Torch Man Quotes

We've searched our database for all the quotes and captions related to Torch Man. Here they are! All 100 of them:

Far over the misty mountains cold To dungeons deep and caverns old We must away ere break of day To seek the pale enchanted gold. The dwarves of yore made mighty spells, While hammers fell like ringing bells In places deep, where dark things sleep, In hollow halls beneath the fells. For ancient king and elvish lord There many a gleaming golden hoard They shaped and wrought, and light they caught To hide in gems on hilt of sword. On silver necklaces they strung The flowering stars, on crowns they hung The dragon-fire, in twisted wire They meshed the light of moon and sun. Far over the misty mountains cold To dungeons deep and caverns old We must away, ere break of day, To claim our long-forgotten gold. Goblets they carved there for themselves And harps of gold; where no man delves There lay they long, and many a song Was sung unheard by men or elves. The pines were roaring on the height, The wind was moaning in the night. The fire was red, it flaming spread; The trees like torches blazed with light. The bells were ringing in the dale And men looked up with faces pale; The dragon's ire more fierce than fire Laid low their towers and houses frail. The mountain smoked beneath the moon; The dwarves, they heard the tramp of doom. They fled their hall to dying fall Beneath his feet, beneath the moon. Far over the misty mountains grim To dungeons deep and caverns dim We must away, ere break of day, To win our harps and gold from him!
J.R.R. Tolkien (The Hobbit, or There and Back Again)
It was a lone tree burning on the desert. A heraldic tree that the passing storm had left afire. The solitary pilgrim drawn up before it had traveled far to be here and he knelt in the hot sand and held his numbed hands out while all about in that circle attended companies of lesser auxiliaries routed forth into the inordinate day, small owls that crouched silently and stood from foot to foot and tarantulas and solpugas and vinegarroons and the vicious mygale spiders and beaded lizards with mouths black as a chowdog's, deadly to man, and the little desert basilisks that jet blood from their eyes and the small sandvipers like seemly gods, silent and the same, in Jeda, in Babylon. A constellation of ignited eyes that edged the ring of light all bound in a precarious truce before this torch whose brightness had set back the stars in their sockets.
Cormac McCarthy (Blood Meridian, or, the Evening Redness in the West)
Man is born to trouble. Man is born for trouble. Man is born to battle trouble. Man is born for the fight, to be forged and molded--under torch and hammer and chisel--into a sharper, finer, stronger image of God.
N.D. Wilson (Death by Living: Life Is Meant to Be Spent)
I know what love feels like, but this, this man... fuck me. Steals my breath. Knots me up. Torches me." "No, this is what denying love feels like, man. Why you denying your heart?
Adrian Phoenix (In the Blood (The Maker's Song, #2))
He was the most ordinary man in all the world, and yet in her memory he'd become luminous, like the prince in a fairy tale.
Cheryl Strayed (Torch)
Reasoning with a drunkard is like Going under water with a torch to seek for a drowning man.
Thiruvalluvar (Holy Kural - Thirukkural in Tamil with English Translations)
Sign on, young man, and sail with me. The stature of our homeland is no more than the measure of ourselves. Our job is to keep her free. Our will is to keep the torch of freedom burning for all. To this solemn purpose we call on the young, the brave, the strong, and the free. Heed my call, Come to the sea. Come Sail with me.
John Paul Jones
Paine suffered then, as now he suffers not so much because of what he wrote as from the misinterpretations of others... He disbelieved the ancient myths and miracles taught by established creeds. But the attacks on those creeds - or on persons devoted to them - have served to darken his memory, casting a shadow across the closing years of his life. When Theodore Roosevelt termed Tom Paine a 'dirty little atheist' he surely spoke from lack of understanding. It was a stricture, an inaccurate charge of the sort that has dimmed the greatness of this eminent American. But the true measure of his stature will yet be appreciated. The torch which he handed on will not be extinguished. If Paine had ceased his writings with 'The Rights of Man' he would have been hailed today as one of the two or three outstanding figures of the Revolution. But 'The Age of Reason' cost him glory at the hands of his countrymen - a greater loss to them than to Tom Paine. I was always interested in Paine the inventor. He conceived and designed the iron bridge and the hollow candle; the principle of the modern central draught burner. The man had a sort of universal genius. He was interested in a diversity of things; but his special creed, his first thought, was liberty. Traducers have said that he spent his last days drinking in pothouses. They have pictured him as a wicked old man coming to a sorry end. But I am persuaded that Paine must have looked with magnanimity and sorrow on the attacks of his countrymen. That those attacks have continued down to our day, with scarcely any abatement, is an indication of how strong prejudice, when once aroused, may become. It has been a custom in some quarters to hold up Paine as an example of everything bad. The memory of Tom Paine will outlive all this. No man who helped to lay the foundations of our liberty - who stepped forth as the champion of so difficult a cause - can be permanently obscured by such attacks. Tom Paine should be read by his countrymen. I commend his fame to their hands. {The Philosophy of Paine, June 7, 1925}
Thomas A. Edison (Diary and Sundry Observations of Thomas Alva Edison)
Some read to remember the home they had left behind, others to forget the hell that surrounded them. Books uplifted their weary souls and energized their minds…books had the power to sooth an aching heart, renew hope for the future, and provide a respite when there was no other escape.
Molly Guptill Manning
The god of Delos, proud in victory, Saw Cupid draw his bow's taut arc, and said: 'Mischievous boy, what are a brave man's arms To you? That gear becomes my shoulders best. My aim is sure; I wound my enemies, I wound wild beasts; my countless arrows slew But now the bloated Python, whose vast coils Across so many acres spread their blight. You and your loves! You have your torch to light them!Let that content you; never claim my fame!' And Venus' son replied: 'Your bow, Apollo, May vanquish all, but mine shall vanquish you. As every creature yields to power divine, So likewise shall your glory yield to mine.
Ovid (Metamorphoses)
In mine, in space, in city and sky, we have lived our lives in fear. Fear of death. Fear of pain. Today, fear only that we fail. We cannot. We stand upon the edge of darkness holding the lone torch left to man. That torch will not go out. Not while I draw breath. Not while your hearts beat in your chests. Not while our ships yet have menace in them. Let others dream. Let others sing. We chosen few are the fire of our people." I beat my chest. "We are not Red, not Blue or Gold or Gray or Obsidian. We are humanity. We are the tide. And today we reclaim the lives that have been stolen from us. We build the future we were promised.
Pierce Brown (Morning Star (Red Rising Saga, #3))
Fire and hope are connected, just so you know. The way the Greek told it, Zeus put Prometheus and Epimetheus in charge of creating life on earth. Epimetheus made the animals, giving out bonuses like swiftness and strenght and fur and wings. By the time Prometheus made man, all the best qualities had been given out. He settled for making them walk upright, and he gave them fire. Zeus, pissed off, took it away. But prometheus saw his pride and joy shivering and unable to cook. He lit a torch from the sun and brought it to man again. To punish Prometheus, Zeus had him chained to a rock, where an eagle fed on his liver. To punish man, Zeus created the first woman-Pandora-and gave her a gift, a box she was forbidden to open. Pandora's curiosity got the best of her, and one day she opened that box. Out came plagues and misery and mischief. She managed to shut the lid tight before hope escaped. It's the only weapon we have left to fight the others.
Jodi Picoult (Allt för min syster)
Who is my brother now? When did he transform from the boy who made me too-sweet tea to a man with secrets too heavy to share with his little sister?
Sabaa Tahir (A Torch Against the Night (An Ember in the Ashes, #2))
You're a dead man, Roarke. You don't know it, but you've already stopped breathing. The walking dead. And when you finally realize you're dead, and drop to the ground and you're laying there, I'm going to step over your cold, lifeless body, open the doors of that department store you call a closet, and I torch it. Eve Dallas
J.D. Robb
To forget the past so easily seems scarcely loyal to oneself. I am so selfishly absorbed in my present self that I have grown not to care a damn about that ever increasing collection of past selves- those dear, dead gentlemen who one after the other have tenanted the temple of this flesh and handed on the torch of my life and personal identity before creeping away silently and modestly to rest.
W.N.P. Barbellion (The Journal of a Disappointed Man)
[The main road was] now teeming with people carrying torches, pitchforks, and rakes, and one very confused man who apparently had mistaken the mob for a parade and was marching around with a Swedish flag.
Cuthbert Soup (Another Whole Nother Story (A Whole Nother Story))
Whenever a soldier needed an escape, the antidote to anxiety, relief from boredom, a bit of laughter, inspiration, or hope, he cracked open a book and drank in the words that would transport him elsewhere.
Molly Guptill Manning
I think he wants you because you were the jewel in another man's crown." The answer wound out of Will in the flickering light from the torch. "I think he has no idea of what you really are, or who he's trying to summon. If he did, he'd never dare plunder the grave of a king.
C.S. Pacat (Dark Rise (Dark Rise, #1))
That a work of the imagination has to be “really” about some problem is, again, an heir of Socialist Realism. To write a story for the sake of storytelling is frivolous, not to say reactionary. The demand that stories must be “about” something is from Communist thinking and, further back, from religious thinking, with its desire for self-improvement books as simple-minded as the messages on samplers. The phrase “political correctness” was born as Communism was collapsing. I do not think this was chance. I am not suggesting that the torch of Communism has been handed on to the political correctors. I am suggesting that habits of mind have been absorbed, often without knowing it. There is obviously something very attractive about telling other people what to do: I am putting it in this nursery way rather than in more intellectual language because I see it as nursery behavior. Art — the arts generally — are always unpredictable, maverick, and tend to be, at their best, uncomfortable. Literature, in particular, has always inspired the House committees, the Zhdanovs, the fits of moralizing, but, at worst, persecution. It troubles me that political correctness does not seem to know what its exemplars and predecessors are; it troubles me more that it may know and does not care. Does political correctness have a good side? Yes, it does, for it makes us re-examine attitudes, and that is always useful. The trouble is that, with all popular movements, the lunatic fringe so quickly ceases to be a fringe; the tail begins to wag the dog. For every woman or man who is quietly and sensibly using the idea to examine our assumptions, there are 20 rabble-rousers whose real motive is desire for power over others, no less rabble-rousers because they see themselves as anti-racists or feminists or whatever.
Doris Lessing
I knew a man once,” Al Sorna continued, “who loved a woman very much. But he had a duty to perform, a duty he knew would cost him his life, and hers too if she stayed with him. And so he tricked her and had her taken far away. Sometimes that man tries to cast his thoughts across the ocean, to see if the love they shared has turned to hate, but he finds only distant echoes of her fierce compassion, a life saved here, a kindness done there, like smoke trailing after a blazing torch. And so he wonders, does she hate me? For she has much to forgive, and between lovers,” his gaze switched from her to me, “betrayal is always the worst sin.
Anthony Ryan (Blood Song (Raven's Shadow, #1))
He walked through the white corridors, past the notice-boards with their offers of small rooms and old cars, past the coffee bar where people sat at tables, past a hole in the white floor where an old chair stood sentry over an opened conduit in which a torch shone and a man crawled, and as he left he looked at his watch:
Iain Banks (Walking On Glass)
There are six canons of conservative thought: 1) Belief in a transcendent order, or body of natural law, which rules society as well as conscience. Political problems, at bottom, are religious and moral problems. A narrow rationality, what Coleridge called the Understanding, cannot of itself satisfy human needs. "Every Tory is a realist," says Keith Feiling: "he knows that there are great forces in heaven and earth that man's philosophy cannot plumb or fathom." True politics is the art of apprehending and applying the Justice which ought to prevail in a community of souls. 2) Affection for the proliferating variety and mystery of human existence, as opposed to the narrowing uniformity, egalitarianism, and utilitarian aims of most radical systems; conservatives resist what Robert Graves calls "Logicalism" in society. This prejudice has been called "the conservatism of enjoyment"--a sense that life is worth living, according to Walter Bagehot "the proper source of an animated Conservatism." 3) Conviction that civilized society requires orders and classes, as against the notion of a "classless society." With reason, conservatives have been called "the party of order." If natural distinctions are effaced among men, oligarchs fill the vacuum. Ultimate equality in the judgment of God, and equality before courts of law, are recognized by conservatives; but equality of condition, they think, means equality in servitude and boredom. 4) Persuasion that freedom and property are closely linked: separate property from private possession, and Leviathan becomes master of all. Economic levelling, they maintain, is not economic progress. 5) Faith in prescription and distrust of "sophisters, calculators, and economists" who would reconstruct society upon abstract designs. Custom, convention, and old prescription are checks both upon man's anarchic impulse and upon the innovator's lust for power. 6) Recognition that change may not be salutary reform: hasty innovation may be a devouring conflagration, rather than a torch of progress. Society must alter, for prudent change is the means of social preservation; but a statesman must take Providence into his calculations, and a statesman's chief virtue, according to Plato and Burke, is prudence.
Russell Kirk (The Conservative Mind: From Burke to Eliot)
The passageway smelled of smoke: burning wood, a torch, acrid. His head ached. Blood was wet and sticky upon his arm and on his fingers, and the orange glow of torchlight played from behind his back and over the corridor walls, leaping like a bonfire. There was a strange familiarity to it: the narrow walls in around him. And when he came to a wooden door set in the wall, he put his hand upon it and pushed it open. There was a room, and a pallet inside it; a small torch burned low in a socket upon the wall. A man lay upon the cot, his face bruised and battered, his hands curled against his chest bloody: and Laurence knew him; knew him and knew himself. He remembered another door opening, in Bristol, three years before, and a voice asking him to come outside his prison, in a Britain under siege. “Tenzing,” Laurence said, and, as Tharkay opened feverish eyes, went to help him stand.
Naomi Novik (Blood of Tyrants (Temeraire, #8))
The American flag doesn't give her glory on a peaceful, calm day. It's when the winds pick up and become boisterous, do we see her strength. When she unfolds her hand, and shows her frayed fingers, where we see the stretch of red-blood lines of man that fought for this land. The purity of white stripes that strips our sins, and the stars of Abraham's covenant, broad in a midnight blue sky. The rights our forefathers established. As it waves high in the currents of freedom, where the Torch of Liberty shines over the sea, does she give meaning to unity. When we strive as one nation, or when it drops half-mast, to a fallen soldier.
Anthony Liccione
Would you like me to court you?” the earl finally asked. YES. She smoothed her hands over her skirts to keep from confessing it aloud. “I would like to know if you are,” she replied. “Or what your intentions are, if you aren’t.” “My intentions . . .” His slow smile acted like a torch held to her skin. She felt prickly with heat and yet transfixed by the glowing allure of it. “I intend to have you, Maggie, in every way a man can have a woman. I want your hand in mine while we dance. I want you laughing beside me in the theater. I want you lying naked in my arms at night. And I want you standing beside me in church, saying ‘I will.’
Caroline Linden
There is only the one like me, the companion man or woman, who can wake me from my torpor, set off the poetry, hurl me against the limits of the old desert for me to triumph over it. No other. Neither sky nor privileged earth, now things which set you to trembling. Torch, I only waltz with that one.
René Char (Selected Poems)
And what other kind of man would you want leading you into battle?” he says, reading my Noise. “What other kind of man is suitable for war?” A monster, I think, remembering what Ben told me once. War makes monsters of men. “Wrong,” says the Mayor. “It’s war that makes us men in the first place. Until there’s war, we are only children.” Another blast of the horn comes roaring down at us, so loud it nearly takes our heads off and it puts the army off its stride for a second or two. We look up the road to the bottom of the hill. We see Spackle torches gathering there to meet us. “Ready to grow up, Todd?” the Mayor asks.
Patrick Ness (Monsters of Men (Chaos Walking, #3))
Go ye, who rest so placidly upon the sacred Bard who had been young, and when he strung his harp was old, and had never seen the righteous forsaken, or his seed begging their bread; go, Teachers of content and honest pride, into the mine, the mill, the forge, the squalid depths of deepest ignorance, and uttermost abyss of man's neglect, and say can any hopeful plant spring up in air so foul that it extinguishes the soul's bright torch as fast as it is kindled!
Charles Dickens (Martin Chuzzlewit)
Freedom and dignity are not scraps to be doled out by cruel masters. They belong to every man, woman, and child. They are our right. And we won't stop, until they belong to us!
Steven dos Santos (The Sowing (The Torch Keeper, #2))
A learned man who doesn’t restrain his passions is like a blind man holding a torch, he guides others but not himself.
Shaykh Sa di
The Law of the Jungle, which never orders anything without a reason, forbids every beast to eat Man except when he is killing to show his children how to kill, and then he must hunt outside the hunting grounds of his pack or tribe. The real reason for this is that man-killing means, sooner or later, the arrival of white men on elephants, with guns, and hundreds of brown men with gongs and rockets and torches. Then everybody in the jungle suffers. The reason the beasts give among themselves is that Man is the weakest and most defenseless of all living things, and it is unsportsmanlike to touch him.
Rudyard Kipling (The Jungle Book)
They published their papers, and shouted and waved their arms, and a few canny and deeply thoughtful sci-fi writers wrote up lurid accounts of such an eventuality, and the rest of civilization went on torching the planet like a Burning Man pyromasterpiece.
Kim Stanley Robinson (New York 2140)
An enraged man is a lion, a cunning man is a fox, a firm man is a rock, a learned man is a torch.
Ralph Waldo Emerson (Self-Reliance and Other Essays (Dover Thrift Editions: Philosophy))
My interest does not lie in raising parrots that just rehash “their master’s voice,” but rather in passing the torch to “independent and inventive, innovative and creative spirits.
Viktor E. Frankl (Man's Search for Meaning)
The real difference is this: the Christian says that he has knowledge; the Agnostic admits that he has none; and yet the Christian accuses the Agnostic of arrogance, and asks him how he has the impudence to admit the limitations of his mind. To the Agnostic every fact is a torch, and by this light, and this light only, he walks. The Agnostic knows that the testimony of man is not sufficient to establish what is known as the miraculous. We would not believe to-day the testimony of millions to the effect that the dead had been raised. The church itself would be the first to attack such testimony. If we cannot believe those whom we know, why should we believe witnesses who have been dead thousands of years, and about whom we know nothing? The Agnostic takes the ground that human experience is the basis of morality. Consequently, it is of no importance who wrote the gospels, or who vouched or vouches for the genuineness of the miracles. In his scheme of life these things are utterly unimportant. He is satisfied that “the miraculous” is the impossible. He knows that the witnesses were wholly incapable of examining the questions involved, that credulity had possession of their minds, that 'the miraculous' was expected, that it was their daily food.
Robert G. Ingersoll (The Works of Robert G. Ingersoll, Vol 1: Lectures)
Compare King William with the philosopher Haeckel. The king is one of the anointed by the most high, as they claim—one upon whose head has been poured the divine petroleum of authority. Compare this king with Haeckel, who towers an intellectual colossus above the crowned mediocrity. Compare George Eliot with Queen Victoria. The Queen is clothed in garments given her by blind fortune and unreasoning chance, while George Eliot wears robes of glory woven in the loom of her own genius. The world is beginning to pay homage to intellect, to genius, to heart. We have advanced. We have reaped the benefit of every sublime and heroic self-sacrifice, of every divine and brave act; and we should endeavor to hand the torch to the next generation, having added a little to the intensity and glory of the flame.
Robert G. Ingersoll (The Liberty Of Man, Woman And Child)
What a man touched upon, he should take with him. If he forgot it, he should be reminded. What gives a man worth is that he incorporates everything he has experienced. This includes the countries where he has lived, the people whose voices he has heard. It also takes in his origins, if he can find out something about them... not only one’s private experience but everything concerning the time and place of one’s beginnings. The words of a language one may have spoken and heard only as a child imply the literature in which it flowered. The story of a banishment must include everything that happened before it as well as the rights subsequently claimed by the victims. Others had fallen before and in different ways; they too are part of the story. It is hard to evaluate the justice of such a claim to history... We should know not only what happened to our fellow men in the past but also what they were capable of. We should know what we ourselves are capable of. For that, much knowledge is needed; from whatever direction, at whatever distance knowledge offers itself, one should reach out for it, keep it fresh, water it and fertilize it with new knowledge.
Elias Canetti (The Memoirs of Elias Canetti: The Tongue Set Free/The Torch in My Ear/The Play of the Eyes)
Why did it have to be this way? Why did she not feel attracted to this boy, who was kind and personable, close to her in age and probably good for her? Instead it was the professor for whom she secretly yearned - a man not only old, unknown and unavailable, but also wrong. It puzzled her endlessly that she was not, and had never really been, interested in happiness - that magic word that was the subject of so many books, workshops and TV shows. She did not want to be unhappy. Of course, she didn't. It just did not occur to her to seek happiness as a worthwhile goal in life. How otherwise could she allow herself to carry a torch for a man like Azur?
Elif Shafak (Havva'nın Üç Kızı)
Am I just prey to you?” “Some things are worth chasing.” “Some things can’t be caught.” His finger outlined my jaw as if he were putting me to memory. “I have spent a lifetime being chased by females, and I know what it means to run. There’s something different about you, Silver. You incite the hunter in me.” My saddened eyes wandered up to his, and I made a promise I didn’t know if I could keep. “I’ll never love again, Logan. If that’s what you’re asking, then I won’t give it to a man that I can’t trust with my life and my heart. You kill without regret, and I never know from one minute to the next what your intentions are. I don’t want an indecisive man in my life any more than a controlling one.” A torch lit behind those eyes, burning bright as he leaned in and whispered softly beside my ear. “Sweet little raven, dusted in sugar—I will possess your heart.
Dannika Dark (Twist (Mageri, #2; Mageriverse #2))
... WHEN ONE LOOKS INTO THE DARKNESS THERE IS ALWAYS SOMETHING THERE... Far-off, most secret, and inviolate Rose, Enfold me in my hour of hours; where those Who sought thee in the Holy Sepulchre, Or in the wine-vat, dwell beyond the stir And tumult of defeated dreams; and deep Among pale eyelids, heavy with the sleep Men have named beauty. Thy great leaves enfold The ancient beards, the helms of ruby and gold Of the crowned Magi; and the king whose eyes Saw the pierced Hands and Rood of elder rise In Druid vapour and make the torches dim; Till vain frenzy awoke and he died; and him Who met Fand walking among flaming dew By a grey shore where the wind never blew, And lost the world and Emer for a kiss; And him who drove the gods out of their liss, And till a hundred morns had flowered red Feasted, and wept the barrows of his dead; And the proud dreaming king who flung the crown And sorrow away, and calling bard and clown Dwelt among wine-stained wanderers in deep woods: And him who sold tillage, and house, and goods, And sought through lands and islands numberless years, Until he found, with laughter and with tears, A woman of so shining loveliness That men threshed corn at midnight by a tress, A little stolen tress. I, too, await The hour of thy great wind of love and hate. When shall the stars be blown about the sky, Like the sparks blown out of a smithy, and die? Surely thine hour has come, thy great wind blows, Far-off, most secret, and inviolate Rose? Out of sight is out of mind: Long have man and woman-kind, Heavy of will and light of mood, Taken away our wheaten food, Taken away our Altar stone; Hail and rain and thunder alone, And red hearts we turn to grey, Are true till time gutter away. ... the common people are always ready to blame the beautiful.
W.B. Yeats (The Secret Rose and Rosa Alchemica)
Diana was the goddess of the hunt and of all newborn creatures. Women prayed to her for happiness in marriage and childbirth, but her strength was so great that even the warlike Amazons worshipped her. No man was worthy of her love, until powerful Orion won her affection. She was about to marry him, but her twin brother, Apollo, was angered that she had fallen in love. One day, Apollo saw Orion in the sea with only his head above the water. Apollo tricked Diana by challenging her to hit the mark bobbing in the distant sea. Diana shot her arrow with deadly aim. Later, the waves rolled dead Orion to shore. Lamenting her fatal blunder, Diana placed Orion in the starry sky. Every night, she would lift her torch in the dark to see her beloved. Her light gave comfort to all, and soon she became known as a goddess of the moon. It was whispered that if a girl-childwas born in the wilderness, delivered by the great goddess Diana, she would be known for her fierce protection of the innocent.
Lynne Ewing (Night Shade (Daughters of the Moon, #3))
. Sometimes, but only for a moment, I saw a faint solitary figure with a Rosa veiled face, and carrying a faint torch, flit among the dancers, but like a dream within a dream, like a shadow of a shadow, and I knew by an understanding born from a deeper fountain than thought, that it was Eros himself, and that his face was veiled because no man or woman from the beginning of the world has ever known what love is, or looked into his eyes, for Eros alone of divinities is altogether a spirit, and hides in passions not of his essence if he would commune with a mortal heart. So that if a man love nobly he knows love through infinite pity, unspeakable trust, unending sympathy; and if ignobly through vehement jealousy, sudden hatred, and unappeasable desire; but unveiled love he never knows.
W.B. Yeats (Rosa Alchemica)
To be a bright torch for others, to be able to shed light—that is the supreme happiness which man can achieve. He who achieves this fears neither suffering, pain, sorrow nor need. Death no longer holds terrors for him, although it is only then that he learns really to love life.
Felix Dzerzhinsky (Communist Morality)
go, Teachers of content and honest pride, into the mine, the mill, the forge, the squalid depths of deepest ignorance, and uttermost abyss of man's neglect, and say can any hopeful plant spring up in air so foul that it extinguishes the soul's bright torch as fast as it is kindled!
Charles Dickens (Martin Chuzzlewit)
Thus despite the bland assertions of sociologists, “high visibility” actually rendered one un -visible—whether at high noon in Macy’s window or illuminated by flaming torches and flashbulbs while undergoing the ritual sacrifice that was dedicated to the ideal of white supremacy. After such knowledge, and given the persistence of racial violence and the unavailability of legal protection, I asked myself, what else was there to sustain our will to persevere but laughter?
Ralph Ellison (Invisible Man)
One night my old man left the day’s receipts settin on top of the safe, plumb forgot. What happened—a thief came in the night, acetylene torch and all, broke open the safe, riffled up the papers, kicked over a few chairs, and left. And that thousand dollars was settin right there on top of the safe, what do you know about that?
Jack Kerouac (On the Road)
[Robert's eulogy at his brother, Ebon C. Ingersoll's grave. Even the great orator Robert Ingersoll was choked up with tears at the memory of his beloved brother] The record of a generous life runs like a vine around the memory of our dead, and every sweet, unselfish act is now a perfumed flower. Dear Friends: I am going to do that which the dead oft promised he would do for me. The loved and loving brother, husband, father, friend, died where manhood's morning almost touches noon, and while the shadows still were falling toward the west. He had not passed on life's highway the stone that marks the highest point; but, being weary for a moment, he lay down by the wayside, and, using his burden for a pillow, fell into that dreamless sleep that kisses down his eyelids still. While yet in love with life and raptured with the world, he passed to silence and pathetic dust. Yet, after all, it may be best, just in the happiest, sunniest hour of all the voyage, while eager winds are kissing every sail, to dash against the unseen rock, and in an instant hear the billows roar above a sunken ship. For whether in mid sea or 'mong the breakers of the farther shore, a wreck at last must mark the end of each and all. And every life, no matter if its every hour is rich with love and every moment jeweled with a joy, will, at its close, become a tragedy as sad and deep and dark as can be woven of the warp and woof of mystery and death. This brave and tender man in every storm of life was oak and rock; but in the sunshine he was vine and flower. He was the friend of all heroic souls. He climbed the heights, and left all superstitions far below, while on his forehead fell the golden dawning, of the grander day. He loved the beautiful, and was with color, form, and music touched to tears. He sided with the weak, the poor, and wronged, and lovingly gave alms. With loyal heart and with the purest hands he faithfully discharged all public trusts. He was a worshipper of liberty, a friend of the oppressed. A thousand times I have heard him quote these words: 'For Justice all place a temple, and all season, summer!' He believed that happiness was the only good, reason the only torch, justice the only worship, humanity the only religion, and love the only priest. He added to the sum of human joy; and were every one to whom he did some loving service to bring a blossom to his grave, he would sleep to-night beneath a wilderness of flowers. Life is a narrow vale between the cold and barren peaks of two eternities. We strive in vain to look beyond the heights. We cry aloud, and the only answer is the echo of our wailing cry. From the voiceless lips of the unreplying dead there comes no word; but in the night of death hope sees a star and listening love can hear the rustle of a wing. He who sleeps here, when dying, mistaking the approach of death for the return of health, whispered with his latest breath, 'I am better now.' Let us believe, in spite of doubts and dogmas, of fears and tears, that these dear words are true of all the countless dead. And now, to you, who have been chosen, from among the many men he loved, to do the last sad office for the dead, we give his sacred dust. Speech cannot contain our love. There was, there is, no gentler, stronger, manlier man.
Robert G. Ingersoll (Some Mistakes of Moses)
Her hands started to reach out, but then retreated behind her back and consoled each other there. “I am so sorry. But surely you see any girl must be quite afraid to marry a man who could set her on fire with a word!” He’d dreamed of setting her alight with kisses. “Any man could set a girl on fire with a torch, but he’d have to be deranged!
Lois McMaster Bujold (Penric’s Demon (Penric and Desdemona, #1))
There is a man who has won the decathlon of human existence.”*
William F. Buckley Jr. (A Torch Kept Lit: Great Lives of the Twentieth Century)
The cry: Audacity! is a Fiat lux. It is necessary, for the sake of the forward march of the human race, that there should be proud lessons of courage permanently on the heights. Daring deeds dazzle history and are one of man’s great sources of light. The dawn dares when it rises. To attempt, to brave, to persist, to persevere, to be faithful to one’s self, to grasp fate bodily, to astound catastrophe by the small amount of fear that it occasions us, now to affront unjust power, again to insult drunken victory, to hold one’s position, to stand one’s ground; that is the example which nations need, that is the light which electrifies them. The same formidable lightning proceeds from the torch of Prometheus to Cambronne’s short pipe.
Victor Hugo (Les Misérables)
If love lyrics were too mushy, he could sing them and make wised-up fun of the mush, and still, in some part of the self, acknowledge that there was some truth to the words. He could be tender and still be a tough guy. Ruth Etting could sing her weepy torch songs, but for men, whining or self-pity was not allowed; they were forbidden by the male codes of the city. Sinatra slowly found a way to allow tenderness into the performance while remaining manly. When he finally took command of his own career, he perfected the role of the Tender Tough Guy and passed it on to several generations of Americans. Before him, that archetype did not exist in American popular culture. That is one reason why he continues to matter; Frank Sinatra created a new model for American masculinity.
Pete Hamill (Why Sinatra Matters)
Marvels, the Earth breeds many marvels, terrible marvels overwhelm us. The heaving arms of the sea embrace and swarm with savage life. And high in the no man's land of night torches hang like swords.
Aeschylus (The Libation Bearers (Oresteia, #2))
It always amuses me when any one group of people takes it for granted that, because they have been privileged for a generation or two, they are set apart in any way from the man or woman who is working in order to keep the wolf from the door. It is only luck and a little temporary veneer and before long the wheels may turn and one and all must fall back on whatever basic qualities they have.” This
Nick Offerman (Gumption: Relighting the Torch of Freedom with America's Gutsiest Troublemakers)
There was a smell of nitric oxides as the air itself started to burn in the beam of the laser torch, and a steady sizzling as the fiery knife sliced towards secrets that had been hidden since the birth of man.
Arthur C. Clarke (Rendezvous with Rama (Rama, #1))
On Earth We’re Briefly Gorgeous" i Tell me it was for the hunger & nothing less. For hunger is to give the body what it knows it cannot keep. That this amber light whittled down by another war is all that pins my hand to your chest. i You, drowning                         between my arms — stay. You, pushing your body                          into the river only to be left                          with yourself — stay. i I’ll tell you how we’re wrong enough to be forgiven. How one night, after backhanding mother, then taking a chainsaw to the kitchen table, my father went to kneel in the bathroom until we heard his muffled cries through the walls. And so I learned that a man, in climax, was the closest thing to surrender. i Say surrender. Say alabaster. Switchblade.                    Honeysuckle. Goldenrod. Say autumn. Say autumn despite the green                    in your eyes. Beauty despite daylight. Say you’d kill for it. Unbreakable dawn                    mounting in your throat. My thrashing beneath you                    like a sparrow stunned with falling. i Dusk: a blade of honey between our shadows, draining. i I wanted to disappear — so I opened the door to a stranger’s car. He was divorced. He was still alive. He was sobbing into his hands (hands that tasted like rust). The pink breast cancer ribbon on his keychain swayed in the ignition. Don’t we touch each other just to prove we are still here? I was still here once. The moon, distant & flickering, trapped itself in beads of sweat on my neck. I let the fog spill through the cracked window & cover my fangs. When I left, the Buick kept sitting there, a dumb bull in pasture, its eyes searing my shadow onto the side of suburban houses. At home, I threw myself on the bed like a torch & watched the flames gnaw through my mother’s house until the sky appeared, bloodshot & massive. How I wanted to be that sky — to hold every flying & falling at once. i Say amen. Say amend. Say yes. Say yes anyway. i In the shower, sweating under cold water, I scrubbed & scrubbed. i In the life before this one, you could tell two people were in love because when they drove the pickup over the bridge, their wings would grow back just in time. Some days I am still inside the pickup. Some days I keep waiting. i It’s not too late. Our heads haloed             with gnats & summer too early to leave any marks.             Your hand under my shirt as static intensifies on the radio.             Your other hand pointing your daddy’s revolver             to the sky. Stars falling one by one in the cross hairs.             This means I won’t be afraid if we’re already             here. Already more than skin can hold. That a body             beside a body must ma
Ocean Vuong (On Earth We're Briefly Gorgeous)
The queen of Ethiopia had every reason to admire herself as she stared into the mirror her husband had made for her. When they first married, he had been so dazzled by her beauty he had gazed at her all day and then demanded the torches be lit so he could continue to gaze at her all night. Cassiope told her mother he did this; her mother made a sign to ward off evil spirits. No man could maintain such intensity of desire, she said. Cassiope must ensure she was pregnant before his stupefied pleasure dissipated.
Natalie Haynes (Stone Blind: Medusa's Story)
The antinuclear sentiments of both leaders were soon strengthened by a man-made nuclear catastrophe that seemed to fit right in with the biblical prophecy of Armageddon that had impressed Reagan so much: 'A great star fell from the sky, flaming like a torch; and it fell on a third of the rivers and springs. The name of the star was Wormwood; and a third of the water turned to wormwood, and men in great numbers died of the water because it was poisoned' [Revelation 8:10]. The Ukrainian word for 'wormwood' is Chernobyl.
Michael Dobbs (Down with Big Brother: The Fall of the Soviet Empire)
You're in love, little brother" Dante stared at him. "Yeah? I know what love feels like , but this, this, man... fuck me. Steals my breath. Knots me up. Torches me." Von shook his head. "No, this is what denying love feels like man. Why you denying your heart?
Adrian Phoenix (In the Blood (The Maker's Song, #2))
Sufis have no set belief or disbelief. Divine light is the only sustenance of their soul, and through this light they see their path clear, and what they see in this light they believe, and what they do not see they do not blindly believe. Yet they do not interfere with another person's belief or disbelief, thinking that perhaps a greater portion of light has kindled his heart, and so he sees and believes that the Sufi cannot see or believe. Or, perhaps a lesser portion of light has kept his sight dim and he cannot see and believe as the Sufi believes. Therefore Sufis leave belief and disbelief to the grade of evolution of every individual soul. The Murshid's work is to kindle the fire of the heart, and to light the torch of the soul of his mureed, and to let the mureed believe and disbelieve as he chooses, while journeying through the path of evolution. But in the end all culminates in one belief, Huma man am, that is, 'I am all that exists'; and all other beliefs are preparatory for this final conviction, which is called Haqq al-Iman in the Sufi terminology.
Hazrat Inayat Khan (The Way of Illumination (The Sufi Teachings of Hazrat Inayat Khan Book 1))
that I was subjected to a ruler and a father who was able to take away all pride from me, and to bring me to the knowledge that it is possible for a man to live in a palace without wanting either guards or embroidered dresses, or torches and statues, and such-like show; but that it is in such a man's power to bring himself very near to the fashion of a private person, without being for this reason either meaner in thought, or more remiss in action, with respect to the things which must be done for the public interest in a manner that befits a ruler.
Marcus Aurelius (Thoughts of Marcus Aurelius)
1-Leadership does not mean domination. The world is always well supplied with people who wish to rule and dominate others. The true leader is a different sort; he seeks effective activity which has a truly beneficient purpose. He inspires others to follow in his wake, and holding aloft the torch of wisdom, leads the way for society to realize its genuinely great aspirations”. 2-The progress of science can be said to be harmful to religion only in so far as it is used for evil aims and not because it claims a priority over religion in its revelation to man. It is important that spiritual advancement must keep pace with material advancement”. — 3-Education is a means of sharpening the mind of man both spiritually and intellectually. It is a two-edged sword that can be used either for the progress of mankind or for its destruction. That is why it has been Our constant desire and endeavor to develop our education for the benefit of mankind”. 4-It is no less important that we know whence we came. An awareness of our past is essential to the establishment of our personality and our identity as Africans”. —
Haile Selassie
For many months there day and night, at the morning and the evening checks, innumerable execution orders were read out. In a temperature of fifty below zero [Fahrenheit] the musicians from among the non-political offenders played a flourish before and after each order was read. The smoking gasoline torches ripped apart the darkness…. The thin sheet on which the order was written was covered with hoarfrost, and some chief or other who was reading the order would brush the snowflakes from it with his sleeve so as to decipher and shout out the name of the next man on the list of those shot.
Varlam Shalamov (The Gulag Archipelago, 1918-1956: An Experiment in Literary Investigation, Books III-IV)
Another thirst had come to him—the thirst for women, for licentious pleasure, and all that Parisian life permitted him to enjoy. He felt somewhat stunned, like a man coming out of a ship, and in the visions that haunted his first sleep, he saw the shoulders of the fishwife, the loins of the 'longshorewoman, the calves of the Polish lady, and the head-dress of the female savage flying past him and coming back again continually. Then, two large black eyes, which had not been at the ball, appeared before him; and, light as butterflies, burning as torches, they came and went, ascended to the cornice and descended to his very mouth. Frederick made desperate efforts to recognise those eyes, without succeeding in doing so. But already the dream had taken hold of him. It seemed to him that he was yoked beside Arnoux to the pole of a hackney-coach, and that the Maréchale, astride of him, was disembowelling him with her gold spurs.(©Project Gutenberg)
Gustave Flaubert (Sentimental Education)
A dark man with a burning torch ran down the street on a dull night in late fall. The little girl saw him from the window of her house, having awoken from a dull dream. Then she heard a sharp rifle shot and a pitiful despondent scream — they must have killed the man running with the torch. Soon she was hearing other shots, many and distant, and the clamor of people in a nearby prison… The girl fell asleep and forgot everything that she would see later, on subsequent days: she was too young, and the memory and reason of early childhood were overgrown forever by her future life. But well into her old age the nameless man rose up sadly and unexpectedly and ran within her — in the dim light of her memory — and died once more in the darkness of the past, in the heart of the grown up child. Amidst hunger and sleep, in a moment of love or of some youthful joy — suddenly in the distance, in the depth of her body there rose again the despondent scream of the dead man, and the young woman instantly altered her life — stopped her dance, if she was dancing, grew more focused, more reliable in her work, if she was laboring, hid her face in her hands, if she was alone. That stormy night of late fall saw the start of the October revolution — in that town where Moskva Ivanovna Chestnova had lived at that time.
Andrei Platonov (Happy Moscow)
I had seen the soldiers' god, the Word, the Light, the Good Shepherd, the mediator between the one God and man. I had seen Mithras, who had come out of Asia a thousand years ago. He had been born in a cave at mid-winter, while shepherds watched and a star shone; he was born of earth and light, and sprang from the rock with a torch in his left hand and a knife in his right. He killed the bull to bring life and fertility to the earth with its shed blood, and then, after his last meal of bread and wine, he was called up to heaven. He was the god of strength and gentleness, of courage and self-restraint. The soldiers' god. [fifth-century Brittany] The Crystal Cave, p. 131 of 384
Mary Stewart (Merlin Trilogy Collection Vol (1-5) 5 Books Bundle By Mary Stewart (The Crystal Cave,The Wicked Day) Gift Wrapped Slipcase Specially For You)
...the sense that men were alien, that if I were to foster any intimacy with a man it would be both despite and because of the fact that I could only be a body to him. And I had been right to be afraid. How can a body ever be safe when it is only a body? How can we expect that no stranger will be tempted to torch an empty house? But Nathan was not alien. He had seen the lights on in the house: he has discerned the scenes that took place away from the windows, in the secret rooms. His acknowledgement of my body had allowed me to start to forget about it. The facade of the house has been my duty, my obsession, and now I could wander away from it for days, trusting it had proved its use.
Lillian Fishman (Acts of Service)
Normally, burning is carried out from a Jeep or other open vehicle, the driver holding a torch out of the side, lighting grass as he goes. I’d seen Marlboro Man do it from afar but had never been up close and personal with the flames. Maybe he needs me to drive the Jeep! I thought. Or, better yet, man the torch! This could be really fun. He asked me to meet him at the barn near his house, where his Jeep was parked. Just as I pulled up, I saw Marlboro Man exiting the barn…who two horses in hand. My stomach felt funny as I scrunched up my nose and mouthed the word crap. I wasn’t comfortable riding a horse, and like my parents’ marital problems, I’d been secretly hoping this whole “horse thing” would just up and magically disappear.
Ree Drummond (The Pioneer Woman: Black Heels to Tractor Wheels)
Arin heard the door to the barracks creak. The sound brought him immediately to his feet, for only one person would come to his cell this late at night. Then he heard the first heavy footfall, and his hands slackened around the metal bars. The footsteps coming were not hers. They belonged to someone big. Solid, slow. Probably a man. Torchlight pulsed toward Arin’s cell. When he saw who carried it, he pulled away from the bars. He saw a child’s nightmare come to life. The general set the torch in a sconce. He stared, taking in Arin’s fresh bruises, his height, his features. The general’s frown deepened. This man didn’t look like Kestrel. He was all mass and muscle. But Arin found her in the way her father lifted his chin, and his eyes held the same dangerous intelligence. “Is she all right?” Arin said. When he received no response, he asked again in Valorian. And because he had already damned himself with a question he couldn’t bear not to ask, Arin said something he had sworn he would never say. “Sir.” “She’s fine.” A feeling flowed into Arin, something like sleep or the sudden absence of pain. “If I had my choice, I would kill you,” said the general, “but that would cause more talk. You’ll be sold. Not right away, because I don’t want to be seen reacting to a scandal. But soon. “I’ll be spending some time at home, and I will be watching you. If you come near my daughter, I will forget my better judgment. I will have you torn limb from limb. Do you understand?
Marie Rutkoski (The Winner's Curse (The Winner's Trilogy, #1))
As a girl, it had been firmly set down that one ought never speak until one was spoken to, and when one did, one ought not speak of anything that might provoke or worry. One referred to the limb of the table, not the leg, the white meat on the chicken, not the breast. Good manners were the foundations of civilization. One knew precisely with whom one sat in a room based entirely on how well they behaved, and in what manner. Forks and knives were placed at the ten-twenty on one's plate when one was finished eating, One ought to walk straight and keep one's hands to oneself when one s poke, least one be taken for an Italian or Jew. A woman was meant to tend a child, a garden, or a conversation. A woman ought to know how to mind the temperature in a room, adding a little heat in a well-timed question, or cool a warm temper with the suggestion of another drink, a bowl of nuts, and a smile. What Kitty had learned at Miss Porter's School---handed down from Sarah Porter through the spinsters teaching there, themselves the sisters of Yale men who handed down the great words, Truth. Verity. Honor--was that your brothers and your husbands and your sons will lead, and you will tend., You will watch and suggest, guide and protect. You will carry the torch forward, and all to the good. There was the world. And one fixed an eye keenly on it. One learned its history; one understood the causes of its wars. One debated and, gradually, a picture emerged of mankind over the centuries; on understood the difference between what was good and what was right. On understood that men could be led to evil, against the judgment of their better selves. Debauchery. Poverty of spirit. This was the explanation for so many unfortunate ills--slavery, for instance. The was the reason. Men, individual men, were not at fault. They had to be taught. Led. Shown by example what was best. Unfairness, unkindness could be addressed. Queitly. Patiently.. Without a lot of noisy attention. Noise was for the poorly bred. If one worried, if one were afraid, if one doubted--one kept it to oneself. One looked for the good, and one found it. The woman found it, the woman pointed it out, and the man tucked it in his pocket, heartened. These were the rules.
Sarah Blake (The Guest Book)
They stand beside a grave. Hermann sprinkles upon it a powder, which falls in sparkles of light from his fingers. The earth begins to heave; and presently, as a volcano casts up its ashes, the grave empties itself. Slowly and slowly, like the rippling waves of a becalmed ocean, it rises to the surface, divides, and falls in crumbling heaps on either side. Then there ascends the venerable figure of an aged man, clothed in robes of purple and scarlet, the ensigns of senatorial dignity. At the same moment, the spectre arm, by wondrous motion of its own, tears itself aloft, and becomes a dimly gleaming torch; each livid finger sending forth pale red dusky flames, which fling a horrid glare upon the cadaverous features of the phantom. ("The Forsaken Of God")
William Mudford (Reign of Terror: Great Victorian Horror Stories)
That I was not long brought up by the concubine of my father; that I preserved the flower of my youth. That I took not upon me to be a man before my time, but rather put it off longer than I needed. That I lived under the government of my lord and father, who would take away from me all pride and vainglory, and reduce me to that conceit and opinion that it was not impossible for a prince to live in the court without a troop of guards and followers, extraordinary apparel, such and such torches and statues, and other like particulars of state and magnificence; but that a man may reduce and contract himself almost to the state of a private man, and yet for all that not to become the more base and remiss in those public matters and affairs, wherein power and authority is requisite.
Marcus Aurelius (Meditations)
I always imagined rape as this violent scene of a woman walking alone down a dark alley and getting mugged and beaten by some masked criminal. Rape was an angry man forcing himself inside a damsel in distress. I would not carry the trauma of a cliché rape victim. I would not shriek in the midst of my slumber with night terrors. I would not tremble at the sight of every dark haired man or the mention of Number 1’s name. I would not even harbor ill will towards him. My damage was like a cigarette addiction- subtle, seemingly innocent, but everlasting and inevitably detrimental. Number 1 never opened his screen door to furious crowds waving torches and baseball bats. Nobody punched him out in my honor. The Nightfall crowd never socially ostracized him. Even the ex-boyfriend who’d second handedly fused the entire fiasco continued to mingle with him in drug circles. Everybody continued with business as usual. And when I told my parents I lost my virginity against my will, unconscious on a bathroom floor, Carl did not erupt in fury and demand I give him all I knew about his whereabouts so he could greet him with a rifle. Mom blankly shrugged and mumbled, “Oh, that’s too bad,” and drifted into the kitchen as if I’d received a stubbed toe rather than a shredded hymen. Everyone in my life took my rape as lightly as a brief thunderstorm that might have been frightening when it happened, but was easy to forget about. I adopted that mentality as the foundation of my sex life. I would, time and time again, treat sex as flimsily as it started. I would give it away as if it was cheap, second hand junk, rather than a prize that deserved to be earned.
Maggie Georgiana Young (Just Another Number)
First I walked into a trap and nearly turned into the Inhuman Torch, and then a man I had regarded as a foot soldier in the war against intelligence turned out to be a covert general—and to top it off, he was apparently in league with the last few living pieces of my nemesis, Sergeant Doakes, and he seemed very likely to take up where Doakes had left off, in the pursuit of poor persecuted Dexter. Where would this end?
Jeff Lindsay (Dexter by Design (Dexter, #4))
On a trip to Paris one day, little Sophie Met a giant lady lighting up the night sky "What's your name, you magical monster?" "My many visitors call me the Eiffel Tower." "In all your attire, don't your sometimes tire Of being seen only as a humdrum tower? You, a dragon, a fairy watching over Paris, An Olympic torch held aloft in grey skies?" "How you flatter me! So few poets these days Ever sing the praises of my Parisian soul, As did Cocteau, Aragon, Cendrars, Trénet and Apollinaire... Since you're so good At seeing beneath the surface, you could -If you like, when you're back from France- Take up your pen and write down Why you like me -it would be nice and fun!" "You can count on me! There's so much to say! I'll write twenty lines... but who will read them?" "Well, I know a man who'll read your verse." "Really? Who?" "The President of France
Emmanuel Macron
After placing him on the animal’s back, Sancho handed him his torch, and Don Quixote told him to follow after his companions and, on his behalf, to beg their pardon for the offense against them, which it had not been in his power to avoid committing. Sancho also said to him: “If, by chance, those gentlemen would like to know who the valiant man is who offended them, your grace can say he is the famous Don Quixote of La Mancha, also known as The Knight of the Sorrowful Face.” At this the bachelor rode off, and Don Quixote asked Sancho what had moved him to call him The Knight of the Sorrowful Face at that moment and at no other. “I’ll tell you,” responded Sancho. “I was looking at you for a while in the light of the torch that unlucky man was carrying, and the truth is that your grace has the sorriest-looking face I’ve seen recently, and it must be on account of your weariness after this battle, or the molars and teeth you’ve lost.
Miguel de Cervantes Saavedra (Don Quixote)
The soldiers were already laying pikes along the wall by torch-light, with the points bristling upwards; they had draped cloaks over the poles to make small tents to sleep under. A few of them were sitting around small campfires, soaking dried meat in boiling water, stirring kasha into the broth to cook up. They cleared hastily out of our way without our even having to say a word, afraid. Sarkan seemed not to notice, but I couldn’t help feeling sorry and strange and wrong. One of the soldiers was a boy my own age, industriously sharpening pike-heads one by one with a stone, skillfully: six strokes for each one and done as quick as the two men putting them along the wall could come back for them. He must have put himself to it, to learn how to do it so well. He didn’t look sullen or unhappy. He’d chosen to go for a soldier. Maybe he had a story that began that way: a poor widowed mother at home and three young sisters to feed, and a girl from down the lane who smiled at him over the fence as she drove her father’s herd out into the meadows every morning. So he’d given his mother his signing-money and gone to make his fortune. He worked hard; he meant to be a corporal soon, and after that a sergeant: he’d go home then in his fine uniform, and put silver in his mother’s hands, and ask the smiling girl to marry him. Or maybe he’d lose a leg, and go home sorrowful and bitter to find her married to a man who could farm; or maybe he’d take to drink to forget that he’d killed men in trying to make himself rich. That was a story, too; they all had stories. They had mothers or fathers, sisters or lovers. They weren’t alone in the world, mattering to no one but themselves.
Naomi Novik (Uprooted)
Once I saw torches with dancing flames of scarlet and radiant gold held by solemn apes. A man with the horns and muzzled face of a bull bent over me, a constellation sprung to life. I spoke to him and found myself telling him that I was unsure of the precise date of my birth, that if his benign spirit of meadow and unfeigning force had governed my life I thanked him for it; then remembered that I knew the date, that my father had given a ball for me each year until his death, that it fell under the Swan. He listened intently, turning his head to watch me from one brown eye.
Gene Wolfe (Sword & Citadel (The Book of the New Sun, #3-4))
My dwelling was small, and I could hardly entertain an echo in it; but it seemed larger for being a single apartment and remote from neighbors. All the attractions of a house were concentrated in one room; it was kitchen, chamber, parlor, and keeping-room; and whatever satisfaction parent or child, master or servant, derive from living in a house, I enjoyed it all. Cato says, the master of a family (patremfamilias) must have in his rustic villa "cellam oleariam, vinariam, dolia multa, uti lubeat caritatem expectare, et rei, et virtuti, et gloriae erit," that is, "an oil and wine cellar, many casks, so that it may be pleasant to expect hard times; it will be for his advantage, and virtue, and glory." I had in my cellar a firkin of potatoes, about two quarts of peas with the weevil in them, and on my shelf a little rice, a jug of molasses, and of rye and Indian meal a peck each. I sometimes dream of a larger and more populous house, standing in a golden age, of enduring materials, and without gingerbread work, which shall still consist of only one room, a vast, rude, substantial, primitive hall, without ceiling or plastering, with bare rafters and purlins supporting a sort of lower heaven over one's head—useful to keep off rain and snow, where the king and queen posts stand out to receive your homage, when you have done reverence to the prostrate Saturn of an older dynasty on stepping over the sill; a cavernous house, wherein you must reach up a torch upon a pole to see the roof; where some may live in the fireplace, some in the recess of a window, and some on settles, some at one end of the hall, some at another, and some aloft on rafters with the spiders, if they choose; a house which you have got into when you have opened the outside door, and the ceremony is over; where the weary traveller may wash, and eat, and converse, and sleep, without further journey; such a shelter as you would be glad to reach in a tempestuous night, containing all the essentials of a house, and nothing for house-keeping; where you can see all the treasures of the house at one view, and everything hangs upon its peg, that a man should use; at once kitchen, pantry, parlor, chamber, storehouse, and garret; where you can see so necessary a thing, as a barrel or a ladder, so convenient a thing as a cupboard, and hear the pot boil, and pay your respects to the fire that cooks your dinner, and the oven that bakes your bread, and the necessary furniture and utensils are the chief ornaments; where the washing is not put out, nor the fire, nor the mistress, and perhaps you are sometimes requested to move from off the trap-door, when the cook would descend into the cellar, and so learn whether the ground is solid or hollow beneath you without stamping. A house whose inside is as open and manifest as a bird's nest, and you cannot go in at the front door and out at the back without seeing some of its inhabitants; where to be a guest is to be presented with the freedom of the house, and not to be carefully excluded from seven eighths of it, shut up in a particular cell, and told to make yourself at home there—in solitary confinement. Nowadays the host does not admit you to his hearth, but has got the mason to build one for yourself somewhere in his alley, and hospitality is the art of keeping you at the greatest distance. There is as much secrecy about the cooking as if he had a design to poison you. I am aware that I have been on many a man's premises, and might have been legally ordered off, but I am not aware that I have been in many men's houses. I might visit in my old clothes a king and queen who lived simply in such a house as I have described, if I were going their way; but backing out of a modern palace will be all that I shall desire to learn, if ever I am caught in one.
Henry David Thoreau (Walden)
Arianna simply wasn’t up to it. She had a pretty voice, she could carry a tune—that was never a problem. But she had no depth. She couldn’t interpret a song, place her stamp on it. Unlike Lesley, who fairly stomped on it! And that’s what you need in folk music. These are songs that have been around for hundreds, maybe thousands of years. They existed for centuries before any kind of recording was possible, even before people could write, for god’s sake! So the only way those songs lived and got passed on was by singers. The better singer you were, the more likely it was people were going to turn out to hear you and remember you—and remember the song—whether it was at a pub or wedding or ceilidh or just a knot of people seeking shelter under a tree during a storm. It’s a kind of time machine, really, the way you can trace a song from whoever’s singing it now back through the years—Dylan or Johnny Cash, Joanna Newsom or Vashti Bunyan—on through all those nameless folk who kept it alive a thousand years ago. People talk about carrying the torch, but I always think of that man they found in the ice up in the Alps. He’d been under the snow for 1,200 years, and when they discovered him, he was still wearing his clothes, a cloak of woven grass and a bearskin cap, and in his pocket they found a little bag of grass and tinder and a bit of dead coal. That was the live spark he’d been carrying, the bright ember he kept in his pocket to start a fire whenever he stopped. You’d have to be so careful, more careful than we can even imagine, to keep that one spark alive. Because that’s what kept you alive, in the cold and the dark. Folk music is like that. And by folk I mean whatever music it is that you love, whatever music it is that sustains you. It’s the spark that keeps us alive in the cold and night, the fire we all gather in front of so we know we’re not alone in the dark. And the longer I live, the colder and darker it gets. A song like “Windhover Morn” can keep your heart beating when the doctors can’t. You might laugh at that, but it’s true.
Elizabeth Hand (Wylding Hall)
It was that ocean heat that caused the First Pulse to pulse, and later brought on the second one. People sometimes say no one saw it coming, but no, wrong: they did. Paleoclimatologists looked at the modern situation and saw CO2 levels screaming up from 280 to 450 parts per million in less than three hundred years, faster than had ever happened in the Earth’s entire previous five billion years (can we say “Anthropocene,” class?), and they searched the geological record for the best analogs to this unprecedented event, and they said, Whoa. They said, Holy shit. People! they said. Sea level rise! During the Eemian period, they said, which we’ve been looking at, the world saw a temperature rise only half as big as the one we’ve just created, and rapid dramatic sea level rise followed immediately. They put it in bumper sticker terms: massive sea level rise sure to follow our unprecedented release of CO2! They published their papers, and shouted and waved their arms, and a few canny and deeply thoughtful sci-fi writers wrote up lurid accounts of such an eventuality, and the rest of civilization went on torching the planet like a Burning Man pyromasterpiece. Really. That’s how much those knuckleheads cared about their grandchildren, and that’s how much they believed their scientists, even though every time they felt a slight cold coming on they ran to the nearest scientist (i.e. doctor) to seek aid.
Kim Stanley Robinson (New York 2140)
Charivari ‘They capped their heads with feathers, masked their faces, wore their clothes backwards, howled with torches through the midnight winter and dragged the black man from his house to the jolting music of broken instruments, pretending to each other it was a joke, until they killed him. I don’t know what happened to the white bride.’ The American lady, adding she thought it was a disgraceful piece of business, finished her tea. (Note: Never pretend this isn’t part of the soil too, teadrinkers, and inadvertent victims and murderers, when we come this way again in other forms, take care to look behind, within where the skeleton face beneath the face puts on its feather mask, the arm within the arm lifts up the spear: Resist those cracked drumbeats. Stop this. Become human.)
Margaret Atwood (Selected Poems 1: 1965-1975)
IS there such a feeling as love at first sight? And if there be, in what does its nature differ from love founded in long observation and slow growth? Perhaps its effects are not so permanent; but they are, while they last, as violent and intense. We walk the pathless mazes of society, vacant of joy, till we hold this clue, leading us through that labyrinth to paradise. Our nature dim, like to an unlighted torch, sleeps in formless blank till the fire attain it; this life of life, this light to moon, and glory to the sun. What does it matter, whether the fire be struck from flint and steel, nourished with care into a flame, slowly communicated to the dark wick, or whether swiftly the radiant power of light and warmth passes from a kindred power, and shines at once the beacon and the hope.
Mary Wollstonecraft Shelley (The Last Man)
You’re so much stronger than I am,” said Altan. Then he let her go. She shook her head frantically. “No, I’m not, it’s you, I need you—”“Someone’s got to destroy that research facility, Rin.”He stepped away from her. Arms stretched forward, he walked towardthe fleet.“No,” Rin begged. “No!”Altan took off at a run.A hail of arrows erupted from the Federation force.At the same moment Altan lit up like a torch.He called the Phoenix and the Phoenix came; enveloping him, embracinghim, loving him, bringing him back into the fold.Altan was a silhouette in the light, a shadow of a man. She thought shesaw him look back toward her. She thought she saw him smile.She thought she heard a bird’s cackle.Rin saw in the flames the image of Mai’rinnen Tearza. She was weeping.The fire doesn’t give, the fire takes, and takes, and takes
R.F. Kuang
It must be clear to those who look below the surface of things that far-reaching changes in our fundamental ideas and attitudes are setting in, and that the world of to-morrow will be a very different one from that which carried us into the abyss in 1914. In this connection a grave duty arises also for our science and philosophy. The higher thought of our day should not exhaust itself in fine-spun technicalities of speculation or research, but should regard itself as dedicated to service and should make its distinctive contribution towards the upbuilding of a new constructive world-view. We are passing through one of the great transition epochs of history; we are threatened with reaction on the one hand and with disintegration on the other. The old beacon lights are growing dimmer, and the torch of new ideas has to be kindled for our guidance. The word is largely with our intellectual leaders. In the last resort a civilisation vi PREFACE TO SECOND EDITION depends on its general ideas; it is nothing but a spiritual structure of the dominant ideas expressing themselves in institutions and the subtle atmosphere of culture. If the soul of our civilisation is to be saved we shall have to find new and fuller expression for the great saving unities—the unity of reality in all its range, the unity of life in all its forms, the unity of ideas throughout human civilisation, and the unity of man's spirit with the mystery of the Cosmos in religious faith and aspiration. Holism is in its own way a groping towards the new light and to new points of view. And I cannot help feeling that if the full extent of its implications is realised, both science and philosophy
Jan Christiaan Smuts (Holism And Evolution)
Occasionally, you will come across a wise crack by a pseudoliberal who will refer to God as "she," as if that is the most revolutionary idea known to man, that God could be feminine. Never in such a context is the history of the sexuality of God elucidated, as if it was so obvious to all that God could only be masculine, until the author came along and declared by fiat its femininity. In fact, there did exist matriarchal societies extending from the unknown past into the early historical period. It appears they existed along the "highland zone" which is the foothills extending along the mountainous region from the Pyrenees to the Himalayas. These matriarchal societies influenced the early Sumerian civilization and to a large extent the Minoan civilization, which was one of the few, if not the only matriarchal civilization. These societies were largely overrun and dissipated by invasions of the northern, patriarchal groups but these latter groups did incorporate some matriarchal aspects which exist to this day. For example, although the chief deities of Greece and Rome were masculine, there continued to be a panoply of feminine gods. Or take for example, the history of the Basque people of SW France. Also, when masculine Judaism moved from the Levant to Rome via moderate Christianity and the reconciling Paul, it eventually grafted in the idea of Virgin Mary the Divine. A distant version of this idea stands in New York harbor with her head and torch held high, neither bull dyke nor whore, but La Parisienne. Protestantism, with its northern flatland patriarchal extremism, initially rejected this idea of divine femininity at first but now seems to be coming around.
Scott Mckee
The next morning the newspapers carried the news that while our meeting was being held there had been staged in Paris, Texas, one of the most awful lynchings and burnings this country has ever witnessed. A Negro had been charged with ravishing and murdering a five-year-old girl. He had been arrested and imprisoned while preparations were made to burn him alive. The local papers issued bulletins detailing the preparations, the schoolchildren had been given a holiday to see a man burned alive, and the railroads ran excursions and brought people of the surrounding country to witness the event, which was in broad daylight with the authorities aiding and abetting this horror. The dispatches told in detail how he had been tortured with red-hot irons searing his flesh for hours before finally the flames were lit which put an end to his agony. They also told how the mob fought over the hot ashes for bones, buttons, and teeth for souvenirs.
Ida B. Wells-Barnett (Crusade for Justice: The Autobiography of Ida B. Wells (Negro American Biographies and Autobiographies))
while Jim stood stiffened and with bared head in the light of torches, looking him straight in the face, he clung heavily with his left arm round the neck of a bowed youth, and lifting deliberately his right, shot his son’s friend through the chest. ‘The crowd, which had fallen apart behind Jim as soon as Doramin had raised his hand, rushed tumultuously forward after the shot. They say that the white man sent right and left at all those faces a proud and unflinching glance. Then with his hand over his lips he fell forward, dead. ‘And that’s the end. He passes away under a cloud, inscrutable at heart, forgotten, unforgiven, and excessively romantic. Not in the wildest days of his boyish visions could he have seen the alluring shape of such an extraordinary success! For it may very well be that in the short moment of his last proud and unflinching glance, he had beheld the face of that opportunity which, like an Eastern bride, had come veiled to his side. ‘But we can see
Joseph Conrad (Joseph Conrad: The Complete Novels)
Etienne now commanded a view of the whole district. It was still very dark, but the old man had peopled the darkness with untold sufferings, which the young one could sense all round him in the limitless space. Could he not hear a cry of famine borne over this bleak country by the March wind? The gale had lashed itself into a fury and seemed to be blowing death to all labour and a great hunger that would finish off men by the hundred. And with his roving eye he tried to peer through the gloom, with a tormenting desire to see and yet a fear of seeing. Everything slid away in the dark unknown, and all he could see was distant furnaces and coke-ovens which, set in batteries of a hundred chimneys arranged obliquely, made sloping lines of crimson flames; whilst further to the left the two blast-furnaces were burning blue in the sky like monstrous torches. It was as depressing to watch as a building on fire: as far as the threatening horizon the only stars which rose were the nocturnal fires of the land of coal and iron.
Émile Zola (Germinal)
The waitress delivered me a plate of towering blueberry pancakes dripping in butter. The sweet scent of the fluffy goodness had my stomach rumbling in appreciation. I pushed back my tall glass of orange juice to make way for the food that was about to be introduced to my belly. I swirled my finger around in a giant pad of softening butter and brought it to my lips as the waitress handed Holt his own stack of pancakes plus a plate loaded with scrambled eggs, bacon, and toast. When she was gone, I reached for the syrup. “Are you trying to kill me?” Holt said, leaning over the table and stabbing his fork in my direction. I glanced dubiously at the fork. “Are you trying to kill me?” He grinned. “You can’t just go around licking your fingers like that, Freckles. It makes a man forget he’s in a public place.” I laughed and dug into my pancakes, shoving an unladylike bite into my mouth and then groaning as the sweetness slid over my tongue. “There you go again,” he said, his eyes darkening with desire. “Wasn’t last night and this morning enough for you?” I asked playfully. “I don’t think I’ll ever get enough of you.
Cambria Hebert (Torch (Take It Off, #1))
The bonds of family can be wonderful but there is a time to know when to stand apart." She held out a hand to Rycca on the nearby bench. "Besides, we are your family now, all of us, and we know your worth." Deeply touched, Rycca had to blink several times before she could respond. She knew both women spoke pure truth and loved them for it.After a lifetime of emotional solitude unbroken but for Thurlow, it was still difficult for her to comprehend that she was no longer alone. Yet was she beginning to understand it. Softly,she said, "I worry over Dragon. He refuses to talk of my father or of what will happen now that we are here, but I fear he is planning to take matters into his own hands." Cymbra and Krysta exchanged a glance. Quietly,Cymbra said, "Your instinct is not wrong. Dragon simmers with rage at the harm attempted to you. In Landsende I caught a mere glimpse of it,and it was like peering into one of those mountains that belch fire." Despite the heat of the sauna, Rycca shivered. "He came close to losing his life once because of me.I cannot bear for it to happen again." There was silence for a moment,broken only by the crackling of the fire and the hiss of steam.Finally, Cymbra said, "We are each of us married to an extraordinary man. There is something about them...even now I don't really know how to explain it." She looked at Krysta. "Have you told Rycca about Thorgold and Raven?" Krysta shook her head. "There was no time before." She turned on her side on the bench,facing the other two. "Thorgold and Raven are my...friends. They are somewhat unusual." Cymbra laughed at that,prompting a chiding look from Krysta,who went on to say, "I'm not sure how but I think somehow I called them to me when I was a child and needed them very much." "Krysta has the gift of calling," Cymbra said, "as I do of feeling and you do of truthsaying. Doesn't it strike you as odd that three very unusual women, all bearing special gifts, ccame to be married to three extraordinary men who are united by a common purpose,to bring peace to their peoples?" "I had not really thought about it," said Rycca, who also had not known of Krysta's gift and was looking at her with some surprise. All three of them? That was odd. "I believe," said Cymbra, who clearly had been thinking about it, "that there is a reason for it beyond mere coincidence. I think we are meant to be at their sides, to help them as best we can, the better to transform peace from dream to reality." "It is a good thought," Krysta said. Rycca nodded. Very quietly, she said, "Blessed are the peacemakers." Cymbra grinned. "And poor things, we appear to be their blessings. So worry not for Dragon, Rycca. He will prevail. We will all see to it." They laughed then,the trio of them, ancient and feminine laughter hidden in a chamber held in the palm of the earth. The steam rose around them, half obscuringm half revealing them. In time,when the heat had become too intense,they rose, wrapped themselves in billowing cloths,and ran through the gathering darkness to the river, where they frolicked in cool water and laughed again beneath the stars. The torches had been lit by the time they returned to the stronghold high on the hill. They dressed and hastened to the hall,where they greeted their husbands, who stood as one when they entered,silent and watchful men before beauty and strength, and took their seats at table. Wine was poured, food brought,music played. They lingered over the evening,taking it into night. The moon was high when they found the sweet,languid sanctuary of their beds. Day came too swiftly.
Josie Litton (Come Back to Me (Viking & Saxon, #3))
Beginning in 2011, SpaceX won a series of contracts from NASA to develop rockets that could take humans to the International Space Station, a task made crucial by the retirement of the Space Shuttle. To fulfill that mission, it needed to add to its facilities at Cape Canaveral’s Pad 40, and Musk set his sights on leasing the most storied launch facility there, Pad 39A. Pad 39A had been center stage for America’s Space Age dreams, burned into the memories of a television generation that held its collective breath when the countdowns got to “Ten, nine, eight…” Neil Armstrong’s mission to the moon that Bezos watched as a kid blasted off from Pad 39A in 1969, as did the last manned moon mission, in 1972. So did the first Space Shuttle mission, in 1981, and the last, in 2011. But by 2013, with the Shuttle program grounded and America’s half-century of space aspirations ending with bangs and whimpers, Pad 39A was rusting away and vines were sprouting through its flame trench. NASA was eager to lease it. The obvious customer was Musk, whose Falcon 9 rockets had already launched on cargo missions from the nearby Pad 40, where Obama had visited. But when the lease was put out for bids, Jeff Bezos—for both sentimental and practical reasons—decided to compete for it. When NASA ended up awarding the lease to SpaceX, Bezos sued. Musk was furious, declaring that it was ridiculous for Blue Origin to contest the lease “when they haven’t even gotten so much as a toothpick to orbit.” He ridiculed Bezos’s rockets, pointing out that they were capable only of popping up to the edge of space and then falling back; they lacked the far greater thrust necessary to break the Earth’s gravity and go into orbit. “If they do somehow show up in the next five years with a vehicle qualified to NASA’s human rating standards that can dock with the Space Station, which is what Pad 39A is meant to do, we will gladly accommodate their needs,” Musk said. “Frankly, I think we are more likely to discover unicorns dancing in the flame duct.” The battle of the sci-fi barons had blasted off. One SpaceX employee bought dozens of inflatable toy unicorns and photographed them in the pad’s flame duct. Bezos was eventually able to lease a nearby launch complex at Cape Canaveral, Pad 36, which had been the origin of missions to Mars and Venus. So the competition of the boyish billionaires was set to continue. The transfer of these hallowed pads represented, both symbolically and in practice, John F. Kennedy’s torch of space exploration being passed from government to the private sector—from a once-glorious but now sclerotic NASA to a new breed of mission-driven pioneers.
Walter Isaacson (Elon Musk)
The traditional Roman wedding was a splendid affair designed to dramatize the bride’s transfer from the protection of her father’s household gods to those of her husband. Originally, this literally meant that she passed from the authority of her father to her husband, but at the end of the Republic women achieved a greater degree of independence, and the bride remained formally in the care of a guardian from her blood family. In the event of financial and other disagreements, this meant that her interests were more easily protected. Divorce was easy, frequent and often consensual, although husbands were obliged to repay their wives’ dowries. The bride was dressed at home in a white tunic, gathered by a special belt which her husband would later have to untie. Over this she wore a flame-colored veil. Her hair was carefully dressed with pads of artificial hair into six tufts and held together by ribbons. The groom went to her father’s house and, taking her right hand in his, confirmed his vow of fidelity. An animal (usually a ewe or a pig) was sacrificed in the atrium or a nearby shrine and an Augur was appointed to examine the entrails and declare the auspices favorable. The couple exchanged vows after this and the marriage was complete. A wedding banquet, attended by the two families, concluded with a ritual attempt to drag the bride from her mother’s arms in a pretended abduction. A procession was then formed which led the bride to her husband’s house, holding the symbols of housewifely duty, a spindle and distaff. She took the hand of a child whose parents were living, while another child, waving a hawthorn torch, walked in front to clear the way. All those in the procession laughed and made obscene jokes at the happy couple’s expense. When the bride arrived at her new home, she smeared the front door with oil and lard and decorated it with strands of wool. Her husband, who had already arrived, was waiting inside and asked for her praenomen or first name. Because Roman women did not have one and were called only by their family name, she replied in a set phrase: “Wherever you are Caius, I will be Caia.” She was then lifted over the threshold. The husband undid the girdle of his wife’s tunic, at which point the guests discreetly withdrew. On the following morning she dressed in the traditional costume of married women and made a sacrifice to her new household gods. By the late Republic this complicated ritual had lost its appeal for sophisticated Romans and could be replaced by a much simpler ceremony, much as today many people marry in a registry office. The man asked the woman if she wished to become the mistress of a household (materfamilias), to which she answered yes. In turn, she asked him if he wished to become paterfamilias, and on his saying he did the couple became husband and wife.
Anthony Everitt (Cicero: The Life and Times of Rome's Greatest Politician)
The path of what was to come was awful. It was the enormous dying, a sea of blood. From it the new sun arose, awful and a reversal of that which we call day. We have seized the darkness and its sun will shine above us, bloody and burning like a great downfall. When I comprehended my darkness, a truly magnificent night came over me and my dream plunged me into the depths of the millennia, and from it my phoenix ascended. But what happened to my day? Torches were kindled, bloody anger and disputes erupted. As darkness seized the world, the terrible war arose and the darkness destroyed the light of the world, since it was incomprehensible to the darkness and good for nothing anymore. And so we had to taste Hell. I saw which vices the virtues of this time changed into, how your mildness became hard, your goodness became brutality; your love became hate, and your understanding became madness. Why did you want to comprehend the darkness! But you had to or else it would have seized you. Happy the man who anticipates this grasp. Did you ever think of the evil in you? Oh, you spoke of it, you mentioned it, and you confessed it smilingly; as a generally human vice, or a recurring misunderstanding. But did you know 1 what evil is, and that it stands precisely right behind your virtues, that it is also your virtues themselves, as their inevitable substance?7! You locked Satan in the abyss for a millennium, and when the millennium had passed, you laughed at him, since he had become a children's fairy tale.72 But if the dreadful great one raises his head, the world winces. The most extreme coldness draws near. With horror you see that you are defenseless, and that the army of your vices falls powerless to its knees. With the power of daimons, you seize the evil, and your virtues cross over to him. You are completely alone in this struggle, since your Gods have become deaf You do not know which devils are greater, your vices, or your virtues. But ofone thing you are certain, that virtues and vices are brothers. 73We need the coldness of death to see clearly. Life wants to live and to die, to begin and to end.74 You are not forced to live eternally; but you can also die, since there is a will in you for both. Life and death must strike a balance in your existence.75 Today's men need a large slice of death, since too much incorrectness lives in them, and too much correctness died in them. What stays in balance is correct, what disturbs balance is incorrect. But if balance has been attained, then that which preserves it is incorrect and that which disturbs it is correct. Balance is at once life and death. For the completion of life a balance with death is fitting. If I accept death, then my tree greens, since dying increases life. If I plunge into the death encompassing the world, then my buds break open. How much our life needs death!
Jung
I started to think about why there is such a strong negative fixation on this matter and came to some interesting conclusions. Consider the general intelligence, concerns, and fears of an average person in ancient times. The Mystery schools, holy shrines, or temples were as financially dependant on the general populace then as they are now. If they were not dependant directly on the people, they were dependent on the rulers of the time. Because they were dependent on people, they were also sensitive to the concerns and fears of those people. People often fear things that they do not understand. When people were creating these theologies, they did not understand paranormal abilities. The reason that these ridiculous beliefs about paranormal abilities exist today is that people still do not understand what paranormal abilities are, how natural they are, and for that reason, people are still afraid. I can imagine the mobs with torches surrounding the temples now! The mystical masters knew this and understood that the common man did not have the intellect to comprehend what they were experiencing and seeking. They knew that appearances were everything and they needed a good public image. This was especially true if they wanted funding without crowds of fearful people, with aggressive ideas, at their doorstep. They created an image and doctrine they felt the general populace could accept. Then they created levels within the organization and kept some of those levels secret from the public.
Eric Pepin (Handbook of the Navigator: Why You and the Universe Were Meant to Meet)
Harvey wanted to dive into his ugliness; he intentionally reached for those long hours of soul desolation. He waited. He paced, ready to face down whatever was to come. Paulette’s, though, busted loose uninvited, catching her completely off guard when she was already hurting, feeling crumbled, and vulnerable. When all she really wanted was some quiet gentle feelings for a change. A few flowers. Some sunshine. A way out of all that inner torment for even just a moment. Had she had brought only nastiness out of her childhood? Hadn’t there been anything sweet she could remember instead? As she wandered back to her cabin, searching for even a single fond memory, light faded everywhere around her. Aw, c’mon, she thought. Everyone had some happy childhood memories. She had to have at least a couple. How about the coloring? Children enjoy coloring; how about that? She’d spent hours and days on her art. It was as close as she could remember to having her Mamma stand over her with anything even remotely resembling approval. Her books and comics could be tales of Jesus, but coloring books had to be Old Testament because “No child’s impure hand could touch a crayon to the sweet beautiful face of our beloved Lord and savior Christ Jesus.” So the little girl had scrunched down over Daniel in the lion’s den. Samson screaming in rage, pain, and terror as they blinded him with daggers and torches. The redder she made the flowing wounds of a man of God shot full of arrows, the richer the flames around those three men being burned in an iron box, the longer Mamma let her stay out of that closet. - From “The Gardens of Ailana
Edward Fahey (The Gardens of Ailana)
A glance at the clock on the nightstand told me I still had several hours until morning, and I knew I was in for a long night. I wasn’t quite ready to get back in bed, and my throat felt dry, so I left the bedroom and padded into the kitchen for a bottle of cool water. On my way back through the living room, I glanced at the couch and froze. Holt was lying there with a blanket tossed over his legs. “You’re sleeping on the couch?” I said, surprise lacing my tone. “I figured it was too soon to climb into bed with you,” he drawled. A warm flush spread over my limbs. The idea of sharing a bed with him… of being tangled up in his arms and legs… was entirely too appealing. “I’m an idiot.” He chuckled. “And why is that?” Because I should have realized that he only had one bed in this house and I was hogging it. He did say my scent was on his sheets. Geez, how slow on the uptake was I? “I should be the one sleeping out here.” “No.” It sounded like a command. “Yes.” He moved so fast I barely saw him, and then he was towering over me, my eyes left to stare at the very wide expanse of his chiseled chest. “What kind of a man do you think I am?” he drawled. “What?” I said, not really listening to his words. His body was the ultimate distraction. “Do you really think I would let someone—a girl—who was just released from the hospital, still bruised and burned, sleep on my couch?” “I’m sure I would be more comfortable there than you would be.” “Go back to bed, Katie.” He crossed his arms over his chest. “And if I don’t?” I challenged. I didn’t really care for the overbearing type. “If you don’t, I’m going to rip my shirt off you right here and do things to your body that will echo through your limbs long after I stop touching you.
Cambria Hebert (Torch (Take It Off, #1))
The Old Issue October 9, 1899 “HERE is nothing new nor aught unproven,” say the Trumpets, “Many feet have worn it and the road is old indeed. “It is the King—the King we schooled aforetime !” (Trumpets in the marshes—in the eyot at Runnymede!) “Here is neither haste, nor hate, nor anger,” peal the Trumpets, “Pardon for his penitence or pity for his fall. “It is the King!”—inexorable Trumpets— (Trumpets round the scaffold at the dawning by Whitehall!) “He hath veiled the Crown and hid the Sceptre,” warn the Trumpets, “He hath changed the fashion of the lies that cloak his will. “Hard die the Kings—ah hard—dooms hard!” declare the Trumpets, Trumpets at the gang-plank where the brawling troop-decks fill! Ancient and Unteachable, abide—abide the Trumpets! Once again the Trumpets, for the shuddering ground-swell brings Clamour over ocean of the harsh, pursuing Trumpets— Trumpets of the Vanguard that have sworn no truce with Kings! All we have of freedom, all we use or know— This our fathers bought for us long and long ago. Ancient Right unnoticed as the breath we draw— Leave to live by no man’s leave, underneath the Law. Lance and torch and tumult, steel and grey-goose wing Wrenched it, inch and ell and all, slowly from the King. Till our fathers ’stablished, after bloody years, How our King is one with us, first among his peers. So they bought us freedom—not at little cost Wherefore must we watch the King, lest our gain be lost, Over all things certain, this is sure indeed, Suffer not the old King: for we know the breed. Give no ear to bondsmen bidding us endure. Whining “He is weak and far”; crying “Time shall cure.”, (Time himself is witness, till the battle joins, Deeper strikes the rottenness in the people’s loins.) Give no heed to bondsmen masking war with peace. Suffer not the old King here or overseas. They that beg us barter—wait his yielding mood— Pledge the years we hold in trust—pawn our brother’s blood— Howso’ great their clamour, whatsoe’er their claim, Suffer not the old King under any name! Here is naught unproven—here is naught to learn. It is written what shall fall if the King return. He shall mark our goings, question whence we came, Set his guards about us, as in Freedom’s name. He shall take a tribute, toll of all our ware; He shall change our gold for arms—arms we may not bear. He shall break his judges if they cross his word; He shall rule above the Law calling on the Lord. He shall peep and mutter; and the night shall bring Watchers ’neath our window, lest we mock the King— Hate and all division; hosts of hurrying spies; Money poured in secret, carrion breeding flies. Strangers of his counsel, hirelings of his pay, These shall deal our Justice: sell—deny—delay. We shall drink dishonour, we shall eat abuse For the Land we look to—for the Tongue we use. We shall take our station, dirt beneath his feet, While his hired captains jeer us in the street. Cruel in the shadow, crafty in the sun, Far beyond his borders shall his teachings run. Sloven, sullen, savage, secret, uncontrolled, Laying on a new land evil of the old— Long-forgotten bondage, dwarfing heart and brain— All our fathers died to loose he shall bind again. Here is naught at venture, random nor untrue— Swings the wheel full-circle, brims the cup anew. Here is naught unproven, here is nothing hid: Step for step and word for word—so the old Kings did! Step by step, and word by word: who is ruled may read. Suffer not the old Kings: for we know the breed— All the right they promise—all the wrong they bring. Stewards of the Judgment, suffer not this King!
Rudyard Kipling
No matter what level of instruction Marlboro Man gave me, no matter how many pointers, a horse trot for me meant a repeated and violet Slap! Slap! Slap! on the seat of my saddle. My feet were fine--they’d stay securely in the stirrups. But I just couldn’t figure out how to use the muscles in my legs correctly, and I hadn’t yet learned how to post. It was so unpleasant, the whole riding-a-horse business: my bottom would slap, my torso would stiffen, and I’d be sore for days--not to mention that I looked like a complete freak while riding--kind of like a tree trunk with red, stringy hair. Short of taking the rectal temperatures of cows, I’d never felt more out of place doing anything in my life. All of this rushed to the surface when I saw Marlboro Man walking toward me with two of his horses, one of which was clearly meant for me. Where’s my Jeep? I thought. Where’s my torch? I don’t want a horse. My bottom can’t take it. Where’s my Jeep? I’d never wanted to drive a Jeep so much. “Hey,” I said, walking toward him and smiling, trying to appear not only calm but also totally unconcerned about the reality that faced me. “Uh…I thought we were going burning.” I clearly sounded out the g. It was a loud, clanging cymbal. “Oh, we are,” he said, smiling. “But we’ve got to get to some areas the Jeep can’t reach.” My stomach lurched. For more than a couple of seconds, I actually considered feigning illness so I wouldn’t have to go. What can I say? I wondered. That I feel like I’m going to throw up? Or should I just clutch my stomach, groan, then run behind the barn and make dramatic retching sounds? That could be highly effective. Marlboro Man will feel sorry for me and say, “It’s okay…you just go on up to my house and rest. I’ll be back later.” But I don’t think I can go through with it; vomiting is so embarrassing! And besides, if Marlboro Man thinks I vomited, I might not get a kiss today… “Oh, okay,” I said, smiling again and trying to prevent my face from betraying the utter dread that plagued me. I hadn’t noticed, through all my inner torture and turmoil, that Marlboro Man and the horses had been walking closer to me. Before I knew it, Marlboro Man’s right arm was wrapped around my waist while his other hand held the reins of the two horses. In another instant, he pulled me toward him in a tight grip and leaned in for a sweet, tender kiss--a kiss he seemed to savor even after our lips parted. “Good morning,” he said sweetly, grinning that magical grin. My knees went weak. I wasn’t sure if it was the kiss itself…or the dread of riding.
Ree Drummond (The Pioneer Woman: Black Heels to Tractor Wheels)
The panel delivery truck drew up before the front of the “Amsterdam Apartments” on 126th Street between Madison and Fifth Avenues. Words on its sides, barely discernible in the dim street light, read: LUNATIC LYNDON … I DELIVER AND INSTALL TELEVISION SETS ANY TIME OF DAY OR NIGHT ANY PLACE. Two uniformed delivery men alighted and stood on the sidewalk to examine an address book in the light of a torch. Dark faces were highlighted for a moment like masks on display and went out with the light. They looked up and down the street. No one was in sight. Houses were vague geometrical patterns of black against the lighter blackness of the sky. Crosstown streets were always dark. Above them, in the black squares of windows, crescent-shaped whites of eyes and quarter moons of yellow teeth bloomed like Halloween pumpkins. Suddenly voices bubbled in the night. “Lookin’ for somebody?” The driver looked up. “Amsterdam Apartments.” “These is they.” Without replying, the driver and his helper began unloading a wooden box. Stenciled on its side were the words: Acme Television “Satellite” A.406. “What that number?” someone asked. “Fo-o-six,” Sharp-eyes replied. “I’m gonna play it in the night house if I ain’t too late.” “What ya’ll got there, baby?” “Television set,” the driver replied shortly. “Who dat getting a television this time of night?” The delivery man didn’t reply. A man’s voice ventured, “Maybe it’s that bird liver on the third storey got all them mens.” A woman said scornfully, “Bird liver! If she bird liver I’se fish and eggs and I got a daughter old enough to has mens.” “… or not!” a male voice boomed. “What she got ’ill get television sets when you jealous old hags is fighting over mops and pails.” “Listen to the loverboy! When yo’ love come down last?” “Bet loverboy ain’t got none, bird liver or what.” “Ain’t gonna get none either. She don’t burn no coal.” “Not in dis life, next life maybe.” “You people make me sick,” a woman said from a group on the sidewalk that had just arrived. “We looking for the dead man and you talking ’bout tricks.” The two delivery men were silently struggling with the big television box but the new arrivals got in their way. “Will you ladies kindly move your asses and look for dead men sommers else,” the driver said. His voice sounded mean. “ ’Scuse me,” the lady said. “You ain’t got him, is you?” “Does I look like I’m carrying a dead man ’round in my pocket?” “Dead man! What dead man? What you folks playing?” a man called down interestedly. “Skin?” “Georgia skin? Where?” “Ain’t nobody playing no skin,” the lady said with disgust. “He’s one of us.” “Who?” “The dead man, that’s who.” “One of usses? Where he at?” “Where he at? He dead, that’s where he at.” “Let me get some green down on dead man’s row.” “Ain’t you the mother’s gonna play fo-o-six?” “Thass all you niggers thinks about,” the disgusted lady said. “Womens and hits!” “What else is they?” “Where yo’ pride? The white cops done killed one of usses and thass all you can think about.” “Killed ’im where?” “We don’t know where. Why you think we’s looking?” “You sho’ is a one-tracked woman. I help you look, just don’t call me nigger is all.
Chester Himes (Blind Man with a Pistol (Harlem Cycle, #8))
Tell me what happened.” “He was here,” I said, hoarse. “He lit the can on fire and took the extinguisher nearby. I ran to the back to get the other and he pushed one of the shelves over on me.” The muscles in Holt’s jaw clenched and flexed beneath the stubble that lined his face. “Do you ever shave?” I wondered out loud. He smiled and rubbed at the gruffness. “I just trim it.” I nodded. “Do you like it?” he asked. Once again, I touched him, brazenly running my hand along his jaw. It was soft and rough at the same time—the perfect balance. “Yeah, I do.” “Good to know,” he said, taking my hand, linking our fingers together, and then his face grew serious again. “Obviously, I avoided the shelf.” “Did you get a look at his face?” I cringed at the hopefulness in his voice. “No,” I admitted. “I tried, but he kicked me.” His eyes went murderous. Maybe I shouldn’t have said that. “He. Kicked. You,” he ground out, making each word into a pointed sentence. This time I kept my mouth shut. “Where?” he demanded. I wasn’t going to reply, but his eyes narrowed and I knew he would eventually make me tell him. I was going to have to tell the cops anyway. Weariness floated over me at the thought of enduring yet another one of their hours-long interrogations. I lifted my wrist, the bandage just dangling from the area now, not covering or protecting a thing. The waves of hatred that rolled off him made me sincerely glad that all that emotion wasn’t directed at me. He stared at my delicately injured skin (some of it had gotten torn in the struggle and was slick with some sort of puss… Eww, gross), and I kind of thought the top of his head might explode. I was going to reassure him that I was okay, but the police rushed inside, followed closely behind by a medic with a first aid kit. “She needs medical attention,” Holt barked, authority ringing through his tone. The medic hurried to comply, slamming down his kit and springing it open. Holt dropped his hand onto the man’s shoulder and squeezed. “Bryant, I don’t even want to see a flick of pain cross her face when you touch her.” Bryant looked at me and swallowed thickly. “Yes, Chief.” “Chief?” I said, looking up at Holt. “I’ll be right back,” he said to me in a much gentler tone and then moved away. Bryant was fumbling with his supplies, Holt’s words clearly making him nervous. “Relax.” I tried to soothe him. “He’s just on edge about what happened. I’m fine. I promise to smile the whole time you fix me up.” “But it’s going to hurt,” he blurted apologetically. “Yeah, I know. Just do it. I’ll be fine.” That seemed to calm him a little, and he got to work. It did hurt. Incredibly. I felt Holt’s stare and I glanced up, giving him a fake smile. He rolled his eyes and turned back to one of the officers. “Hey,” I said to the medic. “Why did you call him chief?” He gave me a quizzical look. “Arkain’s the Wilmington Fire Chief.” My eyes jerked back to Holt where he stood talking to the police force and the firefighters that responded to the call. His firefighters. “I didn’t realize,” I murmured. Bryant nodded. “I guess I can understand that. He’s a humble guy. Doesn’t like to throw his position around.” I made a sound of agreement as he applied something to my wrist that made my entire body jerk. I bit down on my lip to keep from crying out. “I’m sorry!” he said a little too loudly. Holt stiffened and he turned, looking at me over his shoulder. I blinked back the tears that flooded my eyes and waved at him with my free hand. He said a few more words to the men standing around him and then he left them, coming to stand over poor Bryant. I never realized how intimidating he was when he wanted to be.
Cambria Hebert (Torch (Take It Off, #1))