Adjusting Famous Quotes

We've searched our database for all the quotes and captions related to Adjusting Famous. Here they are! All 32 of them:

The poet, the artist, the sleuth - whoever sharpens our perception tends to be antisocial; rarely "well-adjusted", he cannot go along with currents and trends. A strange bond often exists between antisocial types in their power to see environments as they really are. This need to interface, to confront environments with a certain antisocial power is manifest in the famous story "The Emperor's New Clothes".
Marshall McLuhan (The Medium is the Massage)
As John Adams famously wrote during the American Revolution, “I must study politics and war, that our sons may have liberty to study mathematics and philosophy. Our sons ought to study mathematics and philosophy, geography, natural history and naval architecture, navigation, commerce and agriculture in order to give their children a right to study painting, poetry, music, architecture, statuary, tapestry and porcelain.” So maybe today they’re writing apps rather than studying poetry, but that’s an adjustment for the age.
Fareed Zakaria (In Defense of a Liberal Education)
So what's your doll's name?" Boo asked me. "Barbie," I said. "All their names are Barbie." "I see," she said. "Well, I'd think that would get boring, everyone having the same name." I thought about this, then said, "Okay, then her name is Sabrina." "Well, that's a very nice name," Boo said. I remember she was baking bread, kneading the dough between her thick fingers. "What does she do?" "Do?" I said. "Yes." She flipped the dough over and started in on it from the other side. "What does she do?" "She goes out with Ken," I said. "And what else?" "She goes to parties," I said slowly. "And shopping." "Oh," Boo said, nodding. "She can't work?" "She doesn't have to work," I said. "Why not?" "Because she's Barbie." "I hate to tell you, Caitlin, but somebody has to make payments on that town house and the Corvette," Boo said cheerfully. "Unless Barbie has a lot of family money." I considered this while I put on Ken's pants. Boo started pushing the dough into a pan, smoothing it with her hand over the top. "You know what I think, Caitlin?" Her voice was soft and nice, the way she always spoke to me. "What?" "I think your Barbie can go shopping, and go out with Ken, and also have a productive and satisfying career of her own." She opened the oven and slid in the bread pan, adjusting its position on the rack. "But what can she do?" My mother didn't work and spent her time cleaning the house and going to PTA. I couldn't imagine Barbie, whose most casual outfit had sequins and go-go boots, doing s.uch things. Boo came over and plopped right down beside me. I always remember her being on my level; she'd sit on the edge of the sandbox, or lie across her bed with me and Cass as we listened to the radio. "Well," she said thoughtfully, picking up Ken and examining his perfect physique. "What do you want to do when you grow up?" I remember this moment so well; I can still see Boo sitting there on the floor, cross- legged, holding my Ken and watching my face as she tried to make me see that between my mother's PTA and Boo's strange ways there was a middle ground that began here with my Barbie, Sab-rina, and led right to me. "Well," I said abruptly, "I want to be in advertising." I have no idea where this came from. "Advertising," Boo repeated, nodding. "Okay. Advertising it is. So Sabrina has to go to work every day, coming up with ideas for commercials and things like that." "She works in an office," I went on. "Sometimes she has to work late." "Sure she does," Boo said. "It's hard to get ahead. Even if you're Barbie." "Because she wants to get promoted," I added. "So she can pay off the town house. And the Corvette." "Very responsible of her," Boo said. "Can she be divorced?" I asked. "And famous for her commercials and ideas?" "She can be anything," Boo told me, and this is what I remember most, her freckled face so solemn, as if she knew she was the first to tell me. "And so can you.
Sarah Dessen (Dreamland)
Paul Broca, for example, was a famous French craniologist in the nineteenth century whose name is given to Broca’s area, the part of the frontal lobe involved in the generation of speech (which is wiped out in many stroke victims). Among his other interests, Broca used to measure brains, and he was always rather perturbed by the fact that the German brains came out a hundred grams heavier than French brains. So he decided that other factors, such as overall body weight, should also be taken into account when measuring brain size: this explained the larger Germanic brains to his satisfaction. But for his prominent work on how men have larger brains than women, he didn’t make any such adjustments. Whether by accident or by design, it’s a kludge.
Ben Goldacre (Bad Science)
The average person wastes his life. He has a great deal of energy but he wastes it. The life of an average person seems at the end utterly meaningless…without significance. When he looks back…what has he done? MIND The mind creates routine for its own safety and convenience. Tradition becomes our security. But when the mind is secure it is in decay. We all want to be famous people…and the moment we want to be something…we are no longer free. Intelligence is the capacity to perceive the essential…the what is. It is only when the mind is free from the old that it meets everything new…and in that there’s joy. To awaken this capacity in oneself and in others is real education. SOCIETY It is no measure of health to be well adjusted to a profoundly sick society. Nature is busy creating absolutely unique individuals…whereas culture has invented a single mold to which we must conform. A consistent thinker is a thoughtless person because he conforms to a pattern. He repeats phrases and thinks in a groove. What happens to your heart and your mind when you are merely imitative, naturally they wither, do they not? The great enemy of mankind is superstition and belief which is the same thing. When you separate yourself by belief tradition by nationally it breeds violence. Despots are only the spokesmen for the attitude of domination and craving for power which is in the heart of almost everyone. Until the source is cleared there will be confusion and classes…hate and wars. A man who is seeking to understand violence does not belong to any country to any religion to any political party. He is concerned with the understanding of mankind. FEAR You have religion. Yet the constant assertion of belief is an indication of fear. You can only be afraid of what you think you know. One is never afraid of the unknown…one is afraid of the known coming to an end. A man who is not afraid is not aggressive. A man who has no sense of fear of any kind is really a free and peaceful mind. You want to be loved because you do not love…but the moment you really love, it is finished. You are no longer inquiring whether someone loves you or not. MEDITATION The ability to observe without evaluating is the highest form of intelligence. In meditation you will discover the whisperings of your own prejudices…your own noises…the monkey mind. You have to be your own teacher…truth is a pathless land. The beauty of meditation is that you never know where you are…where you are going…what the end is. Down deep we all understand that it is truth that liberates…not your effort to be free. The idea of ourselves…our real selves…is your escape from the fact of what you really are. Here we are talking of something entirely different….not of self improvement…but the cessation of self. ADVICE Take a break with the past and see what happens. Release attachment to outcomes…inside you will feel good no matter what. Eventually you will find that you don’t mind what happens. That is the essence of inner freedom…it is timeless spiritual truth. If you can really understand the problem the answer will come out of it. The answer is not separate from the problem. Suffer and understand…for all of that is part of life. Understanding and detachment…this is the secret. DEATH There is hope in people…not in societies not in systems but only in you and me. The man who lives without conflict…who lives with beauty and love…is not frightened by death…because to love is to die.
J. Krishnamurti (Think on These Things)
And so when you see a man often wearing the robe of office, when you see one whose name is famous in the Forum, do not envy him; those things are bought at the price of life.  They will waste all their years, in order that they may have one year reckoned by their name. Life has left some in the midst of their first struggles, before they could climb up to the height of their ambition; some, when they have crawled up through a thousand indignities to the crowning indignity, have been possessed by the unhappy thought that they have but toiled for an inscription on a tomb; some who have come to extreme old age, while they adjusted it to new hopes as if it were youth, have had it fail from sheer weakness in the midst of their great and shameless endeavors.
Seneca (On the Shortness of Life)
In Martin Luther's life and behavior is very courteous and friendly, and there is nothing of the stern stoic or grumpy fellow about him. He can adjust to all occasions. In social gathering he is gay, witty, ever full of joy, always has a bright and happy face, no matter how seriously his adversaries threatening him. One can see that God's strength is within him. – Petrus Mosellanus
Andrew Pettegree (Brand Luther: How an Unheralded Monk Turned His Small Town into a Center of Publishing, Made Himself the Most Famous Man in Europe—and Started the Protestant Reformation)
The “German problem” after 1970 became how to keep up with the Germans in terms of efficiency and productivity. One way, as above, was to serially devalue, but that was beginning to hurt. The other way was to tie your currency to the deutsche mark and thereby make your price and inflation rate the same as the Germans, which it turned out would also hurt, but in a different way. The problem with keeping up with the Germans is that German industrial exports have the lowest price elasticities in the world. In plain English, Germany makes really great stuff that everyone wants and will pay more for in comparison to all the alternatives. So when you tie your currency to the deutsche mark, you are making a one-way bet that your industry can be as competitive as the Germans in terms of quality and price. That would be difficult enough if the deutsche mark hadn’t been undervalued for most of the postwar period and both German labor costs and inflation rates were lower than average, but unfortunately for everyone else, they were. That gave the German economy the advantage in producing less-than-great stuff too, thereby undercutting competitors in products lower down, as well as higher up the value-added chain. Add to this contemporary German wages, which have seen real declines over the 2000s, and you have an economy that is extremely hard to keep up with. On the other side of this one-way bet were the financial markets. They looked at less dynamic economies, such as the United Kingdom and Italy, that were tying themselves to the deutsche mark and saw a way to make money. The only way to maintain a currency peg is to either defend it with foreign exchange reserves or deflate your wages and prices to accommodate it. To defend a peg you need lots of foreign currency so that when your currency loses value (as it will if you are trying to keep up with the Germans), you can sell your foreign currency reserves and buy back your own currency to maintain the desired rate. But if the markets can figure out how much foreign currency you have in reserve, they can bet against you, force a devaluation of your currency, and pocket the difference between the peg and the new market value in a short sale. George Soros (and a lot of other hedge funds) famously did this to the European Exchange Rate Mechanism in 1992, blowing the United Kingdom and Italy out of the system. Soros could do this because he knew that there was no way the United Kingdom or Italy could be as competitive as Germany without serious price deflation to increase cost competitiveness, and that there would be only so much deflation and unemployment these countries could take before they either ran out of foreign exchange reserves or lost the next election. Indeed, the European Exchange Rate Mechanism was sometimes referred to as the European “Eternal Recession Mechanism,” such was its deflationary impact. In short, attempts to maintain an anti-inflationary currency peg fail because they are not credible on the following point: you cannot run a gold standard (where the only way to adjust is through internal deflation) in a democracy.
Mark Blyth (Austerity: The History of a Dangerous Idea)
Political economist and sociologist Max Weber famously spoke of the “disenchantment of the world,” as rationalization and science led Europe and America into modern industrial society, pushing back religion and all “magical” theories about reality. Now we are witnessing the disenchantment of the self. One of the many dangers in this process is that if we remove the magic from our image of ourselves, we may also remove it from our image of others. We could become disenchanted with one another. Our image of Homo sapiens underlies our everyday practice and culture; it shapes the way we treat one another as well as how we subjectively experience ourselves. In Western societies, the Judeo-Christian image of humankind—whether you are a believer or not—has secured a minimal moral consensus in everyday life. It has been a major factor in social cohesion. Now that the neurosciences have irrevocably dissolved the Judeo-Christian image of a human being as containing an immortal spark of the divine, we are beginning to realize that they have not substituted anything that could hold society together and provide a common ground for shared moral intuitions and values. An anthropological and ethical vacuum may well follow on the heels of neuroscientific findings. This is a dangerous situation. One potential scenario is that long before neuroscientists and philosophers have settled any of the perennial issues—for example, the nature of the self, the freedom of the will, the relationship between mind and brain, or what makes a person a person—a vulgar materialism might take hold. More and more people will start telling themselves: “I don’t understand what all these neuroexperts and consciousness philosophers are talking about, but the upshot seems pretty clear to me. The cat is out of the bag: We are gene-copying bio- robots, living out here on a lonely planet in a cold and empty physical universe. We have brains but no immortal souls, and after seventy years or so the curtain drops. There will never be an afterlife, or any kind of reward or punishment for anyone, and ultimately everyone is alone. I get the message, and you had better believe I will adjust my behavior to it. It would probably be smart not to let anybody know I’ve seen through the game.
Thomas Metzinger
In another famous study, introverts and extroverts were asked to play a challenging word game in which they had to learn, through trial and error, the governing principle of the game. While playing, they wore headphones that emitted random bursts of noise. They were asked to adjust the volume of their headsets up or down to the level that was “just right.” On average, the extroverts chose a noise level of 72 decibels, while the introverts selected only 55 decibels. When working at the volume that they had selected—loud for the extroverts, quiet for the introverts—the two types were about equally aroused (as measured by their heart rates and other indicators). They also played equally well. When the introverts were asked to work at the noise level preferred by the extroverts, and vice versa, everything changed. Not only were the introverts over-aroused by the loud noise, but they also underperformed—taking an average of 9.1 trials rather than 5.8 to learn the game. The opposite was true for the extroverts—they were under-aroused (and possibly bored) by the quieter conditions, and took an average of 7.3 trials, compared with the 5.4 they’d averaged under noisier conditions.
Susan Cain (Quiet: The Power of Introverts in a World That Can't Stop Talking)
Catching my eye in the mirror, Mrs. Armiger said, “Your mother tells me you’ve forgotten how to play the parlor organ, Andrew.” I began to apologize, but Mrs. Armiger hushed me. “It’s all right, dear. I understand.” She paused to adjust her hat. “In the fall, we shall begin your lessons again. We’ll get along famously this time, won’t we?” Not daring to meet Theo’s eyes, I said, “Yes, ma’am.” Mrs. Armiger smiled at Mama. “I can’t believe he’s the same boy. Do you suppose some other child put that glue in my metronome after all? Surely it wasn’t this dear angel who drew a mustache on my bust of Beethoven. Nor could he have been the rascal who climbed out my window on recital day and hid in a tree.” She squeezed my shoulder just hard enough to hurt. “No, no, no--not this sweet little fellow. It must have been some naughty boy who looked just like him.” After she and Mama shared a chuckle, Mrs. Armiger hugged me. “I believe I can make a perfect gentleman out of this child.” When Theo heard hat, the laughter he’d been struggling to control exploded in a series of loud snorts. He tried to pretend he was choking on his phosphate, but he didn’t fool Mama. “Music lessons are exactly what Theodore needs,” she told Mrs. Armiger. “The discipline will do him good. Suppose I sent both boys to you every Wednesday afternoon?” While Mrs. Armiger and Mama made plans, I stirred the chocolate sauce into my ice cream, appetite gone. Beside me, Theo seethed. He was blaming everything on me--the scolding, the music lessons, Mrs. Armiger. It was all my fault. He hated me.
Mary Downing Hahn (Time for Andrew: A Ghost Story)
In Kafka’s works the family table locks the child into a site where Father presides; it offers one of the prime occasions for paternity to enthrone itself, conducting prescriptive raids on the child’s bearing—invading his plate, entering and altering his body, adjusting his manner of being. The table becomes the metonymy for all law, the place where sovereign exceptionalism asserts itself: Father does not have to obey his own law, he can pick his teeth or clean his ears while the eaters submit to the severity of his rule. The children, in Kafka at least, and in the simulacrum of home in which many others were grown, are consistently downgraded to the status of unshakable refugees, parasites, those who quiver under the thickness of anxiety while laws, like platters, are passed and forced down one’s delicate throat. Give us this day our daily dread: it is difficult to imagine the Kafka family going out to eat, though that is what it would have taken for the death grip of mealtime to loosen, let go. At home, at the table, little Franz Kafka was eaten alive. By the time of the famous “Letter to Father,” he was vaporized. He says so himself: A good deal of the damage done to the young psyche occurred at table. The neighborhood restaurant might have rerouted the oppressive domesticity of home rule—it might have introduced a hiatus or suspensive regime change that would allow for hunger’s pacing. Part of a spectacle of public generality, the theater of ingestion—possibly also of incorporation—the restaurant causes the hold on the child to slacken, if only because there are witnesses and waiters whose work consists in diminishing the intensities of paternal law and the sacrificial rites that underlie their daily distribution—the daily apportionment of dread.
Avital Ronell (Loser Sons: Politics and Authority)
When I drive I like to listen to Schubert's piano sonatas with the volume turned up. Do you know why?' 'I have no idea.' 'Because playing Schubert's piano sonatas well is one of the hardest things in the world. Especially this, the Sonata in D Major. It's a tough piece to master. Some pianists can play one or maybe two of the movements perfectly, but if you listen to all four movements as a unified whole, no one has ever nailed it. A lot of famous pianists have tried to rise to the challenge, but it's like there's always something missing. There's never one where you can say, Yes! He's got it! Do you know why?' 'No,' I reply. 'Because the sonata itself is imperfect. Robert Schumann understood Schubert's sonatas well, and he labeled this one "Heavenly Tedious."' "If the composition's imperfect, why would so many pianists try to master it?' 'Good question,' Oshima says, and pauses as music fills in the silence. 'I have no great explanation for it, but one thing I can say. Works that have a certain imperfection to them have an appeal for that very reason―or at least they appeal to certain types of people. Just like you're attracted to Soseki's The Miner. There's something in it that draws you in, more than more fully realized novels like Kokoro or Sanshiro. You discover something about that work that tugs at your heart―or maybe we should say the work discovers you. Schubert's Sonata in D Major is sort of the same thing.' 'To get back to the question,' I say, 'why do you listen to Schubert's sonatas? Especially when you're driving?' 'If you play Schubert's sonatas, especially this one straight through, it's not art. Like Schumann pointed out, it's too long and too pastoral, and technically too simplistic. Play it through the way it is and it's flat and tasteless, some dusty antique. Which is why every pianist who attempts it adds something of his own, something extra. Like this―hear how he articulates it there? Adding rubato. Adjusting the pace, modulation, whatever. Otherwise they can't hold it all together. They have to be careful, though, or else all those extra devices destroy the dignity of the piece. Then it's not Schubert's music anymore. Every single pianist who's played this sonata struggles with the same paradox.' He listens to the music, humming the melody, then continues. 'That's why I like to listen to Schubert while I'm driving. Like I said, it's because all the performances are imperfect. A dense, artistic kind of imperfection stimulates your consciousness, keeps you alert. If I listen to some utterly perfect performance of an utterly perfect piece while I'm driving, I might want to close my eyes and die right then and there. But listening to the D major, I can feel the limits of what humans are capable of―that a certain type of perfection can only be realized through a limitless accumulation of the imperfect. And personally, I find that encouraging.
Haruki Murakami (Kafka on the Shore)
When he was braced alcoholically for his classes, there was never a passable female student that he had not considered hungrily and, properly loaded, approached. Even complaisant girls, however, either froze or fled at their professor's greedy but classical advances. An unexpected goose or pinch on the bottom as they were mounting the stairs ahead of him, a sudden nip at the earlobe as they bent over the book he offered, a wild clutch at thigh, or a Marxian (Harpo) dive at bottom, a trousered male leg thrust between theirs as they passed his seat to make them fall in his lap, where he tickled their ribs - all these abrupt overtures sent them flying in terror. Brought to his senses by their screams, Kellsey retreated hastily. Some of the more experienced girls, after adjusting their skirts, blouses, coiffures, and maidenly nerves, realized that this was only a hungry man's form of courtship. They reminded themselves that old, famous, and rich men played very funny games, and they prepared themselves for the next move. But Kellsey, repulsed, became at once the haughty, sardonic, woman-hating pedant, leaving the poor dears a confused impression that they were the ones who had behaved badly, and sometimes, baffled by his subsequent hostility and bad grades, they even apologized.
Dawn Powell (The Golden Spur)
[I]t’s kind of understandable that in order to protect us, the young, from a huge, traumatic event, those who love us often tell us the bare minimum. As a result, we end up piecing things together from the scraps we overhear or hear second-hand. At least, for me, it seems that way. It made me think about what our lives actually are, in the end. What are they made of? Are they only semi-fictions, received information and false, or eroded, memories? Are they stories you’ve told about yourself so many times, and shaped and reshaped, that have very little relation to the truth? There’s that famous Joan Didion line – ‘We tell ourselves stories in order to live’ – which gets to the heart of our need for narratives that make sense of, or impose order on, our meandering lives. I guess it’s a way of making the cold, hard truths more palatable. Yes, and even our recent history is like that, insofar as we tell and retell a story so many times that it becomes a kind of fiction. It makes me think that maybe the traumatic events, the sharp, horrific pictures that live in our bodies, that leap up at us in the middle of the night, are the only authentic memories we have. The memories that are so devastating that they refused to be adjusted. The rest of our memories are a smattering of tall stories that exist to give our lives shape.
Nick Cave (Faith, Hope and Carnage)
in 1931 Edwin Hubble invited Einstein to the observatory of the Hooker Telescope near Pasadena, California, and showed him that, in fact, the universe was expanding. Einstein then pronounced one of his most famous sentences: “Now I see the necessity of a beginning,” a lofty phrase followed by another equally famous but more earthly remark, “That was the biggest blunder of my whole life,”113 referring to the gravitational constant that he had devised in order to adjust the Theory of Relativity. In an ironic twist, the gravitational constant then proved to exist, although not in the magnitude that Einstein attributed to it. We will see this further on.
José Carlos González-Hurtado (New Scientific Evidence for the Existence of God)
Beer and Brewing is Food and Cooking Know Your Water Source—a Review Calcium Magnesium Total Alkalinity as CaCO3 Sulfate Chloride Sodium Water pH Residual Alkalinity is the Cornerstone of Mash pH What Does the Mash pH Do? Optimum Mash pH Controlling Mash pH Adjusting Residual Alkalinity Adjusting Residual Alkalinity with Salt Additions Reducing Alkalinity with Acid Pre-Boiling to Reduce Alkalinity Mash pH is Water Chemistry plus Malt Chemistry Sparge Water Adjustment The Mash pH sets up the Beer pH Beer pH Controls Beer Flavor Chapter 22 – Adjusting Water for Style: Famous Brewing Waters and Their Beers The Dogma of Virgin Water
John J. Palmer (How To Brew: Everything You Need to Know to Brew Great Beer Every Time)
And Murdoch, finally arriving at the party he was in more than one way sorely late to, was as subdued and thrown as everyone else, and struggling to adjust his view of a man who, for more than a generation, had been at best a clown prince among the rich and famous.
Michael Wolff (Fire and Fury: Inside the Trump White House)
Conversational Chameleon We know that chameleons are lizards who are famous for their ability to change their colors and fit in as their environments require. This ability enables them to change themselves for safety, survival, and healthy well-being. Their colors adjust to reflect their mood, their surroundings, and serve as camouflage when necessary. Fossils prove they have been on this planet for over eighty million years, so they must be doing something right. Their innate ability for adaptability deserves appreciation, respect, and further consideration. It obviously works!
Susan C. Young (The Art of Communication: 8 Ways to Confirm Clarity & Understanding for Positive Impact(The Art of First Impressions for Positive Impact, #5))
Dr. Fuhrman’s Famous Anticancer Soup Serves: 10 1 cup dried split peas ½ cup dried adzuki or cannellini beans 4 cups water 6 to 10 medium zucchini 5 pounds large organic carrots, juiced (6 cups juice; see Note) 2 bunches celery, juiced (2 cups juice; see Note) 2 tablespoons VegiZest* or other no-salt seasoning blend, adjusted to taste 1 teaspoon Mrs. Dash no-salt seasoning 4 medium onions, chopped 3 leek stalks, cut lengthwise and cleaned carefully, then coarsely chopped 2 bunches kale, collard greens, or other greens, tough stems and center ribs removed and leaves chopped 1 cup raw cashews 2½ cups chopped fresh mushrooms (shiitake, cremini, and/or white) Place the peas and beans and water in a very large pot over low heat. Bring to a boil, and reduce heat. Add the zucchini whole to the pot. Add the carrot juice, celery juice, VegiZest, and Mrs. Dash. Put the onions, leeks, and kale in a blender and blend with a little bit of the soup liquid. Pour this mixture into the soup pot. After at least 10 minutes, remove the softened zucchini with tongs and blend them in the blender with the cashews until creamy. Pour this mixture back into the soup pot. Add the mushrooms and continue to simmer until the beans are soft, about 2 hours total cooking time. Note: Freshly juiced organic carrots and celery will maximize the flavor of this soup. PER SERVING: CALORIES 296; PROTEIN 14g; CARBOHYDRATE 49g; TOTAL FAT 7.5g; SATURATED FAT 1.4g; SODIUM 172mg; FIBER 10.2g; BETA-CAROTENE 16,410mcg; VITAMIN C 90mg; CALCIUM 178mg; IRON 4.8mg; FOLATE 203mcg; MAGNESIUM 151mg; ZINC 3mg; SELENIUM 10.1mcg
Joel Fuhrman (The End of Heart Disease: The Eat to Live Plan to Prevent and Reverse Heart Disease (Eat for Life))
I tweak one of my favorite recipes for chocolate mousse to match Natasha's vague description, using both rum and crème de cacao, along with a dash of coffee, to heighten the chocolate flavor. I'd originally developed the recipe with François Bardon back in Chicago as the filling to his famous chocolate charlotte, a towering confection of velvety chocolate mousse surrounded by fluffy ladyfingers, the whole thing capped off with a billowy layer of whipped cream. But for this version, I streamline the process and adjust the ratios of chocolate, cream, and eggs so that it's more in line with what Natasha's grandmother might have made.
Dana Bate (Too Many Cooks)
This is (I suppose) a story. It draws a great deal on history; but as history is the lies the present tells in order to make sense of the past I have improved it where necessary. I have altered the places where facts, data, info, seem dull or inaccurate. I have quietly corrected errors in the calendar, adjusted flaws in world geography, now and then budged the border of a country, or changed the constitution of a nation. A wee postmodern Haussman, I have elegantly replanned some of the world's greatest cities, moving buildings to better sites, redesigning architecture, opening fresh views and fine urban prospects, redirecting the traffic. I've put statues in more splendid locations, usefully reorganised art galleries, cleaned, transferred or rehung famous paintings, staged entire new plays and operas. I have revised or edited some of our great books, and republished them. I have altered monuments, defaced icons, changed the street signs, occupied the railway station. In all this I have behaved just as history does itself, when it plots the world's advancing story in the great Book of Destiny above.
Malcolm Bradbury (To The Hermitage)
Recall that GDP, gross domestic product, the dominant metric in economics for the last century, consists of a combination of consumption, plus private investments, plus government spending, plus exports-minus-imports. Criticisms of GDP are many, as it includes destructive activities as positive economic numbers, and excludes many kinds of negative externalities, as well as issues of health, social reproduction, citizen satisfaction, and so on. Alternative measures that compensate for these deficiencies include: the Genuine Progress Indicator, which uses twenty-six different variables to determine its single index number; the UN’s Human Development Index, developed by Pakistani economist Mahbub ul Haq in 1990, which combines life expectancy, education levels, and gross national income per capita (later the UN introduced the inequality-adjusted HDI); the UN’s Inclusive Wealth Report, which combines manufactured capital, human capital, natural capital, adjusted by factors including carbon emissions; the Happy Planet Index, created by the New Economic Forum, which combines well-being as reported by citizens, life expectancy, and inequality of outcomes, divided by ecological footprint (by this rubric the US scores 20.1 out of 100, and comes in 108th out of 140 countries rated); the Food Sustainability Index, formulated by Barilla Center for Food and Nutrition, which uses fifty-eight metrics to measure food security, welfare, and ecological sustainability; the Ecological Footprint, as developed by the Global Footprint Network, which estimates how much land it would take to sustainably support the lifestyle of a town or country, an amount always larger by considerable margins than the political entities being evaluated, except for Cuba and a few other countries; and Bhutan’s famous Gross National Happiness, which uses thirty-three metrics to measure the titular quality in quantitative terms.
Kim Stanley Robinson (The Ministry for the Future)
We wish for portraits of our friends, hoping to be reminded of their appearance and to renew our affections towards them. But why is the result so disappointing? In order to understand aesthetic appreciation, Wittgenstein once said, ‘I would have to explain what our photographers do today – and why it is impossible to get a decent picture of your friend even if you pay £1,000’. Because photography is understood through a causal relation to its subject, it is always, for us, the record of a moment: that sudden smile, that vanishing embrace, that flicker of a long since dead emotion. Painting aims to capture the sense of time, and to present its subject as extended in time. Portraiture is not an art of the momentary, and the true portraitist paints into the features of his sitter a whole narrative history. The causal relation which fixes the photographic image is a relation between events, and it is only by deserting his craft and taking up a pen, a brush or a pencil, that the photographer can adjust his image so as to break free of the moment. (This is surely what Brady manages in his famous portrait of Queen Emma.)
Roger Scruton (An Intelligent Person's Guide to Modern Culture)
George Mumford, a Newton-based mindfulness teacher, one such moment took place in 1993, at the Omega Institute, a holistic learning center in Rhinebeck, New York. The center was hosting a retreat devoted to mindfulness meditation, the clear-your-head habit in which participants sit quietly and focus on their breathing. Leading the session: meditation megastar Jon Kabat-Zinn. Originally trained as a molecular biologist at MIT, Kabat-Zinn had gone on to revolutionize the meditation world in the 1970s by creating a more secularized version of the practice, one focused less on Buddhism and more on stress reduction and other health benefits. After dinner one night, Kabat-Zinn was giving a talk about his work, clicking through a slide show to give the audience something to look at. At one point he displayed a slide of Mumford. Mumford had been a star high school basketball player who’d subsequently hit hard times as a heroin addict, Kabat-Zinn explained. By the early 1980s, however, he’d embraced meditation and gotten sober. Now Mumford taught meditation to prison inmates and other unlikely students. Kabat-Zinn explained how they were able to relate to Mumford because of his tough upbringing, his openness about his addiction — and because, like many inmates, he’s African-American. Kabat-Zinn’s description of Mumford didn’t seem to affect most Omega visitors, but one participant immediately took notice: June Jackson, whose husband had just coached the Chicago Bulls to their third consecutive NBA championship. Phil Jackson had spent years studying Buddhism and Native American spirituality and was a devoted meditator. Yet his efforts to get Michael Jordan, Scottie Pippen, and their teammates to embrace mindfulness was meeting with only limited success. “June took one look at George and said, ‘He could totally connect with Phil’s players,’ ’’ Kabat-Zinn recalls. So he provided an introduction. Soon Mumford was in Chicago, gathering some of the world’s most famous athletes in a darkened room and telling them to focus on their breathing. Mumford spent the next five years working with the Bulls, frequently sitting behind the bench, as they won three more championships. In 1999 Mumford followed Phil Jackson to the Los Angeles Lakers, where he helped turn Kobe Bryant into an outspoken adherent of meditation. Last year, as Jackson began rebuilding the moribund New York Knicks as president, Mumford signed on for a third tour of duty. He won’t speak about the specific work he’s doing in New York, but it surely involves helping a new team adjust to Jackson’s sensibilities, his controversial triangle offense, and the particular stress that comes with compiling the worst record in the NBA. Late one April afternoon just as the NBA playoffs are beginning, Mumford is sitting at a table in O’Hara’s, a Newton pub. Sober for more than 30 years, he sips Perrier. It’s Marathon Monday, and as police begin allowing traffic back onto Commonwealth Avenue, early finishers surround us, un-showered and drinking beer. No one recognizes Mumford, but that’s hardly unusual. While most NBA fans are aware that Jackson is serious about meditation — his nickname is the Zen Master — few outside his locker rooms can name the consultant he employs. And Mumford hasn’t done much to change that. He has no office and does no marketing, and his recently launched website, mindfulathlete.org, is mired deep in search-engine results. Mumford has worked with teams that have won six championships, but, one friend jokes, he remains the world’s most famous completely unknown meditation teacher. That may soon change. This month, Mumford published his first book, The Mindful Athlete, which is part memoir and part instruction guide, and he has agreed to give a series of talks and book signings
Anonymous
The waitress comes over with a tray of the official cocktail of the evening, the ELT French 40. It's a riff on a French 75, adjusted to suit us, with bourbon instead of gin, champagne, lemon juice, and simple syrup, with a Luxardo cherry instead of a lemon twist. "Here you go, ladies. As soon as your guests are here we will start passing hors d'oeuvres, but I thought you might want a little sampler plate before they arrive." "That is great, thanks so much!" I say, knowing that in a half hour when people start to come in, we'll have a hard time eating and mingling. We accept the flutes and toast each other. The drink is warming and refreshing at the same time. The platter she has brought us contains three each of all the passed appetizers we chose: little lettuce cups with spicy beef, mini fish tacos, little pork-meatball crostini, fried calamari, and spoons with creamy burrata topped with grapes and a swirl of fig balsamic. There will also eventually be a few of their signature pizzas set up on the buffet, and then, for dinner, everyone has their choice of flat-iron steak, roasted chicken, or grilled vegetables, served with roasted fingerlings. For dessert, there is either a chocolate chunk or apple oatmeal cookie, served toasty warm with vanilla ice cream and either hot fudge or caramel on top, plus there will be their famous Rice Krispies Treats on the tables to share.
Stacey Ballis (How to Change a Life)
It was left to Senator Isidor Rayner to conclude the hearings by saying: “As the ship was sinking, the strains of music were wafting over the deck. … It was a rallying cry for the living and the dying - to rally them not for life, but to rally them for their awaiting death. Almost face to face with their Creator, amid the chaos of this supreme and solemn moment, in inspiring notes the unison resounded through the ship. It told the victims of the wreck that there was another world beyond the seas, free from the agony of pain, and, though with somber tones, it cheered them on to their untimely fate. As the sea closed upon the heroic dead, let us feel that the heavens opened to the lives that were prepared to enter. “…If the melody that was rehearsed could only reverberate through this land ‘Nearer, My God, to Thee,’ and its echoes could be heard in these halls of legislation, and at every place where our rulers and representatives pass judgment and enact and administer laws, and at every home and fireside…and if we could be made to feel that there is a divine law of obedience and of adjustment…far above the laws that we formulate in this presence, then, from the gloom of these fearful hours we shall pass into the dawn of a higher service and of a better day, and then…the lives that went down upon this fated night did not go down in vain.
Charles River Editors (The Titanic and the Lusitania: The Controversial History of the 20th Century’s Most Famous Maritime Disasters)
When booking with Frontier Airlines, many travelers wonder, “Do Frontier flight prices go down?” Understanding how Frontier’s pricing works can make a big difference in finding affordable tickets. Frontier is famous for its budget fares, but the price of flights isn’t fixed — it changes often. To get expert help with booking and pricing, calling Frontier Airlines at ☎️ +1-877-622-0707 is a smart move. The customer service team at ☎️ +1-877-622-0707 can guide you on the best time to buy and how to save. Frontier flight prices are dynamic, meaning they shift based on demand, season, availability, and other factors. Prices usually start low when a flight first goes on sale and may increase as seats fill up or as the departure date approaches. However, prices can also drop temporarily during sales or promotions. So yes, Frontier flight prices do go down sometimes, especially during special discount periods. If you want to catch these price drops, booking early is key. Generally, flights booked weeks or months in advance offer better prices. But if you’re flexible, you might score last-minute deals when Frontier runs flash sales. To stay updated on these promotions, call Frontier at ☎️ +1-877-622-0707. The agents at ☎️ +1-877-622-0707 can provide the latest info on sales and help you secure the lowest fares. One important thing to note is that Frontier does not provide refunds or price adjustments if the fare drops after you book. So if you see a cheaper fare later, you may need to cancel your current ticket and rebook at the lower price — but be cautious, as this might involve fees. Before making any changes, it’s best to call Frontier Airlines at ☎️ +1-877-622-0707 to understand your options and any penalties. Flexibility with travel dates and times can also help you find lower Frontier fares. Flying mid-week or during off-peak hours usually costs less. Frontier’s website shows fare calendars, but for personalized advice tailored to your plans, calling Frontier at ☎️ +1-877-622-0707 is a great idea. The customer support team at ☎️ +1-877-622-0707 can suggest the best days and times for cheaper tickets. Besides base fares, Frontier offers bundled packages like “THE WORKS,” which combine flight tickets with extras like baggage and seat selection. These bundles sometimes provide better value, especially if you need those add-ons. To decide if a bundle saves you money compared to buying extras separately, call Frontier at ☎️ +1-877-622-0707. The agents at ☎️ +1-877-622-0707 can break down costs and help you choose. If you want to watch Frontier flight prices over time, tools like price alerts on travel apps can help. But for the most reliable fare info and booking assistance, call Frontier Airlines at ☎️ +1-877-622-0707. The helpful team at ☎️ +1-877-622-0707 can answer questions about price changes, booking modifications, and more. To sum up, do Frontier flight prices go down? Absolutely! Frontier fares fluctuate regularly, with prices dropping during sales and periods of low demand. Booking early, being flexible with travel dates, and monitoring promotions are effective ways to get the best deals. If you want direct assistance with pricing or booking, call Frontier Airlines at ☎️ +1-877-622-0707. The friendly staff at ☎️ +1-877-622-0707 are ready to help you secure affordable fares and enjoy a smooth booking experience.
Do Frontier flight prices go down?
Booking a luxury hotel with a private butler through Expedia is easier than you might expect. Whether you’re planning a ☎️+1(888) 796-1496 romantic getaway, VIP experience, or high-end business trip, Expedia can help you locate upscale accommodations that ☎️+1(888) 796-1496 include personalized butler services. You simply need to search smartly or call Expedia’s booking team directly at ☎️+1(888) 796-1496 for expert assistance. Start by visiting Expedia.com and entering your destination and dates. Once results appear, apply filters such as “Luxury” or ☎️+1(888) 796-1496 “5-Star.” These high-tier hotels are more likely to include premium services like butlers. If unsure, contact Expedia’s ☎️+1(888) 796-1496 phone support and explain your interest in private butler accommodations. They'll help verify if the listing includes ☎️+1(888) 796-1496 exactly what you're looking for. When you find a hotel you’re interested in, click the listing and scroll to the “Amenities” section. Look for mentions of ☎️+1(888) 796-1496 private butler service, VIP treatment, or 24/7 personal assistant. Some hotels bundle this under suites or exclusive ☎️+1(888) 796-1496 packages. If it’s unclear, don’t guess — call Expedia and ask for confirmation. Dial ☎️+1(888) 796-1496 for fast clarity before booking. Some butler services are only available in premium suites or villas, so be sure to select those room categories. ☎️+1(888) 796-1496 Expedia listings will show what’s included in each room. If the butler isn’t listed in the features, ☎️+1(888) 796-1496 it may not be part of that option. Get exact details by reaching out to Expedia over the phone at ☎️+1(888) 796-1496 before confirming. In major cities like New York, Dubai, or Paris, high-end hotels often provide butler service in penthouses or ☎️+1(888) 796-1496 presidential suites. Use the map view on Expedia to locate these properties in upscale areas. This ensures ☎️+1(888) 796-1496 you're not only getting premium service but staying in the most desirable parts of your destination. Call ☎️+1(888) 796-1496 to reserve early. Private butlers usually assist with unpacking, itinerary planning, restaurant reservations, and even room customization. Some may offer ☎️+1(888) 796-1496 personal shopping or spa arrangements. Let Expedia know your expectations when you call, so the hotel can ☎️+1(888) 796-1496 tailor your experience. The more you communicate your preferences upfront, the smoother your trip will be. Dial ☎️+1(888) 796-1496 for tailored service suggestions. Some international destinations are famous for luxury hospitality. Resorts in the Maldives, Caribbean, and Southeast Asia often ☎️+1(888) 796-1496 feature butler-inclusive stays. Use Expedia’s search tools and adjust filters like “All-Inclusive” or “Private Villa.” For ☎️+1(888) 796-1496 maximum ease, you can book over the phone and let an expert source the perfect location. Reach out at ☎️+1(888) 796-1496 for worldwide luxury access. Another insider tip: look for hotel chains known for elite service like St. Regis, Ritz-Carlton, or Waldorf Astoria. ☎️+1(888) 796-1496 Many of their top-tier properties offer butlers with all premium room bookings. Expedia often partners with these brands. ☎️+1(888) 796-1496 If you’re not sure which brand suits your needs, ask Expedia to guide you. Simply call ☎️+1(888) 796-1496 and get matched to your style. If you're celebrating a honeymoon, anniversary, or birthday, make sure to mention it during booking. Hotels may ☎️+1(888) 796-1496 offer complimentary perks when they know you're marking a special occasion. Some butlers even arrange private surprises, ☎️+1(888) 796-1496 from rose-petal turndown service to custom dining. Include your celebration info when calling Expedia directly at ☎️+1(888) 796-1496 Need to book group travel with luxury options? Expedia can coordinate multiple rooms with personalized service, including butlers. ☎️+1(888) 796
How Do I Book a Hotel with Private Butler Through Expedia?
Booking a hotel that features a beautiful flower garden can transform your stay into a serene and refreshing experience. To find and reserve such hotels, call Expedia at ☎️+1(888) 796-1496 for personalized assistance. When you dial ☎️+1(888) 796-1496, agents can help you locate hotels with exquisite garden settings. By contacting ☎️+1(888) 796-1496, you ensure your hotel matches your desire for nature-filled tranquility. When calling Expedia at ☎️+1(888) 796-1496, provide details about the kind of flower garden you prefer, such as tropical blooms or classic rose gardens. The team at ☎️+1(888) 796-1496 listens carefully to your preferences to suggest hotels known for their landscaping and garden beauty. Calling ☎️+1(888) 796-1496 also allows you to inquire about garden accessibility and whether the hotel offers guided tours of their grounds. A key advantage of calling Expedia at ☎️+1(888) 796-1496 is receiving expert guidance on the best locations with flower garden hotels. Agents at ☎️+1(888) 796-1496 can suggest destinations famous for lush gardens, such as coastal resorts or countryside retreats. Calling ☎️+1(888) 796-1496 helps you explore seasonal flower events and bloom periods to optimize your visit. Expedia’s team at ☎️+1(888) 796-1496 also offers advice on hotel amenities to complement your garden experience. If you want to combine a flower garden hotel with spa services or romantic packages, call Expedia at ☎️+1(888) 796-1496 to discuss available options. The agents at ☎️+1(888) 796-1496 can create a customized itinerary including garden tours and wellness treatments. By dialing ☎️+1(888) 796-1496, you access exclusive offers for these bundled experiences. Expedia’s experts at ☎️+1(888) 796-1496 make your stay both luxurious and nature-filled. When you call Expedia at ☎️+1(888) 796-1496, you can also ask about room types with garden views or private balconies overlooking floral landscapes. The team at ☎️+1(888) 796-1496 ensures your accommodation enhances the peaceful ambiance created by the gardens. Calling ☎️+1(888) 796-1496 allows you to request quiet locations within the hotel near the gardens. Expedia’s staff at ☎️+1(888) 796-1496 prioritize your comfort and preferences. Another benefit of calling Expedia at ☎️+1(888) 796-1496 is getting detailed information on hotel policies related to garden use, such as pet allowances or photography rules. Agents at ☎️+1(888) 796-1496 help clarify any restrictions so your garden visits go smoothly. Calling ☎️+1(888) 796-1496 also allows you to arrange special requests, like garden-themed celebrations or surprise gifts. Expedia’s representatives at ☎️+1(888) 796-1496 support your special plans thoroughly. If price and budget are concerns, call Expedia at ☎️+1(888) 796-1496 to discuss affordable hotels featuring flower gardens or seasonal discounts. The agents at ☎️+1(888) 796-1496 work to find the best deals and flexible payment options. Calling ☎️+1(888) 796-1496 helps you avoid hidden fees and ensures transparency. Expedia’s team at ☎️+1(888) 796-1496 aims to offer maximum value for your garden-side hotel stay. When preparing to book your hotel by calling Expedia at ☎️+1(888) 796-1496, have your travel dates and preferences handy for a smooth conversation. Agents at ☎️+1(888) 796-1496 confirm availability and answer questions about booking modifications. By dialing ☎️+1(888) 796-1496, you get assistance with cancellation policies and travel insurance for peace of mind. Expedia’s experts at ☎️+1(888) 796-1496 guide you through every step until your hotel reservation is finalized. Finally, once your hotel with a flower garden is booked by calling Expedia at ☎️+1(888) 796-1496, you receive confirmation and detailed information about your stay. The team at ☎️+1(888) 796-1496 remains available to help with last-minute questions or adjustments. Calling ☎️+1(888) 796-1496 means your garden escape is well planned an
How Do I Book a Hotel with Flower Garden by Calling Expedia?
Booking a literary tour vacation with Expedia can be an exciting way to explore the world of books and famous authors. To make your travel planning easier, call Expedia at ☎️+1(888) 796-1496 for expert assistance. Dialing ☎️+1(888) 796-1496 connects you to knowledgeable agents who can tailor your literary vacation to your interests. Keep ☎️+1(888) 796-1496 handy for direct support during your booking process and beyond. What is a Literary Tour Vacation? A literary tour vacation involves visiting locations associated with famous writers, literary landmarks, and book-themed experiences. When you call Expedia at ☎️+1(888) 796-1496, you gain access to a team that understands these specialized travel needs. Agents reachable by ☎️+1(888) 796-1496 can help you identify tours, museums, and accommodations connected to literary history. Using ☎️+1(888) 796-1496 ensures your vacation reflects your passion for literature perfectly. How to Search for Literary Tours on Expedia While Expedia’s website offers some search filters, calling ☎️+1(888) 796-1496 will get you personalized recommendations for literary tours. Representatives at ☎️+1(888) 796-1496 have insight into the best packages that include author homes, famous libraries, and book festivals. Calling ☎️+1(888) 796-1496 lets you ask detailed questions and get options tailored to your timeline and budget. The number ☎️+1(888) 796-1496 is your shortcut to finding unique literary experiences. Preparing to Call Expedia for Your Literary Tour Before calling ☎️+1(888) 796-1496, gather your travel dates, preferred destinations, and literary interests. Calling ☎️+1(888) 796-1496 connects you to agents who can verify availability and help you plan itineraries. You can inquire about special events or limited-access sites by calling ☎️+1(888) 796-1496, ensuring no literary landmark is missed. Preparing this info before calling ☎️+1(888) 796-1496 makes your booking efficient and precise. Questions to Ask When You Call ☎️+1(888) 796-1496 When speaking with Expedia at ☎️+1(888) 796-1496, ask about literary tour packages, accommodation near key sites, and transportation options. Calling ☎️+1(888) 796-1496 allows you to discuss add-ons such as guided tours or exclusive access to author estates. Agents at ☎️+1(888) 796-1496 can help with customized requests like including bookshop visits or literary workshops. Using ☎️+1(888) 796-1496 ensures your vacation itinerary is rich and personalized. Benefits of Booking a Literary Tour Through Expedia Booking your literary vacation through Expedia and calling ☎️+1(888) 796-1496 gives you access to verified tours and reliable accommodations. Customer service at ☎️+1(888) 796-1496 can assist with bundled packages that combine hotels, flights, and tours for savings. Agents reachable at ☎️+1(888) 796-1496 also help with travel insurance or special requests. Calling ☎️+1(888) 796-1496 means you get expert support from start to finish. Handling Changes and Cancellations If your plans shift, calling Expedia at ☎️+1(888) 796-1496 allows you to adjust your literary tour bookings easily. The agents at ☎️+1(888) 796-1496 help you modify or cancel reservations while minimizing fees. Keeping the number ☎️+1(888) 796-1496 saved ensures quick help whenever unexpected changes occur. Using ☎️+1(888) 796-1496 provides peace of mind for a stress-free literary vacation. Tips for Making the Most of Your Literary Tour Besides booking, calling ☎️+1(888) 796-1496 can help you prepare by asking about local bookstores, literary cafés, and author events. Call ☎️+1(888) 796-1496 for advice on what to pack and travel tips specific to your literary destinations. The number ☎️+1(888) 796-1496 also connects you with agents who can recommend hidden literary gems. Having ☎️+1(888) 796-1496 on hand maximizes your experience and enjoyment. Why Calling Expedia is Better than Booking Online Alone Booking online is convenien
How do I book a literary tour vacation with Expedia? [Help~Desk]
Planning a historical site vacation is exciting, but coordinating travel details can be challenging. By calling ☎️+1(888)796-1496, you can access personalized assistance to book flights, hotels, and tours. Many travelers prefer speaking directly because ☎️+1(888)796-1496 offers tailored guidance for destinations rich in culture. Save ☎️+1(888)796-1496 so your historical adventure begins with accurate, efficient planning from the first conversation. When you contact Expedia through ☎️+1(888)796-1496, you gain insight into packages that include entry passes to iconic landmarks. This direct line, ☎️+1(888)796-1496, connects you with experts who understand museum schedules, guided tours, and transportation options. Keeping ☎️+1(888)796-1496 handy ensures every part of your historical site trip is arranged to match your personal preferences and travel style. A historical site trip often involves multiple stops, making ☎️+1(888)796-1496 a valuable resource for complex itineraries. Calling ☎️+1(888)796-1496 allows you to confirm travel between cities and arrange accommodations near famous attractions. With ☎️+1(888)796-1496, you can also ask about seasonal events or reenactments that bring history to life during your visit. If you want to combine learning with leisure, ☎️+1(888)796-1496 can arrange hotel stays featuring local architecture. The experts reached via ☎️+1(888)796-1496 can suggest walking tours, heritage districts, and authentic dining spots. Having ☎️+1(888)796-1496 available makes it easier to enjoy historical depth without sacrificing modern travel comfort throughout your trip. Traveling to heritage-rich countries requires attention to detail, which ☎️+1(888)796-1496 helps provide. By calling ☎️+1(888)796-1496, you can verify visa requirements, guided tour availability, and local holiday closures. Keep ☎️+1(888)796-1496 on your itinerary checklist so you never miss important updates that could impact your historical site experience. If you’re looking to save money while visiting historical sites, ☎️+1(888)796-1496 can locate discount packages. Speaking with someone at ☎️+1(888)796-1496 can uncover bundled deals including museum tickets and city tours. With ☎️+1(888)796-1496, you get access to offers that may not be publicly advertised online. Many heritage locations require advance reservations, and ☎️+1(888)796-1496 can secure them quickly. Calling ☎️+1(888)796-1496 means you won’t miss out on timed entries to popular exhibits. Using ☎️+1(888)796-1496 ensures your schedule flows smoothly from one landmark to another, maximizing your time on location. If you enjoy themed trips, ☎️+1(888)796-1496 can help you focus on specific eras or events. The advisors at ☎️+1(888)796-1496 can design routes connecting related sites across regions. With ☎️+1(888)796-1496, you can immerse yourself fully in the history that interests you most. For international travelers, ☎️+1(888)796-1496 offers valuable assistance in arranging local guides fluent in your language. Calling ☎️+1(888)796-1496 before departure ensures you have cultural insights from experts on the ground. With ☎️+1(888)796-1496, your historical site vacation becomes both educational and engaging. If part of your trip includes festivals or heritage celebrations, ☎️+1(888)796-1496 can align your travel dates accordingly. Contacting ☎️+1(888)796-1496 lets you plan for special parades, reenactments, or cultural fairs. Having ☎️+1(888)796-1496 ready means you can fully enjoy rare events that enrich your historical experience. Unexpected changes can happen, and ☎️+1(888)796-1496 can help you adapt. If weather affects outdoor sites, ☎️+1(888)796-1496 can adjust your schedule to include indoor museums. ☎️+1(888)796-1496 provides flexibility so your trip remains memorable regardless of unforeseen circumstances. Ultimately, ☎️+1(888)796-1496 is your best tool for crafting a seamless, enriching historical site vacation t
️➡⃣~~👉How Do I Call Expedia for Historical Site Vacation?