Totes Quotes

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as•ymp•tote (ˈasəm(p)ˌtōt) n. pl. -s. 1. A wish that continually approaches but never achieves fulfillment. [2015, Whittier]
Nicola Yoon (Everything, Everything)
Lilacs on a bush are better than orchids. And dandelions and devil grass are better! Why? Because they bend you over and turn you away from all the people in the town for a little while and sweat you and get you down where you remember you got a nose again. And when you’re all to yourself that way, you’re really proud of yourself for a little while; you get to thinking things through, alone. Gardening is the handiest excuse for being a philosopher. Nobody guesses, nobody accuses, nobody knows, but there you are, Plato in the peonies, Socrates force-growing his own hemlock. A man toting a sack of blood manure across his lawn is kin to Atlas letting the world spin easy on his shoulder.
Ray Bradbury (Dandelion Wine)
Another guy barked orders to a small army of brooms, mops, and buckets that were scuttling around, cleaning up the city. "Like that cartoon," Sadie said. "Where Mickey Mouse tries to do magic and the brooms keep splitting and toting water." "'The Sorcerer's Apprentice,'" Zia said. "You do know that was based on an Egyptian story, don't you?
Rick Riordan (The Red Pyramid (The Kane Chronicles, #1))
My reading schedule has become butter. I'm being seduced right and left to add books I hadn't even considered. I am a book harlot. A book toting gentleman of the evening.
Jeffrey Keeten
Self-actualization is what educated existence is all about. For members of the educated class, life is one long graduate school. When they die, God meets them at the gates of heaven, totes up how many fields of self-expression they have mastered, and then hands them a divine diploma and lets them in.
David Brooks (Bobos in Paradise)
It's actually against my religion to laugh at men who are toting guns.
Stephen King
I'm not laughing at you guys," King said. "It's actually against my religion to laugh at men who are toting guns.
Stephen King (Song of Susannah (The Dark Tower, #6))
I don't care what is written," Meyer Landsman says. "I don't care what supposedly got promised to some sandal-wearing idiot whose claim to fame is that he was ready to cut his own son's throat for the sake of a hare-brained idea. I don't care about red heifers and patriarchs and locusts. A bunch of old bones in the sand. My homeland is in my hat. It's in my ex-wife's tote bag.
Michael Chabon (The Yiddish Policemen's Union)
Gardening is the handiest excuse for being a philosopher. Nobody guesses, nobody accuses, nobody knows, but there you are, Plato in the peonies, Socrates force-growing his own hemlock. A man toting a sack of blood manure across his lawn is kin to Atlas letting the world spin easy on his shoulder.
Ray Bradbury (Dandelion Wine)
Children being children, however, the grotesque Hopping Pot had taken hold of their imaginations. The solution was to jettison the pro-Muggle moral but keep the warty cauldron, so by the middle of the sixteenth century a different version of the tale was in wide circulation among wizarding families. In the revised story, the Hopping Pot protects an innocent wizard from his torch-bearing, pitchfork-toting neighbours by chasing them away from the wizard's cottage, catching them and swallowing them whole.
J.K. Rowling (The Tales of Beedle the Bard)
Our boy looks impressed.” “Should be,” Rhage muttered as he jacked the belt on his robe. “We are awesome.” Multiple groans at that point. Rolled eyes. “At least he didn’t pull out the ‘totes amazeballs,’” somebody muttered. “That’s Lassiter,” came an answer. “Man, that son of a bitch has got to stop watching Nickel-fucking-odeon.
J.R. Ward (Lover at Last (Black Dagger Brotherhood, #11))
I worked for Miss Margaret thirty-eight years. She had her a baby girl with the colic and the only thing that stopped the hurting was to hold her. So I made me a wrap. I tied her up on my waist, toted her around all day with me for a entire year. That baby like to break my back. Put ice packs on it ever night and still do. But I loved that girl. And I loved Miss Margaret. Miss Margaret always made me put my hair up in a rag, say she know coloreds don't wash their hair. Counted ever piece a silver after I done the polishing. When Miss Margaret die of the lady problems thirty years later, I go to the funeral. Her husband hug me, cry on my shoulder. When it's over, he give me a envelope. Inside a letter from Miss Margaret reading, 'Thank you. For making my baby stop hurting. I never forgot it.' Callie takes off her black-rimmed glasses, wipes her eyes. If any white lady reads my story, that's what I want them to know. Saying thank you, when you really mean it, when you remember what someone done for you-she shakes her head, stares down at the scratched table-it's so good.
Kathryn Stockett (The Help)
Kay, I'm sleeping with a gun-toting man I banged in an ally, hopped up on cocaine, who wants to know how to tamper with identification records without the Feds finding out. Oh yeah, and he turns into a wolf. And he's got me wrapped around his cock.
Jez Morrow (Touch of a Wolf)
What a pure blessing it was to have a bath in a tub alone in a room where all you had to do was pump the water, not tote buckets. Then all you had to do was pull out the cork, not tote more buckets to the back porch--that kind of thing is easy to take lightly until you don't have it.
Nancy E. Turner (Sarah's Quilt (Sarah Agnes Prine, #2))
Oh, please,” Della said. “Excuse me while I go and grow a penis so the sausage-and-meatball-toting gender will stop thinking I need a man to protect me.
C.C. Hunter (Unspoken (Shadow Falls: After Dark, #3))
Der Rabe auf seinen rubinroten Schwingen Zwischen den Welten hört Tote er singen, Kaum kennt er die Kraft, kaum kennt er den Preis, Die Macht erhebt sich, es schließt sich der Kreis. Der Löwe - so stolz das diamant'ne Gesicht, Der jähe Bann trübt das strahlende Licht, Im Sterben der Sonne bringt er die Wende, Des Raben Tod offenbart das Ende.
Kerstin Gier (Saphirblau (Edelstein-Trilogie, #2))
Dammit. What kind of weapons are they toting?” “Uh, teeth. Mostly teeth, Harry.” I glared at him. “Not the dogs.
Jim Butcher (Blood Rites (The Dresden Files, #6))
But Holly the gun-toting, wild-haired madwoman of the night before was in there somewhere, I knew. It made me look upon her with fond affection.
Jonathan Stroud (The Creeping Shadow (Lockwood & Co., #4))
Easy there, Sage. I’m no gun-toting crazy guy. Crazy, yes. But not the rest.
Richelle Mead (The Golden Lily (Bloodlines, #2))
So de white man throw down de load and tell de nigger man tuh pick it up. He pick it up because he have to, but he don’t tote it. He hand it to his womenfolks. De nigger woman is de mule uh de world so fur as Ah can see.
Zora Neale Hurston (Their Eyes Were Watching God)
Fuck what is written," Landsman says. “You know what?" All at once he feels weary of ganefs and prophets, guns and sacrifices and the infinite gangster weight of God. He's tired of hearing about the promised land and the inevitable bloodshed required for its redemption. “I don't care what is written. I don't care what supposedly got promised to some sandal-wearing idiot whose claim to fame is that he was ready to cut his own son's throat for the sake of a hare-brained idea. I don't care about red heifers and patriarchs and locusts. A bunch of old bones in the sand. My homeland is in my hat. It's in my ex-wife's tote bag.
Michael Chabon (The Yiddish Policemen's Union)
I carry pepper spray in this tote. And a gun.' 'What the fuck , he cried , putting the car in park. 'You're drunk with a gun flopping around in your wine bag?' I buckled my seat belt. 'It was a joke. The gun part, not the 'killing you if you tried something' part. I meant that
Emily Henry (Beach Read)
You know what I wisht I had, Ma? A pouch like a 'possum, to tote things. --The Yearling
Marjorie Kinnan Rawlings
A Christian in many American circles, for example, means 'right-wing, gun-toting fanatic who hates Democrats.' As such, a pacifist Democrat who called himself a Christian in those circles, would be lying, albeit unwittingly. To most of this world, America is Christian, just as to most Americans being an Arab means being a Muslim. Both labels have only limited usefulness. I have been called a Christian writer, but I'm not a right-wing, gun-toting fanatic who hates Democrats, not by a long shot. So am I a Christian? Yes and no - it depends on what Christian means to you. . . But labels are almost impossible to shed.
Ted Dekker (Tea with Hezbollah: Sitting at the Enemies' Table Our Journey Through the Middle East)
Simply put, I love books, physical books. I own so many--many of which I have not read (yet). I just need to have them . On shelves. In piles. In random conference tote bags. Paper magazines and newspapers too. Some call it clutter. I call it cozy. It's comforting to know I am surrounded by pages of stories. And, thus, by storytellers.
Donna Talarico (Selected Memories: Five Years of Hippocampus Magazine)
Up steps, three, six, nine, twelve! Slap! Their palms hit the library door. * * * They opened the door and stepped in. They stopped. The library deeps lay waiting for them. Out in the world, not much happened. But here in the special night, a land bricked with paper and leather, anything might happen, always did. Listen! and you heard ten thousand people screaming so high only dogs feathered their ears. A million folk ran toting cannons, sharpening guillotines; Chinese, four abreast marched on forever. Invisible, silent, yes, but Jim and Will had the gift of ears and noses as well as the gift of tongues. This was a factory of spices from far countries. Here alien deserts slumbered. Up front was the desk where the nice old lady, Miss Watriss, purple-stamped your books, but down off away were Tibet and Antarctica, the Congo. There went Miss Wills, the other librarian, through Outer Mongolia, calmly toting fragments of Peiping and Yokohama and the Celebes.
Ray Bradbury (Something Wicked This Way Comes)
We're alone then, all of us, even me, each treading a deserted highway, toting in a bundle on a shouldered stick the schemes, the flow charts, for unconscious advancement.
Ian McEwan (Nutshell)
Phoenix sank to the desk chair and stared at her computer screen. “I don’t know. I’ve lived like this for so long, it’s who I am. Everything seems so stupid. Like, look at this girl,writing to Sasha. She’s all”—he spoke in a falsetto voice—“‘OMG!’ and ‘LOL!’ and ‘WTF?’ and ‘Girl, you should totes go out with Tyler in Telluride!’” He looked up at her.“You’re seventeen years old, and this is how seventeenyear-olds talk to each other. I’m a thousand years old, and this stuff is like alien-speak to me. If I found another Anabo,she’d be writing OMG and I’d be thinking, You’re f’ing kidding me.
Trinity Faegen (The Redemption of Ajax (The Mephisto Covenant, #1))
Ain't I been trying to tell you that you can't be holding grudges against people? Didn't you hear me say that? What do you think Jesus is gonna say if we come walking up to those pearly gates carrying a whole sackful of grievances and grudges on our backs? Jesus is gonna ask, What's that you toting on your back? Do you want to be opening that sack and showing Him all those ugly thing? He's dressed all in white and shining like the sun, and you're coming in with a load a hate in your your arms? Umm hmm. I can't imagine doing that.
Lynn Austin (Wonderland Creek)
The book that simply demands to be read, for no good reason, is asking us to change our lives by putting aside what we usually think of as good reasons. It's asking us to stop calculating. It's asking us to do something for the plain old delight and interest of it, not because we can justify its place on the mental spreadsheet or accounting ledger (like the one Benjamin Franklin kept) by which we tote up the value of our actions.
Alan Jacobs (The Pleasures of Reading in an Age of Distraction)
She has always been somehow weightless, free of the heavy burden of mother tongues, national histories, native soils, homelands, fatherlands, myths, that many of the people around her tote on their backs like a sack of red-hot stones.
Daša Drndić
Gardening is the handiest excuse for being a philosopher. Nobody guesses, nobody accuses, nobody knows, but there you are, Plato in the peonies, Socrates force-growing his own hem-lock. A man toting a sack of blood manure across his lawn is kin to Atlas letting the world spin easy on his shoulder.
Ray Bradbury (Dandelion Wine (Green Town, #1))
You can’t keep digging up the corpse of who you used to be, Wayne. You can’t keep toting it around. Let him stay buried. Consider who you are, not who you left behind. That’s what I’ve learned these last few years. It’s made all the difference.
Brandon Sanderson (The Lost Metal (Mistborn, #7))
When we got to class, Andy reached in to my tote and set the rose on my desk. I didn’t understand why she had pulled it out. I had been very careful in making sure it wouldn’t get crushed. It wasn’t until I saw Jean tighten her brows when Andy said in a really loud voice, “David, that rose you gave Isis is beautiful,” that I understood Andy’s reason for putting the flower on display.
Nely Cab (Creatura (Creatura, #1))
If you ever go to any event ever, for any reason, they will give you a tote bag. Medical conference? Tote bag. Wedding? Tote bag. Syrian refugee arriving in Canada? Maple leaf tote bag. My orthodontist gave me a tote bag. And a t-shirt. Which I put in the tote bag.
Jennifer McCartney (The Joy of Leaving Your Sh*t All Over the Place: The Art of Being Messy)
I have to hear this all the time in England: "Well, all Americans are fat and stupid, mm-hm-hm-hm-hm." Really? Well, thanks for sending over the best and brightest to start the party. Maybe we can send a few freaky, Texas, militia, hate-group, gun-toting weirdoes back to your country.
Greg Proops
I went to interview some of these early Jewish colonial zealots—written off in those days as mere 'fringe' elements—and found that they called themselves Gush Emunim or—it sounded just as bad in English—'The Bloc of the Faithful.' Why not just say 'Party of God' and have done with it? At least they didn't have the nerve to say that they stole other people's land because their own home in Poland or Belarus had been taken from them. They said they took the land because god had given it to them from time immemorial. In the noisome town of Hebron, where all of life is focused on a supposedly sacred boneyard in a dank local cave, one of the world's less pretty sights is that of supposed yeshivah students toting submachine guns and humbling the Arab inhabitants. When I asked one of these charmers where he got his legal authority to be a squatter, he flung his hand, index finger outstretched, toward the sky.
Christopher Hitchens (Hitch 22: A Memoir)
The imaginary child implied by the toys on exhibit in Hong Kong was impossible to reconcile with my actual child. I didn't think I'd like to meet the imaginary child they implied. That child was mad with contradictions. He was a machine-gun-toting, Chopin-playing psychopath with a sugar high and a short attention span.
Donovan Hohn (Moby-Duck: The True Story of 28,800 Bath Toys Lost at Sea and of the Beachcombers, Oceanographers, Environmentalists, and Fools, Including the Author, Who Went in Search of Them)
Ja. Es ist wirklich möglich Dinge hinter sich zu lassen, Rakel. Es kommt bei diesen Gespenstern darauf an, sie lange und intensiv genug anzuschauen, damit man erkennt, dass es bloß Gespenster sind. Das ist die Kunst. Tote, ohnmächtige Trugbilder.
Jo Nesbø (Phantom (Harry Hole, #9))
Lebendiges! Was nützt der tote Kram!
Georg Büchner
Stheno just kept toting them across California so she could offer Percy a snack before she killed him.
Rick Riordan (The Son of Neptune (The Heroes of Olympus, #2))
intellectually honourable. Another baffling item on the cryptic report card his mother toted around in some mental pocket, the
Margaret Atwood (Oryx and Crake (MaddAddam, #1))
Crispin Hershey!” Lady Suze holds up both hands as if I’m the sun god Ra. “Your event was totes amazeballs! As they say.
David Mitchell (The Bone Clocks)
as•ymp•tote (ˈasəm(p)ˌtōt) n. pl. -s. 1. A wish that continually approaches but never achieves fulfillment.
Nicola Yoon (Everything, Everything)
Qui està disposat a morir per un ideal, està, en el fons, igualment disposat a matar per l’ideal. Totes les doctrines que comencen amb uns màrtirs acaben amb una inquisició.
Joan Fuster (Consells, proverbis i insolències)
Really, though, I toted up the other night, and I’ve only had eleven lovers—not counting anything that happened before I was thirteen because, after all, that just doesn’t count.
Truman Capote (Breakfast at Tiffany's and Three Stories)
The witch Mariketa had been the one to sense it, telling her: “You do know you’re totes preggo, right?
Kresley Cole (Dark Skye (Immortals After Dark, #15))
He equates his worth with his penis, and also uses it as a weapon.” “Okay, now I see it wearing a gold chain and toting a blaster. Stop now.
J.D. Robb (Fantasy in Death / Indulgence in Death / Treachery in Death (In Death #30-32))
Lilacs on a bush are better than orchids. And dandelions and devil grass are better! Why? Because they bend you over and turn you away from all the people and the town for a little while and sweat you and get you down where you remember you got a nose again. And when you're all to yourself that way, you're really yourself for a little while; you get to thinking things through, alone. Gardening is the handiest excuse for being a philosopher. Nobody guesses, nobody accuses, nobody knows, but there you are, Plato in the peonies, Socrates force-growing his own hemlock. A man toting a sack of blood manure across his lawn is kin to Atlas letting the world spin easy on his shoulder.
Ray Bradbury (Dandelion Wine)
Her given name was Lucinda but she’d called herself Juveline since age fifteen, when she’d been caught selling knockoff Burberry totes and a cop at the booking desk misspelled the word “juvenile.” Big
Carl Hiaasen (Razor Girl)
We need an engineering friend.” She points a finger at Carin. “Go back to Briar and hook up with an engineering student.” “Okay, but I’ll need to actually have sex with him beforehand, so I won’t be back until,” she pretends to check the time, “ten or so.” “We’re all college graduates,” I proclaim. “We can put this together ourselves.” Clapping my hands, I motion for everyone to get on the floor with me. After three tries of trying to lower myself to the ground and making Hope and Carin nearly pee their pants laughing in the process, D’Andre takes pity on all of us and helps me onto my knees. Which is where Tucker finds us. “Is this some new fertility ritual?” he drawls from the doorway, one shoulder propped against the frame. “Because she’s already pregnant, you know.” “Get yo ass in here, white boy, and put this thing together,” D’Andre snaps. “This is ridiculous.” “What’s ridiculous?” Tucker stops next to me, and I take the opportunity to lean against his legs. Even kneeling is hard when you’re toting around an extra thirty pounds. “We took it apart. How can you not know how to put it back together?” D’Andre repeats his earlier excuse. “I’m an accounting major.” Tucker rolls his eyes. “You got an Allen wrench?” “Are you mocking us right now?” I grumble. “I don’t have any wrenches, let alone ones with names.” He grins. “Leave this to me, darlin’. I’ll get it fixed up.” “I want to help,” Hope volunteers. “This is like surgery, except with wood and not people.” “Lord help us,” D’Andre mutters.
Elle Kennedy (The Goal (Off-Campus, #4))
When men were ready to marry, look out. Their evolution busted out all over. They nabbed the closest female hanging out near their caves, anyone who looked like she would clean his woolly mammoth tunics down by the creek, keep his fires burning, bear his children, and tote his brood around on a fur-clad hip.
Gale Martin
If only he could be like that – intellectually honourable. Another baffling item on the cryptic report card his mother toted around in some mental pocket, the report card on which he was always just barely passing.
Margaret Atwood (Oryx and Crake (MaddAddam, #1))
There comes a time when you don't know what your capable of anymore. Looking back, you can remember what you were capable of then, how you thought, what you did, who you loved, who people said you were. Then something happens and takes all that away, the basket of good intentions you've been toting around, the trunk of dreams you've been pulling behind you, all of its gone in an instant, and its just you, naked, bare, exposed.
Donna VanLiere (The Good Dream)
Imogene has twenty-two birdfeeders, some pole-mounted, some suspended from eaves, platform feeders and globe feeders, coffee can feeders and feeders that look like little Swiss chalets, and every evening, when she comes home from work, she drags a stepladder from one to the next, toting a bucket of mixed seeds, keeping them full. In
Anthony Doerr (Memory Wall)
She reaches down into her bulging tote bag and pulls out a small plastic box with a hinged lid. It contains a round pill box with a threaded lid from which she tips out a vitamin pill, a fish-oil pill, and the enzyme tablet that lets her stomach digest milk. Inside the hinged plastic box she also carries packets of salt, pepper, horseradish, and hand-wipes, a doll size bottle of Tabasco sauce, chlorine pills for treating drinking water, Pepto-Bismol chews, and God knows what else. If you go to a concert, Bina has opera glasses. If you need to sit on the grass, she whips out a towel. Ant traps, a corkscrew, candles and matches, a dog muzzle, a penknife, a tiny aerosol can of freon, a magnifying glass - Landsman has seen everything come out of that overstuffed cowhide at one time or another.
Michael Chabon (The Yiddish Policemen's Union)
It is also true that one satiric stunt on US television featured a fake severed head of Trump himself, but in that case the (female) comedian concerned lost her job as a consequence. By contrast, this scene of Perseus-Trump brandishing the dripping, oozing head of Medusa-Clinton was very much part of the everyday, domestic American decorative world. You could buy it on T-shirts and tank tops, on coffee mugs, on laptop sleeves and tote bags (sometimes with the logo TRIUMPH, sometimes TRUMP). It may take a moment or two to take in that normalisation of gendered violence, but if you were ever doubtful about the extent to which the exclusion of women from power is culturally embedded or unsure of the continued strength of classical ways of formulating and justifying it – well, I give you Trump and Clinton, Perseus and Medusa, and rest my case.
Mary Beard (Women & Power: A Manifesto)
He whispered, “Follow me,” though he had no idea where to go. There was a time, not long ago, when his instincts had kept him alive on the dark streets, the long beats, with rain hammering down on gun-toting punks, slick drug dealers, prostitutes with sharp teeth. He’d thought it a mad world then, and he thought it now, It’s a sharp, mad world. It’ll bleed you out.
Lee Thompson (Down Here In The Dark (Division, #8))
Each morning, when we wake—if we wake—we pick up whatever it is we’ve been given to carry for that day, with the sweet Lord Jesus in the yoke beside us to tote the load. Each night we lay it down, giving it into God’s hands. If it’s still there in the morning, we pick it up and begin again. If the burden is gone or if there is something different, we know where to start.
Cathy Gohlke (Promise Me This)
Anyone who remembered the grim, gun-toting, thug-murdering Batman of 1939 could see that he’d become a fundamentally different guy: a grinning, lantern-jawed, wisecracking adventure hero who’d left that emo “creature of the night” shtick far behind.
Glen Weldon (The Caped Crusade: Batman and the Rise of Nerd Culture)
We do like to have such good opinions of our own motives when we're about to do something harmful, to someone else. But as Mr. Erskine also pointed out, Eros with his bow and arrows is not the only blind god. Justitia is the other one. Clumsy blind gods with edged weapons: Justicia totes a sword, which, coupled with her blindfold, is a pretty good recipe for cutting yourself.
Margaret Atwood (The Blind Assassin)
Actresses talking about characters they’ve played often use the phrase “strong woman”, which kind of irks me. Firstly, the description appears to be reserved for two kinds of female: the gun-toting chick in tiny-vest-and-shorts combo, or the tough-talking businesswoman who secretly longs for a man to bring out her softer side. So obviously, our idea of strength is pretty narrow and one-dimensional. Secondly, why isn’t Brad Pitt ever asked about how much he enjoys playing a “strong man”? Is it automatically assumed that men’s roles will be complex and interesting?
Rosie Blythe (The Princess Guide to Life)
What role models do kids have nowadays?Some ridiculously overpaid footballer prone to childish tantrums?The morons in the Big Brother house,perhaps? Or maybe the various gun-toting rappers who regularly delight us with their expletive-ridden vocabulary and eccentric attitude to women?
Frank Chalk (It's Your Time You're Wasting)
I did believe, at first, that I wanted only justice. I thought my heart was pure. We do like to have such good opinions of our motives when we're about to do something harmful, to someone else. But as Mr. Erskine also pointed out, Eros with his bow and arrows is not the only blind god. Justitia is the other one. Clumsy blind gods with edged weapons: Justitia totes a sword, which, coupled with her blindfold, is a pretty good recipe for cutting yourself.
Margaret Atwood (The Blind Assassin)
Your sweet-toting and sugarcoating is of no service to anyone! Do not sugarcoat reality; it only gives the people in your life a sweet-tooth that then makes it more challenging for them to later bite down on the hardness of life. Do not tote and tout sweets either – you’re malnourishing people! Instead give them the truth. What is the truth you may ask? Authentic expression of who you really are, how you really feel, without projecting the labels of right or wrong.
Alaric Hutchinson
So what are you doing, any looting?" "Why? You got anything to loot?" "Me? Oh, no. Got a decent cookstove, but I can't see you toting that back on the ship." "Don't suppose you've got a coin hoard or anything buried out back?" "Jeezum crow, I wish I did have. Coin hoard, I'd really turn things around for myself.
Wells Tower (Everything Ravaged, Everything Burned)
The Tote End itself was demolished in the nineties. Sadly a monstrous IKEA store now stands in it's place. Where once tribes of youths performed their rites of passage and bodily fluids flowed in the name of love, hate and pride; Justin and Kate bicker over which wood flooring they should choose. It fucking kills me.
Chris Brown
The dichotomy of the gun-toting, substance-abusing queer seeking spiritual refuge might strike some as anticlimactic. But William Burroughs was not what he appeared to be to many of his fans. The work which so many revere as biblical texts in the church of addiction were always seen by the writer himself as cautionary rather than visionary.
William S. Burroughs (Word Virus: The William S. Burroughs Reader (Burroughs, William S.))
The most horrible thing about her? She was still holding her big platter of free samples: Crispy Cheese 'n' Wieners. Her platter was dented from all the times Percy had killed her, but those little samples looked perfectly fine. Stheno just kept toting them across California so she could offer Percy a snack before she killed him. Percy didn't know why she kept doing that, but if he ever needed a suit of armour he was going to make it out of Crispy Cheese 'n' Wieners. They were indestructible. 'Try one?' Stheno offered.
Rick Riordan (The Son of Neptune (The Heroes of Olympus, #2))
If closing my eyes would make unfair things disappear, I would do that
Isuna Hasekura (Spice & Wolf, Vol. 09: The Town of Strife II)
I thought I had a handle on my future. But the future, it turns out, is not a tote bag.
Anna Quindlen
Our restaurant fostered a sense of camaraderie in a number of ways besides sharing the same nickname of 'chef.' Initially, we bonded through training. Once we opened, we worked in teams each night, meaning that we not only knew our colleagues well, we depended on them. Most importantly, we all had 'family meal' together every night, just like President Bush recommended to all families so that their children would have good values and grow up to be gun-toting, pro-life, pro-death, gas-guzzling, warmongering, monolingual, homophobic, wiretapped, Bible-thumping, genetically engineered, stem-cell harboring, abstinent creationists. Oops, I think I just lost all of my red state readers. To make up for it, I'll let you lose my ballot.
Phoebe Damrosch (Service Included: Four-Star Secrets of an Eavesdropping Waiter)
Hilary says to her sister, “You can’t eat only pie for lunch.” “Just watch me.” Lily plucks her ukulele out of the tote bag at her feet and strums it, singing, “Pie is fine. It’s very nice/ Especially with lots of spice/ Like cinnamon and ginger too/ My sis would like it, but she’s a poo.” “Oh, well, that’s brilliant,” Hilary says. “Taylor Swift must be looking over her shoulder.
Claire LaZebnik (The Last Best Kiss)
Annabeth hadn’t seen much of Buford during the trip. He mostly stayed in the engine room. (Leo insisted that Buford had a secret crush on the engine.) He was a three-legged table with a mahogany top. His bronze base had several drawers, spinning gears, and a set of steam vents. Buford was toting a bag like a mail sack tied to one of his legs. He clattered to the helm and made a sound like a train whistle.
Rick Riordan (The Mark of Athena (The Heroes of Olympus, #3))
The Blacks was a white foreigner’s idea of a people he did not understand. Genet had superimposed the meanness and cruelty of his own people onto a race he had never known, a race already nearly doubled over carrying the white man’s burden of greed and guilt, and which at the same time toted its own insufficiency. I threw the manuscript into a closet, finished with Genet and his narrow little conclusions. Max
Maya Angelou (The Heart Of A Woman)
In your madness you said you loved me," she murmured shyly. His humor fled, and the smile left her lips as she continued, "You said it before, too. When the storm struck, I asked you to love me, and you said you did." Her voice was the barest of whispers. Ruark's gaze turned away from her, and he rubbed the bandage on his leg before he spoke. "Strange that madness should speak the truth, but truth it is." He met her questioning eyes directly. "Aye, I love you." The pain of longing marked his face with a momentary sadness. "And that is madness, in all truth." Shanna raised herself form his side and sat on her heels, staring down at him. "Why do you love me?" Her tone was wondrous. "I beset you at every turn. I deny you as a fit mate. I have betrayed you into slavery and worse. There is no sanity in your plea at all. How can you love me?" "Shanna! Shanna! Shanna!" he sighed, placing his fingers on her hand and gently tracing the lines of her finely boned fingers. "What man would boast the wisdom of his love? How many time has this world heard, 'I don't care, I love.' Do I count your faults and sins to tote them in a book?" ... "I dream of unbelievable softness. I remember warmth at my side the likes of which can set my heart afire. I see in the dark before me softly glowing eyes of aqua, once tender in a moment of love, then flashing with defiance and anger, now dark and blue with some stirring I know I have caused, now green and gay with laughter spilling from them. There is a form within my arms that I tenderly held and touched. There is that one who has met my passion with her own and left me gasping." Ruark caressed Shanna's arm and turned her face to him, making her look into his eyes and willing her to see the truth in them as he spoke. "My beloved Shanna. I cannot think of betrayal when I think of love. I can count no denials when I hold you close. I only wait for that day when you will say, 'I love." Shanna raised her hands as if to plead her case then let them fall dejectedly on her knees. Tears coursed down her cheeks, and she begged helplessly, "But I do not want to love you." She began to sob. "You are a colonial. You are untitled, a murderer condemned, a rogue, a slave. I want a name for my children. I want so much more of my husband." She rolled her eyes in sudden confusion. "And I do not want to hurt you more." Ruark sighed and gave up for the moment. He reached out and gently wiped away the tears as they fell. "Shanna, love," he whispered tenderly, "I cannot bear to see you cry. I will not press the matter for a while. I only beg you remember the longest journey is taken a step at a time. My love can wait, but it will neither yield nor change.
Kathleen E. Woodiwiss (Shanna)
Who the hell is Warren Ellis again?” Hardison gaped at the man. “Only one of the greatest comics writers in the past twenty years. Might as well ask who Alan Moore is, or Frank Miller, or Mark Waid, or Brian Michael Bendis, or Marv Wolfman, or Geoff Johns.” Eliot gave Hardison a blank look as they wove their way through the hall. Parker took the lead, toting a printed sign with her. Eliot and Hardison trailed in her wake. They made a point of striding right past Patronus’s booth. They didn’t turn to see if he noticed them. “No one?” Hardison said. “Nothing? Not even Kurt Busiek? Neil Gaiman?” “I have a life. I do things, active things. I date women.” “Stan Lee?” Eliot gave Hardison that one with a wag of his head. “Who hasn’t heard of Stan Lee?” “All right,” Hardison said with satisfaction. “You had me worried there, man.
Matt Forbeck (The Con Job (Leverage, #1))
She liked solitude and the thoughts of her own interesting and creative mind. She liked to be comfortable. She liked hotel rooms, thick towels, cashmere sweaters, silk dresses, oxfords, brunch, fine stationery, overpriced conditioner, bouquets of gerbera, hats, postage stamps, art monographs, maranta plants, PBS documentaries, challah, soy candles, and yoga. She liked receiving a canvas tote bag when she gave to a charitable cause. She was an avid reader (of fiction and nonfiction), but she never read the newspaper, other than the arts sections, and she felt guilty about this. Dov often said she was bourgeois. He meant it as an insult, but she knew that she probably was. Her parents were bourgeois, and she adored them, so, of course, she had turned out bourgeois, too. She wished she could get a dog, but Dov’s building didn’t allow them.
Gabrielle Zevin (Tomorrow, and Tomorrow, and Tomorrow)
Come to yo’ Grandma, honey. Set in her lap lak yo’ use tuh. Yo’ Nanny wouldn’t harm a hair uh yo’ head. She don’t want nobody else to do it neither if she kin help it. Honey, de white man is de ruler of everything as fur as Ah been able tuh find out. Maybe it’s some place way off in de ocean where de black man is in power, but we don’t know nothin’ but what we see. So de white man throw down de load and tell de nigger man tuh pick it up. He pick it up because he have to, but he don’t tote it. He hand it to his womenfolks. De nigger woman is de mule uh de world so fur as Ah can see. Ah been prayin’ fuh it tuh be different wid you. Lawd, Lawd, Lawd!
Zora Neale Hurston (Their Eyes Were Watching God)
If you have no arms To hold your crying child but your own arms And no legs but your own to run the stairs one more time To fetch what was forgotten I bow to you If you have no vehicle To tote your wee one but the wheels that you drive And no one else to worry, “Is my baby okay?” When you have to say goodbye on the doorsteps of daycare or on that cursed first day of school I bow to you If you have no skill but your own skill To replenish an ever-emptying bank account And no answers but your own to Satisfy the endless whys, hows, and whens your child asks and asks again I bow to you If you have no tongue to tell the truth To keep your beloved on the path without a precipice And no wisdom to impart Except the wisdom that you’ve acquired I bow to you If the second chair is empty Across the desk from a scornful, judging authority waiting For your child’s father to appear And you straighten your spine where you sit And manage to smile and say, “No one else is coming—I’m it.” Oh, I bow to you If your head aches when the spotlight finally shines on your child because your hands are the only hands there to applaud I bow to you If your heart aches because you’ve given until everything in you is gone And your kid declares, “It’s not enough.” And you feel the crack of your own soul as you whisper, “I know, baby. But it’s all mama’s got.” Oh, how I bow to you If they are your life while you are their nurse, tutor, maid Bread winner and bread baker, Coach, cheerleader and teammate… If you bleed when your child falls down I bow, I bow, I bow If you’re both punisher and hugger And your own tears are drowned out by the running of the bathroom faucet because children can’t know that mamas hurt too Oh, mother of mothers, I bow to you. —Toni Sorenson
Toni Sorenson
...why not let nature show you a few things? Cutting grass and pulling weeds can be a way of life... Lilacs on a bush are better than orchids. And dandelions and devil grass are better! Why? Because they bend you over and turn you away from all the people and the town for a little while and sweat you and get you down where you remember you got a nose again. And when you're all to yourself that way, you're really yourself for a little while; you get to thinking things through, alone. Gardening is the handiest excuse for being a philosopher. Nobody guesses, nobody accuses, nobody knows, but there you are, Plato in the peonies, Socrates force-growing his own hemlock. A man toting a sack of blood manure across his lawn is kin to Atlas letting the world spin easy on his shoulder. As Samuel Spaudling, Esquire, once said, 'Dig in the earth, delve in the soul.' Spin those mower blades, Bill, and walk in the spray of the Fountain of Youth.
Ray Bradbury
Henry unpacked the car and loaded himself up with everything they'd brought, little bags and big ones, a string tote, a knapsack. As he started up the driveway, his girlfriend said, "Do you have the wine, Hank?" Whoever Hank was, he had it.
Melissa Bank (The Girls' Guide to Hunting and Fishing)
There are those who believe, at times too hastily, that Iran is at core a Western-loving nation that can hardly wait for America to save it from its own bloodthirsty leaders. And there are those who are convinced that Iran, by and large, is a nation of Allah-worshipping, gun-toting terrorists. In truth, Iranians themselves live in a far more complex and schizophrenic reality, at a surreal crossroads between political Islam and satellite television, massive national oil revenues and searing social inequalities.
Lila Azam Zanganeh (My Sister, Guard Your Veil; My Brother, Guard Your Eyes: Uncensored Iranian Voices)
Shaw grinned again, wishing mightily that he and she were alone by the fire. “I never claimed to be much of a gentleman. But whether you tote about a parasol or not, you are every inch a lady. Quite possibly the finest I’ve ever met.” “Goodness. If you continue saying such things, I’ll begin to think you’re smitten with me.” “I’d describe it more as being clubbed into submission,” he murmured, aware both that her palm had come to rest just over his heart, and that his men and the Mayfair mob across the fire pit could see it. “But yes, I am rather smitten with you.
Suzanne Enoch (Rules of an Engagement (Adventurers’ Club, #3))
I could see their menfolk patrolling nervously up and down toting sub-machine guns and draped in cartridge belts. They were wearing their trademark sunglasses, those gold rimmed feminine accessories which should look comic on a man but instead manage to look as sinister as the wedding dresses and blonde wigs worn by Liberia's drugged fighters. They are the modern equivalent of the wooden masks donned around night fires by warriors preparing to do battle, which turn their wearers into something utterly alien -- faceless instruments of violence capable of unspeakable acts.
Michela Wrong (In the Footsteps of Mr. Kurtz: Living on the Brink of Disaster in Mobutu's Congo)
I'm going to kill her." "Any particular reason you're plotting her murder?" "She's eating everyone's food, including mine! She ate my cheesecake and my goddamn yogurt!" I gestured wildly, flinging my hands into the air. "Do you know why she's doing this? She thought people were being totes adorbs and naming the food." "Leslie didn't realize the names on food meant it belonged to someone?" "Today, she enjoyed a turkey sandwich named Gary. And a yogurt and piece of motherfucking cheesecake named Georgia. She thought it was like, the cutest thing ever how her coworkers were naming food. She's too dumb to live. Literally.
Max Monroe (Tapping the Billionaire (Billionaire Bad Boys, #1))
However much he might deny it, then and later, it was clear that Hart had wanted to put some distance between the poor, jug-eared, Bible-toting youth he had been in Kansas and the secular, Yale-educated reformer he later became. But that didn’t make him different from a lot of other Americans who grew up in claustrophobic small towns with overbearing parents and later found themselves caught up in the cultural upheaval of the sixties, where personal identities were always evolving. It didn’t make Hart some shadowy, Gatsby-like figure; the salient facts of his upbringing had been well established since he entered public life.
Matt Bai (All the Truth Is Out: The Week Politics Went Tabloid)
Sie sollten uns Achtzehnjährigen Vermittler und Führer zur Welt des Erwachsenseins werden, zur Welt der Arbeit, der Pflicht, der Kultur und des Fortschritts, zur Zukunft. [...] Mit dem Begriff der Autorität, dessen Träger sie waren, verband sich in unseren Gedanken größere Einsicht und menschlicheres Wissen. Doch der erste Tote, den wir sahen, zertrümmerte diese Überzeugung. Wir mußten erkennen, daß unser Alter ehrlicher war als das ihre; sie hatten vor uns nur die Phrase und die Geschicklichkeit voraus. Das erste Trommelfeuer zeigte uns unseren Irrtum, und unter ihm stürzte die Weltanschauung zusammen, die sie uns gelehrt hatten.
Erich Maria Remarque (Im Westen nichts Neues)
In telling these stories of our Nation's past, however, let's not be so zealous in correcting liberal historians that we create our own historical revisionism. If the Founding Fathers were alive today, some of them would not want to go to the typical Evangelical church. Some were influenced by the pagan Enlightenment, as well as the Protestant Reformation. one historical figure (not a Founding Father) who's been misrepresented in our quest to find Christian heroes is Johnny Appleseed. He's routinely pictured as a nice man who went around scattering apple seeds everywhere and toting a Bible under his arm. The fact is, Johnny Appleseed was a missionary for Swedenbogrism, a spiritist cult. This cult taught many false doctrines and claimed that the writings of the Apostle Paul had no place in the Bible. When a child hears that Johnny Appleseed is a 'godly hero' and then discovers that he was in fact a cult member, what will he logically conclude about everything he's been taught?
Gregg Harris (The Christian Home School)
I've thought of myself a girl on several occasions because I like to polish shoes and find household tasks amusing. There was once even a time when I insisted on mending a torn suit with my own hands. And in winter I always light the heating stoves myself, as though this were the natural course of things. But of course I'm not a real girl. Please give me a moment to consider all this would entail. The first thing that comes to mind is the question of whether I might possibly be a girl has never, never, not for a single moment, troubled me, rattled my bourgeois composure or made me unhappy. An absolutely by no means unhappy person stands before you, I'd like to put quite special emphasis on this, for I have never experienced sexual torment or distress, for I was never at a loss for quite simple methods of freeing myself from pressures. A rather curious, that is to say, important discovery for me was that it filled me with the most delightful gaiety to imagine myself someone's servant.... My nature, then, merely inclines me to treat people well, to be helpful and so forth. Not long ago I carried with flabbergasting zeal a shopping bag full of new potatoes for a petit bourgeoise. She's have been perfectly able to tote it herself. Now my situation is this: my particular nature also sometimes seeks, I've discovered, a mother, a teacher, that is, to express myself better, an unapproachable entity, a sort of goddess. At times I find the goddess in an instant, whereas at others it takes time before I'm able to imagine her, that is, find her bright, bountiful figure and sense her power. And to achieve a moment of human happiness, I must always first think up a story containing an encounter between myself and another person, whereby I am always the subordinate, obedient, sacrificing, scrutinized, and chaperoned party. There's more to it, of course, quite a lot, but this still sheds light on a few things. Many conclude it must be terribly easy to carry out a course of treatment, as it were, upon my person, but they're all gravely mistaken. For, the moment anyone seems ready to start lording and lecturing it over me, something within me begins to laugh, to jeer, and then, of course, respect is out of the question, and within the apparently worthless individual arises a superior one whom I never expel when he appears in me....
Robert Walser (The Robber)
Daniel looked down the barrel of the shotgun al set to blow his brains out and grinned. These days, even a gun-toting, trigger-happy female was a delight to behold, and she was perfect. Sunlight streamed in through the kitchen window. She all but shone with it, like an angel or a princess or something. Something a little overdue for a bath and a lot on edge, but something very good just the same. The feeling of sweet relief rushing through him nearly buckled his knees. Tall and curvy, around thirty at a guess, and uninfected, she was by far the best thing he had ever seen in jeans and a t-shirt. Not even the dried blood splattered on the wal behind her could diminish the picture she made. Sadly, his girl did not appear to share his joy
Kylie Scott (Flesh (Flesh, #1))
When I see Peter at the bus the next morning, he’s standing around with all this lacrosse friends, and at first I feel shy and nervous, but then he sees me, and his face breaks into a grin. “C’mere, Covey,” he says, so I go to him and he throws my tote over his shoulder. In my ear he says, “You’re sitting with me, right?” I nod. As we make our way onto the bus, somebody wolf whistles. It seems like people are staring at us, and at first I think it’s just my imagination, but then I see Genevieve look right at me and whisper to Emily Nussbaum. It sends a chill down my spine. “Genevieve keeps staring at me,” I whisper to Peter. “It’s because you’re so adorably quirky,” he says, and he rests his hands on my shoulders and gives me a kiss on the cheek, and I forget all about Genevieve.
Jenny Han (To All the Boys I've Loved Before (To All the Boys I've Loved Before, #1))
An “alternative” to the mainstream frat boys and premed straight and narrow guys, these scholarly, charmless, intellectual brats dominated the more creative departments. As an art history major, I couldn’t escape them. “Dudes” reading Nietzsche on the subway, reading Proust, reading David Foster Wallace, jotting down their brilliant thoughts into a black Moleskine pocket notebook. Beer bellies and skinny legs, zip-up hoodies, navy blue peacoats or army green parkas, New Balance sneakers, knit hats, canvas tote bags, small hands, hairy knuckles, maybe a deer head tattooed across a flabby bicep. They rolled their own cigarettes, didn’t brush their teeth enough, spent a hundred dollars a week on coffee. They would come into Ducat, the gallery I ended up working at, with their younger—usually Asian—girlfriends. “An Asian girlfriend means the guy has a small dick,” Reva once said. I’d hear them talk shit about the art. They lamented the success of others. They thought that they wanted to be adored, to be influential, celebrated for their genius, that they deserved to be worshipped. But they could barely look at themselves in the mirror. They were all on Klonopin, was my guess. They lived mostly in Brooklyn, another reason I was glad to live on the Upper East Side.
Ottessa Moshfegh (My Year of Rest and Relaxation)
Cutting grass and pulling weeds can be a way of life, son." Bill Forrester was smiling quietly at him. "I know," said Grandpa, "I talk too much." "There's no one I'd rather hear." "Lecture continued, then. Lilacs on a bush are better than orchids. And dandelions and devil grass are better! Why? Because they bend you over and turn you away from all the people and the town for a little while and sweat you and get you down where you remember you got a nose again. And when you're all to yourself that way, you're really yourself for a little while; you get to thinking things through, alone. Gardening is the handiest excuse for being a philosopher. Nobody guesses, nobody accuses, nobody knows, but there you are, Plato in the peonies, Socrates force-growing his own hemlock. A man toting a sack of blood manure across his lawn is kin to Atlas letting the world spin easy on his shoulder. As Samuel Spaulding, Esquire, once said, 'Dig in the earth, delve in the soul.' Spin those mower blades, Bill, and walk in the spray of the Fountain of Youth. End of lecture. Besides, a mess of dandelion greens is good eating once in a while.
Ray Bradbury (Dandelion Wine)
That theory will be blown when she’s conferring with the event security, wearing an earpiece and holstering a firearm under her business suit. Or if she perceives a threat and pulls a gun, because she—and no offense, sweetheart—looks awful trigger-happy.” She set her forearms on the table. “You have no idea how true that statement is. But right now the person I’d be gunning for most is you, sweetheart.” Then she smiled. Holy shit. The smile completely transformed her face—but Devin wasn’t sure if it was a good thing or a bad thing because the grin straddled the line between sexy and evil.
Lorelei James (Hillbilly Rockstar (Blacktop Cowboys, #6))
But now 'tis the modern ole Coast Division S.P. and begins at those dead end blocks and at 4:30 the frantic Market Street and Sansome Street commuters as I say come hysterically running for ther 112 to get home on time for the 5:30 televisions Howdy Doody of their gun toting Neal Cassady'd Hopalong childrens. 1.9 miles to 23rd Street, another 1.2 Newcomb, another 1.0 to Paul Avenue and etcetera these being the little piss stops on that 5 miles short run thru 4 tunnels to mighty Bayshore, Bayshore at milepost 5.2 shows you as I say that gigantic valley wall sloping in with sometimes in extinct winter dusks the huge fogs milking furling meerolling in without a sound but as if you could hear the radar hum, the oldfashioned dullmasks mouth of Potato Patch Jack London old scrollwaves crawling in across the gray bleak North Pacific with a wild fleck, a fish, the wall of a cabin, the old arranged wallworks of a sunken ship, the fish swimming in the pelvic bones of old lovers lay tangled ath the bottom of the sea like slugs no longer discernible bone by bone but melted into one squid of time that fog, that terrible and bleak Seattlish fog that potatopatch wise comes bringing messages from Alaska and from the Aleutian mongol, and from the seal, and from the wave, and from the smiling porpoise, that fog at Bayshore you can see waving in and filling in rills and rolling down and making milk on hillsides and you think, "It's hypocricy of men makes these hills grim.
Jack Kerouac (Lonesome Traveler)
Mann kann Kantorek natürlich nicht damit in Zusamenhang bringen; - wo bliebe die Welt sonst, wenn man das schon Schuld nennen wollte. Es gab ja Tausende von Kantoreks, die alle überzeugt waren, auf eine für sie bequeme Weise das Beste zu tun. Darin liegt aber gerade für uns ihr Bankerott. Sie sollten uns Achtzehnjährigen Vermittler und Führer zur Welt des Erwachsenseins werden, zur Welt der Arbeit, der Pflicht, der Kultur und des Fortschritts, zur Zukunft. Wir verspotteten sie manchmal und spielten ihnen kleine Streiche, aber im Grunde glaubten wir ihnen. Mit dem Begriff der Autorität, dessen Träger sie waren, verband sich in unseren Gedanken größere Einsicht und menschlicheres Wissen. Doch der erste Tote, den wir sahen, zertrümmerte diese Überzeugung. Wir mußten erkennen, daß unser Alter ehrlicher war als das ihre; sie hatten vor uns nur die Phrase und die Geschicklichkeit voraus. Das erste Trommelfeuer zeigte uns unseren Irrtum, und unter ihm stürzte die Weltanschauung zusammen, die sie uns gelehrt hatten. Während sie noch schrieben und redeten, sahen wir Lazarette und Sterbende; - während sie den Dienst am Staate als das Größte bezeichneten, wußten wir bereits, daß die Todesangst stärker ist. Wir wurden darum keine Meuterer, keine Deserteure, keine Feiglinge – alle diese Ausdrücke waren ihnen ja so leicht zur Hand -, wir liebten unsere Heimat genau so wie sie, und wir gingen bei jedem Angriff mutig vor; - aber wir unterschieden jetzt, wir hatten mit einem Male sehen gelernt. Und wir sahen, daß nichts von ihrer Welt übrigblieb. Wir waren plötzlich auf furchtbare Weise allein; - und wir mußten allein damit fertig werden.
Erich Maria Remarque
Come on, Gray,” another sailor called. “Just one toast.” Miss Turner raised her eyebrows and leaned into him. “Come on, Mr. Grayson. Just one little toast,” she taunted, in the breathy, seductive voice of a harlot. It was a voice his body knew well, and vital parts of him were quickly forming a response. Siren. “Very well.” He lifted his mug and his voice, all the while staring into her wide, glassy eyes. “To the most beautiful lady in the world, and the only woman in my life.” The little minx caught her breath. Gray relished the tense silence, allowing a broad grin to spread across his face. “To my sister, Isabel.” Her eyes narrowed to slits. The men groaned. “You’re no fun anymore, Gray,” O’Shea grumbled. “No, I’m not. I’ve gone respectable.” He tugged on Miss Turner’s elbow. “And good little governesses need to be in bed.” “Not so fast, if you please.” She jerked away from him and turned to face the assembled crew. “I haven’t made my toast yet. We ladies have our sweethearts too, you know.” Bawdy murmurs chased one another until a ripple of laughter caught them up. Gray stepped back, lifting his own mug to his lips. If the girl was determined to humiliate herself, who was he to stop her? Who was he, indeed? Swaying a little in her boots, she raised her tankard. “To Gervais. My only sweetheart, mon cher petit lapin.” My dear little rabbit? Gray sputtered into his rum. What a fanciful imagination the chit had. “My French painting master,” she continued, slurring her words, “and my tutor in the art of passion.” The men whooped and whistled. Gray plunked his mug on the crate and strode to her side. “All right, Miss Turner. Very amusing. That’s enough joking for one evening.” “Who’s joking?” she asked, lowering her mug to her lips and eyeing him saucily over the rim. “He loved me. Desperately.” “The French do everything desperately,” he muttered, beginning to feel a bit desperate himself. He knew she was spinning naïve schoolgirl tales, but the others didn’t. The mood of the whole group had altered, from one of good-natured merriment to one of lust-tinged anticipation. These were sailors, after all. Lonely, rummed-up, woman-starved, desperate men. And to an innocent girl, they could prove more dangerous than sharks. “He couldn’t have loved you too much, could he?” Gray grabbed her arm again. “He seems to have let you go.” “I suppose he did.” She sniffed, then flashed a coquettish smile at the men. “I suppose that means I need a new sweetheart.” That was it. This little scene was at its end. Gray crouched, grasping his wayward governess around the thighs, and then straightened his legs, tossing her over one shoulder. She let out a shriek, and he felt the dregs of her rum spill down the back of his coat. “Put me down, you brute!” She squirmed and pounded his back with her fists. Gray bound her legs to his chest with one arm and gave her a pat on that well-padded rump with the other. “Well, then,” he announced to the group, forcing a roguish grin, “we’ll be off to bed.” Cheers and coarse laughter followed them as Gray toted his wriggling quarry down the companionway stairs and into the ladies’ cabin. With another light smack to her bum that she probably couldn’t even feel through all those skirts and petticoats, Gray slid her from his shoulder and dropped her on her feet. She wobbled backward, and he caught her arm, reversing her momentum. Now she tripped toward him, flinging her arms around his neck and sagging against his chest. Gray just stood there, arms dangling at his sides. Oh, bloody hell.
Tessa Dare (Surrender of a Siren (The Wanton Dairymaid Trilogy, #2))
It's ironic that Juanita has come into this place in a low-tech, black-and-white avatar. She was the one who figured out a way to make avatars show something close to real emotion. That is a fact Hiro has never forgotten, because she did most of her work when they were together, and whenever an avatar looks surprised or angry or passionate in the Metaverse, he sees an echo of himself or Juanita - - the Adam and Eve of the Metaverse. Makes it hard to forget. Shortly after Juanita and Da5id got divorced, The Black Sun really took off. And once they got done counting their money, marketing the spinoffs, soaking up the adulation of others in the hacker community, they all came to the realization that what made this place a success was not the collision-avoidance algorithms or the bouncer daemons or any of that other stuff. It was Juanita's faces. Just ask the businessmen in the Nipponese Quadrant. They come here to talk turkey with suits from around the world, and they consider it just as good as a face-to-face. They more or less ignore what is being said -- a lot gets lost in translation, after all. They pay attention to the facial expressions and body language of the people they are talking to. And that's how they know what's going on inside a person's head-by condensing fact from the vapor of nuance. Juanita refused to analyze this process, insisted that it was something ineffable, something you couldn't explain with words. A radical, rosary-toting Catholic, she has no problem with that kind of thing. But the bitheads didn't like it. Said it was irrational mysticism. So she quit and took a job with some Nipponese company. They don't have any problem with irrational mysticism as long as it makes money. But Juanita never comes to The Black Sun anymore. Partly, she's pissed at Da5id and the other hackers who never appreciated her work. But she has also decided that the whole thing is bogus. That no matter how good it is, the Metaverse is distorting the way people talk to each other, and she wants no such distortion in her relationships.
Neal Stephenson (Snow Crash)
He was sitting at his desk. He had to get some relief from seeing what he did not want to see. The factory was empty. There was only the night watchman who’d come on duty with his dogs. He was down in the parking lot, patrolling the perimeter of the double-thick chain-link fence, a fence topped off, after the riots, with supplemental scrolls of razor ribbon that were to admonish the boss each and every morning he pulled in and parked his car, “Leave! Leave! Leave!” He was sitting alone in the last factory left in the worst city in the world. And it was worse even than sitting there during the riots, Springfield Avenue in flames, South Orange Avenue in flames, Bergen Street under attack, sirens going off, weapons firing, snipers from rooftops blasting the street lights, looting crowds crazed in the street, kids carrying off radios and lamps and television sets, men toting armfuls of clothing, women pushing baby carriages heavily loaded with cartons of liquor and cases of beer, people pushing pieces of new furniture right down the center of the street, stealing sofas, cribs, kitchen tables, stealing washers and dryers and ovens—stealing not in the shadows but out in the open. Their strength is tremendous, their teamwork is flawless. The shattering of glass windows is thrilling. The not paying for things is intoxicating. The American appetite for ownership is dazzling to behold. This is shoplifting. Everything free that everyone craves, a wonton free-for-all free of charge, everyone uncontrollable with thinking, Here it is! Let it come! In Newark’s burning Mardi Gras streets, a force is released that feels redemptive, something purifying is happening, something spiritual and revolutionary perceptible to all. The surreal vision of household appliances out under the stars and agleam in the glow of the flames incinerating the Central Ward promises the liberation of all mankind. Yes, here it is, let it come, yes, the magnificent opportunity, one of human history’s rare transmogrifying moments: the old ways of suffering are burning blessedly away in the flames, never again to be resurrected, instead to be superseded, within only hours, by suffering that will be so gruesome, so monstrous, so unrelenting and abundant, that its abatement will take the next five hundred years. The fire this time—and next? After the fire? Nothing. Nothing in Newark ever again.
Philip Roth (American Pastoral)