Flew Away Quotes

We've searched our database for all the quotes and captions related to Flew Away. Here they are! All 200 of them:

She was elusive. She was today. She was tomorrow. She was the faintest scent of a cactus flower, the flitting shadow of an elf owl. We did not know what to make of her. In our minds we tried to pin her to a cork board like a butterfly, but the pin merely went through and away she flew.
Jerry Spinelli (Stargirl (Stargirl, #1))
You won't forget me, Peter, will you, before spring-cleaning time comes? Of course Peter promised, and then he flew away. He took Mrs. Darling's kiss with him. The kiss that had been for no one else Peter took quite easily. Funny. But she seemd satisfied.
J.M. Barrie (Peter Pan)
I live in New York, and I was thinking about the lagoon in Central Park, down near Central Park South. I was wondering if it would be frozen over when I got home, and if it was, where did the ducks go? I was wondering where the ducks went when the lagoon got all icy and frozen over. I wondered if some guy came in a truck and took them away to a zoo or something. Or if they just flew away.
J.D. Salinger (The Catcher in the Rye)
See, people come into your life for a reason. They might not know it themselves, why. You might not know it. But there's a reason. There has to be
Joyce Carol Oates (After the Wreck, I Picked Myself Up, Spread My Wings, and Flew Away)
Let us speak less and say more. ( “Words flew away like birds” )
Erik Pevernagie
The day we decide to drop the flimsy makeshift scenarios in our cluttered mind and eschew the ‘alleluias’ of self-importance, life can become genuine, lucid and graceful, like a flow of wellness in the glow of a new morning. ("Words flew away like birds")
Erik Pevernagie
When he smiled the fear flew away in little pieces of light...
William S. Burroughs (Naked Lunch: The Restored Text)
And I want to play hide-and-seek and give you my clothes and tell you I like your shoes and sit on the steps while you take a bath and massage your neck and kiss your feet and hold your hand and go for a meal and not mind when you eat my food and meet you at Rudy's and talk about the day and type up your letters and carry your boxes and laugh at your paranoia and give you tapes you don't listen to and watch great films and watch terrible films and complain about the radio and take pictures of you when you're sleeping and get up to fetch you coffee and bagels and Danish and go to Florent and drink coffee at midnight and have you steal my cigarettes and never be able to find a match and tell you about the tv programme I saw the night before and take you to the eye hospital and not laugh at your jokes and want you in the morning but let you sleep for a while and kiss your back and stroke your skin and tell you how much I love your hair your eyes your lips your neck your breasts your arse your and sit on the steps smoking till your neighbour comes home and sit on the steps smoking till you come home and worry when you're late and be amazed when you're early and give you sunflowers and go to your party and dance till I'm black and be sorry when I'm wrong and happy when you forgive me and look at your photos and wish I'd known you forever and hear your voice in my ear and feel your skin on my skin and get scared when you're angry and your eye has gone red and the other eye blue and your hair to the left and your face oriental and tell you you're gorgeous and hug you when you're anxious and hold you when you hurt and want you when I smell you and offend you when I touch you and whimper when I'm next to you and whimper when I'm not and dribble on your breast and smother you in the night and get cold when you take the blanket and hot when you don't and melt when you smile and dissolve when you laugh and not understand why you think I'm rejecting you when I'm not rejecting you and wonder how you could think I'd ever reject you and wonder who you are but accept you anyway and tell you about the tree angel enchanted forest boy who flew across the ocean because he loved you and write poems for you and wonder why you don't believe me and have a feeling so deep I can't find words for it and want to buy you a kitten I'd get jealous of because it would get more attention than me and keep you in bed when you have to go and cry like a baby when you finally do and get rid of the roaches and buy you presents you don't want and take them away again and ask you to marry me and you say no again but keep on asking because though you think I don't mean it I do always have from the first time I asked you and wander the city thinking it's empty without you and want what you want and think I'm losing myself but know I'm safe with you and tell you the worst of me and try to give you the best of me because you don't deserve any less and answer your questions when I'd rather not and tell you the truth when I really don't want to and try to be honest because I know you prefer it and think it's all over but hang on in for just ten more minutes before you throw me out of your life and forget who I am and try to get closer to you because it's beautiful learning to know you and well worth the effort and speak German to you badly and Hebrew to you worse and make love with you at three in the morning and somehow somehow somehow communicate some of the overwhelming undying overpowering unconditional all-encompassing heart-enriching mind-expanding on-going never-ending love I have for you.
Sarah Kane (Crave)
Pain lanced through his neck. He gasped and his eyes flew open; Simon was sitting up on him, staring down with wide eyes, his hand across his own mouth. Simon's wounds were gone, though fresh blood stained the front of his shirt. Jace could feel the pain of his bruised shoulders again, the slash across his wrist, his punctured throat. He could no longer hear his heart beating, but he knew it was slamming away inside his chest. Simon took his hand away from his mouth. The fangs were gone. "I could have killed you," he said. There was a sort of pleading in his voice. "I would have let you," said Jace.
Cassandra Clare (City of Ashes (The Mortal Instruments, #2))
She laughed when there was no joke. She danced when there was no music. She had no friends, yet she was the friendliest person in school. In her answers in class, she often spoke of sea horses and stars, but she did not know what a football was... She was elusive. She was today. She was tomorrow. She was the faintest scent of a cactus flower, the flitting shadow of an elf owl. We did not know what to make of her. In our minds we tried to pin her to a corkboard like a butterfly, but the pin merely went through and away she flew.
Jerry Spinelli (Stargirl (Stargirl, #1))
there arose such a clatter, I sprang from the bed to see what was the matter. Away to the window I flew like a flash, Tore open the shutters
Clement Clarke Moore (The Night Before Christmas: The Classic Account of the Visit from St. Nicholas)
I listened to them fade away till all I could hear was my memory of the sound.
Ken Kesey (One Flew Over the Cuckoo’s Nest)
Why do people so often keep on speaking without ever saying anything? Words so often disappear furtively, as if they had never existed. They don’t stir any strings in our minds or thrill our emotions. They leave no trace in our memory and vanish simply like birds in the airy void of the sky. ("Words flew away like birds" )
Erik Pevernagie
Do not think that time simply flies away. Do not understand “flying” as the only function of time. If time simply flew away, a separation would exist between you and time. So if you understand time as only passing, then you do not understand the time being.   To grasp this truly, every being that exists in the entire world is linked together as moments in time, and at the same time they exist as individual moments of time. Because all moments are the time being, they are your time being.
Ruth Ozeki (A Tale for the Time Being)
In every message she spoke of birds, of flight, of the world away. Even back then, she flew against what was presented to her. I wanted to cling to her wings and soar, no matter how intimidated I was.
Lisa See (Snow Flower and the Secret Fan)
Now and then sprays of rain flew over and misted our faces. Every time I refused to wipe away the wetness. It made the world seem so alive to me. I couldn't help but envy the way a good storm got everyone's attention.
Sue Monk Kidd (The Secret Life of Bees)
In our minds we tried to pin her to a corkboard like a butterfly, but the pin merely went through and away she flew
Jerry Spinelli (Stargirl (Stargirl, #1))
They gave Pandora a box. Prometheus begged her not to open it. She opened it. Every evil to which human flesh is heir came out of it. The last thing to come out of the box was hope. It flew away.
Kurt Vonnegut Jr. (Timequake)
Whatever I learned, Whatever I knew, Seems like those faded years of childhood that flew, Away in some dilemma, Always in some confusion, The purpose of this life, Seems like an illusion!
Mehek Bassi (Chained: Can you escape fate?)
Remain faithful to the earth, my brothers, with the power of your virtue. Let your gift-giving love and your knowledge serve the meaning of the earth. Thus I beg and beseech you. Do not let them fly away from earthly things and beat with their wings against eternal walls. Alas, there has always been so much virtue that has flown away. Lead back to the earth the virtue that flew away, as I do—back to the body, back to life, that it may give the earth a meaning, a human meaning.
Friedrich Nietzsche
She looked, and a scarlet butterfly flew away from her, away down the length of the tower, and then another, another, an unraveling scarf of butterflies like winged blood.
Tanith Lee (Red as Blood, or Tales from the Sisters Grimmer)
Her eyes, walnut brown and shaded by fanned lashes, met mine. Held for a moment. Flew away.
Khaled Hosseini (The Kite Runner)
She stopped and listened to him and somehow his cheerful, friendly little whistle gave her a pleased feeling--even a disagreeable little girl may be lonely, and the big closed house and big bare moor and big bare gardens had made this one feel as if there was no one left in the world but herself. If she had been an affectionate child, who had been used to being loved, she would have broken her heart, but even though she was "Mistress Mary Quite Contrary" she was desolate, and the bright-breasted little bird brought a look into her sour little face which was almost a smile. She listened to him until he flew away. He was not like an Indian bird and she liked him and wondered if she should ever see him again. Perhaps he lived in the mysterious garden and knew all about it.
Frances Hodgson Burnett (Secret Garden)
A is for Amy who fell down the stairs. B is for Basil assaulted by bears. C is for Clara who wasted away. D is for Desmond thrown out of a sleigh. E is for Ernest who choked on a peach. F is for Fanny sucked dry by a leech. G is for George smothered under a rug. H is for Hector done in by a thug. I is for Ida who drowned in a lake. J is for James who took lye by mistake. K is for Kate who was struck with an axe. L is for Leo who choked on some tacks. M is for Maud who was swept out to sea. N is for Neville who died of ennui. O is for Olive run through with an awl. P is for Prue trampled flat in a brawl. Q is for Quentin who sank on a mire. R is for Rhoda consumed by a fire. S is for Susan who perished of fits. T is for Titus who flew into bits. U is for Una who slipped down a drain. V is for Victor squashed under a train. W is for Winnie embedded in ice. X is for Xerxes devoured by mice. Y is for Yorick whose head was bashed in. Z is for Zillah who drank too much gin.
Edward Gorey
I am clumsy, drop glasses and get drunk on Monday afternoons. I read Seneca and can recite Shakespeare by heart, but I mess up the laundry, don’t answer my phone and blame the world when something goes wrong. I think I have a dream, but most of the days I’m still sleeping. The grass is cut. It smells like strawberries. Today I finished four books and cleaned my drawers. Do you believe in a God? Can I tell you about Icarus? How he flew too close to the sun? I want to make coming home your favourite part of the day. I want to leave tiny little words lingering in your mind, on nights when you’re far away and can’t sleep. I want to make everything around us beautiful; make small things mean a little more. Make you feel a little more. A little better, a little lighter. The coffee is warm, this cup is yours. I want to be someone you can’t live without. I want to be someone you can’t live without.
Charlotte Eriksson (He loved me some days. I'm sure he did: 99 essays on growth through loss)
It's all right,' she said. Her throat hurt. Her chest hurt. Love hurt. So why was she happy? 'The world is good. Go see it.' And the bird leaped into the sky and flew away.
Kelly Barnhill (The Girl Who Drank the Moon)
Six Wisemen came to Jhaampe-town Climbed a hill, and never came down Found their flesh and lost their skins Flew away on stony wings. Five Wisemen came to Jhaampe-town Walked a road not up nor down Were torn to many and turned to one, In the end, left a task half-done Four Wisemen came to Jhaampe-town They spoke in words without a sound They begged their Queen to let them go And what became of them, no one can know. Three Wisemen came to Jhaampe-town They’d helped a king to keep his crown. But when they tried to climb the hill Down they came in a terrible spill. Two Wisemen came to Jhaampe-town Gentle women there they found. Forgot their quest and lived in love Perhaps were wiser than ones above. One Wiseman came to Jhaampe-town. He set aside both Queen and Crown Did his task and fell asleep Gave his bones to the stones to keep. No wise men go to Jhaampe-town, To climb the hill and never come down. ‘Tis wiser far and much more brave To stay at home and face the grave.
Robin Hobb (Assassin's Quest (Farseer Trilogy, #3))
We must wait," she said. "They are involved in important buisness." Her tone was serious, almost reverntial. The two of them stopped, some five meters from the group of me. They were all leaning forward, staring intently at an upright rock placed in the middle of the circle. Will thought they must be praying, although no words were being said. Then, as one, they all slumped back with a roar of disappointment. "It flew away!" said one figure, and Will recognized the voice. It was the man who had rescued him. "Almost to the top and it flew away!" e lookd questioningly to Cieliema and she rolled her eyes at him. "Grown men gambling on two flies crawling up a stone." "Gambling?" he said. "I thought they were praying. She raised an eyebrow. "To them, it's much the same thing.
John Flanagan (Erak's Ransom (Ranger's Apprentice, #7))
Shadowfax tossed his head and cried aloud, as if a trumpet had summoned him to battle. Then he sprang forward. Fire flew from his feet; night rushed over him. As he fell slowly into sleep, Pippin had a strange feeling: he and Gandalf were still as stone, seated upon the statue of a running horse, while the world rolled away beneath his feet with a great noise of wind.
J.R.R. Tolkien (The Two Towers (The Lord of the Rings, #2))
For some time she observed a great yellow butterfly, which was opening and closing its wings very slowly on a little flat stone. "What is it to be in love?" she demanded, after a long silence; each word as it came into being seemed to shove itself out into an unknown sea. Hypnotized by the wings of the butterfly, and awed by the discovery of a terrible possibility in life, she sat for some time longer. When the butterfly flew away, she rose, and within, her two books beneath her arm returned again, much as a soldier prepares for battle.
Virginia Woolf (The Voyage Out)
I been away a long time.
Ken Kesey (One Flew Over The Cuckoo's Nest)
Where am I?" Magnus croaked. "Nazca." "Oh, so we went on a little trip." "You broke into a man's house," Catarina said. "You stole a carpet and enchanted it to fly. Then you sped off into the night air. We pursued you on foot." "Ah," said Magnus. "You were shouting some things." "What things?" "I prefer not to repeat them," Catarina said. "I also prefer not to remember the time we spent in the desert. It is a mammoth desert, Magnus. Ordinary deserts are quite large. Mammoth deserts are so called because they are larger than ordinary deserts." "Thank you for that interesting and enlightening information," Magnus croaked. "You told us to leave you in the desert, because you planned to start a new life as a cactus," Catarina said, her voice flat. "Then you conjured up tiny needles and threw them at us. With pinpoint accuracy." "Well," he said with dignity. "Considering my highly intoxicated state, you must have been impressed with my aim." "'Impressed' is not the word to use to describe how I felt last night, Magnus." "I thank you for stopping me there," Magnus said. "It was for the best. You are a true friend. No harm done. Let's say no more about it. Could you possibly fetch me - " "Oh, we couldn't stop you," Catarina interrupted. "We tried, but you giggled, leaped onto the carpet, and flew away again. You kept saying that you wanted to go to Moquegua." "What did I do in Moquegua?" "You never got there," Catarina said. "But you were flying about and yelling and trying to, ahem, write messages for us with your carpet in the sky." "We then stopped for a meal," Catarina said. "You were most insistent that we try a local specialty that you called cuy. We actually had a very pleasant meal, even though you were still very drunk." "I'm sure I must have been sobering up at that point," Magnus argued. "Magnus, you were trying to flirt with your own plate." "I'm a very open-minded sort of fellow!" "Ragnor is not," Catarina said. "When he found out that you were feeding us guinea pigs, he hit you over the head with your plate. It broke." "So ended our love," Magnus said. "Ah, well. It would never have worked between me and the plate anyway. I'm sure the food did me good, Catarina, and you were very good to feed me and put me to bed - " Catarina shook her head."You fell down on the floor. Honestly, we thought it best to leave you sleeping on the ground. We thought you would remain there for some time, but we took our eyes off you for one minute, and then you scuttled off. Ragnor claims he saw you making for the carpet, crawling like a huge demented crab.
Cassandra Clare (The Bane Chronicles)
Stare at him," said Ghost. "They won't bite you if you keep staring at them." Steve backed away. "They bite?" Not really. They hiss at you, mostly. The only time geese are ever dangerous is when you happen to be standing on the edge of a cliff. I heard about a guy that almost got killed that way." By geese?" Yeah, there was a whole flock of them coming after him. All hissing and cackling and stabbing at his ankles with their big ol' beaks. He didn't know you had to stare them right in the eye, and he panicked. They backed him right over a fifty-foot cliff." So how come he didn't die?" This guy had wings," said Ghost. "He flew away.
Poppy Z. Brite (Lost Souls)
Do not think that time simply flies away. Do not understand “flying” as the only function of time. If time simply flew away, a separation would exist between you and time. So if you understand time as only passing, then you do not understand the time being.
Ruth Ozeki (A Tale for the Time Being)
And it all flew away like a dream--even my passion, and yet it really was strong and true, but...where has it gone now? Indeed the thought occasionally flits through my head: "Didn't I go out of my mind then and spend the whole time sitting in a madhouse somewhere, and maybe I'm sitting there now--so that for me it was all a seeming and only seems to this day.
Fyodor Dostoevsky (The Gambler)
Cherie, keep walking. Shut your eyes. We are headed for the bridge. We are going to cross it.
Joyce Carol Oates (After the Wreck, I Picked Myself Up, Spread My Wings, and Flew Away)
That's right. You'll like Owl. He flew past a day or two ago and noticed me. He didn't actually say anything, mind you, but he knew it was me. Very friendly of him. Encouraging." Pooh and Piglet shuffled about a little and said, "Well, good-bye, Eeyore" as lingeringly as they could, but they had a long way to go, and wanted to be getting on. "Good-bye," said Eeyore. "Mind you don't get blown away, little Piglet. You'd be missed. People would say `Where's little Piglet been blown to?' -- really wanting to know. Well, good-bye. And thank you for happening to pass me.
A.A. Milne (The House at Pooh Corner (Winnie-the-Pooh, #2))
Snaketail what art thou doing?" called Voldemort. Then . . . he started coming! We could hear his high heels clacking to us. So we got on our broomsticks and we flew to Hogwarts. We went to my room. Vampire went away. There I started crying.
Tara Gilesbie (My Immortal)
A belligerent samurai, an old Japanese tale goes, once challenged a Zen master to explain the concept of heaven and hell. The monk replied with scorn, "You're nothing but a lout - I can't waste my time with the likes of you!" His very honor attacked, the samurai flew into a rage and, pulling his sword from its scabbard, yelled "I could kill you for your impertinence." "That," the monk calmly replied, "is hell." Startled at seeing the truth in what the master pointed out about the fury that had him in its grip, the samurai calmed down, sheathed his sword, and bowed, thanking the monk for the insight. "And that,"said the monk "is heaven." The sudden awakening of the samurai to his own agitated state illustrates the crucial difference between being caught up in a feeling and becoming aware that you are being swept away by it. Socrates's injunction "Know thyself" speaks to the keystone of emotional intelligence: awareness of one's own feelings as they occur.
Daniel Goleman (Emotional Intelligence: Why It Can Matter More Than IQ)
I'd give something to see that. Mostly, I'd just to look over the country around the gorge again, just to bring some of it clear in my mind again. I been away a long time.
Ken Kesey (One Flew Over the Cuckoo’s Nest)
Autobiographia Literaria" When I was a child I played by myself in a corner of the schoolyard all alone. I hated dolls and I hated games, animals were not friendly and birds flew away. If anyone was looking for me I hid behind a tree and cried out "I am an orphan." And here I am, the center of all beauty! writing these poems! Imagine!
Frank O'Hara
Elizabeth’s hands flew to her mouth; tears filled her eyes with happiness as she realized he was fulfilling yet another of her and her mother’s intended activities. “Why are you fulfilling all of my mother’s dreams?” she asked, studying his face and searching for answers. “So you don’t run away like she did in search of them,” he replied, taking her hand. “Come on, join in!” he said, leaping around.
Cecelia Ahern (If You Could See Me Now)
It was Lorraine in her nightie and Mo in his cap. They'd just settled their brains for a long winter's nap in front of the television. When out in the lot there arose such a clatter, they sprang from their recliners to see what was the matter. Away to the window they flew like a flash, tore open the blinds and threw up the sash. And what to their wondering eyes should appear, but Stephanie Plum and yet another of her cars burning front to rear.
Janet Evanovich
Resting beside her, he seemed to Ildiko a living statue, carved from dark granite into a form of supple elegance and power. He was beautiful, and the tremor change in her perception of him robbed her lungs of air. He opened both eyes suddenly, making her jump. Two shimmering gold coins stared at her unblinking. "Good evening, wife," he said in a voice raspy with the remnants of sleep. A closed-lip smile curved his mouth upward and deepened the tiny lines that fanned from the corners of his eyes. "You're staring. Do I have a fly on my nose?" Fighting down a blush at being caught gawking at her own husband, Ildiko lightly tapped the tip of his nose with one finger. "I was trying to find a way to kill it without punching you in the face. Lucky for you, it flew away.
Grace Draven (Radiance (Wraith Kings, #1))
We now know I can do it, but I feel like hell," I went on. "I'm so cold, my teeth would chatter if they still could. And I'm hungry enough that both of you are starting to looking really, really good." Vlad's lips curled. "Is this the part where I'm supposed to remind you that this is just the leftover power talking and you don't really want to cheat on Hones?" "Not that kind of hungry!" I gasped, eyes bulging that Vlad thought I'd just casually thrown out that I wanted him and Mencheres to double-team me. "I meant hungry like drinking you guys' blood. Not hungry for... you know." Without thought, my gaze flew to the areas in question before skipping away once I realized what I was doing. Then my cheeks actually tingled with mortification as Vlad let out a long, hearty laugh. Mencheres, more courteous, pretended to suddenly find something fascinating in the door frame, but I saw his lips twitch. "My dear Reaper," Vlad said, still laughing. "Did you just check out our--" "No!" I interrupted at once, almost lunging toward the staircase. "I'm tired and still dazed from the Remnants and... fuck it, I'm taking a shower. I mean, not a cold shower, because I don't need that"--Oh Jesus, I was only making this worse--"because I am cold already, and I need to get hot. I mean, warmer. Oh, just shut up!
Jeaniene Frost (This Side of the Grave (Night Huntress, #5))
Just then the door flew open, and Ambrose burst through, yelling like a madman and swinging a battle-ax in one hand. His other arm was torn by a mean gash, and his shredded clothes were stained crimson. A rivulet of blood ran down his face from a scalp wound. His crazed eyes fixed on Lucien's decapitated body and then swung toward Vincent's body, lying in a heap next to the fireplace. He looked at me, standing a few feet away, holding an enormous sword effortlessly in one hand and Lucien's head in the other. He nodded silently, and I nodded back.
Amy Plum (Die for Me (Revenants, #1))
Once upon a time, before chimaera and seraphim, there was the sun and the moons. The sun was betrothed to Nitid, the bright sister, but it was demure Ellai, always hiding behind her bold sister, who stirred his lust. He contrived upon her bathing in the sea and he took her. She struggled, but he was the sun, and he thought he should have what he wanted. Ellai stabbed him and escaped, and the blood of the sun flew like sparks to earth, where it became seraphim- misbegotten children of fire. And like their father, they believed it their due to want, and take, and have. As for Ellai, she told her sister what had passed, and Nitid wept, and her tears fell to earth and became chimeara, children of regret. When the sun came again to the sisters, neither would have him. Nitid put Ellai behind her and protected her, though the sun, still bleeding sparks, knew Ellai was not as defenseless as she seemed. He plead with Nitid to forgive him but she refused, and to this day he follows the sisters across the sky, wanting and wanting and never having, and that will be his punishment, forever. Nitid is the goddess of tears and life, hunts and war, and her temples are too many to count. It is she who fills wombs, slows the hearts of the dying, and leads her children against the serephim. Her light is like a small sun; she chases away shadows. Ellai is more subtle. She is a trace, a phantom moon, and there are only a handful of nights she alone takes the sky. There are called Ellai nights, and they are dark and star-scattered and good for furtive things. Ellai is the goddes of assassins and secret lovers. Temples to her are few, and hidden, like the one in the requiem grove in the hills above Loramendi.
Laini Taylor (Daughter of Smoke & Bone (Daughter of Smoke & Bone, #1))
And if some savage told us of a mag-ical worm that built a little windowless house, slept there a season, thenone day emerged and flew away as a jeweled bird, we'd laugh at suchsuperstition if we'd never seen a butterfly.
Robert O. Becker (The Body Electric: Electromagnetism and the Foundation of Life)
Twas the night before Christmas, when all through the house Not a creature was stirring, not even a mouse; The stockings were hung by the chimney with care, In hopes that St. Nicholas soon would be there; The children were nestled all snug in their beds; While visions of sugar-plums danced in their heads; And mamma in her 'kerchief, and I in my cap, Had just settled our brains for a long winter's nap, When out on the lawn there arose such a clatter, I sprang from my bed to see what was the matter. Away to the window I flew like a flash, Tore open the shutters and threw up the sash. The moon on the breast of the new-fallen snow, Gave a lustre of midday to objects below, When what to my wondering eyes did appear, But a miniature sleigh and eight tiny rein-deer, With a little old driver so lively and quick, I knew in a moment he must be St. Nick. More rapid than eagles his coursers they came, And he whistled, and shouted, and called them by name: "Now, Dasher! now, Dancer! now Prancer and Vixen! On, Comet! on, Cupid! on, Donder and Blixen! To the top of the porch! to the top of the wall! Now dash away! dash away! dash away all!" As leaves that before the wild hurricane fly, When they meet with an obstacle, mount to the sky; So up to the housetop the coursers they flew With the sleigh full of toys, and St. Nicholas too— And then, in a twinkling, I heard on the roof The prancing and pawing of each little hoof. As I drew in my head, and was turning around, Down the chimney St. Nicholas came with a bound. He was dressed all in fur, from his head to his foot, And his clothes were all tarnished with ashes and soot; A bundle of toys he had flung on his back, And he looked like a pedler just opening his pack. His eyes—how they twinkled! his dimples, how merry! His cheeks were like roses, his nose like a cherry! His droll little mouth was drawn up like a bow, And the beard on his chin was as white as the snow; The stump of a pipe he held tight in his teeth, And the smoke, it encircled his head like a wreath; He had a broad face and a little round belly That shook when he laughed, like a bowl full of jelly. He was chubby and plump, a right jolly old elf, And I laughed when I saw him, in spite of myself; A wink of his eye and a twist of his head Soon gave me to know I had nothing to dread; He spoke not a word, but went straight to his work, And filled all the stockings; then turned with a jerk, And laying his finger aside of his nose, And giving a nod, up the chimney he rose; He sprang to his sleigh, to his team gave a whistle, And away they all flew like the down of a thistle. But I heard him exclaim, ere he drove out of sight— “Happy Christmas to all, and to all a good night!
Clement Clarke Moore (The Night Before Christmas)
Sunny?” he said. “Qibli!” she cried. “Um … yes?” he said. “QIBLI!” she cried again, leaping to her feet. Her wings flared open in a glittering whirl. “A gigantic all-powerful possibly evil dragon just rose out of the ground and flew away with six of my students! SIX OF MY STUDENTS!” “I know,” he said. “Uh, don’t panic?” “Too late,” Peril said, watching with bewildered amusement.
Tui T. Sutherland (Darkness of Dragons (Wings of Fire #10))
Your dad just threw down and I just laid it out,” Shy started when I didn’t speak. “Now’s the time to share, Tabby.” “I love you,” I whispered. “Good, but don’t say that shit to me three feet away. Get the fuck over here.” I launched off on a foot, took one step and flew through the air. Shy, as he’d been doing awhile, caught me. I wrapped my limbs around him and looked down in his beautiful green eyes. “I love you,” I whispered again.
Kristen Ashley (Own the Wind (Chaos, #1))
I took the dog out for a walk tonight, and together we wandered across the meadow next door. It was a warm summer's night, dark, and moonless. There were a handful of fireflies flickering intermittently, some so close to me I could see they were burning green as they flew, and some further away, who seemed to be flashing white. And in the sky above them a continual roil of distant summer lightning (the storm distant enough that it was silent) burned and flashed and illuminated the clouds. It seemed as if the lightning bugs were talking to the lightning, in a perfect call and response of flash and counterflash. I watched the sky and the meadow flash and flash while the dog walked ahead of me, and realised that I was perfectly happy...
Neil Gaiman
Men who have not been violated don’t understand what it is like to have the edges of your body blurred—to feel that every inch of your skin is a place where fingers can press, that every hole and orifice is a place where others can put parts of their bodies. When your body stops being corporeal, your soul has no place to go, so it finds the next window to escape. My soul left me when I was six. It flew away past a flapping curtain over a window. I ran after it, but it never came back. It left me alone on wet stinking mattresses. It left me alone in the choking dark. It took my tongue, my heart, and my mind. When you don’t have a soul, the ideas inside you become terrible things. They grow unchecked, like malignant monsters. You cry in the night because you know the ideas are wrong—you know because people have told you that—and yet none of it does any good. The ideas are free to grow. There is no soul inside you to stop them.
Rene Denfeld (The Enchanted)
Actually, Justina, I didn't just ring you to chat about what an undead murderer I was...right, degenerate whore as well. Did I ever tell you my mum was one? No? Oh, blimey, I come from a long line of whores, in fact..." I sucked in a breath as Bones divulged yet another tidbit about his past to my mother, who must be frothing at the mouth by now. "...called to give you the good news. I asked your daughter to marry me and she accepted. Congratulations, I will officially be your son-in-law. Now, do you want me to call you Mum straightaway, or wait until after the wedding?" I flew through the air in a dive that finally tackled him, wrenching the phone away. Bones was laughing so hard, he had to breathe to get it all out. "Mom? Are you there? Mom...?" "You might want to give her a moment, Kitten. I believe she fainted.
Jeaniene Frost (At Grave's End (Night Huntress, #3))
I played a round of golf, but I didn't get an eagle. No, that symbol of American FREEDOM flew away faster than I could say Francis Scott Key.
Jarod Kintz (To be good at golf you must go full koala bear)
Then the birds flew away, their names turned to kisses, a silence to spell a new world.
Jessie Burton (The Muse)
She learned to catch a moment in her hand before it flew away and hold it tightly while she had the chance.
Beth Moore (Things Pondered: From the Heart of a Lesser Woman)
A nurse’s aid threw the contents of a patient’s water glass out a window, the mass of water hitting the ground dislodging a pebble which rolled across the angled pavement and fell with a click on a stone culvert in the ditch below, startling a squirrel having at some sort of nut right there on the concrete pipe, causing the squirrel to run up the nearest tree, in doing which it disturbed a slender brittle branch and surprised a few nervous morning birds, of of which, preparatory to flight released a black-and-white glob of droppings, which glob fell neatly on the windshield of the tiny car of one Lenore Beadsman, just as she pulled into a parking space. Lenore got out of the car while birds flew away, making sounds.
David Foster Wallace (The Broom of the System)
I sat belonely I sat belonely down a tree, humbled fat and small. A little lady sing to me I couldn't see at all. I'm looking up and at the sky, to find such wondrous voice. Puzzly puzzle, wonder why, I hear but have no choice. 'Speak up, come forth, you ravel me', I potty menthol shout. 'I know you hiddy by this tree'. But still she won't come out. Such softly singing lulled me sleep, an hour or two or so I wakeny slow and took a peep and still no lady show. Then suddy on a little twig I thought I see a sight, A tiny little tiny pig, that sing with all it's might. 'I thought you were a lady'. I giggle, - well I may, To my suprise the lady, got up - and flew away.
John Lennon (In His Own Write)
A certain king had a beautiful garden, and in the garden stood a tree which bore golden apples. These apples were always counted, and about the time when they began to grow ripe it was found that every night one of them was gone. The king became very angry at this, and ordered the gardener to keep watch all night under the tree. The gardener set his eldest son to watch; but about twelve o'clock he fell asleep, and in the morning another of the apples was missing. Then the second son was ordered to watch; and at midnight he too fell asleep, and in the morning another apple was gone. Then the third son offered to keep watch; but the gardener at first would not let him, for fear some harm should come to him: however, at last he consented, and the young man laid himself under the tree to watch. As the clock struck twelve he heard a rustling noise in the air, and a bird came flying that was of pure gold; and as it was snapping at one of the apples with its beak, the gardener's son jumped up and shot an arrow at it. But the arrow did the bird no harm; only it dropped a golden feather from its tail, and then flew away. The golden feather was brought to the king in the morning, and all the council was called together. Everyone agreed that it was worth more than all the wealth of the kingdom: but the king said, 'One feather is of no use to me, I must have the whole bird.
Jacob Grimm (The Complete Brothers Grimm Fairy Tales)
Satisfied, Sundae trotted to a bush near the lake, dug vigorously for some seconds and pulled out a bone deliciously covered in mud and bits of vegetation. She took her prize to a still-sunny patch of grass and began to gnaw at it. Two magpies, their greyish necks identifying them as juveniles, landed on a nearby branch. Sundae paused, eyes flicking up to stare at the birds, then returned to attend to the bone. One of the magpies swooped down and landed on the lawn a couple of metres away from the dog. Sunny’s top lip trembled up in the prelude of a snarl. The magpie approached the dog. Sundae’s body tensed, lip furling up further, eyes focused on the agitator. The magpie inched closer. When it was half a metre away, Sundae launched. The bird flew back to the branch next to its companion. Then both birds threw their heads back and let out a rollicking call; it sounded like laughter. Rumbling a growl, Sundae returned to her bone, casting baleful glares at the birds as she gnawed. Saskia and Tania chuckled. “For all of my life, I have watched the magpies and dogs of Woodgrove play this game,” Tania said. “And every time I see it, I have to laugh.
Miriam Verbeek (The Forest: A thrilling international crime novel (Saskia van Essen crime thrillers))
once there was a crow, it flew from the field to the hill, from hedge to hedge, and lived its life. then it died and rotted away. -what's the sense in it? there just ISN'T any!
Maxim Gorky
Sheep used to have wings. One flew into the sky and all the others followed. They took their wings off while feeding in the warm sun but the wind blew away their wings so they couldn't fly anymore. They had to return to earth by drifting to where the sky curves down and touches the land, and then walk round the long way.. i like that..
Richard Adams (The Plague Dogs)
And then some guy wandering as lost as you would all of a sudden be right before your eyes, his face bigger and clearer than you ever saw a man’s face before in your life. Your eyes were working so hard to see in that fog that when something did come in sight every detail was ten times as clear as usual, so clear both of you had to look away. When a man showed up you didn’t want to look at his face and he didn’t want to look at yours, because it’s painful to see somebody so clear that it’s like looking inside him, but then neither did you want to look away and lose him completely. You had a choice: you could either strain and look at things that appeared in front of you in the fog, painful as it might be, or you could relax and lose yourself.
Ken Kesey (One Flew Over the Cuckoo’s Nest)
When a man showed up you didn't want to look at his face and he didn't want to look at his face and he didn't want to look at yours, because it's painful to see somebody so clear that it's like looking inside him, but then neither did you want to to look away and lose him completely. You had a choice: you could either strain and look at things that appeared in front of you in the fog, painful as it may be, or you could relax and lose yourself.
Ken Kesey (One Flew Over the Cuckoo's Nest)
The sun was prying up the clouds and lighting the brick front of the hospital rose red. A thin breeze worked at sawing what leaves were left from the oak trees, stacking them neatly agains the wire cyclone fence. There were little brown birds occasionally on the fence: when a puff of leaves would hit the fence the birds would fly off with the wind. It looked at first like the leaves were hitting the fence and turning into birds and flying away.
Ken Kesey (One Flew Over the Cuckoo’s Nest)
As soon as I got back to the apartment, through the pain of throwing away Braden came the fear. I stared down the hall at Ellie's bedroom door, and I had to stop myself from going back on my promise not to run from her. So I did the opposite. I kicked off my boots, shrugged out of my coat and crept silently into her darkened room. In the moonlight shining through her window, I saw Ellie curled up in a protective ball on her side. I made a move toward her and the floor creaked under my foot, and Ellie's eyes flew open immediately. She gazed up at me, wide-eyed but wary. That hurt. I started to cry harder and at the sight of my tears, a tear slid down Ellie's cheek. Without a word, I crawled onto her bed and right up beside her as she turned onto her back. We lay side by side, my head on her shoulder, and I grabbed her hand and held it in both of mine. "I'm sorry," I whispered. "It's okay," Ellie's voice was hoarse with emotion. "You came back." And because life was too short... "I love you, Ellie Carmichael. You're going to get through this." I heard her hitch on a sob. "I love you too, Joss.
Samantha Young (On Dublin Street (On Dublin Street, #1))
Laine slowly rolled out of bed. The queen size was one of the few new things in the house. But now, even the new bed felt tainted. It was an inner-spring monument to lies, a petri dish of mendacity she had shared with her faithless husband, and shared now with creeping dreams that flew from the light but left harsh scratches and diseased black feathers. Laine promised herself that, as soon as, she could, she would rid herself of this house, this bed, her clothes, her jewelry - everything but the flesh she lived in. She would scrub herself clean and flee to start a new life whose first and only commandment would be: Never let thyself be lied to again.
Stephen M. Irwin (The Dead Path)
May the Saints receive me. She pressed the tip beneath her breast, between her ribs, an arrow to her heart. Then a hand gripped her wrist painfully, forcing her to drop the blade. “Not just yet, Inej.” The rasp of stone on stone. Her eyes flew open. Kaz. He bundled her into his arms and leapt down from the crates, landing roughly, his bad leg buckling. She moaned as they hit the ground. “Did we win?” “I’m here, aren’t I?” He must be running. Her body jounced painfully against his chest with every lurching step. He couldn’t carry her and use his cane. “I don’t want to die.” “I’ll do my best to make other arrangements for you.” She closed her eyes. “Keep talking, Wraith. Don’t slip away from me.” “But it’s what I do best.” He clutched her tighter. “Just make it to the schooner. Open your damn eyes, Inej.” She
Leigh Bardugo (Six of Crows (Six of Crows, #1))
In our minds we tried to pin her to a corkboard like a butterfly, but the pin merely went through and away she flew.
Jerry Spinelli (Stargirl (Stargirl, #1))
Mothman flew away from town, like a giant bat, and then disappeared from sight behind a thicket of skeletal autumn trees.
Don Roff (Heebie-Jeebies: Volume One)
I'll tell you a secret. A raven created the world. When Noah sent him out to find land, he couldn't find any. It had all been washed away. So he created it. He shat the dry land and he pissed the the fresh water. Then he flew off, laughing fit to burst. So the world eas there for the dove to find. Really? They don't admit to it, of course. Who wants to be blamed for creating the world?
Neil Gaiman (The Sandman, Vol. 9: The Kindly Ones)
And far away, as Frodo put on the Ring and claimed it for his own, even in Sammath Naur the very heart of his realm, the Power in Barad-dûr was shaken, and the Tower trembled from its foundations to its proud and bitter crown. The Dark Lord was suddenly aware of him, and his Eye piercing all shadows looked across the plain to the door that he had made; and the magnitude of his own folly was revealed to him in a blinding flash, and all the devices of his enemies were at last laid bare. Then his wrath blazed in consuming flame, but his fear rose like a vast black smoke to choke him. For he knew his deadly peril and the thread upon which his doom now hung. From all his policies and webs of fear and treachery, from all his stratagems and wars his mind shook free; and throughout his realm a tremor ran, his slaves quailed, and his armies halted, and his captains suddenly steerless, bereft of will, wavered and despaired. For they were forgotten. The whole mind and purpose of the Power that wielded them was now bent with overwhelming force upon the Mountain. At his summons, wheeling with a rending cry, in a last desperate race there flew, faster than the winds, the Nazgûl, the Ringwraiths, and with a storm of wings they hurtled southwards to Mount Doom.
J.R.R. Tolkien (The Return of the King (The Lord of the Rings, #3))
She had lived thirty-four years keeping everything inside, and now she was letting everything go, like butterflies released from a box. They didn't burst forth, glad to be free, they simply flew away, softly, gradually, so she could watch them go. Good memories of her mother and grandmother were still there, butterflies that stayed, a little too old to go anywhere. That was okay. She would keep those.
Sarah Addison Allen (Garden Spells (Waverley Family, #1))
It flew away, whatever it was, and now he squinted up and remembered that it was the first time in a long spell he had seen the sky, and he thought: It is longer, lonelier and lovelier than any of my prayers.
Wilfrido D. Nolledo (But for the Lovers)
He dabbed at his tuxedo with a damp rag, and the fungi came away easily. "Hate to do this, Bill," he said of the fungi he was murdering. "Fungi have as much right to life as I do. they know what they want, Bill. Damned if I do anymore." Then he thought about what Bill himself might want. It was easy to guess. "Bill," he said, "I like you so much, and I am such a big shot in the Universe, that I will make your three biggest wishes come true." He opened the door of the cage, something Bill couldn't have done in a thousand years. Bill flew over to the windowsill. He put his little shoulder against the glass. there was just one layer of glass between Bill and the great out-of-doors. Although Trough was in the storm window business, he had no storm windows on his own abode. "Your second wish is about to come true," said Trout, and he again did something which Bill could never have done. he opened the window. But the opening of the window was such an alarming business to the parakeet that he flew back to his cage and hopped inside. Trout closed the door of the cage and latched it. "That's the most intelligent use of three wishes I ever heard of," he told the bird. "You made sure you'd still have something worth wishing for--to get out of the cage.
Kurt Vonnegut Jr. (Breakfast of Champions)
Mostly, I'd just like to look over the country around the gorge again, just to bring some of it clear in my mind again. I been away a long time.
Ken Kesey (One Flew Over the Cuckoo’s Nest)
Sod this,’ said Kyle and he swung his axe. Charlotte watched amazed, unable to look away, as the blade sliced clean through the father’s neck and his head flew off.
Charlie Higson (The Sacrifice)
When Hitler marched across the Rhine To take the land of France, La dame de fer decided, ‘Let’s make the tyrant dance.’ Let him take the land and city, The hills and every flower, One thing he will never have, The elegant Eiffel Tower. The French cut the cables, The elevators stood still, ‘If he wants to reach the top, Let him walk it, if he will.’ The invaders hung a swastika The largest ever seen. But a fresh breeze blew And away it flew, Never more to be seen. They hung up a second mark, Smaller than the first, But a patriot climbed With a thought in mind: ‘Never your duty shirk.’ Up the iron lady He stealthily made his way, Hanging the bright tricolour, He heroically saved the day. Then, for some strange reason, A mystery to this day, Hitler never climbed the tower, On the ground he had to stay. At last he ordered she be razed Down to a twisted pile. A futile attack, for still she stands Beaming her metallic smile.
E.A. Bucchianeri (Brushstrokes of a Gadfly (Gadfly Saga, #1))
Love came easy, but it just wasn't for me. It flew away like swallows on a summer evening. Love sang softly, but it just wasn't to me. Was I a fool to give my love, to give my soul, and more away? My heart aches with longing, cries each night, As I just fall apart. —Carmen, singing "Love Has Flown Away
Walter Dean Myers (Carmen: An Urban Adaptation of the Opera)
56. They all flew away into the west. At this point in the novel Pa delivers this haunting line, 'I would like some one to tell me how they all knew at once that it was time to go, and how they knew which way was west and their ancestral home." Prof. Lockwood commented, 'Locusts were then-- and still are-- mysterious creatures, whose sudden, irruptions are their defining attribute.
Laura Ingalls Wilder (Pioneer Girl: The Annotated Autobiography)
A Partial History of My Stupidity Traffic was heavy coming off the bridge and I took the road to the right, the wrong one, and got stuck in the car for hours. Most nights I rushed out into the evening without paying attention to the trees, whose names I didn't know, or the birds, which flew heedlessly on. I couldn't relinquish my desires or accept them, and so I strolled along like a tiger that wanted to spring, but was still afraid of the wildness within. The iron bars seemed invisible to others, but I carried a cage around inside me. I cared too much what other people thought and made remarks I shouldn't have made. I was slient when I should have spoken. Forgive me, philosophers, I read the Stoics but never understood them. I felt that I was living the wrong life, spiritually speaking, while halfway around the world thousands of people were being slaughtered, some of them by my countrymen. So I walked on--distracted, lost in thought-- and forgot to attend to those who suffered far away, nearby. Forgive me, faith, for never having any. I did not believe in God, who eluded me.
Edward Hirsch
As they walked, the subtle lamplight of a dirigible washed over them. Finley glanced up, watching the light grow closer, slowly descending from the sky in a whirl of propellers as the ship made its way into the London air dock just a few miles away. How amazing it must be to float so high, to travel so quickly. Dandy followed her gaze, but they didn’t stop walking. “I was up in one of them flyers once,” he told her. “I climbed over the rail and hung on to one of the ropes. Freeing it was. I almost let go.” She whipped her head around to gape at him. “The fall would kill you.” He smiled ever so slightly. “Not afore I flew. Worse ways to go.
Kady Cross (The Girl in the Steel Corset (Steampunk Chronicles, #1))
Out along the dim six-o’clock street, I saw leafless trees standing, striking the sidewalk there like wooden lightning, concrete split apart where they hit, all in a fenced-in ring. An iron line of pickets stuck out of the ground along the front of a tangleweed yard, and on back was a big frame house with a porch, leaning a rickety shoulder hard into the wind so’s not to be sent tumbling away a couple of blocks like an empty cardboard grocery box.
Ken Kesey (One Flew Over the Cuckoo’s Nest)
They lit her wings with the flames, but she raised to the sky soaring over the clouds until the whole sky caught fire. She flew staring at the destruction with her cold eyes, while the clouds came down as the balls of fire and burnt everyone, who tried to take her wings away into ashes.
Akshay Vasu
The growing sensitivity of people to any sort of open and frank discussion of important issues is no service to civilisation, let alone law and order. I wrote a play about a man who happened to be a salesman, and several organisations of sales people flew to arms. Now it is the lawyers. If I am to back away from these objections you must surely see that I shall be forced to write about people with no occupation whatever.
Arthur Miller
What happened once can happen again. Evil does walk through the world and is often undetected until it is too late.
Alice Hoffman (When We Flew Away: A Novel of Anne Frank Before the Diary)
Hatred arises so quickly that one drop is all it takes before it spreads like ink on a page.
Alice Hoffman (When We Flew Away: A Novel of Anne Frank Before the Diary)
The witches flew away and melted in the glow of the moon.
Mikhail Bulgakov (The Master and Margarita)
Hope, that fragile tiny feather of a thing, flew away.
Victoria Kahler (Luisa Across the Bay)
She read about dreams made of sunlight and plums, and dreams made of ice; dreams that glowed in the dark, dreams made of unwound fingerprints, dreams that flew away like a lost kite string.
Michelle Cuevas (The Dreamatics)
It was the custom in those days for passengers leaving for America to bring balls of yarn on deck. Relatives on the pier held the loose ends. As the "Giulia" blew its horn and moved away from the dock, a few hundred strings of yarn stretched across the water. People shouted farewells, waved furiously, held up babies for last looks they wouldn't remember. Propellers churned; handkerchiefs fluttered, and, up on deck, the balls of yarn began to spin. Red, yellow, blue, green, they untangled toward the pier, slowly at first, one revolution every ten seconds, then faster and faster as the boat picked up speed. Passengers held the yarn as long as possible, maintaining the connection to faces disappearing onshore. But finally, one by one, the balls ran out. The strings of yarn flew free, rising on the breeze.
Jeffrey Eugenides (Middlesex)
ONCE, I KNEW A FINE SONG, —IT IS TRUE, BELIEVE ME,— IT WAS ALL OF BIRDS, AND I HELD THEM IN A BASKET; WHEN I OPENED THE WICKET, HEAVENS! THEY ALL FLEW AWAY. I CRIED, ’COME BACK, LITTLE THOUGHTS!’ BUT THEY ONLY LAUGHED. THEY FLEW ON UNTIL THEY WERE AS SAND THROWN BETWEEN ME AND THE SKY.
Stephen Crane (The Black Riders and Other Lines)
the Nightingale flew to the Rose-tree, and set her breast against the thorn. All night long she sang with her breast against the thorn, and the cold crystal Moon leaned down and listened. All night long she sang, and the thorn went deeper and deeper into her breast, and her life-blood ebbed away from her.
Oscar Wilde (The Nightingale and the Rose (Original 1888 Edition): Annotated)
LXV [Once, I knew a fine song] Once, I knew a fine song, —It is true, believe me,— It was all of birds, And I held them in a basket; When I opened the wicket, Heavens! They all flew away. I cried, “Come back, little thoughts!” But they only laughed. They flew on Until they were as sand Thrown between me and the sky.
Stephen Crane
With a scream of rage, Lada abandoned her learned moves, her careful training. She flew at him like a wild boar, all fury and animal instinct. He did not know where to block because her blows made no sense, her movements had no grace. She slashed at his face, and when he grabbed her wrists, she bit his hand, clenching her jaw, teeth clamping onto bone. She kept her teeth in him as he shook her, slamming the dagger into his side again and again, following him as he fell away from her, trying to break free. She stayed on top, stabbing, not caring where she hit, not going for a careful, efficient blow. An animal scream, muffled by his hand, continued from her throat.
Kiersten White (And I Darken (The Conqueror's Saga, #1))
I seemed to be walking on and on forever through a peaceful, languid garden of rice paddies. This was no longer the territory of savages, but of an ancient and high civilization. Here and there farmers were plowing their fields, using water buffaloes. As a buffalo started to move, snowy herons would fly down and perch on its back and horns. But they flew away again in fright whenever a buffalo reached the edge of the field the farmer turned his plow. Once, as I was walking along, a moist wind began to blow and the sky quickly filled with black clouds. Herons were tossing in the wind like downy feathers. Soon the rain came. Rainfall in Burma is violent. Before I knew it, I was shut in by a thick spray. I could hardly breathe--I felt as if I were swimming. After a while the rain stopped and the sky cleared. All at once the landscape brightened and a vast rainbow hung across the sky. The mist was gone, as if a curtain had been lifted. And there, under the rainbow, the farmers were singing and plowing again.
Michio Takeyama (Harp of Burma)
She was elusive. She was today. She was tomorrow. She was the faintest scent of a cactus flower, the flitting shadow of an elf owl. We did not know what to make of her. In our minds we tried to pin her to a corkboard like a butterfly, but the pin merely went through and away she flew.
Jerry Spinelli (Stargirl (Stargirl, #1))
When I open the door, Baz is wheeling an old-fashioned chalkboard in front of our beds. “Where did that come from?” I ask. “A classroom.” “Yeah, but how did it get up here?” “It flew.” “No,” I say, “seriously.” He rolls his eyes. “I Up, up and away-ed it. It wasn’t much work.” “Why?” “Because we’re solving a mystery, Snow. I like to organize my thoughts.” “Is this how you normally plot my downfall?” “Yes. With multicoloured pieces of chalk. Stop complaining.” He opens up his book bag and takes out a few apples and things wrapped in greaseproof paper. “Eat,” he says, throwing one at me. It’s a bacon roll. He’s also got a pot of tea. “What’s all this?” I say. “Tea, obviously. I know you can’t function unless you’re stuffing yourself.” I unwrap the roll and decide to take a bite. “Thanks.” “Don’t thank me,” he says. “It sounds wrong.” “Not as wrong as you bringing me bacon butties.” “Fine, you’re welcome—when’s Bunce getting here?” “Why would she?” “Because you do everything together, don’t you? When you said you’d help, I was counting on you bringing your smarter half.
Rainbow Rowell (Carry On (Simon Snow, #1))
The journey simultaneously holds the contraries of solitary longing and relatedness to community, as Shaw tells us: “It’s an extraordinary, indigenous idea that to find an authentic center we have to wander lonely beaches and sleep under hedges, longing for something we know is lost. To make a place in us for a small, cultivated altar to the bird that flew away.” And, “This intensely mysterious experience is solitary in nature—a conscious break from society—but requires the warmth and subtlety of a return to community to help grow the seeds that can flower from such an experience.
Martin Shaw (A Branch from the Lightning Tree: Ecstatic Myth and the Grace of Wildness)
if you work hard and do your best, there’s nothing you can’t do.
Marie Arnold (The Year I Flew Away)
We are doing something.” Anne looked at her mother, confused, but her mother looked sure of herself. “We’re refusing to believe the story they’re telling about us.
Alice Hoffman (When We Flew Away: A Novel of Anne Frank Before the Diary)
Feathers," he says. They ask this question at least once a week. He gives the same answer. Even over such a short time — two months, three? He's lost count — they've accumulated a stock of lore, of conjecture about him: Snowman was once a bird but he's forgotten how to fly and the rest of his feathers fell out, and so he is cold and he needs a second skin, and he has to wrap himself up. No: he's cold because he eats fish, and fish are cold. No: he wraps himself up because he's missing his man thing, and he doesn't want us to see. That's why he won't go swimming. Snowman has wrinkles because he once lived underwater and it wrinkled up his skin. Snowman is sad because the others like him flew away over the sea, and now he is all alone.
Margaret Atwood (Oryx and Crake (MaddAddam, #1))
I have feelings for you, songbird.” My heart pounds, and the rest of the bar falls away. “I like you so fucking much. I don’t want to pretend I don’t anymore. I flew out here for you.” Something expands in my chest, filling every corner with an intense warmth. Our gazes are locked, and my arms are still around her, keeping her close. “I don’t want to fight this anymore.
Stephanie Archer (Behind the Net (Vancouver Storm, #1))
His statement flew in the face of everything I knew. He thought of relationships as finite, like a pie that could only be cut into so many pieces. Take a piece away, and there was that much less for him. I knew, however, that relationships are more like muscles - the more you work them, the stronger they become.
Keith Ferrazzi (Never Eat Alone: And Other Secrets to Success, One Relationship at a Time)
Though completely irrelevant to the story, seventeen minutes and thirty-two seconds later, every instance of the word “the” that appeared in this chapter transmogrified into a tiny, blue, pineapple-headed bat that flew away to France to start a brand new life even though they all hated France (except for French fries, guillotines, and that place in France where the naked ladies dance). Regarding the latter, apparently there’s a hole in the wall where tiny, blue, pineapple-headed bats can see it all.
Douglas Hackle (The Hottest Gay Man Ever Killed in a Shark Attack)
Ebony." he yelled. "Thou must kill Vampire Potter!" I thought about Vampire and his sexah eyes and his gothic black hair and how his face looks just like Joel Madden. I remembered that Draco had said I didn't understand, so I thought, what if Draco went out with Vampire before I went out with him and they broke up? "No, Voldemort!" I shouted back. Voldemort gave me a gun. "No! Please!" I begged. "Thou must!" he yelled. "If thou does not, then I shall kill thy beloved Draco!" "How did you know?" I asked in a surprised way. Voldemort got a dude-ur-so-retarded look on his face. "I hath telekinesis." he answered cruelly. "And if you doth not kill Vampire, then thou know what will happen to Draco!" he shouted. Then he flew away angrily on his broomstick.
Tara Gilesbie (My Immortal)
The door flew open, almost smacking me in my face. I opened my mouth to yell at the asshole busting the door, but stopped the moment i came face-to-face with my own personal siren, my nymph-Echo. This time, she wouldn't walk away. Wrapping my arms around her, I walked her backward into the brick. "Tell me you chose me, Echo." She licked her lips. Those green eyes smoldered, calling me to her. "I chose you." For the first time in three years, the coil forever tightened in my gut relaxed. "You will never regret it. I promise." I wanted her. All of her, but Echo deserved more than a quick thrill and better than a guy like me. Everything needed to be slow and deliberate. I wanted to blow her mind with every touch and every kiss so her every thought always came back to me. I would never touch anyone else again without thinking about her. I'd promised she would be more and i needed to keep that promise. Tearing my self away, i took her delicate hand in mine and headed toward my car. "Come on." "Where are we going?" I opened the passenger door and turned to face her. Echo's innocent eyes were wide with comfusion. She wouldn't be with me. We'd both been through hell, but Echo deserved better. Still, i wasn't all bad. I used to be good, like her, She needed to know that. "Someplace special.
Katie McGarry (Pushing the Limits (Pushing the Limits, #1))
The Eye-Mote Blameless as daylight I stood looking At a field of horses, necks bent, manes blown, Tails streaming against the green Backdrop of sycamores. Sun was striking White chapel pinnacles over the roofs, Holding the horses, the clouds, the leaves Steadily rooted though they were all flowing Away to the left like reeds in a sea When the splinter flew in and stuck my eye, Needling it dark. Then I was seeing A melding of shapes in a hot rain: Horses warped on the altering green, Outlandish as double-humped camels or unicorns, Grazing at the margins of a bad monochrome, Beasts of oasis, a better time. Abrading my lid, the small grain burns: Red cinder around which I myself, Horses, planets and spires revolve. Neither tears nor the easing flush Of eyebaths can unseat the speck: It sticks, and it has stuck a week. I wear the present itch for flesh, Blind to what will be and what was. I dream that I am Oedipus. What I want back is what I was Before the bed, before the knife, Before the brooch-pin and the salve Fixed me in this parenthesis; Horses fluent in the wind, A place, a time gone out of mind. --written 1959
Sylvia Plath (The Colossus and Other Poems)
They laughed and put their arms around each other and kissed, first gently, then more passionately, and Harry pulled his face back a few inches and looked lovingly at Marion, I love you, and kissed her on the tip of her nose, her eyelids, her cheeks, then her soft lips, her chin, her neck, her ears, then nuzzled his face in her hair and caressed her back with his hands and breathed her name in her ear, Marion, Marion, I love you, and she gently moved with the flow and felt his words and kisses and feelings flow through her, easing away all her problems, her doubts, her fears, her anxieties and she felt warm and alive and vital. She felt loved. She felt necessary. Harry felt real and substantial. He could feel all the loose pieces starting to fall into place. He felt on the verge of something momentous. They felt whole. They felt united. Though they were still on the couch they felt a part of the vastness of the sky and the stars and moon. They were somehow on the crest of a hill with a gentle breeze blowing Marions hair flowingly; and walking through a sunlit woods and flower studded field feeling the freedom of the birds as they flew through the air chirping and singing and the night was comfortingly warm as the soft filtered light continued to push the darkness into the shadows as they held each other and kissed and pushed each others darkness into the corner, believing in each others light, each others dream.
Hubert Selby Jr. (Requiem for a Dream)
I’m passing the bar Where you first got in my car I’m not ashamed to admit That it’s you I won’t forget I saved your cigarettes and Bad habits I regret But the hours flew by like clouds Whenever I had you around Parachute lover Take me away From the plane that went crashing And the earth that’s in flames Saving you is saving me High above the redwood trees But down below I see shadows And parachute debris We're drifting like children Along for the ride Each time we find love Another parachute arrives Our madness will burn As bright as the sun And I’ll keep finding lovers But you were the one
Crystal Woods (Write like no one is reading 3)
I love you.” He grinned unexpectedly, traced he lower lip with the tip of a finger. “What is more, I know you love me. You hide it from yourself, but I found it in a little corner, tucked away in your mind.” Shea stared up at the teasing smile on his face, then pushed at the solid wall of his chest. “You’re making that up.” Jacques moved off her, then reached down to pull her to her feet. His clothes were scattered everywhere, and he made no move to retrieve them. Shea’s shirt was still hanging open, and her jeans were down around her ankles. Blushing, she pulled them up. His hand stayed hers, preventing her from fastening them. “Do not bother, Shea. The pools are just ahead.” He walked a few feet, then looked back over his shoulder. “I did not make it up, and I know you are staring at my backside.” Shea tossed her mane of red hair so that it flew in all directions. “Any woman in her right mind would stare at your particular backside, so you don’t need to add that to your arrogant list of virtues. And stay out of my mind unless you’re invited.” She was staring, but she couldn’t help it. He was so beautifully masculine. Jacques reached behind him and captured her hand, lacing their fingers together. “But I find the most interesting things in your mind, my love. Things you do not have any intention of telling me.
Christine Feehan (Dark Desire (Dark, #2))
They say that when I was born, all the wild geese flew down from the sky, and the fish sank beneath the waves, having forgotten how to swim. Even the lotus flowers in out gardens quivered and turned their heads away, so ashamed they were of their own diminished allure in my presence.
Ann Liang (A Song to Drown Rivers)
He shakes the hands of Wheelers and Walkers and Vegetables, shakes hands that he has to pick up out of laps like picking up dead birds, mechanical birds, wonders of tiny bones and wires that have run down and fallen. Shakes hands with everybody he comes to except Big George the water freak, who grins and shies back from that unsanitary hand, so McMurphy just salutes him and says to his own right hand as he walks away, “Hand, how do you suppose that old fellow knew all the evil you been into?
Ken Kesey (One Flew Over the Cuckoo's Nest)
So,Batman,eh?" Effing St. Clair. I cross my arms and slouch into one of the plastic seats. I am so not in the mood for this.He takes the chair next to me and drapes a relaxed arm over the back of the empty seat on his other side. The man across from us is engrossed in his laptop,and I pretend to be engrossed in his laptop,too. Well,the back of it. St. Clair hums under his breath. When I don't respond,he sings quietly. "Jingle bells,Batman smells,Robin flew away..." "Yes,great,I get it.Ha ha. Stupid me." "What? It's just a Christmas song." He grins and continues a bit louder. "Batmobile lost a wheel,on the M1 motorway,hey!" "Wait." I frown. "What?" "What what?" "You're singing it wrong." "No,I'm not." He pauses. "How do you sing it?" I pat my coat,double-checking for my passport. Phew. Still there. "It's 'Jingle bells, Batman smells,Robin laid an egg'-" St. Clair snorts. "Laid an egg? Robin didn't lay an egg-" "'Batmobile lost a wheel,and the Joker got away.'" He stares at me for a moment,and then says with perfect conviction. "No." "Yes.I mean,seriously,what's up with the motorway thing?" "M1 motorway. Connects London to Leeds." I smirk. "Batman is American. He doesn't take the M1 motorway." "When he's on holiday he does." "Who says Batman has time to vacation?" "Why are we arguing about Batman?" He leans forward. "You're derailing us from the real topic.The fact that you, Anna Oliphant,slept in today." "Thanks." "You." He prods my leg with a finger. "Slept in." I focus on the guy's laptop again. "Yeah.You mentioned that." He flashes a crooked smile and shrugs, that full-bodied movement that turns him from English to French. "Hey, we made it,didn't we? No harm done." I yank out a book from my backpack, Your Movie Sucks, a collection of Roger Ebert's favorite reviews of bad movies. A visual cue for him to leave me alone. St. Clair takes the hint. He slumps and taps his feet on the ugly blue carpeting. I feel guilty for being so harsh. If it weren't for him,I would've missed the flight. St. Clair's fingers absentmindedly drum his stomach. His dark hair is extra messy this morning. I'm sure he didn't get up that much earlier than me,but,as usual, the bed-head is more attractive on him. With a painful twinge,I recall those other mornings together. Thanksgiving.Which we still haven't talked about.
Stephanie Perkins (Anna and the French Kiss (Anna and the French Kiss, #1))
Not to waste the spring I threw down everything, And ran into the open world To sing what I could sing... To dance what I could dance! And join with everyone! I wandered with a reckless heart beneath the newborn sun. First stepping through the blushing dawn, I crossed beneath a garden bower, counting every hermit thrush, counting every hour. When morning's light was ripe at last, I stumbled on with reckless feet; and found two nymphs engaged in play, approaching them stirred no retreat. With naked skin, their weaving hands, in form akin to Calliope's maids, shook winter currents from their hair to weave within them vernal braids. I grabbed the first, who seemed the stronger by her soft and dewy leg, and swore blind eyes, Lest I find I, before Diana, a hunted stag. But the nymphs they laughed, and shook their heads. and begged I drop beseeching hands. For one was no goddess, the other no huntress, merely two girls at play in the early day. "Please come to us, with unblinded eyes, and raise your ready lips. We will wash your mouth with watery sighs, weave you springtime with our fingertips." So the nymphs they spoke, we kissed and laid, by noontime's hour, our love was made, Like braided chains of crocus stems, We lay entwined, I laid with them, Our breath, one glassy, tideless sea, Our bodies draping wearily. We slept, I slept so lucidly, with hopes to stay this memory. I woke in dusty afternoon, Alone, the nymphs had left too soon, I searched where perched upon my knees Heard only larks' songs in the trees. "Be you, the larks, my far-flung maids? With lilac feet and branchlike braids... Who sing sweet odes to my elation, in your larking exaltation!" With these, my clumsy, carefree words, The birds they stirred and flew away, "Be I, poor Actaeon," I cried, "Be dead… Before they, like Hippodamia, be gone astray!" Yet these words, too late, remained unheard, By lark, that parting, morning bird. I looked upon its parting flight, and smelled the coming of the night; desirous, I gazed upon its jaunt, as Leander gazes Hellespont. Now the hour was ripe and dark, sensuous memories of sunlight past, I stood alone in garden bowers and asked the value of my hours. Time was spent or time was tossed, Life was loved and life was lost. I kissed the flesh of tender girls, I heard the songs of vernal birds. I gazed upon the blushing light, aware of day before the night. So let me ask and hear a thought: Did I live the spring I’d sought? It's true in joy, I walked along, took part in dance, and sang the song. and never tried to bind an hour to my borrowed garden bower; nor did I once entreat a day to slumber at my feet. Yet days aren't lulled by lyric song, like morning birds they pass along, o'er crests of trees, to none belong; o'er crests of trees of drying dew, their larking flight, my hands, eschew Thus I'll say it once and true… From all that I saw, and everywhere I wandered, I learned that time cannot be spent, It only can be squandered.
Roman Payne (Rooftop Soliloquy)
You came to me with broken wings. I helped you heal your wounds by pouring love into the broken pieces of your soul. You flew away when your wings were healed. You left me here, chained to the ground, trying to remove the shards that got stuck in my own wings as I took them out of yours. Where did gratefulness go? I will not let your deception make me not want to help more broken wings out there. Your lack of gratitude will not make me not give. I do not give just to be thanked. But it does not mean that it does not hurt.
Najwa Zebian (The Nectar of Pain)
How do you know when you’re American enough?
Marie Arnold (The Year I Flew Away)
Holocaust, from the Greek, holokauston, an offering consumed by fire.
Alice Hoffman (When We Flew Away: A Novel of Anne Frank Before the Diary)
In a shadowy place something white flew up. It was a heron, and it went away over the dark treetops. William Wallace followed it with his eyes and Brucie clapped his hands, but Virgil gave a sigh, as if he knew that when you go looking for what is lost, everything is a sign. ("The Wide Net")
Eudora Welty (The Collected Stories)
I palmed his face and mushed him away from me before I got too angry and started really wailing on him. “Grab Alex’s guitar then and see if you can even remember how to hold it.”We all watched in horror as Tucker drunkenly tried to strap Alex’s precious guitar on,banging it into the speakers and amps, stumbling and struggling with it as he tried to stand up straight. “You have got you be kidding me,” Ethan growled when Tucker finally got the guitar strapped to him. Backwards. Then his legs seemed to buckle under him and he dropped heavily to his knees on the floor. Alex’s eyes widened and his jaw flew open. “Get my guitar! Get it away from him! Get it! Geeeeet Ittttttttt!” he yelled.
Christine Zolendz (Scars and Songs (Mad World, #3))
What?” I whined, and tried to push his hands away. He cursed and gripped me tighter. “Wake up!” he yelled. When I didn’t, he slapped my cheek. My eyes flew open and I sputtered in shock. “What? Just let me go back to sleep!” “I can’t! You’ve lost a lot of blood. If you go to sleep, you’ll die.
Jenny Trout (The Turning (Blood Ties, #1))
Souls of poets dead and gone, What Elysium have ye known, Happy field or mossy cavern, Choicer than the Mermaid Tavern? Have ye tippled drink more fine Than mine host's Canary wine?” Sweeter than those dainty pies Of venison? O generous food! Drest though bold Robin Hood Would, wit his maid Marian, Sup and bowse from horn and can “I have heard that on a day Mine host's sign-board flew away, Nobody knew whither, till An astrologer's old quill To a sheepskin gave the story, Said he saw you in your glory, Underneath a new old sign Sipping beverage divine, And pledging with contented smack The Mermaid in the Zodiac.
John Keats
Pews fell, hymnals flew, and a silver Communion set cruised silently across the vaulted darkness of the nave to crash into the far wall. She prayed and there was no answering. No one was there - or if there was, He/It was cowering from her. God had turned His face away, and why not? This horror was as much His doing as hers.
Stephen King (Carrie)
The world is what it is; men who are nothing, who allow themselves to become nothing, have no place in it.... It wasn't only the sand drifts and the mud and the narrow, winding, broken roads up in the mountains. There was all that business at the frontier posts, all that haggling in the forest outside wooden huts that flew strange flags. I had to talk myself and my Peugeot past the men with guns -- just to drive through bush and more bush. And then I had to talk even harder, and shed a few more bank notes and give away more of my tinned food, to get myself -- and the Peugeot -- out of the places I had talked us into. Some of these palavers could take half a day....
V.S. Naipaul
I hurled myself under the covers, naked and half wet, grabbing my phone on the way. - don't come nevermind - I heard a phone dine from the living room and, soon after, a voice so close it shocked me. "Too late," Jonathan said. "Your front door was open." -go away - a blast of cold air hit me as the covers were moved, and in the next breath, I caught his new scent. He pulled the covers over us just as his phone dinged. He pressed his front to my back, spooning me, this clothes taking on the dampness I hadn't gotten around to toweling off. "I'm sorry Monica. He put his face in my wet hair and draped his arm around me. "Ah. What's this text I have here? It says go away." I sniffled. He slid his arm under my neck and held the phone in front of our faces with both hands. His breath tickled my ear. "Let me text back. Hang on." -I'd rather be here for you - I waited for it to appear on my phone. He nuzzled into the hair pooling at the back of my neck as i typed back. - And then what? - His fingers flew across the glass. - And let's talk about the rest later. Today, you are the goddess my universe revolves around. -
C.D. Reiss (Submit (Songs of Submission, #3))
She put him out like the burning end of a midnight cigarett. She broke his heart. He spent his whole life trying to forget. We watched him drink his pain away a little at a time. But he never could get drunk enough to get her off his mind until the night. He put that bottle to his head and pulled the trigger. And finally drank away her memory. Life is short but this time it was bigger, Than the strength he had to get up off his knees. We found him with his face down in the pillow. With a note that said: I love her til' I die. And when we buried him beneath the willow, The angels sang a whiskey lullaby. La la la la la la la. La la la la la la la. La la la la la la la. La la la la la la la. The rumors flew, But nobody knew how much she blamed herself for years and years. She tried to hide the whiskey on her breath. She finally drank her pain away a little at a time, But she never could get drunk enough to get him off her mind until the night. She put that bottle to her head and pulled the trigger. And finally drank away his memory. Life is short but this time it was bigger, Than the strength she had to get up off her knees. We found her with her face down in the pillow. Clinging to his picture for dear life. We laid her next to him beneath the willow, While the angels sang a whiskey lullaby. La la la la la la la. La la la la la la la. La la la la la la la. La la la la la la la.
Brad Paisley (Hits Alive)
But what answer? Well that the soul—for she was conscious of a movement in her of some creature beating its way about her and trying to escape which momentarily she called the soul—is by nature unmated, a widow bird; a bird perched aloof on that tree. But then Bertram, putting his arm through hers in his familiar way, for he had known her all her life, remarked that they were not doing their duty and must go in. At that moment, in some back street or public house, the usual terrible sexless, inarticulate voice rang out; a shriek, a cry. And the widow bird, startled, flew away, describing wider and wider circles until it became (what she called her soul) remote as a crow which has been startled up into the air by a stone thrown at it.
Virginia Woolf (A Haunted House And Other Short Stories)
There was no friend of Kant's but considered the day on which he was to dine with him as a day of pleasure. Without giving himself the air of an instructor, Kant really was so in the very highest degree. The whole entertainment was seasoned with the overflow of his enlightened mind, poured out naturally and unaffectedly upon every topic, as the chances of conversation suggested it; and the time flew rapidly away, from one o'clock to four, five, or even later, profitably and delightfully. Kant tolerated no calms, which was the name he gave to the momentary pauses in conversation, or periods when its animation languished.
Thomas de Quincey (The Last Days of Immanuel Kant (Illustrated))
We were a perfect match. I’m a talker; Laura is a listener. I am restless; she is calm. I can get a little carried away; she is practical and down-to-earth. Above all, she is genuine and natural. There is no phoniness about her. Her appeal was immediate and constant. In August, I went to visit my family in Kennebunkport, planning to stay for a week. After one night, I flew back to Texas to be with Laura.
George W. Bush (Decision Points)
When a man showed up you didn't want to look at his face and he didn't want to look at yours, because it's painful to see somebody so clear that it's like looking inside him, but then neither did you want to look away and lose him completely. You had a choice: you could either strain and look at things that appeared in front of you in the fog, as painful as it might be, or you could relax and lose yourself.
Ken Kesey (One Flew Over the Cuckoo’s Nest)
Bellatrix was still fighting too, fifty yards away from Voldemort, and like her master she dueled three at once: Hermione, Ginny, and Luna, all battling their hardest, but Bellatrix was equal to them, and Harry’s attention was diverted as a Killing Curse shot so close to Ginny that she missed death by an inch — He changed course, running at Bellatrix rather than Voldemort, but before he had gone a few steps he was knocked sideways. “NOT MY DAUGHTER, YOU BITCH!” Mrs. Weasley threw off her cloak as she ran, freeing her arms. Bellatrix spun on the spot, roaring with laughter at the sight of her new challenger. “OUT OF MY WAY!” shouted Mrs. Weasley to the three girls, and with a swipe of her wand she began to duel. Harry watched with terror and elation as Molly Weasley’s wand slashed and twirled, and Bellatrix Lestrange’s smile faltered and became a snarl. Jets of light flew from both wands, the floor around the witches’ feet became hot and cracked; both women were fighting to kill. “No!” Mrs. Weasley cried as a few students ran forward, trying to come to her aid. “Get back! Get back! She is mine!” Hundreds of people now lined the walls, watching the two fights, Voldemort and his three opponents, Bellatrix and Molly, and Harry stood, invisible, torn between both, wanting to attack and yet to protect, unable to be sure that he would not hit the innocent. “What will happen to your children when I’ve killed you?” taunted Bellatrix, as mad as her master, capering as Molly’s curses danced around her. “When Mummy’s gone the same way as Freddie?” “You — will — never — touch — our — children — again!” screamed Mrs. Weasley. Bellatrix laughed, the same exhilarated laugh her cousin Sirius had given as he toppled backward through the veil, and suddenly Harry knew what was going to happen before it did. Molly’s curse soared beneath Bellatrix’s outstretched arm and hit her squarely in the chest, directly over her heart. Bellatrix’s gloating smile froze, her eyes seemed to bulge: For the tiniest space of time she knew what had happened, and then she toppled, and the watching crowd roared, and Voldemort screamed.
J.K. Rowling (Harry Potter and the Deathly Hallows (Harry Potter, #7))
The Native Americans, whose wisdom Thoreau admired, regarded the Earth itself as a sacred source of energy. To stretch out on it brought repose, to sit on the ground ensured greater wisdom in councils, to walk in contact with its gravity gave strength and endurance. The Earth was an inexhaustible well of strength: because it was the original Mother, the feeder, but also because it enclosed in its bosom all the dead ancestors. It was the element in which transmission took place. Thus, instead of stretching their hands skyward to implore the mercy of celestial divinities, American Indians preferred to walk barefoot on the Earth: The Lakota was a true Naturist – a lover of Nature. He loved the earth and all things of the earth, the attachment growing with age. The old people came literally to love the soil and they sat or reclined on the ground with a feeling of being close to a mothering power. It was good for the skin to touch the earth and the old people liked to remove their moccasins and walk with bare feet on the sacred earth. Their tipis were built upon the earth and their altars were made of earth. The birds that flew in the air came to rest on the earth and it was the final abiding place of all things that lived and grew. The soil was soothing, strengthening, cleansing and healing. That is why the old Indian still sits upon the earth instead of propping himself up and away from its life-giving forces. For him, to sit or lie upon the ground is to be able to think more deeply and to feel more keenly; he can see more clearly into the mysteries of life and come closer in kinship to other lives about him. Walking, by virtue of having the earth’s support, feeling its gravity, resting on it with every step, is very like a continuous breathing in of energy. But the earth’s force is not transmitted only in the manner of a radiation climbing through the legs. It is also through the coincidence of circulations: walking is movement, the heart beats more strongly, with a more ample beat, the blood circulates faster and more powerfully than when the body is at rest. And the earth’s rhythms draw that along, they echo and respond to each other. A last source of energy, after the heart and the Earth, is landscapes. They summon the walker and make him at home: the hills, the colours, the trees all confirm it. The charm of a twisting path among hills, the beauty of vine fields in autumn, like purple and gold scarves, the silvery glitter of olive leaves against a defining summer sky, the immensity of perfectly sliced glaciers … all these things support, transport and nourish us.
Frédéric Gros (A Philosophy of Walking)
Straightway [Juno] sought the filthy slimy shack Where Envy dwelt deep in a dreary dale, A gruesome sunless hovel, filled with frost, Heart-numbing frost, its stagnant air unstirred By any breeze, for ever lacking warmth Of cheerful fire, for ever wrapped in gloom. ... The door flew wide and there She saw foul Envy eating viper's flesh, Fit food for spite, and turned her eyes away. ... [Envy's] cheeks are sallow, her whole body shrunk, Her eyes askew and squinting; black decay Befouls her teeth, her bosom's green with bile, And venom coats her tongue. She never smiles Save when she relishes the sight of woe; Sleep never soothes her, night by night awake With worry, as she sees against her will Successes won and sickens at the sight. She wounds, is wounded, she herself her own torture,
Ovid
Why the devil couldn’t it have been blue?” I said to myself. And this thought—one of the most profound ever made since the discovery of butterflies—consoled me for my misdeed and reconciled me with myself. I stood there, looking at the corpse with, I confess, a certain sympathy. The butterfly had probably come out of the woods, well-fed and happy, into the sunlight of a beautiful morning. Modest in its demands on life, it had been content to fly about and exhibit its special beauty under the vast cupola of a blue sky, al sky that is always blue for those that have wings. It flew through my open window, entered by room, and found me there. I suppose it had never seen a man; therefore it did not know what a man was. It described an infinite number of circles about my body and saw that I moved, that I had eyes, arms, legs, a divine aspect, and colossal stature. Then it said to itself, “This is probably the maker of butterflies.” The idea overwhelmed it, terrified it; but fear, which is sometimes stimulating, suggested the best way for it to please its creator was to kiss him on the forehead, and so it kissed me on the forehead. When I brushed it away, it rested on the windowpane, saw from there the portrait of my father, and quite possibly perceived a half-truth, i.e., that the man in the picture was the father of the creator of butterflies, and it flew to beg his mercy. Then a blow from a towel ended the adventure. Neither the blue sky’s immensity, nor the flowers’ joy, nor the green leaves’ splendor could protect the creature against a face towel, a few square inches fo cheap linin. Note how excellent it is to be superior to butterflies! For, even if it had been blue, its life would not have been safe; I might have pierced it with a pin and kept it to delight my eyes. It was not blue. This last thought consoled me again. I placed the nail of my middle finger against my thumb, gave the cadaver a flip, and it fell into the garden. It was high time; the provident ants were already gathering around…Yes, I stand by my first idea: I think that it would have been better for the butterfly if it had been born blue.
Machado de Assis (Memórias póstumas de Brás Cubas)
On the first day of fifth grade, Liz was sitting on the swing beside Liam's at recess. Falling and flying, her hair fanned out behind her and her eyes were closed, and that was what had caught his attention, her closed eyes. She looked a little bit silly and very much alive, and Liam couldn't stop watching. Liz, on her part, was aware that the boy beside her was watching, but she loved swinging too much to care what he thought. She loved the wind hitting her face and the brief moment of suspension at the top of the arc and the falling sensation that was magnified by the darkness of her eyelids. She imagined that she was a bird, an angel, a wayward star. At the height of the arc, she let go. And she flew. Liam watched with his mouth hanging wide open, expecting her to crumple on the asphalt and die tragically before his eyes. She didn't, and when she walked away, Liam's heart followed.
Amy Zhang
And though I may react to the trauma emotionally, shed private tears, have a meltdown away from people, or enjoy a complete “one flew over the cuckoo’s nest” episode, when I’m finished expressing emotion I keep on keeping on. When I finish my rant, tantrum, or moment of grief, I move into the instinctive survival mode that has empowered humans to endure plights and pleasures of all kinds. Change is often as painful for me to endure as it is for anyone else, but I have learned to take the bitter with the sweet and keep on moving forward.
T.D. Jakes (Instinct: The Power to Unleash Your Inborn Drive)
That was the thing about being someone’s sister. You could hate her and love her at the very same time. You could tell her things you wouldn’t tell anyone else or tell her nothing at all. You could have a fight and say horrible things, and then forget all about it. You could outrun her when she least expected you to do so, just take off and know she would follow.
Alice Hoffman (When We Flew Away: A Novel of Anne Frank Before the Diary)
Look at them down there,” Thomas said. “Who knows what they were doing a few months ago. Living in a high-rise, maybe, working at some office. Now they’re chasing people like wild animals.” “I’ll tell you what they were doing a few months ago,” Brenda answered. “They were miserable, scared to death of catching the Flare, knowing it’s inevitable.” Minho threw his hands up. “How can you worry about them ? Was I alone just now? With my friend ? His name is Newt.” “Nothing we could’ve done,” Jorge called from the cockpit. Thomas winced at the lack of compassion. Minho turned to face him. “Just shut up and fly, shuck-face.” “I’ll do my best,” Jorge said with a sigh. He fiddled with some instruments and got the Berg moving. Minho slumped to the floor, almost like he’d melted. “What happens when he runs out of Launcher grenades?” he asked no one in particular, looking at an empty spot on the wall. Thomas had no idea how to respond, no way to express the sorrow that filled his chest. He sank down next to Minho on the ground and sat there without saying a word as the Berg rose higher and flew away from the Crank Palace. Newt was gone.
James Dashner (The Death Cure (The Maze Runner, #3))
The downtown local pulled in, its four yellow lights suggesting the feelers of some great dashing worm. Jane stood at the very rear of the train, and absently watched the tunnel lights. With a spurt, yellow meteors jumped up and arranged themselves in a row behind, one end of it growing, the other fading away in the tunnel. Sometimes a blue one flew into the row. Once the red eyes of an express train behind loomed up, a monster roaring past out of the dark. It was sinister but impersonal. It didn’t care in the least whether or not Jane liked civilization. It was civilization.
Barbara Newhall Follett (Lost Island)
You're the whole focus of my world," he murmured. "After you left, I went crazy.I flew down to New Orleans, and-" "You did?" Stunned,she drew back to look at him. "You went after me?" "With various purposes in mind," he muttered. "First,I was going to strangle you,then I was going to crawl, then I was going to just drag you back and lock you upstairs." Smiling,she rested her head on his chest. "And now?" "Now." He kissed her hair. "We compromise. I'll let you live." "Good start." With a sigh,she closed her eyes. "I want to watch the sea in winter." He tilted her face to his. "We will." "There is something else..." "Before or after I make love to you?" Laughing,she pulled away from him. "It better be before.Since you haven't mentioned marriage yet,it falls to me." "Gennie-" "No,this is one time we'll do it all my way." She draw out the coin Serena had given her before she'd lef the Comanche. "And,in a way,it's a kind of compromise.Heads,we get married. Tails we don't." Grant grabbed her wrist before she could toss. "You're not going to play games with something like that, Genvieve, unless that's a two-headed coin." She smiled. "It certainly is." Surprise came first,then his grin. "Toss it.I like the odds.
Nora Roberts (The MacGregors: Alan & Grant (The MacGregors, #3-4))
There are various theories about why the years seem to pass faster as you get older. The most popular is also the most obvious. As you get older, each year is a smaller percentage of your life. If you are ten years old, a year is ten percent. If you are fifty years old, a year is two percent. But she read a theory that spurned that explanation. The theory states that time passes faster when we are in a set routine, when we aren't learning anything new, when we stay stuck in a life pattern. They key to making time slow down is to have new experiences. You may joke that the week you went on vacation flew by far too quickly, but if you stop and think about it, that week actually seemed to last much longer than one involving the drudgery of your day job. You are complaining about it going away so fast because you loved it, not because it felt as though time was passing faster. If you want to slow down time, this theory holds: If you want to make the days last, do something different. Travel to exotic locales. Take a class.
Harlan Coben (Don't Let Go)
She came by..... I couldn't help but look...only to look and she smiled back!Wheeew, she blown me away,to realize i made her my goal from the hands of the man he have at present....A family of her own i never want to destroy laid on the line.... a story was made, a secret was solemnly shared by two...Oh i loved her and she loved me too.... most of the time she got scared, i got scared too..for fighting aginst the odds and she stayed back...i stood up to break....flew just to fall....only to realize a love i have no control of and no one can......i am not to bid goodbye ...I can't ...only to keep a love unrequited like mine.
Bob Villarosa
It was early morning and already hot. There was a strong odor of earth and grass drying in the sun. We climbed among tall shrubs, on indistinct paths that led toward the tracks. When we reached an electrical pylon we took off our smocks and put them in the schoolbags, which we hid in the bushes. Then we raced through the scrubland, which we knew well, and flew excitedly down the slope that led to the tunnel. The entrance on the right was very dark: we had never been inside that obscurity. We held each other by the hand and entered. It was a long passage, and the luminous circle of the exit seemed far away. Once we got accustomed to the shadowy light, we saw lines of silvery water that slid along the walls, large puddles. Apprehensively, dazed by the echo of our steps, we kept going. Then Lila let out a shout and laughed at the violent explosion of sound. Immediately I shouted and laughed in turn. From that moment all we did was shout, together and separately: laughter and cries, cries and laughter, for the pleasure of hearing them amplified. The tension diminished, the journey began.
Elena Ferrante (My Brilliant Friend (The Neapolitan Novels, #1))
He called me Jess because that is the name of the hood which restrains the falcon. I was his falcon. I hung on his arm and fed at his hand. He said my nose was sharp and cruel and that my eyes had madness in them. He said I would tear him to pieces if he dealt softly with me. At night, if he was away, he had me chained to our bed. It was a long chain, long enough for me to use the chamber pot or to stand at the window and wait for the late owls. I love to hear the owls. I love to see the sudden glide of wings spread out for prey, and then the dip and the noise like a lover in pain. He used the chain when we went riding together. I had a horse as strong as his, and he’d whip the horse from behind and send it charging through the trees, and he’d follow, half a head behind, pulling on the chain and asking me how I liked my ride. His game was to have me sit astride him when we made love and hold me tight in the small of my back. He said he had to have me above him, in case I picked his eyes out in the faltering candlelight. I was none of these things, but I became them. At night, in June I think, I flew off his wrist and tore his liver from his body, and bit my chain in pieces and left him on the bed with his eyes open. He looked surprised, I don’t know why. As your lover describes you, so you are.
Jeanette Winterson (Sexing the Cherry)
I plucked one plump black olive from the plate and put it in my mouth immediately before saying, “Well, I feel bad for you, then.” “Why’s that?” “Because I love antipasto.” “I guess I don’t understand why that’s a problem.” “Because,” I emphasized, cutting into a piece of salmon. “I don’t like to share.” I quickly slipped the smoked meat in my mouth before winking at him. His smile finally met his eyes again. “Good to know, because I’m not the sharing kind of guy either.” He winked back at me, but it was so blatantly comical that I couldn’t help the laugh that flew out of my mouth. “Something tells me you’re not talking about cured meats,” I said before slapping his hand away from my olives. “I knew you were smart.” I swallowed the olive I’d snatched from his hand and glared at him, while mouthing, “Mine.” “Funny, that’s what I was thinking, too,” he said, looking directly at me.
Whitney Barbetti (He Found Me (He Found Me, #1))
See!” Dad yelled. “Boys don’t stay with whores, Bianca. They leave them. And I’m not going to let you turn into a whore. Not my daughter. This is for your own good.” I looked up as he reached a hand down to grab my arm. I squeezed my eyes shut, waiting to feel his fingers clamp around my forearm. But they never did. I heard a loud thud, and Dad grunted in pain. My eyes flew open. Wesley moved away from Dad, who was massaging his jaw with a shocked look on his face. “Why you little shithead!” “Are you all right?” Wesley asked, kneeling in front of me. “Did you just punch my dad?” I couldn’t help but wonder if I was delirious. Had all of this really just happened? Totally bizarre. “Yes,” Wesley admitted. “How dare you touch me!” Dad screamed, but he was having trouble balancing enough to approach us again. “How dare you fuck my daughter, then hit me, you son of a bitch!” I’d never heard my father swear like that before. “Come on,” Wesley said, helping me to my feet. “Let’s get out of here. You’re coming with me.” He wrapped an arm around me, pulling me close against his warm body, and ushered me out the open door.
Kody Keplinger (The DUFF: Designated Ugly Fat Friend (Hamilton High, #1))
The smile that curled his lips was as arrogant as it was beautiful. “You need to accept the fact that you’re Orange and that you’re always going to be alone because of it.” A measure of calm had returned to Clancy’s voice. His nostrils flared when I tried to turn the door handle again. He slammed both hands against it to keep me from going anywhere, towering over me. “I saw what you want,” Clancy said. “And it’s not your parents. It’s not even your friends. What you want is to be with him, like you were in the cabin yesterday, or in that car in the woods. I don’t want to lose you, you said. Is he really that important?” Rage boiled up from my stomach, burning my throat. “How dare you? You said you wouldn’t—you said—” He let out a bark of laughter. “God, you’re naive. I guess this explains how that League woman was able to trick you into thinking you were something less than a monster.” “You said you would help me,” I whispered. He rolled his eyes. “All right, are you ready for the last lesson? Ruby Elizabeth Daly, you are alone and you always will be. If you weren’t so stupid, you would have figured it out by now, but since it’s beyond you, let me spell it out: You will never be able to control your abilities. You will never be able to avoid being pulled into someone’s head, because there’s some part of you that doesn’t want to know how to control them. No, not when it would mean having to embrace them. You’re too immature and weak-hearted to use them the way they’re meant to be used. You’re scared of what that would make you.” I looked away. “Ruby, don’t you get it? You hate what you are, but you were given these abilities for a reason. We both were. It’s our right to use them—we have to use them to stay ahead, to keep the others in their place.” His finger caught the stretched-out collar of my shirt and gave it a tug. “Stop it.” I was proud of how steady my voice was. As Clancy leaned in, he slipped a hazy image beneath my closed eyes—the two of us just before he walked into my memories. My stomach knotted as I watched my eyes open in terror, his lips pressed against mine. “I’m so glad we found each other,” he said, voice oddly calm. “You can help me. I thought I knew everything, but you…” My elbow flew up and clipped him under the chin. Clancy stumbled back with a howl of pain, pressing both hands to his face. I had half a second to get the hell out, and I took it, twisting the handle of the door so hard that the lock popped itself out. “Ruby! Wait, I didn’t mean—!” A face appeared at the bottom of the stairs. Lizzie. I saw her lips part in surprise, her many earrings jangling as I shoved past her. “Just an argument,” I heard Clancy say, weakly. “It’s fine, just let her go.
Alexandra Bracken (The Darkest Minds (The Darkest Minds, #1))
When Chief Black Hawk was defeated and captured in 1832, he made a surrender speech: I fought hard. But your guns were well aimed. The bullets flew like birds in the air, and whizzed by our ears like the wind through the trees in the winter. My warriors fell around me. . . The sun rose dim on us in the morning, and at night it sunk in a dark cloud, and looked like a ball of fire. That was the last sun that shone on Black Hawk. . . He is now a prisoner to the white men. . . He has done nothing for which an Indian ought to be ashamed. He has fought for his countrymen, the squaws and papooses, against white men, who came year after year, to cheat them and take away their lands. You know the cause of out making war. It is known to all white men. They ought to be ashamed of it. Indians are not deceitful. The white men speak bad of the Indian and look at him spitefully. But the Indian does not tell lies. Indians do not steal.
Howard Zinn (A People’s History of the United States: 1492 - Present)
After that, Lily was recuperating and then dealing with significant financial hardships. The birth was described to me by Lily and also by her obstetrician, who I spoke to myself yesterday. The doctor, in his own words, remembers what he describes as that ‘hideous day’ like it was yesterday. The labour, intense and excruciating, lasted for days. In the end, in extreme distress at the length of the labour, the baby nearly died. Lily did die. She was flatline for two minutes and thirty-eight –” Alistair didn’t get the opportunity to finish his grand statement because Nate surged out of his chair so fast, it flew on its wheels and shot across the room, slamming into the wall. “Mr. McAllister…” Alistair said warningly but Nate was coming swiftly around the table, coming at her. At this sight, Lily, too, jumped out of her chair in a panic, her numbness not that complete, and backed away in self-defence as Nate came at her, came at her with purposeful, long strides. She backed up jerkily, one hand behind her, one hand in front, retreating until she hit the wall. Before she knew what he was about, his hard chest came up against her hand, pushing it back and his body pressed against hers. Terrified and confused at this sudden change, she looked to the right and to the left, anywhere for escape, anywhere but at Nate. And to her shock, his hands caught her face, resting one on either side, gently trying to force her to look into his impossibly dark eyes. “I didn’t know,” he whispered and the absolute ache dripping from his first words said to her since she found out he was alive cut through her thin shield of numbness like a razor. She attempted to pull her face free but his hands tightened. “Lily, I didn’t know,” he repeated, and she caught his eyes and they were glittering dark with something that she couldn’t read, something hideously painful and she had to get away from it. Was desperate to get away from it. She needed to flee. She tried to look over his shoulder but he was too tall, too close. Things were happening in the room, there was urgent talk, maybe even a tussle. But all she could see was Nate.
Kristen Ashley (Three Wishes)
Look," Steven said, pointing at the sky. The stars were out in droves. One, far in the distance, was particularly bright. It flickered, then seemed to go out altogether before returning even brighter than before. "That's them, isn't it?" she said. "The Fall?" "Yes," Francesca said. "That's it. It looks just like the old texts say it would." "It was just"-Luce furrowed her brow, squinting-"I can only see it when I-" "Concentrate," Cam ordered. "What's happening to it?" Luce asked. "It is coming into being in this world," Daniel said. "It wasn't the physical transit from Heaven to Earth that took nine days. It was the shift from a Heavenly realm to an Earthly one. When we landed here, our bodies were...different. We became different. That took time." "Now time is taking us," Roland said, looking at the golden pocket watch that Dee must have given him before she died. "Then it is time for us to go," Daniel said to Luce. "Up there?" "Yes, we must soar up to meet them. We will fly right up to the limits of the Fall, and then you-" "I have to stop him?" "Yes." She closed her eyes thought back to the way Lucifer had looked at her in the Meadow. He looked like he wanted to crush every speck of tenderness there was. "I think I know how." "I told you she would say that!" Arriane whooped. Daniel pulled her close. "Are you sure?" She kissed him, never surer. "I just got my wings back, Daniel. I'm not going to let Lucifer take them away." So Luce and Daniel said goodbye to their friends, reached for each other's hands, and took off into the night. They flew upward forever, through the thinnest outer skin of the atmosphere, through a film of light at the edge of space.
Lauren Kate (Rapture (Fallen, #4))
The character of the Indian's emotion left little room in his heart for antagonism toward his fellow creatures .... For the Lakota (one of the three branches of the Sioux Nation), mountains, lakes, rivers, springs, valleys, and the woods were all in finished beauty. Winds, rain, snow, sunshine, day, night, and change of seasons were endlessly fascinating. Birds, insects, and animals filled the world with knowledge that defied the comprehension of man. The Lakota was a true naturalist - a lover of Nature. He loved the earth and all things of the earth, and the attachment grew with age. The old people came literally to love the soil and they sat or reclined on the ground with a feeling of being close to a mothering power. It was good for the skin to touch the earth, and the old people liked to remove their moccasins and walk with bare feet on the sacred earth. Their tipis were built upon the earth and their alters were made of earth. The birds that flew in the air came to rest upon the earth, and it was the final abiding place of all things that lived and grew. The soil was soothing, strengthening, cleansing, and healing. This is why the old Indian still sits upon the earth instead of propping himself up and away from its live giving forces. For him, to sit or lie upon the ground is to be able to think more deeply and to feel more keenly; he can see more clearly into the mysteries of life and come closer in kinship to other lives about him.
Luther Standing Bear
funeral wreath for the queen.” He sat in the clear space between the bank and the first line of trees and bent a pine bough into a circle, tying it with a piece of wet string from the castle. And because it looked cold and green, he picked spring beauties from the forest floor and wove them among the needles. He put it down in front of him. A cardinal flew down to the bank, cocked its brilliant head, and seemed to stare at the wreath. P. T. let out a growl which sounded more like a purr. Jess put his hand on the dog to quiet him. The bird hopped about a moment more, then flew leisurely away. “It’s a sign from the Spirits,” Jess said quietly. “We made a worthy offering.” He walked slowly, as part of a great procession, though only the puppy could be seen, slowly forward carrying the queen’s wreath to the sacred grove.
Katherine Paterson (Bridge to Terabithia)
With Tommy by his side but Anthony Jr. nowhere to be seen, Anthony cranks out an old 8mm projector, and soon choppy black- and-white images appear on the cream wall capturing a few snapshots from the canyon of their life—that tell nothing, and yet somehow everything. They watch old movies, from 1963, 1952, 1948, 1947—the older, the more raucous the children and parents becoming. This year, because Ingrid isn’t here, Anthony shows them something new. It’s from 1963. A birthday party, this one with happy sound, cake, unlit candles. Anthony is turning twenty. Tatiana is very pregnant with Janie. (“Mommy, look, that’s you in Grammy’s belly!” exclaims Vicky.) Harry toddling around, pursued loudly and relentlessly by Pasha—oh, how in 1999 six children love to see their fathers wild like them, how Mary and Amy love to see their precious husbands small. The delight in the den is abundant. Anthony sits on the patio, bare chested, in swimshorts, one leg draped over the other, playing his guitar, “playing Happy Birthday to myself,” he says now, except it’s not “Happy Birthday.” The joy dims slightly at the sight of their brother, their father so beautiful and whole he hurts their united hearts—and suddenly into the frame, in a mini-dress, walks a tall dark striking woman with endless legs and comes to stand close to Anthony. The camera remains on him because Anthony is singing, while she flicks on her lighter and ignites the candles on his cake; one by one she lights them as he strums his guitar and sings the number one hit of the day, falling into a burning “Ring of Fire ... ” The woman doesn’t look at Anthony, he doesn’t look at her, but in the frame you can see her bare thigh flush against the sole of his bare foot the whole time she lights his twenty candles plus one to grow on. And it burns, burns, burns . . . And when she is done, the camera—which never lies—catches just one microsecond of an exchanged glance before she walks away, just one gram of neutral matter exploding into an equivalent of 20,000 pounds of TNT. The reel ends. Next. The budding novelist Rebecca says, “Dad, who was that? Was that Grammy’s friend Vikki?” “Yes,” says Anthony. “That was Grammy’s friend Vikki.” Tak zhivya, bez radosti/bez muki/pomniu ya ushedshiye goda/i tvoi serebryannyiye ruki/v troike yeletevshey navsegda . . . So I live—remembering with sadness all the happy years now gone by, remembering your long and silver arms, forever in the troika that flew by . . . Back
Paullina Simons (The Summer Garden (The Bronze Horseman, #3))
At childhood’s end, the houses petered out into playing fields, the factory, allotments kept, like mistresses, by kneeling married men, the silent railway line, the hermit’s caravan, till you came at last to the edge of the woods. It was there that I first clapped eyes on the wolf. He stood in a clearing, reading his verse out loud in his wolfy drawl, a paperback in his hairy paw, red wine staining his bearded jaw. What big ears he had! What big eyes he had! What teeth! In the interval, I made quite sure he spotted me, sweet sixteen, never been, babe, waif, and bought me a drink, my first. You might ask why. Here’s why. Poetry. The wolf, I knew, would lead me deep into the woods, away from home, to a dark tangled thorny place lit by the eyes of owls. I crawled in his wake, my stockings ripped to shreds, scraps of red from my blazer snagged on twig and branch, murder clues. I lost both shoes but got there, wolf’s lair, better beware. Lesson one that night, breath of the wolf in my ear, was the love poem. I clung till dawn to his thrashing fur, for what little girl doesn’t dearly love a wolf? Then I slid from between his heavy matted paws and went in search of a living bird – white dove – which flew, straight, from my hands to his hope mouth. One bite, dead. How nice, breakfast in bed, he said, licking his chops. As soon as he slept, I crept to the back of the lair, where a whole wall was crimson, gold, aglow with books. Words, words were truly alive on the tongue, in the head, warm, beating, frantic, winged; music and blood. But then I was young – and it took ten years in the woods to tell that a mushroom stoppers the mouth of a buried corpse, that birds are the uttered thought of trees, that a greying wolf howls the same old song at the moon, year in, year out, season after season, same rhyme, same reason. I took an axe to a willow to see how it wept. I took an axe to a salmon to see how it leapt. I took an axe to the wolf as he slept, one chop, scrotum to throat, and saw the glistening, virgin white of my grandmother’s bones. I filled his old belly with stones. I stitched him up. Out of the forest I come with my flowers, singing, all alone. Little Red-Cap
Carol Ann Duffy (The World's Wife)
The boat fairly flew; we sweltered side by side in the stagnant superheated air; the smell of mud, of mush, the primeval smell of fecund earth, seemed to sting our faces; till suddenly at a bend it was as if a great hand far away had lifted a heavy curtain, had flung open un immense portal. The light itself seemed to stir, the sky above our heads widened, a far-off murmur reached our ears, a freshness enveloped us, filled our lungs, quickened our thoughts, our blood, our regrets — and, straight ahead, the forests sank down against the dark-blue ridge of the sea.
Joseph Conrad (Joseph Conrad: The Complete Novels)
A baby almost killed me as I walked to work one morning. By passing beneath a bus shelter's roof at the ordained moment I lived to tell my tale. With strangers surrounding me I looked at what remained. Laoughter from heaven made us lift our eyes skyward. The baby's mother lowered her arms and leaned out her window. Without applause her audience drifted off, seeking crumbs in the gutters of this city of God. Xerox shingles covered the shelter's remaining glass pane, and the largest read: Want to be crucified. Have own nails. Leave message on machine. The fringe of numbers along the ad's hem had been stripped away. My shoes crunched glass underfoot; my skirt clung to my legs as I continued down the street. November dawn's seventy-degree bath made my hair lose its set. Mother above appeared ready to take her own bow; I too, as ever, flew on alone.
Jack Womack (Heathern (Jack Womack))
Did that really happen?" said Maggie White. She was a dull person, but a sensational invitation to make babies. Men looked at her and wanted to fill her up with babies right away. She hadn’t had even one baby yet. She used birth control. "Of course it happened," Trout told her. "If I wrote something that hadn't really happened, and I tried to sell it, I could go to jail. That’s fraud." Maggie believed him. "I'd never thought about that before." "Think about it now." "It’s like advertising. You have to tell the truth in advertising, or you get in trouble." "Exactly. The same body of law applies." "Do you think you might put us in a book sometime?" "I put everything that happens to me in books." "I guess I better be careful what I say." "That’s right. And I'm not the only one who's listening. God is listening, too. And on Judgment Day he's going to tell you all the things you said and did. If it turns out they're bad things instead of good things, that’s too bad for you, because you'll burn forever and ever. The burning never stops hurting." Poor Maggie turned gray. She believed that, too, and was petrified. Kilgore Trout laughed uproariously. A salmon egg flew out of his mouth and landed in Maggie's cleavage.
Kurt Vonnegut Jr.
Combined with all of the above, I’ve come to a conclusion,” Song Qingshi laughed at himself, “I’m so stupid, so slow. I already liked him and my heart had moved but I didn’t know it. When I first met him by the river, the Phoenix flew into my heart and because of it, I disregarded everything and wanted to save only him…” “One thousand three hundred and fifty-one failures, negative 135,100 points is the proof. No matter how many missions I do, I will always answer it wrong and save the wrong person.” Song Qingshi wiped away his tears and said, unbending. “Because he was a mistake I was most willing to make!
凤羽涅 (论救错反派的下场 Mistakenly Saving the Villain)
Now, I've another errand for you,' said my untiring master; "you must away to my room again. What a mercy you are shod with velvet, Jane!--a clod-hopping messenger would never do at this juncture. You must open the middle drawer of my toilet-table and take out a little phial and a little glass you will find there,--quick!" I flew thither and back, bringing the desired vessels. "That's well! Now, doctor, I shall take the liberty of administering a dose myself, on my own responsibility. I got this cordial at Rome, of an Italian charlatan--a fellow you would have kicked, Carter. It is not a thing to be used indiscriminately, but it is good upon occasion: as now, for instance. Jane, a little water." He held out the tiny glass, and I half filled it from the water-bottle on the washstand. "That will do;--now wet the lip of the phial." I did so; he measured twelve drops of a crimson liquid, and presented it to Mason. "Drink, Richard: it will give you the heart you lack, for an hour or so." "But will it hurt me?--is it inflammatory?" "Drink! drink! drink!" Mr. Mason obeyed, because it was evidently useless to resist. He was dressed now: he still looked pale, but he was no longer gory and sullied. Mr. Rochester let him sit three minutes after he had swallowed the liquid; he then took his arm-- "Now I am sure you can get on your feet," he said--"try." The patient rose. "Carter, take him under the other shoulder. Be of good cheer, Richard; step out--that's it!" "I do feel better," remarked Mr. Mason. "I am sure you do.
Charlotte Brontë (Jane Eyre)
I realized I still had my eyes shut. I had shut them when I put my face to the screen, like I was scared to look outside. Now I had to open them. I looked out the window and saw for the first time how the hospital was out in the country. The moon was low in the sky over the pastureland; the face of it was scarred and scuffed where it had just torn up out of the snarl of scrub oak and madrone trees on the horizon. The stars up close to the moon were pale; they got brighter and braver the farther they got out of the circle of light ruled by the giant moon. It called to mind how I noticed the exact same thing when I was off on a hunt with Papa and the uncles and I lay rolled in blankets Grandma had woven, lying off a piece from where the men hunkered around the fire as they passed a quart jar of cactus liquor in a silent circle. I watched that big Oregon prairie moon above me put all the stars around it to shame. I kept awake watching, to see if the moon ever got dimmer or if the stars got brighter, till the dew commenced to drift onto my cheeks and I had to pull a blanket over my head. Something moved on the grounds down beneath my window — cast a long spider of shadow out across the grass as it ran out of sight behind a hedge. When it ran back to where I could get a better look, I saw it was a dog, a young, gangly mongrel slipped off from home to find out about things went on after dark. He was sniffing digger squirrel holes, not with a notion to go digging after one but just to get an idea what they were up to at this hour. He’d run his muzzle down a hole, butt up in the air and tail going, then dash off to another. The moon glistened around him on the wet grass, and when he ran he left tracks like dabs of dark paint spattered across the blue shine of the lawn. Galloping from one particularly interesting hole to the next, he became so took with what was coming off — the moon up there, the night, the breeze full of smells so wild makes a young dog drunk — that he had to lie down on his back and roll. He twisted and thrashed around like a fish, back bowed and belly up, and when he got to his feet and shook himself a spray came off him in the moon like silver scales. He sniffed all the holes over again one quick one, to get the smells down good, then suddenly froze still with one paw lifted and his head tilted, listening. I listened too, but I couldn’t hear anything except the popping of the window shade. I listened for a long time. Then, from a long way off, I heard a high, laughing gabble, faint and coming closer. Canada honkers going south for the winter. I remembered all the hunting and belly-crawling I’d ever done trying to kill a honker, and that I never got one. I tried to look where the dog was looking to see if I could find the flock, but it was too dark. The honking came closer and closer till it seemed like they must be flying right through the dorm, right over my head. Then they crossed the moon — a black, weaving necklace, drawn into a V by that lead goose. For an instant that lead goose was right in the center of that circle, bigger than the others, a black cross opening and closing, then he pulled his V out of sight into the sky once more. I listened to them fade away till all I could hear was my memory of the sound.
Ken Kesey (One Flew Over the Cuckoo's Nest :Text and Criticism)
He stood hat in hand over the unmarked earth. This woman who had worked for his family fifty years. She had cared for his mother as a baby and she had worked for his family long before his mother was born and she had known and cared for the wild Grady boys who were his mother's uncles and who had all died so long ago and he stood holding his hat and he called her his abuela and he said goodbye to her in Spanish and then turned and put on his hat and turned his wet face to the wind and for a moment he held out his hands as if to steady himself or as if to bless the ground there or perhaps as if to slow the world that was rushing away and seemed to care nothing for the old or the young or rich or poor or dark or pale or he or she. Nothing for their struggles, nothing for their names. Nothing for the living or the dead. In four days' riding he crossed the Pecos at Iraan Texas and rode up out of the river breaks where the pumpjacks in the Yates Field ranged against the skyline rose and dipped like mechanical birds. Like great primitive birds welded up out of iron by hearsay in a land perhaps where such birds once had been…..The desert he rode was red and red the dust he raised, the small dust that powdered the legs of the horse he rode, the horse he led. In the evening a wind came up and reddened all the sky before him. There were few cattle in that country because it was barren country indeed yet he came at evening upon a solitary bull rolling in the dust against the bloodred sunset like an animal in sacrificial torment. The bloodred dust blew down out of the sun. He touched the horse with his heels and rode on. He rode with the sun coppering his face and the red wind blowing out of the west across the evening land and the small desert birds flew chittering among the dry bracken and horse and rider and horse passed on and their long shadows passed in tandem like the shadow of a single being. Passed and paled into the darkening land, the world to come.
Cormac McCarthy (All the Pretty Horses (The Border Trilogy, #1))
I hated the idea of such a glorious creature beating itself to death in pursuit of something it could never have. It was, after all, just a light. The moth had no idea why it wanted it, only that it did. I paused at the window. “You’re just like them you know. You want the light so bad because you think it’s wonderful, and power-ful, and the answer to all of your little moth dreams, but in reality it is just a deadly desire. No matter what you do, no matter how bad you want it, you can never have it. Don’t you see? The light will bring you nothing but death.” Slowly, I opened my hand again. “Now, go, live your life. Find another moth and make little moth babies, and stop chasing light fixtures,” I instructed, raising my hand toward the stars. Once again, the moth watched me, then fluttered its wings and took off. This time, it flew away, disappearing into the dark. I leaned my head against the window frame, watching, think-ing, wondering if the little critter would ever find happiness. It didn’t take long to get an answer. There, on the other side of the parking lot, was the moth, buzzing wildly against a street light. I began to cry. “I know how you feel, little one,” I sobbed. “No matter what happens, no matter how wrong it is, my heart wants what it wants. I’m just like you, and they are my light.
Christi Anna (Yearning (Thief of Life, #4))
There was a school here now, in Concourse C. Like educated children everywhere, the children in the airport school memorized abstractions: the airplanes outside once flew through the air. You could use an airplane to travel to the other side of the world, but—the schoolteacher was a man who’d had frequent-flyer status on two airlines—when you were on an airplane you had to turn off your electronic devices before takeoff and landing, devices such as the tiny flat machines that played music and the larger machines that opened up like books and had screens that hadn’t always been dark, the insides brimming with circuitry, and these machines were the portals into a worldwide network. Satellites beamed information down to Earth. Goods traveled in ships and airplanes across the world. There was no place on earth that was too far away to get to. They were told about the Internet, how it was everywhere and connected everything, how it was us. They were shown maps and globes, the lines of the borders that the Internet had transcended. This is the yellow mass of land in the shape of a mitten; this pin here on the wall is Severn City. That was Chicago. That was Detroit. The children understood dots on maps—here—but even the teenagers were confused by the lines. There had been countries, and borders. It was hard to explain.
Emily St. John Mandel (Station Eleven)
Then the events leading up to her collapse came back to her in a flash. Her hands flew automatically to her belly and she was only partially reassured to feel the tight ball there. Was her baby okay? Was she herself okay? She blinked harder to bring the room more into focus. There was light shining through a crack in the bathroom door. A glance at the blinds told her that it was dark outside. Then her gaze fell on the chair beside her bed and she found Ryan staring at her, his gaze intense. She flinched away from the raw emotion shining in his blue eyes. “Hey,” he said quietly. “How are you feeling?” “Numb,” she answered before she could think better of it. “Kind of blank. My head doesn’t hurt anymore. Are my feet still swollen?” He carefully picked up the sheet and pushed it over her feet. “Maybe a little. Not as bad as they were. They’ve been giving you meds and they’re monitoring the baby.” “How is she?” Kelly asked, a knot of fear in her throat. “For now, she’s doing fine. Your blood pressure stabilized, but they might have to do a C-section if it goes back up or if the baby starts showing signs of distress.” Kelly closed her eyes and then suddenly Ryan was close to her, holding her, his lips pressed against her temple. “Don’t worry, love,” he murmured. “You’re supposed to stay calm. You’re getting the best possible care. I’ve made sure of it. They’re monitoring you round-the-clock. And the doctor said the baby has an excellent prognosis at thirty-four weeks’ gestation.” She sagged against the pillow and closed her eyes. Relief pulsed through her but she was so tired she couldn’t muster the energy to do anything more than lie there thanking God that her baby was okay. “I’m going to take care of you, Kell,” Ryan said softly against her temple. “You and our baby. Nothing will ever hurt you again. I swear it.” Tears burned her eyelids. She was emotionally and physically exhausted and didn’t have the strength to argue. Something inside her was broken and she had no idea how to fix it. She felt so…disconnected.
Maya Banks (Wanted by Her Lost Love (Pregnancy & Passion, #2))
This is always always always what she wished a bazaar to be. Demre, proudly claiming to be the birthplace of Santa Claus, was direly lacking in workshops of wonder. Small corner stores, an understocked chain supermarket on the permanent edge of bankruptcy and a huge cash and carry that serviced the farms and the hotels squeezed between the plastic sky and the shingle shore. Russians flew there by the charter load to sun themselves and get wrecked on drink. Drip irrigation equipment and imported vodka, a typical Demre combination. But Istanbul; Istanbul was the magic. Away from home, free from the humid claustrophobia of the greenhouses, hectare after hectare after hectare; a speck of dust in the biggest city in Europe, anonymous yet freed by that anonymity to be foolish, to be frivolous and fabulous, to live fantasies. The Grand Bazaar! This was a name of wonder. This was hectare upon hectare of Cathay silk and Tashkent carpets, bolts of damask and muslin, brass and silver and gold and rare spices that would send the air heady. It was merchants and traders and caravan masters; the cornucopia where the Silk Road finally set down its cargoes. The Grand Bazaar of Istanbul was shit and sharks. Overpriced stuff for tourists, shoddy and glittery. Buy buy buy. The Egyptian Market was no different. In that season she went to every old bazaar in Sultanahmet and Beyoğlu. The magic wasn’t there.
Ian McDonald (The Dervish House)
Twas the night before Christmas, and all through the base Only sentries were stirring--they guarded the place. At the foot of each bunk sat a helmet and boot For the Santa of Soldiers to fill up with loot. The soldiers were sleeping and snoring away As they dreamed of “back home” on good Christmas Day. One snoozed with his rifle--he seemed so content. I slept with the letters my family had sent. When outside the tent there arose such a clatter. I sprang from my rack to see what was the matter. Away to the window I flew like a flash. Poked out my head, and yelled, “What was that crash?” When what to my thrill and relief should appear, But one of our Blackhawks to give the all clear. More rattles and rumbles! I heard a deep whine! Then up drove eight Humvees, a jeep close behind… Each vehicle painted a bright Christmas green. With more lights and gold tinsel than I’d ever seen. The convoy commander leaped down and he paused. I knew then and there it was Sergeant McClaus! More rapid than rockets, his drivers they came When he whistled, and shouted, and called them by name: “Now, Cohen! Mendoza! Woslowski! McCord! Now, Li! Watts! Donetti! And Specialist Ford!” “Go fill up my sea bags with gifts large and small! Now dash away! Dash away! Dash away, all!” In the blink of an eye, to their trucks the troops darted. As I drew in my head and was turning around, Through the tent flap the sergeant came in with a bound. He was dressed all in camo and looked quite a sight With a Santa had added for this special night. His eyes--sharp as lasers! He stood six feet six. His nose was quite crooked, his jaw hard as bricks! A stub of cigar he held clamped in his teeth. And the smoke, it encircled his head like a wreath. A young driver walked in with a seabag in tow. McClaus took the bag, told the driver to go. Then the sarge went to work. And his mission today? Bring Christmas from home to the troops far away! Tasty gifts from old friends in the helmets he laid. There were candies, and cookies, and cakes, all homemade. Many parents sent phone cards so soldiers could hear Treasured voices and laughter of those they held dear. Loving husbands and wives had mailed photos galore Of weddings and birthdays and first steps and more. And for each soldier’s boot, like a warm, happy hug, There was art from the children at home sweet and snug. As he finished the job--did I see a twinkle? Was that a small smile or instead just a wrinkle? To the top of his brow he raised up his hand And gave a salute that made me feel grand. I gasped in surprise when, his face all aglow, He gave a huge grin and a big HO! HO! HO! HO! HO! HO! from the barracks and then from the base. HO! HO! HO! as the convoy sped up into space. As the camp radar lost him, I heard this faint call: “HAPPY CHRISTMAS, BRAVE SOLDIERS! MAY PEACE COME TO ALL!
Trish Holland (The Soldiers' Night Before Christmas (Big Little Golden Book))
I will fly away to them, to the royal birds, and they will beat me, because I, that am so ugly, dare to come near them. But it is all the same. Better to be killed by them than to be pursued by ducks, and beaten by fowls, and pushed about by the girl who takes care of the poultry yard, and to suffer hunger in winter!" And it flew out into the water, and swam towards the beautiful swans; these looked at it, and came sailing down upon it with outspread wings. "Kill me!" said the poor creature, and bent its head down upon the water, expecting nothing but death. But what was this that it saw in the clear water? It beheld its own image; and, lo! it was no longer a clumsy dark-gray bird, ugly and hateful to look at, but a—swan!
Hamilton Wright Mabie (Fairy Tales Every Child Should Know)
That accounts for his crying so. Poor creature!” ”Well--you must do the sticking--there's no help for it. I'll showyou how. Or I'll do it myself--I think I could. Though as it issuch a big pig I had rather Challow had done it. However, his basketo' knives and things have been already sent on here, and we can use'em.” ”Of course you shan't do it,” said Jude. ”I'll do it, since it mustbe done.” He went out to the sty, shovelled away the snow for the space of acouple of yards or more, and placed the stool in front, with theknives and ropes at hand. A robin peered down at the preparationsfrom the nearest tree, and, not liking the sinister look of thescene, flew away, though hungry. By this time Arabella had joinedher husband, and Jude, rope in hand, got into the sty, and noosed theaffrighted animal, who, beginning with a squeak of surprise, rose torepeated cries of rage. Arabella opened the sty-door, and togetherthey hoisted the victim on to the stool, legs upward, and while Judeheld him Arabella bound him down, looping the cord over his legs tokeep him from struggling. The animal's note changed its quality. It was not now rage, but thecry of despair; long-drawn, slow and hopeless. ”Upon my soul I would sooner have gone without the pig than have hadthis to do!” said Jude. ”A creature I have fed with my own hands.” ”Don't be such a tender-hearted fool! There's the sticking-knife--the one with the point. Now whatever you do, don't stick un toodeep.” ”I'll stick him effectually, so as to make short work of it. That'sthe chief thing.” ”You must not!” she cried. ”The meat must be well bled, and to dothat he must die slow. We shall lose a shilling a score if the meatis red and bloody! Just touch the vein, that's all. I was broughtup to it, and I know. Every good butcher keeps un bleeding long.He ought to be eight or ten minutes dying, at least.” ”He shall not be half a minute if I can help it, however the meat maylook,” said Jude determinedly. Scraping the bristles from the pig'supturned throat, as he had seen the butchers do, he slit the fat;then plunged in the knife with all his might. ”'Od damn it all!” she cried, ”that ever I should say it! You'veover-stuck un! And I telling you all the time--” ”Do be quiet, Arabella, and have a little pity on the creature!
Thomas Hardy (Jude the Obscure)
Trailing veils of steam, Grandma came and went and came again with covered dishes from kitchen to table while the assembled company waited in silence. No one lifted lids to peer in at the hidden victuals. At last Grandma sat down, Grandpa said grace, and immediately thereafter the silverware flew up like a plague of locusts on the air. When everyone's mouths were absolutely crammed full of miracles, Grandmother sat back and said, "Well, how do you like it?" And the relatives, including Aunt Rose, and the boarders, their teeth deliciously mortared together at this moment, faced a terrible dilemma. Speak and break the spell, or continue allowing this honey-syrup food of the gods to dissolve and melt away to glory in their mouths? They looked as if they might laugh or cry at the cruel dilemma. They looked as if they might sit there forever, untouched by fire or earthquake, or shooting in the street, a massacre of innocents in the yard, overwhelmed with effluviums and promises of immortality. All villains were innocent in this moment of tender herbs, sweet celeries, luscious roots. The eye sped over a snow field where lay fricassees, salmagundis, gumbos, freshly invented succotashes, chowders, ragouts.
Ray Bradbury (Dandelion Wine)
Kate?” Anthony yelled again. He couldn’t see anyone; a dislodged bench was blocking the opening. “Can you hear me?” Still no response. “Try the other side,” came Edwina’s frantic voice. “The opening isn’t as crushed.” Anthony jumped to his feet and ran around the back of the carriage to the other side. The door had already come off its hinges, leaving a hole just large enough for him to stuff his upper body into. “Kate?” he called out, trying not to notice the sharp sound of panic in his voice. Every breath from his lips seemed overloud, reverberating in the tight space, reminding him that he wasn’t hearing the same sounds from Kate. And then, as he carefully moved a seat cushion that had turned sideways, he saw her. She was terrifyingly still, but her head didn’t appear to be stuck in an unnatural position, and he didn’t see any blood. That had to be a good sign. He didn’t know much of medicine, but he held on to that thought like a miracle. “You can’t die, Kate,” he said as his terrified fingers yanked away at the wreckage, desperate to open the hole until it was wide enough to pull her through. “Do you hear me? You can’t die!” A jagged piece of wood sliced open the back of his hand, but Anthony didn’t notice the blood running over his skin as he pulled on another broken beam. “You had better be breathing,” he warned, his voice shaking and precariously close to a sob. “This wasn’t supposed to be you. It was never supposed to be you. It isn’t your time. Do you understand me?” He tore away another broken piece of wood and reached through the newly widened hole to grasp her hand. His fingers found her pulse, which seemed steady enough to him, but it was still impossible to tell if she was bleeding, or had broken her back, or had hit her head, or had . . . His heart shuddered. There were so many ways to die. If a bee could bring down a man in his prime, surely a carriage accident could steal the life of one small woman. Anthony grabbed the last piece of wood that stood in his way and heaved, but it didn’t budge. “Don’t do this to me,” he muttered. “Not now. It isn’t her time. Do you hear me? It isn’t her time!” He felt something wet on his cheeks and dimly realized that it was tears. “It was supposed to be me,” he said, choking on the words. “It was always supposed to be me.” And then, just as he was preparing to give that last piece of wood another desperate yank, Kate’s fingers tightened like a claw around his wrist. His eyes flew to her face, just in time to see her eyes open wide and clear, with nary a blink. “What the devil,” she asked, sounding quite lucid and utterly awake, “are you talking about?” Relief flooded his chest so quickly it was almost painful. “Are you all right?” he asked, his voice wobbling on every syllable. She grimaced, then said, “I’ll be fine.” Anthony paused for the barest of seconds as he considered her choice of words. “But are you fine right now?” She let out a little cough, and he fancied he could hear her wince with pain. “I did something to my leg,” she admitted. “But I don’t think I’m bleeding.” “Are you faint? Dizzy? Weak?” She shook her head. “Just in pain. What are you doing here?” He smiled through his tears. “I came to find you.” “You did?” she whispered. He nodded. “I came to— That is to say, I realized . . .” He swallowed convulsively. He’d never dreamed that the day would come when he’d say these words to a woman, and they’d grown so big in his heart he could barely squeeze them out. “I love you, Kate,” he said chokingly. “It took me a while to figure it out, but I do, and I had to tell you. Today.” Her lips wobbled into a shaky smile as she motioned to the rest of her body with her chin. “You’ve bloody good timing.
Julia Quinn (The Viscount Who Loved Me (Bridgertons, #2))
Split in two,” he sang, “Loved by one, and then another. Pulled in a direction and then the other. If I could breathe you in, all of you, every day of my life, it wouldn’t be enough. My heart was captive long ago — then you stole it away, you helped me grow. Now I’m staring at my crossroads with a choice to make, wondering how in the world I even thought there was one way to take.” His hands flew over the piano, muscles tightened in his forearms as he leaned forward and continued singing. “My biggest fear, is not the ending of this life, but going through it without you by my side.” He repeated the chorus and closed his eyes, humming the haunting melody in such a way that I felt hypnotized. “Letting her go will be the hardest thing I’ve ever had to do — but I’m doing it so I can say goodbye to her — and good morning to you. Tell me it’s not too late to ask for a second.” He smirked but continued singing. “Third, fourth, tenth date.” His hands slowed. “Loving you will always be easy because when I look into your eyes I know you see the real me, so be my love, be my rain, be my clouds, be my pain.” “My biggest fear, is not the ending of this life, but going through it without you by my side.” He stopped playing. The room fell silent.
Rachel Van Dyken (Toxic (Ruin, #2))
eyes. She felt the changes shimmer across her scales. The hardest part was the extra horns IceWings had around their heads. She concentrated on making her ruff look like it was made of icicles and hoped that would do. She also couldn’t make her claws ridged like IceWing claws, and her tail wasn’t as whip-thin at the end as an IceWing’s would be. Maybe this is a bad idea. Maybe there’s no way I’ll get away with it. But it was still pretty dark out . . . and she really, really wanted to know what a NightWing was doing out here. Well, she thought ruefully, if he figures me out, I guess I’ll just kill him. Somehow it didn’t sound as funny as she’d hoped. She leaped into the air and flew back to the spot where she’d seen the strange dragon. For a moment she was afraid she’d lost him, before she realized that he was lying down, his black scales half-hidden in the long shadows. Confidence, she told herself. It’s all about attitude. “Hey!” she barked, landing with a thump beside him. “Who are you, and what are you doing in our territory?” The NightWing leaped up in surprise and stared at her. He was a lot younger and smaller than Morrowseer, wiry and graceful in his movements even when he was startled. The silver scales sparkling under his wings caught the morning light like trapped stars. “Great moons. Where did you come from?” he asked. He looked up at the sky with a puzzled expression. “Where do you think?” she said. “And I’m asking the questions here. What are you doing in the Ice Kingdom?” “Technically this isn’t the Ice Kingdom yet,” he said. “Or didn’t you know that?” It isn’t? she thought. The map she’d memorized didn’t exactly have borders drawn on it, not that those would have helped her out here anyway.
Tui T. Sutherland (The Hidden Kingdom (Wings of Fire, #3))
We’re going into the countryside and leaving everything behind. I would hate to have this book destroyed. The Germans will burn whatever they find.” She took an old volume from a pile of books that had been stacked against a brick wall. “Would you burn birds in a cage?” she asked Anne. “Of course not.” Anne thought of the magpie. She thought of the soldiers shooting at whatever they saw, just for fun. “And yet they burn books. They throw them into metal trash cans and light a fire and then all the words that had been written fly away.” “What happens to the words then?” Anne asked. “They’re remembered by everyone who ever read them.” Madame Clara’s bright eyes were trained on Anne. It was dark in the alley and Anne had the urge to run, but she stayed where she was. “I used to have everything,” the bookseller’s wife said. “Now I just have what I can remember.
Alice Hoffman (When We Flew Away: A Novel of Anne Frank Before the Diary)
Mum bought me �kite for my sixth birthday. It was beautiful. Snowy white with � long tail of ribbons. She held the string, and I� ran and ran as fast as I �could, but it kept dropping to� clumsy heap on the ground. When� I got tired Mum took over, holding it high above her head and running and running until, all at once, �sudden wonderful gust of wind took the kite soaring high, high into the sky, so� I had to squint to see it. “Hold on, Rosie!” Mum had called. “Hold tight!” And �I did, gripping the string with all my might as the kite danced high up above, gleaming bright white against the blue sky, its ribbons sparkling in the sunlight as it flew, soaring and dipping like �bird, forever pulling at the string in my hand —higher, higher — tugging to get free. Then� I let go.The string snapped from my grip and was gone. Mum raced after it,but it was too fast,soaring up,up and away, higher than the trees. She scooped me up in �hug and told me it was all right, she'd buy me another one. But� I didn't want another one. That was my kite,and it was free. I’d let it go.It’d wanted so much to be free that I just couldn't hold on, couldn’t hold it down.� I smiled as I� watched it whirl away — above the trees, above the birds, above the clouds, sparkling into the heavens, dancing free. It was the most beautiful thing I �have ever seen.
Katie Dale (Someone Else's Life)
I used to think one day we'd tell the story of us ; How we met, and the sparks flew instantly. People would say have said they're the lucky ones. I used to know my place was a spot next to you and then it went to me searching the room for an empty seat 'Cause lately I don't even know what page you're on Oh, a simple complication, Miscommunications lead to fall out. So many things that I wish you knew oh and So many walls up, I can't break through Now I'm back again on this website after five years And I'm dying to know does it still hurt you like it hurts me? I don't know what to say since a twist of fate, when it all broke down and the story of us looks a lot like a tragedy now How'd we end up this way? With both of us deleting our accounts and going our separate ways So, today I'm telling the story of us of how I was losing my mind when I saw you had deleted the account and gone away without a goodbye and no I miss yous leaving me with just your quotes on Goodreads How you held your pride like you should've held me Why did we pretend this is nothing? I'd tell you I miss you, but I don't know how I never heard silence quite this loud Now I'm standing alone in a crowded room in a UK library reminiscing about the days when I was 15 and you were a 16 California boy; how we fell for each and how we fought both too immature to realize what we were setting up in flames How I still recall your replies and my singing heart and shining eyes. Didn't tell you back then and now I'm saying I liked it better when you were on my side So many things that you wish I knew ; So many that I wish I had told you But the story of us has broken, burned and ended Now I'm standing alone in a crowded room And we're not speaking : And I'm dying to know Is it killing you like it's killing me? But I don't know what to say Since a twist of fate, when it all broke down And the story of us looks a lot like a tragedy now.
Hearts Can Break and Never Make a Sound
In the center of the room Sarra the demon hung upside down by one leg, its arms bound behind its back, its suit scuffed-looking. Beneath it, crawling around an intricately scribed circle, a woman with short, curly red hair drew binding symbols with a gold stick. She looked up as I fanned away the smoke that was billowing up from the crack in the tile. "You're a Summoner. Hullo. I'm Noelle. Did you know that you have mismatched eyes?" I walked around the demon. It glared at me. "Yes, I know. Why do you have Sarra strung up by one leg?" She drew another symbol. It flared bright green as soon as the stick lifted from the circle. "It was getting a bit stroppy with me. The Hanged Man always teaches them a few manners. It's retaliating with the smoke. Are those spirits I saw yours, then?" "Yes, they are. There are four others as well. I hate to be a bother, but I'm in a bit of a hurry, what with Christian being held by this one's master and all, so if you could possibly just give me the abbreviated version of what's going on here, I'll be on my way to rescue him." She leaned back on her heels and sucked the tip of her gold stick. "Asmodeus, eh?" The demon snarled. A chunk of ceiling fell behind me. We both ignored it. It just never does to give a demon the satisfaction of knowing it's startled you. "It's a nasty bag of tricks, but I heard through the demonic grapevine that it was weakened and searching for a suitable sacrifice to regain its power," she added. "Well, it can't have Christian; he's mine. Back to the demon, if you don't mind…" She looked up at Sarra, still sucking the stick. "It's a pretty specimen, isn't it? I like the hair gel. Nice touch. The mustache is a bit much, though, don't you think? Makes it look so smarmy." "Um…" "I'm destroying it, so I suppose it really doesn't matter." I blinked and avoided two wine bottles as they flew out of a rack when the demon hissed at the Guardian.
Katie MacAlister (Sex and the Single Vampire (Dark Ones #2))
1:315-316 WHITE-BIRD SENTENCES In my dream large white birds, larger than geese, were flying. As they flew, they were praising. I understood the bird-language. One was saying, I praise you in all circumstances, and another was saying the same in other words, and another in yet other phrasing, but I could not remember what I should say. I interpret this dream to be telling me to be continuously grateful, no matter what, in my waking life, and also to remember that there are a hundred thousand ways to praise. These white-bird sentences begin in nonexistence, where creation makes entity from nonentity. What flows through us as praise comes from where Moses and Jesus are standing with the other friends of God. Another night in the state between waking and sleep I saw a gazelle coming toward me with an open mouth. It put my whole head in its mouth and turned its lips in arcs around my forehead and chin and the sides of my head. The gazelle-maw got larger and larger. It could have swallowed my whole body. About to lose consciousness, I began to chant, No power but yours, no power but yours.... The strange malevolence that was trying to devour me went away. Peace came. Now I know how epileptics feel. In another dream I was eating salty food. My gums became brackish. I woke with a salt taste in my mouth. Events happen here that no one records. Universes overlap. We are led in ways we will never understand. It should not surprise anyone when the angel Gabriel comes and take Muhammad away in an instant. Someone asked, If the commands of God are preeminent, then what choice do we really have in life? Between the words preeminent and commands lies a great mystery. The divine essence is not like anything, nor can we examine it or its effects. Try to trace to a source just one thing that has ever come to you. Now imagine you are blind from birth and that you have never seen this world or recognized any of its meanings.
Bahauddin (The Drowned Book: Ecstatic and Earthy Reflections of the Father of Rumi)
Gregori tugged on her hair to force her back to him. "You make me feel alive, Savannah." "Do I? Is that why you're swearing?" She turned onto her stomach, propping herself up onto her elbows. He leaned into her, brushing his mouth across the swell of her breast. "You are managing to tie me up in knots. You take away all my good judgement." A slight smile curved her mouth. "I never noticed that you had particularly good judgement to begin with." His white teeth gleamed, a predator's smile, then sank into soft bare flesh. She yelped but moved closer to him when his tongue swirled and caressed, taking away the sting. "I have always had good judgement," he told her firmly, his teeth scraping back and forth in the valley between her breasts. "So you say.But that doesn't make it so. You let evil idiots shoot you with poisoned darts. You go by yourself into laboratories filled with your enemies. Need I go on?" Her blue eyes were laughing at him. Her firm, rounded bottom was far too tempting to resist. He brought his open palm down in mock punishment. Savannah jumped, but before she could scoot away, his palm began caressing, producing a far different effect. "Judging from our positions, ma petite, I would say my judgement looks better than yours." She laughed. "All right,I'm going to let you win this time." "Would you care for a shower?" he asked solicitously. When she nodded, Gregori flowed off the bed, lifted her high into his arms,and cradled her against his chest. There was something too innocent about him. She eyed him warily. But in an instant he had already glided across the tiled floor to the balcony door, which flew open at his whim, and carried her, naked, into the cold, glittering downpour. Savannah tried to squirm away, wiggling and shoving at his chest, laughing in spite of the icy water cascading over her. "Gregori! You're so mean. I can't believe you did this." "Well,I have poor judgement." He was grinning at her in mocking, male amusement. "Is that not what you said?" "I take it back!" she moaned, clinging to him, burying her fact on his shoulder as the chill rain pelted her bare breasts, making her nipples peak hard and fast. "Run with me tonight," Gregori whispered against her neck. An enticement. Temptation. Drawing her to him, another tie to his dark world. She lifted her head, looked into his silver eyes, and was lost.The rain poured over her, drenching her, but as Gregori slowly glided with her to the blanket of pine needles below the balcony,she couldn't look away from those hungry eyes.
Christine Feehan (Dark Magic (Dark, #4))
His hand slid up my back, leaving a trail of fire in its wake, and his lips moved across my cheek, stopping to hover above mine. I forgot how to breathe, and most importantly, how to think. He moved, ever so slightly, and his lips brushed across mine once, and then twice. It was such a soft, beautiful kiss, but when the kiss deepened, it wasn’t a shy one. This was one of dangerously pent-up need, a desire that’d been denied far too long. The kiss felt fierce, demanding, and soul burning. Aiden pulled me to him, pressing me right up against his body. And when he kissed me again, it left both of us breathless. Our hands tangled with each other’s bodies as we made it back to his bedroom. My hands found their way under his shirt and over the taut skin of his sides. We separated long enough for me to get the shirt off, and gods, each hard ripple was as breathtaking as I’d imagined. Easing me down on his bed, his hands glided from my face to my arms. Next his hand traveled over my stomach, then my hip, and under the hem of my dress. Somehow, the top of my dress ended up at my waist, and his mouth moved over my body. I melted into him, his kisses, and his touch. My fingers dug into the tight skin of his arms, and my insides were in tight coils. Every place our bodies touched, sparks flew. Aiden pulled his lips away from mine, and I made a sound of protest, but then his mouth trailed across my throat and to the base of my neck. My skin burned and my thoughts were on fire. His name was barely a whisper, but I felt his lips curve against my skin.
Jennifer L. Armentrout (Half-Blood (Covenant, #1))
Scared?” Terrified. “Of you? Nah. If you grow claws, I might get my sword, but I’ve fought you in your human shape.” It took all my will to shrug. “You aren’t that impressive.” He cleared the distance between us in a single leap. I barely had time to jump to my feet. Steel fingers grasped my left wrist. His left arm clasped my waist. I fought, but he outmuscled me with ridiculous ease, pulling me close as if to tango. “Curran! Let . . . “ I recognized the angle of his hip but I could do nothing about it. He pulled me forward and flipped me in a classic hip-toss throw. Textbook perfect. I flew through the air, guided by his hands, and landed on my back. The air burst from my lungs in a startled gasp. Ow. “Impressed yet?” he asked with a big smile. Playing. He was playing. Not a real fight. He could’ve slammed me down hard enough to break my neck. Instead he had held me to the end, to make sure I landed right. He leaned forward a little. “Big bad merc, down with a basic hip toss. In your place I’d be blushing.” I gasped, trying to draw air into my lungs. “I could kill you right now. It wouldn’t take much. I think I’m actually embarrassed on your behalf. At least do some magic or something.” As you wish. I gasped and spat my new power word. “Osanda.” Kneel, Your Majesty. He grunted like a man trying to lift a crushing weight that fell on his shoulders. His face shook with strain. Ha-ha. He wasn’t the only one who got a boost from a flare. I got up to my feet with some leisure. Curran stood locked, the muscles of his legs bulging his sweatpants. He didn’t kneel. He wouldn’t kneel. I hit him with a power word in the middle of a bloody flare and it didn’t work. When he snapped out of it, he would probably kill me. All sorts of alarms blared in my head. My good sense screamed, Get out of the room, stupid! Instead I stepped close to him and whispered in his ear, “Still not impressed.” His eyebrows came together, as a grimace claimed his face. He strained, the muscles on his hard frame trembling with effort. With a guttural sigh, he straightened. I beat a hasty retreat to the rear of the room, passing Slayer on the way. I wanted to swipe it so bad, my palm itched. But the rules of the game were clear: no claws, no saber. The second I picked up the sword, I’d have signed my own death warrant. He squared his shoulders. “Shall we continue?” “It would be my pleasure.” He started toward me. I waited, light on my feet, ready to leap aside. He was stronger than a pair of oxen, and he’d try to grapple. If he got ahold of me, it would be over. If all else failed, I could always try the window. A forty-foot drop was a small price to pay to get away from him. Curran grabbed at me. I twisted past him and kicked his knee from the side. It was a good solid kick; I’d turned into it. It would’ve broken the leg of any normal human. “Cute,” Curran said, grabbed my arm, and casually threw me across the room. I went airborne for a second, fell, rolled, and came to my feet to be greeted by Curran’s smug face. “You’re fun to play with. You make a good mouse.” Mouse? “I was always kind of partial to toy mice.” He smiled. “Sometimes they’re filled with catnip. It’s a nice bonus.” “I’m not filled with catnip.” “Let’s find out.” He squared his shoulders and headed in my direction. Houston, we have a problem. Judging by the look in his eyes, a kick to the face simply wouldn’t faze him. “I can stop you with one word,” I said. He swiped me into a bear hug and I got an intimate insight into how a nut feels just before the nutcracker crushes it to pieces. “Do,” he said. “Wedding.” All humor fled his eyes. He let go and just like that, the game was over.
Ilona Andrews (Magic Burns (Kate Daniels, #2))
I am sure you understand," Father began, looking past Violet at the wall, "that I cannot allow you back into my house after what you have done. I have arranged for you to be taken to a finishing school in Scotland. You will stay there for two years, and after that I will decide what is to be done with you." Violet heard Graham clear his throat. "No," she said, before her brother could open his mouth to speak. "That won't be acceptable, I'm afraid, Father." His jowls slackened with shock. He looked as if she had slapped him. "I beg your pardon?" "I won't be going to Scotland. In fact, I won't be going anywhere. I'm staying right here." As she spoke, Violet became aware of a strange simmering sensation, as though electricity was humming beneath her skin. Images flashed in her mind---a crow cutting through the air, wings glittered with snow; the spokes of a wheel spinning. Briefly, she closed her eyes, focusing on the feeling until she could almost see it, glinting gold inside her. "That is not for you to decide," said Father. The window was open, and a bee flitted about the room, wings a silver blur. It flew near Father's cheek and he jerked away from it. "It's been decided." She stood up straight, her dark eyes boring into Father's watery ones. He blinked. The bee hovered about his face, dancing away from his hands, and she saw sweat break out on his nose. Soon it was joined by another, and then another and another, until it seemed like Father---shouting and swearing---had been engulfed in a cloud of tawny, glistening bodies. "I think it would be best if you left now, Father," said Violet softly. "After all, as you said, I'm my mother's daughter.
Emilia Hart (Weyward)
She was confusing me. This was my tragedy. Why were we talking about her? “I’d get there and people would stare at me,” I said. “Look at me!” “Look at me!” she shot back. She pointed accusingly at herself in the full-length mirror. Her hair looked wilty. Her bottom lip sagged. “I’m thirty-eight years old and still living with my mother. I’ve wanted to get away from that woman all my life. And here it is, ten-thirty at night. I’m tired, Dolores. I just want to go to bed. But instead, I’m on my way to work, dressed up like . . . one of the goddamned Andrews sisters.” In the mirror, we shared a smile. I wanted to reach over and rub her back, tell her I loved her. I opened my mouth to say it, but something else came out. “What if I get so depressed down there that I slit my wrists? They could call here and say they found me in a pool of blood.” “Oh for Christ’s sweet sake!” Her hairbrush flew past me and hit the wall. She slammed into the bathroom, banging the medicine-cabinet door once, twice, three times. Tap water ran for several minutes. When she came back, her eyes were red. She bent over and picked up the brush, picked strands of hair from the bristles. “You don’t want to go to college? Don’t go. I can’t keep this up. I thought I could, but I can’t.” “I’ll get a job,” I said. “Maybe I’ll go on a diet. I’m sorry.” “You’re sorry, I’m sorry, everybody’s sorry,” she sighed. “Write that girl a letter. Don’t let her get stuck with those bedspreads.” I stopped her as she headed for the stairs. “Ma?” I said. She turned and faced me and I saw, in her eyes, the dazed woman she’d been those first days when she’d returned from the mental hospital years before. “Goddamnit, Dolores,” she said. “You’ve made me so goddamned tired.” Then she was down the stairs and out the door.
Wally Lamb (She's Come Undone)
New companion Yoo Joonghyuk's Black Heavenly Demon Sword filled with the power of transcendence flew to my neck. It was an inevitable blow. Then a crack appeared in the ceiling of the banquet hall. Yoo Joonghyuk looked up at the ceiling but it was already too late. The running Yoo Joonghyuk was crushed by the fragments of the broken ceiling. Some large pieces were avoided but there were too many stones pouring down. I saw a shadow in the dirty dust. The hair was sweaty like the person had rushed here. The bandages half released from the left arm was blowing in the wind. In the dust, this person smiled as she trampled on Yoo Joonghyuk. "I knew you couldn't do this without me." [The incarnation 'Han Sooyoung' is jumping into the verdict of the giant story!] pg 3901 38. Perhaps Han Sooyoung had adjusted her shares ownership to Lee Seolhwa as soon as she learnt the information here. Then she came straight to this place. Han Sooyoung turned towards the surrounding constellations and declared with a growl, "I am evil. In addition, that fucking Kim Dokja standing over there is definitely evil." Han Sooyoung made me evil regardless of everything else and continued looking at Yoo Joonghyuk and the party members. pg 3903 39. This person shouting with her short hair flying looked amazing. At this time, Han Sooyoung could be seen as the main character, not Yoo Joonghyuk. pg 3903 40. The eyes of the group shook. I saw Han Sooyoung turn away. Then I spoke like I was pulling the trigger. "You are characters of a story." pg 3925 41. 'It's no fun when no one is fighting back'pg4046 42. However, I endured. I simply had to. So that I could grasp that one and only chance soon to be coming my way pg 4078 43. Along with the explosive grinding noise, blue sparks danced in the air. "Why are you standing around dazed like that, you dumbass?!" Han Sooyoung was standing next to me now pg 4102
singNsong (OMNISCIENT READER'S VIEWPOINT (light novel vol2))
the Sac and Fox Indians of Illinois were removed, after the Black Hawk War (in which Abraham Lincoln was an officer, although he was not in combat). When Chief Black Hawk was defeated and captured in 1832, he made a surrender speech: I fought hard. But your guns were well aimed. The bullets flew like birds in the air, and whizzed by our ears like the wind through the trees in the winter. My warriors fell around me. . . . The sun rose dim on us in the morning, and at night it sunk in a dark cloud, and looked like a ball of fire. That was the last sun that shone on Black Hawk. . . . He is now a prisoner to the white men. . . . He has done nothing for which an Indian ought to be ashamed. He has fought for his countrymen, the squaws and papooses, against white men, who came year after year, to cheat them and take away their lands. You know the cause of our making war. It is known to all white men. They ought to be ashamed of it. Indians are not deceitful. The white men speak bad of the Indian and look at him spitefully. But the Indian does not tell lies. Indians do not steal. An Indian who is as bad as the white men could not live in our nation; he would be put to death, and eaten up by the wolves. The white men are bad schoolmasters; they carry false books, and deal in false actions; they smile in the face of the poor Indian to cheat him; they shake them by the hand to gain their confidence, to make them drunk, to deceive them, and ruin our wives. We told them to leave us alone, and keep away from us; they followed on, and beset our paths, and they coiled themselves among us, like the snake. They poisoned us by their touch. We were not safe. We lived in danger. We were becoming like them, hypocrites and liars, adulterous lazy drones, all talkers and no workers. . . . The white men do not scalp the head; but they do worse—they poison the heart. . . . Farewell, my nation! . . . Farewell to Black Hawk.
Howard Zinn (A People's History of the United States: 1492 to Present)
So Callie is a rake." She blushed. "I don't think so." Silence fell between them as he watched the wash of pink across her cheeks. He lifted her wounded arm in his hand, placing a soft kiss on the back of her hand. She breathed deeply at the feel of his lips on her skin, so warm and soft, and her eyes flew to his, intently focused on her. He held her gaze, and she felt a shock of liquid heat as his tongue circled one of her knuckles. He registered her surprise, smiling against her and turning her hand palm up, then setting his tongue and lips to work on the soft, sensitive spot at its center. Her breath quickened, and she closed her eyes to the sensation, unable to watch the erotic movement of his mouth across her skin. He lifted his lips from her hand and, when she opened her eyes again, it was to find him watching her, a wicked smile on his lips. Reaching out, he traced one finger along the line of her jaw, sending a shiver through her. When he spoke, his voice was thick and liquid, and it sent a shock of heat down her spine. "I shouldn't give up on that part of her just yet, Empress." She caught her breath at the endearment, which brought with it a hazy memory from long ago. He chased the vision away with the vivid present as he clasped her chin, bringing her face closer to his. "You forget, I've met the women several times... In carriages..." His lips hovered just above hers, sending a tremor of anticipation through her, "And in theatres..." She tried to close the distance between them and he pulled back just enough to drive her slightly mad. "And in bedchambers. In fact," he added, his words a caress along the sensitive skin of her lips, "I rather like the rakish side of her." And then he settled his lips upon hers, and she was lost. She was consumed by the softness of his mouth, the gentleness of the caress- so very different than the kisses they had shared before. This kiss consumed her, made her forget herself, their surroundings, everything but the magnificent pressure of his lips on hers. His thumb stroked her jaw as his mouth ate at hers, sending waves of pulsing pleasure through her. She gasped at the feeling, and he took advantage of her open lips to plunder her mouth with deep, drugging kisses that made her dizzy. She reached for him, her anchor in a sea of sensuality, wrapping her arms around his neck and plunging her fingers into his heavy, soft hair. He made a deep, satisfied sound at the feeling of her wrapped around him, and traced a path across her cheek and down the column of her throat with soft, moist kisses that sent explosions of pleasure through her.
Sarah MacLean (Nine Rules to Break When Romancing a Rake (Love By Numbers, #1))
Going up that river was like traveling back to the earliest beginnings of the world, when vegetation rioted on the earth and the big trees were kings. An empty stream, a great silence, an impenetrable forest. The air was warm, thick, heavy, sluggish. There was no joy in the brilliance of sunshine. The long stretches of the waterway ran on, deserted, into the gloom of overshadowed distances. On silvery sandbanks hippos and alligators sunned themselves side by side. The broadening waters flowed through a mob of wooded islands; you lost your way on that river as you would in a desert, and butted all day long against shoals, trying to find the channel, till you thought yourself bewitched and cut off for ever from everything you had known once—somewhere—far away—in another existence perhaps. There were moments when one's past came back to one, as it will sometimes when you have not a moment to spare to yourself; but it came in the shape of an unrestful and noisy dream, remembered with wonder amongst the overwhelming realities of this strange world of plants, and water, and silence. And this stillness of life did not in the least resemble a peace. It was the stillness of an implacable force brooding over an inscrutable intention. It looked at you with a vengeful aspect. I got used to it afterwards; I did not see it any more; I had no time. I had to keep guessing at the channel; I had to discern, mostly by inspiration, the signs of hidden banks; I watched for sunken stones; I was learning to clap my teeth smartly before my heart flew out, when I shaved by a fluke some infernal sly old snag that would have ripped the life out of the tin-pot steamboat and drowned all the pilgrims; I had to keep a look-out for the signs of dead wood we could cut up in the night for next day's steaming. When you have to attend to things of that sort, to the mere incidents of the surface, the reality—the reality, I tell you—fades. The inner truth is hidden—luckily, luckily.
Joseph Conrad (Heart of Darkness)
They [mountains] are portions of the heart of the earth that have escaped from the dungeon down below, and rushed up and out. For the heart of the earth is a great wallowing mass, not of blood, as in the hearts of men and animals, but of glowing hot melted metals and stones. And as our hearts keep us alive, so that great lump of heat keeps the earth alive: it is a huge power of buried sunlight—that is what it is. Now think: out of that caldron, where all the bubbles would be as big as the Alps if it could get room for its boiling, certain bubbles have bubbled out and escaped—up and away, and there they stand in the cool, cold sky—mountains. Think of the change, and you will no more wonder that there should be something awful about the very look of a mountain: from the darkness—for where the light has nothing to shine upon, it is much the same as darkness—from the heat, from the endless tumult of boiling unrest—up, with a sudden heavenward shoot, into the wind, and the cold, and the starshine, and a cloak of snow that lies like ermine above the blue-green mail of the glaciers; and the great sun, their grandfather, up there in the sky; and their little old cold aunt, the moon, that comes wandering about the house at night; and everlasting stillness, except for the wind that turns the rocks and caverns into a roaring organ for the young archangels that are studying how to let out the pent-up praises of their hearts, and the molten music of the streams, rushing ever from the bosoms of the glaciers fresh-born. Think too of the change in their own substance—no longer molten and soft, heaving and glowing, but hard and shining and cold. Think of the creatures scampering over and burrowing in it, and the birds building their nests upon it, and the trees growing out of its sides, like hair to clothe it, and the lovely grass in the valleys, and the gracious flowers even at the very edge of its armour of ice, like the rich embroidery of the garment below, and the rivers galloping down the valleys in a tumult of white and green! And along with all these, think of the terrible precipices down which the traveller may fall and be lost, and the frightful gulfs of blue air cracked in the glaciers, and the dark profound lakes, covered like little arctic oceans with floating lumps of ice. All this outside the mountain! But the inside, who shall tell what lies there? Caverns of awfullest solitude, their walls miles thick, sparkling with ores of gold or silver, copper or iron, tin or mercury, studded perhaps with precious stones—perhaps a brook, with eyeless fish in it, running, running ceaseless, cold and babbling, through banks crusted with carbuncles and golden topazes, or over a gravel of which some of the stones are rubies and emeralds, perhaps diamonds and sapphires—who can tell?—and whoever can't tell is free to think—all waiting to flash, waiting for millions of ages—ever since the earth flew off from the sun, a great blot of fire, and began to cool. Then there are caverns full of water, numbing cold, fiercely hot—hotter than any boiling water. From some of these the water cannot get out, and from others it runs in channels as the blood in the body: little veins bring it down from the ice above into the great caverns of the mountain's heart, whence the arteries let it out again, gushing in pipes and clefts and ducts of all shapes and kinds, through and through its bulk, until it springs newborn to the light, and rushes down the mountain side in torrents, and down the valleys in rivers—down, down, rejoicing, to the mighty lungs of the world, that is the sea, where it is tossed in storms and cyclones, heaved up in billows, twisted in waterspouts, dashed to mist upon rocks, beaten by millions of tails, and breathed by millions of gills, whence at last, melted into vapour by the sun, it is lifted up pure into the air, and borne by the servant winds back to the mountain tops and the snow, the solid ice, and the molten stream.
George MacDonald (The Princess and Curdie (Princess Irene and Curdie, #2))
Mr. Rohan,” she heard Beatrix ask, “are you going to marry my sister?” Amelia choked on her tea and set the cup down. She sputtered and coughed into her napkin. “Hush, Beatrix,” Win murmured. “But she’s wearing his ring—” Poppy clamped her hand over Beatrix’s mouth. “Hush!” “I might,” Cam replied. His eyes sparkled with mischief as he continued. “I find your sister a bit lacking in humor. And she doesn’t seem particularly obedient. On the other hand—” One set of French doors flew open, accompanied by the sound of breaking glass. Everyone on the back terrace looked up in startlement, the men rising from their chairs. “No,” came Win’s soft cry. Merripen stood there, having dragged himself from his sickbed. He was bandaged and disheveled, but he looked far from helpless. He looked like a maddened bull, his dark head lowered, his hands clenched into massive fists. And his stare, promising death, was firmly fixed on Cam. There was no mistaking the bloodlust of a Roma whose kinswoman had been dishonored. “Oh, God,” Amelia muttered. Cam, who stood beside her chair, glanced down at her questioningly. “Did you say something to him?” Amelia turned red as she recalled her blood-spotted nightgown and the maid’s expression. “It must have been servants’ talk.” Cam stared at the enraged giant with resignation. “You may be in luck,” he said to Amelia. “It looks as if our betrothal is going to end prematurely.” She made to stand beside him, but he pressed her back into the chair. “Stay out of this. I don’t want you hurt in the fray.” “He won’t hurt me,” Amelia said curtly. “It’s you he wants to slaughter.” Holding Merripen’s gaze, Cam moved slowly away from the table. “Is there something you’d like to discuss, chal?” he asked with admirable self-possession. Merripen replied in Romany. Although no one save Cam understood what he said, it was clearly not encouraging. “I’m going to marry her,” Cam said, as if to pacify him. “That’s even worse!” Merripen moved forward, murder in his eyes. Lord St. Vincent swiftly interceded, stepping between the pair. Like Cam, he’d had his share of putting down fights at the gambling club. He lifted his hands in a staying gesture and spoke smoothly. “Easy, large fellow. I’m sure you can find a way to resolve your differences in a reasonable fashion.” “Get out of my way,” Merripen growled, putting an end to the notion of civilized discourse. St. Vincent’s pleasant expression didn’t change. “You have a point. There’s nothing so tiresome as being reasonable. I myself avoid it whenever possible. Still, I’m afraid you can’t brawl when there are ladies present. It might give them ideas.
Lisa Kleypas (Mine Till Midnight (The Hathaways, #1))
Fir, cedar, pines, oaks, and maples densely timbered this section. But it was the redwoods that never failed to fill him with awe. Their feathery-looking needles and reddish bark. The way they stretched up to incredible heights and the sheer magnitude of their circumferences. How long ago had God planted their seeds? Hundreds of years? Thousands? As he stood amongst those mighty giants, he realized the land wasn’t his at all. It was God’s. God had formed and planted the seeds. He’d tended the soil and caused it to rain. He’d needed no man. Least of all Joe. Yet over and over Joe had thought of this as his own. My land. My logging camp. My house. My woman. My everything. Picking up his ax, he returned to his work. But in his mind, he reviewed a list of men in the Bible who’d left everything they held dear for parts unknown. Abraham. Jacob. Joseph. Moses. Even a woman. Esther. In every case, their circumstances were much more severe than his. God hadn’t commanded Joe to leave his land, though he’d prayed for guidance. Fasted. Read his Bible. But God had remained silent. Joe simply assumed God was letting him choose. But no matter what he chose, none of it was really his. It was all God’s. And God was sharing it with him. So which did he want? Both. Like a spoiled child, he definitely wanted both. But if he could only have one, wouldn’t he still be a man blessed? Yes. And he’d praise God and thank Him. But that didn’t immediately make the grief shrivel up and blow away. Eyeing where he wanted the tree to fall, he adjusted his stance. I want Anna, Lord. I choose Anna. Yet as long as he lived, he’d always miss this land. He’d miss the Territory. He’d miss the logging. He’d miss his friends. The cypress began to pop and splinter. Jumping away, he braced his feet, threw back his head, and shouted with everything he had. “Timber-r-r-r-r-r-r-r-r-r-r-r-r!” The tree wavered, then crashed to the forest floor. Noise resounded through the copse. The ground shook. Debris flew. Before any of it settled, Joe fell to his knees, doubled over, and sobbed.
Deeanne Gist (A Bride in the Bargain)
His booted feet pounded out an insane, frantic rhythm underneath him as he raced into the cavern across from Baba Yaga’s den at a dead sprint. Pieces of dragon dung flew off him and hit the ground behind him in miniature chunks. He didn’t dare look behind him to see if the dragon had risen from the ground yet, but the deafening hiss that assaulted his ears meant she’d woken up. Icy claws of fear squeezed his heart with every breath as he ran, relying on the night vision goggles, the glimpse he’d gotten of the map, and his own instincts to figure out where to go. Jack raced around one corner too sharply and slipped on a piece of dung, crashing hard on his right side. He gasped as it knocked the wind out of him and gritted his teeth, his mind screaming at him to get up and run, run, run. He pushed onto his knees, nursing what felt like bruised ribs and a sprained wrist, and then paled as an unmistakable sensation traveled up the arm he’d used to push himself up. Impact tremors. Boom. Boom. Boom, boom, boom. Baba Yaga was coming. Baba Yaga was hunting him. Jack forced himself up onto his feet again, stumbling backwards and fumbling for the tracker. He got it switched on to see an ominous blob approaching from the right. He’d gotten a good lead on her—maybe a few hundred yards—but he had no way of knowing if he’d eventually run into a dead end. He couldn’t hide down here forever. He needed to get topside to join the others so they could take her down. Jack blocked out the rising crescendo of Baba Yaga’s hissing and pictured the map again. A mile up to the right had a man-made exit that spilled back up to the forest. The only problem was that it was a long passage. If Baba Yaga followed, there was a good chance she could catch up and roast him like a marshmallow. He could try to lose her in the twists and turns of the cave system, but there was a good chance he’d get lost, and Baba Yaga’s superior senses meant it would only be a matter of time before she found him. It came back to the most basic survival tactics: run or hide. Jack switched off the tracker and stuck it in his pocket, his voice ragged and shaking, but solid. “You aren’t about to die in this forest, Jackson. Move your ass.” He barreled forward into the passageway to the right in the wake of Baba Yaga’s ominous, bubbling warning, barely suppressing a groan as a spike of pain lanced through his chest from his bruised ribs. The adrenaline would only hold for so long. He could make it about halfway there before it ran out. Cold sweat plastered the mask to his face and ran down into his eyes. The tunnel stretched onward forever before him. No sunlight in sight. Had he been wrong? Jack ripped off the hood and cold air slapped his face, making his eyes water. He held his hands out to make sure he wouldn’t bounce off one of the cavern walls and squinted up ahead as he turned the corner into the straightaway. There, faintly, he could see the pale glow of the exit. Gasping for air, he collapsed against one wall and tried to catch his breath before the final marathon. He had to have put some amount of distance between himself and the dragon by now. “Who knows?” Jack panted. “Maybe she got annoyed and turned around.” An earth-shattering roar rocked the very walls of the cavern. Jack paled. Boom, boom, boom, boom! Boom, boom, boom, boomboomboomboom— Mother of God. The dragon had broken into a run. Jack shoved himself away from the wall, lowered his head, and ran as fast as his legs would carry him.
Kyoko M. (Of Blood & Ashes (Of Cinder & Bone, #2))
He twirled her around a few more times before he said offhandedly, "Aren't you tired of fighting yet? I'm beginning to find it quite tedious m'self. I've even given you the benefit of the doubt-" "Don't do me any favor." He cocked his head to the side because she'd turned away to mumble that. "Are you challenging me to make you sweet and lovable again? I believe you are!" Her eyes flew back to his, but she could't do anything more than sputter over the absurdity. His pale eyes were twinkling, holding back laughter no doubt. What the devil as he doing! Je couldn't be serious.Yet he rubbed his cheek against hers right there on the dance floor! "What-" She should never have turned in toward that unexpected caress. Was she destined to bump lips with him by accident? She drew back instantly while she had the presence of mine to do so. But he didn't.In fact, he moved closer, his mouth actually persuing hers until there was nothing accidental about it! She stumbled as her sensed whirled. That just encouraged him to hold her closer and kiss her more deeply. She was fast approaching the point of not caring! Desperately, she tore her mouth away to gasp out, "You're going to cause a scandal!" "I do believe it would be worth it," he said softly by her ear. "But it's only a minor infraction and quite overlooked, since everyone here knows we're married." "No,they don't.I didn't have it announced." He stopped abruptly. Several other couples even bumped into them. "Why not?" She looked away from his frown, which make her feel distinctly uneasy. How to explain her earlier hesitancy without him seeing it for what it was, a full-blown panic? But he didn't wait for her answer. Suddenly he was leading her off the dance floor. He began a social circuit around the room, missing no one who wasn't currently dancing. From group to group he stopped to introduce Rebecca as his wife,the Marchioness of Rochwood. He did it curtly,as if here completing a task assigned to him, which gave her the odd feeling he was punishing her.She was mortified. Most of those people thought he was joking! They knew him.They knew his reputation. And he wasn't behaving the least bit normally.
Johanna Lindsey (A Rogue of My Own (Reid Family, #3))
her power now that she had lost the hair. So when the bride had finished drinking, and would have got upon Falada again, the maid said, "I shall ride upon Falada, and you may have my horse instead;" so she was forced to give up her horse, and soon afterwards to take off her royal clothes, and put on her maid's shabby ones. At last, as they drew near the end of the journey, this treacherous servant threatened to kill her mistress if she ever told anyone what had happened. But Falada saw it all, and marked it well. Then the waiting-maid got upon Falada, and the real bride was set upon the other horse, and they went on in this way till at last they came to the royal court. There was great joy at their coming, and the prince hurried to meet them, and lifted the maid from her horse, thinking she was the one who was to be his wife; and she was led upstairs to the royal chamber, but the true princess was told to stay in the court below. However, the old king happened to be looking out of the window, and saw her in the yard below; and as she looked very pretty, and too delicate for a waiting-maid, he went into the royal chamber to ask the bride whom it was she had brought with her, that was thus left standing in the court below. "I brought her with me for the sake of her company on the road," said she. "Pray give the girl some work to do, that she may not be idle." The old king could not for some time think of any work for her, but at last he said, "I have a lad who takes care of my geese; she may go and help him." Now the name of this lad, that the real bride was to help in watching the king's geese, was Curdken. Soon after, the false bride said to the prince, "Dear husband, pray do me one piece of kindness." "That I will," said the prince. "Then tell one of your slaughterers to cut off the head of the horse I rode upon, for it was very unruly, and plagued me sadly on the road." But the truth was, she was very much afraid lest Falada should speak, and tell all she had done to the princess. She carried her point, and the faithful Falada was killed; but when the true princess heard of it she wept, and begged the man to nail up Falada's head against a large dark gate in the city through which she had to pass every morning and evening, that there she might still see him sometimes. Then the slaughterer said he would do as she wished, so he cut off the head and nailed it fast under the dark gate. Early the next morning, as the princess and Curdken went out through the gate, she said sorrowfully— "Falada, Falada, there thou art hanging!" and the head answered— "Bride, bride, there thou are ganging! Alas! alas! if thy mother knew it, Sadly, sadly her heart would rue it." Then they went out of the city, driving the geese. And when they came to the meadow, the princess sat down upon a bank there and let down her waving locks of hair, which were all of pure gold; and when Curdken saw it glitter in the sun, he ran up, and would have pulled some of the locks out; but she cried— "Blow, breezes, blow! Let Curdken's hat go! Blow breezes, blow! Let him after it go! "O'er hills, dales, and rocks, Away be it whirl'd, Till the golden locks Are all comb'd and curl'd!" Then there came a wind, so strong that it blew off Curdken's hat, and away it flew over the hills, and he after it; till, by the time he came back, she had done combing and curling her hair, and put it up again safely. Then he was very angry and sulky, and would not speak to her at all; but they watched the geese until it grew dark in the evening, and then drove them homewards. The next morning, as they were going through the dark gate, the poor girl looked up at Falada's head, and cried— "Falada, Falada, there thou art hanging!" and it answered— "Bride, bride, there thou are ganging! Alas! alas! if thy mother knew it, Sadly, sadly her heart would rue it." Then she drove on the geese and sat down again in the meadow, and began to comb
Jacob Grimm (Grimm's Fairy Stories)
When Camilla and her husband joined Prince Charles on a holiday in Turkey shortly before his polo accident, she didn’t complain just as she bore, through gritted teeth, Camilla’s regular invitations to Balmoral and Sandringham. When Charles flew to Italy last year on a sketching holiday, Diana’s friends noted that Camilla was staying at another villa a short drive away. On her return Mrs Parker-Bowles made it quite clear that any suggestion of impropriety was absurd. Her protestations of innocence brought a tight smile from the Princess. That changed to scarcely controlled anger during their summer holiday on board a Greek tycoon’s yacht. She quietly simmered as she heard her husband holding forth to dinner-party guests about the virtues of mistresses. Her mood was scarcely helped when, later that evening, she heard him chatting on the telephone to Camilla. They meet socially on occasion but, there is no love lost between these two women locked into an eternal triangle of rivalry. Diana calls her rival “the rotweiller” while Camilla refers to the Princess as that “ridiculous creature”. At social engagements they are at pains to avoid each other. Diana has developed a technique in public of locating Camilla as quickly as possible and then, depending on her mood, she watches Charles when he looks in her direction or simply evades her gaze. “It is a morbid game,” says a friend. Days before the Salisbury Cathedral spire appeal concert Diana knew that Camilla was going. She vented her frustration in conversations with friends so that on the day of the event the Princess was able to watch the eye contact between her husband and Camilla with quiet amusement. Last December all those years of pent-up emotion came flooding out at a memorial service for Leonora Knatchbull, the six-year-old daughter of Lord and Lady Romsey, who tragically died of cancer. As Diana left the service, held at St James’s Palace, she was photographed in tears. She was weeping in sorrow but also in anger. Diana was upset that Camilla Parker Bowles who had only known the Romseys for a short time was also present at such an intimate family service. It was a point she made vigorously to her husband as they travelled back to Kensington Palace in their chauffeur-driven limousine. When they arrived at Kensington Palace the Princess felt so distressed that she ignored the staff Christmas party, which was then in full swing, and went to her sitting-room to recover her composure. Diplomatically, Peter Westmacott, the Wales’s deputy private secretary, sent her avuncular detective Ken Wharfe to help calm her.
Andrew Morton (Diana: Her True Story in Her Own Words)
Dear Dr. Schrodinger, In What Is Life? you say that in all of nature only man hesitates to cause pain. As destruction is the master-method by which evolution produces new types, the reluctance to cause pain may express a human will to obstruct natural law. Christianity and its parent religion, a few short millennia, with frightful reverses … The train had stopped, the door was already shutting when Herzog roused himself and squeezed through. He caught a strap. The express flew uptown. It emptied and refilled at Times Square, but he did not sit down. It was too hard to fight your way out again from a seat. Now, where were we? In your remarks on entropy … How the organism maintains itself against death—in your words, against thermodynamic equilibrium … Being an unstable organization of matter, the body threatens to rush away from us. It leaves. It is real. It! Not we! Not I! This organism, while it has the power to hold its own form and suck what it needs from its environment, attracting a negative stream of entropy, the being of other things which it uses, returning the residue to the world in simpler form. Dung. Nitrogenous wastes. Ammonia. But reluctance to cause pain coupled with the necessity to devour … a peculiar human trick is the result, which consists in admitting and denying evils at the same time. To have a human life, and also an inhuman life. In fact, to have everything, to combine all elements with immense ingenuity and greed. To bite, to swallow. At the same time to pity your food. To have sentiment. At the same time to behave brutally. It has been suggested (and why not!) that reluctance to cause pain is actually an extreme form, a delicious form of sensuality, and that we increase the luxuries of pain by the injection of a moral pathos. Thus working both sides of the street.
Saul Bellow (Herzog)
She gives just enough hints about him to make you wonder why he became so villainous. And if he dies, I’ll never learnt the answer.” Oliver eyes her closely. “Perhaps he was born villainous.” “No one is born villainous.” “Oh?” he said with raised eyebrow. “So we’re all born good?” “Neither. We start as animals, with an animal’s needs and desires. It takes parents and teachers and other good examples to show us how to restrain those needs and desires, when necessary, for the greater good. But it’s still our choice whether to heed that education or to do as we please.” “For a woman who loves murder and mayhem, you’re quite the philosopher.” “I like to understand how things work. Why people behave as they do.” He digested that for a moment. “I happen to think that some of us, like Rockton, are born with a wicked bent.” She chose her words carefully. “That certainly provides Rockton with a convenient excuse for his behavior.” His features turned stony. “What do you mean?” “Being moral and disciplined is hard work. Being wicked requires no effort at all-one merely indulges every desire and impulse, no matter how hurtful or immoral. By claiming to be born wicked, Rockton ensures that he doesn’t have to struggle to be god. He can just protest that he can’t help himself.” “Perhaps he can’t,” he clipped out. “Or maybe he’s simply unwilling to fight his impulses. And I want to know the reason for that. That’s why I keep reading Minerva’s books.” Did Oliver actually believe he’d been born irredeemably wicked? How tragic! It lent a hopelessness to his life that helped to explain his mindless pursuit of pleasure. “I can tell you the reason for Rockton’s villainy.” Oliver rose to round the desk. Propping his hip on the edge near her, he reached out to tuck a tendril of hair behind her ear. A sweet shudder swept over her. Why must he have this effect on her? It simply wasn’t fair. “Oh?” she managed. “Rockton knows he can’t have everything he wants,” he said hoarsely, his hand drifting to her cheek. “He can’t have the heroine, for example. She would never tolerate his…wicked impulses. Yet he still wants her. And his wanting consumes him.” Her breath lodged in her throat. It had been days since he’d touched her, and she hadn’t forgotten what it was like for one minute. To have him this near, saying such things… She fought for control over her volatile emotions. “His wanting consumes him precisely because he can’t have her. If he thought he could, he wouldn’t want her after all.” “Not true.” His voice deepening, he stroked the line of her jaw with a tenderness that roused an ache in her chest. “Even Rockton recognizes when a woman is unlike any other. Her very goodness in the face of his villainy bewitches him. He thinks if he can just possess that goodness, then the dark cloud lying on his soul will lift, and he’ll have something other than villainy to sustain him.” “Then he’s mistaken.” Her pulse trebled as his finger swept the hollow of her throat. “The only person who can lift the dark cloud on his soul is himself.” He paused in his caress. “So he’s doomed, then?” “No!” Her gaze flew to his. “No one is doomed, and certainly not Rockton. There’s still hope for him. There is always hope.” His eyes burned with a feverish light, and before she could look away, he bent to kiss her. It was soft, tender…delicious. Someone moaned, she wasn’t sure who. All she knew was that his mouth was on hers again, molding it, tasting it, making her hungry in the way that only he seemed able to do. “Maria…” he breathed. Seizing her by the arms, he drew her up into his embrace. “My God, I’ve thought of nothing but you since that day in the carriage.
Sabrina Jeffries (The Truth About Lord Stoneville (Hellions of Halstead Hall, #1))
The way you see the change in a person you've been away from for a long time, where somebody who sees him every day, day in, day out, wouldn't notice because the change is gradual. All up the coast I could see the signs of what the Combine had accomplished since I was last through this country, things like, for example a train stopping at a station and laying a string of full-grown men in mirrored suits and machined hats, laying them like a hatch of identical insects, half-life things coming pht-pht-pht out of the last car, then hooting its electric whistle and moving on down the spoiled land to deposit another hatch. Or things like five thousand houses punched out identical by a machine and strung across the hills outside of town, so fresh from the factory theyre still linked together like sausages, a sign saying NEST IN THE WEST HOMES NO DWN. PAYMENT FOR VETS, a playground down the hill from the houses, behind a checker-wire fence and another sign that read ST. LUKE'S SCHOOL FOR BOYS there were five thousand kids in green corduroy pants and white shirts under green pullover sweaters playing crack-the-whip across an acre of crushed gravel. The line popped and twisted and jerked like a snake, and every crack popped a little kid off the end, sent him rolling up against the fence like a tumbleweed. Every crack. And it was always the same little kid, over and over. All that five thousand kids lived in those five thousand houses, owned by those guys that got off the train. The houses looked so much alike that, time and time again, the kids went home by mistake to different houses and different families. Nobody ever noticed. They ate and went to bed. The only one they noticed was the little kid at the end of the whip. He'd always be so scuffed and bruised that he'd show up out of place wherever he went. He wasn't able to open up and laugh either. It's a hard thing to laugh if you can feel the pressure of those beams coming from every new car that passes, or every new house you pass.
Ken Kesey (One Flew Over the Cuckoo’s Nest)
But Harry had eyes only for the man who stood in the largest portrait directly behind the headmaster’s chair. Tears were sliding down from behind the half-moon spectacles into the long silver beard, and the pride and the gratitude emanating from him filled Harry with the same balm as phoenix song. At last, Harry held up his hands, and the portraits fell respectfully silent, beaming and mopping their eyes and waiting eagerly for him to speak. He directed his words at Dumbledore, however, and chose them with enormous care. Exhausted and bleary-eyed though he was, he must make one last effort, seeking one last piece of advice. “The thing that was hidden in the Snitch,” he began, “I dropped it in the forest. I don’t know exactly where, but I’m not going to go looking for it again. Do you agree?” “My dear boy, I do,” said Dumbledore, while his fellow pictures looked confused and curious. “A wise and courageous decision, but no less than I would have expected of you. Does anyone else know where it fell?” “No one,” said Harry, and Dumbledore nodded his satisfaction. “I’m going to keep Ignotus’s present, though,” said Harry, and Dumbledore beamed. “But of course, Harry, it is yours forever, until you pass it on!” “And then there’s this.” Harry held up the Elder Wand, and Ron and Hermione looked at it with a reverence that, even in his befuddled and sleep-deprived state, Harry did not like to see. “I don’t want it,” said Harry. “What?” said Ron loudly. “Are you mental?” “I know it’s powerful,” said Harry wearily. “But I was happier with mine. So…” He rummaged in the pouch hung around his neck, and pulled out the two halves of holly still just connected by the finest thread of phoenix feather. Hermione had said that they could not be repaired, that the damage was too severe. All he knew was that if this did not work, nothing would. He laid the broken wand upon the headmaster’s desk, touched it with the very tip of the Elder Wand, and said, “Reparo.” As his wand resealed, red sparks flew out of its end. Harry knew that he had succeeded. He picked up the holly and phoenix wand and felt a sudden warmth in his fingers, as though wand and hand were rejoicing at their reunion. “I’m putting the Elder Wand,” he told Dumbledore, who was watching him with enormous affection and admiration, “back where it came from. It can stay there. If I die a natural death like Ignotus, its power will be broken, won’t it? The previous master will never have been defeated. That’ll be the end of it.” Dumbledore nodded. They smiled at each other. “Are you sure?” said Ron. There was the faintest trace of longing in his voice as he looked at the Elder Wand. “I think Harry’s right,” said Hermione quietly. “That wand’s more trouble than it’s worth,” said Harry. “And quite honestly,” he turned away from the painted portraits, thinking now only of the four-poster bed lying waiting for him in Gryffindor Tower, and wondering whether Kreacher might bring him a sandwich there, “I’ve had enough trouble for a lifetime.
J.K. Rowling (Harry Potter and the Deathly Hallows (Harry Potter, #7))
PEOPLE FABRICATE ANGER YOUTH: Yesterday afternoon, I was reading a book in a coffee shop when a waiter passed by and spilled coffee on my jacket. I’d just bought it and it’s my nicest piece of clothing. I couldn’t help it; I just blew my top. I yelled at him at the top of my lungs. I’m not normally the type of person who speaks loudly in public places. But yesterday, the shop was ringing with the sound of my shouting because I flew into a rage and forgot what I was doing. So, how about that? Is there any room for a goal to be involved here? No matter how you look at it, isn’t this behaviour that originates from a cause? PHILOSOPHER: So, you were stimulated by the emotion of anger, and ended up shouting. Though you are normally mild-mannered, you couldn’t resist being angry. It was an unavoidable occurrence, and you couldn’t do anything about it. Is that what you are saying? YOUTH: Yes, because it happened so suddenly. The words just came out of my mouth before I had time to think. PHILOSOPHER: Then just suppose you happened to have had a knife on you yesterday, and when you blew up you just got carried away and stabbed him. Would you still be able to justify that by saying, ‘It was an unavoidable occurrence, and I couldn’t do anything about it’? YOUTH: That … Come on, that’s an extreme argument! PHILOSOPHER: It is not an extreme argument. If we proceed with your reasoning, any offence committed in anger can be blamed on anger, and will no longer be the responsibility of the person because, essentially, you are saying that people cannot control their emotions. YOUTH: Well, how do you explain my anger then? PHILOSOPHER: That’s easy. You did not fly into a rage and then start shouting. It is solely that you got angry so that you could shout. In other words, in order to fulfil the goal of shouting, you created the emotion of anger. YOUTH: What do you mean? PHILOSOPHER: The goal of shouting came before anything else. That is to say, by shouting, you wanted to make the waiter submit to you and listen to what you had to say. As a means to do that, you fabricated the emotion of anger.
Ichiro Kishimi (The Courage to Be Disliked: How to Free Yourself, Change Your Life and Achieve Real Happiness)
Everything in Nature ran according to its own nature; the running of grass was in its growing, the running of rivers their flowing, granite bubbled up, cooled, compressed and crumbled, birds lived, flew, sang and died, everything did what it needed to do, each simultaneously running its own race, each by living according to its own nature together, never leaving any other part of the universe behind. The world’s Holy things raced constantly together, not to win anything over the next, but to keep the entire surging diverse motion of the living world from grinding to a halt, which is why there is no end to that race; no finish line. That would be oblivion to all. For the Indigenous Souls of all people who can still remember how to be real cultures, life is a race to be elegantly run, not a race to be competitively won. It cannot be won; it is the gift of the world’s diverse beautiful motion that must be maintained. Because human life has been give the gift of our elegant motion, whether we limp, roll, crawl, stroll, or fly, it is an obligation to engender that elegance of motion in our daily lives in service of maintaining life by moving and living as beautifully as we can. All else has, to me, the familiar taste of that domineering warlike harshness that daily tries to cover its tracks in order to camouflage the deep ruts of some old, sick, grinding, ungainly need to flee away from the elegance of our original Indigenous human souls. Our attempt to avariciously conquer or win a place where there are no problems, whether it be Heaven or a “New Democracy,” never mind if it is spiritually ugly and immorally “won” and taken from someone who is already there, has made a citifying world of people who, unconscious of it, have become our own ogreish problem to ourselves, our future, and the world. This is a problem that we cannot continue to attempt to competitively outrun by more and more effectively designed technological approaches to speed away from the past, for the specter of our own earth-wasting reality runs grinning competitively right alongside us. By developing even more effective and entertaining methods of escape that only burn up the earth, the air, animals, plants, and the deeper substance of what it should mean to be human, by competing to get ahead, we have created a brakeless competition that has outrun our innate beauty and marked out a very definite and imminent “finish” line. Living in and on a sphere, we cannot really outrun ourselves anyway. Therefore, I say, the entire devastating and hideous state of the world and its constant wounding and wrecking of the wild, beautiful, natural, viable and small, only to keep alive an untenable cultural proceedance is truly a spiritual sickness, one that will not be cured by the efficient use of the same thinking that maintains the sickness. Nor can this overly expensive, highly funded illness be symptomatically kept at bay any longer by yet more political, environmental, or social programs. We must as individuals and communities take the time necessary to learn how to indigenously remember what a sane, original existence for a viable people might look like. Though there are marvellous things and amazing people doing them, both seen and unseen, these do not resemble in any way the general trend of what is going on now. To begin remembering our Indigenous belonging on the Earth back to life we must metabolize as individuals the grief of recognition of our lost directions, digest it into a valuable spiritual compost that allows us to learn to stay put without outrunning our strange past, and get small, unarmed, brave, and beautiful. By trying to feed the Holy in Nature the fruit of beauty from the tree of memory of our Indigenous Souls, grown in the composted failures of our past need to conquer, watered by the tears of cultural grief, we might become ancestors worth descending from and possibly grow a place of hope for a time beyond our own.
Martin Prechtel (The Unlikely Peace at Cuchumaquic: The Parallel Lives of People as Plants: Keeping the Seeds Alive)