even pulled the stunt of self-diagnosing to dismiss it. "I wish I was a fucking sociopath so I didn't have any remorse," Eric said. "But I do." Watching that made Dr. Fuselier angry. Remorse meant a deep desire to correct a mistake. Eric hadn't done it yet. He excused his actions several times on the tapes. Fuselier was tough to rattle, but that got to him. "Those are the most worthless apologies I've ever heard in my life," he said. It got more ludicrous later, when Eric willed some of his stuff to two buddies, "if you guys live." "If you live?" Fuselier repeated. "They are going to go in there and quite possibly kill their friends. If they were the least bit sorry they would not do it!
Dave Cullen (Columbine)
I couldn’t help but laugh. “Do you have some tough-guy persona I haven’t seen yet?” “Absolutely,” he said brightly. “I have a black belt in sarcasm, and my wit is like lightning.
N.R. Walker (Sense of Place (Thomas Elkin, #3))
You play tough guy, making jokes to hide the anger you feel in your heart because they were taken from you, the men responsible never found.
Charlie Cochet (Rise & Fall (THIRDS, #4))
You know, for a tough guy with a uniform and a gun, you’re basically a bunny-loving tree-hugger.
Pamela Clare (Barely Breathing (Colorado High Country, #1))
I was totally not a hero, totally not a tough guy, totally not fighting giant monsters. But look at me now. Battling a gargantuan beast on the roof of the local CVS. Life is crazy like that.
Max Brallier (The Last Kids on Earth (Last Kids on Earth, #1))
What do you think? This ought to be the right kind of place for tough guy like you. Garbage cans. Rats galore. Plenty of cat-bums to gang around with. So scram,’ she said, dropping him… '...I told you. We just met by the river one day: that’s all. Independents, both of us. We never made each other any promises. We never -’ she said, and her voice collapsed, a tic, an invalid whiteness seized her face. The car had paused for a traffic light. Then she had the door open, she was running down the street; and I ran after her. ...she shuddered, she had to grip my arm to stand up: ‘Oh, Jesus God. We did belong to each other. He was mine.’ Then I made her a promise, I said I’d come back and find her cat. ‘I’ll take care of him, too. I promise.’ She smiled: that cheerless new pinch of a smile. ‘But what about me?’ she said, whispered, and shivered again. ‘I’m very scared, Buster. Yes, at last. Because it could go on forever. Not knowing what’s yours until you’re thrown it away. The mean reds, they’re nothing...
Truman Capote (Breakfast at Tiffany’s and Three Stories)
I turned away, took a deep breath, and sheathed the weapon. I never know what to say after I've intimidated someone; I ought to keep a list of tough-guy remarks.
Steven Brust (Dragon (Vlad Taltos, #8))
All in all, he looked kind of ... dangerous. Like he could kick somebody's ass, big time, but with style. Like a suave, tough-guy super spy.
Kristin Walker (A Match Made in High School)
But I love women chefs: they are intelligent, they are fast learners, and they can be tough. As for the effect the have on the boys, its entirely positive. Put a woman in a kitchen and discipline will improve, if anything: the guys have being told off in front of the girls. It's a playground thing - they just find it embarrassing.
Gordon Ramsay (Humble Pie)
People always ask me, "What kind of people make it through Hell Week?" I don't really have an answer to that. I do know-- generally-- who won't make it through Hell Week. The weightlifting meatheads who think the size of their biceps indicates their strength: they usually fail. The kids covered in tattoos announcing to the world how tough they are: they usually fail. The preening leaders who don't want to be dirty: they usually fail. The "me first, look at me, I'm the best" former athletes who've always been told they're stars: they usually fail. The blowhards who have a thousand stories about what they're going to do but a thin record of what they've actually done: they usually fail. The whiners, the "this is not fair" guys: they usually fail.
Eric Greitens (The Warrior's Heart: Becoming a Man of Compassion and Courage)
There was some kind of X-men emergency, so all the teachers were gone. This happens every now and then. It's one of the perks of having super heroes for your teachers - when the world is about to end (which is like at least twice a month), school gets canceled. Heck, three weeks ago there was a big chemistry final for the upperclassmen. Beast was the teacher - he's this big, burly guy who can do acrobatic stuff like a monkey, but he also happens to be a super-genius. He's, like, legendary for his tough finals, so there were kids walking through the halls, going, "Oh, God, please let Galactus try to eat the earth. Please please please let there be an alien invasion by the Skrulls!
Barry Lyga (Wolverine: Worst Day Ever)
John lifted his head and looked down at her. His eyes were worried and he was careful as he brushed at her hair. She smiled. "Nah, I'm fine. I'm more than fine." A sly grin bloomed as he mouthed, ain't that the truth. "Hold up there, big man. You think you can make me blush like I'm some girl ? Pulling that sweet talk?" As he nodded, she rolled her eyes. "I'll have you know I'm not the kind of female who goes all dizzy, popping a stiletto off the floor just because some guy kisses her deep." John was all male as he cocked a brow. And damn it if she didn't feel a tingle in her cheeks. " Listen, John Matthew." She took his chin in her hand. "You're not turning me into one of these females who goes gaga over her lover. Not happening. I'm not hard-wired for that." Her voice was stern and she meant every word, except the instant he rolled his hips and that huge arousal pushed into her, she purred. She purred. The sound was utterly foreign and she'd have sucked it back down her throat if she could have. Instead, she just left out another of those decidedly non-tough-guy moans. John bowed his head to her breast and started suckling on her as he somehow manage to keep thrusting in slow, even penetrations. Swept away, her hands found his hair again, spearing through the thick softness. " Oh, John..." And then he stopped dead, lifted his lips from her nipple, and smiled so wide it was a wonder he didn't bust off his front teeth. His expression was one of total and complete gotcha. " You are a bastard, " she said on a laugh. He nodded. And pressed into her with his full lenght again. It was perfect that he was giving her shit and showing her a little of who was boss. Just perfect. Somehow it made her respect him even more, but then, she'd always loved strength in all its forms. Even the teasing kind. "I'm not surrendering , you know." He pursed his lips and shook his head, all oh, no, of course not. And then he started to pull out of her. As she growled low in her throat, she sank her nails into his ass. "Where do you think you're going ?
J.R. Ward (Lover Mine (Black Dagger Brotherhood, #8))
I asked him what he thought of the Great Lakes now. I'm surprised at how much seamanship is required to sail them. I always thought they were for wussies, that only the oceans were worthy of tough guys like me. But in the ocean there's not much to hit, it mostly requires endurance. These lakes can kick your ass.
Jerry Dennis (The Living Great Lakes: Searching for the Heart of the Inland Seas)
To every guy who tries to say that we have already achieved equality for the sexes, if this were true, you wouldn't be told to "man up", "be a man", "stop being a p*#%y", "harden the fuck up", "toughen up", "boys don't cry", "don't be such a girl", "stop being a wimp". As long as this type of language still exists in our society, then gender equality, my friends, has in fact not been achieved after all.
Miya Yamanouchi (Embrace Your Sexual Self: A Practical Guide for Women)
Ari's coming with backup. Should I pretend we barely survived without his help or gloat that we didn't need him at all?" "Tough decision," I said. "You can't go wrong with either one," Kade said. "You guys are no fun. I have to go with the gloating. But no mention of that magic stuff. It ruins the effect." Janco rushed off.
Maria V. Snyder (Storm Glass (Glass, #1))
Lady, all I know about you is that you're tough as hell. Guys like me, we got a list of people like you. Like a rating system. You got your Daredevils, your Iron Fists--those guys, you fight. Maybe you get lucky, or maybe you're actually good enough to beat 'em. Now, any Hulk--lady, dude, red, green, purple--you see a Hulk. you run. As you saw. Thors, too.
Charles Soule (She-Hulk #5)
Hiring a guy with more confirmed kills than college credits was a tough sell.
Chuck Hogan (Devils in Exile)
The rest of the family tree had a root system soggy with alcohol... One aunt had fallen asleep with her face in the mashed potatoes at Thanksgiving dinner; another's fondness for Coors was so unwavering that I can still remember the musky smell of the beer and the coldness of the cans. Most of the men drank the way all Texas men drank, or so I believed, which meant that they were tough guys who could hold their liquor until they couldn't anymore--a capacity that often led to some cloudy version of doom, be it financial ruin or suicide or the lesser betrayal of simple estrangement. Both social drinkers, my parents had eluded these tragic endings; in the postwar Texas of suburbs and cocktails, their drinking was routine but undramatic.
Gail Caldwell (Let's Take the Long Way Home: A Memoir of Friendship)
And then she figures out something important: These people aren't looking at her. They're not even giving her a second glance. They're all looking at Raven. And it's not just a case of celebrity watching or something like that. All of these Raft dudes, these tough scary homeboys of the sea, are scared shitless of this guy. And she's on a date with him. And it's just started.
Neal Stephenson (Snow Crash)
Marriage Rule Number One: She is you confidante. Confide in each other before all others, without, exception. Marriage Rule Number Two: Don't be the tough guy with her. She's had enough of that in her life with the way her brothers raised her. Marriage Rule Number Three: Don't withhold your emotions from her. I'm not talking about affections. Because emotions and affections are totally different things.
Lorelei James (One Night Rodeo (Blacktop Cowboys, #4))
It's hard to have a serious conversation with you when you're wearin' lighted cocks on your head." AJ defiantly thrust out her chin and the penises bobbled. "We aren't having a conversation. You're give me tough-guy attitude. If you won't acknowledge me in public, you don't have the right to chastise me for anything I do in public or in private. And now you lost the right to do anything to me in private either, bucko." "Quit bein' so goddamm childish." Her eyes narrowed to silver slits. "Quit bein' such a goddamn dickhead." "You're the one with dicks on your head, baby doll." "Yeah? I can take mine off any old time I please, but you wear your dickhead like a second skin. Or should I say as a second foreskin?
Lorelei James (Cowgirl Up and Ride (Rough Riders, #3))
I'm pissed off because of all the fuckin' people who shut their eyes while others are victimized because it doesn't benefit them to get involved. It pissed me off that every-fuckin'-body is such a tough guy until a tough situation is actually present to them. Then they become crying little pussies blaming the world and everything in it.
Reymundo Sánchez (Once a King, Always a King: The Unmaking of a Latin King)
The American idea of sexuality appears to be rooted in the American idea of masculinity. Idea may not be the precise word, for the idea of one’s sexuality can only with great violence be divorced or distanced from the idea of the self. Yet something resembling this rupture has certainly occurred (and is occurring) in American life, and violence has been the American daily bread since we have heard of America. This violence, furthermore, is not merely literal and actual but appears to be admired and lusted after, and the key to the American imagination. All countries or groups make of their trials a legend or, as in the case of Europe, a dubious romance called ‘history.’ But no other country has ever made so successful and glamorous a romance out of genocide and slavery; therefore, perhaps, the word I am searching for is not idea, but ideal. The American IDEAL, then, of sexuality appears to be rooted in the American IDEAL of masculinity. This ideal has created cowboys and Indians, good guys and bad guys, punks and studs, tough guys and softies, butch and f****t, black and white. It is an ideal so paralytically infantile that is is virtually forbidden—as an unpatriotic act—that the American boy evolve into the complexity of manhood.
James Baldwin (The Price of the Ticket: Collected Nonfiction, 1948-1985)
Fiji, I’m betting you don’t drink a lot,” he said, trying to suppress a smile. “I don’t,” she confessed. “How did you know?” “Just a lucky guess.” “You think he’d like my phone number?” “Feej, that guy is tough as nails, and he’s not only been around the block, he’s run a marathon. He could eat you for breakfast,” Olivia said, half smiling. “And wouldn’t that be a great way to wake up?” Fiji said, with a broad wink. Manfred laughed; he couldn’t help it.
Charlaine Harris (Midnight Crossroad (Midnight, Texas, #1))
Shepley shook his head. “No way. No fucking way, Trav. The guy’s a maniac!” “Yeah,” Travis smiled, “but he’s not fighting for his girl, is he?” Travis cradled me in his arms, kissing the top of my hair. “You okay, Pigeon?” “This is wrong. This is wrong on so many levels. I don’t know which one to talk you out of first.” “Did you not see me tonight? I’m going to be fine. I’ve seen Brock fight before. He’s tough, but not unbeatable.” “I don’t want you to do this, Trav.
Jamie McGuire (Beautiful Disaster (Beautiful, #1))
A cop is a human creature born stupid and raised in stupidity.
Norman Mailer (Tough Guys Don't Dance)
wished he could just wear a sign that said I’m sorry. I am terrible at socializing. Please don’t take it personally.
Rachel Reid (Tough Guy (Game Changers, #3))
So Annabeth was kidnapped on a motor scooter,” she summed up, “by Gregory Peck and Audrey Hepburn.” “Not kidnapped, exactly,” Percy said. “But I’ve got this bad feeling.…” He took a deep breath, like he was trying hard not to freak out. “Anyway, she’s—she’s gone. Maybe I shouldn’t have let her, but—” “You had to,” Piper said. “You knew she had to go alone. Besides, Annabeth is tough and smart. She’ll be fine.” Piper put some charmspeak in her voice, which maybe wasn’t cool, but Percy needed to be able to focus. If they went into battle, Annabeth wouldn’t want him getting hurt because he was too distracted about her. His shoulders relaxed a little. “Maybe you’re right. Anyway, Gregory—I mean Tiberinus—said we had less time to rescue Nico than we thought. Hazel and the guys aren’t back yet?” Piper checked the time on the helm control. She hadn’t realized how late it was getting. “It’s two in the afternoon. We said three o’clock for a rendezvous.” “At the latest,” Jason said. Percy pointed at Piper’s dagger. “Tiberinus said you could find Nico’s location…you know, with that.” Piper bit her lip. The last thing she wanted to do was check Katoptris for more terrifying images. “I’ve tried,” she said. “The dagger doesn’t always show what I want to see. In fact, it hardly ever does.” “Please,” Percy said. “Try again.” He pleaded with those sea-green eyes, like a cute baby seal that needed help. Piper wondered how Annabeth ever won an argument with this guy.
Rick Riordan (The Mark of Athena (The Heroes of Olympus, #3))
Well, George Anson Phillips is a kind of pathetic case... He was the sort of cop who would be likely to hang a pinch on a chicken thief, if he saw the guy steal the chicken and the guy fell down running away and hit his head on a post or something and knocked himself out. Otherwise it might get a little tough and George would have to go back to the office for instructions.
Raymond Chandler (The High Window (Philip Marlowe, #3))
Yeah, that went really well. What, I wasn't gentle enough for you? Were you looking for flowers and candles? You don't like to sweat? Are you really a romantic under the tough guy swagger?" Gabriel straightened. "No, but Oz said that you are." ~Dev/Gabe
Sydney Croft (Taming the Fire (ACRO, #4))
It's over with, " Raul said, " You did all you could. You've got this tough-guy image. It's out of date. We fags, we don't have to do that. It's not in our makeup." "What's in my makeup is in my makeup," Leonard said. "I'm a man. I got balls. So do you. I like balls. I like your balls, but I'm still a man and I got to feel like a man. Maybe I'm some kind of anomaly or something. I don't know. I don't get it. But I like a man acts like a man without thinking it's being a bully. I can't explain it him, Hap. Can you?
Joe R. Lansdale (The Two-Bear Mambo (Hap and Leonard, #3))
Real ugly girls have it tough. I feel so sorry for them sometimes. Sometimes I can't even look at them, especially if they're with some dopey guy that's telling them all about a goddam football game.
J.D. Salinger (The Catcher in the Rye)
In all those stories about people who sold their souls to the devil, I never quite understood why the devil was the bad guy, or why it was okay to screw him out of his soul. They got what they wanted: fame, money, love, whatever—though usually it turned out not to be what they really wanted or expected. Was that the devil's fault? I never thought so. Like John Wayne said, "Life's tough. It's even tougher when you're stupid.
James Anderson (The Never-Open Desert Diner (Ben Jones, #1))
As she watched, he examined the can intently, read the ingredients, then returned it to the shelf and chose another, repeating his thorough study of it. The contrast between his rough, tough-guy appearance and the domestic act he was performing did funny things to her head. She had a sudden, breathtaking vision of a dark-haired little boy sitting in the seat of the cart, laughing up at Cian, grabbing at his swinging braids with chubby little fists, while his daddy inspected the ingredients on a jar of baby food. Her mind’s eye picture of sexy, strong man with beautiful, helpless child made something soft and warm blossom behind her chest.
Karen Marie Moning (Spell of the Highlander (Highlander, #7))
Ally Prince’s huge smile greeted me and she pulled me in her arms. “I knew you’d be back,” she said. “You did?” I questioned. Ally rolled her eyes then spun me around to face the three Italian brothers and pointed at Levi. “You see that look in Levi’s eyes, the same one Aust is giving Lex and the one my tough guy is giving me?” I blushed, but nodded my head under the attention of Levi’s storm cloud colored gaze. “Well that’s how I knew you’d be back. Once a Carillo cracks his hard shell and lets you in, once you see them look at you like that, you’re toast, and you’re theirs. You never really had a choice.
Tillie Cole (Sweet Soul (Sweet Home, #4; Carillo Boys, #3))
If there was a bad guy we could appeal to the people because, like it or not, we, the huddled masses, want our public figures to be good or bad but rarely allow them to mix the two. Not good an bad. We place people in these categories, which then creates a smooth story-line but also a dichotomy. It's why we like our male movie stars to be either bad boys or heroes, our leading ladies sluts or soccer moms. We like our politicians to be tough guys or saints. What we don't like are any signs of actual humanity, a mixture of the two. So we are left with the question: who is the bad guy? And is the bad guy in control of all that is bad?
Bill Carter (Fools Rush In: A True Story of War and Redemption)
It wasn’t like she hadn’t come across hot guys throughout the course of the last three years, so why was her heart racing? Why did she feel flushed?
Tami Lund (Naked Truth (Tough Love #1))
On the inside, the copycats of the ruffians are more delicate than the copycats of prudes.
Criss Jami (Killosophy)
It was the sixties, exactly, all we wanted to do was to smoke a lot of dope and ball a lot of chicks. Vietnam, excuse me? Why would I wanna go get my ass shot off in some stinking rice paddy just so Nixon can have his four more years? Screw that, and I wasn't the only one who felt that way. All the big warmongers these days who took a pass on Vietnam, look, I'd be the last person on earth to start casting blame. Bush, Cheney, Rove, all those guys, they just did what everybody else was doing and I was right there with 'em, chicken as anybody. My problem now is how tough and gung-ho they are, all that bring it on crap, I mean, Jesus, show a little humility, people. They ought to be just as careful of your young lives as they were with their own.
Ben Fountain (Billy Lynn's Long Halftime Walk)
For Padilla the shared act of smoking was basically a staging of loneliness: the tough guys, the talkers, the quick to forget and the long to remember, lost themselves for an instant, the length of time it took the cigarette to burn, an instant in which time was frozen and yet all times in Spanish history were concentrated, all the cruelty and the broken dreams, and in that "night of the soul" the smokers recognized each other, unsurprised, and embraced. The spirals of smoke were the embrace.
Roberto Bolaño (Woes of the True Policeman)
I saw a man swerve his car and try to hit a stray dog, but the quick mutt dodged between two parked cars and made his escape. God, I thought, did I just see what I think I saw? At the next red light, I pulled up beside the man and stared hard at him. He knew that'd I seen his murder attempt, but he didn't care. He smiled and yelled loud enough for me to hear him through our closed windows: 'Don't give me that face unless you're going to do something about it. Come on, tough guy, what are you going to do?' I didn't do anything. I turned right on the green. He turned left against traffic. I don't know what happened to that man or the dog, but I drove home and wrote this poem. Why do poets think they can change the world? The only life I can save is my own.
Sherman Alexie (War Dances)
LIFE DOESN'T FRIGHTEN ME Shadows on the wall Noises down the hall Life doesn't frightnes me at all Bad dogs barking loud Big ghosts in a cloud Life doesn't frighten me at all. Mean old Mother Goose Lions on the loose They don't frighten me at all Dragons breathing flame On my counterpane That doesn't frighten me at all. I go boo Make them shoo I make fun Way they run I won't cry So they fly I just smile They go wild Life doesn't frighten me at all. Tough guys in a fight All alone at night Life doesn't frighten me at all. Panthers in the park Strangers in the dark No, they don't frighten me at all. That new classrom where Boys all pull my hair (Kissy little girls With their hair in curls) They don't frighten me at all. Don't show me frogs and snakes And listen for my scream, If I'm afraid at all It's only in my dreams. I've got a magic charm That I keep up my sleeve, I can walk the ocean floor And never have to breathe. Life doesn't frighten me at all Not at all Not at all. Life doesn't frigthen me at all.
Maya Angelou (And Still I Rise)
So it's actually way easier just to humor these men who grew up watching movies where the girl doesn't like the hero until he's been persistent enough to make her like him. This is the grease that keeps the gears of the heteronormativity machine spinning, obviously, but it's just easier to slip out of an awkward situation with an awkward guy than it is to call out the misogyny inherent in what he's doing. It's a tough spot to be in, but also this is coming from an angry dyke who's also trans and who, at one point, had society try to use her as a vessel for that kinda of misogyny.
Imogen Binnie (Nevada)
I woke up this morning exhausted from hiding the me of me. So I stand here confiding there's more to Devon than jump shot and rim. I'm more than tall and lengthy of limb. I dare you to peep behind these eyes, discover the poet in tough-guy disguise. Don't call me Jump Shot. My name is surprise.
Nikki Grimes (Bronx Masquerade)
Laden with all these new possessions, I go and sit at a table. And don't ask me what the table was like because this was some time ago and I can't remember. It was probably round." [...] "So let me give you the layout. Me sitting at the table, on my left, the newspaper, on my right, the cup of coffee, in the middle of the table, the packet of biscuits." "I see it perfectly." "What you don't see," said Arthur, "because I haven't mentioned him yet, is the guy sitting at the table already. He is sitting there opposite me." "What's he like?" "Perfectly ordinary. Briefcase. Business suit. He didn't look," said Arthur, "as if he was about to do anything weird." "Ah. I know the type. What did he do?" "He did this. He leaned across the table, picked up the packet of biscuits, tore it open, took one out, and . . ." "What?" "Ate it." "What?" "He ate it." Fenchurch looked at him in astonishment. "What on earth did you do?" "Well, in the circumstances I did what any red-blooded Englishman would do. I was compelled," said Arthur, "to ignore it." "What? Why?" "Well, it's not the sort of thing you're trained for, is it? I searched my soul, and discovered that there was nothing anywhere in my upbringing, experience, or even primal instincts to tell me how to react to someone who has quite simply, calmly, sitting right there in front of me, stolen one of my biscuits." "Well, you could. . ." Fenchurch thought about it. "I must say I'm not sure what I would have done either. So what happened?" "I stared furiously at the crossword," said Arthur, "couldn't do a single clue, took a sip of coffee, it was too hot to drink, so there was nothing for it. I braced myself. I took a biscuit, trying very hard not to notice," he added, "that the packet was already mysteriously open. . ." "But you're fighting back, taking a tough line." "After my fashion, yes. I ate the biscuit. I ate it very deliberately and visibly, so that he would have no doubt as to what it was I was doing. When I eat a biscuit," said Arthur, "it stays eaten." "So what did he do?" "Took another one. Honestly," insisted Arthur, "this is exactly what happened. He took another biscuit, he ate it. Clear as daylight. Certain as we are sitting on the ground." Fenchurch stirred uncomfortably. "And the problem was," said Arthur, "that having not said anything the first time, it was somehow even more difficult to broach the subject the second time around. What do you say? 'Excuse me... I couldn't help noticing, er . . .' Doesn't work. No, I ignored it with, if anything, even more vigor than previously." "My man..." "Stared at the crossword again, still couldn't budge a bit of it, so showing some of the spirit that Henry V did on St. Crispin's Day . ." "What?" "I went into the breach again. I took," said Arthur, "another biscuit. And for an instant our eyes met." "Like this?" "Yes, well, no, not quite like that. But they met. Just for an instant. And we both looked away. But I am here to tell you," said Arthur, "that there was a little electricity in the air. There was a little tension building up over the table. At about this time." "I can imagine."” "We went through the whole packet like this. Him, me, him, me . . ." "The whole packet?" "Well, it was only eight biscuits, but it seemed like a lifetime of biscuits we were getting through at this point. Gladiators could hardly have had a tougher time." "Gladiators," said Fenchurch, "would have had to do it in the sun. More physically gruelling." "There is that. So. When the empty packet was lying dead between us the man at last got up, having done his worst, and left. I heaved a sigh of relief, of course. "As it happened, my train was announced a moment or two later, so I finished my coffee, stood up, picked up the newspaper, and underneath the newspaper . . ." "Yes?" "Were my biscuits." "What?" said Fenchurch. "What?" "True." "No!
Douglas Adams (So Long, and Thanks for All the Fish (Hitchhiker's Guide to the Galaxy, #4))
We always used to celebrate together at the end of a picture. Clark insisted on it. Maybe we’d include the director, maybe not. It was just a kind of ritual that the two of us had. We would share a bottle of champagne while he read poetry to me, usually the sonnets of Shakespeare. He loved poetry, and read beautifully, with great sensitivity, but he wouldn’t dare let anyone else know it. He was afraid people would think him weak or effeminite and not the tough guy who liked to fish and hunt. I was the only one he trusted. He never wanted me to tell about this, and here I am giving him away, but I never mentioned it while he was alive.
Myrna Loy
I don't care any more about the handsome wealthy boys who come gingerly into the living room to take out the girl they thought would look nice in an evening cocktail dress ... I said I wanted to go out with them to meet new people. I ask you, what logic is there in that? What guy you would like, would see the depths in a girl outwardly like all the other physical american queenies? So why go places with guys you can't talk to? You'll never meet a soul that way - - - not the sort you want to meet. Better to stay in your garret reading than to go from one party to another. Face it, kid: unless you can be yourself, you won't stay with anyone for long. You've got to be able to talk. That's tough. But spend your nights learning, so you'll have something to say. Something the "attractive intelligent man" will want to listen to.
Sylvia Plath (The Unabridged Journals of Sylvia Plath)
Eventually, many years later, I came to see him the way everyone else saw him—a nice guy who, despite all the damage he did to us, wasn’t a bad man, not inherently bad, anyway. He just wasn’t very bright, and was in over his head on almost every level of life. He was capable of only so much and not a drop more, and because he seemed so harmless and lost, people not only liked him, they protected him. My mother, despite her poverty, left the opposite impression. She left no doubt that she was psychologically tough and mentally sharp, and because of that the Wozniaks disliked her. And that was another difference between my mother and father. My father was a whiner, a complainer, a perpetually unhappy man unable to comprehend the simple fact that sometimes life is unfair. My mother never complained, and yet her poverty-stricken life was miserable. She never carried on about the early death of her raging alcoholic mother, or the father who raped her, or of a diet dictated by the restrictions of food stamps.
John William Tuohy (No Time to Say Goodbye: A Memoir of a Life in Foster Care)
you were a kid and couldn’t defend yourself. Girls wear pink, boys wear blue. Boys are tough. Girls are sweet. Women are caregivers with soft bodies. Men are leaders with hard muscles. Girls get looked at. Guys do the looking. Hairy armpits. Pretty fingernails. This one can but that one can’t. The Gender Commandments were endless, once you started thinking about them, and they were enforced 24/7 by a highly motivated volunteer army of parents, neighbors, teachers, coaches, other kids, and total strangers—basically, the whole human race.
Tom Perrotta (Mrs. Fletcher)
The Janus Guard will also be out that night,” he said, one hand reaching out to squeeze her shoulder. “Just as we have been and will be for every night of the Nine.” “Good.” “Speaking of which—Kelley…” Sonny seemed suddenly exhausted. He turned his face to the west, and she could see the fatigue etched into the lines and planes of his face. “It’s getting late. You need to leave the park. Please. Don’t argue with me this time. Just go. The sun will set soon, and I have to go to work.” He squared his shoulders as though he expected her to put up a fight. She did—a little—but only out of actual concern for him. “Shouldn’t you be taking it easy? I mean, you try to hide it with the whole tough-guy-swagger thing and all, but I saw the bandages. You’re really hurt. Aren’t you?” “It’s not so bad.” “Wow. You are a terrible liar.” He frowned fiercely at her. “You also look like you haven’t slept in a week.” She took a tentative step toward him and put a hand on his chest, looking up into his silver-gray eyes. He put his hand over the top of hers, and she could feel the rhythm of his heart beating under her palm, through his shirt and the bandages. “I’m fine.” “Are you sure?” With his other hand, Sonny reached up and brushed a stray auburn curl out of her eyes. “I’m sure.” He smiled down at her, and she felt her insides melt a little. His whole face changed when he smiled. It was like the sun coming out. “But,” he continued, “I’ll be even better if you are safe at home and I don’t have to worry about you for tonight.” “I can take care of myself, Sonny Flannery,” she bristled, halfheartedly. “Please?” He turned up the wattage on his smile. “I…okay.” She felt her own lips turn up in a shy, answering smile. “I’ll be good. This once.” “That’s my girl.” Kelley was silent. Those three words of Sonny’s had managed to render her utterly speechless.
Lesley Livingston (Wondrous Strange (Wondrous Strange, #1))
Tell me the story," said Fenchurch firmly. "You arrived at the station." "I was about twenty minutes early. I'd got the time of the train wrong." "Get on with it." Fenchurch laughed. "So I bought a newspaper, to do the crossword, and went to the buffet to get a cup of coffee." "You do the crossword?" "Yes." "Which one?" "The Guardian usually." "I think it tries to be too cute. I prefer The Times. Did you solve it?" "What?" "The crossword in the Guardian." "I haven't had a chance to look at it yet," said Arthur, "I'm still trying to buy the coffee." "All right then. Buy the coffee." "I'm buying it. I am also," said Arthur, "buying some biscuits." "What sort?" "Rich Tea." "Good Choice." "I like them. Laden with all these new possessions, I go and sit at a table. And don't ask me what the table was like because this was some time ago and I can't remember. It was probably round." "All right." "So let me give you the layout. Me sitting at the table. On my left, the newspaper. On my right, the cup of coffee. In the middle of the table, the packet of biscuits." "I see it perfectly." "What you don't see," said Arthur, "because I haven't mentioned him yet, is the guy sitting at the table already. He is sitting there opposite me." "What's he look like?" "Perfectly ordinary. Briefcase. Business suit. He didn't look," said Arthur, "as if he was about to do anything weird." "Ah. I know the type. What did he do?" "He did this. He leaned across the table, picked up the packet of biscuits, tore it open, took one out, and..." "What?" "Ate it." "What?" "He ate it." Fenchurch looked at him in astonishment. "What on earth did you do?" "Well, in the circumstances I did what any red-blooded Englishman would do. I was compelled," said Arthur, "to ignore it." "What? Why?" "Well, it's not the sort of thing you're trained for is it? I searched my soul, and discovered that there was nothing anywhere in my upbringing, experience or even primal instincts to tell me how to react to someone who has quite simply, calmly, sitting right there in front of me, stolen one of my biscuits." "Well, you could..." Fenchurch thought about it. "I must say I'm not sure what I would have done either. So what happened?" "I stared furiously at the crossword," said Arthur. "Couldn't do a single clue, took a sip of coffee, it was too hot to drink, so there was nothing for it. I braced myself. I took a biscuit, trying very hard not to notice," he added, "that the packet was already mysteriously open..." "But you're fighting back, taking a tough line." "After my fashion, yes. I ate a biscuit. I ate it very deliberately and visibly, so that he would have no doubt as to what it was I was doing. When I eat a biscuit," Arthur said, "it stays eaten." "So what did he do?" "Took another one. Honestly," insisted Arthur, "this is exactly what happened. He took another biscuit, he ate it. Clear as daylight. Certain as we are sitting on the ground." Fenchurch stirred uncomfortably. "And the problem was," said Arthur, "that having not said anything the first time, it was somehow even more difficult to broach the subject a second time around. What do you say? "Excuse me...I couldn't help noticing, er..." Doesn't work. No, I ignored it with, if anything, even more vigor than previously." "My man..." "Stared at the crossword, again, still couldn't budge a bit of it, so showing some of the spirit that Henry V did on St. Crispin's Day..." "What?" "I went into the breach again. I took," said Arthur, "another biscuit. And for an instant our eyes met." "Like this?" "Yes, well, no, not quite like that. But they met. Just for an instant. And we both looked away. But I am here to tell you," said Arthur, "that there was a little electricity in the air. There was a little tension building up over the table. At about this time." "I can imagine.
Douglas Adams
Martha’s Vineyard had fossil deposits one million centuries old. The northern reach of Cape Cod, however, on which my house sat, the land I inhabited—that long curving spit of shrub and dune that curves in upon itself in a spiral at the tip of the Cape—had only been formed by wind and sea over the last ten thousand years. That cannot amount to more than a night of geological time. Perhaps this is why Provincetown is so beautiful. Conceived at night (for one would swear it was created in the course of one dark storm) its sand flats still glistened in the dawn with the moist primeval innocence of land exposing itself to the sun for the first time. Decade after decade, artists came to paint the light of Provincetown, and comparisons were made to the lagoons of Venice and the marshes of Holland, but then the summer ended and most of the painters left, and the long dingy undergarment of the gray New England winter, gray as the spirit of my mood, came down to visit. One remembered then that the land was only ten thousand years old, and one’s ghosts had no roots. We did not have old Martha’s Vineyard’s fossil remains to subdue each spirit, no, there was nothing to domicile our specters who careened with the wind down the two long streets of our town which curved together around the bay like two spinsters on their promenade to church.   NORMAN MAILER, from Tough Guys Don’t Dance
Michael Cunningham (Land's End: A Walk in Provincetown)
The mythic American character is made up of the virtues of fairness, self-reliance, toughness, and honesty. Those virtues are generally stuffed into a six-foot-tall, dark-haired, can-do kind of guy who is at once a family man, attractive to strange women, carefree, stable, realistic, and whimsical. in the lore of America, that man lives on the Great Plains. he's from Texas, Dodge City, Cheyenne, the Dakotas, or somewhere in Montana. In fact, the seedbed of this American character, from the days of de Tocqueville through Andrew Jackson, Wyattt Earp, Pony Express riders, pioneers, and cowboys to modern caricatures played by actors such as Tom Mix, Gary Cooper, and John Wayne has aways been the frontier. It's a place with plenty of room to roam, great sunsets, clear lines between right and wrong, and lots of horses. It's also a place that does not exist and never has. The truth is that there has never been much fairness out here.
Dan O'Brien (Buffalo for the Broken Heart: Restoring Life to a Black Hills Ranch)
The teacher claimed it was so plain, I only had to use my brain. She said the past of throw was threw, The past of grow – of course – was grew, So flew must be the past of fly, And now, my boy, your turn to try. But when I trew, I had no clue, If mow was mew Like know and knew (Or is it knowed Like snow and snowed?) The teacher frowned at me and said The past of feed was – plainly – fed. Fed up, I knew then what I ned: I took a break, and out I snoke, She shook and quook (or quaked? or quoke?) With raging anger out she broke: Your ignorance you want to hide? Tell me the past form of collide! But how on earth should I decide If it’s collid (Like hide and hid), Or else – from all that I surmose, The past of rise was simply rose, And that of ride was surely rode, So of collide must be collode? Oh damn these English verbs, I thought The whole thing absolutely stought! Of English I have had enough, These verbs of yours are far too tough. Bolt upright in my chair I sat, And said to her ‘that’s that’ – I quat.
Guy Deutscher (The Unfolding Of Language: The Evolution of Mankind`s greatest Invention)
I struggle with words. Never could express myself the way I wanted. My mind fights my mouth, and thoughts get stuck in my throat. Sometimes they stay stuck for seconds or even minutes. Some thoughts stay for years; some have stayed hidden all my life. As a child, I stuttered. What was inside couldn't get out. I'm still not real fluent. I don't know a lot of good words. If I were wrongfully accused of a crime, I'd have a tough time explaining my innocence. I'd stammer and stumble and choke up until the judge would throw me in jail. Words aren't my friends. Music is. Sounds, notes, rhythms. I talk through music. Maybe that's why I became a loner, someone who loves privacy and doesn't reveal himself too easily. My friendliness might fool you. Come into my dressing room and I'll shake your hand, pose for a picture, make polite small talk. I'll be as nice as I can, hoping you'll be nice to me. I'm genuinely happy to meet you and exchange a little warmth. I have pleasant acquaintances with thousands of people the world over. But few, if any, really know me. And that includes my own family. It's not that they don't want to; it's because I keep my feelings to myself. If you hurt me, chances are I won't tell you. I'll just move on. Moving on is my method of healing my hurt and, man, I've been moving on all my life. Now it's time to stop. This book is a place for me to pause and look back at who I was and what I became. As I write, I'm seventy hears old, and all the joy and hurts, small and large, that I've stored up inside me...well, I want to pull 'em out and put 'em on the page. When I've been described on other people's pages, I don't recognize myself. In my mind, no one has painted the real me. Writers have done their best, but writers have missed the nitty-gritty. Maybe because I've hidden myself, maybe because I'm not an easy guy to understand. Either way, I want to open up and leave a true account of who I am. When it comes to my own life, others may know the cold facts better than me. Scholars have told me to my face that I'm mixed up. I smile but don't argue. Truth is, cold facts don't tell the whole story. Reading this, some may accuse me of remembering wrong. That's okay, because I'm not writing a cold-blooded history. I'm writing a memory of my heart. That's the truth I'm after - following my feelings, no matter where they lead. I want to try to understand myself, hoping that you - my family, my friends, my fans - will understand me as well. This is a blues story. The blues are a simple music, and I'm a simple man. But the blues aren't a science; the blues can't be broken down like mathematics. The blues are a mystery, and mysteries are never as simple as they look.
B.B. King (Blues All Around Me: The Autobiography of B.B. King)
It’s our bad luck to have teachers in this world, but since we’re stuck with them, the best we can do is hope to get a brand-new one instead of a mean old fart. New teachers don’t know the rules, so you can get away with things the old-timers would squash you for. That was my theory. So I was feeling pretty excited to start fifth grade, since I was getting a rookie teacher—a guy named Mr. Terupt. Right away, I put him to the test. If the bathroom pass is free, all you have to do is take it and go. This year, the bathrooms were right across the hall. It’s always been an easy way to get out of doing work. I can be really sneaky like that. I take the pass all the time and the teachers never notice. And like I said, Mr. Terupt was a rookie, so I knew he wasn’t going to catch me. Once you’re in the bathroom, it’s mess-around time. All the other teachers on our floor were women, so you didn’t have to worry about them barging in on you. Grab the bars to the stalls and swing. Try to touch your feet to the ceiling. Swing hard. If someone’s in the stall, it’s really funny to swing and kick his door in, especially if he’s a younger kid. If you scare him bad enough, he might pee on himself a little. That’s funny. Or if your buddy’s using the urinal, you can push him from behind and flush it at the same time. Then he might get a little wet. That’s pretty funny, too. Some kids like to plug the toilets with big wads of toilet paper, but I don’t suggest you try doing that. You can get in big trouble. My older brother told me his friend got caught and he had to scrub the toilets with a toothbrush. He said the principal made him brush his teeth with that toothbrush afterward, too. Mrs. Williams is pretty tough, but I don’t think she’d give out that kind of punishment. I don’t want to find out, either. When I came back into the classroom after my fourth or fifth trip, Mr. Terupt looked at me and said, “Boy, Peter, I’m gonna have to call you Mr. Peebody, or better yet, Peter the Pee-er. You do more peein’ than a dog walking by a mile of fire hydrants.
Rob Buyea (Because of Mr. Terupt (Mr. Terupt, #1))
Are you sure you don't remember? Your mind seems to be working just fine to me." "You know what? Just forget it. Whatever it was, I forgive you. Give me my backpack so I can go back to the office. We're about to get busted anyway, just standing here." "If you really do forgive me, then you wouldn't still be going to the office." He tightens his hold on the strap of my backpack. "Ohmysweetgoodness, Galen, why are we even having this conversation? You don't even know me. What do you care if I change my schedule?" I know I'm being rude. The guy offered to carry my things and walk me to class. And depending on which version of the story I believe, he either asked me out on Monday already, or he did it indirectly a few seconds ago. None of it makes any sense. Why me? Without any effort, I can think of at least ten girls who beat me out in looks, personality, and darker foundation. And Galen could pull any of them. "What, you don't have a question for my question?" I ask after a few seconds. "It just seems silly for you to change your schedule over a disagreement about when the Titanic-" I throw my hands up at him. "Don't you see how weird this is for me?" "I'm trying to, Emma. I really am. But I think you've had a tough couple of weeks, and it's taking a toll on you. You said every time you're around me something bad happens. But you can't really know for sure that's true, unless you spend more time with me. You should at least acknowledge that." Something is wrong with me. Those cafeteria doors must have really worked me over. Otherwise, I wouldn't be pushing Galen away like this. Not with him pleading, not with the way he's leaning toward me, not with the way he smells. "See? You're taking it personally, when there's really nothing personal about it," I whisper. "It's personal to me, Emma. It's true, I don't know you well. But there are some things I do know about you. And I'd like to know more." A glass full of ice water wouldn't cool my cheeks. "The only thing you know about me is that I'm life threatening in flip-flops." That I won't meet his eyes obviously bothers him, because he lifts my chin with the crook of his finger. "That's not all I know," he says. "I know your biggest secret." This time, unlike at the beach, I don't swat his hand away. The electric current in my feet prove that we're really standing so close to each other that our toes touch. "I don't have any secrets," I say, mesmerized." He nods. "I finally figured that out. That you don't actually know about your secret." "You're not making any sense." Or I just can't concentrate because I accidentally looked up at his lips. Maybe he did talk me into swimming... The door to the front office swings open, and Galen grabs my arm and ushers me around the corner. He continues to drag me down the hall, toward world history. "That's it?" I say, exasperated. "You're just going to leave it at that?" He stops us in front of the door. "That depends on you," he says. "Come with me to the beach after school, and I'll tell you." He reaches for the knob, but I grab his hand. "Tell me what? I already told you that I don't have any secrets. And I don't swim." He grins and opens the door. "There's plenty to do at the beach besides swim." Then he pulls me by the hand so close I think he's going to kiss me. Instead, he whispers in my ear, "I'll tell you where your eye color comes from." As I gasp, he puts a gentle hand on the small of my back and propels me into the classroom. Then he ditches me.
Anna Banks (Of Poseidon (The Syrena Legacy, #1))
I can hardly believe that our nation’s policy is to seek peace by going to war. It seems that President Donald J. Trump has done everything in his power to divert our attention away from the fact that the FBI is investigating his association with Russia during his campaign for office. For several weeks now he has been sabre rattling and taking an extremely controversial stance, first with Syria and Afghanistan and now with North Korea. The rhetoric has been the same, accusing others for our failed policy and threatening to take autonomous military action to attain peace in our time. This gunboat diplomacy is wrong. There is no doubt that Secretaries Kelly, Mattis, and other retired military personnel in the Trump Administration are personally tough. However, most people who have served in the military are not eager to send our young men and women to fight, if it is not necessary. Despite what may have been said to the contrary, our military leaders, active or retired, are most often the ones most respectful of international law. Although the military is the tip of the spear for our country, and the forces of civilization, it should not be the first tool to be used. Bloodshed should only be considered as a last resort and definitely never used as the first option. As the leader of the free world, we should stand our ground but be prepared to seek peace through restraint. This is not the time to exercise false pride! Unfortunately the Trump administration informed four top State Department management officials that their services were no longer needed as part of an effort to "clean house." Patrick Kennedy, served for nine years as the “Undersecretary for Management,” “Assistant Secretaries for Administration and Consular Affairs” Joyce Anne Barr and Michele Bond, as well as “Ambassador” Gentry Smith, director of the Office for Foreign Missions. Most of the United States Ambassadors to foreign countries have also been dismissed, including the ones to South Korea and Japan. This leaves the United States without the means of exercising diplomacy rapidly, when needed. These positions are political appointments, and require the President’s nomination and the Senate’s confirmation. This has not happened! Moreover, diplomatically our country is severely handicapped at a time when tensions are as hot as any time since the Cold War. Without following expert advice or consent and the necessary input from the Unites States Congress, the decisions are all being made by a man who claims to know more than the generals do, yet he has only the military experience of a cadet at “New York Military Academy.” A private school he attended as a high school student, from 1959 to 1964. At that time, he received educational and medical deferments from the Vietnam War draft. Trump said that the school provided him with “more training than a lot of the guys that go into the military.” His counterpart the unhinged Kim Jong-un has played with what he considers his country’s military toys, since April 11th of 2012. To think that these are the two world leaders, protecting the planet from a nuclear holocaust….
Hank Bracker