Torn Apart Quotes

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Religion. It's given people hope in a world torn apart by religion.
Jon Stewart
I heard every word between you. I knew you could take care of yourself, and yet … ” He went back to his pie, swallowing a bite before continuing. “And yet I found myself deciding that if you took his hand, I would find a way to live with it. It would be your choice.” I sipped from my wine. “And if he had grabbed me?” There was nothing but uncompromising will in his eyes. “Then I would have torn apart the world to get you back.
Sarah J. Maas (A Court of Mist and Fury (A Court of Thorns and Roses, #2))
I sipped from my wine. "And if he had grabbed me?" There was nothing but uncompromising will in his eyes. "Then I would have torn apart the world to get you back.
Sarah J. Maas (A Court of Mist and Fury (A Court of Thorns and Roses, #2))
Vengeous scowled. 'As you can see,' he said, 'you are vastly outnumbered.' I usually am.' Your situation has become quite untenable.' It usually does.' You are within moments of being swarmed by these filthy creatures of undeath and torn apart in a maelstrom of pain and fury.' Skulduggery paused. 'Okay, that's a new one on me.
Derek Landy (Playing with Fire (Skulduggery Pleasant, #2))
I know you'd risk everything to protect us, and that's what worries me. You still don't know enough about this world to be properly terrified. Things are going to get screwed eight ways from Sunday, and you're making goo-goo eyes at the enemy! I heard what happened in Machina's realm and yes, it scared the hell out of me. I love you, dammit. I'm not going to watch you get torn apart when everything goes bad.
Julie Kagawa (The Iron Daughter (The Iron Fey, #2))
What is that?" "A hunt," Puck replied, looking off into the distance. He grimaced. "You know, I was just thinking we needed to be run down like rabbits and torn apart. My day just isn't complete without something trying to kill me." -Puck
Julie Kagawa (The Iron King (The Iron Fey, #1))
Then I would have torn apart the world to get you back.
Sarah J. Maas (A Court of Mist and Fury (A Court of Thorns and Roses, #2))
The soul is "torn apart in a painful condition as long as it prefers the eternal because of its Truth but does not discard the temporal because of familiarity.
Augustine of Hippo (Confessions)
I know what loves are trembling into fire; how jealousy shoots its green flashes hither and thither; how intricately love crosses love; love makes knots; love brutally tears them apart. I have been knotted; I have been torn apart.
Virginia Woolf (The Waves)
In a world so torn apart by rivalry, anger, and hatred, we have the privileged vocation to be living signs of a love that can bridge all divisions and heal all wounds.
Henri J.M. Nouwen
You think weakness is a problem. I want to be torn apart by everything.
Terese Marie Mailhot (Heart Berries: A Memoir)
They were the screams of riders torn apart by the twisted reflections of their own inner selves.
Neal Shusterman (Full Tilt)
Reason flows from the blending of rational thought and feeling. If the two functions are torn apart, thinking deteriorates into schizoid intellectual activity and feeling deteriorates into neurotic life-damaging passions.
Erich Fromm (The Revolution of Hope: Toward a Humanized Technology)
He was acting like our kiss had broken him, and his reaction was breaking me.
Shannon A. Thompson (Seconds Before Sunrise (Timely Death, #2))
Count Olaf sounds like an awful person. I hope he is torn apart by wild animals someday. Wouldn't that be satisfying?
Lemony Snicket (The Reptile Room (A Series of Unfortunate Events, #2))
In general, the more dysfunctional the family the more inappropriate their response to disclosure. Never expect a sane response from an insane system.
Renee Fredrickson (Repressed Memories: A Journey to Recovery from Sexual Abuse (Fireside Parkside Books))
A great ring of pure & endless light Dazzles the darkness in my heart And breaks apart the dusky clouds of night. The end of all is hinted in the start. When we are born we bear the seeds of blight; Around us life & death are torn apart, Yet a great ring of pure and endless light Dazzles the darkness in my heart. It lights the world to my delight. Infinity is present in each part. A loving smile contains all art. The motes of starlight spark & dart. A grain of sand holds power & might. Infinity is present in each part, And a great ring of pure and endless light Dazzles the darkness in my heart.
Madeleine L'Engle (A Ring of Endless Light (Austin Family Chronicles, #4))
Edward glanced at me, then back at Olaf. "The Greeks believed that once there were no male and female, that all souls were one. Then the souls were torn apart, male and female. The Greeks thought that when you found the other half of your soul, your soul mate, that it would be your perfect lover. But I think if you find your other half, you would be too much alike to be lovers, but you would still be soul mates.
Laurell K. Hamilton (Obsidian Butterfly (Anita Blake, Vampire Hunter, #9))
For 179 years [The Book of Mormon] has been examined and attacked, denied and deconstructed, targeted and torn apart like perhaps no other religious history – perhaps like no other book in any religious history- and still it stands.” Jeffrey R. Holland
Jeffrey R. Holland
Terrible things are happening outside. At any time of night and day, poor helpless people are being dragged out of their homes. They’re allowed to take only a knapsack and a little cash with them, and even then, they’re robbed of these possessions on the way. Families are torn apart; men, women and children are separated. Children come home from school to find that their parents have disappeared. Women return from shopping to find their houses sealed, their families gone. The Christians in Holland are also living in fear because their sons are being sent to Germany. Everyone is scared. Every night hundreds of planes pass over Holland on their way to German cities, to sow their bombs on German soil. Every hour hundreds, or maybe even thousands, of people are being killed in Russia and Africa. No one can keep out of the conflict, the entire world is at war, and even though the Allies are doing better, the end is nowhere in sight.
Anne Frank (The Diary of a Young Girl)
I walked away from his offer. From him. I was torn apart by another betrayal—Cal’s betrayal, but also mine. I love you is a promise we both made, and we both broke. It should mean I choose you above all else. I want you more. I need you always. I cannot live without you. I will do anything to keep our lives from parting. But he wouldn’t. And I won’t.
Victoria Aveyard (War Storm (Red Queen, #4))
I would have torn this whole damn country apart looking for you," I said softly.
Alexandra Bracken (Never Fade (The Darkest Minds, #2))
She had never realized before her life was torn apart how awkward grief was, how inconvenient for everyone with whom the mourner came into contact. At first it was acknowledged and respected and deferred to. But after a while it got in the way—of conversation, of laughter, of normal life.
Paula Hawkins (Into the Water)
Now I know grief is a whetstone that sharpens all your love, all your happiest memories, into blades that tear you apart from within. Something has been torn out from inside me that will never be filled up, not ever, no matter how long I live. They say "time heals," but even now, less than a week after my father's death, I know that's a lie. What people really mean is that eventually you'll get used to the pain. You'll forget who you were without it; you'll forget what you looked like without your scars.
Claudia Gray (A Thousand Pieces of You (Firebird, #1))
...being torn apart by far too many loyalties that could not possibly live together in the same brain.
Jeff Lindsay (Darkly Dreaming Dexter (Dexter, #1))
Families are torn apart; men, women and children are separated.Children come back from school to find that their parents have disappeared. Women return from shopping to find their houses sealed, their families gone.
Anne Frank (The Diary of a Young Girl)
I’d allowed myself to feel love –yes, love– for another person in a way I’d once sworn to myself I never would. I’d become completely vulnerable, and now I’d been torn apart with hurt and catapulted onto a path I might never have taken otherwise. I’d risked my life for an outsider. For a stranger. Worse, I had a feeling I was going to do it again.
Kate Avery Ellison (Frost (The Frost Chronicles, #1))
It will be foolish not to get your heart broken, even once. For having a broken heart makes you realize the immense capability it possesses to mend and heal itself and to love far more intensely,with every affixed piece of it that was once broken and torn apart..
Sanhita Baruah
This is the way I want to die. Torn apart by angry fans who want me to play a different song.
Regina Spektor
It touched me so deeply that my soul felt as if it were being torn open, rent apart by this storm of feelings.
Kailin Gow (Forever Frost (Frost, #2))
I am not falling apart. I am being ripped at the seams, my insides torn out until I am hollow.
Louise O'Neill (Asking For It)
I remember it so well. Dying. It was the most painful thing I've ever experienced. I couldn't scream because my lungs were torn apart or full of blood. I don't know. I just had to lie there, trying to breathe, hoping to drop dead as quickly as possible. And the whole time, the whole time I kept thinking about how I'd spent my entire life being a coward, and how it got me nowhere. And I knew that if I had the chance to do it all again, I'd do it differently. I promised myself I'd finally stop being afraid.
Tahereh Mafi (Ignite Me (Shatter Me, #3))
It was all a big joke. I could see that now. There was no rhyme or reason to whether we lived or died. One day it might be the man next to you at roll call who is torn apart by dogs. The next day it might be you who is shot through the head. You could play the game perfectly and still lose, so why bother playing at all?
Alan Gratz (Prisoner B-3087)
Our family was nearly torn apart on several occasions by arguments started when the refrigerator door was open for what my father deemed as ‘too long.
Wes Locher (Musings on Minutiae)
The novel I am constantly writing is always the same one, and it might be described as a variously sliced-up or torn-apart book of myself.
Robert Walser
Grace had torn me apart and put me back together so many times that I'd started to believe that was what I wanted. A kintsukuroi relationship, more beautiful for having been broken. But something can only be shattered so many times before it becomes irreparable...
Krystal Sutherland (Our Chemical Hearts)
Every authentic poem contributes to the labor of poetry… to bring together what life has separated or violence has torn apart… Poetry can repair no loss, but it defies the space which separates. And it does this by its continual labor of reassembling what has been scattered.
John Berger
[Happily broken] arms unlocked. Eyes wide open. Eager. Torn apart. Heart explosive. Fingers composing [Happily broken]. Come in, come in. I am ready. I am open. Happy to be open [Happily broken].
Coco J. Ginger
Souls bound together can't be forever torn apart by distance and neither by death.
Patti Callahan Henry (When Light Breaks)
I think the heart is kind of like a string. It's difficult and hard, and there are times it can't be helped. And that's because it hurts as if a string, stretched across the chest, is being torn apart. Like strumming a guitar string tightened to its limit. Sometimes it snaps, and you think it can't be fixed anymore. But, if you put a new string like this, and have someone fix it for you, won't the wound heal, even just a little bit?
Natsuki Kizu
When Nico had woken up at Barrachina and found the Hunters’ note about kidnapping Reyna, he’d torn apart the courtyard in rage. He didn’t want the Hunters stealing another important person from him. Fortunately, he’d got Reyna back, but he didn’t like how brooding she had become. Every time he tried to ask her about the incident on the Calle San Jose – those ghosts on the balcony, all staring at her, whispering accusations – Reyna shut him down.
Rick Riordan (The Blood of Olympus (The Heroes of Olympus, #5))
This was my love, her love --torn, damaged, broken, ripped apart and put back together. This was our tattered love.
Lola Stark (Tattered Love (Needle's Kiss, #1))
In that inevitable, excruciatingly human moment, we are offered a powerful choice. This choice is perhaps one of the most vitally important choices we will ever make, and it determines the course of our lives from that moment forward. The choice is this: Will we interpret this loss as so unjust, unfair, and devastating that we feel punished, angry, forever and fatally wounded-- or, as our heart, torn apart, bleeds its anguish of sheer, wordless grief, will we somehow feel this loss as an opportunity to become more tender, more open, more passionately alive, more grateful for what remains?
Wayne Muller (A Life of Being, Having, and Doing Enough)
I thought, this is what it’s like to be torn apart for love. This is what it means to be reborn.
Sierra Simone (Priest (Priest, #1))
Perhaps you know someone whose heart clutches onto the bittersweet memory of the one who got away. Someone who secretly bears the weight of this imperceptible burden wherever he or she goes, every day of his or her life. Someone who’d gladly travel back in a time machine to a day when paths diverged, to mend together that which has been torn apart, setting destiny back on its rightful track — if only he or she could. Perhaps you know this someone better than you think. And should this someone happen to be you, may you find strength and support in the millions of others who shoulder this burden with you, and may you be reintroduced one day to true love… in this lifetime and whatever comes after.
Sebastian Cole (Sand Dollar: A Story of Undying Love)
When you must choose a new path, do not bring old experiences with you. Those who strike out afresh, but who attempt to retain a little of the old life, end up torn apart by their own memories.
Paulo Coelho (Warrior of the Light - Volume 1)
For I must wander On the deep sea bed Showering pearls on dead men Gathering shells And sweeping the shadows of passing boats With my falling hair Across the sliding sands into the mouth of hell
Joyce Mansour (Torn Apart)
You think we're a family,' Cody said, turning back. 'You think we're some jolly, situation-comedy family when we're in particles, torn apart, torn all over the place, and our mother was a witch.
Anne Tyler (Dinner at the Homesick Restaurant)
Thus I fled, ridiculous hairy creature torn apart by poetry
John Gardner (Grendel)
A beautiful innocent soul had been torn apart. The one who had always stood for the right thing had been badly wronged.
Ravinder Singh (Your Dreams Are Mine Now)
He was everything; he was nothing. She was torn apart in a thousand directions but there was only one and it was forward. There was nothing else but this.
Emily A. Duncan (Ruthless Gods (Something Dark and Holy, #2))
Kate, I'm not always the best at expressing myself to you, so I'm taking advantage of the fact that I will be completely unresponsive when you read this, and therefore incapable of messing things up. I want to thank you for giving me a chance. When I first saw you, I knew I had found something incredible. And since then all I've wanted was to be with you as much as possible. When I thought I had lost you, I was torn between wanting you back and wanting the best for you—wanting you to be happy. Seeing you so miserable during the weeks we were apart gave me the courage to fight for us . . . to find a way for things to work. And seeing you happy again in the days we've been back together makes me think I did the right thing. I can't promise you an ordinary experience, Kate. I wish I could transform myself into a normal man and be there for you, always, without the trauma that defines my life as "the walking dead." Since that isn't possible, I can only reassure you that I will do everything in my power to make it up to you. To give you more than a normal boyfriend could. I have no idea what that will mean, exactly, but I'm looking forward to finding out. With you. Thank you for being here, my beauty. Mon ange. My Kate. Yours utterly, Vincent
Amy Plum (Die for Me (Revenants, #1))
What do you even want with my sorrow? You are so inefficient with pain—I realized you never had to cultivate it the way I did. The way Indian women do. You think weakness is a problem. I want to be torn apart by everything.
Terese Marie Mailhot (Heart Berries)
Too much possibility is the attempt by the person to overvalue the powers of the symbolic self. It reflects the attempt to exaggerate one half of the human dualism at the expense of the other. In this sense, what we call schizophrenia is an attempt by the symbolic self to deny the limitations of the finite body; in doing so, the entire person is pulled off balance and destroyed. It is as though the freedom of creativity that stems from within the symbolic self cannot be contained by the body, and the person is torn apart. This is how we understand schizophrenia today, as the split of self and body, a split in which the self is unanchored, unlimited, not bound enough to everyday Things, not contained enough in dependable physical behavior.
Ernest Becker (The Denial of Death)
Deep, choking sobs that sounded like his soul was being torn apart. He clutched at his father and Max took his in his arms. "I am so sorry dad." Kyle sobbed. "And I forgive you because that is what fahters do" said Max
Clive Cussler (Plague Ship [A Novel Of The Oregon Files])
We are the centuries... We have your eoliths and your mesoliths and your neoliths. We have your Babylons and your Pompeiis, your Caesars and your chromium-plated (vital-ingredient impregnated) artifacts. We have your bloody hatchets and your Hiroshimas. We march in spite of Hell, we do – Atrophy, Entropy, and Proteus vulgaris, telling bawdy jokes about a farm girl name of Eve and a traveling salesman called Lucifer. We bury your dead and their reputations. We bury you. We are the centuries. Be born then, gasp wind, screech at the surgeon’s slap, seek manhood, taste a little godhood, feel pain, give birth, struggle a little while, succumb: (Dying, leave quietly by the rear exit, please.) Generation, regeneration, again, again, as in a ritual, with blood-stained vestments and nail-torn hands, children of Merlin, chasing a gleam. Children, too, of Eve, forever building Edens – and kicking them apart in berserk fury because somehow it isn’t the same. (AGH! AGH! AGH! – an idiot screams his mindless anguish amid the rubble. But quickly! let it be inundated by the choir, chanting Alleluias at ninety decibels.)
Walter M. Miller Jr. (A Canticle for Leibowitz (St. Leibowitz, #1))
I was all put back together, but had never felt more torn apart.
P.T. Michelle (Brightest Kind of Darkness (Brightest Kind of Darkness, #1))
The Nazis had broken our windows and torn apart our furniture, but they had not destroyed our selves.
Robert Sharenow (The Berlin Boxing Club)
You can't put something together again unless you've torn it apart first.
Steven Brust
There is a great new work before us, which is to replace with true knowledge the ignorance that has destroyed human minds. We will construct unity in a world [which] has been brutally torn apart by false divisions of race, religion, gender, nationality, and age. We will heal with unconditional love those souls whose hearts have been disfigured by hatred and loneliness.
Aberjhani (Songs from the Black Skylark zPed Music Player)
kept it from turning into one of those ‘plantation venues’ white people book for weddings.” She wrinkles her nose in derision. “Getting married, right where we were butchered and assaulted, raped, whipped, and starved, families torn apart. Taking family photos on top of centuries of blood and death. Shit is fucking gross.
Tracy Deonn (Bloodmarked (Legendborn, #2))
One heart, one mind, one soul. What is joined by choice can never be torn apart. You're mine, and I'm yours. Yesterday, today, and forever.
Sophie Lark (Anastasia)
How you do you leave the past behind when it keeps finding ways to get to your heart? It reaches way down deep and tears you up till you're torn apart.
Jonathan Larson
She would have torn apart kingdoms for this woman. She would have followed her to the gates of hell and back. This was her ruler. This was whom she was meant to serve.
R.F. Kuang (The Poppy War (The Poppy War, #1))
Our broken puzzle pieces are finally firmly in place, and they’ll never be torn apart again.
Leigh Rivers (Restitution (The Edge of Darkness, #3))
We must mend what has been torn apart, make justice imaginable again in a world so obviously unjust, give happiness a meaning once more to peoples poisoned by the misery of the century.
Albert Camus (Lyrical and Critical Essays (A Vintage Book))
Wherever you turn, you run up against your childhood and hurt yourself because it’s sharp-edged and hard, and stops only when it has torn you completely apart. It seems that everyone has their own and each is totally different. My brother’s childhood is very noisy, for example, while mine is quiet and furtive and watchful. No one likes it and no one has any use for it.
Tove Ditlevsen (Childhood (The Copenhagen Trilogy, #1))
... a man's spirit could be torn apart and cease and yet his body keep on living...His spirit blasted away so that he had become lonesome and estranged from all around him...It seemed a poor swap to find that the only way one might keep from fearing death was to act numb and set apart as if dead already.
Charles Frazier (Cold Mountain)
I'm not good at losing people, Amani, and you know I don't give a damn about this country." The rest of him was still now, something solid to hang on to. But his fingers were sliding into my hair, making me shiver. "I give a damn about you and you are this place. I thought I had to do without you if you were so determined to leave the world. But then you were gone and I would have torn the desert apart looking for you.
Alwyn Hamilton (Traitor to the Throne (Rebel of the Sands, #2))
Believing things that aren’t true for us at the deepest level is the commonest way in which we lose our integrity. Then suffering arises—not as punishment, but as a signal that we’re being torn apart. The purpose of suffering is to help us locate our internal divisions, reclaim our reality, and heal these inner rifts.
Martha Beck (The Way of Integrity: Finding the Path to Your True Self)
Winning cannot become your habit unless defeats have torn you apart and you sit in the battle field stitching back yourself one piece at a time laughing in the faces of all defeats.
Chetan M. Kumbhar (Panasu The Golden City & The Capasstars)
Count yourself lucky. I watched my entire family as they were eaten alive by the very pack of animals you have downstairs in your house with your child. The blood of my parents flowed from their bodies through the floorboards and drenched me while I lay in terror of being torn apart by them. I was only a year older than your child when it happened. My parents gave their lives for mine and I watched as they gave them. So you’ll have to excuse me if I have a hard time thinking good of any animal except those who are dead or caged. (Angelia)
Sherrilyn Kenyon (Dead After Dark)
This was nonsense, he thought. The need of her was a physical thing, like the thirsty of a sailor becalmed for weeks on the sea. He'd felt the need before, often, often, in their years apart. But why now? She was safe; he knew where she was - was it only the exhaustion of the past weeks and days, or perhaps the weakness of creeping age that made his bones ache, as though she had in fact been torn from his body, as God had made Eve from Adam's rib?
Diana Gabaldon (A Breath of Snow and Ashes (Outlander, #6))
In practicing the Japanese art of Kintsukuroi, one repairs broken pottery by filling in the cracks with gold, silver, or platinum. The choice to highlight the breaks with precious metals not only acknowledges them, but also pays tribute to the vessel that has been torn apart by the mutability of life. The previously broken object is considered more beautiful for its imperfections. In life, too, even greater brilliance can be found after mending.
Michele Harper (The Beauty in Breaking)
It hurts to be torn apart.
Hillary Rodham Clinton (What Happened)
One of my predecessors used to have people torn apart by wild tortoises.
Terry Pratchett (Making Money (Discworld, #36; Industrial Revolution, #5; Moist von Lipwig, #2))
Sometimes a soul gets pieced together wrong. But you can’t just fix it—it has to get torn apart and put back the right way.
Lila Felix (Dethroning Crown)
Perishing for love of Lia was one of the major causes of death in Eyam, up there with being eaten by monsters, torn apart by ghouls, and plague
Sarah Rees Brennan (Long Live Evil (Time of Iron, #1))
If my life were a book, I would have masking tape holding my hinges together. My pages would be loose, my edges tattered and my boards exposed, the front flyleaf torn and the leather mottled and moth-eaten. I'd have to take myself apart and put myself back together, as any good book restoration expert would do.
Kate Carlisle (If Books Could Kill (Bibliophile Mystery #2))
We must mend what has been torn apart, make justice imaginable again in a world so obviously unjust, give happiness a meaning once more to peoples poisoned by the misery of the century. Naturally, it is a superhuman task. But superhuman is the term for tasks [we] take a long time to accomplish, that’s all.
Albert Camus
what you brought from your past, is of no use in your present. When you must choose a new path, do not bring old experiences with you. Those who strike out afresh, but who attempt to retain a little of the old life, end up torn apart by their own memories.
Paulo Coelho (Warrior of the Light - Volume 1)
54. The children of the Spanish lion, said Ruben Dario, a born optimist. The children of Walt Whitman, Jose Marti, and Violeta Parra; torn apart, forgotten, in mass graves, at the bottom of the sea, the Trojan destiny of their mingled bones terrifying the survivors.
Roberto Bolaño (Last Evenings on Earth)
I know what loves trembling into fire; how jealousy shoots its green flashes hither and thither; how intricately love crosses love; love makes knots; love brutally tears them apart. I have been knotted, I have been torn apart.
Virginia Woolf
Families stay together because of active decisions, because of patters that turn into tribunals, and they are torn apart most often not by anger or feuds but by careless inertia.0
Wright Thompson (Pappyland: A Story of Family, Fine Bourbon, and the Things That Last)
publicly raped by a specially trained giraffe, after which she was torn apart by wild animals.
Harold Schechter (The Serial Killer Files: The Who, What, Where, How, and Why of the World's Most Terrifying Murderers)
I was torn apart. But you, my knight, you found all the pieces and put me back together.
Juliette Cross (The Deepest Well (Dominion #0)))
All those words,' she whispered, 'so diligently placed together, and so pointlessly torn apart.
Jasper Fforde (Shades of Grey (Shades of Grey, #1))
He supplied words, but demanded tears and being torn apart as payment
Dave Connis (Suggested Reading)
We were two halves of a heart, torn apart, bleeding and aching to be stitched back together again.
Sophie Lark (Bloody Heart (Brutal Birthright, #4))
That's what's so great about the story. It's real. What I mean is, even if it didn't actually happen-and there's debate about the Legends and Greivances section, and whether it's historically accurate-it shows the world truthfully. I remember feeling just like that baby: torn apart by feeling, split in two caught between loyalties and desires. That's how the diseased world is. That's how it was for me, before I was cured.
Lauren Oliver (Requiem (Delirium, #3))
My world has been torn apart and stitched back together too many times, and now I exist only as a tattered patchwork of myself - unable to think, unable to feel anything other than numbness.
Amie Kaufman
Let me tell you a story, Alix. This ship…the Talia? It’s named after my father’s older sister. She killed herself when she was fourteen because she couldn’t stand living the horror of her life for another day. With her death she both condemned and freed my father from his monster of a father. I never knew the pain of her life or his. But I named this ship after her to remind me of all the children out there like her and Omari…the children out there like your sister who are silent in their pain. They have no voice and no hope. But I hear them. Every time I think of my parents. Every time I see Omari, I hear the sobs that are kept inside for fear of it making their lives worse, and I will not stand by and see your sister torn apart by an animal. You help me nail him and I swear to you, I will lay Merjack down at your feet and hold him there while you take your revenge. (Devyn)
Sherrilyn Kenyon (Born of Ice (The League: Nemesis Rising, #3; The League: Nemesis Legacy, #2))
To everyone else you’re like this perfect little doll, but I can see how fractured and torn apart you are inside,” he breathed. “I can see the cracks in the perfection. I can see the poison that’s tainting your essence. And every break, every scar and burn and fissure in your soul only makes it more beautiful. Only makes you more perfect to me. This pain is strength. This agony is beauty.
Caroline Peckham (Dark Fae (Ruthless Boys of the Zodiac, #1))
I felt that I was breaking him apart as much as I was breaking myself apart. I imagined that pain in his mercury eyes and the silent tears whispered their way down my cheeks. Silent tears are the worst kind, the kind that shows the most pain and they were all I had left. The Fates had left me cold, with half a heart and a torn apart soul.
Cassandra Giovanni, Let the Fates Decide
shows the destructive forces that affect young women. As a girl, Ophelia is happy and free, but with adolescence she loses herself. When she falls in love with Hamlet, she lives only for his approval. She has no inner direction ; rather she struggles to meet the demands of Hamlet and her father. Her value is determined utterly by their approval. Ophelia is torn apart by her efforts to please. When Hamlet spurns her because she is an obedient daughter, she goes mad with grief. Dressed in elegant clothes that weigh her down, she drowns in a stream filled with flowers.
Mary Pipher (Reviving Ophelia)
It is indeed becoming more and more difficult, even senseless, for me to write an official English. And more and more my own language appears to me like a veil that must be torn apart in order to get at the things (or the Nothingness) behind it. Grammar and style. To me they have become as irrelevant as a Victorian bathing suit or the imperturbability of a true gentleman. A mask. Let us hope the time will come, thank God that in certain circles it has already come, when language is most efficiently used where it is being most efficiently misused. As we cannot eliminate language all at once, we should at least leave nothing undone that might contribute to its falling into disrepute. To bore one hole after another in it, until what lurks behind it - be it something or nothing - begins to seep through; I cannot imagine a higher goal for a writer today.
Samuel Beckett (The Letters of Samuel Beckett: Volume 1, 1929-1940)
As hard as birth can be, Brienne, what comes after is even harder. At times I feel as though I am being torn apart. Would that there were five of me, one for each child, so I might keep them all safe." - Lady Catelyn
George R.R. Martin (A Clash of Kings (A Song of Ice and Fire, #2))
The universe was exploding, each particle away from the next, hurtling us into dark and lonely space, eternally tearing us away from each other—child out of the womb, friend away from friend, moving from each other, each through his own pathway toward the goal-box of solitary death. But this was the counterweight, the act of binding and holding. As when men to keep from being swept overboard in the storm clutch at each other’s hands to resist being torn apart, so our bodies fused a link in the human chain
Daniel Keyes (Flowers for Algernon)
Peter pushed off from the roof and stalked a few feet away, his back to her. “Please tell me this is all some kind of a sick joke.” “It’s the truth. All of it. That’s why hunters are after me.” “How did they find out?” Peter asked, swiveling toward her now. “I think Beck ratted me out. I went to his house this morning and told him what had happened. He was furious, Peter. I’ve never seen anyone that angry.” “Duh! Now there’s a surprise,” her friend replied sarcastically. “I saw the way he looked at you at your dad’s funeral. Of course he’d be mad. You’re about the only one on the planet who doesn’t realize how he feels about you.” “He never said anything,” she retorted. “Hey, we guys don’t blurt out that kind of stuff,” he replied. “It’s against the man code. Beck may never have said how he felt, but everything he did for you should have been a big clue. I mean, come on, how slow are you?” She glowered at her friend. “I figured he was doing it because of my father.” “Maybe, but the guy is really into you, Riley.” “No way. If he’d liked me, he wouldn’t have blown me off and—” “Ancient history, girl!” he countered. “You were, what, fifteen? Your dad would have torn him apart if he’d touched you. Beck had no other choice.” “He didn’t have to be so mean.” “God, will you listen to yourself?” Peter retorted. “You have no idea how much he hurt me,” she shot back. “Give it up, will you? You’re my best friend, but you can be a real self-centered asshat sometimes.
Jana Oliver (Forgiven (The Demon Trappers, #3))
She and I are love and war. Peace and violence. I have taught her how to be a worse person, and she’s taught me how to be a better one. I fuel her hate, and she fuels my love. I’ve torn the world apart and now I need my queen to help me stitch humanity back together, and my heart along with it.
Laura Thalassa (The Queen of All that Lives (The Fallen World, #3))
When the world was in darkness and wretchedness, it could believe in perfection and yearn for it. But when the world became bright with reason and riches, it began to sense the narrowness of the needle’s eye, and that rankled for a world no longer willing to believe or yearn. Well, they were going to destroy it again, were they - this garden Earth, civilized and knowing, to be torn apart again that man might hope again in wretched darkness.
Walter M. Miller Jr.
One day, it will all make sense, it will all be revealed. Until then, we learn to live and accept our shadows, our Déjà vu's, our dreams, our intuition that takes us to places that our minds never conceived, our bodies only perceived and our souls gladly remembered. Conversations and experiences amuse me, for I am experimenting with my feelings in ways that I can only do down here. Language makes up for a very interesting, yet bizarre way of putting thoughts into spoken form for the sound to move on in other peoples' ears, but every language, every sound, every word carries with it a long history, a deep culture and the souls of the many people who have previously used it throughout the centuries. Our hearts give us direction, hope and the passion to keep moving forward.. But what we do when they're frozen, broken, torn apart by an unhealthy way of living is what gives us new strength to push forward or kills us completely. Deep inside, we feed the entities that empower the fight between our internal demons and angels. We feed them with our thoughts, our emotions, our self-talk and the external talk that we lower our shields to at times. Whether good or bad, this brings about a change internally and at times there isn't much we can do to protect ourselves. At times, we need to let things be and go along with it. Of course, we're all worried, stressed, confused and lacking direction at times and we're in the same way at peace, stable and walking in the right direction once we get things sorted. Give it some time, give it some light, give it some love. You're not very far away.
Virgil Kalyana Mittata Iordache
Every soul is wretched that becomes bound in friendship to perishable things. The soul is torn apart when the thing loved is lost. The wretchedness was perhaps always there, masked by the beloved thing that has been stripped away.
Augustine of Hippo (The Confessions of St. Augustine: Modern English Version)
It wouldn’t bring her back.” “I know. Trust me, I do. And I would have done far worse,” he says, “if I’d thought there was a way to bring Regina back. I would have traded places. I would have sold souls. I would have torn this world apart. I would have done anything, broken any rule, just to bring her back.
Victoria Schwab (The Archived (The Archived, #1))
We were custodians of an invaluable treasure that existed, unseen, inside us; we were precious flowers that had to be kept safely inside glass houses, or else we would be ambushed and our petals would be torn off and our treasure would be stolen and we would be ripped apart and trampled by the ravenous men who might lurk around any corner, out there in the wide sharp-edged sin-ridden world.
Margaret Atwood (The Testaments (The Handmaid’s Tale, #2))
we were precious flowers that had to be kept safely inside glass houses, or else we would be ambushed and our petals would be torn off and our treasure would be stolen and we would be ripped apart and trampled by the ravenous men who might lurk around any corner, out there in the wide sharp-edged sin-ridden world.
Margaret Atwood (The Testaments (The Handmaid's Tale, #2))
When You Return Fallen leaves will climb back into trees. Shards of the shattered vase will rise and reassemble on the table. Plastic raincoats will refold into their flat envelopes. The egg, bald yolk and its transparent halo, slide back in the thin, calcium shell. Curses will pour back into mouths, letters un-write themselves, words siphoned up into the pen. My gray hair will darken and become the feathers of a black swan. Bullets will snap back into their chambers, the powder tamped tight in brass casings. Borders will disappear from maps. Rust revert to oxygen and time. The fire return to the log, the log to the tree, the white root curled up in the un-split seed. Birdsong will fly into the lark’s lungs, answers become questions again. When you return, sweaters will unravel and wool grow on the sheep. Rock will go home to mountain, gold to vein. Wine crushed into the grape, oil pressed into the olive. Silk reeled in to the spider’s belly. Night moths tucked close into cocoons, ink drained from the indigo tattoo. Diamonds will be returned to coal, coal to rotting ferns, rain to clouds, light to stars sucked back and back into one timeless point, the way it was before the world was born, that fresh, that whole, nothing broken, nothing torn apart.
Ellen Bass (Like a Beggar)
This was the way we loved, until the night became a silent day. And as I lay there with her I could see how important physical love was, how necessary it was for us to be in each other's arms, giving and taking. The universe was exploding, each particle away from the next, hurtling us into dark and lonely space, eternally tearing us away from each other - child out of the womb, friend away from friend, moving from each other, each through his own pathway toward the goal-box of solitary death. But this was the counterweight, the act of binding and holding. As when men to keep from being swept overboard in the storm clutch at each other's hands to resist being torn apart, so our bodies fused a link in the human chain that kept us from being swept into nothing.
Daniel Keyes
Everyone was embarrassed. She had never realized before her life was torn apart how awkward grief was, how inconvenient for everyone with whom the mourner came into contact. At first it was acknowledged and respected and deferred to. But after a while it got in the way—of conversation, of laughter, of normal life. Everyone wanted to put it behind them, to get on with things, and there you were, in the way, blocking the path,
Paula Hawkins (Into the Water)
Violent action is unclear to most of those who get caught up in it. Experience is fragmentary; cause and effect,why and how, are torn apart. Only sequence exists. First this then that. And afterward, for those who survived, a lifetime of trying to understand
Salman Rushdie (Fury)
Tear people open when they pull out their gallbladder or remove their appendix? There’s really no other sort of surgery where the doctor prefers to just let you get torn apart rather than cut you, and I’m assuming that’s because gynecologists are just really lazy.
Jenny Lawson
When the world was in darkness and wretchedness, it could believe in perfection and yearn for it. But when the world became bright with reason and riches, it began to sense the narrowness of the needle's eye, and that rankled for a world no longer willing to believe or yearn. Well, they were going to destroy it again, were they - this garden Earth, civilized and knowing, to be torn apart again that man might hope again in wretched darkness.
Walter M. Miller Jr. (A Canticle for Leibowitz (St. Leibowitz, #1))
I returned from the village. The house seemed unbearably dull. But I bore it. "There is no escape from loneliness and separation...." I told myself often. "Wife, child, brothers, parents, friends.... We come together only to go apart again. It is one continuous movement. They move away from us as we move away from them. The law of life can't be avoided. The law comes into operation the moment we detach ourselves from our mother's womb. All struggle and misery in life is due to our attempt to arrest this law or get away from it or in allowing ourselves to be hurt by it. The fact must be recognized. A profound unmitigated loneliness is the only truth of life. All else is false. My mother got away from her parents, my sisters from our house, I and my brother away from each other, my wife was torn away from me, my daughter is going away with my mother, my father has gone away from his father, my earliest friends - where are they? They scatter apart like the droplets of a waterspray. The law of life. No sense in battling against it...." Thus I reconciled myself to this separation with less struggle than before.
R.K. Narayan (The English Teacher)
We were like bananas. Stuck together, we were ripe and yellow. But the moment one was torn apart, all the rest turned black and rotten.
Kit Lyman (Satan's Garden)
When I looked back, all I could see were flashes of green and blue as my father fought the Titan and the sea itself was torn apart by the two armies.
Rick Riordan (The Last Olympian (Percy Jackson and the Olympians, #5))
Don’t mention it,’ the sorcerer patted the neck of his horse, which had been scared by all the yelling from Yarpen and his dwarves. ‘To me, Witcher, calling killing a vocation is loathsome, low and nonsensical. Our world is in equilibrium. The annihilation, the killing, of any creatures that inhabit this world upsets that equilibrium. And a lack of equilibrium brings closer extinction; extinction and the end of the world as we know it.’ ‘A druidic theory,’ Geralt pronounced. ‘I know it. An old hierophant expounded it to me once, back in Rivia. Two days after our conversation he was torn apart by wererats. It was impossible to prove any upset in equilibrium.
Andrzej Sapkowski (Sword of Destiny (The Witcher, #0.7))
She knew something else as well. If she put enough steps in line, one after the other, she would get there—to the ticket booth, to Bletchley, to the rest of her life—without crumbling into pieces. In the grand scheme of things, losing Philip wasn’t remotely important. Not in a world where there were invasions of Europe being planned, where millions around the globe were dying. It didn’t matter at all that she felt like she was being torn apart inside by white-hot pincers.
Kate Quinn (The Rose Code)
Love and charity share the same root word (caritas). How is that possible, when everything in our recent history suggest they cannot coexist, that they are antiethical, that if you put the two of them together in a sack they would bite and scratch and scream, until one of them is torn apart?
Nick Hornby
I relied on him to find answers I couldn’t, to blaze a path when I found myself lost. David saw things no one else did. He saw through the world to the mysteries on the other side. I know that he’s gone on to solve those mysteries.” A faint smile touched Nikolai’s lips. “I can see him in some great library, already lost in his work, head bent to some new problem, making the unknown known. When I enter the laboratory, when I wake in the night with a new idea, I will miss him…” His voice broke. “I miss him now. May the Saints receive him on a brighter shore.” “May the Saints receive him,” the crowd murmured. But David hadn’t believed in Saints. He’d believed in the Small Science. He’d believed in a world ordered by facts and logic. What do you believe? Zoya didn’t know. She believed in Ravka, in her king, in the chance that she could be a part of something better than herself. But maybe she didn’t deserve that. All eyes had turned to Genya now. She was David’s wife, his friend, his compatriot. She was expected to speak. Genya stood straighter, lifted her chin. “I loved him,” she said, her body still trembling as if it had been torn apart and hastily stitched back together. “I loved him and he loved me. When I was … when no one could reach me … he saw me. He…” Genya turned her head to Zoya’s shoulder and sobbed. “I loved him and he loved me.” Was there any greater gift than that? Any more unlikely discovery in this world? “I know,” said Zoya. “He loved you more than anything.” The dragon’s eye had opened and Zoya felt that love, the enormity of what Genya had lost. It was too much to endure knowing she could do nothing to erase that pain
Leigh Bardugo (Rule of Wolves (King of Scars, #2))
People will hate you for no reason, or for bad reasons, or even for good reasons. People are torn apart by fame, and this is far beyond what most of them deal with. You're talking about yourself like you're a tool, but you're a person too. And an evolving one. This will affect your life forever.
Hank Green (An Absolutely Remarkable Thing (The Carls, #1))
He kept seeing the brains dribbling down the wallpaper. It wasn’t the killing that stayed on his mind, it was the spilled talent. A lifetime of honing and shaping torn apart in less than a second. All those stories, all those images, and what came out looked like so much oatmeal. What was the point?
Stephen King (Finders Keepers (Bill Hodges Trilogy, #2))
I missed you, Kitten,” he growled. Then his mouth crushed over mine, his kiss more filled with raw need than romantic welcome. That was fine; I felt the same way. Aside from my compulsive urge to run my hands over him to assure myself that he was really here, relief, happiness, and the most profound feeling of rightness zoomed through me, settling all the way to my core. I hadn’t realized how deeply I’d missed Bones until that very moment, hadn’t let myself acknowledge how everything felt off when I was apart from him. On some levels, it was frightening how much a part of me he’d become. It let me know just how much I’d crumble if anything happened to him. “Why didn’t you answer your mobile earlier?” Bones murmured once he lifted his head. “I tried you several times. Tried Mencheres, too. Even Tepesh. None of you answered. Scared the wits out of me, so I stowed away on a FedEx plane to make sure you were all right.” “You came all the way from Ohio because I didn’t answer the phone?” I was torn between laughter and disbelief. “God, Bones, that’s a little crazy.” And it was, except the part of me that had had images of his tombstone dancing in my head because he hadn’t answered his phone earlier was nodding in complete understanding. Despite all our protestations, we were so alike when it came to fear over the other’s safety, and I doubted we’d ever change. “Crazy,” I repeated, my voice roughening with the surge of emotion in me. “And have I told you lately. that your crazy side . . . is your sexiest side?” He chuckled before his mouth swooped back over mine in another dizzying kiss. Then he picked me up, brushing past Vlad and Mencheres without even a hello, though I doubted either of them was surprised.
Jeaniene Frost (This Side of the Grave (Night Huntress, #5))
No longer married, suddenly I was widowed. From Latin, the name means "emptied." Far worse; it felt like being torn in half, ripped apart from the single functioning organism that had been our family, our lives. Shattered, the word kept recurring; the whole pattern shattered, just as the mountain rocks had shattered his body.
Elaine Pagels (Why Religion? A Personal Story)
I need to be with you," he whispers. His fingers move from my knee to my hand, and he grasps it in his and presses his thumb down hard on mine so that I can't possibly shake him off. He interlocks our fingers. I have no choice but to glance back up, to meet his eyes as they well up, and I've never seen him look so...so torn apart. "Don't you get it? You're not my distraction. This is me, Eden. This. Right now. You're making me a goddamn mess, but I don't care, because it's me. I'm a mess. And the thing I love about you is that I'm allowed to be a mess around you, because I trust you. You're the only one who's cared enough to figure me out. I want to be your mess.
Estelle Maskame (Did I Mention I Love You? (DIMILY, #1))
• …transferring her hunger to eat into a hunger to hurt. He didn’t turn round. She knew she should let it go, but it was too late. She’d chewed the insult over, torn it apart and swallowed it. The insult was part of her now.
Louise Penny
Ever since Plato, bourgeois consciousness has deceived itself that objective antinomies could be mastered by steering a middle course between them, whereas the sought-out mean always conceals the antinomy and is torn apart by it.
Theodor W. Adorno (Aesthetic Theory)
When the president does it, that means it is not illegal. Actions which otherwise would be unconstitutional could become lawful if undertaken for the purpose of preserving the Constitution and the nation. This nation was torn apart in an ideological way by the war in Vietnam, as much as the Civil War tore apart the nation when Lincoln was president.
Richard M. Nixon
A Wild Woman Is Not A Girlfriend. She Is A Relationship With Nature. But can you love me in the deep? In the dark? In the thick of it? Can you love me when I drink from the wrong bottle and slip through the crack in the floorboard? Can you love me when I’m bigger than you, when my presence blazes like the sun does, when it hurts to look directly at me? Can you love me then too? Can you love me under the starry sky, shaved and smooth, my skin like liquid moonlight? Can you love me when I am howling and furry, standing on my haunches, my lower lip stained with the blood of my last kill? When I call down the lightning, when the sidewalks are singed by the soles of my feet, can you still love me then? What happens when I freeze the land, and cause the dirt to harden over all the pomegranate seeds we’ve planted? Will you trust that Spring will return? Will you still believe me when I tell you I will become a raging river, and spill myself upon your dreams and call them to the surface of your life? Can you trust me, even though you cannot tame me? Can you love me, even though I am all that you fear and admire? Will you fear my shifting shape? Does it frighten you, when my eyes flash like your camera does? Do you fear they will capture your soul? Are you afraid to step into me? The meat-eating plants and flowers armed with poisonous darts are not in my jungle to stop you from coming. Not you. So do not worry. They belong to me, and I have invited you here. Stay to the path revealed in the moonlight and arrive safely to the hut of Baba Yaga: the wild old wise one… she will not lead you astray if you are pure of heart. You cannot be with the wild one if you fear the rumbling of the ground, the roar of a cascading river, the startling clap of thunder in the sky. If you want to be safe, go back to your tiny room — the night sky is not for you. If you want to be torn apart, come in. Be broken open and devoured. Be set ablaze in my fire. I will not leave you as you have come: well dressed, in finely-threaded sweaters that keep out the cold. I will leave you naked and biting. Leave you clawing at the sheets. Leave you surrounded by owls and hawks and flowers that only bloom when no one is watching. So, come to me, and be healed in the unbearable lightness and darkness of all that you are. There is nothing in you that can scare me. Nothing in you I will not use to make you great. A wild woman is not a girlfriend. She is a relationship with nature. She is the source of all your primal desires, and she is the wild whipping wind that uproots the poisonous corn stalks on your neatly tilled farm. She will plant pear trees in the wake of your disaster. She will see to it that you shall rise again. She is the lover who restores you to your own wild nature.
Alison Nappi
When I became convinced that the Universe is natural – that all the ghosts and gods are myths, there entered into my brain, into my soul, into every drop of my blood, the sense, the feeling, the joy of freedom. The walls of my prison crumbled and fell, the dungeon was flooded with light and all the bolts, and bars, and manacles became dust. I was no longer a servant, a serf or a slave. There was for me no master in all the wide world -- not even in infinite space. I was free -- free to think, to express my thoughts -- free to live to my own ideal -- free to live for myself and those I loved -- free to use all my faculties, all my senses -- free to spread imagination's wings -- free to investigate, to guess and dream and hope -- free to judge and determine for myself -- free to reject all ignorant and cruel creeds, all the "inspired" books that savages have produced, and all the barbarous legends of the past -- free from popes and priests -- free from all the "called" and "set apart" -- free from sanctified mistakes and holy lies -- free from the fear of eternal pain -- free from the winged monsters of the night -- free from devils, ghosts and gods. For the first time I was free. There were no prohibited places in all the realms of thought -- no air, no space, where fancy could not spread her painted wings -- no chains for my limbs -- no lashes for my back -- no fires for my flesh -- no master's frown or threat – no following another's steps -- no need to bow, or cringe, or crawl, or utter lying words. I was free. I stood erect and fearlessly, joyously, faced all worlds. And then my heart was filled with gratitude, with thankfulness, and went out in love to all the heroes, the thinkers who gave their lives for the liberty of hand and brain -- for the freedom of labor and thought -- to those who fell on the fierce fields of war, to those who died in dungeons bound with chains -- to those who proudly mounted scaffold's stairs -- to those whose bones were crushed, whose flesh was scarred and torn -- to those by fire consumed -- to all the wise, the good, the brave of every land, whose thoughts and deeds have given freedom to the sons of men. And then I vowed to grasp the torch that they had held, and hold it high, that light might conquer darkness still.
Robert G. Ingersoll
getting over it/ just means getting around it/ and sometimes/ you gotta go through it/ leave it torn and blasted apart
Shane L. Koyczan
I thought I had to do without you if you were so determined to leave the world. But then you were gone and I would have torn the desert apart looking for you.
Alwyn Hamilton (Traitor to the Throne (Rebel of the Sands #2))
I don't know how to speak anymore. And with whom? I never found a soulmate. No one was a dream. They left me with open dreams, with my central wound wide open, with my heart torn. I mourn myself; this is my right. And yet I look down on those who take no interest in me. My only desire has been. I will not say it. Even I, or especially I, betray myself. Like a nursing boy, my soul has been soothed. I don't know how to speak anymore. I can't speak anymore. I have taken apart, what they never gave me, which was all I had. And it is death again. It closes in on me, it is my only horizon. No one resembles my dream. I have felt love and they mistreated it, yes, me, I who never loved. The deepest love will disappear forever. What can we love that isn't a shadow? The sacred dreams of childhood have already died, and with them, those of nature, which loved me.
Alejandra Pizarnik (Extracting the Stone of Madness: Poems 1962 - 1972)
He'd already put a shirt on each leg and had stacked every shoe I owned into a precarious pyramid. The room looked like a small, overly curious tornado had torn it apart. "You have got to be kidding me," I said. "Maybe I should give you to Shamus.
Devon Monk (Magic in the Shadows (Allie Beckstrom, #3))
We can see, now, that the social background of the Empire makes wars of conquest impossible for it. Under weak Emperors, it is torn apart by generals competing for a worthless and surely death-bringing throne. Under strong Emperors, the Empire is frozen into a paralytic rigor in which disintegration apparently ceases for the moment, but only at the sacrifice of all possible growth.
Isaac Asimov (Foundation and Empire (Foundation, #2))
Writing a will is a kindness to survivors so they know who gets what. Too many families are torn apart fighting over objects with sentimental value—like Arthur and Mildred’s rocking chair, discussed in the Introduction—even when the cash value is negligible.
Michael A. Heller (Mine!: How the Hidden Rules of Ownership Control Our Lives)
Inman guessed Swimmer's spells were right in saying a man's spirit could be torn apart and cease and yet his body keep on living. They could take deathblows independently. He was himself a case in point, and perhaps not a rare one, for his spirit, it seemed, had been about burned out of him to fear that the mere existence of the Henry repeating rifle or the éprouvette mortar made all talk of spirit immediately antique. His spirit, he feared, had been blasted away so that he had become lonesome and estranged from all around him as a sad old heron standing pointless watch in the mudflats of a pond lacking frogs. It seemed a poor swap to find that the only way one might keep from fearing death was to act numb and set apart as if dead already, with nothing left of you but a hut of bones.
Charles Frazier (Cold Mountain)
Literature had torn Tessa and me apart, or prevented us from merging in the first place. That was its role in the world, I'd started to fear: to conjure up disagreements that didn't matter and inspire people to act on them as though they mattered more than anything. Without literature, humans would all be one. Warfare was simply literature in arms. The pen was the reason man invented the sword.
Walter Kirn (Lost in the Meritocracy: The Undereducation of an Overachiever)
I knew looking into those soulful green eyes that she was stronger than I'd ever been. She'd pulled herself together after I'd torn her apart, and I'd been the one to crumble. She'd come back for me, even when I didn't deserve it. She had strength she didn't even know she had. But I saw it. Right there, staring back at me. My everything.
Adriane Leigh (Ridge (Wild, #2))
The universe was exploding, each particle away from the next, hurtling us into dark and lonely space, eternally tearing us away from each other-- child out of the womb, friend away from friend, moving from each other, each through his own pathway toward the goal-box of solitary death. But this was the counterweight, the act of binding and holding. As when men to keep from being swept over-board in the storm clutch at each other's hands to resist being torn apart, so our bodies fused a link in the human chain that kept us from being swept into nothing.
Daniel Keyes
I don’t presume to grasp Aboriginal knowledge fully. It comes from a way of knowing the earth—an epistemology—different from that of my own culture. It speaks of being attuned to the blooming of the bitterroot, the running of the salmon, the cycles of the moon. Of knowing that we are tied to the land—the trees and animals and soil and water—and to one another, and that we have a responsibility to care for these connections and resources, ensuring the sustainability of these ecosystems for future generations and to honor those who came before. Of treading lightly, taking only what gifts we need, and giving back. Of showing humility toward and tolerance for all we are connected to in this circle of life. But what my years in the forestry profession have also shown me is that too many decision-makers dismiss this way of viewing nature and rely only on select parts of science. The impact has become too devastating to ignore. We can compare the condition of the land where it has been torn apart, each resource treated in isolation from the rest, to where it has been cared for according to the Secwepemc principal of k̓wseltktnews (translated as “we are all related”) or the Salish concept of nə́c̓aʔmat ct (“we are one”). We must heed the answers we’re being given.
Suzanne Simard (Finding the Mother Tree: Discovering the Wisdom of the Forest)
What seems like a tale from a simpler time turns out to be the product of a difficult and sometimes troubled life. What appears to be a sweet, light story of four girls growing up is also very much about how hard it was (and is) to come of age in a culture that prizes a woman’s appearance over her substance. And what may seem an idealized portrait of an intact home and family is also the story of a family in danger of being torn apart.
Anne Boyd Rioux (Meg, Jo, Beth, Amy: The Story of Little Women and Why It Still Matters)
Very few people know loyalty anymore." "Do you?" I asked, needing for my own piece of mind to know. "Did I maybe start flirting with Shelly when I was still dating Meg in high school? Yeah, I did. I was sixteen and stupid as fuck. But I grew up. I watched countless families get torn apart by infidelity. I have had to comfort dozens of crying women in my office when I handed them the pictures they paid me to take. And I've gotten to witness the awful thing that happens when they stop crying." "What's that?" "They make up their minds to never let themselves get hurt like that again. See, cheating doesn't just screw up that one relationship, it tends to screw up every single one later because the person gets bitter or scared or distrusting. It's a sad fucking thing to see. And it's not something I am ever willing to do to a woman." He paused and I let those words sink in.
Jessica Gadziala (367 Days (Investigators, #1))
At first, he was almost torn apart by dogs. He had forgotten – of course he had – that the swineherd’s dogs were not the same ones that had barked at strangers when he was last on Ithaca. Dogs cannot wait as long as wives: these hounds were the pups of the pups of the original dogs, I should think.
Natalie Haynes (A Thousand Ships)
The only choice once your world has been torn apart is to find your genius and live with that. ‘Normal’ is out of the question. The healing for veterans, or anyone going through great tragedy, is finding your natural spirit and your genius that was waiting to be found. That can now become the cohering principle in your life. The idea of patching someone up and back into normal when they’ve had extremely abnormal experiences is a misunderstanding.
Michael Meade
The modern world, which denies personal guilt and admits only social crimes, which has no place for personal repentance but only public reforms, has divorced Christ from His Cross; the Bridegroom and Bride have been pulled apart. What God hath joined together, men have torn asunder. As a result, to the left is the Cross; to the right is Christ. Each has awaited new partners who will pick them up in a kind of second and adulterous union. Communism comes along and picks up the meaningless Cross; Western post-Christian civilization chooses the unscarred Christ. Communism has chosen the Cross in the sense that it has brought back to an egotistic world a sense of discipline, self-abnegation, surrender, hard work, study, and dedication to supra-individual goals. But the Cross without Christ is sacrifice without love. Hence, Communism has produced a society that is authoritarian, cruel, oppressive of human freedom, filled with concentration camps, firing squads, and brain-washings. The Western post-Christian civilization has picked up the Christ without His Cross. But a Christ without a sacrifice that reconciles the world to God is a cheap, feminized, colourless, itinerant preacher who deserves to be popular for His great Sermon on the Mount, but also merits unpopularity for what He said about His Divinity on the one hand, and divorce, judgment, and hell on the other. This sentimental Christ is patched together with a thousand commonplaces, sustained sometimes by academic etymologists who cannot see the Word for the letters, or distorted beyond personal recognition by a dogmatic principle that anything which is Divine must necessarily be a myth. Without His Cross, He becomes nothing more than a sultry precursor of democracy or a humanitarian who taught brotherhood without tears.
Fulton J. Sheen (Life of Christ)
There is a river flowing now, very fast. It is so great and swift that there are those who will be afraid. They will try to hold on to the shore. They will feel they are being torn apart and suffer greatly. Know that the river has its destination. The elders say we must push off into the middle of the river, keep our eyes open and our heads above the water. See who is in there with you and celebrate. At this time in history we are to take nothing personally, least of all ourselves, for the moment we do that, our spiritual growth comes to a halt. The time of the lone wolf is over. Gather yourselves; banish the word ‘struggle’ from your attitude and vocabulary. All that we do now must be done in a sacred way and in celebration. We are the ones we’ve been waiting for.
Rolf Gates (Meditations from the mat)
The process of falling apart (the Coyolxauhqui process), of being wounded, is a sort of shamanic initiatory dismemberment that gives suffering a spiritual and soulful value. The shaman’s initiatory ordeal includes some type of death or dismemberment during the ecstatic trance journey. Torn apart into basic elements and then reconstructed, the shaman acquires the power of healing and returns to help the community. To be healed we must be dismembered, pulled apart. The healing occurs in disintegration, in the demotion of the ego as the self’s only authority.20 By connecting with our wounding, the imaginal journey makes it worthwhile. Healing images bring back the pieces, heal las rajaduras. As Hillman notes, healing is a deep change of attitude that involves an adjustment and abandonment of “ego-heroics.” It requires that we shift our perspective. La
Gloria E. Anzaldúa (Light in the Dark/Luz en lo Oscuro: Rewriting Identity, Spirituality, Reality (Latin America Otherwise))
Our eyes hold and our gris-gris rings lock together like our lives, our destinies, have remained entwined. It could be my imagination, but as she bears down and squeezes my hand for one final agonizing push, I feel that power surge the doctor mentioned. The power in our veins passed between two little girls in the Lower Ninth. We held it in a field of rotting cane, even when we were torn apart. It flows between us now through years and heartache and unconditional love. The power of an unbroken line. We are the magic.
Kennedy Ryan (Hook Shot (Hoops, #3))
She could not abide the terrible guilt of it, so she closed her mind off to the reality. She burned away the part of her that would have felt remorse for those deaths, because if she felt them, if she felt each and every single one of them, it would have torn her apart. The lives were so many that she ceased to acknowledge them for what they were.
R.F. Kuang (The Poppy War (The Poppy War, #1))
What interests me is to set up what you might call the rapport de grand écart - the most unexpected relationship possible between the things I want to speak about, because there is a certain difficulty in establishing relationships in just that way, and in that difficulty there is an interest, and in that interest there is a certain tension and for me that tension is a lot more important than the stable equilibrium of harmony, which doesn't interest me at all. Reality must be torn apart in every sense of the word. What people forget is that everything is unique. Nature never produces the same thing twice. Hence my stress on seeking the rapport de grand écart: a small head on a large body; a large head on a small body. I want to draw the mind in the direction it's not used to and wake it up. I want to help the viewer discover something he wouldn't have discovered without me. That's why I stress the dissimilarity, for example, between the left eye and the right eye. A painter shouldn't make them so similar. They're just not that way. So my purpose is to set things in movement, to provoke this movement by contradictory tensions, opposing forces, and in that tension or opposition, to find the moment which seems the most interesting to me.
Françoise Gilot (Life With Picasso)
I read used books because fingerprint-smudged and dog-eared pages are heavier on the eye. Because every book can belong to many lives. Books should be kept in public places and step out with passersby who'll onto them for a spell. Books should die like people, consumed by aches and pains, infected, drowning off a bridge together with the suicides, poked into a potbellied stove, torn apart by children to make paper boats. They should die of anything, in other words, except boredom, as private property condemned to a life sentence on a shelf.
Erri De Luca
Oro pressed two fingers against her heart. Ran them lower, to the center of her chest. A vine snaked its way across the balcony and bloomed a red rose. Oro plucked it. Offered it to her. She stared down at the flower. A rose with thorns, just like her. It was beautiful. Vicious. Isla took it, then threw it over her shoulder, clean off the balcony. And stood on her toes so her forehead touched his. Oro stilled. His eyes were amber and burning, nothing like the emptiness she had glimpsed the first day of the Centennial. He looked at her like she was the thing they had torn apart the island for, the heart he had been desperately trying to find all these years, the needle that had finally threaded him together. Isla took a shaky breath.
Alex Aster (Lightlark (Lightlark, #1))
To an Israeli Jew, a photograph of a child torn apart in the attack on the Sbarro pizzeria in downtown Jerusalem is first of all a photograph of a Jewish child killed by a Palestinian suicide-bomber. To a Palestinian, a photograph of a child torn apart by a tank round in Gaza is first of all a photograph of a Palestinian child killed by Israeli ordnance. To the militant, identity is everything. And all photographs wait to be explained or falsified by their captions. During the fighting between Serbs and Croats at the beginning of the recent Balkan wars, the same photographs of children killed in the shelling of a village were passed around at both Serb and Croat propaganda briefings. Alter the caption, and the children’s deaths could be used and reused.
Susan Sontag (Regarding the Pain of Others)
Kait,im not always the beat at exspressing myself to you,so im taking advantage of the fact that i will be completely unresponsive when you read this, and therefore incapable of messing things up. I want to thank you for giving me a chance. when i first saw you, i knew i had found something incredible. And since then all i've wanted was to be with you as much as possible. When i thought i had lost you, i was torn betewwn wanting you back and wanting the best for you-wanting you to be happy.seeing you so miserable during the weeks we were apart gave me the courage to fight for us...to find a way for things to work.And seeing you happy again in the dayswe've been back together makes me think i did the right thing. I cant promise you an ordinary experience,kate.I wish i could transform myself into a normal man and be there for you,always,without th trama that defines my life as "the walking dead." Since that isnt possible, I can only reassure yoiu that i will do everything in my power to make it up make it up to you. To give you more that a normal boyfriend could.I have no idea what that will mean, exactly, but i'm looking forward to finding out. With you. Thank ou for being here, my beauty. Mon ange. My Kate. Yours utterly, Vincent
Amy Plum (Die for Me (Revenants, #1))
18 NEVER PAY YOUR LAWYER BY THE HOUR Incentive Super-Response Tendency To control a rat infestation, French colonial rulers in Hanoi in the nineteenth century passed a law: for every dead rat handed in to the authorities, the catcher would receive a reward. Yes, many rats were destroyed, but many were also bred specially for this purpose. In 1947, when the Dead Sea scrolls were discovered, archaeologists set a finder’s fee for each new parchment. Instead of lots of extra scrolls being found, they were simply torn apart to increase the reward. Similarly, in China in the nineteenth century, an incentive was offered for finding dinosaur bones. Farmers located a few on their land, broke them into pieces and cashed in. Modern incentives are no better: company boards promise bonuses for achieved targets. And what happens? Managers invest more energy in trying to lower the targets than in growing the business. These are examples of the incentive super-response tendency. Credited to Charlie Munger, this titanic name describes a rather trivial observation: people respond to incentives by doing what is in their best interests. What is noteworthy is, first, how quickly and radically people’s behaviour changes when incentives come into play or are altered and, second, the fact that people respond to the incentives themselves and not the grander intentions behind them.
Rolf Dobelli (The Art of Thinking Clearly: The Secrets of Perfect Decision-Making)
Liberation My mind is clouded, I cannot hunt anymore. I lay my gun over the tracks of the rabbit. It was as though I became that creature who could not decide whether to flee or be still and so was trapped in the pursuer's eyes- And for the first time I knew those eyes have to be blank because it is impossible to kill and question at the same time. Then the shutter snapped, the rabbit went free. He flew through the empty forest that part of me that was the victim. Only victims have a destiny. And the hunter, who believed whatever struggles begs to be torn apart: that part is paralyzed.
Louise Glück (The Triumph of Achilles)
Darcy is everything to me,” he breathed. “She’s all I think about and all I want. I see so much good in her and she somehow brings out the best in me. And if you feel that you can’t keep this secret for us or like you have to tell the authorities about what’s going on between us, then I understand. Because you want to protect her as fiercely as I do. But even if we’re torn apart, even if I went to Darkmore Penitentiary and had to live out the rest of my days behind bars, I’d never regret a moment of it. Because my life was empty before I loved her. And parting us won’t change the way I feel for her.
Caroline Peckham (Shadow Princess (Zodiac Academy, #4))
The closer men came to perfecting for themselves a paradise, the more impatient they became with it, and with themselves as well. They made a garden of pleasure, and became progressively more miserable with it as it grew in richness and power and beauty; for then, perhaps, it was easier to see something was missing in the garden, some tree or shrub that would not grow. When the world was in darkness and wretchedness, it could believe in perfection and yearn for it. But when the world became bright with reason and riches, it began to sense the narrowness of the needle's eye, and that rankled for a world no longer willing to believe or yearn. Well, they were going to destroy it again, were they -- this garden Earth, civilized and knowing, to be torn apart again that Man might hope again in wretched darkness.
Walter M. Miller Jr. (A Canticle for Leibowitz (St. Leibowitz, #1))
Unfortunately, some churches are now so worried about being arrogant and unbending like certain other Christians that they fail to stand for anything at all. They hang question marks over all the major doctrines of the faith or throw them out entirely. Bit by bit, they lose the things that set them apart as Christians.
Justin Lee (Torn: Rescuing the Gospel from the Gays-Vs.-Christians Debate)
Before his uncle, Garrow, was slain by the Ra’zac months earlier, the brutality that Eragon had witnessed between the humans, dwarves, and Urgals would have destroyed him. Now it numbed him. He had realized, with Saphira’s help, that the only way to stay rational amid such pain was to do things. Beyond that, he no longer believed that life possessed inherent meaning—not after seeing men torn apart by the Kull, a race of giant Urgals, and the ground a bed of thrashing limbs and the dirt so wet with blood it soaked through the soles of his boots. If any honor existed in war, he concluded, it was in fighting to protect others from harm.
Christopher Paolini (Eldest (Inheritance, #2))
My heart. I couldn't make myself say the words. My heart. My weak human heart. Scarred and broken and bleeding. The one thing I had always been taught to protect above all. And yet, whatever things struggled along within my ribcage now, far beneath the Mark that my dead father left on me, was anything but protected. It had been torn apart and ripped open.. How had I ever thought Vincent had given me a vampire heart. This was human.
Carissa Broadbent (The Serpent and the Wings of Night (Crowns of Nyaxia, #1))
He stared fixedly at the opposite bank where an angler was fishing, his line perfectly still. All of a sudden the man jerked out of the water a little sliver fish which wriggled at the end of his line. Twisting and turning it this way and that he tried to extract his hook, but in vain. Losing patience he started pulling and, as he did so, tore out the entire bloody gullet of the fish with parts of its intestines attached. Paul shuddered, feeling himself equally torn apart. It seemed to him that the hook was like his own love and that if he were to tear it out he too would be gutted by a piece of curved wire hooked deep into his essential self at the end of a line held by Madeleine.
Guy de Maupassant (A Parisian Affair and Other Stories)
For the first time I realized that my life was just full of brokenness. I worked in a broken system of justice. My clients were broken by mental illness, poverty, and racism. They were torn apart by disease, drugs and alcohol, pride, fear, and anger. I thought of Joe Sullivan and of Trina, Antonio, Ian, and dozens of other broken children we worked with, struggling to survive in prison. I thought of people broken by war, like Herbert Richardson; people broken by poverty, like Marsha Colbey; people broken by disability, like Avery Jenkins. In their broken state, they were judged and condemned by people whose commitment to fairness had been broken by cynicism, hopelessness, and prejudice.
Bryan Stevenson (Just Mercy: A Story of Justice and Redemption)
As one takes leave of a friend, a place, How the loss of all one has loved rises up, And regret for what one has destroyed… Ah, now I know all the agony of living, So this is what it means to be mortal— — — One misses even what one has not valued, One regrets even misdeeds never done… One yearns to go, and yet one longs to stay… So the heart’s two halves are rent asunder, As if wild horses were pulling it apart, torn to pieces By contradiction, indecision, disharmony… —
August Strindberg (Miss Julie and Other Plays)
The illusion of speed is the belief that it saves time. It looks simple at first sight: finish something in two hours instead of three, gain an hour. It’s an abstract calculation, though, done as if each hour of the day were like an hour on the clock, absolutely equal. But haste and speed accelerate time, which passes more quickly, and two hours of hurry shorten a day. Every minute is torn apart by being segmented, stuffed to bursting. You can pile a mountain of things into an hour.
Frédéric Gros (A Philosophy of Walking)
When I’m old and dying, wheezing my guts out, my organs failing, I want to walk out the front door of some old farmhouse on my own land, maybe forty, fifty hectares of it. I want to find a cool place in the woods under some old oak tree and settle down there and die as the sun comes up. I want a death rattle, a final breath, a body intact that can then be torn apart by scavengers, riddled with worms, my limbs dragged off to feed some family of little foxes, my guts teeming with maggots, until I am nothing but a gooey collection of juices that feeds the fungi and the oak seedlings and the wild grasses. I want my bleached bones scatted across my own land, broken and sucked clean of marrow, half buried in snow and finally, finally, covered over in loam and ground to dust by the passage of time, until I am broken into fragments, the pieces of my body returned to where they came. I could give back something to this world instead of taking, taking, taking. That’s the death I want.
Kameron Hurley (The Light Brigade)
The travelers emerged into a spacious square. In the middle of this square were several dozen people on a wooden bandstand like in a public park. They were the members of a band, each of them as different from one another as their instruments. Some of them looked round at the approaching column. Then a grey-haired man in a colorful cloak called out and they reached for their instruments. There was a burst of something like cheeky, timid bird-song and the air – air that had been torn apart by the barbed wire and the howl of sirens, that stank of oily fumes and garbage – was filled with music. It was like a warm summer cloud-burst ignited by the sun, flashing as it crashed down to earth. People in camps, people in prisons, people who have escaped from prison, people going to their death, know the extraordinary power of music. No one else can experience music in quite the same way. What music resurrects in the soul of a man about to die is neither hope nor thought, but simply the blind, heart-breaking miracle of life itself. A sob passed down the column. Everything seemed transformed, everything had come together; everything scattered and fragmented -home, peace, the journey, the rumble of wheels, thirst, terror, the city rising out of the mist, the wan red dawn – fused together, not into a memory or a picture but into the blind, fierce ache of life itself. Here, in the glow of the gas ovens, people knew that life was more than happiness – it was also grief. And freedom was both painful and difficult; it was life itself. Music had the power to express the last turmoil of a soul in whose blind depths every experience, every moment of joy and grief, had fused with this misty morning, this glow hanging over their heads. Or perhaps it wasn't like that at all. Perhaps music was just the key to a man's feelings, not what filled him at this terrible moment, but the key that unlocked his innermost core. In the same way, a child's song can appear to make an old man cry. But it isn't the song itself he cries over; the song is simply a key to something in his soul.
Vasily Grossman (Life and Fate)
This could have gone on for years. Me having my brain torn apart by sensations, thoughts and feelings of somatic torment at the hands of an Other Body in its mirror. Family and friends wanting to help — I assumed that was so, at least — but failing in the specifics. This glass between us making the seen, unseen, the seeing, unseeing. Making the outspoken voiceless and the listening deaf. Making the caring confused and the cared for distraught. Like an exile trapped in a labyrinth of glass panes splitting me off from my society and my tribe, no matter which direction I turned, no matter which impossible hallway I travelled down I was always separated from reflections of some other world where people could be happy, and safe, and understand their own inner workings well enough to voice them in the form of words.
Michael F Simpson (Hypnagogia)
Therefore the Way that is sagely within and kingly without has fallen into darkness and is no longer clearly perceived, has become shrouded and no longer shines forth. The men of the world all follow their own desires and make these their “doctrine.” How sad!—the hundred schools going on and on instead of turning back, fated never to join again. The scholars of later ages have unfortunately never perceived the purity of Heaven and earth, the great body of the ancients, and “the art of the Way” in time comes to be rent and torn apart by the world.
Zhuangzi
The closer men came to perfecting for themselves a paradise, the more impatient they seemed to become with it, and with themselves as well. They made a garden of pleasure, and became progressively more miserable with it as it grew in richness and power and beauty; for then, perhaps, it was easier for them to see that something was missing in the garden, some tree or shrub that would not grow. When the world was in darkness and wretchedness, it could believe in perfection and year for it. But when the world became bright with reason and riches, it began to sense the narrowness of the needle's eye, and that rankled for a world no longer willing to believe or yearn. Well, they were going to destroy it again, were they - this garden Earth, civilized and knowing, to be torn apart again that Man might hope again in wretched darkness.
Walter M. Miller Jr. (A Canticle for Liebowitz)
The closer men came to perfecting for themselves a paradise, the more impatient they seemed to become with it, and with themselves as well. They made a garden of pleasure, and became progressively more miserable with it as it grew in richness and power and beauty; for then, perhaps, it was easier for them to see that something was missing in the garden, some tree or shrub that would not grow. When the world was in darkness and wretchedness, it could believe in perfection and yearn for it. But when the world became bright with reason and riches, it began to sense the narrowness of the needle’s eye, and that rankled for a world no longer willing to believe or yearn. Well, they were going to destroy it again, were they – this garden Earth, civilized and knowing, to be torn apart again that Man might hope again in wretched darkness.
Walter M. Miller Jr. (A Canticle for Leibowitz (St. Leibowitz, #1))
Normal memory gradually fades into the past. Traumatic and repressed memories have a tendency to linger around. They are splintered into fragments during overwhelming events experienced as a child. Images, sensations, emotions, and beliefs are torn apart. These disconnected pieces can later erupt into consciousness as separate "memories." These fragments may surface in the form of explicit memories, which are frighteningly vivid snapshot or video-like images of traumatic experiences; or they may surface as implicit memories, which include physical sensations, emotions, or beliefs that were part of the original traumatic experiences. When implicit fragments emerge into the present without an accompanying visually explicit memory, it is very hard to discern that these feelings of anxiety, fear, shame, rage, numbness, and loneliness are related to prior trauma.
Connie A. Lofgreen (The Storm of Sex Addiction: Rescue and Recovery)
The Reed Flute's Song Listen to the story told by the reed, of being separated. "Since I was cut from the reedbed, I have made this crying sound. Anyone apart from someone he loves understands what I say. Anyone pulled from a source longs to go back. At any gathering I am there, mingling in the laughing and grieving, a friend to each, but few will hear the secrets hidden within the notes. No ears for that. Body flowing out of spirit, spirit up from body: no concealing that mixing. But it's not given us to see the soul. The reed flute is fire, not wind. Be that empty." Hear the love fire tangled in the reed notes, as bewilderment melts into wine. The reed is a friend to all who want the fabric torn and drawn away. The reed is hurt and salve combining. Intimacy and longing for intimacy, one song. A disastrous surrender and a fine love, together. The one who secretly hears this is senseless. A tongue has one customer, the ear. A sugarcane flute has such effect because it was able to make sugar in the reedbed. The sound it makes is for everyone. Days full of wanting, let them go by without worrying that they do. Stay where you are inside such a pure, hollow note. Every thirst gets satisfied except that of these fish, the mystics, who swim a vast ocean of grace still somehow longing for it! No one lives in that without being nourished every day. But if someone doesn't want to hear the song of the reed flute, it's best to cut conversation short, say good-bye, and leave.
Jalal ad-Din Muhammad ar-Rumi
You will not find Jesus in heaven, reclining on a cloud. He isn’t in church on Sunday morning, sitting in the pews. He isn’t locked away in the Vatican or held hostage by a denominational seminary. Rather, Jesus is sitting in the Emergency Room, an uninsured, undocumented immigrant needing healing. He is behind bars, so far from his parole date he can’t think that far into the future. He is homeless, evicted from his apartment, waiting in line at the shelter for a bed and a cup of soup. He is the poor child living in government housing with lice in his hair, the stripes of abuse on his body and a growl in his stomach. He is an old forgotten woman in a roach infested apartment who no one thinks of anymore. He is a refugee in Sudan, living in squalor. He is the abused and molested child who falsely feels responsible for the evil that is perpetrated against her. He is the young woman who hates herself for the decisions she has made, decisions that have imperiled her life, but did the best she could, torn between impossible choices. Jesus is anyone without power, ability or the means to help themselves, and he beckons us to come to him; not on a do-gooding crusade, but in solidarity and embrace.
Ronnie McBrayer (How Far Is Heaven?: Rediscovering the Kingdom of God in the Here and Now)
Every culture has death rituals with the power to shock the uninitiated and challenge our personal web of significance—from the Wari’ roasting the flesh of their fellow tribesmen to the Tibetan monk torn apart by the beaks of vultures to the long, silver trocar stabbing Cliff’s intestines. But there is a crucial difference between what the Wari’ did and the Tibetans do with their deceased compared to what Bruce did to Cliff. The difference is belief. The Wari’ had belief in the importance of total bodily destruction. Tibetans have the belief that a body can sustain other beings after the soul has left it. North Americans practice embalming, but we do not believe in embalming. It is not a ritual that brings us comfort; it is an additional $900 charge on our funeral bills. If embalming were something a tradesman like Bruce would never perform on his own mother, I wondered why we were performing it on anyone at all.
Caitlin Doughty (Smoke Gets in Your Eyes: And Other Lessons from the Crematory)
torn out with pincers, and his body burned alive, because he had not kneeled down in the rain to do honour to a dirty procession of monks which passed within his view, at a distance of some fifty or sixty yards. It is likely enough that, rooted in the woods of France and Norway, there were growing trees, when that sufferer was put to death, already marked by the Woodman, Fate, to come down and be sawn into boards, to make a certain movable framework with a sack and a knife in it, terrible in history. It is likely enough that in the rough outhouses of some tillers of the heavy lands adjacent to Paris, there were sheltered from the weather that very day, rude carts, bespattered with rustic mire, snuffed about by pigs, and roosted in by poultry, which the Farmer, Death, had already set apart to be his tumbrils of the Revolution. But that Woodman and that Farmer, though they work unceasingly, work silently, and no one heard them as they went about with muffled tread: the rather, forasmuch as to entertain any suspicion that they were awake, was to be atheistical and traitorous.
Charles Dickens (A Tale of Two Cities (Bantam Classics))
if Mrs. Trelawney’s Mercedes had stalled or something (small chance of that as it seemed very well maintained), I suppose the crowd might have torn me apart, I understood that possibility going in, and it added to the excitement. But I didn’t think they really would, because most people are sheep and sheep don’t eat meat.
Stephen King (Mr. Mercedes (Bill Hodges Trilogy, #1))
What does it mean that we find victims who suffer with dignity more attractive than victims who don’t? What does it mean that we don’t mind it when perpetrators, torn apart by their own experiences, weep openly—but we are rendered uncomfortable when victims do the same? I don’t mean that each and every person has this experience: many of us feel like weeping when we see the carnage created by a suicide bombing and the grieving and shocked faces of the survivors. I mean instead that in all I have read, I detect a strong cultural bias toward aversion when confronted with victims who act as if they have suffered. […] “Fragile, powerless, and helpless victims make us uncomfortable, evoke complicated responses in us, and make it hard for us to empathize with the humiliation they underwent. […] one claim I make in different ways in the book—and very explicitly in chapter 3—is that to be really credible, a victim has to appear to have mastered his or her suffering.
Carolyn J. Dean
he ancient Greek philosopher Empedocles said that two forces – love and hate – govern the universe. Love fuses things together. Hate splits them apart. In a foundation myth of ancient Egypt, the god Osiris was killed by his brother Set, and his body cut into many pieces and scattered across Egypt. His wife collected all of the dismembered parts together and then, with the help of Anubis, the god of embalming and funerary rites, and Thoth, the god of magic, she restored Osiris’s body to life. This is a creation myth based on fission – the god is torn apart – followed by fusion – the god is reassembled. Dr. Frankenstein, the modern Thoth, the scientific Thoth, fused body parts of dead criminals together then animated the creature. Human society is full of fusion forces that bring people together, and fission forces that break them apart. Fusion forces unite. Fission forces divide. We now live in a Fission Phase, with extreme polarization evident everywhere. There’s no sign of any Fusion Phase coming to the rescue any time soon.
Peter Brennan (Fusions Versus Fissions: Are You a Joiner or a Splitter?)
Maslow used an apt term for this evasion of growth, this fear of realizing one's own fullest powers. He called it the "Jonah Syndrome." He understood the syndrome as the evasion of the full intensity of life: We are just not strong enough to endure more! It is just too shaking and wearing. So often people in...ecstatic moments say, "It's too much," or "I can't stand it," or "I could die"....Delirious happiness cannot be borne for long. Our organisms are just too weak for any large doses of greatness.... The Jonah Syndrome, then, seen from this basic point of view, is "partly a justified fear of being torn apart, of losing control, of being shattered and disintegrated, eve of being killed by the experience." And the result of this syndrome is what we would expect a weak organism to do: to cut back the full intensity of life: For some people this evasion of one's own growth, setting low levels of aspiration, the fear of doing what one is capable of doing, voluntary self-crippling, pseudo-stupidity, mock-humility are in fact defenses against grandiosity... It all boils down to a simple lack of strength to bear the superlative, to open oneself to the totality of experience-an idea that was well appreciated by William James and more recently was developed in phenomenological terms in the classic work of Rudolf Otto. Otto talked about the terror of the world, the feeling of overwhelming awe, wonder, and fear in the face of creation-the miracle of it, the mysterium tremendum et fascinosum of each single thing, of the fact that there are things at all. What Otto did was to get descriptively at man's natural feeling of inferiority in the face of the massive transcendence of creation; his real creature feeling before the crushing negating miracle of Being.
Ernest Becker (The Denial of Death)
The survivors of the old life come to pay their respects. The neighbors, old and young, come. People who have moved away, maybe a long time ago, come back. You see people you knew when you were young and now don't recognize, people who may never come back again, people you may never see again. We feel the old fabric torn, pulling apart, and we know how much we have loved each other.
Wendell Berry (Hannah Coulter)
Then under the indifferent sky his spirit left the body with its ripped flesh, its infections, its weak and damaged nature. While the rain fell on his arms and legs, the part of him that still lived was unreachable. It was not his mind, but some other essence that was longing now for peace on a quiet, shadowed road where no guns sounded. The deep paths of darkness opened up for it, as they opened up for other men along the lines of dug earth, barely fifty yards apart. Then, as the fever in his abandoned body reached its height and he moved toward the welcome of oblivion, he heard a voice, not human, but clear and urgent. It was the sound of his life leaving him. Its tone was mocking. It offered him, instead of the peace he longed for, the possibility of return. At this late stage he could go back to his body and to the brutal perversion of life that was lived in the turned soil and torn flesh of the war; he could, if he made the effort of courage and will, come back to the awkward, compromised, and unconquerable existence that made up human life on earth. The voice was calling him; it appealed to his sense of shame and of curiosity unfulfilled: but if he did not heed it he would surely die.
Sebastian Faulks (Birdsong)
Pieces Sometimes there only seem to be clouds. Tonight, the clouds hang above me, sulking in the sky. They watch me write the words. I don’t even think they bother to read. I imagine myself in a room, where some shattered pieces are strewn on the floor, in front of me. As I walk towards them, I have no idea what they are, so I approach with trepidation. They seem to be a puzzle, all torn up and thrown apart. They look injured. I crouch down and being putting them together, finding each scrap that surrounds my feet. Gradually, I see the picture form as I put it all together. Gradually, I see. These pieces on the ground. Are made of me.
Markus Zusak (Getting the Girl (Wolfe Brothers, #3))
He overheard the director talking to one of the cameramen. The cameraman was explaining that he couldn’t get a good long shot on the exterior because someone had set up a fake graveyard right in the plaza. “Kids just playing around, I guess, but it’s morbid; we’ll have to get rid of it, maybe bring in some sod to—” “No,” Albert said. “We’re almost ready for you,” the director assured him. “That’s not a fake graveyard. Those aren’t fake graves. No one was playing around.” “You’re saying those . . . those are actually . . .” “What do you think happened here?” Albert asked in a soft voice. “What do you think this was?” Absurdly, embarrassingly, he had started to cry. “Those are kids buried there. Some of them were torn apart, you know. By coyotes. By . . . by bad people. Shot. Crushed. Like that. Some of those kids in the ground there couldn’t take it, the hunger and the fear . . . some of those kids out there had to be cut down from the ropes they used to hang themselves. Early on, when we still had any animals? I had a crew go out and hunt down cats. Cats and dogs and rats. Kill them. Other kids to skin them . . . cook them up.” There were a dozen crew people in the McDonald’s. None spoke or moved. Albert brushed away tears and sighed. “Yeah. So don’t mess with the graves. Okay? Other than that, we’re good to go.
Michael Grant (Light (Gone, #6))
Time can lessen the hurt; the empty place we have can seem smaller as other things and experiences fill our life; we can forget for periods and feel as if our loved one didn't die; we can find sense in the death and understand that perhaps this death does fit into a bigger design in the world; we can learn to remember the good and hold on to that. But we cannot 'get over it,' because to get over it would mean we were not changed by the experience. It would mean we did not grow by the experience. It would mean that our loved one's death made no difference in our life. There is an interesting discussion in the Talmud, an ancient Jewish writing. Those Jews had the custom of rending their garments - literally tearing their clothes —to symbolize the ripping apart that death brings. But the question was raised, after the period of mourning, could you sew the garment up and use it again? The teachers answered yes, but when you mended it, you should not tuck the edges under so it would look as if it had never been torn. This symbolized the fact that life after grief is not the same as before. The rent will show.
Deborah Spungen (And I Don't Want to Live This Life: A Mother's Story of Her Daughter's Murder)
We pass the apartment we rented five years ago, when I swore off Florence. In summer, wads of tourists clog the city as if it's a Renaissance theme park. Everyone seems to be eating. That year, a garbage strike persisted for over a week and I began to have thoughts of plague when I passed heaps of rot spilling out of bins. I was amazed that long July when waiters and shopkeepers remained as nice as they did, given what they had to put up with. Everywhere I stepped I was in the way. Humanity seemed ugly—the international young in torn T-shirts and backpacks lounging on steps, bewildered bus tourists dropping ice cream napkins in the street and asking, “How much is that in dollars?” Germans in too-short shorts letting their children terrorize restaurants. The English mother and daughter ordering lasagne verdi and Coke, then complaining because the spinach pasta was green. My own reflection in the window, carrying home all my shoe purchases, the sundress not so flattering. Bad wonderland. Henry James in Florence referred to “one's detested fellow-pilgrim.” Yes, indeed, and it's definitely time to leave when one's own reflection is included. Sad that our century has added no glory to Florence—only mobs and lead hanging in the air.
Frances Mayes (Under the Tuscan Sun)
France, less favoured on the whole as to matters spiritual than her sister of the shield and trident, rolled with exceeding smoothness down hill, making paper money and spending it. Under the guidance of her Christian pastors, she entertained herself, besides, with such humane achievements as sentencing a youth to have his hands cut off, his tongue torn out with pincers, and his body burned alive, because he had not kneeled down in the rain to do honour to a dirty procession of monks which passed within his view, at a distance of some fifty or sixty yards. It is likely enough that, rooted in the woods of France and Norway, there were growing trees, when that sufferer was put to death, already marked by the Woodman, Fate, to come down and be sawn into boards, to make a certain movable framework with a sack and a knife in it, terrible in history. It is likely enough that in the rough outhouses of some tillers of the heavy lands adjacent to Paris, there were sheltered from the weather that very day, rude carts, bespattered with rustic mire, snuffed about by pigs, and roosted in by poultry, which the Farmer, Death, had already set apart to be his tumbrils of the Revolution. But that Woodman and that Farmer, though they work unceasingly, work silently, and no one heard them as they went about with muffled tread: the rather, forasmuch as to entertain any suspicion that they were awake, was to be atheistical and traitorous.
Charles Dickens (A Tale of Two Cities)
up for it, and I’m sorry. That’s not enough. You’re going to search until you find something, and you’re going to tell me. Right now. Sheri. Please. You do it now or we’re gone. You give me some way to have some sympathy for you as I stand in this nice house, all lovingly redone, and think about the broken house you left us in, with its leaky roof and no heat and no insulation and nothing. Tell your sob story about the fucking war, whatever it was that my mom thought you were so broken about. My grandfather closed his eyes. No story ever explains. But I’ll give you what you want. I think I know the moment you want, because I made a kind of decision. There was some change. But I can’t start the story at the beginning. I’ve never been able to do that. I have to start at the end and then go back, and it doesn’t finish, because you can go back forever. Do it, my mother said. I don’t think Caitlin should hear. She can hear. Okay. You’re her mother. That’s right. So I won’t give the awful details, but I was lying in a pile of bodies. My friends. The closest friends I’ve ever had. Not piled there on purpose, but just the way it ended up because I had been working on the axle, lying on the ground. And the thing is, the war was over. It had been over for days, and we were laughing and a bit drunk, telling jokes. There was something unbearable about the fact that we’d all be going our separate ways now. The truth is that we didn’t want to leave. We wanted the war over, but we didn’t want what we had together to be over. I think we all had some sense that this was the closest we’d ever be to anyone, and that our families might feel like strangers now. So that’s it? You couldn’t be a father and husband because you weren’t done being a buddy? No. No. It’s the way it happened, in a moment that was supposed to be safe. After every moment of every day in fear for years, we were finally safe, and that’s when the slugs came and I watched my friends torn apart and landing on me, dying. That’s the point. We were supposed to be safe. And with your mother, too, I was supposed to be safe. A wife, a family. The story doesn’t make any sense unless you know every moment before it, every time we thought we were going to die, all the times we weren’t safe. You can’t just be told about that. You have to feel it, how long one night can be, and then all of them put together, hundreds of nights and then more, and there’s a kind of deal that’s made, a deal with god. You do certain terrible things, you endure things, because there’s a bargain made. And then when god says the deal’s off later, after you’ve already paid, and you see your friends ripped through, yanked like puppets on a day that was safe, and you find out your wife is going to die young, and you get to watch her dying, something that again is going to be for years, hundreds of nights more, all deals are off.
David Vann (Aquarium)
My Darling, Where are you? And why, I wonder, have we been forced apart? I don’t know the answer to these questions, no matter how hard I try to understand. The reason is plain, but my mind forces me to dismiss it and I am torn by anxiety in all my waking hours. I am lost without you. I am soulless, a drifter without a home, a solitary bird in a flight to nowhere. I am all these things, and I am nothing at all. This, my darling, is my life without you. I long for you to show me how to live again. I try to remember the way we once were, It was times like those that I understood the meaning of true happiness. I would know in my heart that we’d be together forever. Is it always that way, I wonder, when two people are in love? I don’t know, but if my life since you were taken from me is any indication, then I think I know the answers. From now on, I know I will be alone. I think of you, I dream of you, I conjure you up when I need you most. This is all I can do, but to me it isn’t enough. It will never be enough, this I know, yet what else is there for me to do? If you were here, you would tell me, but I have been cheated of even that. You always knew the proper words to ease the pain I felt. You always knew how to make me feel good inside. Is it possible that you know how I feel without you? When I dream, I like to think you do. Before we came together, I moved through life without meaning, without reason. I know that somehow, every step I took since the moment I could walk was a step toward finding you. We were destined to be together. But now, alone, I have come to realize that destiny can hurt a person as much as it can bless them, and I find myself wondering why—out of all the people in all the world I could ever have loved—I had to fall in love with someone who was taken away from me.
Nicholas Sparks (Message in a Bottle)
But Eugene was untroubled by thought of a goal. He was mad with such ecstasy as he had never known. He was a centaur, moon-eyed and wild of name, torn apart with hunger for the golden world. He became at times almost incapable of coherent speech. While talking with people, he would whinny suddenly into their startled faces, and leap away, his face contorted with an idiot joy. He would hurl himself squealing through the streets and along the paths, touched with the ecstasy of a thousand unspoken desires. The world lay before him for his picking—full of opulent cities, golden vintages, glorious triumphs, lovely women, full of a thousand unmet and magnificent possibilities. Nothing was dull or tarnished. The strange enchanted coasts were unvisited. He was young and he could never die. He went back to Pulpit Hill for two or three days of delightful loneliness in the deserted college. He prowled through the empty campus at midnight under the great moons of the late rich Spring; he breathed the thousand rich odours of tree and grass and flower, of the opulent and seductive South; and he felt a delicious sadness when he thought of his departure, and saw there in the moon the thousand phantom shapes of the boys he had known who would come no more. He still loitered, although his baggage had been packed for days. With a desperate pain, he faced departure from that Arcadian wilderness where he had known so much joy. At night he roamed the deserted campus, talking quietly until morning with a handful of students who lingered strangely, as he did, among the ghostly buildings, among the phantoms of lost boys. He could not face a final departure. He said he would return early in autumn for a few days, and at least once a year thereafter. Then one hot morning, on sudden impulse, he left. As the car that was taking him to Exeter roared down the winding street, under the hot green leafiness of June, he heard, as from the sea-depth of a dream, far-faint, the mellow booming of the campus bell. And suddenly it seemed to him that all the beaten walks were thudding with the footfalls of lost boys, himself among them, running for their class. Then, as he listened, the far bell died away, and the phantom runners thudded into oblivion. The car roared up across the lip of the hill, and drove steeply down into the hot parched countryside below. As the lost world faded from his sight, Eugene gave a great cry of pain and sadness, for he knew that the elfin door had closed behind him, and that he would never come back again. He saw the vast rich body of the hills, lush with billowing greenery, ripe-bosomed, dappled by far-floating cloudshadows. But it was, he knew, the end. Far-forested, the horn-note wound. He was wild with the hunger for release: the vast champaign of earth stretched out for him its limitless seduction. It was the end, the end. It was the beginning of the voyage, the quest of new lands. Gant was dead. Gant was living, death-in-life. In
Thomas Wolfe (Look Homeward, Angel)
Clearly historical events have varying degrees of intensity. Some may almost fail to impinge on true reality, that is, on the central, most personal part of a person's life. Others can wreak such havoc there that nothing is left standing. The usual way in which history is written fails to reveal this. '1890: Wilhelm II dismisses Bismark.' Certainly a key event in German history, but scarcely an event at all in the biography of any German outside its small circle of protagonists. Life went on as before. No family was torn apart, no friendship broke up, no one fled their country. Not even a rendezvous was missed or an opera performance cancelled. Those in love, whether happily or not, remained so; the poor remained poor and the rich rich. Now compare that with '1933: Hindenburg sends for Hitler.' An earthquake shatters sixty - six million lives. Official academic history has nothing to tell us about the differences in intensity of historical occurrences. To learn about that, you must read biographies, not those of statesmen but the all too rare ones of unknown individuals. There you will see that one historical event passes over the private (real) lives of people like a cloud over a lake. Nothing stirs, there is only a fleeting shadow. Another event whips up the lake as if in a thunderstorm. For a while it is scarcely recognisable. A third may, perhaps, drain the lake completely. I believe history is misunderstood if this aspect is forgotton (and it is usually forgotton).
Sebastian Haffner (Defying Hitler)
He did not waste time greeting her, but fell upon her at once with a vicious snarl. With his powerful jaws he tore at her, pulled her apart. He ripped open her guts and they spilled with a rank smell across the broken road surface. He tore off her leg and threw it into the darkness like so much poisoned meat. The pain was intense, but she could not complain or fight him off. She lacked the energy to even raise her head. He tore and bit and ripped her apart and she could only experience it passively, as if from some remove. Somehow she knew that he wasn’t killing her. That he was saving her. When he was done, when all the silver was torn out of her body and cast away from her, she breathed a little easier, and then she sank into a fitful sleep. He stood watch over her throughout the night, occasionally howling as the moon rode its arc across the night sky. Occasionally he would lick her face, her ears, to wake her up, to keep her from fading out of existence altogether. Once when he could not wake her he grabbed her by the back of the neck and shook her violently until her eyes cracked open and her tongue leapt from her mouth and she croaked out a whine of outrage.
David Wellington (Frostbite (Cheyenne Clark, #1))
What do we mean by the lived truth of creation? We have to mean the world as it appears to men in a condition of relative unrepression; that is, as it would appear to creatures who assessed their true puniness in the face of the overwhelmingness and majesty of the universe, of the unspeakable miracle of even the single created object; as it probably appeared to the earliest men on the planet and to those extrasensitive types who have filled the roles of shaman, prophet, saint, poet, and artist. What is unique about their perception of reality is that it is alive to the panic inherent in creation: Sylvia Plath somewhere named God "King Panic." And Panic is fittingly King of the Grotesque. What are we to make of a creation in which the routine activity is for organisms to be tearing others apart with teeth of all types-biting, grinding flesh, plant stalks, bones between molars, pushing the pulp greedily down the gullet with delight, incorporating its essence into one's own organization, and then excreting with foul stench and gasses the residue. Everyone reaching out to incorporate others who are edible to him. The mosquitoes bloating themselves on blood, the maggots, the killerbees attacking with a fury and demonism, sharks continuing to tear and swallow while their own innards are being torn out-not to mention the daily dismemberment and slaughter in "natural" accidents of all types: the earthquake buries alive 70 thousand bodies in Peru, automobiles make a pyramid heap of over 50 thousand a year in the U.S. alone, a tidal wave washes over a quarter of a million in the Indian Ocean. Creation is a nightmare spectacular taking place on a planet that has been soaked for hundreds of millions of years in the blood of all its creatures. The soberest conclusion that we could make about what has actually been taking place on the planet for about three billion years is that it is being turned into a vast pit of fertilizer. But the sun distracts our attention, always baking the blood dry, making things grow over it, and with its warmth giving the hope that comes with the organism's comfort and expansiveness. "Questo sol m'arde, e questo m'innamore," as Michelangelo put it.
Ernest Becker (The Denial of Death)
In 1917 I went to Russia. I was sent to prevent the Bolshevik Revolution and to keep Russia in the war. The reader will know that my efforts did not meet with success. I went to Petrograd from Vladivostok, .One day, on the way through Siberia, the train stopped at some station and the passengers as usual got out, some to fetch water to make tea, some to buy food and others to stretch their legs. A blind soldier was sitting on a bench. Other soldiers sat beside him and more stood behind. There were from twenty to thirty.Their uniforms were torn and stained. The blind soldier, a big vigorous fellow, was quite young. On his cheeks was the soft, pale down of a beard that has never been shaved. I daresay he wasn't eighteen. He had a broad face, with flat, wide features, and on his forehead was a great scar of the wound that had lost him his sight. His closed eyes gave him a strangely vacant look. He began to sing. His voice was strong and sweet. He accompanied himself on an accordion. The train waited and he sang song after song. I could not understand his words, but through his singing, wild and melancholy, I seemed to hear the cry of the oppressed: I felt the lonely steppes and the interminable forests, the flow of the broad Russian rivers and all the toil of the countryside, the ploughing of the land and the reaping of the wild corn, the sighing of the wind in the birch trees, the long months of dark winter; and then the dancing of the women in the villages and the youths bathing in shallow streams on summer evenings; I felt the horror of war, the bitter nights in the trenches, the long marches on muddy roads, the battlefield with its terror and anguish and death. It was horrible and deeply moving. A cap lay at the singer's feet and the passengers filled it full of money; the same emotion had seized them all, of boundless compassion and of vague horror, for there was something in that blind, scarred face that was terrifying; you felt that this was a being apart, sundered from the joy of this enchanting world. He did not seem quite human. The soldiers stood silent and hostile. Their attitude seemed to claim as a right the alms of the travelling herd. There was a disdainful anger on their side and unmeasurable pity on ours; but no glimmering of a sense that there was but one way to compensate that helpless man for all his pain.
W. Somerset Maugham
Celestial Music” I have a friend who still believes in heaven. Not a stupid person, yet with all she knows, she literally talks to god, she thinks someone listens in heaven. On earth, she’s unusually competent. Brave, too, able to face unpleasantness. We found a caterpillar dying in the dirt, greedy ants crawling over it. I’m always moved by weakness, by disaster, always eager to oppose vitality. But timid, also, quick to shut my eyes. Whereas my friend was able to watch, to let events play out according to nature. For my sake, she intervened, brushing a few ants off the torn thing, and set it down across the road. My friend says I shut my eyes to god, that nothing else explains my aversion to reality. She says I’m like the child who buries her head in the pillow so as not to see, the child who tells herself that light causes sadness— My friend is like the mother. Patient, urging me to wake up an adult like herself, a courageous person— In my dreams, my friend reproaches me. We’re walking on the same road, except it’s winter now; she’s telling me that when you love the world you hear celestial music: look up, she says. When I look up, nothing. Only clouds, snow, a white business in the trees like brides leaping to a great height— Then I’m afraid for her; I see her caught in a net deliberately cast over the earth— In reality, we sit by the side of the road, watching the sun set; from time to time, the silence pierced by a birdcall. It’s this moment we’re both trying to explain, the fact that we’re at ease with death, with solitude. My friend draws a circle in the dirt; inside, the caterpillar doesn’t move. She’s always trying to make something whole, something beautiful, an image capable of life apart from her. We’re very quiet. It’s peaceful sitting here, not speaking, the composition fixed, the road turning suddenly dark, the air going cool, here and there the rocks shining and glittering— it’s this stillness that we both love. The love of form is a love of endings.
Louise Glück (Ararat)
Eliot's understanding of poetic epistemology is a version of Bradley's theory, outlined in our second chapter, that knowing involves immediate, relational, and transcendent stages or levels. The poetic mind, like the ordinary mind, has at least two types of experience: The first consists largely of feeling (falling in love, smelling the cooking, hearing the noise of the typewriter), the second largely of thought (reading Spinoza). The first type of experience is sensuous, and it is also to a great extent monistic or immediate, for it does not require mediation through the mind; it exists before intellectual analysis, before the falling apart of experience into experiencer and experienced. The second type of experience, in contrast, is intellectual (to be known at all, it must be mediated through the mind) and sharply dualistic, in that it involves a breaking down of experience into subject and object. In the mind of the ordinary person, these two types of experience are and remain disparate. In the mind of the poet, these disparate experiences are somehow transcended and amalgamated into a new whole, a whole beyond and yet including subject and object, mind and matter. Eliot illustrates his explanation of poetic epistemology by saying that John Donne did not simply feel his feelings and think his thoughts; he felt his thoughts and thought his feelings. He was able to "feel his thought as immediately as the odour of a rose." Immediately" in this famous simile is a technical term in philosophy, used with precision; it means unmediated through mind, unshattered into subject and object. Falling in love and reading Spinoza typify Eliot's own experiences in the years in which he was writing The Waste Land. These were the exciting and exhausting years in which he met Vivien Haigh-Wood and consummated a disastrous marriage, the years in which he was deeply involved in reading F. H. Bradley, the years in which he was torn between the professions of philosophy and poetry and in which he was in close and frequent contact with such brilliant and stimulating figures as Bertrand Russell and Ezra Pound, the years of the break from his family and homeland, the years in which in every area of his life he seemed to be between broken worlds. The experiences of these years constitute the material of The Waste Land. The relevant biographical details need not be reviewed here, for they are presented in the introduction to The Waste Land Facsimile. For our purposes, it is only necessary to acknowledge what Eliot himself acknowledged: the material of art is always actual life. At the same time, it should also be noted that material in itself is not art. As Eliot argued in his review of Ulysses, "in creation you are responsible for what you can do with material which you must simply accept." For Eliot, the given material included relations with and observations of women, in particular, of his bright but seemingly incurably ill wife Vivien(ne).
Jewel Spears Brooker (Reading the Waste Land: Modernism and the Limits of Interpretation)
The man eyes that were always roaming here and there like the eyes of tigers, those searchlight eyes, needed to be shielded from the alluring and indeed blinding power of us—of our shapely or skinny or fat legs, of our graceful or knobbly or sausage arms, of our peachy or blotchy skins, of our entwining curls of shining hair or our coarse unruly pelts or our straw-like wispy braids, it did not matter. Whatever our shapes and features, we were snares and enticements despite ourselves, we were the innocent and blameless causes that through our very nature could make men drunk with lust, so that they’d stagger and lurch and topple over the verge—The verge of what? we wondered. Was it like a cliff?—and go plunging down in flames, like snowballs made of burning sulphur hurled by the angry hand of God. We were custodians of an invaluable treasure that existed, unseen, inside us; we were precious flowers that had to be kept safely inside glass houses, or else we would be ambushed and our petals would be torn off and our treasure would be stolen and we would be ripped apart and trampled by the ravenous men who might lurk around any corner, out there in the wide sharp-edged sin-ridden world.
Margaret Atwood (The Testaments (The Handmaid's Tale, #2))
Chase grunts at that, shoving himself up and away. For a moment he looks down at me, flushed and open mouthed. “Suck me.” It’s a demand. “I want to feel your tongue on my cock.” He isn’t gentle. Once I take him in my mouth he twists his fingers in my hair, the hold burning as I tilt my face to see the drop of his head, his eyes closed, his mouth parted to an O. “Fuck.” He shudders, the word hardly a shaping of his heavy breath. “Like that.” He feels so good in my mouth. Hot and hard, too much for me to take into my throat without gagging a little over his length. That makes him grunt, the hard planes of his belly tensing. I can feel his twitching indecision in the movements of his fingers through my hair, torn between the need to hold me close and the need to be inside another part of me. He doesn’t stay indecisive for long. “You want me to fuck you?” His voice is ragged. Yes, yes. I try to tell him with the sweep of my tongue and the hollow of my cheeks, the enthusiastic bob of my head. When Chase grabs me he’s rough. His hands hold tight at my shoulders as he shoves me over, face down on the bed. One fist tugs my hip up as the other braces low over my spine. “Wait,” is a rasped order. I can feel the mattress move as he leans to the bedside drawer, and then there’s the ripping sound of a foil packet torn on his teeth. There’s no warning after that. Only his cock, buried inside of me in one savage thrust. I cry out his name, and everything splinters with too much and yes and the good-ache pain of being opened by him. “Brooke.” It’s grunted at my ear as Chase begins a slow, solid pound into me, each thrust shoving to full sink. It hurts a little. He’s too big. It’s too quick. But god, it’s amazing. “Your pussy feels so good wrapped around my cock. So fucking good.” His fingers find my clit, and it’s all I can do not to cry out with how good it feels. His hips slam against my raised ass as he pounds into me, all that muscle riding me as expertly as he rode the mountains today. “Come.” He bites it at my ear, grinding his cock into me, holding the deepest penetration all the way into my aching core. “Come for me.” He’s starting to pound me again, and where my face is smashed against the pillow I whimper out the too-much-good of it, each slam of his body into mine forcing the breath from my lungs and spiking pleasure along my spine. “Please—please—please—” “Beg me,” Chase growls. “Say you want me. Say you need me inside of you.” “Please. Make me come. Chase. Please. Fuck me.” It’s so much I’m almost sobbing with it. Chase pounds on, relentless, until as I begin to spasm with my orgasm he grunts out his own. My hips pinned in his fingers. His body slammed into mine. Both of us, breaking apart together.
Harper Dallas (Ride (The Wild Sequence, #1))
I swung it a couple of times, getting used to the weight. “Two swords,” Bran said from the doorway. His spasm had torn his clothes, and he had cut and rigged the remnants of his shirt and pants into a makeshift kilt, showcasing the world’s greatest chest. Too bad the kilt gave me a flashback to Greg’s killer. He had worn a kilt, too. “Can you handle two swords?” I pulled Slayer from the sheath, lunged at him, drawing a classic figure eight around his body with Slayer, and blocked his arm with the flat of the shorter blade when he tried to counter. “Fancy. You missed,” he said. “You want something?” “I thought since we both might die tomorrow, you’d be up for a friendly roll-in-the-hay.” “I might die. You’ll be healed.” He shook his head. “I’m not immortal, dove. Do enough damage fast and I’ll kick the bucket like the rest of you.” I disengaged and moved past him to the door. His kilt fell. “It took me forever to fix this!” He grabbed it off the floor and it fell apart in his hand. I had cut it in three places. I walked out into the hallway and almost ran into Curran accompanied by a group of shapeshifters. Bran followed me in all his naked glory. “Hey, does this mean no sex?” Curran’s face went blank. I dodged him and kept walking. Bran chased me, weaving through the shapeshifters. “Get out of my way, don’t you see I’m trying to talk to a woman?” I made the mistake of looking back in time to see Curran reach for Bran’s neck as the Hound of Morrigan rushed by. With an effort of will that must have taken a year off his life, Curran curled his fingers into a fist and lowered his hand instead. I chuckled to myself and kept walking. The Universe had proven Curran wrong: a person who aggravated him more than me did, in fact, exist.
Ilona Andrews (Magic Burns (Kate Daniels, #2))
That treacherous old bleeder!” Ron panted, emerging from beneath the Invisibility Cloak and throwing it to Harry. “Hermione, you’re a genius, a total genius, I can’t believe we got out of that!” “Cave Inimicum…Didn’t I say it was an Erumpent horn, didn’t I tell him? And now his house has been blown apart!” “Serves him right,” said Ron, examining his torn jeans and the cuts to his legs. “What d’you reckon they’ll do to him?” “Oh, I hope they don’t kill him!” groaned Hermione. “That’s why I wanted the Death Eaters to get a glimpse of Harry before we left, so they knew Xenophilius hadn’t been lying!” “Why hide me, though?” asked Ron. “You’re supposed to be in bed with spattergroit, Ron! They’ve kidnapped Luna because her father supported Harry! What would happen to your family if they knew you’re with him?” “But what about your mum and dad?” “They’re in Australia,” said Hermione. “They should be all right. They don’t know anything.” “You’re a genius,” Ron repeated, looking awed. “Yeah, you are, Hermione,” agreed Harry fervently. “I don’t know what we’d do without you.” She beamed, but became solemn at once. “What about Luna?” “Well, if they’re telling the truth and she’s still alive--” began Ron. “Don’t say that, don’t say it!” squealed Hermione. “She must be alive, she must!” “Then she’ll be in Azkaban, I expect,” said Ron. “Whether she survives the place, though…Loads don’t…” “She will,” said Harry. He could not bear to contemplate the alternative. “She’s tough, Luna, much tougher than you’d think. She’s probably teaching all the inmates about Wrackspurts and Nargles.” “I hope you’re right,” said Hermione. She passed a hand over her eyes. “I’d feel so sorry for Xenophilius if--” “--if he hadn’t just tried to sell us to the Death Eaters, yeah,” said Ron.
J.K. Rowling (Harry Potter and the Deathly Hallows (Harry Potter, #7))