Torn Thread Quotes

She still thinks about you a lot. Your lives unstitched themselves, but the loose threads remain where the garment was torn.

She watched his throat move, and then, he reached out and touched her face. "You sure are pretty," he said. "It's the stone," she replied immediately. Her skin felt warm; his fingertip touched just the very edge of her mouth. "It's flattering." Adam gently pulled the stone out of her hand and a set it on the floorboards between them. Through his ingers he threaded one of the flyaway hairs by her cheek. "My mother used to say, 'Don't throw compliments away, so long as they're free." HIs face was very earnest. "That one wasn't mean tho cost you anything, Blue." Blue plucked at the hem on her dress, but she didn't look away from him. "I don't know what to say when you say things like that." "You can tell me if you want me to keep saying them." She was torn by the desire to encourage him and the fear of where it would lead. "I like when you say things like that." Adam asked, "But what?" "I didn't say but." "You meant to. I heard it.

you are on the freeway threading through traffic now, moving both towards something and towards nothing at all as you punch the radio on and get Mozart, which is something, and you will somehow get through the slow days and the busy days and the dull days and the hateful days and the rare days, all both so delightful and so disappointing because we are all so alike and so different.

For this wire is as a part of our body, as a vein torn from us, glowing with our blood. Are we proud of this thread of metal, or of our hands which made it, or is there a line to divide these two?

I am my own tapestry, then, made as I could for myself. Some holes in my fabric have been made by others, some torn by chance. Missing threads in the weave represent all those I have loved who died so long before me

scraps of love torn and tattered faded, scattered trashed threads of hope frayed and tangled broken, mangled dashed backing, buttons yarn and batting quilted tenderly wrapped up in this warm repair my patchwork family

Bind me to your will, bind me with these threads of sorrow, and gather me out of the afternoon where I have torn my soul on twenty monstrous altars, offering all things but myself.

When you can step back at moments like these and see what is happening, when you watch people you love under fire or evaporating, you realize that the secret of life is patch patch patch. Thread your needle, make a knot, find one place on the other piece of torn cloth where you can make one stitch that will hold. And do it again. And again. And again.

Standing there, that day, I felt like Sally was being torn from my skin and there was no way I could ever fly free, without her right beside me.

What if she never knows the end of the story? She shudders, and her mind continues to lurch forward into the future, that simple expectation of time passing - another moment, and another moment. It seems impossible that it will abruptly cease. It seems impossible that you will never know what happens next, that the thread you've been following your whole life will just... cut off, like a book with the last pages torn out. That doesn't seem fair, she thinks.

I remember Aeneas’ words as I remember the poet’s words. I remember every word because they are the fabric of my life, the warp I am woven on. All my life since Aeneas’ death might seem a weaving torn out of the loom unfinished, a shapeless tangle of threads making nothing, but it is not so; for my mind returns as the shuttle returns always to the starting place, finding the pattern, going on with it. I was a spinner, not a weaver, but I have learned to weave.

purple threaded evening. a torn goddess laying on the roof. milk sky. lavender hued moan against hot asphalt. the thickness of evening presses into your throat. polaroids taped to the ceiling. ivy pouring out of the cracks in the wall. i found my courage buried beneath molding books and forgot to lock the door behind me. the old house never forgets. opened my mouth and a dandelion fell out. reached behind my wisdom teeth and found sopping wet seeds. pulled all of my teeth out just to say i could. he drowned himself in a pill bottle and the orange really brought out his demise. lay me down on a bed of ground spices. there’s a song there, i know it. amethyst geode eyes. cracked open. no one saw it coming. october never loved you. the moon still doesn’t understand that.

Rieker threaded her hair behind her ears with his other hands, his fingers lingering against her cheek. "We're different Tiki," he said softly. "We're caught between two worlds and honestly, I don't know which one we belong in. But I do know this - I don't want to be either place without you." He looked deep into her eyes. "I believe we found each other because we're meant to be together.

What is a man! What is a man but mended cloth, hastily worn and discarded? ... What makes a man? What makes a hero, Shomer? Is it simply to live when there is nothing left to live for, when all you knew and loved is gone? Is it, simply, to survive? For like the threads of an intricate shawl, we have been pulled at and torn, Shomer. We have been unravelled.

to be part of the fabric instead of a thread torn from the whole.

From tattered flags and uniforms to friendships strained to the brink, the women of my country had always been the menders to all the things torn asunder. But now we’d do more than patch with needle and thread. We’d have to weave together a whole tapestry of American life with nothing but our own hands, our own crops, and our own ingenuity. And I would prove myself able to the task. There

I was someone before I met Alexander Hamilton. Not someone famous or important or with a learned philosophical understanding of all that was at stake in our revolution. Not a warrior or a philosopher or statesman. But I was a patriot. I was no unformed skein of wool for Hamilton to weave together into any tapestry he wished. That's important for me to remember now, when every thread of my life has become tangled with everything he was. Important, I think, in sorting out what can be forgiven, to remember my own experiences - the ones filled with my own yearnings that had nothing to do with him. I was, long before he came into my life, a young woman struggling to understand her place in a changing world. And torn, even then, between loyalty, duty, and honor in the face of betrayal.

A Wild Woman Is Not A Girlfriend. She Is A Relationship With Nature. But can you love me in the deep? In the dark? In the thick of it? Can you love me when I drink from the wrong bottle and slip through the crack in the floorboard? Can you love me when I’m bigger than you, when my presence blazes like the sun does, when it hurts to look directly at me? Can you love me then too? Can you love me under the starry sky, shaved and smooth, my skin like liquid moonlight? Can you love me when I am howling and furry, standing on my haunches, my lower lip stained with the blood of my last kill? When I call down the lightning, when the sidewalks are singed by the soles of my feet, can you still love me then? What happens when I freeze the land, and cause the dirt to harden over all the pomegranate seeds we’ve planted? Will you trust that Spring will return? Will you still believe me when I tell you I will become a raging river, and spill myself upon your dreams and call them to the surface of your life? Can you trust me, even though you cannot tame me? Can you love me, even though I am all that you fear and admire? Will you fear my shifting shape? Does it frighten you, when my eyes flash like your camera does? Do you fear they will capture your soul? Are you afraid to step into me? The meat-eating plants and flowers armed with poisonous darts are not in my jungle to stop you from coming. Not you. So do not worry. They belong to me, and I have invited you here. Stay to the path revealed in the moonlight and arrive safely to the hut of Baba Yaga: the wild old wise one… she will not lead you astray if you are pure of heart. You cannot be with the wild one if you fear the rumbling of the ground, the roar of a cascading river, the startling clap of thunder in the sky. If you want to be safe, go back to your tiny room — the night sky is not for you. If you want to be torn apart, come in. Be broken open and devoured. Be set ablaze in my fire. I will not leave you as you have come: well dressed, in finely-threaded sweaters that keep out the cold. I will leave you naked and biting. Leave you clawing at the sheets. Leave you surrounded by owls and hawks and flowers that only bloom when no one is watching. So, come to me, and be healed in the unbearable lightness and darkness of all that you are. There is nothing in you that can scare me. Nothing in you I will not use to make you great. A wild woman is not a girlfriend. She is a relationship with nature. She is the source of all your primal desires, and she is the wild whipping wind that uproots the poisonous corn stalks on your neatly tilled farm. She will plant pear trees in the wake of your disaster. She will see to it that you shall rise again. She is the lover who restores you to your own wild nature.

Dawn comes after the darkness, and with it the promise that what has been torn by the sea is not lost. All of life is breaking and mending, clipping and stitching, gathering tatters and sewing seams. All of life is quilted from the scraps of what once was and is no more- the places we have been, the memories we have made, the people we have known, that which has been long loved but has grown threadbare over time and can be worn no longer. We keep only pieces. All colors, all shapes, all sizes. "All waiting to be stitched into the pattern only you can see. "In the quiet after the storm, I hear you whisper, 'Daughter, do not linger where you are. Take up your needle and your thread, and go see to the mending...

She worked the thread through the flowered cloth as if she were sewing the torn ends of her life together.

And just like that,the cloth was torn. was it the days, weeks of the same argument was it the months without affection, or was it simply the year and a half wasted on empty promises from both sides?I don't know what ripped it, but here I sit with my needle and thread trying to fix it knowing it will never look as beautiful as it did when we first started weaving it.

He looked at her like she was the thing they had torn apart the island for, the heart he had been desperately trying to find all these years, the needle that had finally threaded him together.

By the grace of God, I am being mended, and God has called me to he a mender too. Since many threads are stronger than one, God has put me on a sewing team. Day by day, our job is to hunt the places where the world is ripped and bend over the damage to do what we can. Every good deed, every kind word, every act of justice and compassion tugs the torn edges closer together. The truer our aim, the smaller our stitches and the longer the patch will hold. We made plenty of the rips ourselves, and some of the worst ones show evidence of having been mended many times before, but that does not seem to discourage anyone. Mending is how we continue to be mended, and we would not trade the work for anything.

Oro pressed two fingers against her heart. Ran them lower, to the center of her chest. A vine snaked its way across the balcony and bloomed a red rose. Oro plucked it. Offered it to her. She stared down at the flower. A rose with thorns, just like her. It was beautiful. Vicious. Isla took it, then threw it over her shoulder, clean off the balcony. And stood on her toes so her forehead touched his. Oro stilled. His eyes were amber and burning, nothing like the emptiness she had glimpsed the first day of the Centennial. He looked at her like she was the thing they had torn apart the island for, the heart he had been desperately trying to find all these years, the needle that had finally threaded him together. Isla took a shaky breath.

...the best conclusion I was able to reach was that what we instinctively call imagination is in reality nothing less than the symbolic knowledge of that secret thread which weaves itself through our life knotted fast in all its windings, and without which we would surely be lost. But with this knowledge I realised too that this secret power also rules over us, for these same threads can be forcibly torn apart and leave us at the mercy of the dark fiend who is always ready to claim us as his own.

Usually our minds are full of things that we are afraid will defile the purity of our actions. We have this impression of our minds being like a river and we feel like it's too polluted, we beat ourselves up over the fear that the mind pollution is going to spill over into our actions. This specific type of fear causes self-consciousness and self-doubt. The root of all this is the unawareness that we are, in reality, living and acting through our hearts and not through our minds. It is not from the mind that our bodies move and not through the mind that our hands choose who to touch, whom to hold onto and what to catch in midair. None of it is the mind. It is all the heart. And the heart cannot ever become polluted, not for a second. The heart can be torn, it can bleed, it can stop sometimes and it can even die. But it can never, it will never ever become polluted. You are your heart: the way you move, the way you love, the way you reach out to touch someone. By the contents of the heart the hands choose which threads to weave and which nails to hammer or to yank asunder. You need not fear. You are pure.

Robert Frost at Eighty" I think there are poems greater and stranger than any I have known. I would like to find them. They are not on the greying paper of old books or chanted on obscure lips. They are not in the language of mermaids or the sharp-tongued adjectives of vanishing. They run like torn threads along paving stones. They are cracked as the skull of an old man. They stir in the mirror at fifty, at eighty. My ear keeps trying to hear them but the seafront is cold. The tide moves in. They migrate like crows at a cricket ground. They knock at the door when I am out. I have done with craft. How can I front ghosts with cleverness, the slick glide of paradox and rhyme that transforms prejudice to brittle gems of seeming wisdom? Though I bury all I own or hold close though my skin outlives the trees though the lines fall shattering the stone I cannot catch them. They have the lilting accent of a house I saw but never entered. They are the sounds a child hears – the water, the afternoon, the sky. I watch them now trickling through the open mirror. Sometimes, but almost never we touch what we desire.

Divorce really stinks. It's like going to the store and buying clothes, wearing them for years and years, then returning them and asking for your money back...A store won't buy back a pair of used jeans, so how come people can trade each other in, like it was nothing? If your only pair of jeans is torn, you get a needle and some thread, and you sew them up, right?

valentine my friends stitched it up with golden thread like a red satin pillow they gave me other whole ones too roses and charms and red candles milagros to repair the real one they told me i was no longer allowed to give it away a pretty pin cushion a piece of mexican folk art a hundred beating poems left unanswered like a thing to wear around the neck they said you must heal we will protect you but i sat weeping at the computer forging ahead anyway with the small stitched thing struggling in my chest it knew that it had needed to be torn so that it could recognize and receive the hundred kindnesses traveling across three thousand miles at the speed of light a storm of petals and beautiful words and tiny hearts to keep it company

I remember every word because they are the fabric of my life, the warp I am woven on. All my life since Aeneas’ death might seem a weaving torn out of the loom unfinished, a shapeless tangle of threads making nothing, but it is not so; for my mind returns as the shuttle returns always to the starting place, finding the pattern, going on with it. I was a spinner, not a weaver, but I have learned to weave.

It is a gown, but one such as I have never seen before. It is composed mostly of the cloth she showed me, but there are strips of other material running through it, some diaphanous and others satiny, some patterned in butterfly wings, some felted wool. Dangling threads hang from torn edges, and a few pieces of thin fabric have been wadded up to give them a new texture. The swirling patchwork she has created is at once tattered and beautiful.

The Woman Poet // Die Dichterin You hold me now completely in your hands. My heart beats like a frightened little bird's Against your palm. Take heed! You do not think A person lives within the page you thumb. To you this book is paper, cloth, and ink, Some binding thread and glue, and thus is dumb, And cannot touch you (though the gaze be great That seeks you from the printed marks inside), And is an object with an object's fate. And yet it has been veiled like a bride, Adorned with gems, made ready to be loved, Who asks you bashfully to change your mind, To wake yourself, and feel, and to be moved. But still she trembles, whispering to the wind: "This shall not be." And smiles as if she knew. Yet she must hope. A woman always tries, Her very life is but a single "You . . ." With her black flowers and her painted eyes, With silver chains and silks of spangled blue. She knew more beauty when a child and free, But now forgets the better words she knew. A man is so much cleverer than we, Conversing with himself of truth and lie, Of death and spring and iron-work and time. But I say "you" and always "you and I." This book is but a girl's dress in rhyme, Which can be rich and red, or poor and pale, Which may be wrinkled, but with gentle hands, And only may be torn by loving nails. So then, to tell my story, here I stand. The dress's tint, though bleached in bitter lye, Has not all washed away. It still is real. I call then with a thin, ethereal cry. You hear me speak. But do you hear me feel?

Since many threads are stronger than one, God has put me on a sewing team. Day by day, our job is to hunt the places where the world is ripped and bend over the damage to do what we can. Every good deed, every kind word, every act of justice and compassion tugs the torn edges closer together. The truer our aim, the smaller our stitches and the longer the patch will hold. We made plenty of the rips ourselves, and some of the worst ones show evidence of having been mended many times before, but that does not seem to discourage anyone. Mending is how we continue to be mended, and we would not trade the work for anything.

Just as they reached the door to the accommodation section, it opened, and a small boy towing a travel bag along the floor behind him came through. A small dog poked his head out of one end of this bag—the pup had been zipped up inside. “Out of the way, son,” Harper said. The child stopped, and gaped up at the battle-archon. Behind him, his trapped pup growled. The rear end of the leather and cloth satchel oscillated wildly. “I wanted to see the angel,” the boy said. “Aunt Edith promised I could watch it kill something.” Hasp halted, still reeling, and looked down at the boy and his pet. “You want to see me kill?” he muttered. “Then order me to do so. You’re all Menoa’s fucking people on this train.” The boy brightened. “Do it!” he said. “Kill something now.” “As you wish.” Hasp kicked the dog with all of the strength he could muster. Had the animal been made of tougher stuff than flesh and bone, or had its bag been composed of something more substantial than woven thread, it might have made an impact hard enough to shatter the glass wall at the end of the corridor sixty feet away. Instead, the creature and the torn remains of its embroidered travel bag spattered against the opposite end of the passage in a series of wet smacks, more like a shower of red rain than anything resembling the corpse of a dog. The boy screamed. Hasp cricked his neck, then shoved the child aside and stomped away, his transparent armour swimming with rainbows.

8. Epithets for yourself: Upright. Modest. Straightforward. Sane. Cooperative. Disinterested. Try not to exchange them for others. And if you should forfeit them, set about getting them back. Keep in mind that “sanity” means understanding things—each individual thing—for what they are. And not losing the thread. And “cooperation” means accepting what nature assigns you—accepting it willingly. And “disinterest” means that the intelligence should rise above the movements of the flesh—the rough and the smooth alike. Should rise above fame, above death, and everything like them. If you maintain your claim to these epithets—without caring if others apply them to you or not—you’ll become a new person, living a new life. To keep on being the person that you’ve been—to keep being mauled and degraded by the life you’re living—is to be devoid of sense and much too fond of life. Like those animal fighters at the games—torn half to pieces, covered in blood and gore, and still pleading to be held over till tomorrow … to be bitten and clawed again. Set sail, then, with this handful of epithets to guide you. And steer a steady course, if you can. Like an emigrant to the islands of the blest. And if you feel yourself adrift—as if you’ve lost control—then hope for the best, and put in somewhere where you can regain it. Or leave life altogether, not in anger, but matter-of-factly, straightforwardly, without arrogance, in the knowledge that you’ve at least done that much with your life. And as you try to keep these epithets in mind, it will help you a great deal to keep the gods in mind as well. What they want is not flattery, but for rational things to be like them. For figs to do what figs were meant to do—and dogs, and bees … and people.

It’s just a kiss,” she says softly. “Why are you all torn up about a kiss?” She’s studying me way too closely. “I’m not torn up,” I protest. “You’ve been moping ever since I told you about the fundraiser, Sean,” she says. “What’s your problem? It’s for charity, for God’s sake.” She lays her free hand on her chest. “My kiss is going to feed victims of domestic violence. I’m doing my part for a better community.” I look down at her mouth. God, I could just slide my fingers into her hair, pull her to me, and kiss her right here and now. But I won’t. Because she doesn’t want me. “I can’t believe you’re going kiss some stranger,” I bite out. “Don’t do it.” “I’ve kissed men before, Sean,” she reminds me. I wish she would keep that shit to herself. “What if it’s some big, goofy guy with really bad breath?” I ask. “What if it’s some big, brawny guy who smells like you and kisses like a god?” she asks. She smiles, the corners of her lips tilting up so prettily. Her fingertips touch my forearm lightly, and she traces the tattoos that decorate my arm from wrist to shoulder. Every hair on my body stands up, and I lift my hand from her knee and thread my fingers with hers so she’ll stop. “If I’m lucky, he’ll be all tatted up, too.” She looks off into the distance, her gaze no longer on me. “Honey, if you want to kiss someone who looks like me and smells like me, I think I can accommodate you so you don’t have to kiss some stranger.” Her eyes shift back to meet mine, and she may as well have just punched me in the gut. She looks into my eyes and stares as if she’s looking into my soul. She can look into it anytime. Shit, I’d give it to her, if she wanted it. But it’s not me she wants. She’s made that abundantly clear. “If I ever kissed you, I would never be able to stop,” I say quietly. My voice sounds like it’s been dragged down a gravel road and back, and I fucking hate that she can affect me this way. “Prove it,” she says, and then she licks her cherry-red lips. She doesn’t break eye contact. I move quickly. This is the first time she’s ever made an offer like this, and my gut tells me that she’s going to take it back. I cup her neck with my palm and pull her toward me. My gentle tug brings her flush against my chest, and the weight of her settles against me and feels so right. Her lips are so close to mine that her inhale is my exhale. My hand quivers as it holds her nape, so I work my fingers into the hair at the back of her head. I hold her still and look into her green eyes. “Tell me you want me to kiss you and you got me, honey,” I whisper. She shivers and inches up my chest ever so slightly, her mouth moving closer to mine. So close. Just a little closer. I can almost taste her. “I want you to kiss me,” she whispers. “Please.” Suddenly, the door opens, and Lacey jumps up, separating us in one final, powerful leap. Fuck. I pull the pillow from behind my head and shove it in my lap, sitting up on the side of the bed. Friday,

Scientific theories are tested every time someone makes an observation or conducts an experiment, so it is misleading to think of science as an edifice, built on foundations. Rather, scientific knowledge is more like a web. The difference couldn’t be more crucial. A tall edifice can collapse – if the foundations upon which it was built turn out to be shaky. But a web can be torn in several parts without causing the collapse of the whole. The damaged threads can be patiently replaced and re-connected with the rest – and the whole web can become stronger, and more intricate.

Brother Jeremiah staggered into view, his right hand clutching a still-burning torch, his parchment hood fallen back to reveal a face torqued into a grotesque expression of terror. His previously sewn-shut mouth gaped open in a soundless scream, the gory threads of torn stitches dangling from his shredded lips. Blood, black in the torchlight, spattered his light robes. He took a few staggering steps forward, his hands outstretched—and then, as Jace watched in utter disbelief, Jeremiah pitched forward and fell headlong to the floor.

That last thread of real family had snapped. It hadn't been torn apart with the calamity of a cyclone but unravelled in increments, over years.

Remember, Will Ryde, the human soul is like a torn garment, attached to the divine by a single thread, yet yearning for wholeness

Milk Thistle teaches guerilla warfare. Adaptogen milagrosa, Milk Thistle works with what is here, the yellow layers of toxins, the charcoal grit, the green bile slow as crude oil pooling in the liver's reservoirs, waiting to learn to flow. Milk Thistle says take what you are and use it. She's a junkyard artist, crafting beauty out of the broken. She's a magician, melting scar tissue into silk. She's a miner, fingering greasy lumps of river clay for emeralds. She can enter the damaged cells of your life and recreate your liver from a memory of health. She can pass her hands over this torn and stained tapestry of memory and show us beauty, make the threads gleam with the promise of something precious gained. She will not flinch from anything you have done to keep yourself alive. Give it to me, she will say. I will make it into something new. She will show you your courage, hammered to a dappled sheen by use. She will remind you that you took yourself over and over to the edge of what you knew. She will remind you that the world placed limits on your powers. That you were not omnipotent. That some of the choices you made were not choices. Use what you are, she says again and again, insistent. You are every step of your journey, you are everything that has touched you, you are organic and unexpected. Use what you are.

I have never before gathered eggs from under a hen. Fernando has never before seen a hen. We bend low into the shed where perch a dozen or so fat lady birds. There's no shrieking or fluttering at all. I approach one and ask if she has an egg or two. Nothing. I ask in Italian. Still nothing. I ask Fernando to pick her up but he's already outside the shed smoking and pacing, telling me he really doesn't like eggs at all and he especially doesn't like frittata. Both bold-faced lies. I start to move the hen and she plumps down from her perch quite voluntarily, uncovering the place where two lovely brown eggs sit. I take them, one at a time, bend down and nestle them in my sack. I want two more. I peruse the room. I choose the hen who sits next to the docile one. I pick her up and she pecks me so hard on my wrist that I drop her. I see there is nothing in her nest and apologise for my insensitivity, thinking her nastiness must have been caused by embarrassment. I move on to another hen and this time find a single, paler brown-shelled beauty, still warm and stuck all over with bits of straw. I take it and leave with an unfamiliar thrill. This is my first full day in Tuscany and I've robbed a henhouse before lunch. Back home in the kitchen I beat the eggs, the yolks of which are orange as pumpkin, with a few grindings of sea salt, a few more of pepper, adding a tablespoon or so of white wine and a handful of Parmigliano. I dig for my flat broad frying pan, twirl it to coat its floor with a few drops of my tourist oil, and let it warm over a quiet flame. I drop in the rinsed and dried blossoms whole, flatten them a bit so they stay put, and leave them for a minute or so while I tear a few basil leaves, give the eggs another stroke or two. I throw a few fennel seeds into the pan to scent the oil, where the blossoms are now beginning to take colour on their bottom sides. Time to liven up the flame and add the egg batter. I perform the lift-and-tilt motions necessary to cook the frittata without disturbing the blossoms, which are now ensnared in the creamy embrace of the eggs. Next, I run the lush little cake under a hot grill to form a gold blistery skin on top before sliding it onto a plate, strewing it with torn basil. The heat of the eggs warms the herbs so they give up a double-strength perfume. Now I drop a thread of find old balsamico over it. And finally, let it rest.

want you to know that despite the fact that I find you interesting, intelligent, infuriating, and very, very attractive, I’m not going to pursue any kind of relationship with you. I want you to feel safe at work. I don’t want you to think that I’m going to drag you into a copy room and fuck you against office equipment. I don’t want coworkers whispering behind your back because you had the misfortune to catch my eye. I don’t want your reputation torn to shreds just because I wonder what you look like naked. And, yes, I do think about that. And, no, I shouldn’t be telling you that.

I missed you,” he said. “I felt as if half of me had been torn away. I had swiftly realized that I made a mistake, leaving you behind that morning. I thought that if you stood at my side while I played that I would be divided, that I would choose you over the spirits. But now I see I should have had you beside me, because when the fire claimed me, they took only half a mortal. They took my mortality and my body, but my heart stayed with you in the mortal realm.” Adaira exhaled, closing her eyes when Jack tucked a loose thread of hair behind her ear. “I was so worried,” she breathed, looking at him once more. “I was so worried you had forgotten me in your new realm, and the time we shared here. That if I ever saw you again, you wouldn’t remember me.” “Even if I lived a thousand years in the fire,” Jack said, “I would not forget you. I would not allow myself to.

I missed you,” he said. “I felt as if half of me had been torn away. I had swiftly realized that I made a mistake, leaving you behind that morning. I thought that if you stood at my side while I played that I would be divided, that I would choose you over the spirits. But now I see I should have had you beside me, because when the fire claimed me, they took only half a mortal. They took my mortality and my body, but my heart stayed with you in the mortal realm.” Adaira exhaled, closing her eyes when Jack tucked a loose thread of hair behind her ear. “I was so worried,” she breathed, looking at him once more. “I was so worried you had forgotten me in your new realm, and the time we shared here. That if I ever saw you again, you wouldn’t remember me.” “Even if I lived a thousand years in the fire,” Jack said, “I would not forget you. I would not allow myself to.

The jury didn't want to see, the way she did, that invisible threads, delicate and easily torn, lay beneath everything. A distant breath of random chance, a choice made by a stranger, could split them, ends floating like cobwebs while precious things tumbled through to darkness, unrecoverable.

The poetry underlying science comes from its inevitable human imperfections. Science is a messy process of discovery, revision, and (at its best) enlightenment. It is like a complex tapestry that is being woven on one end while being torn apart at other ends, all with threads that we are learning to spin from raw materials on the fly.

If this is the way, then why aren't you here?

She's forgotten what it's like to see so many at worship, to feel bodies all around, to be part of the fabric instead of a thread torn from the whole.

I shrugged into my favorite sweatshirt--you know the kind--where the cuffs are worn and torn and all signs of elasticity have long since disappeared. Whether I wanted to admit it or not, the sweatshirt symbolized the person I’d become--well-worn, a bit beat-up, and hanging by a thread.

In the center of the sofa were two oblong companion pillows, shouldered so closely together that they looked like the Decalogue tablets. They were white, or had been white, and painfully stitched upon them with blue thread were companion mottoes, companion pictures. In the left pillow lies a girl, her long blue hair asprawl about her face, her eyes innocently shut, asleep. The motto: I SLEPT AND DREAMED THAT LIFE WAS BEAUTY. But the story continued, and on the next pillow her innocence is all torn away: there she stands, gripping a round broom; her hair now is pinned up severely and behind her sits a disheartening barrel churn. I WOKE AND FOUND THAT LIFE WAS DUTY. The pillows sat, stuffed and stiff as disapproving bishops; they could, he thought, serve as twin tombstones for whole gray generations.

Trust is that tiny thread that holds your brand together; when trust is torn or tampered with, you will have a broken brand; your business will fall.

Dance me through th curtains that our kisses have out worm. Raise a ent of shelter now, though every thread is torn. Dance me to the end of love. Dance me to your beauty with a burning violin.

This theme is central to the gospel: our future hope is for that day when the kingdoms of this world have become the kingdom of our Lord;13 when God brings all things into subjection under Christ’s feet;14 when the earth is flooded with the glorious presence of God as the waters cover the sea;15 when creation is delivered from its groaning under the weight of sin into the glorious freedom of the righteous reign of God.16 God’s purpose is not to get us out of earth and into heaven; it’s to reconcile heaven and earth. God has given Jesus authority, as his resurrected King, to establish this kingdom reality on earth as it is in heaven. Upon his resurrection, Jesus declares: “All authority in heaven and on earth has been given to me.”17 God’s reason for giving Jesus this authority is, in the words of Paul, to “bring all things in heaven and on earth together under one head, even Christ.”18 In Christ, God’s purpose is to reunite that which sin has torn asunder, to thread the ripped fabric of creation back together again. Jesus’ resurrection brings the earth back from exile into the glorious, heavenly presence of God. Jesus reconciles heaven and earth.

The jury didn't want to see, the way she did, that invisible threads, delicate and easily torn, lay beneath everything. A distant breath of random choice, a choice made by a stranger, could split them, ends floating like cobwebs while precious things tumbled through to darkness, unrecoverable.

Threads torn, skin broken, eyes wild and empty. Hmong men were beaten. Hmong blood seeped into the Thai earth, drops and streams to be washed by the monsoon rains that fell each year.

It was not merely a torn thread in “an otherwise perfect cloth,” wrote the sociologist Stephen Steinberg. “It would be closer to say that slavery provided the fabric out of which the cloth was made.

Before I fell asleep, I looked at my face in the mirror, I saw that my face looked broken, faint and lifeless, it was so faded that I did not recognize myself—I got into bed, pulled the quilt over my head, turned, faced the wall, curled up my legs, closed my eyes and continued where I had left off with my thoughts—those threads that made up my dark, depressing, horrific and intoxicating destiny—that place where life intertwines with death and distorted images are born—long-extinguished and bygone desires, strangled and buried desires again come to life and scream revenge—At this time I was torn from nature and the illusory world, and was willing to be destroyed and obliterated in the current of eternity—Several times I whispered to myself, “Death . . . death . .

Yet, dare we be at ease? We are part of a world whose unity has been almost completely shattered. No one can feel free from danger and destruction until the many torn threads of civilization are bound together again. We cannot feel safer until every nation, regardless of weapons or power, will meet together in good faith, the people worthy of mutual association.

It made lords of everyone in the dominant caste, as law and custom stated that “submission is required of the Slave, not to the will of the Master only, but to the will of all other White Persons.” It was not merely a torn thread in “an otherwise perfect cloth,” wrote the sociologist Stephen Steinberg. “It would be closer to say that slavery provided the fabric out of which the cloth was made.

Mother Erene of Blessed Memory once shared this story about a monk known as “the one with a needle and thread”: Whenever this monk saw one of his brothers [the other monks] with torn clothes, he would sew them. This was his main occupation. When he grew older, having struggled and about to depart the world, he told them, “I want the key to the door of Paradise.” The monks brought him the icon of our Lord Jesus Christ. He was happy to see it and embraced it. But he said again, “I want the key to the door of Paradise.” So they brought him the icon of the Virgin, the Mother of God. He was happy to see and embraced it. But once more, he said, “I want the key to the door of Paradise.” One of the monks said, “Bring him a needle and thread.” They did. So, he was very happy and told them, “These are the keys to the door of Paradise.

You are not mine, I am not yours, you have no power, I walk where I wish, my heart is protected. “You are not mine,” Maria said under her breath. But she had no pins, no red thread dyed with madder root, no rosemary, no St. John’s wort, no mandrake torn from the ground, no myrrh oil, no will of her own, and she stopped the chant before it was complete, in mid-sentence, leaving herself defenseless. That was when he turned to her. I will never love you, she should have said—it was the last line of the invocation—but instead she stood there like a fool, not unlike the women who came to her at night, their faces damp with tears, their minds made up, convinced they would walk through a door they knew full well should be kept bolted shut.

A veil Separating two worlds Of which, both I was created from Of which, both I still reside This cloth Now a threshold Lays over my body, gently Casting its covering over my crystalized vision I peer through each separation of thread With a breath that comes in slowly And an exhale that leaves me with more questions than I have answers for Each one creating the liminal space that becomes me With just one word The unknown becomes existence, once more Around me and through me and in me The torn garment slides downwards over my eyes In the same way dawn pulls with it a blanket of light Over barren land come morning It continues its path Cascading down the blackness of my hair Sweeping over the olive of my skin Falling between the creation of my own hands Hands that have grasped, and strived, and toiled Struggling to reconcile all that I have once believed In the silence between breaths I hear the sound of The Eternal Calling for me In my stillness I am carried out of the garden Into the desert Delivered out from my own will Into the arms of The Burren The wilderness of ancient hills Built upon lamentations That of my own That of the world before and to come My skin, now bare of its cloth Stripped of all notion Held to the bosom of the Earth A relentless hold Until I remember Just Who I Am

Yesterday, she said, referring to the collective past of her tribe, the people of these forests knew the secret. They made the finest silk thread from the cocoon of a beautiful sleeping butterfly. The women reeled the silk thread on the spinning wheel, slowly and gently. Such delicate work it was, that the silk remembered, at last, the moth which had created it. And the women were awed at the silver shine of the silk produced. If the silk is so divine, they thought, what must be the beauty of the butterfly waiting to be born? They stopped breaking the cocoons and looked for the crimson wings of the butterflies emerging from the torn nests of raw silk. The sight took them aback. They became sages and storytellers. My mother’s mother was one of them.

Yesterday,’ she said, referring to the collective past of her tribe, ‘the people of these forests knew the secret. They made the finest silk thread from the cocoon of a beautiful sleeping butterfly. The women reeled the silk thread on the spinning wheel, slowly and gently. Such delicate work it was, that the silk remembered, at last, the moth which had created it. And the women were awed at the silver shine of the silk produced. If the silk is so divine, they thought, what must be the beauty of the butterfly waiting to be born? They stopped breaking the cocoons and looked for the crimson wings of the butterflies emerging from the torn nests of raw silk. The sight took them aback. They became sages and storytellers..

My fingers itched as if for needle and thread. Here was something torn that I could mend

Dance me to the end of love" "Dance me to your beauty with a burning violin Dance me through the panic 'til I'm gathered safely in Lift me like an olive branch and be my homeward dove Dance me to the end of love Dance me to the end of love Oh, let me see your beauty when the witnesses are gone Let me feel you moving like they do in Babylon Show me slowly what I only know the limits of Dance me to the end of love Dance me to the end of love Dance me to the wedding now, dance me on and on Dance me very tenderly and dance me very long We're both of us beneath our love, we're both of us above Dance me to the end of love Dance me to the end of love Dance me to the children who are asking to be born Dance me through the curtains that our kisses have outworn Raise a tent of shelter now, though every thread is torn Dance me to the end of love Dance me to your beauty with a burning violin Dance me through the panic 'til I'm gathered safely in Touch me with your naked hand or touch me with your glove Dance me to the end of love Dance me to the end of love Dance me to the end of love

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