“
Swift does arrive, vibrant, over and over again, dropping lines like, “Did you hear my covert narcissism / I disguise like altruism / like some kind of congressman” in a pop song, and everyone sings along while googling for definitions—it’s a real thing, how Swift increases the lexicon of her fans. She also moves brilliantly within and between the songs on her albums. Her songs talk to one another, reshape themselves, and get recontextualized as Swift reinvents herself. “Hits Different,” the last track on Midnights (The Til Dawn Edition), ends with, “Have they come to take me away?” Meanwhile, The Tortured Poets Department begins with the song “Fortnight” and the line “I was supposed to be sent away / But they forgot to come and get me.” And just like that, Swift transforms the space between Midnights and The Tortured Poets Department from silence to an audible pause, as if continuing a life libretto. There is always a link.
”
”
Kristie Frederick Daugherty (Invisible Strings: 113 Poets Respond to the Songs of Taylor Swift)