Touching Mother Daughter Quotes

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Abe held my gaze a bit longer and then broke into an easy smile. ʺOf course, of course. This is a family gathering. A celebration. And look: hereʹs our newest member.ʺ Dimitri had joined us and wore black and white like my mother and me. He stood beside me, conspicuously not touching. ʺMr. Mazur,ʺ he said formally, nodding a greeting to both of them. ʺGuardian Hathaway.ʺ Dimitri was seven years older than me, but right then, facing my parents, he looked like he was sixteen and about to pick me up for a date. ʺAh, Belikov,ʺ said Abe, shaking Dimitriʹs hand. ʺIʹd been hoping weʹd run into each other. Iʹd really like to get to know you better. Maybe we can set aside some time to talk, learn more about life, love, et cetera. Do you like to hunt? You seem like a hunting man. Thatʹs what we should do sometime. I know a great spot in the woods. Far, far away. We could make a day of it. Iʹve certainly got a lot of questions Iʹd like to ask you. A lot of things Iʹd like to tell you too.ʺ I shot a panicked look at my mother, silently begging her to stop this. Abe had spent a good deal of time talking to Adrian when we dated, explaining in vivid and gruesome detail exactly how Abe expected his daughter to be treated. I did not want Abe taking Dimitri off alone into the wilderness, especially if firearms were involved. ʺActually,ʺ said my mom casually. ʺIʹd like to come along. I also have a number of questions—especially about when you two were back at St. Vladimirʹs.ʺ ʺDonʹt you guys have somewhere to be?ʺ I asked hastily. ʺWeʹre about to start.ʺ That, at least, was true. Nearly everyone was in formation, and the crowd was quieting. ʺOf course,ʺ said Abe. To my astonishment, he brushed a kiss over my forehead before stepping away. ʺIʹm glad youʹre back.ʺ Then, with a wink, he said to Dimitri: ʺLooking forward to our chat.ʺ ʺRun,ʺ I said when they were gone. ʺIf you slip out now, maybe they wonʹt notice. Go back to Siberia." "Actually," said Dimitri, "I'm pretty sure Abe would notice. Don't worry, Roza. I'm not afraid. I'll take whatever heat they give me over being with you. It's worth it.
Richelle Mead (Last Sacrifice (Vampire Academy, #6))
You are doing God's work. You are doing it wonderfully well. He is blessing you, and He will bless you, --even--no, -especially--when your days and your nights may be most challenging. Like the woman who anonymously, meekly, perhaps even with hesitation and some embarrassment, fought her way through the crowd just to touch the hem of the Master's garment, so Christ will say to the women who worry and wonder and weep over their responsibility as mothers, `Daughter, be of good comfort; thy faith hath made thee whole.' And it will make your children whole as well.
Jeffrey R. Holland
i can't tell if my mother is terrified or in love with my father it all looks the same i flinch when you touch me i fear it is him
Rupi Kaur (milk and honey)
If I were a cinnamon peeler I would ride your bed and leave the yellow bark dust on your pillow. Your breasts and shoulders would reek you could never walk through markets without the profession of my fingers floating over you. The blind would stumble certain of whom they approached though you might bathe under rain gutters, monsoon. Here on the upper thigh at this smooth pasture neighbor to your hair or the crease that cuts your back. This ankle. You will be known among strangers as the cinnamon peeler's wife. I could hardly glance at you before marriage never touch you -- your keen nosed mother, your rough brothers. I buried my hands in saffron, disguised them over smoking tar, helped the honey gatherers... When we swam once I touched you in water and our bodies remained free, you could hold me and be blind of smell. You climbed the bank and said this is how you touch other women the grasscutter's wife, the lime burner's daughter. And you searched your arms for the missing perfume. and knew what good is it to be the lime burner's daughter left with no trace as if not spoken to in an act of love as if wounded without the pleasure of scar. You touched your belly to my hands in the dry air and said I am the cinnamon peeler's wife. Smell me.
Michael Ondaatje (The Cinnamon Peeler: Selected Poems)
MY MOTHER GETS DRESSED It is impossible for my mother to do even the simplest things for herself anymore so we do it together, get her dressed. I choose the clothes without zippers or buckles or straps, clothes that are simple but elegant, and easy to get into. Otherwise, it's just like every other day. After bathing, getting dressed. The stockings go on first. This time, it's the new ones, the special ones with opaque black triangles that she's never worn before, bought just two weeks ago at her favorite department store. We start with the heavy, careful stuff of the right toes into the stocking tip then a smooth yank past the knob of her ankle and over her cool, smooth calf then the other toe cool ankle, smooth calf up the legs and the pantyhose is coaxed to her waist. You're doing great, Mom, I tell her as we ease her body against mine, rest her whole weight against me to slide her black dress with the black empire collar over her head struggle her fingers through the dark tunnel of the sleeve. I reach from the outside deep into the dark for her hand, grasp where I can't see for her touch. You've got to help me a little here, Mom I tell her then her fingertips touch mine and we work her fingers through the sleeve's mouth together, then we rest, her weight against me before threading the other fingers, wrist, forearm, elbow, bicep and now over the head. I gentle the black dress over her breasts, thighs, bring her makeup to her, put some color on her skin. Green for her eyes. Coral for her lips. I get her black hat. She's ready for her company. I tell the two women in simple, elegant suits waiting outside the bedroom, come in. They tell me, She's beautiful. Yes, she is, I tell them. I leave as they carefully zip her into the black body bag. Three days later, I dream a large, green suitcase arrives. When I unzip it, my mother is inside. Her dress matches her eyeshadow, which matches the suitcase perfectly. She's wearing coral lipstick. "I'm here," she says, smiling delightedly, waving and I wake up. Four days later, she comes home in a plastic black box that is heavier than it looks. In the middle of a meadow, I learn a naked more than naked. I learn a new way to hug as I tighten my fist around her body, my hand filled with her ashes and the small stones of bones. I squeeze her tight then open my hand and release her into the smallest, hottest sun, a dandelion screaming yellow at the sky.
Daphne Gottlieb (Final Girl)
Maria, lonely prostitute on a street of pain, You, at least, hail me and speak to me While a thousand others ignore my face. You offer me an hour of love, And your fees are not as costly as most. You are the madonna of the lonely, The first-born daughter in a world of pain. You do not turn fat men aside, Or trample on the stuttering, shy ones, You are the meadow where desperate men Can find a moment's comfort. Men have paid more to their wives To know a bit of peace And could not walk away without the guilt That masquerades as love. You do not bind them, lovely Maria, you comfort them And bid them return. Your body is more Christian than the Bishop's Whose gloved hand cannot feel the dropping of my blood. Your passion is as genuine as most, Your caring as real! But you, Maria, sacred whore on the endless pavement of pain, You, whose virginity each man may make his own Without paying ought but your fee, You who know nothing of virgin births and immaculate conceptions, You who touch man's flesh and caress a stranger, Who warm his bed to bring his aching skin alive, You make more sense than stock markets and football games Where sad men beg for virility. You offer yourself for a fee--and who offers himself for less? At times you are cruel and demanding--harsh and insensitive, At times you are shrewd and deceptive--grasping and hollow. The wonder is that at times you are gentle and concerned, Warm and loving. You deserve more respect than nuns who hide their sex for eternal love; Your fees are not so high, nor your prejudice so virtuous. You deserve more laurels than the self-pitying mother of many children, And your fee is not as costly as most. Man comes to you when his bed is filled with brass and emptiness, When liquor has dulled his sense enough To know his need of you. He will come in fantasy and despair, Maria, And leave without apologies. He will come in loneliness--and perhaps Leave in loneliness as well. But you give him more than soldiers who win medals and pensions, More than priests who offer absolution And sweet-smelling ritual, More than friends who anticipate his death Or challenge his life, And your fee is not as costly as most. You admit that your love is for a fee, Few women can be as honest. There are monuments to statesmen who gave nothing to anyone Except their hungry ego, Monuments to mothers who turned their children Into starving, anxious bodies, Monuments to Lady Liberty who makes poor men prisoners. I would erect a monument for you-- who give more than most-- And for a meager fee. Among the lonely, you are perhaps the loneliest of all, You come so close to love But it eludes you While proper women march to church and fantasize In the silence of their rooms, While lonely women take their husbands' arms To hold them on life's surface, While chattering women fill their closets with clothes and Their lips with lies, You offer love for a fee--which is not as costly as most-- And remain a lonely prostitute on a street of pain. You are not immoral, little Maria, only tired and afraid, But you are not as hollow as the police who pursue you, The politicians who jail you, the pharisees who scorn you. You give what you promise--take your paltry fee--and Wander on the endless, aching pavements of pain. You know more of universal love than the nations who thrive on war, More than the churches whose dogmas are private vendettas made sacred, More than the tall buildings and sprawling factories Where men wear chains. You are a lonely prostitute who speaks to me as I pass, And I smile at you because I am a lonely man.
James Kavanaugh (There Are Men Too Gentle to Live Among Wolves)
I like how you call homosexuality an abomination." "I don't say homosexuality's an abomination, Mr. President, the bible does." "Yes it does. Leviticus-" "18:22" "Chapter in verse. I wanted to ask you a couple questions while I had you here. I'm interested in selling my youngest daughter into slavery as sanctioned in exodus 21:7. She's a Georgetown sophomore, speaks fluent Italian, always cleared the table when it was her turn. What would a good price for her be? While thinking about that can I ask another? My chief of staff, Leo Mcgary,insists on working on the sabbath. Exodus 35:2 clearly says he should be put to death. Am I morally obligated to kill him myself or is it ok to call the police? Here's one that's really important, cause we've got a lot of sports fans in this town. Touching the skin of a dead pig makes one unclean, Leviticus 11:7. If they promise to wear gloves, can the Washington Red Skins still play football? Can Notre Dame? Can West Point? does the whole town really have to be together to stone my brother John for planting different crops side by side? Can I burn my mother in a small family gathering for wearing garments made from two different threads?
Aaron Sorkin
Rodwell wandered into No Man's Land and put a bullet through his ears. On Sunday, Robert sat on his bed in the old hotel at Bailleul and read what Rodwell had written. To my daughter, Laurine; Love your mother. Make your prayers against despair. I am alive in everything I touch. Touch these pages and you have me in your fingertips. We survive in one another. Everything lives forever. Believe it. Nothing dies. I am your father always.
Timothy Findley (The Wars)
The only dream I ever had was the dream of New York itself, and for me, from the minute I touched down in this city, that was enough. It became the best teacher I ever had. If your mother is anything like mine, after all, there are a lot of important things she probably didn't teach you: how to use a vibrator; how to go to a loan shark and pull a loan at 17 percent that's due in thirty days; how to hire your first divorce attorney; what to look for in a doula (a birth coach) should you find yourself alone and pregnant. My mother never taught me how to date three people at the same time or how to interview a nanny or what to wear in an ashram in India or how to meditate. She also failed to mention crotchless underwear, how to make my first down payment on an apartment, the benefits of renting verses owning, and the difference between a slant-6 engine and a V-8 (in case I wanted to get a muscle car), not to mention how to employ a team of people to help me with my life, from trainers to hair colorists to nutritionists to shrinks. (Luckily, New York became one of many other moms I am to have in my lifetime.) So many mothers say they want their daughters to be independent, but what they really hope is that they'll find a well-compensated banker or lawyer and settle down between the ages of twenty-five and twenty-eight in Greenwich, Darien, or That Town, USA, to raise babies, do the grocery shopping, and work out in relative comfort for the rest of their lives. I know this because I employ their daughters. They raise us to think they want us to have careers, and they send us to college, but even they don't really believe women can be autonomous and take care of themselves.
Kelly Cutrone (If You Have to Cry, Go Outside: And Other Things Your Mother Never Told You)
Body of Earth, body of woman call unto the stars Carry – as the river which carries the touch of the forest – carry Earth unto sky Enliven within my body of woman union with Earth, union with sky I am daughter of stars a clear river of light My soul, it is flowing unto body of woman, body of Earth woven with light
Tamara Rendell (Realm of the Witch Queen (Lunar Fire, #2))
Can I tell my daughter that I loved her father? This was the man who rubbed my feet at night. He praised the food that I cooked. He cried honestly when I brought out trinkets I had saved for the right day, the day he gave me my daughter, a tiger girl. How could I not love this man? But it was a love of a ghost. Arms that encircled but did not touch. A bowl full of rice but without my appetite to eat it. No hunger. No fullness. Now Saint is a ghost. He and I can now love equally. He knows the things I have been hiding all these years. Now I must tell my daughter everything. That she is a daughter of a ghost. She has no chi . This is my greatest shame. How can I leave this world without leaving her my spirit? So this is what I will do. I will gather together my past and look. I will see a thing that has already happened. The pain that cut my spirit loose. I will hold that pain in my hand until it becomes hard and shiny, more clear. And then my fierceness can come back, my golden side, my black side. I will use this sharp pain to penetrate my daughter's tough skin and cut her tiger spirit loose. She will fight me, because this is the nature of two tigers. But I will win and give her my spirit, because this is a way a mother loves her daughter. I hear my daughter speaking to her husband downstairs. They say words that mean nothing. They sit in a room with no life in it. I know a thing before it happens. She will hear the table and vase crashing on the floor. She will come upstairs and into my room. Her eyes will see nothing in the darkness, where I am waiting between the trees.
Amy Tan (The Joy Luck Club)
Here is Abraham Lincoln’s touching condolence letter to 22-year-old Fanny McCullough, the daughter of a long-time friend: “Dear Fanny It is with deep grief that I learn of the death of your kind and brave Father; and, especially, that it is affecting your young heart beyond what is common in such cases. In this sad world of ours, sorrow comes to all; and, to the young, it comes with bitterest agony, because it takes them unawares. The older have learned to ever expect it. I am anxious to afford some alleviation of your present distress. Perfect relief is not possible, except with time. You can not now realize that you will ever feel better. Is not this so? And yet it is a mistake. You are sure to be happy again. To know this, which is certainly true, will make you some less miserable now. I have had experience enough to know what I say; and you need only to believe it, to feel better at once. The memory of your dear Father, instead of an agony, will yet be a sad sweet feeling in your heart, of a purer and holier sort than you have known before. Please present my kind regards to your afflicted mother. Your sincere friend, A. Lincoln
Abraham Lincoln
Success in life is not just about professional success. It is personal success too. There is a trend in Asia and Asian American society for young women to not get married or not have children to get ahead professionally. That was the trend 10 years ago in the US. This is bad for society and a country's population growth. Women need to encouraged and supported for being able to have both a successful career and a successful personal and family life. That is why we need to see Asian American women who are both successful professionally and personally in the media and on screen. That is why I am out there in public as a wife and mother who is a self-made million-selling author and director who is in touch with my Asian heritage. Not because I crave the limelight, but because I want my daughter and nieces to see they can do it too. - Strong by Kailin Gow
Kailin Gow
Hi there, cutie." Ash turned his head to find an extremely attractive college student by his side. With black curly hair, she was dressed in jeans and a tight green top that displayed her curves to perfection. "Hi." "You want to go inside for a drink? It's on me." Ash paused as he saw her past, present, and future simultaneously in his mind. Her name was Tracy Phillips. A political science major, she was going to end up at Harvard Med School and then be one of the leading researchers to help isolate a mutated genome that the human race didn't even know existed yet. The discovery of that genome would save the life of her youngest daughter and cause her daughter to go on to medical school herself. That daughter, with the help and guidance of her mother, would one day lobby for medical reforms that would change the way the medical world and governments treated health care. The two of them would shape generations of doctors and save thousands of lives by allowing people to have groundbreaking medical treatments that they wouldn't have otherwise been able to afford. And right now, all Tracy could think about was how cute his ass was in leather pants, and how much she'd like to peel them off him. In a few seconds, she'd head into the coffee shop and meet a waitress named Gina Torres. Gina's dream was to go to college herself to be a doctor and save the lives of the working poor who couldn't afford health care, but because of family problems she wasn't able to take classes this year. Still Gina would tell Tracy how she planned to go next year on a scholarship. Late tonight, after most of the college students were headed off, the two of them would be chatting about Gina's plans and dreams. And a month from now, Gina would be dead from a freak car accident that Tracy would see on the news. That one tragic event combined with the happenstance meeting tonight would lead Tracy to her destiny. In one instant, she'd realize how shallow her life had been, and she'd seek to change that and be more aware of the people around her and of their needs. Her youngest daughter would be named Gina Tory in honor of the Gina who was currently busy wiping down tables while she imagined a better life for everyone. So in effect, Gina would achieve her dream. By dying she'd save thousands of lives and she'd bring health care to those who couldn't afford it... The human race was an amazing thing. So few people ever realized just how many lives they inadvertently touched. How the right or wrong word spoken casually could empower or destroy another's life. If Ash were to accept Tracy's invitation for coffee, her destiny would be changed and she would end up working as a well-paid bank officer. She'd decide that marriage wasn't for her and go on to live her life with a partner and never have children. Everything would change. All the lives that would have been saved would be lost. And knowing the nuance of every word spoken and every gesture made was the heaviest of all the burdens Ash carried. Smiling gently, he shook his head. "Thanks for asking, but I have to head off. You have a good night." She gave him a hot once-over. "Okay, but if you change your mind, I'll be in here studying for the next few hours." Ash watched as she left him and entered the shop. She set her backpack down at a table and started unpacking her books. Sighing from exhaustion, Gina grabbed a glass of water and made her way over to her... And as he observed them through the painted glass, the two women struck up a conversation and set their destined futures into motion. His heart heavy, he glanced in the direction Cael had vanished and hated the future that awaited his friend. But it was Cael's destiny. His fate... "Imora thea mi savur," Ash whispered under his breath in Atlantean. God save me from love.
Sherrilyn Kenyon (Dark Side of the Moon (Dark-Hunter, #9; Were-Hunter, #3))
President Josiah Bartlet: Good. I like your show. I like how you call homosexuality an abomination. Dr. Jenna Jacobs: I don't say homosexuality is an abomination, Mr. President. The Bible does. President Josiah Bartlet: Yes, it does. Leviticus. Dr. Jenna Jacobs: 18:22. President Josiah Bartlet: Chapter and verse. I wanted to ask you a couple of questions while I had you here. I'm interested in selling my youngest daughter into slavery as sanctioned in Exodus 21:7. She's a Georgetown sophomore, speaks fluent Italian, always cleared the table when it was her turn. What would a good price for her be? While thinking about that, can I ask another? My Chief of Staff Leo McGarry insists on working on the Sabbath. Exodus 35:2 clearly says he should be put to death. Am I morally obligated to kill him myself, or is it okay to call the police? Here's one that's really important 'cause we've got a lot of sports fans in this town: Touching the skin of a dead pig makes one unclean. Leviticus 11:7. If they promise to wear gloves, can the Washington Redskins still play football? Can Notre Dame? Can West Point? Does the whole town really have to be together to stone my brother John for planting different crops side by side? Can I burn my mother in a small family gathering for wearing garments made from two different threads? Think about those questions, would you? One last thing: While you may be mistaking this for your monthly meeting of the Ignorant Tight-Ass Club, in this building, when the President stands, nobody sits.
Aaron Sorkin (The West Wing Script Book)
I try to reach my father through the bars. He is so thin, almost wasted away from malaria, dysentery, starvation. But he pulls himself erect, and touches my hand. "Tonight I will be free," he says, a glow suffusing his face. "I will be joining my mother, my father. I am going back to the land of my ancestors in Larkana to become part of its soil, its scent, its air. There will be songs about me. I will become part of its legend." He smiles. "But it is very hot in Larkana." "I'll build a shade," I manage to say.
Benazir Bhutto (Daughter of Destiny: An Autobiography)
I knew without doubt that my mother’s death had irrevocably altered who I was and who I would become. When a parent dies young, explains Maxine Harris, PhD, in The Loss That Is Forever, children have a personal encounter with death that influences the way they see the world for the rest of their lives. “Some events are so big and so powerful that they cannot help but change everything they touch,” she writes. How could all my thoughts and feelings, then, not be traced back to the event that had created such a jagged fault line through my history, dividing it into a permanent Before and After?
Hope Edelman (Motherless Daughters: The Legacy of Loss)
Many people in this room have an Etsy store where they create unique, unreplicable artifacts or useful items to be sold on a small scale, in a common marketplace where their friends meet and barter. I and many of my friends own more than one spinning wheel. We grow our food again. We make pickles and jams on private, individual scales, when many of our mothers forgot those skills if they ever knew them. We come to conventions, we create small communities of support and distributed skills--when one of us needs help, our village steps in. It’s only that our village is no longer physical, but connected by DSL instead of roads. But look at how we organize our tribes--bloggers preside over large estates, kings and queens whose spouses’ virtues are oft-lauded but whose faces are rarely seen. They have moderators to protect them, to be their knights, a nobility of active commenters and big name fans, a peasantry of regular readers, and vandals starting the occasional flame war just to watch the fields burn. Other villages are more commune-like, sharing out resources on forums or aggregate sites, providing wise women to be consulted, rabbis or priests to explain the world, makers and smiths to fashion magical objects. Groups of performers, acrobats and actors and singers of songs are traveling the roads once more, entertaining for a brief evening in a living room or a wheatfield, known by word of mouth and secret signal. Separate from official government, we create our own hierarchies, laws, and mores, as well as our own folklore and secret history. Even my own guilt about having failed as an academic is quite the crisis of filial piety--you see, my mother is a professor. I have not carried on the family trade. We dwell within a system so large and widespread, so disorganized and unconcerned for anyone but its most privileged and luxurious members, that our powerlessness, when we can summon up the courage to actually face it, is staggering. So we do not face it. We tell ourselves we are Achilles when we have much more in common with the cathedral-worker, laboring anonymously so that the next generation can see some incremental progress. We lack, of course, a Great Work to point to and say: my grandmother made that window; I worked upon the door. Though, I would submit that perhaps the Internet, as an object, as an aggregate entity, is the cathedral we build word by word and image by image, window by window and portal by portal, to stand taller for our children, if only by a little, than it does for us. For most of us are Lancelots, not Galahads. We may see the Grail of a good Classical life, but never touch it. That is for our sons, or their daughters, or further off. And if our villages are online, the real world becomes that dark wood on the edge of civilization, a place of danger and experience, of magic and blood, a place to make one’s name or find death by bear. And here, there be monsters.
Catherynne M. Valente
I was enchanted. Languages for me have a secret venom that every so often foams up and for which there is no antidote. I remember the dialect on my mother’s lips when she lost that gentle cadence and yelled at us, poisoned by her unhappiness: I can’t take you anymore, I can’t take any more. Commands, shouts, insults, life stretching into her words, as when a frayed nerve is just touched, and the pain scrapes away all self-control.
Elena Ferrante (The Lost Daughter)
Touching the copper of the ankh reminded me of another necklace, a necklace long since lost under the dust of time. That necklace had been simpler: only a string of beads etched with tiny ankhs. But my husband had brought it to me the morning of our wedding, sneaking up to our house just after dawn in a gesture uncharacteristically bold for him. I had chastised him for the indiscretion. "What are you doing? You're going to see me this afternoon... and then every day after that!" "I had to give you these before the wedding." He held up the string of beads. "They were my mother's. I want you to have them, to wear them today.” He leaned forward, placing the beads around my neck. As his fingers brushed my skin, I felt something warm and tingly run through my body. At the tender age of fifteen, I hadn't exactly understood such sensations, though I was eager to explore them. My wiser self today recognized them as the early stirrings of lust, and . . . well, there had been something else there too. Something else that I still didn't quite comprehend. An electric connection, a feeling that we were bound into something bigger than ourselves. That our being together was inevitable. "There," he'd said, once the beads were secure and my hair brushed back into place. "Perfect.” He said nothing else after that. He didn't need to. His eyes told me all I needed to know, and I shivered. Until Kyriakos, no man had ever given me a second glance. I was Marthanes' too-tall daughter after all, the one with the sharp tongue who didn't think before speaking. (Shape-shifting would eventually take care of one of those problems but not the other.) But Kyriakos had always listened to me and watched me like I was someone more, someone tempting and desirable, like the beautiful priestesses of Aphrodite who still carried on their rituals away from the Christian priests. I wanted him to touch me then, not realizing just how much until I caught his hand suddenly and unexpectedly. Taking it, I placed it around my waist and pulled him to me. His eyes widened in surprise, but he didn't pull back. We were almost the same height, making it easy for his mouth to seek mine out in a crushing kiss. I leaned against the warm stone wall behind me so that I was pressed between it and him. I could feel every part of his body against mine, but we still weren't close enough. Not nearly enough. Our kissing grew more ardent, as though our lips alone might close whatever aching distance lay between us. I moved his hand again, this time to push up my skirt along the side of one leg. His hand stroked the smooth flesh there and, without further urging, slid over to my inner thigh. I arched my lower body toward his, nearly writhing against him now, needing him to touch me everywhere. "Letha? Where are you at?” My sister's voice carried over the wind; she wasn't nearby but was close enough to be here soon. Kyriakos and I broke apart, both gasping, pulses racing. He was looking at me like he'd never seen me before. Heat burned in his gaze. "Have you ever been with anyone before?" he asked wonderingly. I shook my head. "How did you ... I never imagined you doing that...” "I learn fast.” He grinned and pressed my hand to his lips. "Tonight," he breathed. "Tonight we ...” "Tonight," I agreed. He backed away then, eyes still smoldering. "I love you. You are my life.” "I love you too." I smiled and watched him go.
Richelle Mead (Succubus Blues (Georgina Kincaid, #1))
...if I have a daughter I will tell her she can do anything, and I will mean it, because I have no other intention of informing her otherwise. As my mother did with me, and my mother's mother before her, I shall simply hide the truth from her. I will tell her that despite what others may whisper, there is no difference between her and any boy. I will tell her to work her hardest and try her best. And that if one day she looks around and finds that, despite her very best efforts, lesser men have superseded her, then she probably could have done better. These words may not be true, nor will they be fair, but I would hope that they ensure she never becomes a victim of her own femininity. I hope she will be empowered to pick herself up, study harder, work longer, and exceed her own expectations. I don't want my daughter to break any glass ceilings. I'd rather she never even contemplated their existence. Because glass ceilings, closed doors, and boys clubs are notions, they're ideas, and they're not tangible. You can't see, touch, or feel them. They can only exercise power over us if we choose to believe in them. So why lay down your own gauntlet? The cliche rings true, if you reach for the moon, you might just land on the stars. Throw a glass ceiling into the works, and it can only get in the way. And I suspect that deep down, every woman who ever truly excelled thought exactly this way. I doubt they ever gave much thought to the fact that they are women. I think they just really wanted to rock out. And they did; louder, harder, and better than anyone else around them. And at some point down the line, enough people took note.
Amy Mowafi (Fe-mail 2)
She said that true love was just like this - sweet in some parts, sour in others. She said that deep love was vast and pure, but that it also got hateful in some of its corners where the sunlight did not touch. She said that you could not love without hating. And that you most certainly could not hate a person without loving them first.
Okwiri Oduor (Things They Lost)
In the wild, a mother elephant and her daughter will stay together until one or the other dies. But there is one exception: In a year when there are limited resources— a drought, say, or a herd that has grown too big to sustain feeding all its members in a given area— the matriarch may make the decision to split the group. She will lead some of the elephants off in one direction, and her daughter will lead the rest on another route. They are still family, but they know that being together will bring about high mortality for the herd, that there is a better chance of survival when they aren’t competing for the same resources. But things change. When the land blossoms and the rivers run flush again, the mother and daughter reunite. It’s a celebration, a fanfare. There is trumpeting, roaring, touching, stroking. It’s like they have never been apart.
Jodi Picoult (Larger Than Life)
We drove in silence for a while. Then out of nowhere, Nancy quietly said, 'I'm going to die very soon. Before my twenty-first birthday. I won't live to be twenty-one. I'm never gonna be old. I don't ever want to be ugly and old. I'm an old lady now anyhow. I'm eighty. There's nothing left. I've already lived a whole lifetime. I'm going out. In a blaze of glory.' Then she was quiet. Her words just lay there like a bombshell. No one wanted to touch them. She hadn't issued a threat, simply made a flat statement. We all believed her. Even Sid. [...] 'I honestly can't understand her,' David [Nancy's brother] said as we drove home. 'She's dying. She knows it. Why won't she stop herself?' 'She doesn't want to,' Frank [Nancy's father] ]said sadly. 'She wants to die. She has for a long, long time. It's been her goal.' 'But why?' asked David. 'She hates being alive,' I said. 'She hates her pain. She hates herself. She wants to destroy herself.' 'Isn't there anything you guys can do?' asked David. 'Yes,' I said. 'What?' 'Watch her die.
Deborah Spungen (And I Don't Want to Live This Life: A Mother's Story of Her Daughter's Murder)
Dear Kai, The sun is probably streaming in through the big barn windows now, which means you're awake. And if you're awake, it means you're wondering where I went. I haven't run away from you, I promise. But I knew that today of all days, they'd need me in the house. Tatiana may be the head of our household now, but she's not the one our staff will look to in my mother's absence. And there is so much to do to prepare for the funeral. Also, I have to go tell my grandfather what has happened to his daughter. I don't want him to hear of her death from anyone but me. Thank you for last night. I wish I could say I don't know why you re the one I ran to,- you, Kai, not Tatiana or my father or even my grandfather. But I know why. And I have a confession to make. After you let me cry, after you let me sob and shout and choke on all that pain-after you did all that, and didn't say a word-I didn't fall asleep like you thought. Not right away. I lay there, wadded up into a ball, and you curved your body behind mine. You were barely touching me-your thigh against the edge of my hip, your arm draped lightly across my waist, your fingers entwined with mine. How many times have our hands touched, when we were passing each other tools or helping each other in and out of machines? Hundreds of times. Thousands. But last night was different. You cradled my hand in yours, palms up, our fingers curled in like a pair of fallen leaves. Fallen, maybe, but not dead. My hand never felt so alive. Every place you touched me sparked with energy. I couldn't sleep. Not like that. And so I bent my head, just the slightest bit, until my mouth reached our hands. I smelled the oil you never quite get off your fingers. I breathed in the scent of your skin. And then, as if that was all I was doing, just breathing, I let my bottom lip brush against your knuckle. Time stopped, I was sure you'd see through my ruse and pull away. I was sure you'd know that I was not asleep, that I was not just breathing. But you didn't move, so I did it again. And again. And in the third time, I let my top lip join my bottom. I kissed your hand, Kai. I didn't do it to thank you for letting me cry. For letting me sleep in your arms. I thought you should know. Yours, Elliot Dear Elliot, I know. When will I see you again? Yours, Kai
Diana Peterfreund (For Darkness Shows the Stars (For Darkness Shows the Stars, #1))
You come home, Daddy," she told him. "I love my mother, but if I have to live with her for very long, one of us will commit a homicide. And you bring Mercy and the pip-squeak back.
Patricia Briggs (Fire Touched (Mercy Thompson, #9))
People hate that I flip two cigarettes Upside down in each pack for luck, But I hate that people notice When you gain three pounds, But not when you buy a new hat. I’ve been told that the way I sleep With one leg draped over The person lying next to me Is annoying, But I think it’s annoying When people tell me I look pretty, But only when I paint my face. I’ve heard that old men Like to touch the girls who work late at bars, But I want to know Why they never kiss the women they married forty-two years ago. I’ve noticed that mothers teach their daughters That it’s rude to refuse a hug From an uncle they’ve met three times, But forget to teach them That they aren’t obliged to kiss The boy who paid for dinner.
thewriterandthewildflower
The summer of 1950 was the hottest in living memory, with high humidity and temperatures above 100 F. My mother had been washing every day, and she was attacked for this, too. Peasants, especially in the North where Mrs. Mi came from, washed very rarely, because of the shortage of water. In the guerrillas, men and women used to compete to see who had the most 'revolutionary insects' (lice). Cleanliness was regarded as un proletarian When the steamy summer turned into cool autumn my father's bodyguard weighed in with a new accusation: my mother was 'behaving like a Kuomintang official's grand lady' because she had used my father's leftover hot water. At the time, in order to save fuel, there was a rule that only officials above a certain rank were entitled to wash with hot water. My father fell into this group, but my mother did not. She had been strongly advised by the women in my father's family not to touch cold water when she came near to delivery time. After the bodyguard's criticism, my father would not let my mother use his water. My mother felt like screaming at him for not taking her side against the endless intrusions into the most irrelevant recesses of her life.
Jung Chang (Wild Swans: Three Daughters of China)
When the land blossoms and the rivers run flush again, the mother and daughter reunite. It’s a celebration, a fanfare. There is trumpeting, roaring, touching, stroking. It’s like they have never been apart.
Jodi Picoult (Larger Than Life)
One of the worst things about losing my mother at the age I did was how very much there was to regret. Small things that stung now: all the times I’d scorned her kindness by rolling my eyes or physically recoiled in response to her touch; the time I’d said, “Aren’t you amazed to see how much more sophisticated I am at twenty-one than you were?” The thought of my youthful lack of humility made me nauseous now. I had been an arrogant asshole and, in the midst of that, my mother died. Yes, I’d been a loving daughter and yes, I’d been there for her when it mattered, but I could have been better. I could have been what I’d begged her to say I was: the best daughter in the world.
Cheryl Strayed (Wild: From Lost to Found on the Pacific Crest Trail)
I remember the warm mother smell caught between her legs, and the intimacy of our physical touching nestled inside of the anxiety/pain like a nutmeg nestled inside its covering of mace. The radio, the scratching comb, the smell of petroleum jelly, the grip of her knees and my stinging scalp all fall into—[italics] the rhythms of a litany of Year’s in my swimming scalp all fall into the rhythms, the rituals of Black women combing their daughter’s hair.
Audre Lorde (Zami: A New Spelling of My Name)
Will and Lake, Love is the most beautiful thing in the world. Unfortunately, it's also one of the hardest things in the world to hold on to, and one of the easiest to throw away. Neither of you has a mother or a father to go to for relationship advice anymore. Neither of you has anyone to go to for a shoulder to cry on when things get touch, and they will get touch. Neither of you has someone to go to when you just want to share the funny, or the happy, or the heartache. You are both at a disadvantage when it comes to this aspect of love. You both only have each other, and because of this, you will have to work harder at building a strong foundation for your future together. You are not only each other's love; you are also one another's sole confidant. I hand wrote some things onto strips of paper and folded them into stars. It might be an inspirational quote, an inspiring lyric, or just some downright good parental advice. I don't want you to open one and read it until you truly feel you need it. If you have a bad day, if the two of you fight, or if you just need something to lift your spirits...that's what these are for. You can open one together; you can open one alone. I just want there to be something both of you can go to, if and when you ever need it. Will...thank you. Thank you for coming into our lives. So much of the pain and worry I've been feeling has been alleviated by the mere fact that I know my daughter is loved by you....You are a wonderful man, and you've been a wonderful friend to me. I thank you from the bottom of my heart for loving my daughter like you do. You respect her, you don't need to change for her, and you inspire her. You can never know how grateful I have been for you, and how much peace you have brought my soul. And Lake; this is me-nudging your shoulder, giving you my approval. You couldn't have picked anyone better to love if I would have hand-picked him myself. Also, thank you for being so determined to keep our family together. You were right about Kel needing to be with you. Thank you for helping me see that. And remember when things get touch for him, please teach him how to stop caring pumpkins... I love you both and with you a lifetime of happiness together. -Julia "And all around my memories, you dance..." ~The Avett Brothers
Colleen Hoover (Point of Retreat (Slammed, #2))
But Little Grandmother did not keep in touch with her namesake, my mother, Margaret Morris. News about Will Morris's younger daughter reached the "white" side through Mamie. They knew where she was, what she was doing, and who she was doing it with. Most important, they knew she had chosen to stay negro. It is still a matter of speculation as to why my mother's father or one of her much older brothers or her sister did not keep in touch with her and her younger brother. Over the years, Aunt Mamie and my mother's various guardians supplied different explanations. The times were hard. They were bad for mulattoes and worse for "real" Negroes. There was little money around. Her father drank, drifted and could not keep jobs. Her teenage siblings could barely keep jobs ...... She was too dark, revealing both the Negro and swarthy Italian strains of her ancestry. Her color would give them away in their new white settings. All of these reasons were plausible. None of them sufficed. None could take away the pain, the anger, the isolation, the questions.
Shirlee Taylor Haizlip (Sweeter the Juice: A Family Memoir in Black and White)
Partners whose names were in the 'Red Book' would not have produced half the amount of fatigue, according to Mrs. Gibson's judgment apparently, and if Cynthia had been quite well, very probably she would have hit the blot in her mother's speech with one of her touches of sarcasm.
Elizabeth Gaskell (Wives and Daughters)
You breathe upon us now through solid assertions of yourself: teaspoons, goblets, seas of carpet, a forest of old plants to be watered an old man in an adjoining room to be touched and fed. And all this universe dares us to lay a finger anywhere, save exactly as you would wish it done.
Adrienne Rich
For all children, mothers are their first love, their first acquaintance with intimacy, touch, warmth, tenderness, sustenance. Infancy is a conspiracy between mothers and their babies, a bond that fathers can only helplessly witness, denied the profound pleasure and pain of giving birth.
Victoria Secunda (Women and Their Fathers: The Sexual and Romantic Impact of the First Man in Your Life)
One of the worst things about losing my mother at the age I did was how very much there was to regret. Small things that stung now: all the times I’d scorned her kindness by rolling my eyes or physically recoiled in response to her touch; the time I’d said, “Aren’t you amazed to see how much more sophisticated I am at twenty-one than you were?” The thought of my youthful lack of humility made me nauseous now. I had been an arrogant asshole and, in the midst of that, my mother died. Yes, I’d been a loving daughter and yes, I’d been there for her when it mattered, but I could have been better. I
Cheryl Strayed (Wild: From Lost to Found on the Pacific Crest Trail)
The mother who abandons her daughter leaves a pile of questions behind: Who was she? Where is she? Why did she leave? Like the child whose mother dies, the abandoned daughter lives with a loss, but she also struggles with the knowledge that her mother is alive yet inaccessible and out of touch. Death has a finality that abandonment simply does not.
Hope Edelman (Motherless Daughters: The Legacy of Loss)
My mother taught me to read hands at the same time she taught me to apply polish. Not by reading the lines of a palm, but the way she'd learned from her mother and her mother before her, by touch, decoding the curves of the hand without looking. Carlito never knew about our ability. Our mother never shared those things with him. She said there were some things that were meant to stay between mothers and daughters. It was by holding my brother's hands, once when I went to see him at the jail during the first days after his arrest, running my fingers over the rough swells at the base of his fingers, that I knew that even though Carlito was still screaming injustice, he was guilty and would never again walk free.
Patricia Engel (The Veins of the Ocean)
And there came a second crack, loud and sharp as thunder, and the smoke stirred and whirled around her and the pyre shifted, the logs exploding as the fire touched their secret hearts. She heard the screams of frightened horses, and the voices of the Dothraki raised in shouts of fear and terror, and Ser Jorah calling her name and cursing. No, she wanted to shout to him, no, my good knight, do not fear for me. The fire is mine. I am Daenerys Stormborn, daughter of dragons, bride of dragons, mother of dragons, don’t you see? Don’t you SEE? With a belch of flame and smoke that reached thirty feet into the sky, the pyre collapsed and came down around her. Unafraid, Dany stepped forward into the firestorm, calling to her children.
George R.R. Martin (A Game of Thrones (A Song of Ice and Fire, #1))
MOTHER! The holiest body on earth without which even god's existence seems next to impossible. A woman whose sufferings cannot be conveyed . A women whose love cannot be measured. The one who loves you unconditionally and protects you beyond her limits. Yes, she's the real hero, a true warrior. Who can win millions of hearts just by her tender touch. She's my bestie.
Sarvani Rajdeep
A BRAVE AND STARTLING TRUTH We, this people, on a small and lonely planet Traveling through casual space Past aloof stars, across the way of indifferent suns To a destination where all signs tell us It is possible and imperative that we learn A brave and startling truth And when we come to it To the day of peacemaking When we release our fingers From fists of hostility And allow the pure air to cool our palms When we come to it When the curtain falls on the minstrel show of hate And faces sooted with scorn are scrubbed clean When battlefields and coliseum No longer rake our unique and particular sons and daughters Up with the bruised and bloody grass To lie in identical plots in foreign soil When the rapacious storming of the churches The screaming racket in the temples have ceased When the pennants are waving gaily When the banners of the world tremble Stoutly in the good, clean breeze When we come to it When we let the rifles fall from our shoulders And children dress their dolls in flags of truce When land mines of death have been removed And the aged can walk into evenings of peace When religious ritual is not perfumed By the incense of burning flesh And childhood dreams are not kicked awake By nightmares of abuse When we come to it Then we will confess that not the Pyramids With their stones set in mysterious perfection Nor the Gardens of Babylon Hanging as eternal beauty In our collective memory Not the Grand Canyon Kindled into delicious color By Western sunsets Nor the Danube, flowing its blue soul into Europe Not the sacred peak of Mount Fuji Stretching to the Rising Sun Neither Father Amazon nor Mother Mississippi who, without favor, Nurture all creatures in the depths and on the shores These are not the only wonders of the world When we come to it We, this people, on this minuscule and kithless globe Who reach daily for the bomb, the blade and the dagger Yet who petition in the dark for tokens of peace We, this people on this mote of matter In whose mouths abide cankerous words Which challenge our very existence Yet out of those same mouths Come songs of such exquisite sweetness That the heart falters in its labor And the body is quieted into awe We, this people, on this small and drifting planet Whose hands can strike with such abandon That in a twinkling, life is sapped from the living Yet those same hands can touch with such healing, irresistible tenderness That the haughty neck is happy to bow And the proud back is glad to bend Out of such chaos, of such contradiction We learn that we are neither devils nor divines When we come to it We, this people, on this wayward, floating body Created on this earth, of this earth Have the power to fashion for this earth A climate where every man and every woman Can live freely without sanctimonious piety Without crippling fear When we come to it We must confess that we are the possible We are the miraculous, the true wonder of this world That is when, and only when We come to it.
Maya Angelou (A Brave and Startling Truth)
Now I understand Isabel's slavish loyalty to George. Now I understand the passionate bond between the king and the queen. Now I even understand the queen's mother Jacquetta dying of heartbreak at the loss of the man she married for love. I learn that to love a man whose interests are mine, whose passion is given freely and openly to me, and whose battle-hardened young lithe body lies beside me every night as his only joy, is to utterly change my life. I was married before; but I was never shaken and touched and puzzled and adored before. I was a wife but I was no lover. With Richard, I become wife and lover, counselor and friend, partner in all things, comrade in arms, fellow traveler. With Richard, I become a woman, not a girl, I become a wife.
Philippa Gregory (The Kingmaker's Daughter (The Plantagenet and Tudor Novels, #4; Cousins War, #4))
We are not separated from the world by our own edges… We’re part of the sky, and the rocks in your mother’s garden, and that old man who sleeps by the train station. We’re all interconnected, and when you see that, you see how beautiful life is. Your mother and sisters don’t have that awareness. Not yet, anyway. They believe they’re contained in their bodies, in the biographical facts of their lives.’ Sylvie felt like her father had shown her a part of herself she didn’t know existed… And the father and daughter had walked home, their arms touching, molecules dancing between them, and stars turning on like tiny lightbulbs in the evening sky. … Syvlie would wait - forever, if necessary - for a man who saw the expanse of her. The way her father had.
Ann Napolitano (Hello Beautiful)
Languages for me have a secret venom that every so often foams up and for which there is no antidote. I remember the dialect on my mother's lips when she lost that gentle cadence and yelled at us, poisoned by her unhappiness: I can't take you anymore, I can't take any more. Commands, shouts, insults, life stretching into her words, as when a frayed nerve is just touched, and the pain scrapes away all self-control.
Elena Ferrante
And that other woman — the one with the goitre — Eulalie?’ ‘She died too. I told you.’ Madame de Lascabanes turned in extremis to her mother’s nurse. ‘That was my English aunt-by-marriage. At least, she was French, but married an Englishman who left her for the Côte d’Azur.’ Sister Badgery was entranced. ‘My husband was an Englishman — a tea planter from Ceylon. We passed through Paris, once only, on our honeymoon to the Old Country. Gordon was a public-school man — Brighton College in Sussex. D’you know it?’ The princess didn’t. Sister Badgery couldn’t believe: such a well-known school. ‘Sister Badgery, isn’t it time Mrs Lippmann gave you your tea — or whatever you take — Madeira. There’s an excellent Madeira in the sideboard; Alfred developed a taste for it.’ ‘You know I never touch a drop of anything strong.’ ‘I want to talk to my daughter — Mrs Hunter — privately,’ Mrs Hunter said.
Patrick White (The Eye of the Storm)
Both women were mothers of children caught up in mind control cover-up, one of which paralleled Kelly’s and my case. She, too, had volumes of documents and evidences whereby it was inexcusable that justice had not prevailed. The other mother conveyed a story that touched me so deeply it undoubtedly will continue to motivate me with reverberating passion forever. This mother was very weak from the final stages of cancer and chemotherapy, and tears slid down her pale gray cheeks as she told me her story. When she reported sexual abuse of her three daughters, the local court system took custody of them. The children appeared dissociative identity disordered from their ordeal, yet were reportedly denied therapy and placed in Foster care “since the mother was dying anyway.” When she finally was granted brief visitation with her precious daughters, they looked dazed and robotic with no memory of her or their sexual abuse. Mind control was apparent to this mother, and she struggled to give voice to their plight to no avail. She explained how love and concern for her children had kept her alive far longer than her doctors thought possible. She embraced me and said, “Now I can die in peace knowing that you are out there talking, raising awareness with the same passion for justice and love for children that I have. Thank you. Please keep talking. Please remember my daughters.
Cathy O'Brien (ACCESS DENIED For Reasons Of National Security: Documented Journey From CIA Mind Control Slave To U.S. Government Whistleblower)
I thought of Atargatis, the First, frightening and beautiful. The mermaid goddess who lived on in the soul of every woman who'd ever fallen in love with the ocean. I thought of Sebastian, my little mermaid queen, how happy he was the day of the parade, just getting the chance to express himself, to be himself. I thought of Vanessa, the story about how she and her girlfriends became feminist killjoys to get a women's literature core in their school, the way she'd accepted me this summer without question, gently pushed me out of my self-imposed shell. Of her mother, Mrs. James, how she'd grabbed that bullhorn at the parade and paved the way for Sebastian's joy. I thought of Lemon, so wise, so comfortable in her own skin, full of enough love to raise a daughter as a single mom and still have room for me, for her friends, for everyone whose lives she touched with her art. I thought of Kirby, her fierce loyalty, her patience and grace, her energy, what a good friend and sister she'd become, even when I'd tried to shut her out. I thought of all the new things I wanted to share with her now, all the things I hoped she'd share with me. I thought of my mother, a woman I'd never known, but one whose ultimate sacrifice gave me life. I thought of Granna, stepping in to raise her six granddaughters when my mom died, never once making us feel like a burden or a curse. She'd managed the cocoa estate with her son, personally saw to the comforts of every resort guest, and still had time to tell us bedtime stories, always reminding us how much she treasured us. I thought of my sisters. Juliette, Martine, and Hazel, their adventures to faraway lands, new experiences. Gabrielle with her island-hopping, her ultimate choice to follow her heart home. And Natalie, my twin. My mirror image, my dream sharer. I knew I hadn't been fair to her this summer—she'd saved my life, done the best she could. And I wanted to thank her for that, because as long as it had taken me to realize it, I was thankful. Thankful for her. Thankful to be alive. To breathe.
Sarah Ockler (The Summer of Chasing Mermaids)
in this moment she's feeling something so pure and primal it's overwhelming they are mother and daughter and their whole sense of themselves is recalibrating her mother is now close enough to touch Penelope had worried she would feel nothing, or that her mother would show no love for her, no feelings, no affection how wrong she was, both of them are welling up and it's like the years are swiftly regressing until the lifetimes between them no longer exist this is not about feeling something or about speaking words this is about being together.
Bernardine Evaristo (Girl, Woman, Other)
Are you ready?" her mother asked. A small part of Aurora screamed in revolt; she wanted to ask for permission to leave, to disappear into the wildlands and find another life. But the queen had lost enough in this life. Her husband succumbed to a disease that her magic couldn't touch. And her son had captured a storm's heart at the expense of his own. And the only one she had left, her daughter ... her daughter looked the part of the perfect Stormling princess -- so impressive, so ethereal, that no one would ever dare to think the truth. That she had no storm magic at all.
Cora Carmack (Roar (Stormheart, #1))
How nice that our former stable boy has begotten a namesake from my elder daughter,” the countess remarked acidly. “This will be the first of many brats, I am sure. Regrettably there is still no heir to the earldom…which is your responsibility, I believe. Come to me with news of your impending marriage to a bride of good blood, Westcliff, and I will evince some satisfaction. Until then, I see little reason for congratulations.” Though he displayed no emotion at his mother’s hard-hearted response to the news of Aline’s child, not to mention her infuriating preoccupation with the begetting of an heir, Marcus was hard-pressed to hold back a savage reply. In the midst of his darkening mood, he became aware of Lillian’s intent gaze. Lillian stared at him astutely, a peculiar smile touching her lips. Marcus arched one brow and asked sardonically, “Does something amuse you, Miss Bowman?” “Yes,” she murmured. “I was just thinking that it’s a wonder you haven’t rushed out to marry the first peasant girl you could find.” “Impertinent twit!” the countess exclaimed. Marcus grinned at the girl’s insolence, while the tightness in his chest eased. “Do you think I should?” he asked soberly, as if the question was worth considering. “Oh yes,” Lillian assured him with a mischievous sparkle in her eyes. “The Marsdens could use some new blood. In my opinion, the family is in grave danger of becoming overbred.” “Overbred?” Marcus repeated, wanting nothing more than to pounce on her and carry her off somewhere. “What has given you that impression, Miss Bowman?” “Oh, I don’t know…” she said idly. “Perhaps the earth-shattering importance you attach to whether one should use a fork or spoon to eat one’s pudding.” “Good manners are not the sole province of the aristocracy, Miss Bowman.” Even to himself, Marcus sounded a bit pompous. “In my opinion, my lord, an excessive preoccupation with manners and rituals is a strong indication that someone has too much time on his hands.” Marcus smiled at her impertinence. “Subversive, yet sensible,” he mused. “I’m not certain I disagree.” “Do not encourage her effrontery, Westcliff,” the countess warned. “Very well—I shall leave you to your Sisyphean task.” “What does that mean?” he heard Daisy ask. Lillian replied while her smiling gaze remained locked with Marcus’s. “It seems you avoided one too many Greek mythology lessons, dear. Sisyphus was a soul in Hades who was damned to perform an eternal task…rolling a huge boulder up a hill, only to have it roll down again just before he reached the top.” “Then if the countess is Sisyphus,” Daisy concluded, “I suppose we’re…” “The boulder,” Lady Westcliff said succinctly, causing both girls to laugh. “Do continue with our instruction, my lady,” Lillian said, giving her full attention to the elderly woman as Marcus bowed and left the room. “We’ll try not to flatten you on the way down.
Lisa Kleypas (It Happened One Autumn (Wallflowers, #2))
Father reaches out to touch my scarf. “Your mother’s scarf,” he says softly. “She loved this so very much, you know. I remember her creative streak, how she refused to use the strong dye colours that we usually use for silk design. Instead, she preferred a shade of white, which would not sell as successfully in trade. She loved this scarf, the way it sat humbly around her neck and gave her senses of comfort and peace as she held you tight. You would often beg to wear it, Aisha.” I stroke the scarf subconsciously. A memory flashes in my mind of my mother’s shaking hands as she shaped spun silk into this beautiful scarf. My gentle mother, who coughed violently and shook, plagued she was with an illness that had deteriorated her immensely. I spent every moment I could with her, my heart knowing that each might be my last. “Beautiful Aisha, wear this scarf with your love,” said my mother one morning as she tied it around my neck. I stared at her, my lips wobbling as tears rolled down my cheeks. “I’ll wear it, always loving you, Mother,” I replied. My mother nodded, her eyes also filling with tears as she realised that I understood how little time we had left together.
Susan L. Marshall (Adira and the Dark Horse (An Adira Cazon Literary Mystery))
Subject: Some boat Alex, I know Fox Mulder. My mom watched The X-Files. She says it was because she liked the creepy store lines. I think she liked David Duchovny. She tried Californication, but I don't think her heart was in it. I think she was just sticking it to my grandmother, who has decided it's the work of the devil. She says that about most current music,too, but God help anyone who gets between her and American Idol. The fuzzy whale was very nice, it a little hard to identify. The profile of the guy between you and the whale in the third pic was very familiar, if a little fuzzy. I won't ask. No,no. I have to ask. I won't ask. My mother loves his wife's suits. I Googled. There are sharks off the coast of the Vineyard. Great big white ones. I believe you about the turtle. Did I mention that there are sharks there? I go to Surf City for a week every summer with my cousins. I eat too much ice cream. I play miniature golf-badly. I don't complain about sand in my hot dog buns or sheets. I even spend enough time on the beach to get sand in more uncomfortable places. I do not swim. I mean, I could if I wanted to but I figure that if we were meant to share the water with sharks, we would have a few extra rows of teeth, too. I'll save you some cannoli. -Ella Subject: Shh Fiorella, Yes,Fiorella. I looked it up. It means Flower. Which, when paired with MArino, means Flower of the Sea. What shark would dare to touch you? I won't touch the uncomfortable sand mention, hard as it is to resist. I also will not think of you in a bikini (Note to self: Do not think of Ella in a bikini under any circumstanes. Note from self: Are you f-ing kidding me?). Okay. Two pieces of info for you. One: Our host has an excellent wine cellar and my mother is European. Meaning she doesn't begrudge me the occasional glass. Or four. Two: Our hostess says to thank yur mother very much. Most people say nasty things about her suits. Three: We have a house kinda near Surf City. Maybe I'll be there when your there. You'd better burn this after reading. -Alexai Subect: Happy Thanksgiving Alexei, Consider it burned. Don't worry. I'm not showing your e-mails to anybody. Matter of national security, of course. Well,I got to sit at the adult table. In between my great-great-aunt Jo, who is ninety-three and deaf, and her daughter, JoJo, who had to repeat everyone's conversations across me. Loudly. The food was great,even my uncle Ricky's cranberry lasagna. In fact, it would have been a perfectly good TG if the Eagles han't been playing the Jets.My cousin Joey (other side of the family) lives in Hoboken. His sister married a Philly guy. It started out as a lively across-the-table debate: Jets v. Iggles. It ended up with Joey flinging himself across the table at his brother-in-law and my grandmother saying loud prayers to Saint Bridget. At least I think it was Saint Bridget. Hard to tell. She was speaking Italian. She caught me trying to freeze a half-dozen cannoli. She yelled at me. Apparently, the shells get really soggy when they defrost. I guess you'll have to come have a fresh one when you get back. -F/E
Melissa Jensen (The Fine Art of Truth or Dare)
this is her who cares about her colour? why on earth did Penelope ever think it mattered? in this moment she’s feeling something so pure and primal it’s overwhelming they are mother and daughter and their whole sense of themselves is recalibrating her mother is now close enough to touch Penelope had worried she would feel nothing, or that her mother would show no love for her, no feelings, no affection how wrong she was, both of them are welling up and it’s like the years are swiftly regressing until the lifetimes between them no longer exist this is not about feeling something or about speaking words this is about being together
Bernardine Evaristo (Girl, Woman, Other)
Once upon a time, a greedy prince fell in love with a wicked girl. The prince had far more than he needed, but it was never enough. When he grew ill, he visited the Kingdom of the Great Ocean, where the Underworld meets the living world, to bargain with Moritas, the goddess of Death, for more life. When she refused, he stole her immortal gold and fled to the surface. In revenge, Moritas sent her daughter Caldora, the angel of Fury, to retrieve him. Caldora materialized out of the sea foam on a warm, stormy night, clad in nothing but silver silk, an achingly beautiful phantom in the mist. The prince ran to the shore to greet her. She smiled at him and touched his cheek. “What will you give me in return for my affection?” she asked. “Are you willing to part with your kingdom, your army, and your jewels?” The prince, blinded by her beauty and eager to boast, nodded. “Anything you want,” he replied. “I am the greatest man in the world. Even the gods are no match for me.” So he gave her his kingdom, his army, and his jewels. She accepted his offerings with a smile, only to reveal her true angel form—skeletal, finned, monstrous. Then she burned his kingdom to the ground and pulled him below the sea into the Underworld, where her mother, Moritas, was patiently waiting. The prince tried once again to bargain with the goddess, but it was too late. In exchange for the gold he’d stolen, Moritas devoured his soul.
Marie Lu (The Rose Society (The Young Elites, #2))
When Lee arrived to pick me up, I introduced Diana simply as Diana Spencer. They exchanged a few brief words while I kissed Patrick good-bye, and off we went. As we struggled through the southbound traffic in Lewes, Lee and I had a conversation about Diana that seems both remarkable and humorous in retrospect. I started out by saying, “Lee, you’ll never believe who my nanny is.” Then I told him about Diana’s title and background and how amazed and grateful I was that she was looking after Patrick so sweetly and carefully. Lee and I agreed that she was awfully pretty and down to earth. I mentioned that she did not appear to have a steady boyfriend, and perhaps Lee might want to give her a call. Lee had a very respectable background—a good public school, university, solid career prospects, and a father who’d retired from the foreign service. Lee chuckled at my naiveté and explained that in England the social gulf between the daughter of an earl and a commoner was so great that he would never presume to ask Diana out. He reiterated that her social position and lineage were as exalted as they could possibly be. “In fact,” he added, “with her background, she’d be a suitable match for Prince Andrew.” Direct as usual, I replied, “Forget about Prince Andrew. If her background’s as impeccable as you say, she ought to be a match for Prince Charles. She’d be perfect as the next queen of England!” Then touching on a critical qualification for any future queen, I added, “And I’d bet my life on her virtue.
Mary Robertson (The Diana I Knew: Loving Memories of the Friendship Between an American Mother and Her Son's Nanny Who Became the Princess of Wales)
As we celebrate International Women’s Day, I would like to take a moment to honour and appreciate all the incredible women who have touched our lives in so many ways. To all the mothers, sisters, daughters, grandmothers, and friends who have shown us kindness, wisdom, and grace. Your strength, resilience, and perseverance continue to inspire us every day. You have been a constant source of support, and your guidance has helped us navigate through the toughest of times. No amount of gratitude is enough to thank you for everything that you have done for us. May you continue to shine your light and inspire others to do the same. May you be blessed with love, happiness, and success in all that you do. Happy International Women’s Day to all the incredible women out there!
Shree Shambav (Journey of Soul - Karma)
I miss my mother." Mrs. Norton touched Trudy's shoulder in silent sympathy. "She never had a chance to see any of her daughters get married." Trudy laid the veil on the bed. "It's hard to completely enjoy your wedding day when your mother isn't with you." "Your mother did see your sisters wed and I'm sure she'll be with you today." Trudy looked at the woman, astonished she hadn't received a more pious answer from a minister's wife. She pointed a finger upward. "I know she's in heaven." Mrs. Norton gently folded Trudy's hand until her palm rested on her chest, "In heaven and in your heart, love never fails, my dear Ms. Bower. I know it's not the same as feeling your mother's arms around you on such a special day, nevertheless, I'm sure she's sending you plenty of love.
Debra Holland (Trudy (Mail-Order Brides of the West, #1; Montana Sky))
Elsa and Mum and the letter share the silence for seconds and eternities and hummingbird wingbeats. Then Mum touches Elsa’s hand and tries to make the question sound as if it’s not so terribly important, just something she just thought of spontaneously: “What do you have from me?” Elsa stands in silence. Mum looks despondent. “I was just, well, you know. You said you had inherited certain things from your grandmother and from your father, and I was just thinking, you know . . .” She goes silent. Ashamed of herself as mothers are when they realize they have passed that point in life when they want more from their daughters than their daughters want from them. And Elsa puts her hands over Mum’s cheeks and says mildly: “Just everything else, Mum. I just have everything else from you.
Fredrik Backman (My Grandmother Asked Me to Tell You She's Sorry)
Your Eve was wise, John. She knew that Paradise would make her mad, if she were to live forever with Adam and know no other thing but strawberries and tigers and rivers of milk. She knew they would tire of these things, and each other. They would grow to hate every fruit, every stone, every creature they touched. Yet where could they go to find any new thing? It takes strength to live in Paradise and not collapse under the weight of it. It is every day a trial. And so Eve gave her lover the gift of time, time to the timeless, so that they could grasp at happiness. ... And this is what Queen Abir gave to us, her apple in the garden, her wisdom--without which we might all have leapt into the Rimal in a century. The rite bears her name still. For she knew the alchemy of demarcation far better than any clock, and decreed that every third century husbands and wives should separate, customs should shift and parchmenters become architects, architects farmers of geese and monkeys, Kings should become fishermen, and fishermen become players of scenes. Mothers and fathers should leave their children and go forth to get other sons and daughters, or to get none if that was their wish. On the roads of Pentexore folk might meet who were once famous lovers, or a mother and child of uncommon devotion--and they would laugh, and remember, but call each other by new names, and begin again as friends, or sisters, or lovers, or enemies. And some time hence all things would be tossed up into the air once more and land in some other pattern. If not for this, how fastened, how frozen we would be, bound to one self, forever a mother, forever a child. We anticipate this refurbishing of the world like children at a holiday. We never know what we will be, who we will love in our new, brave life, how deeply we will wish and yearn and hope for who knows what impossible thing! Well, we anticipate it. There is fear too, and grief. There is shaking, and a worry deep in the bone. Only the Oinokha remains herself for all time--that is her sacrifice for us. There is sadness in all this, of course--and poets with long elegant noses have sung ballads full of tears that break at one blow the hearts of a flock of passing crows! But even the most ardent lover or doting father has only two hundred years to wait until he may try again at the wheel of the world, and perhaps the wheel will return his wife or his son to him. Perhaps not. Wheels, and worlds, are cruel. Time to the timeless, apples to those who live without hunger. There is nothing so sweet and so bitter, nothing so fine and so sharp.
Catherynne M. Valente (The Habitation of the Blessed (A Dirge for Prester John, #1))
This will not be a normal winter. The winter will begin, and it will continue, winter following winter. There will be no spring, no warmth. People will be hungry and they will be cold and they will be angry. Great battles will take place, all across the world. Brothers will fight brothers, fathers will kill sons. Mothers and daughters will be set against each other. Sisters will fall in battle with sisters, and will watch their children murder each other in their turn. This will be the age of cruel winds, the age of people who become as wolves, who prey upon each other, who are no better than wild beasts. Twilight will come to the world, and the places where the humans live will fall into ruins, flaming briefly, then crashing down and crumbling into ash and devastation. Then, when the few remaining people are living like animals, the sun in the sky will vanish, as if eaten by a wolf, and the moon will be taken from us too, and no one will be able to see the stars any longer. Darkness will fill the air, like ashes, like mist. This will be the time of the terrible winter that will not end, the Fimbulwinter. There will be snow driving in from all directions, fierce winds, and cold colder than you have ever imagined cold could be, an icy cold so cold your lungs will ache when you breathe, so cold that the tears in your eyes will freeze. There will be no spring to relieve it, no summer, no autumn. Only winter, followed by winter, followed by winter. After that there will come the time of the great earthquakes. The mountains will shake and crumble. Trees will fall, and any remaining places where people live will be destroyed. The earthquakes will be so great that all bonds and shackles and fetters will be destroyed. All of them. Fenrir, the great wolf, will free himself from his shackles. His mouth will gape: his upper jaw will reach the heavens, the lower jaw will touch the earth. There is nothing he cannot eat, nothing he will not destroy. Flames come from his eyes and his nostrils. Where Fenris Wolf walks, flaming destruction follows. There will be flooding too, as the seas rise and surge onto the land. Jormungundr, the Midgard serpent, huge and dangerous, will writhe in its fury, closer and closer to the land. The venom from its fangs will spill into the water, poisoning all the sea life. It will spatter its black poison into the air in a fine spray, killing all the seabirds that breathe it. There will be no more life in the oceans, where the Midgard serpent writhes. The rotted corpses of fish and of whales, of seals and sea monsters, will wash in the waves. All who see the brothers Fenrir the wolf and the Midgard serpent, the children of Loki, will know death. That is the beginning of the end.
Neil Gaiman (Norse Mythology)
There was still the same unknowability about her life ahead. And yet, everything was different. And it was different because she no longer felt she was there simply to serve the dreams of other people. She no longer felt like she had to find sole fulfilment as some imaginary perfect daughter or sister or partner or wife or mother or employee or anything other than a human being, orbiting her own purpose, and answerable to herself. And it was different because she was alive, when she had so nearly been dead. And because that had been her choice. A choice to live. Because she had touched the vastness of life and within that vastness she had seen the possibility not only of what she could do, but also feel. There were other scales and other tunes. There was more to her than a flat line of mild to moderate depression, spiced up with occasional flourishes of despair. And that gave her hope, and even the sheer sentimental gratitude of being able to be here, knowing she had the potential to enjoy watching radiant skies and mediocre Ryan Bailey comedies and be happy listening to music
Matt Haig (The Midnight Library)
I am thirty. I made two girls within my own body, felt the rush of bringing them into the world, and when I saw their bodies, I saw a miracle. Their skin and eye lashes perfect. Tiny lips, tiny fingernails, eyes embodying innocence and awe. They grow and run around my house naked and scream wildly without self-awareness or social concern. I teach them about our culture and what is and isn’t acceptable. But what I will not teach them is shame of their body. It was beautiful from moment one, and that will not change - not with age, not with anything. One daughter looks at her body in the mirror, we talk about the organs and skin, how her body will change. She is beautiful on every count. I remember when I was six, and I know I have to warn her. Not shame her, but tell her how some people were not taught to love, but take for themselves and she must be brave and aware. It pains me as I tell her, her innocent mind not know why one person would hurt another in such a way. “Do not be afraid,” I tell her. “But this is our culture, so be smart and be aware my brave girl.” Shame teaches us, but I will not teach my daughters in this way. I will empower them to be proud of their bodies, respectful of their bodies, in awe of how miraculous it is and what it is capable of. I will tell my daughter that to be a woman is not to be lesser, not object, not the bed in the red light district, nor the “bitch” in the hotel. She is not the body to exploit or product to consume. “She” is not shame. “She” is beautiful woman with beautiful body, capable of cosmic realities. Holding someone close, experiencing love, making love, creating life, accepting another human life as her own, feeling pain, joy, giving strength, healing with a kiss, wholeness with a touch; giving physical and mental nourishment with her own body. “She” is grounded enough to follow, still capable to lead from a child to a nation. The woman’s body is made in the image of Love, from Love herself, Life herself, so she herself is of God. For my Grandmother, for my Mother, for my daughters, my friends, and as a reminder to myself: be proud, beautiful woman, your body is intrinsically good, perfectly good. Perfect from moment one.
Lisa Gungor (The Most Beautiful Thing I've Seen: Opening Your Eyes to Wonder)
XII.—LOCHINVAR. Oh! young Lochinvar is come out of the west, Through all the wide Border his steed was the best; And save his good broadsword, he weapons had none, He rode all unarmed, and he rode all alone; So faithful in love, and so dauntless in war, There never was knight like the young Lochinvar. He stayed not for brake, and he stopped not for stone; He swam the Esk river, where ford there was none; But ere he alighted at Netherby gate, The bride had consented, the gallant came late; For a laggard in love, and a dastard in war, Was to wed the fair Ellen of brave Lochinvar. So boldly he entered the Netherby Hall, Among bride's-men, and kinsmen, and brothers, and all; Then spoke the bride's father, his hand on his sword - For the poor craven bridegroom said never a word - "Oh! come ye in peace here, or come ye in war, Or to dance at our bridal, young Lord Lochinvar?" "I long wooed your daughter, my suit you denied; Love swells like the Solway, but ebbs like its tide; And now am I come, with this lost love of mine, To lead but one measure, drink one cup of wine. There are maidens in Scotland more lovely by far, That would gladly be bride to the young Lochinvar." The bride kissed the goblet: the knight took it up, He quaffed off the wine, and he threw down the cup. She looked down to blush, and she looked up to sigh, With a smile on her lips and a tear in her eye. He took her soft hand, ere her mother could bar - "Now tread we a measure!" said young Lochinvar. So stately his form, and so lovely her face, That never a hall such a galliard did grace; While her mother did fret, and her father did fume, And the bridegroom stood dangling his bonnet and plume: And the bride's-maidens whispered, "'Twere better by far To have matched our fair cousin with young Lochinvar." One touch to her hand, and one word in her ear, When they reached the hall-door, and the charger stood near; So light to the croup the fair lady he swung, So light to the saddle before her he sprung. "She is won! we are gone, over bank, bush, and scaur; They'll have fleet steeds that follow," quoth young Lochinvar. There was mounting 'mong Graemes of the Netherby clan; Forsters, Fenwicks, and Musgraves, they rode and they ran: There was racing and chasing on Cannobie Lee, But the lost bride of Netherby ne'er did they see. So daring in love, and so dauntless in war, Have ye e'er heard of gallant like young Lochinvar?
Walter Scott (Marmion)
She hadn't gone back in time. The idea was silly. Or had she? Had she knocked on the door of her home to see a younger version of herself answer; had there been a mutual shock of recognition (as the younger Rebecca realized that, yes, her husband's work was due to be a success, that he was not wasting his time chasing rainbows and tilting at windmills); had she slipped her arm into that of her past self (feeling a slight electric tingle as skin touched skin and a taste in her mouth as if she'd touched a nine-volt battery to her tongue) and said, We need to to talk? Had she sat in a coffee shop, conversing with a woman who everyone assumed was related to her in some way—Oh my god you two are so cute, you're mother and daughter but you look like sisters? Had she made some kind of idle remark overheard by a man on his way to spend two weeks' vacation in North Dakota; had that comment convinced that man to settle there permanently instead, and to contact those who had political sympathies similar to his own? Had that unknown man begun the slow process of taking over the state by placing his allies in the local governments if he could? Had that strategy failed, leaving brute force as a regrettable last resort?
Dexter Palmer (Version Control)
At first I thought you were your mother, come to free me from my hell. Like an angel. You take after her, though you are as young as I remember.” I stared at my ash-covered feet, and the hair that fell in a mussed braid by my side. I thought of Bharata’s dead walking past my bedroom while I slept. I thought of Vikram weeping for his dead mother while I kissed the Dharma Raja in a winter room. I was no angel. “Who rules in your stead?” “The yuvuraja, Skanda,” said the Raja, thoughtfully tugging on his beard. Death had not relieved him of all his habits. I almost smiled to see the familiar gesture. “I hope he remembers all I have said. Sometimes I expect to see him across my cell. And I do not know if he will be young as I remember him, or old because time has passed and I am here.” He looked at the ground. “Do not pity me, daughter. Everyone comes here. Some merely stay longer than others.” We stared at each other through the glass. I could feel his eyes searching me, trying to match up the memory of when he had last seen me to the person who stood before him now. “Partnered with Death itself,” he said, repeating a part of my horoscope. A harsh laugh escaped him. “I understand now.” The Raja moved away from his mirror wall, his eyes twinkling as he bowed low.
Roshani Chokshi (The Star-Touched Queen (The Star-Touched Queen, #1))
She picked up the book beside her. Jane Eyre. Used, bought recently in a bookshop in Camden Passage, shabby nineteenth-century binding, pages bearing vague stains, fingered, smoothed. She opened the book to the place she left it when the taxicab pulled up. “My daughter, flee temptation.” “Mother, I will,” Jane responded, as the moon turned to woman. The fiction had tricked her. Drawn her in so that she became Jane. Yes. The parallels were there. Was she not heroic Jane? Betrayed. Left to wander. Solitary. Motherless. Yes, and with no relations to speak of except an uncle across the water. She occupied her mind. Comforted for a time, she came to. Then, with a sharpness, reprimanded herself. No, she told herself. No, she could not be Jane. Small and pale. English. No, she paused. No, my girl, try Bertha. Wild-maned Bertha. Clare thought of her father. Forever after her to train her hair. His visions of orderly pageboy. Coming home from work with something called Tame. She refused it; he called her Medusa. Do you intend to turn men to stone, daughter? She held to her curls, which turned kinks in the damp of London. Beloved racial characteristic. Her only sign, except for dark spaces here and there where melanin touched her. Yes, Bertha was closer to the mark. Captive. Ragôut. Mixture. Confused. Jamaican. Caliban. Carib. Cannibal. Cimarron. All Bertha. All Clare.
Michelle Cliff (No Telephone to Heaven)
There was only one thing to do, she decided: make pickles. The mangoes on the tree were just about ready: grassy-green and tongue-smackingly sour. She asked the boys to pick them from the tree. When they were younger, this was the children’s job. Maya was by far the better climber: her foot would curl over the branches and hold her fast, while she stretched her arms and plucked the fruit, throwing it down to Rehana, who kept shouting, ‘Be careful! Be careful!’ She would slice the green mangoes and cook them slowly with chillies and mustard seeds. Then she would stuff them into jars and leave them on the roof to ripen. There was a rule about not touching pickles during the monthlies. She couldn’t remember who had told her that rule – her mother? – no, her mother had probably never sliced a mango in her brief, dreamy life. Must have been one of her sisters. Marzia, she was the best cook. And the enforcer of rules. But Rehana had decided long ago this was a stupid rule. It was hard enough to time the pickle-making anyway, between the readiness of the fruit and the weather, which had to be hot and dry. As she recited the pickle recipe to herself, Rehana wondered what her sisters would make of her at this very moment. Guerrillas at Shona. Sewing kathas on the rooftop. Her daughter at rifle practice. The thought of their shocked faces made her want to laugh. She imagined the letter she would write. Dear sisters, she would say. Our countries are at war; yours and mine. We are on different sides now. I am making pickles for the war effort. You see how much I belong here and not to you.
Tahmima Anam (A Golden Age (Bangla Desh, #1))
A Lake Charles-based artist, Sally was a progressive Democrat who in 2016 primary favored Bernie Sanders. Sally's very dear friend and worl-traveling flight attendant from Opelousas, Louisiana, Shirley was an enthusiast for the Tea Party and Donald Trump. Both woman had joined sororities at LSU. Each had married, had three children, lived in homes walking distance apart in Lake Charles, and had keys to each other's houses. Each loved the other's children. Shirley knew Sally's parents and even consulted Sally's mother when the two go to "fussing to much." They exchanged birthday and Christmas gifts and jointly scoured the newspaper for notices of upcoming cultural events they had, when they were neighbors in Lake Charles, attended together. One day when I was staying as Shirley's overnight guest in Opelousas, I noticed a watercolor picture hanging on the guestroom wall, which Sally had painted as a gift for Shirley's eleven-year-old daughter, who aspired to become a ballerina. With one pointed toe on a pudgy, pastel cloud, the other lifted high, the ballerina's head was encircled by yellow star-like butterflies. It was a loving picture of a child's dream--one that came true. Both women followed the news on TV--Sally through MSNBC's Rachel Maddow, and Shirley via Fox News's Charles Krauthammer, and each talked these different reports over with a like-minded husband. The two women talk by phone two or three times a week, and their grown children keep in touch, partly across the same politcal divide. While this book is not about the personal lives of these two women, it couldn't have been written without them both, and I believe that their friendship models what our country itself needs to forge: the capacity to connect across difference.
Arlie Russell Hochschild (Strangers in Their Own Land: Anger and Mourning on the American Right)
The Buddha, too, goes into the forest and has conferences there with the leading gurus of his day. Then he goes past them and, after a season of trials and search, comes to the bo tree, the tree of illumination, where he, likewise, undergoes three temptations. The first is of lust, the second of fear, and the third of submission to public opinion, doing as told. In the first temptation, the Lord of Lust displayed his three beautiful daughters before the Buddha. Their names were Desire, Fulfillment, and Regrets - Future, Present, and Past. But the Buddha, who had already disengaged himself from attachment to his sensual character, was not moved. Then the Lord of Lust turned himself into the Lord of Death and flung at the Buddha all the weapons of an army of monsters. But the Buddha had found himself that still point within, which is of eternity, untouched by time. So again, he was not moved, and the weapons flung at him turned into flowers of worship. Finally the Lord of Lust and Death transformed himself into the Lord of Social Duty and argued, "Young man, haven't you read the morning papers? Don't you know what there is to be done today?" The Buddha responded by simply touching the earth with the tips of the fingers of his right hand. Then the voice of the goddess mother of the universe was heard, like thunder rolling on the horizon, saying, "This, my beloved son, has already so given of himself to the world that there is no one here to be ordered about. Give up this nonsense." Whereupon the elephant on which the Lord of Social Duty was riding bowed in worship of the Buddha, and the entire company of the Antagonist dissolved like a dream. That night, the Buddha achieved illumination, and for the next fifty years remained in the world as teacher of the way to the extinction of the bondages of egoism. p171-2
Joseph Campbell (The Power of Myth)
Are you going to be my papa now?” the child had asked Zachary, sitting with her arms looped around his neck. She had flown to him with shrill cries of delight when Holly had brought her to visit the estate, and he had swung her in the air until her little petticoats and white stockings had been a white blur. Touched by the obvious happiness of the pair, Holly had felt a great settling of comfort and peace inside. If she had had any lingering doubts about the rightness of this new life for her daughter, they dissolved at the sight of Rose's beaming face. The child would be spoiled, undoubtedly, but she would also be loved wholeheartedly. “Is that what you'd like?” Zachary said in answer to Rose's question. She wrinkled her face thoughtfully, and her doubtful gaze flickered to Holly before returning to Zachary. “I should like very much to live in your big house,” she replied with all the candor of a young child, “and I don't mind that Mama will marry you. But I don't want to call you Papa. It would make my papa in heaven sad, I think.” The words stunned Holly, and she fumbled for a reply. Helplessly she watched as Zachary touched the little girl's round chin and turned her face toward him. “Then call me whatever you like,” he said matter-of-factly. “But believe me, princess, I'm not going to replace your papa. I'd be a fool to try, fine man that he was. I just want to take care of you and your mother. I imagine—I hope—that your papa will be somewhat relieved to see that someone will be looking after you down here while he's unable.” “Oh,” Rose said in obvious satisfaction. “I think that's all right, then, as long as we don't forget him. Isn't that right, Mama?” “Yes,” Holly whispered, her throat tight with emotion, her cheeks flushed with happiness. She stared at Zachary with glittering brown eyes. “You're absolutely right, Rose.
Lisa Kleypas (Where Dreams Begin)
Gregori approached the tiny being cautiously. The extent of the trauma was enormous. The baby was fading as blood gushed from its mother’s body. He could feel its willingness to slide away from the pain and outrage of the assault. He could only hope Shea would stop the bleeding quickly, as he had to concentrate on the child. She was so tiny, almost nonexistent, yet he could feel her pain and her puzzlement. She knew fear before she was born, knew pain, and now held forever the knowledge that life was not safe, even here in her mother’s womb. Gregori murmured softly, reassuringly, to her. He had bathed her in his light once before, and she recognized him now, moved toward him, seeking comfort. Very carefully he attended to the wound in the artery that supplied her with nourishment. Very soon he would give her his own blood, sealing her fate, binding her ever closer to him. There were several tears in the placenta, which he meticulously sealed. She was afraid as his light floated closer, so he provided waves of reassurance and warmth. There was a laceration in her right thigh. It hurt, and blood was seeping into the fluid surrounding her. With the lightest of touches he closed the wound, his touch lingering to calm her. His chant, the low pitch of his voice, echoed in her heart, in her mind, invading her soul. Gregori talked to her as he worked, the purity of his tone beguiling her, soothing her, so that she stayed with Raven rather than simply letting go, fading away with the steady trickle of blood. Gregori could feel the strength in her, the determination. Without a doubt, she was Mikhail and Raven’s daughter. If she chose to go, she would do so, but if she chose to stay, she would fight with every breath left in her body. Gregori made certain she wanted to fight. He whispered to her in his most beguiling voice, promised a fascinating future, lured her with the secrets and beauty of the universe awaiting her. He promised her she would never be left alone; he would be there to guide her, to protect her, to see to her happiness.
Christine Feehan (Dark Desire (Dark, #2))
LUK8.40 And it came to pass, that, when Jesus was returned, the people gladly received him: for they were all waiting for him. LUK8.41 And, behold, there came a man named Jairus, and he was a ruler of the synagogue: and he fell down at Jesus' feet, and besought him that he would come into his house: LUK8.42 For he had one only daughter, about twelve years of age, and she lay a dying. But as he went the people thronged him. LUK8.43 And a woman having an issue of blood twelve years, which had spent all her living upon physicians, neither could be healed of any, LUK8.44 Came behind him, and touched the border of his garment: and immediately her issue of blood stanched. LUK8.45 And Jesus said, Who touched me? When all denied, Peter and they that were with him said, Master, the multitude throng thee and press thee, and sayest thou, Who touched me? LUK8.46 And Jesus said, Somebody hath touched me: for I perceive that virtue is gone out of me. LUK8.47 And when the woman saw that she was not hid, she came trembling, and falling down before him, she declared unto him before all the people for what cause she had touched him, and how she was healed immediately. LUK8.48 And he said unto her, Daughter, be of good comfort: thy faith hath made thee whole; go in peace. LUK8.49 While he yet spake, there cometh one from the ruler of the synagogue's house, saying to him, Thy daughter is dead; trouble not the Master. LUK8.50 But when Jesus heard it, he answered him, saying, Fear not: believe only, and she shall be made whole. LUK8.51 And when he came into the house, he suffered no man to go in, save Peter, and James, and John, and the father and the mother of the maiden. LUK8.52 And all wept, and bewailed her: but he said, Weep not; she is not dead, but sleepeth. LUK8.53 And they laughed him to scorn, knowing that she was dead. LUK8.54 And he put them all out, and took her by the hand, and called, saying, Maid, arise. LUK8.55 And her spirit came again, and she arose straightway: and he commanded to give her meat. LUK8.56 And her parents were astonished: but he charged them that they should tell no man what was done.
Anonymous (Holy Bible: King James Version)
After I returned from that morning, our telephone rang incessantly with requests for interviews and photos. By midafternoon I was exhausted. At four o’clock I was reaching to disconnect the telephone when I answered one last call. Thank heavens I did! I heard, “Mrs. Robertson? This is Ian Hamilton from the Lord Chamberlain’s office.” I held my breath and prayed, “Please let this be the palace.” He continued: “We would like to invite you, your husband, and your son to attend the funeral of the Princess of Wales on Saturday in London.” I was speechless. I could feel my heart thumping. I never thought to ask him how our name had been selected. Later, in London, I learned that the Spencer family had given instructions to review Diana’s personal records, including her Christmas-card list, with the help of her closest aides. “Yes, of course, we absolutely want to attend,” I answered without hesitating. “Thank you so much. I can’t tell you how much this means to me. I’ll have to make travel plans on very short notice, so may I call you back to confirm? How late can I reach you?” He replied, “Anytime. We’re working twenty-four hours a day. But I need your reply within an hour.” I jotted down his telephone and fax numbers and set about making travel arrangements. My husband had just walked in the door, so we were able to discuss who would travel and how. Both children’s passports had expired and could not be renewed in less than a day from the suburbs where we live. Caroline, our daughter, was starting at a new school the very next day. Pat felt he needed to stay home with her. “Besides,” he said, “I cried at the wedding. I’d never make it through the funeral.” Though I dreaded the prospect of coping with the heartbreak of the funeral on my own, I felt I had to be there at the end, no matter what. We had been with Diana at the very beginning of the courtship. We had attended her wedding with tremendous joy. We had kept in touch ever since. I had to say good-bye to her in person. I said to Pat, “We were there for the ‘wedding of the century.’ This will be ‘the funeral of the century.’ Yes, I have to go.” Then we just looked at each other. We couldn’t find any words to express the sorrow we both felt.
Mary Robertson (The Diana I Knew: Loving Memories of the Friendship Between an American Mother and Her Son's Nanny Who Became the Princess of Wales)
If we consider the possibility that all women–from the infant suckling her mother’s breast, to the grown woman experiencing orgasmic sensations while suckling her own child, perhaps recalling her mother’s milk-smell in her own; to two women, like Virginia Woolf’s Chloe and Olivia, who share a laboratory; to the woman dying at ninety, touched and handled by women–exist on a lesbian continuum, we can see ourselves as moving in and out of this continuum, whether we identify ourselves as lesbian or not. It allows us to connect aspects of woman-identification as diverse as the impudent, intimate girl-friendships of eight- or nine-year-olds and the banding together of those women of the twelfth and fifteenth centuries known as Beguines who “shared houses, rented to one another, bequeathed houses to their room-mates … in cheap subdivided houses in the artisans’ area of town,” who “practiced Christian virtue on their own, dressing and living simply and not associating with men,” who earned their livings as spinners, bakers, nurses, or ran schools for young girls, and who managed–until the Church forced them to disperse–to live independent both of marriage and of conventual restrictions. It allows us to connect these women with the more celebrated “Lesbians” of the women’s school around Sappho of the seventh century B.C.; with the secret sororities and economic networks reported among African women; and with the Chinese marriage resistance sisterhoods–communities of women who refused marriage, or who if married often refused to consummate their marriages and soon left their husbands–the only women in China who were not footbound and who, Agnes Smedley tells us, welcomed the births of daughters and organized successful women’s strikes in the silk mills. It allows us to connect and compare disparate individual instances of marriage resistance: for example, the type of autonomy claimed by Emily Dickinson, a nineteenth-century white woman genius, with the strategies available to Zora Neale Hurston, a twentieth-century black woman genius. Dickinson never married, had tenuous intellectual friendships with men, lived self-convented in her genteel father’s house, and wrote a lifetime of passionate letters to her sister-in-law Sue Gilbert and a smaller group of such letters to her friend Kate Scott Anthon. Hurston married twice but soon left each husband, scrambled her way from Florida to Harlem to Columbia University to Haiti and finally back to Florida, moved in and out of white patronage and poverty, professional success and failure; her survival relationships were all with women, beginning with her mother. Both of these women in their vastly different circumstances were marriage resisters, committed to their own work and selfhood, and were later characterized as “apolitical ”. Both were drawn to men of intellectual quality; for both of them women provided the ongoing fascination and sustenance of life.
Adrienne Rich (Compulsory Heterosexuality and Lesbian Existence)
I held back from seeing Jacob much during those weeks. He wanted only his mother, and I wasn’t sure I could handle seeing him like that. I stopped by to pick up his siblings and take them away, but I rarely went inside the house. After several days of this, I knew I must face the sight that my daughter faced daily. Inside, I approached the couch tentatively. Would I upset him? A few times when I had visited, he’d hidden his face in a blanket. I reached out hesitantly, touching his thin arm, the skin hot and dry as paper. He didn’t move, but I could see the rise and fall of his swollen chest. Suddenly, my legs gave way, and I dropped to my knees in front of the grandson that I loved so dearly. My hand shook as I lifted it to his soft, fuzzy head. I felt as though I was in the presence of someone very holy. “I love you,” I whispered, and when he didn’t respond, an even softer whisper, “Tell Grandpa that I love him and miss him.” And then, with a groan, “Dear God, don’t let him suffer.
Mary Potter Kenyon (Refined by Fire: A Journey of Grief and Grace)
Despite an icy northeast wind huffing across the bay I sneak out after dark, after my mother falls asleep clutching her leather Bible, and I hike up the rutted road to the frosted meadow to stand in mist, my shoes in muck, and toss my echo against the moss-covered fieldstone corners of the burned-out church where Sunday nights in summer for years Father Thomas, that mad handsome priest, would gather us girls in the basement to dye the rose cotton linen cut-outs that the deacon’s daughter, a thin beauty with short white hair and long trim nails, would stitch by hand each folded edge then steam-iron flat so full of starch, stiffening fabric petals, which we silly Sunday school girls curled with quick sharp pulls of a scissor blade, forming clusters of curved petals the younger children assembled with Krazy glue and fuzzy green wire, sometimes adding tissue paper leaves, all of us gladly laboring like factory workers rather than have to color with crayon stubs the robe of Christ again, Christ with his empty hands inviting us to dine, Christ with a shepherd's staff signaling to another flock of puffy lambs, or naked Christ with a drooping head crowned with blackened thorns, and Lord how we laughed later when we went door to door in groups, visiting the old parishioners, the sick and bittersweet, all the near dead, and we dropped our bikes on the perfect lawns of dull neighbors, agnostics we suspected, hawking our handmade linen roses for a donation, bragging how each petal was hand-cut from a pattern drawn by Father Thomas himself, that mad handsome priest, who personally told the Monsignor to go fornicate himself, saying he was a disgruntled altar boy calling home from a phone booth outside a pub in North Dublin, while I sat half-dressed, sniffing incense, giddy and drunk with sacrament wine stains on my panties, whispering my oath of unholy love while wiggling uncomfortably on the mad priest's lap, but God he was beautiful with a fine chiseled chin and perfect teeth and a smile that would melt the Madonna, and God he was kind with a slow gentle touch, never harsh or too quick, and Christ how that crafty devil could draw, imitate a rose petal in perfect outline, his sharp pencil slanted just so, the tip barely touching so that he could sketch and drink, and cough without jerking, without ruining the work, or tearing the tissue paper, thin as a membrane, which like a clean skin arrived fresh each Saturday delivered by the dry cleaners, tucked into the crisp black vestment, wrapped around shirt cardboard, pinned to protect the high collar.
Bob Thurber (Nothing But Trouble)
The part of me that is untouchable today should never have been touched.
Anna Camilleri (I Am a Red Dress: Incantations on a Grandmother, a Mother, and a Daughter)
ave you thought of your family photos as a collection? One of my tables held photos of many generations of women in our family. I displayed them in a variety of frames, and the mother-daughter-granddaughter theme pulled the collection together. No one could resist stopping and taking a peek. Group as black-and-white photos or formal or informal in groups. Another idea is to keep the same frames but change the photos for the seasons. If you have a ton of photos, rotate them so you can enjoy your entire collection. And for a designer touch, add a surprise to your grouping-something that doesn't "match," such as that silly picture of your Aunt Lily. The idea is to share yourself with others in a way that is interesting. ant to change your room? Put two lamps of different sizes on a side table with books, a small clock, a pot of flowers, or a ceramic creation. These change the look and provide better lighting. Your coffee table is an ideal spot for a plant or a terracotta pot with candles. For a softer look, add a throw rug made of mohair or wool-something warm and inviting. And I don't know about you, but I like bookshelves in the living room-complete with books, family pictures, and a mixture of the things I collect. I also love to frame favorite scriptures to welcome me as I go from room to room.
Emilie Barnes (365 Things Every Woman Should Know)
Her father selected a slice of cheek from the bloody stew of body parts in the bag and went inside the house to take a pee and find some salsa for dipping.“ Popping a chocolate eyeball between her black teeth, her mother knew something was very wrong with her daughter. Norma had barely touched the juicy tongue with some of the roots still attached that most witches would crawl into bed with the devil for,
Billy Wells (Scary Stories: A Collection of Horror - Volume 1 (Chamber of Horror Series))
As I mentioned, I look at death differently now. I have experienced the death of six people who were close to me, five in the last ten years. My father, my daughter, my mother, my husband’s parents and finally my sister all left this earth to move on. I know there will be more over the course of my lifetime. It is a fact of life that we all leave this world at some time. I now use the word transition, for though our body may cease to be, our soul lives on, transitioning from this physical plane back to the heavenly dimension from which it came. Our souls never die, they simply return Home to the infinite Source of all life. And yes, for those left behind, the pain can be overwhelming. We miss our loved ones when they move on. We miss the physical aspect of them, touching them, interacting with them. More than anything though, it really boils down to missing the connection we have with Spirit and losing a loved one seems to amplify that feeling of disconnect, of separation. The good news is we can still connect with them, now more easily then ever, as the veils are being lifted between this dimension and others. My granddaughter Hampton spends more time now with her Auntie Moonie than she ever did when Moonie was alive. I, too, find it is getting easier to tune in and connect to my sister and my daughter. They are both just a thought away.
Donna Visocky (I'll Meet You at the Base of the Mountain: One woman's journey from grief to life.)
Suddenly he brushed his rough thumb against my jaw, catching me by surprise. Heat erupted across my face as I drew in a sharp breath. Was he going to kiss me? My eyelids sank closed. Our bodies were practically touching. It was wrong to be so close to a boy—every moment of Mother’s upbringing had taught me that. But I didn’t care. We were bound together, he and I.
Megan Shepherd (The Madman's Daughter (The Madman's Daughter, #1))
These days her family, particularly her sisters, Jane and Sarah and brother Charles, are aware of the appalling problems she has endured. Jane has always given sensible advice and Sarah, from being dubious of her kid sister’s success, is now very protective. “You never criticize Diana in front of her,” notes a friend. Her relations with her mother and her father, when he was alive, are patchier. While Diana enjoys a sporadic but affectionate relationship with her mother, she was robust in her reaction to news that her second husband, Peter Shand Kydd had left her for another woman. Last summer her bond with her father went through a difficult period following publicity surrounding the secret sale of treasures from Althorp House. The children, including the Princess, had written to their father objecting to the trade in family heirlooms. There were bitter exchanges, subsequently regretted, which deeply hurt the Princess of Wales. Even the Prince of Wales intervened, voicing his concern to Raine Spencer who was typically robust in her response. Last autumn a reconciliation between father and daughter was effected. During a leisurely tour around the world the late Earl Spencer was deeply touched by the affection shown towards his youngest daughter by so many strangers. He telephoned from America to tell her just how proud of her that made him feel.
Andrew Morton (Diana: Her True Story in Her Own Words)
apologize sincerely and profusely for the way this must look, sir. You have every right to demand that I marry your daughter, but—” Edward was gripping his glass so hard he feared it might shatter in his hand. “Did you fuck her?” The boy winced as if Edward had slapped him. Oh, Edward liked making him squirm. “No, sir. I swear to you on her mother’s grave: I did not touch your daughter. Not even as a physician. It was a verbal consultation, nothing more.
Elizabeth Bell (Native Stranger (Lazare Family Saga #3))
I feel like you guys might know that this has been going on,” I said, “but if you don’t know what’s been going on, she’s been touching me for years and it makes me really uncomfortable and I don’t ever want to go back there.” I couldn’t undo it. It was done. My mother slapped my father’s arm with the back of her hand. “I told you something was happening,” she yelled at him. Neither turned to look at me. Dad kept his eye on the road and said nothing, his shoulders sunken. It didn’t surprise me that my mother knew. I already understood denial and how much it fueled the actions of families, especially Southern families. People want to paint the picture pretty, especially a minister’s family. They were probably also shocked. These good people who did everything to help others hadn’t been able to help their own daughter. “Hello?” I said. I expected them to say something to me. I wasn’t angry, I was just confused. I wouldn’t be angry about their silence until much later.
Jessica Simpson (Open Book)
Fabric woven by a mother who encoded within the threads a secret treasure map that only her favourite daughter could be taught to decode, fabric that could cover a woman’s head thereby propelling her into the lost half of a man’s soul, fabric that could transform an ordinary man into a celestial warrior if he draped it over his shoulders, and fabric that could bless every speck of dust in this faithless world and turn it into a vast holy realm – by just touching it to their foreheads all men, princely or lowborn, would appear before god as equals. As
Veeraporn Nitiprapha (The Blind Earthworm in the Labyrinth)
She was upside-down, clinging to a horizontal stem of wild rose by her feet which pointed to heaven. Her head was deep in dried grass. Her abdomen was swollen like a smashed finger; it tapered to a fleshy tip out of which bubbled a wet, whipped froth. I couldn’t believe my eyes. I lay on the hill this way and that, my knees in thorns and my cheeks in clay, trying to see as well as I could. I poked near the female’s head with a grass; she was clearly undisturbed, so I settled my nose an inch from that pulsing abdomen. It puffed like a concertina, it throbbed like a bellows; it roved, pumping, over the glistening, clabbered surface of the egg case testing and patting, thrusting and smoothing. It seemed to act so independently that I forgot the panting brown stick at the other end. The bubble creature seemed to have two eyes, a frantic little brain, and two busy, soft hands. It looked like a hideous, harried mother slicking up a fat daughter for a beauty pageant, touching her up, slobbering over her, patting and hemming and brushing and stroking.
Annie Dillard (Pilgrim at Tinker Creek)
I stopped Peter just as she touched his shoulder to turn him around, and she immediately began to tear up. 'I'm so sorry to bug you guys,' she said. 'It's just -- I'm the mother of two gay children and what you're doing for this country and for them . . . I am just so proud of you and so happy you're getting out there.' Her children had caught up with her -- they were a little embarrassed, but excited to meet us, too. 'Hi, we're the gay children,' the daughter joked as an introduction.
Chasten Glezman Buttigieg (I Have Something to Tell You)
But she herself had never felt that way about anyone, not as a teenager, not in art school, not since. It occurred to her that except for her brother, when they were children, she’d never seen a man naked. More than that: she’d never touched anyone and felt that warmth, that electric tension at the nearness of someone else. The only thing that had given her that feeling had been art—and then, of course, Pearl.
Celeste Ng (Little Fires Everywhere)
Sorry.” He smiled and touched his hand to his face. She thought, Why has he turned pale? Then he said, “You know, by vulnerable I suppose I really meant—religious. Yes. Pious girls have tender hearts. They believe sad stories. So I have heard. All to their credit, of course. And they usually lead sheltered lives. Little real knowledge of the world. They are brought up to think someone ought to love them for that sort of thing, their virtue and so on. And they are ready to believe anyone who tells them about, you know, his angel mother, and how the thought of her piety has been a beacon shining through the darkest storms of life. So I have been told. And often, on a cold night, there will be cake and coffee, absolutely free of charge. That can bring out the hypocrite in a fellow, if he has a thin coat or a hole in his shoe. As I understand.” Then he said, “If I had a daughter, I wouldn’t let her go anywhere near a choir rehearsal.
Marilynne Robinson (Home (Gilead, #2))
Cassava No man had touched her, but a boy-child grew in the belly of the chief’s daughter. They called him Mani. A few days after birth he was already running and talking. From the forest’s farthest corners people came to meet the prodigious Mani. Mani caught no disease, but on reaching the age of one, he said, “I’m going to die,” and he died. A little time passed, and on Mani’s grave sprouted a plant never before seen, which the mother watered every morning. The plant grew, flowered, and gave fruit. The birds that picked at it flew strangely, fluttering in mad spirals and singing like crazy. One day the ground where Mani lay split open. The chief thrust his hand in and pulled out a big, fleshy root. He grated it with a stone, made a dough, wrung it out, and with the warmth of the fire cooked bread for everyone. They called the root mani oca, “house of Mani,” and manioc is its name in the Amazon basin and other places. (174)
Eduardo Galeano (Genesis (Memory of Fire Book 1))
Mr Lovell, to whom few things retained the force of novelty, and who misliked extremely the sensation when they did, as if firm ground underfoot had been replaced on the instant by a scrabbling fall in vacuo – was, at the moment the door opened on Broad Way, hesitating in his parlour. Flora was downstairs, commanding from Zephyra the supper that would have arrived whether she commanded it or not. Only Tabitha still sat on the sopha, her hands quite still in her lap. It had been his custom, since his wife died these three years past, to call from time to time on his elder daughter’s intelligence, in the same office her mother’s had served; but now, for particular reasons, the issue might touch on her own self in terms that made advice unwise to solicit.
Francis Spufford (Golden Hill)
St. Lawrence River May 1705 Temperature 48 degrees The girl who had been Mercy Carter stood for a long time watching the canoes disappear down the St. Lawrence. She had waved after Daniel, had been too crushed to wave after Sarah and Eben, and never thought of waving after Deacon Sheldon. Ransom, she thought. I didn’t take it. Nistenha removed the hat, folded it and touched the heavy gold braids. “Daughter?” It seemed to the girl that sky and wind and river held their peace and waited to hear. Mother, she thought, beloved mother in heaven, forgive me. I walk now into another life. “Nistenha,” she said. “It is your choice? For if not, my daughter, we follow them.” I follow where the world took me. Mother. Father. Love me anyhow. I shall always love you. “It is my choice,” said Nistenha’s daughter.
Caroline B. Cooney (The Ransom of Mercy Carter)
The child bounded onto the bed, landing on all fours, her round face wreathed in a smile. “Hein nei nan-ne-i-cut?” “What is your name?” Hunter translated, tousling the imp’s hair as he hunkered beside the bed. “Loh-rhett-ah, eh? Tohobt Nabituh, Blue Eyes.” To Loretta, he said, “Warrior’s daughter, To-oh Hoos-cho, Blackbird.” Blackbird giggled and glanced at her grandmother, who stood watching from across the room. “Loh-rhett-ah!” Loretta scooted toward the head of the bed to press her back against the taut leather wall. The little girl followed, reaching out with a small brown hand to lightly touch the flounces on Loretta’s bloomers. Loretta stared at her. At last, a Comanche she didn’t detest on sight. She was tempted to grab hold of her and never let go. Loretta guessed her to be about three years old, possibly four. While Blackbird satisfied her curiosity about Loretta and examined her form head to toe, Hunter carried on an unintelligible conversation with his mother. From the gestures he made, Loretta guessed he was relating that his captive refused to eat or drink and that her voice had returned. A look of concern flashed across the older woman’s dark face. Hunter rose and thumped the heel of his hand against his forehead, rolling his eyes toward the smoke hole above the firepit. “Ai-ee!” Woman with Many Robes crossed the packed grass-and-dirt floor and leaned forward to peer at Loretta. After babbling shrilly for several seconds, all the while waving her spoon, she crooned, “Nei mi-pe mah-tao-yo,” and placed a gentle hand on Loretta’s hair. “My mother says the poor little one must have no fear.” Woman with Many Robes cast her son a suspicious glance. When it became apparent that he planned to say no more, she brandished her spoon at him. With great reluctance he cleared his throat, eyed the people crowding the doorway, and said, in a very low voice, “You will have no fear of me, eh? If I lift my hand against you, I will be a caum-mom-se, a bald head, and she will thump me with her spoon.” He hesitated and looked as if he found it difficult not to smile. “She will make the great na-ba-dah-kah, battle, with me. And in the end, she will win. She is one mean woman.
Catherine Anderson (Comanche Moon (Comanche, #1))
Watching you and my daughter, seeing how you’ve survived things other women couldn’t--” She licked her lips. “That steel in your backbones came from your bringin’ up, from me. I’ve taught you to stand up and fight back. I’ve raised you proud. Lately, I’ve been staring into my looking glass, wondering where the old Rachel has got off to.” “Oh, Aunt Rachel, you’ve only done what you felt you had to for me and Amy.” Rachel nodded. “Yes. But there comes a time when a body must draw the line." She sighed and rolled her eyes, a reluctant smile tugging at her mouth. “If it’s a draw between a baby and Henry, I’ll kick his ornery butt all the way to the fancy house in Jacksboro and tell him to stay there this time.” Appalled and uncertain how to react, Loretta said, “Fancy house?” “You don’t really think he goes there to get tobacco and coffee and the Godey’s Lady’s Book for us, do you?” Rachel touched Loretta’s shoulder. “Don’t look so woebegone. He leaves me alone for nigh on a month after. I consider it a blessing.” Loretta threw back her head and gave a weak laugh. “Uncle Henry visiting a fancy house? Oh, Aunt Rachel, I bet those ladies double their rates when they see the likes of him coming!” “No doubt,” Rachel said grimly. “A lover, Henry ain’t. I’ve wasted a lot of years kowtowing to him. I don’t plan to waste any more. I can make it without a man. Just you watch me.” She pushed to her feet and extended Loretta a helping hand. “Come on, little mother. I’ll fix you some remedy for that rolling tummy.” “Oh, Aunt Rachel, do you think it’s for sure?” “Sure enough that we’d best start cutting out nightshirts. I got flannel tucked away in my barrel. That’ll make up nice.” Loretta smiled, and taking a deep breath, she passed a hand over her brow. “I am powerful pleased, Aunt Rachel!” “Just keep thinkin’ that way until I get Henry told.” “Do we have to tell him right now?” “Honey, if you go to upchucking of a morning before you can reach the privacy, he’s gonna know anyway. May as well light his fuse when we’re expecting the explosion.
Catherine Anderson (Comanche Moon (Comanche, #1))
others made their offerings with a quavery touch of excitement that I was beginning to recognize as a desire to get closer to the drama.
Sarah Perry (After the Eclipse: A Mother's Murder, a Daughter's Search)
A morning later, Nancy described her first dream, the first remembered dream of her life. She and Judy Thorne were on a screened porch, catching ladybugs. Judy caught one with one spot on its back and showed it to Nancy. Nancy caught one with two spots and showed it to Judy. Then Judy caught one with three spots and Nancy one with four. Because (the child explained) the dots showed how old the ladybugs were. She told this dream to her mother, who had her repeat it to her father at breakfast. Piet was moved, beholding his daughter launched intoanother dimension of life. Like school. He was touched by her tiny stock of imagery the screened porch (neither they nor the Thornes had one; who?), the ladybugs (with turtles the most toylike of creatures), the mysterious power of numbers, that generates space and time. Piet saw down a long amplifying corridor of her dreams, and wanted to hear her tell them, to grow older with her, to shelter her forever.” John Updike, Couples, 1968.
John Updike (Couples)
You look as if you’ve just lost your best friend.” Eve took a place beside Jenny on this observation, which leavened Jenny’s sense of desolation with a spike of resentment. “With all my family around me, how could I possibly be in want of companionship?” Eve watched their mutual siblings stepping through a minuet while their brother Valentine held forth at the piano. “The same way I can long to dance while the minuet plays all around me.” Marriage had settled Eve, and impending motherhood had only honed her already formidable instincts. “You’re admiring your husband, Lady Deene, even when you can’t dance with him.” “He’s promised me a waltz, though Valentine will probably find one to play at the speed of a dirge.” She fell silent for a moment as the dancers one-two-three’d around the space created by the music room and an adjoining parlor. “You would make a wonderful mother, Jenny.” The worst pain was not in the words Eve offered, but the combination of pleading and pity with which she offered them. “Becoming a mother usually contemplates becoming a wife first, and I’ve no wish to wed some man for the sole purpose of bearing his babies.” Not the sole purpose… As the dancers twirled and smiled, it occurred to Jenny that Victor had made her promise not to stop painting, but he hadn’t said anything specific about eschewing motherhood. Had he? Another pause in the conversation, while the music played on. Eve, however, was notably tenacious, so Jenny waited for the next salvo, and Eve did not disappoint. “You look at Bernward the way I look at Deene, the way Maggie looks at Benjamin, the way—” “Louisa looks at Joseph, I suppose.” And Sophie at her baron too, of course. They needn’t start on how the Windham brothers regarded their respective wives. “Louisa’s gaze is a touch more voracious. I was going to say, the way Mama looks at Papa.” Ouch. Ouch, indeed. The duke and duchess turned down the room with the grace of a more elegant age, and yet, their gazes spoke volumes about the sheer pleasure of sharing a dance. Jenny stated the obvious as matter-of-factly as possible. “Their Graces dance beautifully.” Eve’s feet were propped on a hassock. She wiggled her toes in time with the music, the left and right foot partnering each other. “Bernward also dances quite well.” Elijah was dancing with Valentine’s lady, Ellen’s preferred partner being ensconced at the keyboard, as usual. “Bernward is dancing carefully, lest Valentine take exception.” Eve twitched her skirts. “Bernward is dancing with one eye on you, you ninnyhammer, and with the certain knowledge that all three of our brothers are waiting for him to come over here and get you to stand up with him. How many more times do you think you can check on the punch bowl between sets without Bernward taking insult?” Check
Grace Burrowes (Lady Jenny's Christmas Portrait (The Duke's Daughters, #5; Windham, #8))
the one who found Magdalena?” Palmetto nodded. At this point, he hadn’t figured out exactly what Clark’s game was. He decided wrong, and guessed a member of the competition. “Everyone’s always looking for a Magdalena.” His confidence was returning since Clark hadn’t killed him yet. “I gave her mother five grand. She has two other daughters, though. I’m happy to put you in touch—” Clark pressed the business end of the screwdriver against Palmetto’s thigh and leaned in, feeling the satisfying scrape as the flathead nicked his femur. The man yowled in pain and surprise, but Clark hit him before he could form words—GI Joe smacking a Ken doll. Clark grimaced. “Geeze,” he said, showing mock concern. “You’re gonna want to have that looked at. I’m thinking Parrot might have had a few STDs.” Palmetto swayed
Marc Cameron (Power and Empire (Jack Ryan Universe, #24))
When the program closed and she was done taking photos and shaking hands, my mother guided her into the reception room, asking if she had a few minutes to talk. "No, Mom. There is no time." I was caught off guard, and so I instinctively tried to stop them from walking into the room together. HRC had television interviews lined up, but they weren't my main concern. "I have plenty of time, I want to talk to your mother," HRC said as Mom linked her arm with hers and led her to the windows. They sat facing each other on a sofa, their knees almost touching. I hadn't intended to leave, but when I saw my mother hesitate, and HRC take her hand in her own to put her at ease, I backed out of the room. Just as I'd feared, this was going to be a serious conversation. I left the door ajar and stood in the archway to eavesdrop. After they each praised the other for a successful program, Mom said, "Hillary, I am jealous of you. My daughter has spent more of her life with you than she has with me.
Huma Abedin (Both/And: A Memoir)