Achilles Love Quotes

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He is half of my soul, as the poets say.
Madeline Miller (The Song of Achilles)
In the darkness, two shadows, reaching through the hopeless, heavy dusk. Their hands meet, and light spills in a flood like a hundred golden urns pouring out of the sun.
Madeline Miller (The Song of Achilles)
When he died, all things soft and beautiful and bright would be buried with him.
Madeline Miller (The Song of Achilles)
That is — your friend?" "Philtatos," Achilles replied, sharply. Most beloved.
Madeline Miller (The Song of Achilles)
Name one hero who was happy." I considered. Heracles went mad and killed his family; Theseus lost his bride and father; Jason's children and new wife were murdered by his old; Bellerophon killed the Chimera but was crippled by the fall from Pegasus' back. "You can't." He was sitting up now, leaning forward. "I can't." "I know. They never let you be famous AND happy." He lifted an eyebrow. "I'll tell you a secret." "Tell me." I loved it when he was like this. "I'm going to be the first." He took my palm and held it to his. "Swear it." "Why me?" "Because you're the reason. Swear it." "I swear it," I said, lost in the high color of his cheeks, the flame in his eyes. "I swear it," he echoed. We sat like that a moment, hands touching. He grinned. "I feel like I could eat the world raw.
Madeline Miller (The Song of Achilles)
We reached for each other, and I thought of how many nights I had lain awake loving him in silence.
Madeline Miller (The Song of Achilles)
I have done it," she says. At first I do not understand. But then I see the tomb, and the marks she has made on the stone. A C H I L L E S, it reads. And beside it, P A T R O C L U S. "Go," she says. "He waits for you." In the darkness, two shadows, reaching through the hopeless, heavy dusk. Their hands meet, and light spills in a flood like a hundred golden urns pouring out of the sun.
Madeline Miller (The Song of Achilles)
I will never leave him. It will be this, always, for as long as he will let me.
Madeline Miller (The Song of Achilles)
Have you no more memories?" I am made of memories. "Speak, then.
Madeline Miller (The Song of Achilles)
I found myself grinning until my cheeks hurt, my scalp prickling till I thought it might lift off my head. My tongue ran away from me, giddy with freedom. This, and this, and this, I said to him. I did not have to fear that I spoke too much. I did not have to worry that I was too slender, or too slow. This and this and this! I taught him how to skip stones, and he taught me how to carve wood. I could feel every nerve in my body, every brush of air against my skin.
Madeline Miller (The Song of Achilles)
He looked different in sleep, beautiful but cold as moonlight. I found myself wishing he would wake so that I might watch the life return.
Madeline Miller (The Song of Achilles)
Name one hero who was happy." "You can't." He was sitting up now, leaning forward. "I can't." "I know. They never let you be famous AND happy." He lifted an eyebrow. "I'll tell you a secret." "Tell me." I loved it when he was like this. "I'm going to be the first." He took my palm and held it to his. "Swear it." "Why me?" "Because you're the reason. Swear it." "I swear it
Madeline Miller (The Song of Achilles)
Chiron had said once that nations were the most foolish of mortal inventions. “No man is worth more than another, wherever he is from.” “But what if he is your friend?” Achilles had asked him, feet kicked up on the wall of the rose-quartz cave. “Or your brother? Should you treat him the same as a stranger?” “You ask a question that philosophers argue over,” Chiron had said. “He is worth more to you, perhaps. But the stranger is someone else’s friend and brother. So which life is more important?” We had been silent. We were fourteen, and these things were too hard for us. Now that we are twenty-seven, they still feel too hard. He is half of my soul, as the poets say. He will be dead soon, and his honor is all that will remain. It is his child, his dearest self. Should I reproach him for it? I have saved Briseis. I cannot save them all. I know, now, how I would answer Chiron. I would say: there is no answer. Whichever you choose, you are wrong.
Madeline Miller (The Song of Achilles)
Why love what you will lose? There is nothing else to love.
Louise Glück (The Triumph of Achilles)
Intense love always leads to mourning.
Louise Glück (The Triumph of Achilles)
I will go,” he said. “I will go to Troy.” The rosy gleam of his lip, the fevered green of his eyes. There was not a line anywhere on his face, nothing creased or graying; all crisp. He was spring, golden and bright. Envious death would drink his blood, and grow young again. He was watching me, his eyes as deep as earth. “Will you come with me?” he asked. The never-ending ache of love and sorrow. Perhaps in some other life I could have refused, could have torn my hair and screamed, and made him face his choice alone. But not in this one. He would sail to Troy and I would follow, even into death. “Yes,” I whispered. “Yes.” Relief broke in his face, and he reached for me. I let him hold me, let him press us length to length so close that nothing might fit between us. Tears came, and fell. Above us, the constellations spun and the moon paced her weary course. We lay stricken and sleepless as the hours passed.
Madeline Miller (The Song of Achilles)
This and this and this.
Madeline Miller (The Song of Achilles)
This is how I think of us, when I remember our nights at Troy: Achilles and I beside each other, Phoinix smiling and Automedon stuttering through the punch lines of jokes, and Briseis with her secret eyes and quick, spilling laughter.
Madeline Miller (The Song of Achilles)
The never-ending ache of love and sorrow. Perhaps in some other life I could have refused, could have torn my hair and screamed, and made him face his choice alone. But not in this one. He would sail to Troy and I would follow, even into death.
Madeline Miller (The Song of Achilles)
Everyone has their weak spot. The one thing that despite your best efforts, will always bring you to your knees, regardless of how strong you are otherwise. For some people, it's love. Others, money or alcohol. Mine was even worse: calculus.
Sarah Dessen (Lock and Key)
True devotion and humility is when you carelessly allow yourself to fall in love with things you consider will make you look inferior, which in essence, makes you superior.
Michael Bassey Johnson
Patroclus,' he said. He was always better with words than I.
Madeline Miller (The Song of Achilles)
The never-ending ache of love and sorrow.
Madeline Miller (The Song of Achilles)
For who can be ashamed to lose to such beauty?
Madeline Miller (The Song of Achilles)
We reached for each other and I thought of how many nights I had lain awake in this room loving him in silence.
Madeline Miller
He was watching me, his eyes as deep as earth. "Will you come with me?" he asked. The never-ending ache of love and sorrow. Perhaps in some other life I could have refused, could have torn my hair and screamed, and made him face his choice alone. But not in this one. He would sail to Troy and I would follow, even into death. "Yes," I whispered. "Yes.
Madeline Miller (The Song of Achilles)
There is no law that gods must be fair, Achilles,” Chiron said. “And perhaps it is the greater grief, after all, to be left on earth when another is gone. Do you think?” “Perhaps,” Achilles admitted. I listened and did not speak. Achilles’ eyes were bright in the firelight, his face drawn sharply by the flickering shadows. I would know it in dark or disguise, I told myself. I would know it even in madness.
Madeline Miller (The Song of Achilles)
I wish he had let you all die
Madeline Miller (The Song of Achilles)
He looked different in sleep, beautiful but cold as moonlight.
Madeline Miller (The Song of Achilles)
In his tent, Achilles grieved with his whole being and the gods saw he was a man already dead, a victim of the part that loved, the part that was mortal.
Louise Glück (The Triumph of Achilles)
I thought: Suppose, suppose just once, once, all these centuries, the slippery gods keep their word and Achilles is granted eternal glory in return for his early death under the walls of Troy...? What will they make of us, the people of those unimaginably distant times? One thing I do know: they won't want the brutal reality of conquest and slavery. They won't want to be told about the massacres of men and boys, the enslavement of women and girls. They won't want to know we were living in a rape camp. No, they'll go for something altogether softer. A love story, perhaps? I just hope they manage to work out who the lovers were.
Pat Barker (The Silence of the Girls (Women of Troy, #1))
He paused now, considering. I loved this about him. No matter how many times I had asked, he answered me as if it were the first time.
Madeline Miller (The Song of Achilles)
Alexander, of whom men tell many legends, lived by his own. Achilles must have Patroklos. He might love his Briseis; but Patroklos was the friend till death. At their tombs in Troy, Alexander and Hephaistion had sacrificed together. Wound Patroklos, and Achilles will have your blood.
Mary Renault (The Persian Boy (Alexander the Great, #2))
The heat rose up my neck, wrapped fingers over my face. His hair fell around me, and I could smell nothing but him. The grain of his lips seemed to rest a hairsbreadth from mine.
Madeline Miller (The Song of Achilles)
The mightiest kings have had their minions; Great Alexander loved Hephaestion, The conquering Hercules for Hylas wept; And for Patroclus, stern Achilles drooped. And not kings only, but the wisest men: The Roman Tully loved Octavius, Grave Socrates, wild Alcibiades.
Christopher Marlowe (Edward II)
Stuckley drew back his sword with evident satisfaction. "She really is your Achilles' heel, isn't she Furey?" "No." Lorcan said, preparing his own attack. "Not my Achilles' heel.The love of my life. And I'll do whatever it takes to protect her.
Justin Somper (Immortal War (Vampirates, #6))
His trust was a part of him, as much as his hands or his miraculous feet. And despite my hurt, I would not wish to see it gone, to see him as uneasy and fearful as the rest of us, for any price.
Madeline Miller (The Song of Achilles)
Was this the face that launch'd a thousand ships, And burnt the topless towers of Ilium-- Sweet Helen, make me immortal with a kiss.-- ''[kisses her]'' Her lips suck forth my soul: see, where it flies!-- Come, Helen, come, give me my soul again. Here will I dwell, for heaven is in these lips, And all is dross that is not Helena. I will be Paris, and for love of thee, Instead of Troy, shall Wertenberg be sack'd; And I will combat with weak Menelaus, And wear thy colours on my plumed crest; Yea, I will wound Achilles in the heel, And then return to Helen for a kiss. O, thou art fairer than the evening air Clad in the beauty of a thousand stars; Brighter art thou than flaming Jupiter When he appear'd to hapless Semele; More lovely than the monarch of the sky In wanton Arethusa's azur'd arms; And none but thou shalt be my paramour!
Christopher Marlowe (Dr. Faustus)
Was it possible—was it at all possible that she could come out of her most desperate choice with a man as clever as Odysseus who looked like Achilles and made love like Paris…?
Sherry Thomas (His at Night)
Aristotle says in the Poetics,” said Henry, “that objects such as corpses, painful to view in themselves, can become delightful to contemplate in a work of art.” “And I believe Aristotle is correct. After all, what are the scenes in poetry graven on our memories, the ones that we love the most? Precisely these. The murder of Agamemnon and the wrath of Achilles. Dido on the funeral pyre. The daggers of the traitors and Caesar’s blood—remember how Suetonius describes his body being borne away on the litter, with one arm hanging down?” “Death is the mother of beauty,” said Henry. “And what is beauty?” “Terror.” “Well said,” said Julian. “Beauty is rarely soft or consolatory. Quite the contrary. Genuine beauty is always quite alarming.” I looked at Camilla, her face bright in the sun, and thought of that line from the Iliad I love so much, about Pallas Athene and the terrible eyes shining. “And if beauty is terror,” said Julian, “then what is desire? We think we have many desires, but in fact we have only one. What is it?” “To live,” said Camilla. “To live forever,” said Bunny, chin cupped in palm. The teakettle began to whistle.
Donna Tartt (The Secret History)
Do you know the rest?"Doug asked me expectantly. "What?The Achilles was a dysfuctional psychopath? Yeah I know that." "Well, yeah, everyone knows that. I mean the really cool part. About Thetis and Peleus." I shook my head, and he continued, professor-like, "Thetis was a sea mymph, and Peleus was a mortal who loved her. Only, when he went to woo her, she was a real bitch about it." "How so?" "She was a shape-shifter." I nearly dropped the book. "What?" Doug nodded. "He approached her, and she turned into all sorts of shit to scare him off - wild animals, forces of natures, monsters, whatever." "What... what'd he do?" "He held on. Grabbed her and wouldn't let go through all of those terrible transformations. No matter what she turned into, he just held on.
Richelle Mead (Succubus Blues (Georgina Kincaid, #1))
It was easy to see how such lovely things might become songs.
Madeline Miller (The Song of Achilles)
Forget him. What is treasure? Or Briseis, or honor, or anything? Next to the life of the one I loved best and dearest? My beloved, my only Patroclus.
Stephen Fry (Troy (Stephen Fry's Great Mythology, #3))
As soon as I had seen her, I was lost. For Beauty's wound is sharper than any weapon's, and it runs through the eyes down to the soul. It is through the eye that love's wound passes, and I now became a prey to a host of emotions...
Achilles Tatius
One of the major reasons why empaths and narcissists are attracted to each other is because of the empaths desire to help the narcissist, and the narcissist’s desire to take advantage of the empath’s emotional support. As I mentioned before, pity is our Achilles heel, and we often mistake it for the experience of love.
Aletheia Luna (Awakened Empath: The Ultimate Guide to Emotional, Psychological and Spiritual Healing)
I feel almost invincible in our battles’ wake: a kind of Achilles, fleet footed and light of touch. Only in this nonexistent place our letters weave do I feel weak.
Amal El-Mohtar (This is How You Lose the Time War)
The beginning of hope. We have given each other wounds, but they are not mortal.
Madeline Miller (The Song of Achilles)
You are invulnerable, you have no Achilles’ heel. You will go on, and when you have prevailed You can say: at this point many a one has failed. But what have I, but what have I, my friend, To give you, what can you receive from me? Only the friendship and the sympathy Of one about to reach her journey’s end.
T.S. Eliot (The Love Song of J. Alfred Prufrock and Other Poems)
She needs time. I’m giving it to her.” “This is uncharacteristic of you, cousin,” Achilles remarked. Apollo held his gaze when he replied firmly, “I’m a man falling in love. We do many things that are uncharacteristic.
Kristen Ashley (Broken Dove (Fantasyland, #4))
And you think that no one but me can kill Hector.' 'Yes.' I said. 'And you think to steal time from the Fates?' 'Yes.' 'Ah.' A sly smile spread across his face; he had always loved defiance. 'Well, why should I kill him? He's done nothing to me.' For the first time then, I felt a kind of hope.
Madeline Miller (The Song of Achilles)
Thomas Merton said it was actually dangerous to put the Scriptures in the hands of people whose inner self is not yet sufficiently awakened to encounter the Spirit, because they will try to use God for their own egocentric purposes. (This is why religion is so subject to corruption!) Now, if we are going to talk about conversion and penance, let me apply that to the two major groups that have occupied Western Christianity—Catholics and Protestants. Neither one has really let the Word of God guide their lives. Catholics need to be converted to giving the Scriptures some actual authority in their lives. Luther wasn’t wrong when he said that most Catholics did not read the Bible. Most Catholics are still not that interested in the Bible. (Historically they did not have the printing press, nor could most people read, so you can’t blame them entirely.) I have been a priest for 42 years now, and I would sadly say that most Catholics would rather hear quotes from saints, Popes, and bishops, the current news, or funny stories, if they are to pay attention. If I quote strongly from the Sermon on the Mount, they are almost throwaway lines. I can see Catholics glaze over because they have never read the New Testament, much less studied it, or been guided by it. I am very sad to have to admit this. It is the Achilles heel of much of the Catholic world, priests included. (The only good thing about it is that they never fight you like Protestants do about Scripture. They are easily duped, and the hierarchy has been able to take advantage of this.) If Catholics need to be converted, Protestants need to do penance. Their shout of “sola Scriptura” (only Scripture) has left them at the mercy of their own cultures, their own limited education, their own prejudices, and their own selective reading of some texts while avoiding others. Partly as a result, slavery, racism, sexism, classism, xenophobia, and homophobia have lasted authoritatively into our time—by people who claim to love Jesus! I think they need to do penance for what they have often done with the Bible! They largely interpreted the Bible in a very individualistic and otherworldly way. It was “an evacuation plan for the next world” to use Brian McLaren’s phrase—and just for their group. Most of Evangelical Protestantism has no cosmic message, no social message, and little sense of social justice or care for the outsider. Both Catholics and Protestants (Orthodox too!) found a way to do our own thing while posturing friendship with Jesus.
Richard Rohr
Wait, wait, wait. Are you telling me they stick you out here where there are no Daimons and you don’t have a weak spot? What kind of shit is that? I live in Daimon Central with one hell of an Achilles’ heel that no one ever bothered to mention, and you live where there’s no danger to you and yet you don’t have one? What’s not fair with this picture? And then Ash asks me to come up here to save your ass and here we are dropping like flies while you’re Teflon. No, I have a problem with this. I love you, man, but dayam. This just ain’t right. I’m up here freezing my balls off, and you, you don’t need protection. Meanwhile I have a bull’s-eye on my arm that says, ‘Hey, Daimon on steroids, kill me right here.’ Do you realize, I put my keys in my mouth to pull out my wallet to pay for gas and they froze there? The last thing I want to do is die up here in this godforsaken place at the hands of some freaked-out something no one has ever heard of before except for Guido the Killer Squire from Jersey? I swear I want someone’s ass for this. (Jess)
Sherrilyn Kenyon (Dance with the Devil (Dark-Hunter, #3))
What remains once the war is won? Fame. Songs. A kingdom of corpses. His name too heavy in my mouth. What do we become in death? Shadows. Longing. Regret, regret, regret. What do we keep once we are ghosts? The blood under my fingernails. His crooked teeth. Searching for happiness in the threads of his hands. A love that burned alive. A love that is still bursting in my hollow chest. A love that was never enough. What do you do when you’re alone in the darkness? Wait for him, I’ll wait forever if I must. Were you ever able to name one hero who was happy? No.
Emily Palermo He Is Half My Soul
We recognize that if we had ever encountered the real demon demigod Achilles, we woul have feared and dreaded him, hated his temper, despised his pride and been repelled by his savagery. But we know too that we could not have helped loving him.
Stephen Fry (Troy (Stephen Fry's Great Mythology, #3))
Me bastaba un simple roce o el olor para identificarle, y si me quedara ciego, podría reconocerle por el modo en que respiraba o en que pisaba el suelo. Le reconocería en el fin del mundo, incluso en la muerte.
Madeline Miller (The Song of Achilles)
The arrows of love, like Achilles' sword, carry with them the remedy for the wounds they cause.
Pierre Choderlos de Laclos (Les Liaisons dangereuses)
I thought of how many nights I had lain awake in this room, loving him in silence
Madeline Miller (The Song of Achilles)
The never ending ache of love and sorrow
Madeline Miller (The Song of Achilles)
A marriage for love, rare as cedars from the East.
Madeline Miller (The Song of Achilles)
I gaped at the cold shock of his beauty, deep-green eyes, features fine as a girl's. It struck from me a sudden, springing dislike. I had not changed so much, nor so well.
Madeline Miller (The Song of Achilles)
He was spring. golden and bright. Envious Death would drink his blood, and grow young again.
Madeline Miller (The Song of Achilles)
She thought that she had power to drive a wedge between us, but she had nothing.
Madeline Miller (The Song of Achilles)
I did not hear them. His presence was like a stone in my shoe, impossible to ignore.
Madeline Miller (The Song of Achilles)
Briseis is kneeling by my body. She has brought water and cloth, and washes the blood and dirt from my skin. Her hands are gentle, as though she washes a baby, not a dead thing. Achilles opens the tent, and their eyes meet over my body. "Get away from him," he says. "I am almost finished. He does not deserve to lie in filth." "I would not have your hands on him." Her eyes are sharp with tears. "Do you think you are the only one who loved him?" "Get out. Get out!" "You care more for him in death than in life." Her voice is bitter with grief. "How could you have let him go? You knew he could not fight!" Achilles screams, and shatters a serving bowl. "Get out!" Briseis does not flinch. "Kill me. It will not bring him back. He was worth ten of you. Ten! And you sent him to his death!" The sound that comes from him is hardly human. "I tried to stop him! I told him not to leave the beach!" "You are the one who made him go." Briseis steps towards him. "He fought to save you, and your darling reputation. Because he could not bear to see you suffer!" Achilles buries his face in his hands. But she does not relent. "You have never deserved him. I do not know why he ever loved you. You care only for yourself!" Achilles' gaze lifts to meet hers. She is afraid, but does not draw back. "I hope that Hector kills you." The breath rasps in his throat. "Do you think I do not hope the same?" he asks.
Madeline Miller (The Song of Achilles)
I had seen the way he looked at Deidameia; or rather the way he did not. It was the same way he had looked at the boys in Phthia, blank and unseeing. He had never, not once, looked at me that way.
Madeline Miller (The Song of Achilles)
The Triumph Of Achilles In the story of Patroclus no one survives, not even Achilles who was nearly a god. Patroclus resembled him; they wore the same armor. Always in these friendships one serves the other, one is less than the other: the hierarchy is always apparent, though the legends cannot be trusted-- their source is the survivor, the one who has been abandoned. What were the Greek ships on fire compared to this loss? In his tent, Achilles grieved with his whole being and the gods saw he was a man already dead, a victim of the part that loved, the part that was mortal.
Louise Glück
Life, friends, is boring. We must not say so. After all, the sky flashes, the great sea yearns, we ourselves flash and yearn, and moreover my mother told me as a boy (repeatingly) "Ever to confess you're bored means you have no Inner Resources." I conclude now I have no inner resources, because I am heavy bored. Peoples bore me, literature bores me, especially great literature, Henry bores me, with his plights & gripes as bad as Achilles, who loves people and valiant art, which bores me. And the tranquil hills, & gin, look like a drag and somehow a dog has taken itself & its tail considerably away into the mountains or sea or sky, leaving behind: me, wag.
John Berryman (77 Dream Songs)
When he says “ily”, but Achilles once said “i would recognize you in total darkness, were you mute and i deaf. i would recognize you in another lifetime entirely, in different bodies, different times. and i would love you in all of this, until the very last star in the sky burnt out into oblivion.
Madeline Miller
HECUBA: I had a knife in my skirt, Achilles. When Talthybius bent over me, I could have killed him. I wanted to. I had the knife just for that reason. Yet, at the last minute I thought, he's some mother's son just as Hector was, and aren't we women all sisters? If I killed him, I thought, wouldn't It be like killing family?Wouldn't it be making some other mother grieve? So I didn't kill him, but if I had, I might have saved Hector's child. Dead or damned, that's the choice we make. Either you men kill us and are honored for it, or we women kill you and are damned for it. Dead or damned. Women don't have to make choices like that in Hades. There is no love there, nothing to betray.
Sheri S. Tepper (The Gate to Women's Country)
Because you made me feel, Flick. Everyone is so predictable, but you? You showed up and rocked my world.
Emma Winters (Equal Parts)
he buired his face in his hands and did not speak. i held him and whispered all the bits of broken comfort i could find.
Madeline Miller (The Song of Achilles)
I listened and did not speak. Achilles' eyes were bright in the firelight, his face drawn sharply by the flickering shadows. I would know it in dark or disguise, I told myself. I would know it even in madness.
Madeline Miller (The Song of Achilles)
The never-ending ache of love and sorrow. Perhaps in some other life I could have refused, could have torn my hair and screamed, and made him face his choice alone. But not in this one. He would sail to Troy and I would follow, even into death. Yes, I whispered. Yes.
Madeline Miller (The Song of Achilles)
Because you were foolish enough to love one place, now you are homeless, an orphan in a succession of shelters. You did not prepare yourself sufficiently. Before your eyes, two people were becoming old; I could have told you two deaths were coming. There has never been a parent kept alive by a child’s love. Now, of course, it’s too late – you were trapped in the romance of fidelity. You kept going back, clinging to two people you hardly recognized after what they’d endured. If once you could have saved yourself, now that time’s past: you were obstinate, pathetically blind to change. Now you have nothing: for you, home is a cemetery. I’ve seen you press your face against the granite markers – you are the lichen, trying to grow there. But you will not grow, you will not let yourself obliterate anything.
Louise Glück (The Triumph of Achilles)
He stands apart with Patroclus, his beloved through all eternity, and Patroclus - who loves Achilles but not as much as he is loved - waits for Achilles to move. His deference to Achilles is different from that of others, They honour and respect him, keep a wise distance, because Achilles was better than the rest. Better at being human. Fighting, singing, speaking, raging (oh, he is good at that still). Killing. But Patroclus alone is humbled by Achilles' love. Only a fool thinks that to be more loved than loving gives you power. Only a fool vaunts it and displays his own littleness by bragging to his friends and making capricious demands of his lover. Patroclus isn't a fool. He knows that he is less than Achilles even in this. Humbled by the intensity of Achilles' love he loves him back with all his large, though lesser, heart.
Elizabeth Cook (Achilles)
Name one hero who was happy. You can't." He was sitting up now, leaning forward. He lifted an eyebrow. "I'll tell you a secret. I'm going to be the first." He took my palm and held it to his. "Swear it." "Why me?" "Because you're the reason. Swear it." "I swear it," I said, lost in the high color of his cheeks, the flame in his eyes. "I swear it," he echoed. We sat like that for a moment, hands touching. He grinned. "I feel like I could eat the world raw.
Madeline Miller (The Song of Achilles)
I reached for his hand and took it. "I have no need to forgive you. You cannot offend me." They were rash words, but I said them with all the conviction of my heart.
Madeline Miller (The Song of Achilles)
And then I remembered: he will never be old.
Madeline Miller (The Song of Achilles)
Several things happened at once then. Achilles - for it was Achilles - dropped Deidameia's hand and flung himself joyously at me, knocking me backwards with the force of his embrace.
Madeline Miller (The Song of Achilles)
Therapon was the word he used. A brother-in-arms sworn to a prince by blood oaths and love. In war, these men were his honor guard; in peace, his closest advisers. It was a place of highest esteem, another reason the boys swarmed Peleus’ son, showing off; they hoped to be chosen.
Madeline Miller (The Song of Achilles)
Will you come with me?” he asked. The never-ending ache of love and sorrow. Perhaps in some other life I could have refused, could have torn my hair and screamed, and made him face his choice alone. But not in this one. He would sail to Troy and I would follow, even into death. “Yes,” I whispered. “Yes.” Relief broke in his face, and he reached for me. I let him hold me, let him press us length to length so close that nothing might fit between us. Tears came, and fell. Above us, the constellations spun and the moon paced her weary course. We lay stricken and sleepless as the hours passed.
Madeline Miller (The Song of Achilles)
And you think to steal time from the Fates?” “Yes.” “Ah.” A sly smile spread across his face; he had always loved defiance. “Well, why should I kill him? He’s done nothing to me.” For the first time then, I felt a kind of hope.
Madeline Miller (The Song of Achilles)
We reached for each other, and I thought of how many nights I had lain awake in this room loving him in silence. Later, Achilles pressed close for a final, drowsy whisper. "If you have to go, you know I will go with you." We slept.
Madeline Miller (The Song of Achilles)
I had known contentment before, brief snatches of time in which I pursued solitary pleasure: skipping stones or dicing or dreaming. But in truth, it had been less a presence than an absence, a laying aside of dread: my father was not near, nor boys. I was not hungry, or tired, or sick. This feeling was different.
Madeline Miller (The Song of Achilles)
I lean down and drop a kiss on the top of his head. “Goodbye, Achilles,” I whisper, and I leave Maxen Ashley Colchester alone with his head in his hands. I leave and get in my car and go back home, remembering the feel of his hair on my lips. I will break from loving him, I think. I will split with it, burn with it. And yet, for the first time, I know what I have to do. I know that I’m a good man, I know that I’d be a good leader. I know that I can stop Melwas and keep Greer safe. I know how to do it. I have to become more than a prince. I have to become a king myself.
Sierra Simone (American Prince (New Camelot Trilogy, #2))
Her voice was low and lovely, carrying to every corner of the hall. "I do." It was all she said, but I felt the shiver go through the men around me. Even as a child I felt it, and I marveled at the power of this woman who, though veiled, could electrify a room. Her skin, we suddenly remembered, was rumored to be gilded, her eyes dark and shining as the slick obsidian that we traded our olives for. At that moment she was worth al the prizes in the center of the hall, and more. She was worth our lives.
Madeline Miller (The Song of Achilles)
Nor would I even begin to try to describe what she looks like as she’s telling the story, reliving it, she’s naked, hair spilling all down her back, sitting meditatively cross-legged amid the wrecked bedding and smoking ultralight Merits from which she keeps removing the filters because she claims they’re full of additives and unsafe—unsafe as she’s sitting there chain-smoking, which was so patently irrational that I couldn’t even bring—yes and some kind of blister on her Achilles tendon, from the sandals, leaning with her upper body to follow the oscillation of the fan so she’s moving in and out of a wash of moon from the window whose angle of incidence itself alters as the moon moves up and across the window—all I can tell you is she was lovely. The bottoms of her feet dirty, almost black. The moon so full it looks engorged.
David Foster Wallace (Brief Interviews with Hideous Men)
He was on his side, watching me. I had not heard him turn. I never hear him. He was utterly motionless, that stillness that was his alone. I breathed, and was aware of the bare stretch of dark pillow between us. He leaned forward. Our mouths opened under each other, and the warmth of his sweetened throat poured into mine. I could not think, could not do anything but drink him in, each breath as it came, the soft movements of his lips. It was a miracle.
Madeline Miller (The Song of Achilles)
For Achilles, the death of Patroclus pushed him into a fury, but it was not only grief that drove him. It was also a sense of shame and guilt because he had not been there to protect his friend. Sometimes men in combat feel this sort of survivor’s guilt even though, realistically, they could have done nothing to prevent their comrade’s death.
Nel Noddings (Peace Education: How We Come to Love and Hate War)
- 'I've never had a thing for homicidal charmers before.' - 'But now you do?' - 'Apparently.' -I muttered, knowing he could feel my raicing heartbeat under his chest. - 'Well, if it helps, I've never had a thing for beautiful, deceptively brave, innocent charmers before.' - 'And now you do?' His grin widened, taking on a wolfish look. - 'Definitely
Emma Winters (Equal Parts)
He was watching me, his eyes as deep as earth. “Will you come with me?” he asked. The never-ending ache of love and sorrow. Perhaps in some other life I could have refused, could have torn my hair and screamed, and made him face his choice alone. But not in this one. He would sail to Troy and I would follow, even into death. “Yes,” I whispered. “Yes.
Madeline Miller (The Song of Achilles)
I can’t.’ ‘I know. They never let you be famous and happy.’ He lifted an eyebrow. ‘I’ll tell you a secret.’ ‘Tell me.’ I loved it when he was like this. ‘I’m going to be the first.’ He took my palm and held it to his. ‘Swear it.’ ‘Why me?’ ‘Because you’re the reason. Swear it.’ ‘I swear it,’ I said, lost in the high colour of his cheeks, the flame in his eyes. ‘I swear it,’ he echoed.
Madeline Miller (The Song of Achilles)
If I could really love, I would take away these tubes dripping lipids and glucose into your blood. I would liquefy the things you love and flood them through your veins: our sleeping dogs' rhythmic breathing, huge orange trumpets of the amaryllis we thought would never bloom, the crunch of the gravel road coming home. If I could really love, I would climb onto your narrow back and wrap myself around, guarding like a ladybug, or Achilles' mighty shield.
Laurie Cooper
Her voice was low and lovely, carrying to every corner of the hall. “I do.” It was all she said, but I felt the shiver go through the men around me. Even as a child I felt it, and I marveled at the power of this woman who, though veiled, could electrify a room. Her skin, we suddenly remembered, was rumored to be gilded, her eyes dark and shining as the slick obsidian that we traded our olives for. At that moment she was worth all the prizes in the center of the hall, and more. She was worth our lives.
Madeline Miller (The Song of Achilles)
FAUSTUS: Was this the face that launched a thousand ships, And burnt the topless towers of Ilium? Sweet Helen, make me immortal with a kiss. Here will I dwell, for heaven is in those lips, And all is dross that is not Helena. I will be Paris, and for love of thee Instead of Troy shall Wittenberg be sacked, And I will combat with weak Menelaus, And wear thy colors on my plumed crest. Yea, I will wound Achilles in the heel, And then return to Helen for a kiss. Oh, thou art fairer than the evening's air, Clad in the beauty of a thousand stars. Brighter art thou than flaming Jupiter, When he appeared to hapless Semele: More lovely than the monarch of the sky, In wanton Arethusa's azure arms, And none but thou shalt be my paramour.
Christopher Marlowe (Dr. Faustus)
It little profits that an idle king, By this still hearth, among these barren crags, Matched with an aged wife, I mete and dole Unequal laws unto a savage race, That hoard, and sleep, and feed, and know not me. I cannot rest from travel; I will drink life to the lees. All times I have enjoyed Greatly, have suffered greatly, both with those that loved me, and alone; on shore, and when Through scudding drifts the rainy Hyades Vexed the dim sea. I am become a name; For always roaming with a hungry heart Much have I seen and known---cities of men And manners, climates, councils, governments, Myself not least, but honored of them all--- And drunk delight of battle with my peers, Far on the ringing plains of windy Troy. I am part of all that I have met; Yet all experience is an arch wherethrough Gleams that untraveled world whose margin fades Forever and forever when I move. How dull it is to pause, to make an end. To rust unburnished, not to shine in use! As though to breathe were life! Life piled on life Were all too little, and of one to me Little remains; but every hour is saved From that eternal silence, something more, A bringer of new things; and vile it were For some three suns to store and hoard myself, And this gray spirit yearning in desire To follow knowledge like a sinking star, Beyond the utmost bound of human thought. This is my son, my own Telemachus, To whom I leave the scepter and the isle--- Well-loved of me, discerning to fulfill This labor, by slow prudence to make mild A rugged people, and through soft degrees Subdue them to the useful and the good. Most blameless is he, centered in the sphere Of common duties, decent not to fail In offices of tenderness, and pay Meet adoration to my household gods, When I am gone. He works his work, I mine. There lies the port; the vessel puffs her sail; There gloom the dark, broad seas. My mariners, Souls that have toiled, and wrought, and thought with me--- That ever with a frolic welcome took The thunder and the sunshine, and opposed Free hearts, free foreheads---you and I are old; Old age hath yet his honor and his toil. Death closes all; but something ere the end, Some work of noble note, may yet be done, Not unbecoming men that strove with gods. The lights begin to twinkle from the rocks; The long day wanes; the slow moon climbs; the deep Moans round with many voices. Come, my friends. 'Tis not too late to seek a newer world. Push off, and sitting well in order smite the sounding furrows; for my purpose holds To sail beyond the sunset, and the baths Of all the western stars, until I die. It may be that the gulfs will wash us down; It may be that we shall touch the Happy Isles, And see the great Achilles, whom we knew. Though much is taken, much abides; and though We are not now that strength which in old days Moved earth and heaven, that which we are, we are--- One equal temper of heroic hearts, Made weak by time and fate, but strong in will To strive, to seek, to find, and not to yield.
Alfred Tennyson
I was astonished at her words, and said: 'Is this really true, O thou wise Diotima?' And she answered with all the authority of an accomplished sophist: 'Of that, Socrates, you may be assured;-think only of the ambition of men, and you will wonder at the senselessness of their ways, unless you consider how they are stirred by the love of an immortality of fame. They are ready to run all risks greater far than they would have run for their children, and to spend money and undergo any sort of toil, and even to die, for the sake of leaving behind them a name which shall be eternal. Do you imagine that Alcestis would have died to save Admetus, or Achilles to avenge Patroclus, or your own Codrus in order to preserve the kingdom for his sons, if they had not imagined that the memory of their virtues, which still survives among us, would be immortal? Nay,' she said, 'I am persuaded that all men do all things, and the better they are the more they do them, in hope of the glorious fame of immortal virtue; for they desire the immortal.
Plato
David Abrams’s Fobbit, Giorgio Agamben’s The Open, Omnia Amin and Rick London’s translations of Ahmed Abdel Muti Hijazi’s poetry, Peter Van Buren’s We Meant Well, Donovan Campbell’s Joker One, C. J. Chivers’s The Gun, Seth Connor’s Boredom by Day, Death by Night, Daniel Danelo’s Blood Stripes, Kimberly Dozier’s Breathing the Fire, Nathan Englander’s What We Talk About When We Talk About Anne Frank, Siobhan Fallon’s You Know When the Men Are Gone, Nathaniel Fick’s One Bullet Away, Dexter Filkins’s The Forever War, David Finkel’s The Good Soldiers, Jim Frederick’s Black Hearts, Matt Gallagher’s Kaboom, Jessica Goodell’s Shade It Black, J. Glenn Gray’s The Warriors, Dave Grossman’s On Killing and On Combat, Judith Herman’s Trauma and Recovery, Kirsten Holmstedt’s Band of Sisters, Karl Marlantes’s Matterhorn, Colum McCann’s Dancer, Patrick McGrath’s Trauma, Jonathan Shay’s Odysseus in America and Achilles in Vietnam, Roy Scranton’s essays and fiction, the Special Inspector for Iraq Reconstruction Report Hard Lessons, Bing West’s The Strongest Tribe and No True Glory, Kayla Williams’s Love My Rifle More Than You.
Phil Klay (Redeployment)
Every time, it’s a miracle. Here are all these people, full of heartache or hatred or desire, and we all have our troubles and the school year is filled with vulgarity and triviality and consequence, and there are all these teachers and kids of every shape and size, and there’s this life we’re struggling through full of shouting and tears and laughter and fights and break-ups and dashed hopes and unexpected luck—it all disappears, just like that, when the choir begins to sing. Everyday life vanishes into song, you are suddenly overcome with a feeling of brotherhood, of deep solidarity, even love, and it diffuses the ugliness of everyday life into a spirit of perfect communion. Even the singers’ faces are transformed: it’s no longer Achille Grand-Fernet that I’m looking at (he is a very fine tenor), or Déborah Lemeur or Ségolène Rachet or Charles Saint-Sauveur. I see human beings, surrendering to music.
Muriel Barbery (The Elegance of the Hedgehog)
In the modern era, teachers and scholarship have traditionally laid strenuous emphasis on the fact that Briseis, the woman taken from Achilles in Book One, was his géras, his war prize, the implication being that her loss for Achilles meant only loss of honor, an emphasis that may be a legacy of the homoerotic culture in which the classics and the Iliad were so strenuously taught—namely, the British public-school system: handsome and glamorous Achilles didn’t really like women, he was only upset because he’d lost his prize! Homer’s Achilles, however, above all else, is spectacularly adept at articulating his own feelings, and in the Embassy he says, “‘Are the sons of Atreus alone among mortal men the ones / who love their wives? Since any who is a good man, and careful, / loves her who is his own and cares for her, even as I now / loved this one from my heart, though it was my spear that won her’ ” (9.340ff.). The Iliad ’s depiction of both Achilles and Patroklos is nonchalantly heterosexual. At the conclusion of the Embassy, when Agamemnon’s ambassadors have departed, “Achilles slept in the inward corner of the strong-built shelter, / and a woman lay beside him, one he had taken from Lesbos, / Phorbas’ daughter, Diomede of the fair colouring. / In the other corner Patroklos went to bed; with him also / was a girl, Iphis the fair-girdled, whom brilliant Achilles / gave him, when he took sheer Skyros” (9.663ff.). The nature of the relationship between Achilles and Patroklos played an unlikely role in a lawsuit of the mid-fourth century B.C., brought by the orator Aeschines against one Timarchus, a prominent politician in Athens who had charged him with treason. Hoping to discredit Timarchus prior to the treason trial, Aeschines attacked Timarchus’ morality, charging him with pederasty. Since the same charge could have been brought against Aeschines, the orator takes pains to differentiate between his impulses and those of the plaintiff: “The distinction which I draw is this—to be in love with those who are beautiful and chaste is the experience of a kind-hearted and generous soul”; Aeschines, Contra Timarchus 137, in C. D. Adams, trans., The Speeches of Aeschines (Cambridge, MA, 1958), 111. For proof of such love, Aeschines cited the relationship between Achilles and Patroklos; his citation is of great interest for representing the longest extant quotation of Homer by an ancient author. 32
Caroline Alexander (The War That Killed Achilles: The True Story of Homer's Iliad and the Trojan War)